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Viewing: Blog Posts from the Illustrator category, Most Recent at Top [Help]
Results 326 - 350 of 155,073
326. Revisiting the museum of applied robotics


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327. Doing a Demo Now on Facebook Live


I'm about to do an experimental demo on the new platform Facebook Live at 2:55 EST.

It will be a clash of technologies: iPad meets typewriter meets sketchbook. Tell your friends!

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328. the golden age


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329. Tribal


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330. Children’s Book Illustrations from British Library

via Lines and Colors :: a blog about drawing, painting, illustration, comics, concept art and other visual arts http://ift.tt/1TF4uFB

Children's Book Illustrations from British Library
As part of the huge trove of public domain images being posted on Flicker — which I reported in 2013 — the British Library has assemble a large collection of children’s book illustrations.

As is often the case with these kinds of large scale image resources, best results come from a bit of patience and digging.

Some of the illustrations are not directly attributed to the artists, but reference is given to the books from which they were taken.

[Via DCAD Library and Century Past History on Twitter]

 
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331. Not bad, Just drawn that way

As Jessica rabbit would say-

Was a good week for The Magic Word book as I did a bunch of pencil /block out roughs/thumbnails and it looks like it will be good.  Which is something because I tend to be guarded and self critical- so if I think it'll be good that's conservative.

Plus more time spent on after effects and illustrator testing  things and learning .

 Not a great week on  the life drawing front- mind you I know to expect a third or fourth week dip.

The guy was at Sculptors QLD shed- the girl at  Jugglers art space.
Thoughts-
Girl moved around a lot/didn't hold still-
ie if you rough the head and work down to feet- when go go back to the top head is in different position/ angle (not simply going back to top and seeing you did it wrong).

Jugglers was packed- a bit uncomfortable really- I sat next to a landscape architect student and talked to her in the break which was nice because I felt everyone might have been advertising people and its nice to find someone randomly that you can relate to.
(- having flashbacks of QUT student days helping my then girlfriend colour her site plans/analysis and the expensive annoyance that was Letraset.......)

Guy at sculptors was the opposite- he held very still-
(but I still didn't quite feel my energy was there this week).
Actually find drawing guys less stressful- they don't have to be "pretty" ,
mind you if you are in the proper frame of mind for drawing as you see is their humanity- and yours.

I think the thing is to remind yourself its like the drawing equivalent of going to the gym- so even if the drawings didn't turn out- the mental and physical effort of  training will still help.












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332. A king and a coloring book - Works in progress

I decided I need a nursery rhyme for my portfolio.
So I found a sort of obscure one - King Boggen.

"Little King Boggen he built a fine hall.
Pie-crust and pastry-crust, that was the wall;
The windows were made of black puddings and white.
And slated with pancakes, you ne'er saw the like!"

It has food, architecture, and is a children's book thing, which hits three of my sweet spots!

I found a couple of versions of the rhyme. One doesn't call him "Little" King Boggen, and there are other fiddly bits in the text that are different. But I decided to go with "Little", and make him a kid. I also toyed with the idea of making him a dog or other animal (well, it doesn't say the king is a person, does it?), but then stuck with the kid. I did like adding the dog though, and fell in love with the idea of the King being a chef, and the "fine hall" is a table-top size creation that they then enjoy eating.

So this was my first version.






An earlier incarnation . . .


And some revisions to the dog . . .




Then, after sitting on it for a day or so, decided it was too static and predictable.
So I sketched around a bit more, and came up with this ~


The Fine Hall is now a real building size, and everyone's moving around. I added the cat having a wash, and the bird making off with a pancake from the roof. The dog is leaping for a pancake (like a frisbee), and the King is just a weird little guy with a fancy pitchfork, picking pancakes and bits off the Hall and flinging them around. More fun, right? (and fyi, "black puddings and white" is blood sausage (black) and pork/oatmeal sausage (white), which will be the panes of the windows).

I have the dog just about exactly how I want him, and the cat needs a little refining.
But the King needs some work. Not sure exactly who he is - how old, is he jolly or bland or goofy, or what? And what exactly is his outfit? And let's get those legs just right . . .




And the hands - blimey. The top one holding the pitchfork is in probably the hardest position I could possibly create to draw. (Try holding a broom or something, and see how odd your arm/hand looks from this angle).



Still trying different things . . .


and that's where I've left it, for now.


Of course I googled this to see who else had already illustrated this, and found this 1915 image by Frederick Richardson (1862 - 1937) ~



~  ~  ~  ~  ~  ~  ~  ~  ~  

And then, I'm also working on the next Drawings of Knitting coloring book.
This next one will be full of more 'normal' drawings of knitting (not so 'arty'), and will have Fair Isle designs to color.

I'm going to do a couple of Fair Isle versions of each design, then have one, or maybe two, "blank" versions (like the mittens below) so that people can make up their own designs if they want to.

So here are some mittens ~


And here is a very work-in-progress Turtleneck Sweater. This shows exactly how I create these drawings. I sketch out the basic shape and design, then lay in the rows of stitches, very roughly, with "V's" to show where each stitch goes, then I painstakingly draw each stitch with the black 'ink'. After that's done I'll erase out the background guidelines, and clean everything up. There are always "overdraws" and bits that haven't quite joined up right, that need touching up. Its very fiddly, and I have to take quite a few breaks. 



Its Memorial Day weekend here in the States. Regular working people get a 3-day weekend. Not the rest of us though. I'll be doing more of this, and maybe some weed-pulling if its not too hot. I hope you all have a good holiday if you get to have one!



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333. still life in acrylics

sketch of a still life in acrylics on paper, after a photo i made. 30 x 70 cm approx.

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334. Facebook Live meets a manual typewriter

Yesterday Jeanette and I decide to try out an experiment.


It's the day before graduation at Bard College. Students are roaming around campus with their parents. We place the typewriter on a table in the student center, and I arrange the sketch easel.

We hope the typewriter will lure someone to pose for an impromptu portrait. First Cullan, and then his mom, try it out.

We set up the iPad to webcast the action via Facebook Live. The first session has audio issues due to problems with our old iPad (sorry). We switch over to an Android cellphone, and then it works fine. Here's the 16 minute webcast. (Link to video).


I start sketching Jeanette, but abandon the start and turn the page when Kathleen sits down. I lay down a few lines in watercolor pencils, then launch off with brush and watercolor to place the main shapes. With progressively smaller brushes, I place the smaller details.

Kathleen, watercolor and gouache 
Thanks to everyone who joined the webcast and left a comment. Let me know in the comments what you'd like to see on a future webcast. Thanks to Kathleen, Cullan, and Joe for lending a hand and being such good sports.
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My next video tutorial "Portraits in the Wild" comes out June 13. It's full of moments like this.

"Gouache in the Wild" HD MP4 Download at Gumroad

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335. STORE SNAPS - vintage mischief

For today's Friday eye candy we have some snapshots from a vintage store in Suffolk. Last month I went to a David Bowie show in Norwich and one the way home popped quickly into a shop called 'Vintage Mischief' in Beccles. The store is spread over several barns and outbuildings and features everything from retro and vintage furniture, fashion and wallpaper, to kitchenware, fabrics, and tea

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336. Presidential Polar Bear Post Card Project No. 160 - 5.27.16


Arctic Blues

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337. Todays inspiration

I was gardening, and looked up to see my my 5-year-old doing this.
This is why we who are in the children's publishing industry do what we do.

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338. New puppet design with incredibly fluid movement



(Link to Video) Barnaby Dixon has come up with a clever new way of articulating a puppet.

Not only can the little fellow dance with his feet and move his arms and head, he can point, grab things, and even scratch his face.

"My philosophy for puppetry is to get the fingers and the hands operating as directly as possible," says Dixon.

The hand articulation is cleverly built, using fine cable articulation, with a spring running inside the cable tube to cut down on friction. Here's another video explaining how the hand mechanism works.

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339. Presidential Polar Bear Post Card Project No. 159 - 5.26.16


#saveourseaice

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340. L.A. Studio Cosmic Toast Shut Down Without Paying Its Artists: A Cartoon Brew Investigation

A Los Angeles animation studio creating work that appeared on Disney and Nick-owned platforms didn't pay it artists for months and suddenly shut down.

The post L.A. Studio Cosmic Toast Shut Down Without Paying Its Artists: A Cartoon Brew Investigation appeared first on Cartoon Brew.

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341. CG Short about Aristocratic Anime



"Symphony of Two Minds" is a short film about CG animation finding its own style amid a variety of influences. (Link to YouTube)

It begins with two cartoon characters eating a meal in an aristocratic dining parlor. They remark on how sophisticated their world is. It is visually sumptuous indeed, with hand-held photographic camera work and richly rendered textures.


But the low-class young man hasn't fully elevated himself from his origins in a hyper 2D anime universe, and he keeps experiencing flashbacks to it.

Director Valere Amirault says: "How do we choose to mix influences when dealing with a medium as new as CG animation? From live action independent movies to Japanese anime, CG animation is still a new form of media trying to find its own style, to differentiate itself from traditional cartoons."
-----
Via Cartoon Brew

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342. Trying to capture it

I am lucky to live with someone who doesn’t mind me drawing him. It’s not like I make him sit and pose for me as a life drawing model, but I do draw him when he practices playing one of his instruments, sits reading, or gaming for example.
Sometimes I study just details and come really close by, staring like a maniac at him until I filled a whole page with gestures, features, details.

It’s quite hard to capture ‘him’ though. Maybe because he is so close to me, that makes it harder to draw him? Anyway; this might be a good thing because it’s such a reat exercise and fun to do. And practice does help. The third drawing below, the one where I drew him while he was playing a game; it kind of looks like him!20160424_Journal
20160517_Addedpage

20160515_Pascal

The post Trying to capture it appeared first on Make Awesome Art.

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343. ‘Symphony of Two Minds’ by Valere Amirault (Exclusive Premiere)

Cartoon Brew presents the Internet world premiere of "Symphony of Two Minds," a CG short unlike any you've seen before.

The post ‘Symphony of Two Minds’ by Valere Amirault (Exclusive Premiere) appeared first on Cartoon Brew.

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344. pamela butchart & thomas flintham take top fcbg children's book award!

Hooray for writer Pamela Butchart and illustrator Thomas Flintham whose book yesterday won the Overall Award at the Federation of Children's Book Group's award ceremony in London! What's also awesome is that the media is featuring BOTH the writer and the illustrator in their coverage!

This dual coverage doesn't happen by chance; publisher Nosy Crow has been very active in the #PicturesMeanBusiness campaign and making sure illustrators are credited, and the FCBG people writing the press releases must have been on the case about it. Media journalists may even be wising up! So big thanks to everyone who's making this happen! :)


Screenhshot photos: BBC Breakfast tweeted by @bookloverJo and CBBC Newsround by @Pamela_Butchart

Here are a few more photos from yesterday's ceremony. Thanks for inviting me, Louise Stothard from FCBG! And thanks to Jane Etheridge, Sarah Stuffins and everyone else on the FCBG team who made it happen. It was fun running into lovely be-frocked authors Pamela and Jeanne Willis at the front door of the Union Jack Club:




Here are Thomas and Pamela winning their 'Books for Younger Readers' category award:



And then the Overall Award:



I got to meet author Sarah Crossan for the first time (who also won in her 'Books for Older Readers' category):



And writer-illustrator Richard Byrne:



The kids and their FCBG leaders put together beautiful albums of artwork and letters about each book and I caught a glimpse of Richard's:



And Viv Schwarz's (whose Is there a Dog in This Book? won the 'Books for Younger Children' category award):



Steven Butler did a fab job presenting... (Oh look, it's Walker Books editor Lizzie Spratt!)



And Korky Paul drew up an absolute storm on kids' lunch napkins (sadly not shown here):



Readers presenting albums to Guy Parker-Rees and Gareth Edwards:



And to Tony Ross and Francesca Simon:



Adrian Reynolds and Jeanne Willis:



Author Kim Slater:


Author Polly Ho-Yen tweeted a couple photos:



Oo, look at those hooligans at the back... I spot my studio mate Elissa Elwick and her new picture-book-partner-in-crime, beardy Philip Ardagh.



I just went along to see people, none of my books were up for awards. But indie bookseller Tales on Moon Lane cheerfully provided them anyway and it was fun getting to meet readers who loved them and those who were just about to dive in.



Thanks to Carousel editor David Blanche for slipping me a copy of Carousel and making Philip Reeve 'n' me look dead famous in front of a bunch of kids. :)




Hugs all 'round, a lovely sunny afternoon.



You can read more about the shortlist and awards over on the FCBG blog here.

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345. My Name is Green! :)


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346. Harold Speed Talks Brushes

Welcome to the GJ Book Club. Today we'll cover pages 237-242 of the chapter on "Materials," from Harold Speed's 1924 art instruction book Oil Painting Techniques and Materials.

I'll present Speed's main points in boldface type either verbatim or paraphrased, followed by my comments. If you want to add a comment, please use the numbered points to refer to the relevant section of the chapter.

In this section of the chapter, Speed discusses the brushes for oil painters.

1. You can use cheaper paints when you're a student, but even if you're poor, you shouldn't skimp on brushes.
I totally agree with Speed on this one. He says "A cheap brush is useless from the start and has, luckily, a very short life as they wear very badly. The best brushes last much longer."

2. Cleaning brushes. "Soap and water cleans them most thoroughly and is the best way of cleaning them. But it is a most tedious process after a hard day's work."
Here's a previous post on "How to Clean out a Brush"

3. After washing them out, the brushes "should be lovingly sucked to bring the hairs together." 
Never heard that one before. One would want to make sure to remove all the lead, cobalt, barium, and cadmium first. Or maybe pass on that idea.

4. "When thoroughly dry they have plenty of spring in them, whereas the slightest dampness gives them a flabbiness."
He's talking about bristle brushes here. It's really true. Damp brushes are flabbier.

5. Flats and Rounds: Flats are better for "laying a perfectly even tone, but give a nasty thin sharp edge...For figure work and form expression generally, one wants a brush that will lay the paint in even, flat tones without thin sharp edges." 
He's referring to flat brushes with rounded corners, alternately the modern filbert option, which has a flat cross section but a rounded tip. The image above shows a set of Simmons filberts.

6. Fashion for soft haired brushes used for flowing strokes (in the 1920s).
Speed notes that some of the inspiration came from studying Frans Hals, who apparently used such brushes. Speed generally prefers stiffer hogs' hair bristles.

7. "Always work with the biggest brush that will do what you want."
Then choose the next size bigger. Speed notes that a big flat brush is really several brushes in one, because you can use the corner and the edge for very different strokes.

8. "The brush makers have an absurd habit of making the size of the handle fit the size of the brush, instead of the size of the hand that will have to hold it." 
He continues, "Very small brushes need a very firm grip to control them as they are only used for very delicate work. And yet they are often given a handle no thicker than a match."

I totally agree, and I've always wondered about this, too. Pencils, pens, knives, and golf clubs have constant sized handles. Why don't brushes?

9. Only German brushes have an indented ring round the metal holder (ferrule) to prevent the tip falling off the handle.
Now crimped ferrules are pretty standard even on cheap brushes.

10. Cheap brushes "appear to have been sharpened off to make them a good shape, after being roughly put together; instead of the good shape being the result of a careful placing of the individual hairs."
Here's a video about how they make Escoda brushes


(Link to video)

More on brushes at:
MacPherson Arts / "Brush Basics"

Next week— Painting Grounds
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In its original edition, the book is called "The Science and Practice of Oil Painting." Unfortunately it's not available in a free edition, but there's an inexpensive print edition that Dover publishes under a different title "Oil Painting Techniques and Materials (with a Sargent cover)," and there's also a Kindle edition.
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347. Wolfpack, to be found in the third in line


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348. Artist of the Day: Grace Nayoon Rhee

Discover the art of Grace Nayoon Rhee, Cartoon Brew's Artist of the Day.

The post Artist of the Day: Grace Nayoon Rhee appeared first on Cartoon Brew.

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349. breakfast in space


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350. Pick of the Week for WHEELS and This Week’s Topic

©Thom+Sevalrud_TS266_i2iArt

It’s Illustration Friday!

Please enjoy the wonderful illustration above by Thom Sevalrud, our Pick of the Week for last week’s topic of WHEELS. Thanks to everyone who participated with drawings, paintings, sculptures, and more. We love seeing it all!

You can see a gallery of ALL the entries here.

And of course, you can now participate in this week’s topic:

TRIBAL

Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the public Gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!

HAPPY ILLUSTRATING!

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