in all blogs
Viewing: Blog Posts from the News category, Most Recent at Top [Help]
Results 1 - 25 of 56,275
From Open Culture:
“For a millennium the space for the hotel room existed – undefined,” pronounces Lynch at the top of each chapter. “Mankind captured it and gave it shape and passed through. And sometimes when passing through, they found themselves brushing up against the secret names of truth.” All of Hotel Room‘s episodes play out in one such space in particular, number 603 of New York City’s Railroad Hotel. Each visits it in a different era, though, in typically Lynchian fashion, the hotel’s ageless maid and bellboy exist outside of time.
From Publishing Perspectives:
It’s not just the fact of censorship — it’s more the way the censorship works. Speak to any bookseller – and, sadly, there aren’t many in Doha – and they all tell you the same story. At the moment, retailers have to submit one copy of every title they receive to the Ministry of Culture for approval, even if the same book has already been approved for another retailer. It’s an Orwellian situation that is not without a comic side. “We’re still waiting for clearance for The Gruffalo even though it’s for sale elsewhere,” said Richard Peers-Weaver, Purchasing Manager of WHSmith, with a weary smile. “We have around 70% of our stock still tied up at the Ministry awaiting approval. It’s very frustrating, particularly when we have customers coming in and expecting to see certain things.”
If nothing else, click through to see the picture of the Doha skyline: it's VERY cool.
In one of MTV‘s most ambitious moves on the scripted side since Susanne Daniels became president, the network has given a script-to-series commitment to Shannara, a drama series based on Terry Brooks’ popular fantasy books. The project, from Sonar Entertainment and Farah Films, has Iron Man helmer Jon Favreau on board to direct and will be written by Smallville creators Al Gough and Miles Millar. The trio will executive produce with Brooks and Dan Farah (The Crow remake).
(via SF Signal)
Okay, so I found this Disney Babies series.
It's mostly comprised of titles like this:
Colors, ABCs, 123s, etc., etc.
You get the idea, right?
SUCH A STRANGE CHOICE, TITLE-WISE.
For a split-second, I thought that a library school had teamed up with Disney to create some sort of massively nerdy pamphlet. But, no. It's just a four-page book about putting things in order. For babies. CALLED SEQUENCING & CLASSIFYING.
If the other books had had adult-ish titles, I probably wouldn't have even noticed.
The BookSeekers is geared specifically to finding children's books, specifically, in their words, "a discovery website for kids’ books which seeks to help you to navigate through the huge choice of books for kids – from toddlers to teens - to find the next great book to read".
As I've done in the past, I ran Howl's Moving Castle and The Book Thief through the engine.
For fans of Howl, BookSeekers recommends: Charmed Life. Which I feel is weaksauce, because A) only one title? and B) that one title is ALSO by DWJ?
For fans of The Book Thief, BookSeekers recommends: I Am the Messenger and Boy in the Striped Pajamas. Weak (same author) and barf (I understand why it came up, but man, I do dislike that book).
Anyway, I'll continue playing with it—it looks like there are other ways of using it and there are lots of booklists to comb through—and it's a pretty new site, so they'll probably continue to add to the database and tweak it and whatnot.
Link in case the video doesn't load.
[ETA: Ag, I can't make the embed code work, so click on through to USA Today.
Ah. Now that I've taken the time to, you know, READ THE ARTICLE: The song is from from Frog Trouble which is all-country, all the time.
AND HOLY COW, DWIGHT YOAKAM IS ON IT.
Pardon me while I go and buy the hell out of it.]
[ETA REDUX: Okay, so really I only care about Dwight and Ryan Adams and, to a lesser degree, Alison Krauss. But I'm buying it anyway, because Dwight.]
Then again, I love gingerbread so much that I don't see why it should just be a seasonal treat!
Anyway, here's the Instructables link.
From the Hollywood Reporter:
CBS Films has picked up the rights and acquired an accompanying pitch by Patrick Melton and Marcus Dunstan, the duo wrote a slew of the Saw horror movies.
Melton and Dunstan will now write the script, which will use the horror folktale anthology as a jumping off point and incorporate some of the book's short stories, while concentrating on a group of kids who band together to save their town from living nightmares.
I would really, really like for it to be A) good and B) scary.
But... I can't say that I'm not extremely worried that it'll be a dud.
From their website:
Scarlet Voyage is a young adult fiction imprint dedicated to providing original stories with a strong voice and an independent spirit. From literary to contemporary romance to crime thriller—across all genres—our books embody our passion for authentic and compelling stories that reflect and explore the lives of young adults. Our mission is to create books that take readers on a voyage and will leave them burning for more.
Coming this spring, among others:
In the River Darkness: ALTERNATING NARRATORS! LOVE TRIANGLE! (<--I'm guessing here, but the description sounds pretty clear.) LOTS OF SEKRITS!
Freak City: Romance about a boy who falls in love with a deaf girl and starts to explore deaf culture & community.
What We Did for Love: WWII? I think?
Code Name Komiko: Sixteen-year-old violin prodigy moonlights as cyber-investigator.
...a list curated by the ladies at Smart Bitches, Trashy Books:
Since I'm going to miss the annual discovery of awesomeness in YA romance this year, I put the call out on Twitter for reader favorites in YA romance this year, and promised to compile them all. Here's a selection of those recommended, and please, add your 2013 favorites in the comments if you'd like! Feel free to share what you loved and why you loved it, and help others discover the best of 2013 YA Romance.
...at the New Yorker:
As 2013 draws to a close, we give you our second-annual look at the scuffles, controversies, and feisty debates that have helped keep the literary world lively over the past year. Among this year’s conflicts, presented here in rough chronological order, a few themes emerge: clashes over the function of online literary criticism, questions about gender and literature, and struggles over who controls an artist’s legacy and fortune. A few of the items show what happens when closed-mindedness leads to controversy; others stand as proof that people are still engaged and passionate about the state of literature.
I can't help but notice that there's not much kidlit/YA stuff up there, and I KNOW that there must have been SOMETHING. There've been a lot of conversations about gender and about privilege, but I can't think of any out-and-out brawls.
I had such a weird year, though, that I'm probably forgetting stuff: remind me so I can revisit the dramz?
"He's moved on with his life."
"What life? I've been away."
Ahahahahahaha. Oh, Sherlock. Never change.
Also, and again: PLEASE FOR THE LOVE OF GOD, I HOPE THAT MARTIN FREEMAN DOESN'T HAVE THAT MOUSTACHE FOR THE WHOLE SEASON.
...I wrote about Alyxandra Harvey's A Breath of Frost, which was a LITTLE bit confused and a LOT long, but overall, quite fun:
Over the course of that night, she finds out that A) magic is real, B) she’s a witch, C) she’s suspected of being a MURDEROUS witch by D) a mysterious Order that has it in for her, E) everything she knows about her mother is a lie, and F) Cormac Fairfax, the jerk of a guy who broke her heart months ago knows all about all of it.
Ridley Scott has optioned screen rights to Fae, the young adult fantasy bestseller written by sibling authors Colet and Jasmine Abedi. The title was published last summer by Diversion Books and is the first in a trilogy. Protagonist Caroline Ellis reaches 16, a birthday that triggers the battle fated for centuries between the Dark and Light Fae, forcing her to confront who she is and discover whether her tumultuous relationship with Devilyn Reilly, who’s battling the power of the Dark within him, will destroy them both along with humanity.
The Guardian's Best Of list lumps children's and YA all together, which I find vaguely irritating, but I SHALL SOLDIER ON.
Then again, I'm not sure if I can take this list entirely seriously, as it INCLUDES RANDI ZUCKERBERG'S DOT. (<--Full disclosure: I'm finding myself to be incapable of separating Zuckerberg's celebrity author status—but more especially, the truly obnoxious Closing Keynote that she gave at BEA Bloggercon—from my feelings about the book. Which is unfair to the book and to the list. Moving on.)
A few highlights! Jonathan Stroud's The Screaming Staircase, YESSSSSSSSSS. I'm sad it hasn't shown up on more lists, because it's such a super-fun read:
With that one sentence, he establishes the tone of the book as smart and slyly funny, while also promising plenty of spooky fun. By the end of the second chapter, he’d already completely delivered on that promise: Despite reading the book on a beautiful, sunny August morning, the atmosphere was so very creepy and the imagery was so DOUBLE-CREEPY that for the rest of the book, I had the whole goose bumps/chills combo going in spades.
Titles on the list that I REALLY WANT TO READ: Meg Rosoff's Picture Me Gone and Marcus Sedgwick's She Is Not Invisible.
Click on through for more, obvs.
The Book to Art Club launched this September, and is an extension of the Library as Incubator Project. Its aim is "to explore literature through discussion and hands-on creative projects".
So far, they've covered The Guernsey Literary and Potato Peel Pie Society, The Art Forger, The Language of Flowers, Z: A Novel of Zelda Fitzgerald, and this month, they're working with John Green's Paper Towns.
It's a really cool concept, not just connecting art to books, but CREATING art that's inspired by books. Anyway, it's a cool website & a good resource, and a lot of the basic ideas could be easily incorporated into book groups (or classrooms), regardless of age level.
(I mean, I think a lot of storytimes already incorporate themed crafts, as do book groups for younger readers. And way back when, I always did a craft with my high school book group, too, but somewhere along the way, I stopped. I'll have to Bring It Back when I get a high school book group up and running at my new library.)
Super-short, and appeals to the same part of me that finds Ratchet & Clank hilarious:
Song Of The Knight from Ringling Computer Animation on Vimeo.
(via SF Signal)
...have been announced, and Jim Smith's I Am Still Not a Loser won in the 7-14 category.
Click on through for the picture book winner and the shortlists.
Roshi Fernandez on Maya Angelou at NPR:
I had entered the second year of the six years when I didn't speak of the-thing-that-happened-to-me-when-I-was-11, and I was looking for explanations of that thing. And I was looking for ways to introduce the subject to my parents, so they would say, "Oooh, I understand," in an unemotional, chatty way, and we could get thatthing out into the open.
In Maya Angelou, I found some answers. Reading I Know Why The Caged Bird Sings explained more to me than the Harold Robbins and Jackie Collins novels that we passed around the classroom ever did. Maya Angelou told me quite clearly — your body is yours.
These projects and their teams are all attempting to address the need for greater diversity in the fiction available to young people in particular—for teens of all kinds to be able to ‘see themselves’ in stories—and as the main character, not just the best friend or minor supporting character who assists the straight white able-bodied American protagonist along their journey.
Publications like Kaleidoscope and Inscription, then, are not only useful in producing new material for the teen readers out there, but also in helping to raise awareness in the publishing community of the needs of young readers.
View Next 25 Posts
From Yahoo! News:
Benson wrote more than 130 books, including the 1940s Penny Parker mystery series, but she is best known for the Nancy Drew books that inspired and captivated generations of girls.
She wrote 23 of the 30 original Nancy Drew stories using the pseudonym Carolyn Keene. Paid $125 per book, she never collected any royalties.
Benson died in 2002 at 96 and left her home and possessions to her only daughter, Peggy Wirt, who died in January.