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Results 26 - 50 of 57,338
26. Edmondson and Laming are doing Splinter Cell Echoes for Dynamite

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It’s con season, and as usual Dynamite is doing one of it’s non con announcement sprees. So we’ll keep posting ‘em as they come in. This time it’s Tom Clancy’s Splinter Cell Echoes, a new comic based on the wildly successful video game series, done in conjunction with Ubisoft. Nathan Edmondson and Marc Laming are the creative team. based on Edmondson’s caper tales like Who is Jake Ellis? and The Activity he seems like a good man for the job.

Splinter Cell Echoes takes place between the events of Tom Clancy’s Splinter Cell Conviction® and Tom Clancy’s Splinter Cell Blacklist™. The comic book series bridges the gap between the two games with a realistic, original story that sets the tone for the opening events in Splinter Cell Blacklist.

Sam Fisher, once a Splinter Cell–a clandestine elite operative operating in the shadows of the NSA–is now retired. His enemies, however, are not. Haunted by dreams and memories of his past, he struggles to put his life back together. But when a mysterious terrorist organization called KROWE begins pursuing targets around the globe, Sam’s expertise is needed to uncover their endgame and stop them before the deadly plot unfolds.


The book comes out in July.
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3 Comments on Edmondson and Laming are doing Splinter Cell Echoes for Dynamite, last added: 4/18/2014
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27. Kibbles ‘n’ Bits 4/14-18 2014: Megahex cover revealed

I was working on a long article this week so this all piled up, but I know it’s the weekend and everyone has nothing to do but read all the stuff they missed earlier, right?

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§ The final cover to Simon Hanselmann‘s Megahex has been revealed. The book comes out this fall, collecting the popular webcomic, and a lot of people I know will be talking about this.

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§ Eric Colossal’s Rutabaga the Adventure Chef will be published by Amulet Books, in a two book deal. The first books comes out in March, 2015. The webcomic concerns the fantasy adventures of a chef who goes questing for exotic ingredients. There will be recipes in the print version.

§ Speaking of fun fantasies, Game of Thrones show runner David Benioff and HBO are auctioning off a set visit during Season Five filming. I haven’t read the books so I don’t know if this will involves another grisly wedding, wandering around icy fjords or just watching someone get a vital appendage chopped off, but whatever happens it will be amazing! Go place your bid here. The current top bid is $9,500 so be prepared to spend. A Lannister always pays via Paypal. The proceeds benefit the Epic Theatre Ensemble.

§ Corinne Mucha’s break up comic Get Over It! is previewed here. Been there.

§ The feature I was working on involved libraries, so this expose of library school amused me.

You’re probably wondering at this point how you’re going to fit in. Simple! Have you seen Doctor Who? You should probably have a favorite Doctor (NINE FOREVER.) You’ve read Harry Potter and maybe dabbled in fandom? And you love Tina Fey. You must love Tina Fey. To really stand out you should probably have at least one “thing.” It’ll have to be really weird to stand out in library school though. Maybe cyborg hockey player RPS? Oh wait, that’s taken. Maybe just think on it for a while. Whatever you do, don’t talk about the rock wall at your gym constantly. Nobody likes that guy.

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§ I joked about the Camden Comic Con, but it was “a Pleasant Surprise” and I am very happy to hear that. CO2 Comics’ Gerry Giovinco has a nice report.

For a small, first-time convention organized in just two short months, so many things were done right that it is just amazing, beginning with and highlighted by the hospitality of the staff and Rutgers University. They found a way to make everyone feel appreciated which is, in and of itself, a rarity anywhere in today’s society. They even provided a delicious,complimentary lunch  to all vendors, dealers and guests! Who can not be happy when you are being fed?


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§ Tom Devlin has a photo report on MoCCA and stained glass windows.

§ And Maura McHugh went to MCM Dublin, which appears to be one of those “emerging markets.”

If anything MCM Ireland Comic Con has proved that the potential audience is bigger than previously realised. It’s not so much a case of ‘if you build it, they will come,’ as ‘if you let them know the event is going on, they will come.’ MCM had the media connections and marketing budget that many of the Irish conventions don’t possess, and even though it rolled out its poster campaign in Dublin a little late, it still collared the attention of a large audience impatient for this kind of event.

§ Speaking of conventions, First Second’s Gina Gagaliano has another Comics Etiquette 101 on why pitching your great American graphic novel in the middle of a comicon is unlikely to end in a sale. Everyone is busy and distracted and buying a book is serious business. BUT wise words at the end:

So — if we see you at a convention and we tell you that we like your work and that you should stay in touch, that’s not us giving you the brush-off.

That’s us telling you to stay in touch with us — the first step towards an author/publisher relationship.


§ Mimi Pond’s Over Easy has been getting lots of press and it even made Buzzfeed with a piece called 14 Observations About Working At A Restaurant From Mimi Pond’s Graphic Memoir.

§ Here’s a project where they are redrawing ROM, the Marvel Publisher, Bill Mantlo-written, Sal Buscema drawn comic about a robot that will never ever be reprinted because no one has the rights any more. Well, someone does but they don’t want to reprint it.

§ Laura Hudson interviews Matt Fraction because he got sex comics right. Indeed he did!

§ Here is an old one. Sean Michael Robinson on an aborted graphic novel project that he had to scrap after four years. Among the problems: the characters weren’t well designed and the art style was too introcate. Definitely something an aspiring creator should ponder before launching a big project. Sam Alden’s Eighth Grade is another

§ Here is an old news item I completely biffed, the Kirby family taking their case regarding ownership of various Marvel characters to the Supreme Court. Although this sounds unlikely, Beat legal expert Jeff Trexler actually caleld this—and some of the issues raised in the filing—back in his thorough analysis of the case for TCJ. A very sim chance, to be sure, but perhaps…one last chance.

The Marvel v. Kirby appeal could offer an attractive case for justices on both sides of the ideological fence to resolve the question of judicial takings in a mutually acceptable way. On the one hand, it is a documentable case of judges unilaterally depriving freelancers and their heirs of substantial property rights, including both the original copyright and the right to terminate the earlier transfer. In this case it’s all intellectual property, but as the court indicates in Stop the Beach Renourishment, property rights are property rights, no matter how intangible.

3 Comments on Kibbles ‘n’ Bits 4/14-18 2014: Megahex cover revealed, last added: 4/18/2014
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28. Genre debates: "literary" fiction versus SF/F.

I'm really not into having the whole Which One Is Better debate, because I don't have a strong aversion to any genre: if it's a good book, it's a good book, yay books. YAY BOOKS.

Anyway! Despite the title, ultimately, the essay is more about the differences between the two genres, and more especially about the strengths of SF/F:

You absolutely cannot obscure underlying weakness with waffle. Otherwise the emails will arrive, picking up on discrepancies. Not just for the sake of point-scoring or nitpicking but because fans become so engaged with imaginary worlds and so passionate about their characters.

That passion, so easily mocked by laughing at Trekkies and Whovians, is another thing that distinguishes SF and fantasy from literary fiction. Mocking that passion is missing a key aspect of speculative fiction. By drawing readers in large numbers, contemporary fantasy becomes a platform to debate key, current social and political challenges, while science fiction continues to explore the impact of technological developments, for good and ill, before we have to tackle these things in reality.

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29. WonderCon Preview, Exclusives and In-Booth signing schedules

It’s WonderCon this weekend in Anaheim! NOw in it’s third year down in the OC, the venerable and much-loved show seems to have settled into its Anaheim setting very well after its San Frano home had the rug pulled out from under it. And here’s the most exciting thing about WonderCon — You can still buy tickets for it! Now true, only today, Friday, and Sunday are available and you CANNOT BUY TICKETS ON-site, you must order them online, but this is as close to spontaneous as we’re likely to get with one of these big pop culture extravaganzas. Although there will be a ton of media stuff going on (WonderCon is kind of a Spring dress rehearsal for Hall H) there are a ton of fantastic comics guests: Jim Lee, Gail Simone, Sara Ryan, Cliff Chiang, Steve Leiber and many more. And Artists Alley too!

Here, gleaned from the past week of PR, is a guide to some of who’s signing where, and other special events of note:

DC COMICS

The latest DC Universe cartoon movie Son of Batman gets its world premiere. Teen Titans go! will be screened and voice cast members of both these will sign at the booth. The Teen Titans Go! signing will take place on Friday at 1:30pm and signings for Son of Batman will take place on Friday at 3:30pm.

DARK HORSE

Exclusives, $5 each and limited to five per person.

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All-new variant cover for Buffy the Vampire Slayer, with an exclusive Season Ten first-issue cover by Tomb Raider art director Brian Horton! Limited to 1,000 copies.
 
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Variant for Angel & Faith Season Ten #1, by Buffy cover artist Steve Morris! Again, with only 1,000 copies produced

 These two special WonderCon exclusives will retail for $5 and are limited to five per person.
 
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Stan Sakai has done a special cover for the upcoming The Witcher, a canonical tie-in series in the world of the Witcher video games, which have collectively won over 250 awards and sold more than 5.5 million copies worldwide! All proceeds from the sale of this limited-edition variant will benefit Stan and Sharon Sakai.
 
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Art Baltazar and Franco bring you the characters that sprung from Mike Mignola’s imagination, with an AW YEAH twist, in Itty Bitty Hellboy! A limited-edition hardcover is available at WonderCon for $20, while supplies last
 
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The Last of Us: American Dreams, from Faith Erin Hicks (The Adventures of Superhero Girl) and Naughty Dog’s Neil Druckmann, collects the comics that are the official lead-in to the game. This limited-edition hardcover will first be available at PAX East this weekend, and then in very limited quantities at WonderCon for $24.99.

SIGNING SCHEDULE
Friday, April 18
1:00 p.m. Avatar: The Last Airbender: Gene Yang
3:00 p.m. Star Wars: Dawn of the Jedi: Dan Parsons
 
Saturday, April 19 
11:00 a.m. Bad Houses: Sara Ryan
12:00 p.m. Avatar: The Last Airbender: Gene Yang
3:00 p.m. Tomb Raider: Gail Simone
4:00 p.m. Never Ending: D. J. Kirkbride, Robert Love
5:00 p.m. The Fifth Beatle: Vivek J. Tiwary, Andrew C. Robinson
 
Sunday, April 20
11:30 a.m. Buffy the Vampire Slayer Season 10: Christos Gage
1:00 p.m. The Star Wars: Mike Mayhew
3:00 p.m. Serenity: Leaves on the Wind: Zack Whedon, Georges Jeanty*
 
*Ticketed event. A set number of tickets will be distributed Friday, Saturday, and Sunday mornings by drawing.
 

CARTOON NETWORK

SIGNINGS
FRIDAY, APRIL 18
 
• 2:00 p.m. – 3:00 p.m.                        
            Cartoon Network Steven Universe, Uncle Grandpa, 
            Clarence Creator Signing
            Location: WCA Signing Area in Hall B

• 3:30 p.m. – 4:30 p.m.                
             Regular Show Signing
             Location: WCA Signing Area in Hall B

SATURDAY, APRIL 19
 
• 3:00 p.m. – 4:00 p.m.
           Adventure Time Signing
            Location: WCA Signing Area in Hall B
 
VALIANT

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Guests include James Asmus (writer – Quantum and Woody, The Delinquents), David Baron (colorist – Archer & Armstrong, Shadowman: End Times), Joshua Dysart (writer – Harbinger,Armor Hunters: Harbinger), and Robert Venditti (writer – Armor Hunters, X-O Manowar), stop byBooth #210/212 inside the Anaheim Convention Center for a weekend packed with special signings, free giveaways, and con-exclusive products you won’t find anywhere else – including the all-newHarbinger #22 “Death of a Renegade” WonderCon Exclusive Variant by red-hot artist Michael Walsh (Secret Avengers, Comeback) Limited to 500 copies

SIGNING SCHEDULE BOOTH #210/212

Friday, April 18th:
4:00 pm – 5:00 pm: Robert Venditti, David Baron

Saturday, April 19th:
1:00 pm – 2:00 pm: Joshua Dysart
2:00 pm – 3:00 pm: Robert Venditti
3:00 pm – 4:00 pm: James Asmus
4:00 pm – 5:00 pm: David Baron

Sunday, April 20th:
12:00 pm – 1:00 pm: Robert Venditti
1:00 pm – 2:00 pm: James Asmus
2:00 pm – 3:00 pm: David Baron

LION FORGE
The digital publisher is brining Chavo Guerrero and Quinton “Rampage: Jackson to their booth…OK THEN. Cosplayer Yaya Han and Saved by the Bell’s Dennis Haskins also appear.

Fans can visit the star studded Lion Forge booth as the special guests will be taking pictures, signing autographs and discussing their current and upcoming creative projects outside of fighting, acting and cosplay.

Signings
Friday, April 18
o   Miami Vice writer Jonathan London and artist Carl Reed will be signing Miami Vice posters at the Lion Forge booth #801 starting at 1:00 p.m.
o   Yaya Han will be signing autographs at the Lion Forge booth #801 between 3:00 p.m. – 7:00 p.m.
·         Saturday, April 19
o   Chavo Guererro, Dennis Haskins as well as Marvel, DC and Dark Horse comic book writer Joe Casey will be moderating the Lion Forge comic panel in room 210A between 11:00 a.m. – 12:00 p.m.
o   Chavo Guerrero will be signing autographs at the Lion Forge booth #801 between 12:00 p.m. – 1:00 p.m.
o   Dennis Haskins will be signing autographs at the Lion Forge booth #801 between 1:00 p.m. – 3:00 p.m.
o   Quinton “Rampage” Jackson will be signing autographs at the Lion Forge booth #801 between 3:00 p.m. – 4:00 p.m.
·         Sunday, April 20
o   Yaya Han will be signing autographs at the Lion Forge booth #801 throughout the day.

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BOOM! STUDIOS

• Dawn of the Planet of the Apes cast members Andy Serkis (The Lord of the Rings: The Fellowship of the Ring, Rise of the Planet of the Apes), Gary Oldman (The Dark Knight Rises, The Dark Knight) and Keri Russell (The Americans, Felicity), along with film director Matt Reeves (Let Me In, Felicity), will make an exclusive signing appearance at the BOOM! Studios booth Saturday, April 19 from 2:30-3:00. Limited-edition WonderCon exclusive Dawn of the Planet of the Apes prints illustrated by Garry Brown (The Massive, Sons of Anarchy) will be available for purchase for $20.
The signing will be ticketed and a print purchase is required for the signing.

And some Exclusive covers

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BRAVEST WARRIORS 2014 ANNUAL #1 WonderCon Exclusive Cover by Sam Lavagnino

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HEROBEAR AND THE KID: SAVING TIME #1 WonderCon Exclusive Cover by Mike Kunkel

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LUMBERJANES #1 WonderCon Exclusive Cover by Jess Fink

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TRANSLUCID #1 WonderCon Exclusive Cover by Dan Duncan
 
Other signings:

• Eric M. Esquivel (LOKI: RAGNAROK AND ROLL, BRAVEST WARRIORS, FREELANCERS)
• Megan Hutchison (AN AURORA GRIMEON STORY: WILL O’ THE WISP)
• Michael Alan Nelson (DAY MEN, 28 DAYS LATER, PROTOCOL: ORPHANS)
• Mike Kunkel (HEROBEAR AND THE KID)
• Noelle Stevenson (LUMBERJANES, ADVENTURE TIME)

SIGNINGS

FRIDAY, April 18
2-3 p.m. R.J. Ryan (THE JOYNERS IN 3D)
5-6 p.m. Claudio Sanchez and Chondra Echert (TRANSLUCID, AMORY WARS, KEY OF Z, KILL AUDIO) – This is a ticketed signing. Tickets are only available at the BOOM! Studios booth whille supplies last on the day of the specified signing.

SATURDAY, April 19
1-2 p.m. Steven Grant (2 GUNS, 3 GUNS, ROBOCOP, DECEIVERS)
3-4 p.m. Claudio Sanchez and Chondra Echert (TRANSLUCID, AMORY WARS, KEY OF Z, KILL AUDIO) – This is a ticketed signing. Tickets are only available at the BOOM! Studios booth whille supplies last on the day of the specified signing.
5-6 p.m. R.J. Ryan (THE JOYNERS IN 3D)

SUNDAY, April 20
11:30 a.m.-12:30 p.m. R.J. Ryan (THE JOYNERS IN 3D)
1-2 p.m. Claudio Sanchez and Chondra Echert (TRANSLUCID, AMORY WARS, KEY OF Z, KILL AUDIO) – This is a ticketed signing. Tickets are only available at the BOOM! Studios booth whille supplies last on the day of the specified signing.)
3:30-4:30 p.m. Natasha Allegri (ADVENTURE TIME: FIONNA & CAKE, BEE AND PUPPYCAT)

In addition, the BOOM! Studios booth will host sketch artists all weekend, including:
• Hannah Nance Partlow (ADVENTURE TIME: CANDY CAPERS)
• Kassandra Heller (ADVENTURE TIME)

For $20, fans can request and purchase custom sketches to be drawn on blank ADVENTURE TIME Get-A-Sketch covers.

Fox Home Entertainment – How to Train Your Dragon etc

Hall C, Booth #1468

SCHEDULE:
Friday, April 18th
11:30 a.m.: Booth opens, sales and giveaways begin
12:00 noon: Demonstration of new How to Train Your Dragon apps begins
1:00 p.m. – 4:00 p.m.: Airbrush artist on-site to create Dragons tattoos
7:00 p.m.: Booth closes

Saturday, April 19th
9:30 a.m.: Booth opens, sales and giveaways begin
10:00 a.m. – 1:00 p.m.: Airbrush artist on-site to create Dragons tattoos
12:45 p.m. (tentative): Fox panel presentation begins at the Arena
2:00 p.m.: Jay Baruchel and Dean DeBlois arrive at booth #1468 for fan signing
2:30 p.m.: Fan signing ends
3:00 p.m.: Demonstration of new How to Train Your Dragon apps begins
7:00 p.m.: Booth closes

Sunday, April 20th
10:30 a.m.: Booth opens, sales and giveaways begin
11:00 a.m. – 2:00 p.m.: Airbrush artist on site to create Dragons tattoos
1:00 p.m.: Demonstration of new How to Train Your Dragon apps begins
5:00 p.m.: Booth closes

NERDIST INDUSTRIES

Signings:
 
Friday 2:00 (Booth #1410)
Signings – Sex Nerd Sandra
 
Friday 2:30 (Booth #1410)
Signings – Jessica Chobot, host of Nerdist News Live
 
Sunday 1:15 (Booth #1410)
Signings – Ben Acker and Ben Blacker, from the Thrilling Adventure Hour
 
Sunday 2:00-3:00 (Booth #1410)
Signings – Chris Hardwick
 
GOLDEN APPLES ANNOUNCES NEW VENTURE

Golden Apple, L.A.’s Comic Shop to the Stars, will announce a new graphic novel self-publishing partnership with leading publishing services provider, AuthorHouse Friday afternoon at WonderCon Anaheim.
 
WHEN: Friday, April 18 at 2 p.m. PDT
 
WHERE: WonderCon Anaheim, Golden Apple Booth – booth 202
 
WHO: Ryan Liebowitz, Golden Apple Comics general manager
Keith Ogorek, senior vice president of marketing, Author Solutions/AuthorHouse
 
WHAT: Liebowitz and Ogorek will be available to discuss the opportunities created by this partnership for authors and readers of the fast-growing graphic novel genre.

The new offering will make it possible for graphic novelists to self-publish their works in print and digital forms and make them available for sales through Golden Apple Comics and through popular online book and eBook retailers.

Zenescope

WonderCon limited edition exclusive:

Quest #5 Cover D by Martin Abel, limited to 350 copies. All fans that purchase the issue will also have a chance to win a limited edition art print. Head to booth #705 for details.

The company will also have Zenescope booth models dressed in character giving away free comics and taking pictures with fans all weekend long.

ETCETERA:
Finally, here is the team up you never thought you would see: Rampage Jackson, John Morrison and Chavo Guerrero Jr., Richard Hatch and The Winner Twins. They are all appearing on a panel together to discuss “how to break in to Hollywood, unveil a new technology they’ve all begun to use to get close and personal with their fans, and announce a top secret project they are all working on together at the end of the panel. Chavo promises. “Our fans are going to see a side of us they’ve never seen before.”

AND, X-Men Days of Future Past director Bryan Singer will not be appearing in the wake of his sex scandal.

1 Comments on WonderCon Preview, Exclusives and In-Booth signing schedules, last added: 4/18/2014
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30. Top five hip hop references in poetry

By David Caplan


Hip hop has influenced a generation of poets coming to prominence, poets I call “The Inheritors of Hip Hop.” Signaling how the music serves as a shared experience and inspiration, they  mention performers and songs as well as anecdotes from the genre’s development and the artists’ lives, while epigraphs and titles quote songs. The influence of hip hop can be heard in the work of many poets including (but certainly not limited to): Kevin Coval, Erica Dawson, LaTasha N. Nevada Diggs, Matthew Dickman, Major Jackson, Terrance Hayes, Dorothea Lasky, John Murillo, Eugene Ostashevsky, D.A. Powell, Roger Reeves, and Michael Robbins.

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In no particular order, here are my five favorite hip hop references in poetry:

(1)   Kevin Young, “Expecting”
To capture the experience of first hearing his child’s heartbeat during a sonogram exam, Young develops a wildly inventive simile followed by metaphors borrowed from hip hop:

And there
it is: faint, an echo, faster and further

away than mother’s, all beat box
and fuzzy feedback. You are like hearing
hip-hop for the first time–power

hijacked from the lamppost–all promise.
You couldn’t sound better, break-
dancer, my favorite song bumping

from a passing car. You’ve snuck
into the club underage and stayed!

(2)   Rowan Ricardo Phillips, “Mappa Mundi
Describing his hometown of the Bronx, Phillips combines Wu Tang Clan’s Raekwon’s verse in “Triumph,” “Aiyyo, that’s amazing gun-in-your-mouth talk,” and Samuel Coleridge’s “Frost at Midnight,” “the redbreast sit and sing”:

Whether red birds sit and sing from rooftops

Or rappers cypher deep into the night,
The gun-in-your-mouth talk of a ransomed
God, nature is a lapse in city life.

(3)   Harryette Mullen, “Dim Lady”
Hip hop is nearly everywhere in Mullen’s earlier collection, Muse and Drudge, but my single favorite reference in her work to hip hop appears in “Dim Lady,” collected in Sleeping with the Dictionary. The prose poem rewrites and updates Shakespeare’s Sonnet 130. In the place of Shakespeare’s lines,

“I love to hear her speak, yet well I know / That music hath a far more pleasing sound,”

Mullen offers,

“I love to hear her rap, yet I’m aware that Muzak has a hipper beat.” 

(The poem’s ending always makes me laugh, “And yet, by gosh, my scrumptious Twinkie has as much sex appeal for me as any lanky model or platinum movie idol who’s hyped beyond belief.”

(4)   A. Van Jordan, “R&B
A subgenre of poems about hip hop criticizes the music. A rare exception to the ignorance such work typically show (see, for instance, Tony Hoagland’s “Rap Music”), “R & B” offers a well-informed, thoughtful critique. “Listen long enough to the radio, and you’ll think / maybe C. Dolores Tucker was right,” the poem opens and an endnote reminds readers of Tucker’s significant contributions to the black civil rights movement.

(5)   Michael Cirelli, “Dead Ass”
“I am not afraid of dope lyrics,” Michael Cirelli writes in “Dead Ass.” Several poems in Lobster with Ol’ Dirty Bastard retell moments from hip hop history. To describe teens grooving to the music, “Dead Ass” borrows from Oakland slang, “hyphy,” meaning “crazy” in a good sense, “hyphy / music makes their bodies dip up and down / like oil drills.” (My favorite line in the book, though, describes eighties pop, not hip hop, “We danced incestuously to Michael and Janet that night.”)

Bonus Tracks


(6)   Adrien Matejka, “Wheels of Steel
“I got me two songs instead of eyes,” the poem opens then swaggering quotes five songs in twenty-seven lines.

(7)   Marcus Wicker, “Love Letter to Flavor Flav” tries to make sense of Public Enemy’s most puzzling member:

How you’ve lived saying nothing
save the same words each day
is a kind of freedom or beauty.
Please, tell me I’m not lying to us.

David Caplan is Charles M. Weis Chair in English and Associate Director of Creative Writing at Ohio Wesleyan University. He is the author of Rhyme’s Challenge: Hip Hop, Poetry, and Contemporary Rhyming Culture. His previous books include Questions of Possibility: Contemporary Poetry and Poetic Form and the poetry collection In the World He Created According to His Will.

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Image credit: turntable spinning. Photo by Tengilorg, 2005. CC-BY-3.0 via Wikimedia Commons

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31. Webcomic: alert: What goes on at a cartoon focus group

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Giancarlo Volpe, showrunner of Green Lantern the Animated Series has drawn a comic about a focus group test of the cartoon. It’s an interesting behind the scenes of how the testers said the kids wanted the opposite of what Volpe thought would work for the show. Luckily Bruce Timm comes to the rescue.

Focus groups can be pretty brutal. If you know what you’re doing, they can be a hindrance, but if you don’t…sometimes a truth is revealed. Unfortunately a lot of kids entertainment is heavily focus grouped and you can usually tell the ones that are because they are bland as hell.

Cartoon Brew has more tales of focus groups gone wrong.

2 Comments on Webcomic: alert: What goes on at a cartoon focus group, last added: 4/20/2014
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32. The Best Flash Gordon Comic In Quite Some Time

Flash01-Cov-HardmanFlash Gordon has been around for quite awhile.  You’ve got the newspaper strip going back to the 1930s.  Switching over to non-reprint comics, King and Gold Key comics periodically popped up from the 1960s through early 80s.  DC’s reboot by Dan Jurgens in the late 80s.  Marvel did a couple issues in the 90s.  Ardden Entertainment in ’08.  Dynamite in ’11.  Everybody has their favorites from those runs.  I’ve been partial to the Al Williamson material and have a serious soft spot for the Dan Jurgens version.  All that said, Dynamite recently relaunched the franchise with a clever re-imagination and it’s jumping up the list quickly.

The King’s Watch mini-series was the relaunch vehicle for Dynamite’s treatments of the classic King Features Syndicate comic strip heroes: Flash Gordon, Mandrake the Magician and The Phantom.  That series, also written by Flash Gordon writer Jeff Parker, establishes the status quo of Mongo invading Earth through portals that might be magic or might be an unknown science.  At the end of the series, Flash Gordon, Dale Arden and Hans Zarkoff find themselves trapped on Mongo after shutting down the portals by which Ming can access Earth.  That’s where Flash Gordon #1 begins.

The comic book Flash Gordon, as well as the movies and Filmation cartoon have all been centered around Mongo.  Flash Gordon visiting another planet and liberating it from the evil emperor is a classic story, but Mongo was never a constant in the original comic strip the way it tends to be in the comics.  For long stretches of the strip, Ming may not appear and Flash Gordon can be more of a space opera.  Whenever a comic launches, Mongo is always the first story, though.  It creates a bit of a burden as the creators have to tell the classic story in their own way and try to measure up with what’s gone before.

The major tweak here is the portals.  Instead of being kidnapped to Mongo by Dr. Zarkoff (i.e., the only person who really understood the threat) in a rocketship that may or may not be able to get them home, Flash and company are there in a form of sacrifice.  They’ve got the mysterious crystal that let’s Ming access the Earth and they’re on the run.  There are also more portals.  Instead of having the various kingdoms of Mongo, the kingdoms are different worlds accessed by the portals.  Ming controls Mongo and then subjugates the other worlds.  Issue one finds Flash and company spending time in Arboria, now a forest world, not just a forest kingdom.  It opens up the scope a bit.

The characters are slightly tweaked.  Instead of a professional polo player or ex-NBA player, Flash is now a daredevil trust fund baby.  Younger, brasher, but a good excuse for him to have a background in stunt flying, extreme sports and the like — he’s just been a professional adrenaline junkie who ‘s hobbies have trained him well for the situation he’s fallen into.

Dale Arden is the least changed.  Still a reporter, but much more assertive than in the original

Dr. Zarkoff is now a hard drinking scientist, perhaps not quite as crazy as in some versions, but definitely cranky.

The thing that sets this comic apart from other versions is the sense of fun.  This is high adventure on strange new worlds, but it doesn’t take itself overly seriously past that they’re trying to prevent an invasion of Earth.  Evan Shaner is further away from the Raymond/Williamson school of art than many who have worked on Flash Gordon.  He’s using a looser style, closer to something you’d see in a French science fiction graphic album.  More of the Roy Crane/Milt Canniff school than Raymond school, if you want to go back to the original 1930s sources.

This comic wins on flow and tone.  There’s a decent amount of characterization, too, but Flash Gordon immediately jumps on the fun train and you’re along for the ride.  A great change of pace comic.  Dynamite’s been doing a lot with the classic pulp characters and in many (good) ways, this is the inverse of something like The Shadow or The Spider.

To be quite honest with you, although the next thing Jeff Parker should be doing be the sequel to his Interman graphic novel (the sooner you crank that out, the sooner I stop nagging you Jeff), I would welcome Jeff Parker’s Mandrake and Phantom.

Highly recommended for anybody looking for a fun romp with aliens and monster.  If you want gritty and dark, this might not be for you (but gritty and dark isn’t exactly hard to find these days).

3 Comments on The Best Flash Gordon Comic In Quite Some Time, last added: 4/20/2014
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33. Reminder: There was *almost* a JLA movie starring Armie Hammer, D.J. Cotrona and Megan Gale

This photo of the cast of GEorge Miller’s aborted JLA movie shows how close we came to having a very very young JLA movie. Australian tax credit woes and the Writer Strike of ’07-08 scuttled this.

Was it for the best?

Andrew Wheeler has more.

2 Comments on Reminder: There was *almost* a JLA movie starring Armie Hammer, D.J. Cotrona and Megan Gale, last added: 4/20/2014
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34. DC Confirms Earth 2 Weekly comic to launch in October

apokolipsnew11.jpg

At the ComicsPRO meeting DC announced they would be launching three weekly comics this year. Batman Eternal just debuted last week, and The New 52 Future’s End is coming on Free Comic Book Day. And now Nerdist has revealed that as expected, the third weekly will be set on Earth 2. Creators include writers Daniel H. Wilson, Tom Taylor, Paul Levitz, Marguerite Bennet, and Mike Johnson; among the artists: Eddy Barrows, Jorge Jimenez, Stephen Segovia, Paulo Siqeira, and Tyler Kirkham. DC released a promo (above) by Ben Oliver which indicated this will be another feel good, upbeat story.

Apparently Wilson, author of How to Survive a Robot Uprising and other robot bestsellers, will be the “Showrunnrer” for this particular weekly, stating “This has been a charmed opportunity to jump straight into the deep end of a gritty, complex DC Comics series. I feel incredibly lucky to work with Mike Cotton and the rest of the legendary DC team, figuring out the ultimate fates (and sometimes origins) of so many compelling Earth 2 characters in crisis. I’m having the time of my life.”

Earth-2 is a long running alternate Earth featured prominently in DC comics and as you can see from the above, it has a black Superman who is on good terms with Power Girl and a Batman with a funny looking logo that has not impeded his ability to mourn. Although many attempts have been made over the years to simplify DC continuity by nuking variant earths, the truth is, you can’t keep a good alternate world down.

The book comes out in October.

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35. In the Light of What We Know review

       The most recent addition to the complete review is my review of Zia Haider Rahman's In the Light of What We Know -- apparently one of this year's 'big' debuts.

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36. Gabriel García Márquez (1927-2014)

       The 1982 Nobel laureate, Gabriel García Márquez, has passed away.
       Only two of his titles are under review at the complete review (I read pretty much all the rest before I started the site):

       One Hundred Years of Solitude still seems to me the most significant novel of the past fifty years; get your copy -- if, incomprehensibly, you don't have one -- at Amazon.com or Amazon.co.uk.

       There has been extensive coverage (and much, much more will follow, no doubt); see, for example:        But there's tons more -- especially in the Spanish-language press.

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37. Peter Buwalda Q & A

       This week's Small Talk-column in the Financial Times has a Q & A with Peter Buwalda, whose Bonita Avenue is just out from Pushkin Press; see their publicity page and the Dutch Foundation for Literature information page, or get your copy at Amazon.com or Amazon.co.uk.
       I'm won over by this response:

Which book changed your life ?

The Darkroom of Damocles by Willem Frederik Hermans, one of the great 20th-century Dutch writers. It's a novel about resistance in the second world war but also about personal failure. I read the book when I was 18. I stopped studying physics immediately and started studying literature.
       Damn, that warms the heart.

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38. Identifying unexpected strengths in adolescents

By Johanna Slivinske


Think for a moment, back to when you were a teenager. What were you like? What did you enjoy doing? In what did you excel? The positive activities in which we partake in adolescence shape our adult lives. In my case, playing the clarinet in band and competing in extemporaneous speaking on the speech team molded me the most, and became my personal strengths.

360px-Chambre_adolescentMusic and the creative arts continue to influence my writing and speaking, and many of these facets of my professional life can be traced back to strengths developed and built upon in my youth. Another strength was the fact that I had a loving, kind, and caring family. This provided me with a solid foundation for life, and in a sense, these protective factors in my life made me resilient. However, strengths can also be found in unexpected venues, perhaps peering through the cracks of hardship.

  1.   Adolescents might find strengths through their failures in discovering that they are able to get back up after falling. When teens fail, and continue to try despite the failure, they show a level of resilience, diligence, and perseverance.
  2.   The communities of adolescents, even if less than perfect, can be a source of strength. Creating dialogues about community leaders may benefit teens that need role models in their lives. It can help them figure out whom they aspire to be similar to in character and in positive personal qualities. A community leader can be anyone who functions as a responsible person in the community, or anyone else who cares about the well-being of the community as a whole.
  3.   Acting out behaviors may be viewed through a strengths lens if those behaviors are a response to traumatic experiences such as community violence or sexual assault. The nonproductive response of acting out behaviors during adolescence may be reframed therapeutically as a survival mechanism or a stepping-stone leading toward a more productive path of healing and growth.
  4.   Instead of viewing quirks, eccentricities, or diagnoses as negative qualities, these may sometimes be perceived as qualities that foster the creation of unique perspectives and promote divergent ways of understanding the world.
  5.   When everyday necessities are lacking from adolescents’ lives, they may learn to be resourceful. Resourcefulness may entail surviving under extremely stressful circumstances or learning how to “make due” with limited resources. Teens may have learned how to cook for themselves, or they may have asked friends to share clothing with them. These are examples of using the strength of resourcefulness under difficult circumstances.


When working with adolescents and their families, it is essential to focus not only on their problems, but also on their strengths. This may sometimes present as a challenge, but if you search intensely, with an open mind, strengths may be identified and built upon as a solid foundation for life. This contributes to the fostering of resilience in adolescents and their families.

Hidden or obscured strengths, when perceived in a positive manner, may serve as methods of coping or means of survival during times of stress. Even when strengths are obvious to professionals, adolescent clients may not be aware of their own strengths, and may benefit from therapists’ ability to identify, recognize, and name them. Through working with adolescents, it’s possible to identify strengths and help them learn more about themselves and what makes them unique, so that they can grow to become productive members of their communities.

Johanna Slivinske is co-author of Therapeutic Storytelling for Adolescents and Young Adults (2014). She currently works at PsyCare and also teaches in the Department of Social Work at Youngstown State University, where she is also affiliated faculty for the Department of Women’s Studies.

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Image credit: Chambre de jeune français. Photo by NdeFrayssinet. CC-BY-3.0 via Wikimedia Commons.

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39. Göran Malmqvist profile

       In the South China Morning Post Janice Leung invites readers to Meet Göran Malmqvist, Nobel Prize member and champion of Chinese literature -- the Chinese-speaking member of the Swedish Academy.

       The big news here is Malmqvist claiming of Border Town-author Shen Congwen that:

If he hadn't passed away, he would have got the Nobel Prize in 1988
       Stop the presses ?!??
       Was the 1988 laureate -- Naguib Mahfouz -- really second choice ?
       Well, not so fast -- Shen passed away in May of 1988; he may well have been one of the (usually five) finalists by then, but they don't settle on a winner until the fall, so there's no way of telling whether he would have prevailed over Mahfouz. Still, interesting to hear he was so close.

       Also of interest: Malmqvist's complaints:
Unfortunately, he says, there are as many poor translators as there are good writers in China.

"What makes me angry, really angry," he cries, eyes blazing, "is when an excellent piece of Chinese literature is badly translated. It's better not to translate it than have it badly translated. That is an unforgivable offence to any author. It should be stopped.

"Often translations are done by incompetent translators who happen to know English, or German, or French. But a lot of them have no interest and no competence in literature. That is a great pity."
       One exception:
David Hawkes' rendition of Cao Xueqin's epic novel The Story of the Stone, which he regards as a rare gem of translated Chinese literature.

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40. Holiday reading: Great basic webcomics list

blindspringscover.jpg

Io9′s Lauren Davis has compiled this list of 51 Awesome Webcomics The Eisners Have Completely Failed To Recognizethat really functions as a basic list of Webcomics 101 (Although there are certainly omissions.) Still if you wanted to catch up the list is a great start.

Also, what webcomics do YOU read? WE do they every few years — sound off in the comments! and have a great holiday weekend.
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41. For a Socialism of the Skin


Richard Kim at The Nation points to one of the central problems of the big Gay Inc. organizations, especially HRC:
In 2012, the Human Rights Campaign honored Goldman Sachs with an award at its annual dinner, while naming Lloyd Blankfein as its national corporate spokesman for same-sex marriage. In an obscene form of pink-washing in which every banker, sweatshop overlord and oil baron gets a gay star, HRC’s most recent report on “corporate equality” proudly concludes that a record 304 of the nation’s largest businesses—including Chevron, Bank of America, Citigroup, JPMorgan Chase, Comcast, Google, Monsanto, Nike, Raytheon, Boeing, Target and General Electric—have a perfect rating on LGBT issues.
Kim also notes that Tony Kushner predicted this in his 1994 Nation essay, "A Socialism of the Skin", an essay I read when it was first published and that has stuck with me ever since:
[I]t’s entirely conceivable that we will one day live miserably in a thoroughly ravaged world in which lesbians and gay men can marry and serve openly in the Army and that's it. Capitalism, after all, can absorb a lot. Poverty, war, alienation, environmental destruction, colonialism, unequal development, boom/bust cycles, private property, individualism, commodity fetishism, the fetishization of the body, the fetishization of violence, guns, drugs, child abuse, underfunded and bad education (itself a form of child abuse)—these things are key to the successful functioning of the free market. Homophobia is not; the system could certainly accommodate demands for equal rights for homosexuals without danger to itself.
The Nation has made "A Socialism of the Skin" available for free as a PDF. It's 20 years old this year, and more true than ever. Gay Inc. won.

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42. Turkish fiction

       In Daily Sabah Kaya Genç considers Turkish Masterpieces Unread by the World -- both some available in translation and some that have yet to make it into English.
       Maureen Freely weighs in with some suggestions:

So which Turkish authors would she like to see in English ? The first name that came to her mind was Sevgi Soysal. Freely had translated Soysal's Yıldırım Bölge Kadınlar Koğuşu in her twenties but said it had been impossible to place Turkish writing in English publishing houses in those days. "The book of hers I really love is Şafak," Freely wrote. "And I also wish that somebody could bring the best of Murathan Mungan into English."
       See also the Turkish fiction under review at the complete review.

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43. Initiation into America’s original megachurch

By David Yamane


The American religious landscape is ever changing. The rise of religious nones, the spiritual not religious, thoughtful spirituality, the emerging church, online religion, megachurches, and on and on.

As a sociologist of religion who specializes in Roman Catholicism, it is easy to feel old-fashioned in the face of so much novelty. But in its typically deliberate way, the original megachurch in America continues to make its mark on the religious landscape.

Photo of adult being baptized

Easter Vigil Baptism, April 11, 2009. Image Credit: Photo by IC MONROVIA RCIA, CC 2.0 via Flickr.

On Saturday night, April 19th, at Easter Vigil Masses in most of the 17,000+ parishes in the United States, tens of thousands of individuals will join the Catholic Church. On average over the past ten years, 67,000 adults annually have been baptized Catholic and 83,000 baptized Christians annually have been “Received into Full Communion” with the Roman Catholic church in the United States.

To put these numbers in perspective, these 1.5 million people becoming Catholic over the past decade in themselves would comprise one of the 20 largest religious bodies in America. Catholic converts collectively are about 11% of all Catholics in the United States today. These 5.85 million individuals would be the fifth largest religious body in America, just ahead of the Church of God in Christ and behind the Church of Jesus Christ of Latter Day Saints (the Mormon Church).

These numbers are impressive, but even more notable is that most adults who become Catholic in America today do so through an elaborate initiation process that is both ancient and modern: the Rite of Christian Initiation of Adults (RCIA).

Fresco of Baptism of St Augustine

Baptism of St Augustine, public domain via Wikimedia Commons.

In the ancient church, adult baptism was preceded by a structured period of instruction (“catechesis”), which could last as long as three years. Individuals undergoing instruction were called “catechumens” (“hearers of the word”) and the period of instruction was called the “catechumenate.” The process also called for a number of pre-baptismal rites associated with purification and exorcism in preparation for initiation.

As the church’s attention shifted to infant baptism, these rich traditions of adult initiation fell by the wayside. By the mid-20th century in the United States, the process of adult initiation was brief, private, and focused on doctrinal instruction. But the church would soon “modernize” the process of adult initiation, not by looking to the future, but by looking to the past.

French theologians call this ressourcement – looking to the ancient church for models of liturgy and practice to be implemented in the contemporary church. In this way, the church uses tradition to renew tradition. This is exemplified by the call to restore the ancient catechumenate for adults in the Second Vatican Council’s 1963 Constitution on the Sacred Liturgy (Sacrosanctum Concilium, nos. 64-66).

That call led to the publication in 1972 of a new book of rites for adult initiation, in Latin of course, called Ordo Initiationis Christianae Adultorum (the Latin editio typica or “typical edition”). A provisional English translation of this new “order of initiation” was introduced into the Catholic Church in the United States in 1974 and the final official American English translation of the Rite of Christian Initiation of Adults (the “vernacular typical edition”) was published in 1988. At that time, the National Conference of Catholic Bishops also issued guidelines for and mandated the use of the new process.

Like the ancient model, the modern RCIA takes individuals through distinct periods of formation with public ritual transitions that move individuals from one period to the next. The process can take anywhere from months to years to complete. (Tomorrow, I will discuss in greater detail the nuts and bolts of the process.)

Since it was mandated in 1988, at least two million adults have been initiated into the Catholic Church through the RCIA process. But the Catholic Church does not only make its mark on the American religious landscape numerically. The RCIA has also become an influential model of initiation for other Christian traditions. Among the denominations that have implemented a catechumenal process of initiation are the Episcopal Church USA, Evangelical Lutheran Church in America, and the Mennonite Church USA. In 1995, the North American Association for the Catechumenate was founded as an ecumenical group to support and promote the catechumenal process of initiation outside the Catholic Church. Denominational partners include the Anglican Church of Canada, Evangelical Lutheran Church in Canada, Presbyterian Church (USA), Reformed Church in America, and the United Methodist Church.

The influence of the RCIA both inside and outside the Catholic Church suggests that it is one of the most fruitful — if one of the least recognized — legacies of the Second Vatican Council.

David Yamane teaches sociology at Wake Forest University and is author of Becoming Catholic: Finding Rome in the American Religious Landscape. He is currently exploring the phenomenon of armed citizenship in America as part of what has been called “Gun Culture 2.0″ — a new group of individuals (including an increasing number of women) who have entered American gun culture through concealed carry and the shooting sports. He blogs about this at Gun Culture 2.0. Follow him on Twitter @gunculture2pt0.

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44. The Fun Home debate continues in South Carolina.

Fun homeFrom the NYT:

The College of Charleston, a public university, provided copies of Ms. Bechdel’s memoir to incoming students for the 2013-14 academic year, as part of its annual College Reads! program that tries to encourage campus-wide discussion around a single book each year. The books are not required reading.

But one state representative, Garry Smith, told South Carolina newspapers this winter that he had received a complaint about “Fun Home” from a constituent whose daughter was a freshman at the college. Mr. Smith contacted the college to ask about other options for College Reads!, and said he was told there were none. Mr. Smith then proposed cutting $52,000 – roughly equivalent to the cost of the reading program, he said – from the college’s $20 million appropriation from the state. The budget cut is now moving through the legislature; South Carolina news media coverage indicates some sizable political support for the cut.

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45. A Video Essay on Jim Jarmusch: "Dead Men & Ghosts, Limited"


As the silence around here indicates, I've been tremendously busy the past few weeks. One project I managed to complete was a new video essay, this one about Jim Jarmusch's films Dead Man, Ghost Dog, and The Limits of Control. It's now available at Press Play, along with a brief introduction.

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46. Preview: Lane MIlburn’s wacky space opera Twelve Gems

This is from Xeric winner Lane Milburn, part of Baltimore’s Closed Caption Comics collective. It’s been in the works for a few years and fits nicely into the whole “wacky action genre” I’ve been seeing more and more of. The book come out in July.

 

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47. Marvel Month-to-Month Sales: March 2014 — the two types of All-New Marvel Now #1s

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By Jason Enright

Another month of All-New Marvel Now releases is upon us. Some books end, some books relaunch, some new heroes arrive on the scene. Let’s see what the numbers are telling us. First up a bit of a breakdown:

10 new #1s (not counting #1s from miniseries like Revolutionary War)
8 Avengers titles
7 X-Men titles (9 if you count X-Force and X-Factor)
10 titles that double-shipped.

Now before we get deep into the numbers, I want to point out a trend that I’ve been noticing, and would love to hear your thoughts on in the comments below.

So there are two types of All-New Marvel Now #1s. The first is something like Black Widow or She-Hulk, where the new #1 is a new series featuring a new or returning character and a new creative team, so basically a new book. The other is what I call the soft relaunch. They take an ongoing series with falling sales and they give it a new #1, but not much else changes, same creative team or if maybe the artists changes, the writer stays, and maybe a slight tweak on the storyline or premise. Examples of this are Secret Avengers or X-Factor.

Now the trend I have been noticing is that these soft relaunches might see the issue #1 get a big sales boost but then sales fall down very close to where it was before the reboot in the next few months. So I ask all of you fans, retailers, etc. who read this, what do you think is going on? Is the relaunch just not a big enough deal to catch reader interest? Is there not enough of a shakeup or new direction? Is this just relaunch fatigue? There have been a lot of Marvel Now relaunches. Is there just more focus and excitement on the new titles like Silver Surfer, Ms. Marvel and Moon Knight? 

So keep those thoughts and question in mind, and let’s dive in to the numbers.

Thanks as always to Milton Griepp and ICV2.com for their permission to use these figures.

5,7. SUPERIOR SPIDER-MAN
03/04  Am Spi #505   –  83,612
03/09  Am Spi #588   -	 61,325
03/11  Am Spi #656   -	 59,626
03/12  Am Spi #681   -  52,143
---
03/13  Superior #5  -  94,224  (  -1.7%)
03/13  Superior #6  -  86,614  (  -8.1%)
03/13  S. S-M #6AU  -  85,807  (  -0.9%)
04/13  Superior #7  -  87,945  (  +2.5%)
04/13  Superior #8  -  85,671  (  -2.6%)
05/13  Superior #9  -  93,656  (  +9.3%)
05/13  Superior #10 -  85,346  (  -8.9%)
06/13  Superior #11 -  84,219  (  -1.3%)
06/13  Superior #12 -  82,338  (  -2.2%)
07/13  Superior #13 -  81,678  (  -0.8%)
07/13  Superior #14 -  80,839  (  -1.0%)
08/13  Superior #15 -  78,636  (  -2.7%)
08/13  Superior #16 -  78,087  (  -0.7%)
09/13  Superior #17 -  89,118  ( +14.1%)
09/13  Superior #18 -  80,178  ( -10.0%)
10/13  Superior #19 -  83,671  (  +4.4%)
10/13  Superior #20 -  85,309  (  +2.0%)
11/13  Superior #21 -  74,940  ( -12.2%)
11/13  Superior #22 -  81,250  (  +8.4%)
12/13  Superior #23 -  77,105  (  -5.1%)
12/13  Superior #24 -  76,131  (  -1.3%)
01/14  Superior #25 -  77,311  (   1.5%)
01/14  Superior #26 -  72,591  (  -6.1%)
02/14  Supr #27.Now -  86,405  (  19.0%)
02/14  Superior #28 -  75,477  ( -12.6%)
03/14  Superior #29 -  76,568  (   1.4%)
03/14  Superior #30 -  75,431  (  -1.5%)
---
6 mnth  ( -14.1%)
1 year  ( -18.7%)
2 year  (  47.0%)
3 year  (  28.4%)
5 year  (  24.9%)
10 year (  -8.4%)

Superior Spider-Man stays really strong as it heads towards its conclusion and the return of Peter Parker. The final issue should actually see a sales increase, and then rumor has it that the orders on Amazing #1 are going to be huge, like in the 500,000 range. It will be really interesting to see how much of that is hype and how much second and consecutive drop off after that. Stay tuned as we’ll be watching this series very closely.

6. DAREDEVIL
03/04  Daredevil v2 #58 - 54,399
03/09  Daredevil v2 #116- 41,255 
03/11  DD Reborn    #3  - 27,231 
03/12  Daredevil v3 #10 - 38,137 
---
03/13  Daredevil v3 #24 - 37,231  ( +0.2%)
04/13  Daredevil v3 #25 - 39,678  ( +6.6%)
05/13  Daredevil v3 #26 - 39,788  ( +0.3%)
06/13  Daredevil v3 #27 - 35,834  ( -9.9%)
07/13  Daredevil v3 #28 - 35,364  ( -1.3%)
07/13  Daredevil v3 #29 - 34,915  ( -1.3%)
08/13  Daredevil v3 #30 - 35,240  ( +0.9%)
09/13  Daredevil v3 #31 - 36,666  ( +4.0%)
10/13  Daredevil v3 #32 - 34,957  ( -4.7%)
11/13  Daredevil v3 #33 - 32,966  ( -5.7%)
12/13  Daredevil v3 #34 - 32,331  ( -1.9%)
01/14  Daredevil v3 #35 - 32,067  ( -0.8%)
02/14  Daredevil v3 #36 – 31,494  ( -1.8%)
03/14  Daredevil v4 #1  - 76,006  (141.3%)
---
6 Mnth  ( 107.3%)
1 Year  ( 104.1%)
2 Year  (  99.0%)
3 Year  ( 179.1%)
5 Year  (  84.2%)
10 Year (  39.7%)

Very strong issue 1 sales numbers for Daredevil, backed up by 5 variant covers. This book has always been a critical hit and while its sales were very steady, they were never HUGE. Hopefully this soft relaunch gives readers a good jumping on point for what is one of the best creative and best books in comics right now. We’ll be watching to see how much of this sales bump the book is able to hold on to for future issues.

8. SILVER SURFER
03/04  Silver Surfer v5 #7 -  26,454  
03/11  Silver Surfer v6 #2 -  23,484  
---
03/14  Silver Surfer v7 #1 -  64,919  (  --- )
---
3 year  (176.4%)
10 year (145.4%)

Been a while since there has been a Silver Surfer solo series, but with the success of Guardians of the Galaxy, it seems time to bring in more of the cosmic characters. This is a pretty good debut and likely has a lot to do with the strong creative team behind this book. Again we’ll be watching to see how issue 2 -4 do. Hopefully, it will only see small drops and a lot of re-order activity.

10, 20. UNCANNY X-MEN
03/04  Uncanny X-Men #441   –  86,430
03/09  Uncanny X-Men #507   –  77,945
03/11  Uncanny X-Men #534   -  55,731
03/12  Uncanny X-Men v2 #8  -  57,568
---
03/13  Uncanny X-Men v3 #3  -  85,775  (  -9.3%)
04/13  Uncanny X-Men v3 #4  -  80,047  (  -6.7%)
04/13  Uncanny X-Men v3 #5  -  78,919  (  -1.4%)
05/13  Uncanny X-Men v3 #6  -  73,621  (  -6.7%)
06/13  Uncanny X-Men v3 #7  -  73,719  (  +0.1%)
07/13  Uncanny X-Men v3 #8  -  70,274  (  -4.7%)
07/13  Uncanny X-Men v3 #9  -  67,338  (  -4.2%)
08/13  Uncanny X-Men v3 #10 -  70,903  (  +5.3%)
08/13  Uncanny X-Men v3 #11 -  65,700  (  -7.3%)
09/13  Uncanny X-Men v3 #12 -  76,790  ( +16.9%)
10/13  Uncanny X-Men v3 #13 -  75,202  (  -2.1%)
11/13  Uncanny X-Men v3 #14 -  65,655  ( -12.7%)
12/13  Uncanny #15.INH      -  62,692  (  -4.5%)
01/14  Uncanny X-Men v3 #16 -  58,676  (  -6.4%)
02/14  Uncanny X-Men v3 #17 –  56,163  (  -4.3%)
03/14  Uncanny X-Men v3 #18 -  54,902  (  -2.2%)
03/14  U X-Men #19.NOW      -  64,514  (  17.5%)
---
6 mnth  ( -16.0%)
1 year  ( -24.8%)
2 year  (  12.0%)
3 year  (  15.8%)
5 year  ( -17.2%)
10 year ( -25.4%)

A nice bump for the .NOW issue and its 3 variants, but the thing to watch for is if the series holds onto those sales or drops right back down to where it was for the next issue.

12. ALL-NEW X-MEN
---
03/13  All-New X-Men #8  -  90,990  ( +6.8%)
03/13  All-New X-Men #9  -  81,692  (-10.2%)
04/13  All-New X-Men #10 -  84,760  ( +3.8%)
05/13  All-New X-Men #11 -  80,582  ( -4.9%)
06/13  All-New X-Men #12 -  82,178  ( +2.0%)
06/13  All-New X-Men #13 -  77,656  ( -5.5%)
07/13  All-New X-Men #14 -  74,848  ( -3.6%)
08/13  All-New X-Men #15 -  73,035  ( -2.4%)
09/13  All-New X-Men #16 -  84,218  (+15.3%)
10/13  All-New X-Men #17 -  82,843  ( -1.6%)
11/13  All-New X-Men #18 -  82,365  ( -0.6%)
11/13  All-New X-Men #19 -  71,044  (-13.7%)
12/13  All-New X-Men #20 -  68,189  ( -4.0%)
01/14  All-New X-Men #21 -  62,876  ( -7.8%)
01/14  All-New #22.NOW   -  76,565  (+21.8%)
02/14  All-New X-Men #23 -  64,625  (-15.6%)
03/14  All-New X-Men #24 -  63,739  ( -1.4%)
---
6 mnth  ( -24.3%)
1 year  ( -29.9%)

Final issue of the crossover with Guardians of the Galaxy sees only a slight drop from the previous issue. All said this series is still going pretty strong and the crossover did help boost its sales.

13. UNCANNY AVENGERS
---
03/13  Uncanny Avengers #5  - 84,382  ( -3.6%)
04/13  Uncanny Avengers #6  - 80,863  ( -4.2%)
04/13  Uncanny Avengers #7  - 77,027  ( -4.7%)
05/13  Uncanny Avengers #8  - 75,655  ( -1.8%)
05/13  Uncanny Av. #8AU     - 72,514  ( -4.2%)
06/13  Uncanny Avengers #9  - 71,842  ( -0.9%)
07/13  Uncanny Avengers #10 - 68,768  ( -4.3%)
08/13  Uncanny Avengers #11 - 65,447  ( -4.8%)
09/13  Uncanny Avengers #12 - 73,357  (+12.1%)
10/13  Uncanny Avengers #13 - 60,597  (-17.4%)
11/13  Uncanny Avengers #14 - 60,750  ( +0.3%)
12/13  Uncanny Avengers #15 - 57,035  ( -6.1%)
01/14  Uncanny Avengers #16 - 54,670  ( -4.1%)
02/14  Uncanny Avengers #17 – 53,181  ( -2.7%)
03/14  U Avengers #18.NOW   - 63,516  ( 19.4%)
---
6 mnth  ( -13.4%)
1 year  ( -27.4%)

Uncanny Avengers gets a nice 10k bump from the .NOW and its 4 variant covers. Again we will have to wait until next month to see if it holds on to any of these sales.

15. SUPERIOR SPIDER-MAN ANNUAL
---
02/14  Su Spider-Man Annual #2 – 59,278

Really nice numbers for the Spider-man annual coming in only 15k under the main series.

16. MOON KNIGHT
03/09  Moon Knight v3 #28 -  20,883  
03/12  Moon Knight v4 #11 -  21,581  
---
02/14  Moon Knight v5 #1  -  58,022 (  --- )
---
2 year  (169.0%)
10 year (177.8%)

This is a nice number for the new Ellis/Shalvey/Bellaire Moon Knight book. Goes to show you that putting a strong creative team behind a lesser known character really helps drive sales numbers and build confidence in the book.

17. GUARDIANS OF THE GALAXY
03/09  Guardians v2 #11 -  27,411
---
03/13  Guardians v3 #1  - 217,993  (+171.3%)
04/13  Guardians v3 #2  -  88,184  ( -59.5%)
05/13  ---
06/13  Guardians v3 #3  -  75,633  ( -14.2%)
06/13  Guardians v3 #4  -  71,575  (  -5.4%)
07/13  Guardians v3 #5  - 110,372  ( +54.2%)
08/13  ---
09/13  Guardians v3 #6  -  69,030  ( -37.5%)
10/13  Guardians v3 #7  -  68,647  (  -0.6%)
10/13  Guardians v3 #8  -  63,494  (  -7.5%)
11/13  ---
12/13  Guardians v3 #9  -  57,665  (  -9.2%)
12/13  Guardians v3 #10 -  53,527  (  -7.2%)
01/14  Guardian #11.NOW -  61,111  (  14.7%) [63,420]
02/14  Guardians v3 #12 -  55,454  (  -9.3%)
03/14  Guardians v3 #13 -  56,764  (   2.4%)
---
6 mnth  ( -17.8%)
1 year  ( -74.0%)
2 year  (   --- )
3 year  (   --- )
5 year  ( 107.1%)
10 year (   --- ) 

Just like All-New X-Men, this series sees some growth due to the crossover, and should get another nice boost from the ‘100th’ issue special next month. I wonder if many X-men fans discovered Guardians through this crossover or vice versa, maybe this will help both books gain some new readers.

19. Magneto
---
02/14  Magneto #1 – 55,337

Nice debut for the Master of Magnetism. Again, we’ll have to see how steeply it drops in future months and how many reorders it gets.

21, 27. WOLVERINE & THE X-MEN
03/12  Wolverine/X-Men #7  - 54,559  
---
03/13  Wolverine/X-Men #26 - 42,019  ( -6.7%)
03/13  Wolverine/X-Men #27 - 41,960  ( -0.1%)
04/13  Wolv & X-Men #27AU  - 47,055  (+12.1%)
04/13  Wolverine/X-Men #28 - 42,718  ( -9.2%)
05/13  Wolverine/X-Men #29 - 40,451  ( -5.3%)
05/13  Wolverine/X-Men #30 - 40,019  ( -1.1%)
06/13  Wolverine/X-Men #31 - 41,661  ( +4.1%)
06/13  Wolverine/X-Men #32 - 39,790  ( -4.5%)
07/13  Wolverine/X-Men #33 - 42,269  ( +6.2%)
08/13  Wolverine/X-Men #34 - 38,473  ( -9.0%)
08/13  Wolverine/X-Men #35 - 38,046  ( -1.1%)
09/13  Wolverine/X-Men #36 - 59,684  (+56.9%)
10/13  Wolverine/X-Men #37 - 57,434  ( -3.8%)
11/13  Wolverine/X-Men #38 - 39,098  (-31.9%)
12/13  Wolverine/X-Men #39 - 39,063  ( -0.1%)
01/14  Wolverine/X-Men #40 - 36,855  ( -5.7%)
02/14  Wolverine/X-Men #41 – 35,800  ( -2.9%)
02/14  Wolverine/X-Men #42 – 35,392  ( -1.1%)
03/14  Wolver/X-Men v2 #1  - 54,675  ( 54.5%)
03/14  Wolver/X-Men v2 #2  - 40,386  (-26.1%)
---
6 Mnth  (  -8.4%)
1 Year  (  30.1%)
2 Year  (   0.0%)

So this is the first comic in an interesting trend we’re starting with some of the Marvel Now relaunches. Books that aren’t new series but simply renumbering of existing series seem to have a strong debut issue but then immediately start to drop back down to their previous numbers. Before this soft relaunch, this title was selling around 35k, now on its second issue of the relaunch it is back down to 40k already. So what is going on here? Has the bloom come off the All-New Marvel Now rose? Or is this relaunch just not enough of a shakeup, sure it is a different creative team, but is still a very similar premise. You have to wonder if instead of helping the book find new readers, did the relaunch just give some people a reason to drop the book from their pull lists? Could this relaunch actually result in lower sales than it was doing before the new #1?

23. AVENGERS
03/04  Avengers v3 #80 –  55,533
03/11  Avengers v4 #11 -  66,618
03/12  Avengers v4 #24 -  52,242
---
03/13  Avengers v5 #7  -  78,278  (  -7.8%)
03/13  Avengers v5 #8  -  82,691  (  +5.6%)
04/13  Avengers v5 #9  -  77,780  (  -5.9%)
04/13  Avengers v5 #10 -  78,905  (  +1.4%)
05/13  Avengers v5 #11 -  70,687  ( -10.4%)
05/13  Avengers v5 #12 -  74,978  (  +6.1%)
06/13  Avengers v5 #13 -  68,624  (  -8.5%)
06/13  Avengers v5 #14 -  74,846  (  +9.1%)
07/13  Avengers v5 #15 -  68,472  (  -8.5%)
07/13  Avengers v5 #16 -  72,842  (  +6.4%)
08/13  Avengers v5 #17 -  68,962  (  -5.3%)
08/13  Avengers v5 #18 -  74,697  (  +8.3%)
09/13  Avengers v5 #19 -  92,489  ( +23.8%)
09/13  Avengers v5 #20 -  74,388  ( -19.6%)
10/13  Avengers v5 #21 -  71,751  (  -3.5%)
10/13  Avengers v5 #22 -  70,735  (  -1.4%)
11/13  Avengers v5 #23 -  66,501  (  -6.0%)
12/13  Avengers#24.NOW - 127,466  ( +91.7%)
01/14  Avengers v5 #25 -  65,591  ( -48.5%)
02/14  Avengers v5 #26 –  59,775  (  -8.9%)
03/14  Avengers v5 #27 -  53,966  (  -9.7%)
---
6 mnth  ( -41.7%)
1 year  ( -31.1%)
2 year  (   3.0%)
3 year  ( -19.0%)
5 year  (   --- )
10 year (  -2.8%)

The .NOW issue gave a great sales bump but since that issue, numbers have been dropping even more rapidly than before. Although, historically the Avengers seem to live in the 50k range the last couple years, so maybe it is getting close to leveling out.

25. ORIGIN II
09/01  Origin #1 of 6    - 135,561 
10/01  Origin #2 of 6    - 131,582
10/01  Origin #3 of 6    - 128,978
12/01  Origin #4 of 6    - 168,460
01/02  Origin #5 of 6    - 178,231
02/02  Origin #6 of 6    - 179,251
---
12/13  Origin II #1 of 5 - 131,724
01/14  Origin II #2 of 5 -  64,631  (-50.9%)
02/14  Origin II #3 of 5 -  53,640  (-17.0%)
03/14  Origin II #4 of 5 -  50,210  ( -6.4%)

Seems to be leveling out and the series will probably end at 45 to 50k. They didn’t quite catch the same zeitgeist as the original series, but this would probably still be considered a success, and will likely do well in a collected format.

26. ALL NEW GHOST RIDER
03/09  Ghost Rider v6 #33 -  21,344  
03/12  Ghost Rider v7 #9  -  13,716  
---
02/14  All-new Ghost Rider #1  -  50,072 (  --- )
---
2 year  (265.0%)
10 year (134.6%)

When you compare this to Ghost Rider’s sales historically this is a very strong debut issue. The real test for this series will be how long it can hold on to these numbers and where it will end up stabilizing. It seems like reviews and general internet chatter have been good for this series, so I hope it finds its audience and sticks around for a while.

27, 33. DEADPOOL
03/09  Deadpool v3 #8  -  47,967  
03/11  Deadpool v3 #34 -  30,299  
03/12  Deadpool v3 #52 -  27,990  
---
03/13  Deadpool v4 #6  -  57,095  (  -0.4%)
04/13  Deadpool v4 #7  -  57,016  (  -0.1%)
04/13  Deadpool v4 #8  -  52,851  (  -7.3%)
05/13  Deadpool v4 #9  -  51,296  (  -2.9%)
05/13  Deadpool v4 #10 -  50,461  (  -1.6%)
06/13  Deadpool v4 #11 -  54,110  (  +7.2%)
06/13  Deadpool v4 #12 -  48,315  ( -10.7%)
07/13  Deadpool v4 #13 -  47,006  (  -2.7%)
08/13  Deadpool v4 #14 -  45,870  (  -2.4%)
08/13  Deadpool v4 #15 -  46,169  (  +0.7%)
09/13  Deadpool v4 #16 -  45,675  (  -1.1%)
09/13  Deadpool v4 #17 -  45,348  (  -0.7%)
10/13  Deadpool v4 #18 -  47,096  (  +3.9%)
11/13  Deadpool v4 #19 -  44,184  (  -6.2%)
12/13  Deadpool v4 #20 -  43,653  (  -1.2%)
12/13  Deadpool v4 #21 -  43,066  (  -1.3%)
01/14  Deadpool v4 #22 -  41,765  (  -3.0%)
02/14  Deadpool v4 #23 -  41,204  (  -1.3%)
02/14  Deadpool v4 #24 -  41,130  (  -0.2%)
03/14  D'pool #25.NOW  -  48,775  (  18.6%)
03/14  Deadpool v4 #26 -  44,141  (  -9.5%)
---
6 mnth  (   6.8%)
1 year  ( -14.6%)
2 year  (  74.0%)
3 year  (  61.0%)
5 year  (   1.7%)

Deadpool is coming off the .NOW issue high, and seems to have held onto a good number of those readers. With the wedding issue coming up it will likely see another sales bump and continue to hold steady in the 40-45k range for some time.

28, 29. NEW AVENGERS
03/09  New Avengers v1 #51 -  95,326  
03/11  New Avengers v2 #10 -  59,929  
03/12  New Avengers v2 #23 -  51,697  
---
03/13  New Avengers v3 #4  -  65,150  (  -9.7%)
04/13  New Avengers v3 #5  -  63,423  (  -2.7%)
05/13  New Avengers v3 #6  -  59,362  (  -6.4%)
06/13  New Avengers v3 #7  -  60,138  (  +1.3%)
07/13  New Avengers v3 #8  -  58,044  (  -3.5%)
08/13  New Avengers v3 #9  -  60,534  (  +4.3%)
09/13  New Avengers v3 #10 -  60,682  (  +0.2%)
10/13  New Avengers v3 #11 -  63,231  (  +4.2%)
11/13  New Avengers v3 #12 -  58,807  (  -7.0%)
12/13  N Avengers #13.INH  -  56,624  (  -3.7%)
01/14  ---
02/14  New Avengers v3 #14 -  50,668  ( -10.5%)
03/14  New Avengers v3 #15 -  47,178  (  -6.9%)
03/14  N Avengers #16.NOW  -  48,731  (   0.0%)
---
6 mnth  ( -19.7%)
1 year  ( -25.2%)
2 year  (   -6.0)
3 year  ( -18.7%)
5 year  ( -48.9%)

This .NOW issue does not get a very big sales bump, and if the trend from other series is any indication, the next issue will actually see a decent decline.

30. AMAZING X-MEN
03/12  Astonishing X-Men #48 -  34,182  
---
03/13  Astonishing X-Men #60 -  27,683  ( +14.4%)
04/13  Astonishing X-Men #61 -  27,090  (  -2.1%)
05/13  Astonishing X-Men #62 -  24,121  ( -11.0%)
06/13  Astonishing X-Men #63 -  23,326  (  -3.3%)
07/13  Astonishing X-Men #64 -  22,649  (  -2.9%)
08/13  Astonishing X-Men #65 -  22,010  (  -2.8%)
08/13  Astonishing X-Men #66 -  21,757  (  -1.1%)
09/13  Astonishing X-Men #67 -  21,044  (  -3.3%)
10/13  Astonishing X-Men #68 -  21,023  (  -0.0%)
11/13  Amazing X-Men v2 #1   - 112,337  (+434.4%)
12/13  Amazing X-Men v2 #2   -  60,870  ( -45.8%)
01/14  Amazing X-Men v2 #3   -  51,431  ( -15.5%)
02/14  Amazing X-Men v2 #4   -  48,161  (  -6.4%)
03/14  Amazing X-Men v2 #5   -  46,242  (  -4.0%)
---
6 mnth  ( 119.7%)
1 year  (  67.0%)
2 year  (  35.0%)

This series was seeing big drops early on but for now seems like it might be leveling out a bit. Hopefully, it will find a nice home around 40k.

32. CAPTAIN MARVEL
03/09  Ms. Marvel        #37 - 25,049  
---
03/13  Captain Marvel v6 #11 - 17,743  ( -3.4%)
04/13  Captain Marvel v6 #12 - 18,344  ( +3.4%)
05/13  Enemy Within          - 34,205  (+86.5%)
06/13  Captain Marvel v6 #13 - 19,673  (-42.5%)
07/13  Captain Marvel v6 #14 - 19,320  ( -1.8%)
08/13  Captain Marvel v6 #15 - 23,511  (+21.7%)
09/13  Captain Marvel v6 #16 - 22,845  ( -2.8%)
10/13  ---
11/13  Captain Marvel v6 #17 - 18,173  (-20.5%)
12/13  ---
01/14  ---
02/14  ---
03/14  Captain Marvel v7 #1  - 44,248  
---
6 mnth  (  93.7%)
1 year  ( 149.4%)
5 year  (  76.6%)

This series is an odd duck when it comes to sales numbers. It has a very vocal and passionate fan base, but it never does great in terms of sales. You would think that this new issue might perform like Daredevil and pull in big numbers as it gives all the curious readers a new jumping on point and yet looking at these numbers that didn’t happen. Which makes me wonder if we aren’t seeing the full picture here? And by that I mean digital sales. Perhaps the passionate fan base of readers are buying this book digitally? I also will be interested to see its re-order numbers or if there is a second printing, which may indicate its performance was underestimated in the initial orders. Still this book is a bit of a conundrum and I’ll be interested to watch the variation in sales over the next couple of months.

34. X-MEN
03/11  X-Men v3 #9  -  51,179  
03/12  X-Men v3 #26 -  35,833  
---
03/13  ---
04/13  ---
05/13  X-Men v4 #1  - 183,297  (+464.2%)
06/13  X-Men v4 #2  -  73,542  ( -59.9%)
07/13  X-Men v4 #3  -  65,270  ( -11.2%)
08/13  X-Men v4 #4  -  64,010  (  -1.9%)
09/13  X-Men v4 #5  -  73,357  ( +14.6%)
10/13  X-Men v4 #6  -  71,990  (  -1.9%)
11/13  X-Men v4 #7  -  56,968  ( -20.9%)
12/13  X-Men v4 #8  -  53,201  (  -6.6%)
01/14  X-Men v4 #9  -  49,412  (  -7.1%)
02/14  X-M  #10.Now -  52,486  (   6.2%)
02/14  X-Men v4 #11 -  47,498  (  -9.5%)
03/14  X-Men v4 #12 -  44,135  (  -7.1%)
---
6 mnth  ( -39.8%)
2 year  (  23.0%)
3 year  ( -13.8%)

This book continues to slide down little by little, but those drops seem to be getting smaller, which may indicate that it will start to level out between 35 and 40k.

35, 71. IRON MAN
03/04  Iron Man v3 #78  - 29,680
03/09 Inv Iron Man #11  - 52,157
03/11 Inv Iron Man #502 - 43,899
03/12 Inv Iron Man #514 - 31,424
---
03/13  Iron Man v6 #7   - 44,040  (  -4.7%)
04/13  Iron Man v6 #8   - 43,974  (  -0.1%)
05/13  Iron Man v6 #9   - 78,006  ( +77.4%)
05/13  Iron Man v6 #10  - 45,424  ( -41.8%)
06/13  Iron Man v6 #11  - 44,409  (  -2.2%)
07/13  Iron Man v6 #12  - 40,405  (  -9.0%)
07/13  Iron Man v6 #13  - 39,534  (  -2.2%)
08/13  Iron Man v6 #14  - 38,137  (  -3.5%)
09/13  Iron Man v6 #15  - 36,346  (  -4.7%)
10/13  Iron Man v6 #16  - 35,924  (  -1.2%)
10/13  Iron Man v6 #17  - 39,047  (  +8.7%)
11/13  Iron Man v6 #18  - 36,135  (  -7.5%)
12/13  Iron Man v6 #19  - 32,537  ( -10.0%)
01/14  Iron Man v6 #20  - 30,533  (  -6.2%)
01/14  Iron #20.INH     - 30,512  (  -0.1%)
02/14  Iron Man v6 #21  – 29,546  (  -3.2%)
03/14  Iron Man v6 #22  - 29,017  (  -1.8%) 
03/14  Ir. Man #23.NOW  - 43,912  (  51.3%)
---
6 Mnth  (  20.8%)
1 Year  (  -0.3%)
2 Year  (  40.0%)
3 Year  (   0.0%)
5 Year  ( -15.8%)
10 Year (  48.0%)

The .NOW issue sees a very big increase which leads to the big question: will this series hold onto any of those new sales or drop right back down to where it was around 29k?

39. WOLVERINE
03/04  Wolverine v3 #12 –  69,815
03/09  Wolverine v3 #71 –  86,033  
03/11  Wolverine v4 #7	 -  47,337	 
03/12	 Wolverine #303	 -  36,368	 
---	
03/13  Wolverine v5 #1  - 117,669  (+242.4%)
04/13  Wolverine v5 #2  -  57,165  ( -51.4%)
05/13  Wolverine v5 #3  -  49,629  ( -13.2%)
06/13  Wolverine v5 #4  -  46,784  (  -5.7%)
06/13  Wolverine v5 #5  -  43,694  (  -6.6%)
07/13  Wolverine v5 #6  -  40,593  (  -7.1%)
07/13  Wolverine v5 #7  -  38,605  (  -4.9%)
08/13  Wolverine v5 #8  -  39,830  (  -3.2%)
09/13  Wolverine v5 #9  -  35,920  (  -9.8%)
10/13  Wolverine v5 #10 -  34,651  (  -3.5%)
11/13  Wolverine v5 #11 -  35,394  (  +2.1%)
12/13  Wolverine v5 #12 -  32,274  (  -8.8%)
01/14  Wolverine v5 #13 -  31,164  (  -3.4%)
02/14  Wolverine v6 #1  -  88,923  ( 185.3%) [93,143]
02/14  Wolverine v6 #2  -  47,339  ( -46.8%)
03/14  Wolverine v6 #3  -  40,735  ( -14.0%)
---
6 mnth  (  13.4%)
1 year  ( -65.4%)
2 year  (  12.0%)
3 year  ( -13.9%)
5 year  ( -52.7%)
10 year ( -41.7%)

So issue #1 saw some good re-order activity (see that second # in brackets, that is the orders including re-orders). However, this is another one of those Marvel Now relaunches where very soon after launch we see it starting to sink back to pre-relaunch levels. If the old series was at 31k, and new series is at 40k for issue 3, then how successful was the relaunch? Is this Wolverine fatigue or relaunch fatigue? Hopefully those re-order numbers mean that we might see a sales increase for issue 4 or 5 as more readers discover this series.

41.  NIGHT OF THE LIVING DEADPOOL
01/14  Night #1 of 4 - 47,596
01/14  Night #2 of 4 - 40,241  ( -15.5%) [42,333]
02/14  Night #3 of 4 – 37,974  (  -5.6%)
03/14  Night #4 of 4 – 38,457  (   1.3%)

This mini-series ends on very solid footing with an increase in sales for issue 4 and extra re-orders of issue 1. Deadpool is a very solid franchise for Marvel these days.

42. Ms. Marvel
02/14  Ms. Marvel #1 -  50,286 [57,249] (  --- ) 
03/14  Ms. Marvel #2 -  38,357  (-23.7%)

So almost 6k in re-orders for issue 1 and only a 23% drop for issue 2. I think we may actually see an increase in sales by the time we get to issue 4 or 5 as more readers discover this book and stores restock the early issues. Not to mention this book is said to have done very well digitally, which sadly we don’t see numbers for. All of these indicators seem to point to this new series being a big win for Marvel.

43. THOR: GOD OF THUNDER
03/04  Thor v2 #75 - 31,531  
03/11  Thor   #621 - 42,104  
03/12  Thor v4 #12 - 33,967 
---
03/13  Thor v5 #6  - 50,481  ( -2.7%)
04/13  Thor v5 #7  - 51,526  ( +2.1%)
05/13  Thor v5 #8  - 48,622  ( -5.6%)
06/13  Thor v5 #9  - 49,125  ( +1.0%)
07/13  Thor v5 #10 - 46,204  ( -5.9%)
08/13  Thor v5 #11 - 45,397  ( -1.7%)
08/13  Thor v5 #12 - 44,865  ( -1.2%)
09/13  Thor v5 #13 - 48,007  ( +7.0%)
10/13  Thor v5 #14 - 46,008  ( -4.2%)
11/13  Thor v5 #15 - 41,259  (-10.3%)
12/13  Thor v5 #16 - 39,597  ( -4.0%)
01/14  Thor v5 #17 - 38,913  ( -1.7%)
01/14  Thor v5 #18 - 38,190  ( -1.9%)
02/14  Thor #19.Now– 42,034  ( 10.1%)
03/14  Thor v5 #20 – 37,895  ( -9.8%)
---
6 mnth  ( -21.1%)
1 year  ( -24.9%)
2 year  (  12.0%)
3 year  ( -10.0%)
10 year (  20.2%)

Another series that doesn’t hold on to the sales boost from its .NOW issue, and instead drops back to below its previous sales numbers.

44. FANTASTIC FOUR
03/04  Fantastic Four #510   – 50,089
03/09  Fantastic Four #565   - 48,371
03/12  Fantastic Four #604   - 42,126
---
03/13  Fantastic Four v5 #5  - 42,590  (  -5.4%)
03/13  Fantastic Four #5AU   - 45,756  (  +7.4%)
04/13  Fantastic Four v5 #6  - 41,291  (  -4.8%)
04/13  Fantastic Four v5 #7  - 39,314  (  -4.8%)
05/13  Fantastic Four v5 #8  - 37,309  (  -5.1%)
06/13  Fantastic Four v5 #9  - 37,071  (  -0.6%)
07/13  Fantastic Four v5 #10 - 34,018  (  -8.2%)
08/13  Fantastic Four v5 #11 - 32,665  (  -4.0%)
09/13  Fantastic Four v5 #12 - 31,426  (  -3.8%)
10/13  Fantastic Four v5 #13 - 31,561  (  +0.4%)
11/13  Fantastic Four v5 #14 - 28,679  (  -9.1%)
12/13  Fantastic Four v5 #15 - 27,610  (  -3.7%)
01/14  Fantastic Four v5 #16 - 28,045  (   1.6%)
02/14  Fantastic Four v6 #1  - 65,775  ( 134.5%)
03/14  Fantastic Four v6 #2  - 37,569  ( -42.9%)
---
6 mnth  (  19.5%)
1 year  ( -11.8%)
2 year  ( -11.0%)
5 year  ( -22.3%)
10 year ( -25.0%)

Another Marvel Now soft relaunch that doesn’t earn much from its relaunch. On issue 2 it is only 10k above where it was before the relaunch, which is not very promising.

48, 50. HAWKEYE
03/13  ---
04/13  Hawkeye v4 #9  - 39,678  ( +7.5%)
05/13  Hawkeye v4 #10 - 42,090  ( +6.1%)
06/13  Hawkeye v4 #11 - 40,510  ( -3.8%)
06/13  Hawkeye v4 #12 - 40,837  ( +0.8%)
07/13  ---
08/13  ---
09/13  ---
10/13  Hawkeye v4 #13 - 40,476  ( -0.9%)
11/13  Hawkeye v4 #14 - 39,863  ( -1.5%)
11/13  Hawkeye v4 #15 – 39,546  ( -0.8%)
12/13  ---
01/14  Hawkeye v4 #16 - 37,074  ( -6.3%)
02/14  ---
03/14  Hawkeye v4 #17 – 35,545  ( -4.1%)
03/14  Hawkeye v4 #18 – 35,045  ( -1.4%)
---
6 mnth  ( -13.0%)
1 year  (  -3.7%)

Hawkeye is very stable in the 35k range, despite an erratic shipping schedule.

39.  AVENGERS WORLD
01/14  Avengers World #1 - 86,727
01/14  Avengers World #2 - 53,693  (-38.1%)
02/14  Avengers World #3 – 39,999  (-25.5%)
03/14  Avengers World #4 – 34,397  (-14.0%)

I am honestly very surprised that this book is dropping so much. Even if there are a lot of Avengers books, this is so closely tied to the core Avengers book that I’d think it should have captured more of that book’s readership.

56. SECRET AVENGERS
03/11  Secret Avengers    #11 - 51,353
03/12  Secret Avengers    #24 - 18,965
---
03/13  Secret Avengers v2 #2  - 46,419  ( -45.6%)
04/13  Secret Avengers v2 #3  - 38,676  ( -16.7%)
05/13  Secret Avengers v2 #4  - 33,428  ( -13.6%)
06/13  Secret Avengers v2 #5  - 31,437  (  -6.0%)
07/13  Secret Avengers v2 #6  - 28,908  (  -8.0%)
08/13  Secret Avengers v2 #7  - 27,222  (  -5.8%)
08/13  Secret Avengers v2 #8  - 26,150  (  -3.9%)
09/13  Secret Avengers v2 #9  - 24,870  (  -4.9%)
10/13  Secret Avengers v2 #10 - 29,134  ( +17.1%)
11/13  Secret Avengers v2 #11 - 25,326  ( -13.1%)
12/13  Secret Avengers v2 #12 - 23,863  (  -5.8%)
12/13  Secret Avengers v2 #13 - 23,172  (  -2.9%)
01/14  Secret Avengers v2 #14 - 21,372  (  -7.8%)
02/14  Secret Avengers v2 #15 – 20,059  (  -6.1%)
02/14  Secret Avengers v2 #16 – 20,022  (  -0.2%)
03/14  Secret Avengers v3 #1  - 34,036  (  70.0%)
---
6 Mnth  (  36.9%)
1 Year  ( -26.7%)
2 Year  (  79.0%)
3 Year  ( -33.7%)

This is not a very strong debut issue at all. Whereas other books double or triple their numbers with a enw #1 this book gets a boost of 75%. If it drops 30 to 40% like other books do for their second issue then it will go right back to where it was before the new #1. I think stores and readers are starting to lose confidence in Marvel with these faux relaunches.

58. CAPTAIN AMERICA
03/04  Captain America v4 #24 - 39,168  
03/09  Captain America v5 #48 – 62,099  
03/11  Captain America    #616- 44,394  
03/12  Captain America v6 #9  - 41,631  
---
03/13  Captain America v7 #5  - 49,186  (  -7.4%)
04/13  Captain America v7 #6  - 47,802  (  -2.8%)
05/13  Captain America v7 #7  - 44,024  (  -7.9%)
06/13  Captain America v7 #8  - 43,791  (  -0.5%)
07/13  Captain America v7 #9  - 40,796  (  -6.8%)
08/13  Captain America v7 #10 - 39,356  (  -3.5%)
09/13  Captain America v7 #11 - 38,521  (  -2.1%)
10/13  Captain America v7 #12 - 38,684  (  +0.4%)
11/13  Captain America v7 #13 - 36,147  (  -6.6%)
12/13  Captain America v7 #14 - 34,532  (  -4.5%)
01/14  Captain America v7 #15 - 33,433  (  -3.2%)
02/14  Capt AmericaV7 #16.Now – 36,534  (   9.3%)
02/14  Captain America v7 #17 – 33,312  (  -8.8%)
03/14  Captain America v7 #18 – 33,642  (   1.0%)
---
6 Mnth  ( -12.7%)
1 Year  ( -31.6%)
2 Year  ( -19.0%)
3 Year  ( -24.2%)
5 Year  ( -45.8%)
10 Year ( -14.1%)

Issue 18 had two variants so perhaps that accounts for the slight increase of 300 copies sold. Perhaps also retailers ordered a few more to have when the movie came out. Still it is somewhat disappointing that the film has made 160 million dollars yet the comic can’t sell more than 35,000 copies.

62. X-FORCE
03/09  X-Force v3 #13 - 51,789  
03/11  X-Force v4 #6  - 51,248  
03/12  X-Force v4 #23 - 48,867  
---
03/13  X-Force v5 #3  - 51,721  ( -8.8%)
04/13  ---
05/13  X-Force v5 #4  - 47,727  ( -7.7%)
05/13  X-Force v5 #5  - 45,674  ( -4.3%)
06/13  X-Force v5 #6  - 42,496  ( -7.0%)
06/13  X-Force v5 #7  - 40,380  ( -5.0%)
07/13  X-Force v5 #8  - 37,781  ( -6.4%)
07/13  X-Force v5 #9  - 36,978  ( -2.1%)
08/13  X-Force v5 #10 - 35,329  ( -4.5%)
09/13  X-Force v5 #11 - 36,186  ( +2.4%)
10/13  X-Force v5 #12 - 32,559  (-10.0%)
10/13  X-Force v5 #13 - 30,567  ( -6.1%)
11/13  X-Force v5 #14 - 28,885  ( -5.5%)
12/13  X-Force v5 #15 - 27,567  ( -4.6%)
01/14  X-Force v5 #16 - 27,701  (  0.5%)
01/14  X-Force v5 #17 - 27,319  ( -1.4%)
02/14  X-Force v6 #1  - 47,427  ( 73.6%)
03/14  X-Force v6 #2  - 33,079  (-30.3%)
---
6 mnth  (  -8.6%)
1 year  ( -36.0%)
2 year  ( -32.0%)
3 year  ( -35.5%)
5 year  ( -36.1%)

Two issues in and only 6000 copies above where it was before the relaunch. I don’t think readers are buying that direction is very all-new.

63. AVENGERS ARENA
03/11  Avengers Academy #10  - 23,708  
03/12  Avengers Academy #27  - 21,830  
---
03/13  Avengers Arena #6  - 31,617  ( -2.9%)
04/13  Avengers Arena #7  - 29,784  ( -5.8%)
04/13  Avengers Arena #8  - 27,900  ( -6.3%)
05/13  Avengers Arena #9  - 26,873  ( -3.7%)
06/13  Avengers Arena #10 - 25,277  ( -5.9%)
06/13  Avengers Arena #11 - 24,487  ( -3.1%)
07/13  Avengers Arena #12 - 23,969  ( -2.1%)
08/13  Avengers Arean #13 - 22,955  ( -4.2%)
08/13  Avengers Arena #14 - 23,204  ( +1.1%)
09/13  Avengers Arena #15 - 22,180  ( -4.4%)
10/13  Avengers Arena #16 - 22,179  ( -0.0%)
11/13  Avengers Arena #17 - 20,744  ( -6.5%)
11/13  Avengers Arena #18 - 20,712  ( -0.2%)
12/13  ---
01/14  ---
02/14  ---
03/14  Avengers Undrcvr #1- 31,936
---
6 mnth  (  44.0%)
1 year  (   0.7%)
2 year  (  46.0%)
3 year  (  34.7%)

So Undercover is the new series that follows the teen Avengers from Avengers Academy as well as some other Marvel teen characters. It only gets a 50% boost above where it’s previous iteration ended, but historically these books have always sold between 20 and 30k, so I guess this is on course. Maybe this time it will hold onto some more readers.

64. Iron Patriot
03/09  Iron Man 2.0 #2 -  24,600
03/11  War Machine #4  -  32,688
---
02/14  Iron Patriot #1 -  31,773  (  --- )
---
3 year  (  29.2%)
5 year  (  -2.8%)

Historically the last couple of War Machine/Iron Patriot/ Iron Man 2.0 books have sold right in this range of 20k – 30k, so again this series seems to be doing just what is expected of it and no more.

67. INDESTRUCTIBLE HULK
03/04  Incred Hulk v3 #67  - 46,137
03/11  Incred Hulks  #622  - 32,066
03/12  Incred Hulk v4 #5   - 40,522
---
03/13  Indestructible #5   - 54,967  (  -2.2%)
04/13  Indestructible #6   - 55,470  (  +0.9%)
05/13  Indestructible #7   - 49,956  (  -9.9%)
05/13  Indestructible #8   - 48,866  (  -2.2%)
06/13  Indestructible #9   - 49,427  (  +1.1%)
07/13  Indestructible #10  - 45,531  (  -7.9%)
07/13  Indestructible #11  - 45,241  (  -0.6%)
08/13  Indestructible #12  - 43,673  (  -3.5%)
09/13  Indestructible #13  - 41,805  (  -4.3%)
10/13  Indestructible #14  - 40,963  (  -2.0%)
11/13  Indestructible #15  - 37,025  (  -9.6%)
11/13  Indestructible #16  - 35,871  (  -3.1%)
12/13  Hulk #17.INH        - 35,679  (  -0.5%)
01/14  Hulk #18.INH        - 33,056  (  -7.4%)
02/14  Indestructible #19  - 31,192  (  -5.6%)
03/14  Indestructible #20  - 30,042  (  -3.7%)
---
6 Mnth  ( -28.1%)
1 Year  ( -45.3%)
2 Year  ( -26.0%)
3 Year  (  -6.3%)
10 Year ( -34.9%)

Hulk is leveling out a bit before its soft relaunch. Will it fall prey to the same trend that we’ve been seeing with other recent Marvel now relaunches or will it see a big sales boost like Waid’s other book Daredevil has? We’ll have to wait and see.

69. PUNISHER
03/04  Punisher v7 #4  – 47,096
03/09  Punisher v8 #3  – 37,564
03/12  Punisher v9 #9  - 22,318
---
09/13  Trial #1 of 2   - 22,626
10/13  Trial #2 of 2   - 20,143  (-11.0%)
11/13  ---
12/13  ---
01/14  ---
02/14  Punisher v10 #1 – 54,558  (   --- )
02/14  Punisher v10 #2 – 31,709  ( -41.9%)
03/14  Punisher v10 #3 – 29,636  (  -5.6%)
---
2 year  (  34.0%)
5 year  ( -20.3%)
10 year ( -36.4%)

A drop of 5% might mean this series will start to level out around 25-27k, which would be a decent number for Punisher historically.

73. CATACLYSM
07/13  Hunger #1 of 4    - 70,835
08/13  Hunger #2 of 4    - 44,929  (-36.6%)
09/13  ---
10/13  Hunger #3 of 4    - 39,915  (-11.2%)
10/13  Hunger #4 of 4    - 36,775  ( -7.9%)
10/13  Cataclysm #0.1    - 37,589  ( +2.2%)
11/13  Cataclysm #1 of 5 - 42,109  (+12.0%)
12/13  Cataclysm #2 of 5 - 33,348  (-20.8%)
01/14  Cataclysm #3 of 5 - 29,566  (-11.3%
01/14  Cataclysm #4 of 5 - 26,363  (-10.8%)
02/14  Cataclysm #5 of 5 – 25,752  ( -2.3%)
03/14  Survive (One-Shot)- 28,782  ( 11.8%)

Survive is the epilogue to the Cataclysm and bridges the gap between the new Ultimate universe books coming next month. Hopefully, more people will be reading those then picked up Survive.

70. Loki
03/11  Loki #4 -  12,055  
---
02/14  Loki #1 -  41,921  (  --- ) [44,259]
03/14  Loki #2 -  27,968  ( -33.3)
---
3 year  (132.0%)

I’ll be keeping an eye on this. Issue 2 sees a drop in orders but issue 1 had some strong re-order activity so we may see this book’s sales grow or at least start to level out. Still it is doing much better than the last Loki series.

78. BLACK WIDOW
01/14  Black Widow #1 - 53,879
01/14  Black Widow #2 - 31,260  ( -42.0%)[33,603]
02/14  Black Widow #3 – 28,127  ( -10.0%)[30,187]
03/14  Black Widow #4 – 27,378  (  -2.7%)

Very small drop this month plus good re-order activity is promising for this series. I wonder if we’ll either see it flatten out more, or even get an increase in sales. This series isn’t that far off in sales from other Avengers movie stars like Cap, Hawkeye, Thor, and Iron man, so maybe a solid 30k is really good for solo Avengers books.

79. ALL-NEW X-FACTOR
03/09  X-Factor #40    - 31,883  
03/11  X-Factor #215   - 25,256  
03/12  X-Factor #231   - 23,840  
---
03/13  X-Factor #253   - 20,835  ( -0.4%)
04/13  X-Factor #254   - 20,579  ( -1.2%)
05/13  X-Factor #255   - 20,442  ( -0.7%)
05/13  X-Factor #256   - 20,602  ( +0.8%)
06/13  X-Factor #257   - 20,264  ( -1.6%)
06/13  X-Factor #258   - 20,154  ( -0.5%)
07/13  X-Factor #259   - 20,065  ( -0.4%)
08/13  X-Factor #260   - 19,982  ( -0.4%)
08/13  X-Factor #261   - 19,781  ( -1.0%)
09/13  X-Factor #262   - 20,382  ( +3.0%)
10/13  ---
11/13  ---
12/13  ---
01/14  X-Factor v4 #1  - 45,727  (
01/14  X-Factor v4 #2  - 32,228  ( -29.5%)
02/14  X-Factor v4 #3  - 29,915  (  -3.2%)
03/14  X-Factor v4 #4  - 27,337  (  -8.6%)
03/14  X-Factor v4 #5  - 26,656  (  -2.5%)
---
6 Mnth  (  34.1%)
1 Year  (  30.6%)
2 Year  (  15.0%)
3 Year  (   8.2%)
5 Year  ( -14.3%)

Adding to the trend I’ve been mentioning. Here is another series that is already getting very close to where it was pre-relaunch. The good news is that each month its sales drops are getting smaller, but it still seems on track to fall right down to where it was pre-relaunch before long. This leads me to think that if you were reading X-factor, you kept reading it, but if you weren’t reading it, the new direction didn’t really draw you in and keep you interested.

80. ALL-NEW INVADERS
---
01/14  All-New Invaders  #1 - 55,167
02/14  All-New Invaders  #2 – 32,293  (-41.5%)
03/14  All-New Invaders  #3 – 27,329  (-15.4%)
---
6 Mnth  (   --- )
1 Year  ( 116.8%)
2 Year  ( -33.0%)

Still dropping but slowing down some.

82. She-Hulk
03/04  She-Hulk v1 #1   -  34,499  
02/13  Red She-Hulk#63  -  15,941  
---
02/14  She-Hulk    #1   -  41,921  (  --- )
03/14  She-Hulk    #2   -  26,675  (-36.3%)
---
1  Year  ( 67.3%)
10 Year  (-22.7%)

Now I didn’t see any re-order activity on this series, but it did get a second printing of issue 1. Maybe we’ll get more numbers and some re-orders next month to get a better idea if these numbers are on track. If they are, this series isn’t doing as well as some of the other new offerings like Ms. Marvel and Black Widow.

85. New Warriors
03/09  New Warriors #20 -  15,081
---
02/14  New Warriors #1  -  45,765  (  --- )
03/14  New Warriors #1  -  26,006  (-43.2%)
---
5 year  ( 72.4%)

That is a pretty big drop. I’ve heard good things about this series, but the numbers seem to suggest that retailers aren’t buying it and without a lot of re-orders it doesn’t seem like there is a lot of reader demand either.

90. MIGHTY AVENGERS
03/09  Mighty Avengers   #21 -  71,322  
---
09/13  Mighty Avengers v2 #1 - 101,921
10/13  Mighty Avengers v2 #2 -  54,862  (-46.2%)
11/13  Mighty Avengers v2 #3 -  42,210  (-23.1%)
12/13  Mighty Avengers v2 #4 -  35,740  (-15.3%)
01/14  Mighty Avengers#5.INH -  30,251  (-15.4%)
02/14  Mighty Avengers v2 #6 -  27,195  (-10.1%)
02/14  Mighty Avengers v2 #7 -  26,512  ( -2.5%)
03/14  Mighty Avengers v2 #8 -  24,933  ( -6.0%)
---
6 Mnth  ( -75.5%)
5 Year  ( -65.0%)

This book continues to drop and will probably slip under 20k shortly which is historically where Marvel either relaunches or cancels a series.

91. Winter Soldier Bitter March
03/12  Winter Soldier #3  - 34,923
02/13  Winter Soldier #16 – 20,973
---
02/14  W. Soldier BM  #1  - 31,137  (  --- )
03/14  W. Soldier BM  #2  - 24,831  (-20.3%)
---
1 Year  (  18.4%)
2 Year  ( -29.0%)

I’m not really sure what they were going for with this series. It is a Winter Soldier story timed to come out at the same time of the movie but doesn’t star the Winter Soldier or Captain America. It doesn’t seem like retailer quite knew what to do with it either.

93. SAVAGE WOLVERINE
03/13  Savage Wolverine #3  -  50,310  (-13.6%)
04/13  Savage Wolverine #4  -  45,933  ( -8.7%)
05/13  Savage Wolverine #5  -  42,328  ( -7.8%)
06/13  Savage Wolverine #6  -  59,410  (+40.4%)
07/13  Savage Wolverine #7  -  40,946  (-31.1%)
08/13  ---
09/13  Savage Wolverine #8  -  38,208  ( -6.7%)
10/13  Savage Wolverine #9  -  36,451  ( -4.6%)
10/13  Savage Wolverine #10 -  33,627  ( -7.7%)
11/13  Savage Wolverine #11 -  30,338  ( -9.8%)
11/13  Savage Wolverine #12 -  29,739  ( -2.0%)
12/13  Savage Wolverine #13 -  27,490  ( -7.6%)
01/14  Savage #14.NOW       -  30,370  ( 10.5%)
02/14  Savage Wolverine #15 -  25,190  (-17.1%)
03/14  Savage Wolverine #16 -  24,008  ( -4.7%)
---
6 Mnth  ( -37.2%)
1 Year  ( -52.3%)

Continues to drift downward even with this issue having a variant cover.

96. MIRACLEMAN
01/14  Miracleman #1 - 52,313
01/14  Miracleman #2 - 36,927  ( -29.4%)
02/14  Miracleman #3 – 25,970  ( -32.6%)  
03/14  Miracleman #4 – 23,557  (  -9.3%)

Okay issue 4 seems to be leveling out a bit which is good. Maybe Miracleman will just be a steady 20k book, which maybe is good a recolored rerelease of an older book.

97, 98. NOVA
03/09  Nova v4 #22 - 26,409
---
03/13  Nova v5 #2  - 46,725  (-42.2%)
04/13  Nova v5 #3  - 40,548  (-13.2%)
05/13  Nova v5 #4  - 38,151  ( -5.9%)
06/13  Nova v5 #5  - 36,545  ( -4.2%)
07/13  Nova v5 #6  - 34,234  ( -6.3%)
08/13  Nova v5 #7  - 31,937  ( -6.7%)
09/13  Nova v5 #8  - 37,767  (+18.3%)
10/13  Nova v5 #9  - 32,323  (-14.4%)
11/13  Nova v5 #10 - 32,716  ( +1.2%)
12/13  Nova v5 #11 - 27,982  (-14.5%)
01/14  Nova v5 #12 - 25,043  ( -10.5%)
02/14  Nova#13.Now – 26,147  (   4.4%)
03/14  Nova v5 #14 – 23,459  ( -10.3%)
03/14  Nova v5 #15 – 22,996  (  -2.0%)
---
6 Mnth  ( -37.9%)
1 Year  ( -49.8%)
5 Year  ( -11.2%)

Nova is getting awfully close to dropping below 20k. Perhaps a reboot is in store for this title soon?

101. THUNDERBOLTS
03/09  Thunderbolts  #130  - 45,803  
03/11  Thunderbolts  #154  - 25,455  
03/12  Thunderbolts  #171  - 19,073 
---
03/13  Thunderbolts v2 #6  - 39,293  ( -5.7%)
03/13  Thunderbolts v2 #7  - 38,553  ( -1.9%)
04/13  Thunderbolts v2 #8  - 36,979  ( -4.1%)
05/13  Thunderbolts v2 #9  - 32,855  (-11.2%)
06/13  Thunderbolts v2 #10 - 32,682  ( -0.5%)
06/13  Thunderbolts v2 #11 - 30,618  ( -6.3%)
07/13  Thunderbolts v2 #12 - 29,081  ( -5.0%)
07/13  Thunderbolts v2 #13 - 28,528  ( -1.9%)
08/13  Thunderbolts v2 #14 - 30,620  ( +7.3%)
09/13  Thunderbolts v2 #15 - 29,703  ( -3.0%)
10/13  Thunderbolts v2 #16 - 29,334  ( -1.2%)
10/13  Thunderbolts v2 #17 - 28,324  ( -3.4%)
11/13  Thunderbolts v2 #18 - 26,502  ( -6.4%)
12/13  Thunderbolts v2 #19 - 24,959  ( -5.8%)
01/14  Thunderblts #20.NOW - 28,994  ( 16.2%)
01/14  Thunderbolts v2 #21 - 24,293  (-16.2%)
02/14  Thunderbolts v2 #22 – 23,629  ( -2.7%)
03/14  Thunderbolts v2 #23 – 22,701  ( -3.9%)
---
6 Mnth  ( -23.6%)
1 Year  ( -42.2%)
2 Year  (  19.0%)
3 Year  ( -10.8%)
5 Year  ( -50.4%)

The numbers on this aren’t great and are trending towards cancellation or relaunch, but it is getting a new writing team with issue 27, so maybe that will help give it a boost.

103. X-MEN LEGACY
03/09  X-Men Legacy  #222 -  55,598
03/11  X-Men Legacy  #246 -  47,893
03/12  X-Men Legacy  #263 -  35,999
---
03/13  X-Men Legacy v2 #7 -  29,231  ( -5.9%)
03/13  X-Men Legacy v2 #8 -  28,174  ( -3.6%)
04/13  X-Men Legacy v2 #9 -  28,405  ( +0.8%)
05/13  X-Men Legacy v2 #10 - 25,911  ( -8.8%)
05/13  X-Men Legacy v2 #11 - 25,048  ( -3.3%)
06/13  X-Men Legacy v2 #12 - 23,996  ( -4.2%)
07/13  X-Men Legacy v2 #13 - 23,146  ( -3.5%)
07/13  X-Men Legacy v2 #14 - 22,119  ( -4.4%)
08/13  X-Men Legacy v2 #15 - 21,599  ( -2.4%)
09/13  X-Men Legacy v2 #16 - 20,995  ( -2.8%)
09/13  X-Men Legacy v2 #17 - 20,382  ( -2.9%)
10/13  X-Men Legacy v2 #18 - 19,767  ( -3.0%)
11/13  X-Men Legacy v2 #19 - 19,149  ( -3.1%)
11/13  X-Men Legacy v2 #20 - 18,754  ( -2.1%)
12/13  X-Men Legacy v2 #21 - 18,754  (  n/c )
01/14  X-Men Legacy v2 #22 - 17,868  ( -4.7%)
01/14  X-Men Legacy v2 #23 - 17,636  ( -1.3%)
02/14  X-Men Legacy v2 #24 – 17,307  ( -1.9%)
03/14  X-Men Legacy #300   - 22,422  ( 29.6%)
---
6 Mnth  (   6.8%)
1 Year  ( -23.3%)
2 Year  ( -38.0%)
3 Year  ( -53.2%)
5 Year  ( -59.7%)

Final issue (for now, no word on a possible relaunch) sees a bit of a sales bump.

108. SUPERIOR SPIDER-MAN TEAM-UP
03/12  Avenging #5         - 40,877 
---
03/13  Avenging #18        - 31,657  (  +2.8%)
04/13  Avenging #19        - 28,740  (  -9.2%)
05/13  Avenging #20        - 27,609  (  -3.9%)
05/13  Avenging #21        - 27,251  (  -1.3%)
06/13  Avenging #22        - 26,799  (  -1.7%)
07/13  Superior Team-Up #1 - 76,959  (+187.2%)
08/13  Superior Team-Up #2 - 41,155  ( -46.5%)
09/13  Superior Team-Up #3 - 37,363  (  -9.2%)
10/13  Superior Team-Up #4 - 36,296  (  -3.6%)
10/13  Superior Team-Up #5 - 30,424  ( -16.2%)
11/13  Superior Team-Up #6 - 27,189  ( -10.6%)
12/13  Sup. Team-up #7.NOW - 25,514  (  -6.2%)
12/13  Superior Team-Up #8 - 24,296  (  -4.8%)
01/14  Superior Team-Up #9 - 23,071  (  -5.0%)
02/14  Superior Team-Up #10- 22,124  (  -4.1%)
03/14  Superior Team-Up #11- 21,091  (  -4.7%)
---
6 Mnth  ( -43.6%)
1 Year  ( -33.4%)
2 Year  ( -48.0%)

There was no solicit for this series in June, so not sure if it is totally cancelled or will be rebooted o some sort of Amazing Spider-Man team-up. The sales would indicate that it is time for some sort of change however.

114. AVENGERS ASSEMBLE
03/12  Avengers Assemble #1  - 100,833
---
03/13  Avengers Assemble #13 - 28,432  ( -3.6%)
04/13  Av. Assemble #14AU    - 35,985  (+26.6%)
05/13  Av. Assemble #15AU    - 33,183  ( -7.8%)
06/13  Avengers Assemble #16 - 27,497  (-17.1%)
07/13  Avengers Assemble #17 - 26,640  ( -3.1%)
08/13  Avengers Assemble #18 - 30,597  (+14.9%)
09/13  Avengers Assemble #19 - 29,564  ( -3.4%)
10/13  Avengers Assemble #20 - 28,886  ( -2.3%)
11/13  Avengers Assemble #21 - 24,831  (-14.0%)
12/13  Av. Assemble #22.INH  - 24,168  ( -2.7%)
01/14  Av. Assemble #23.INH  - 21,943  ( -9.2%)
02/14  Avengers Assemble #24 – 20,059  ( -8.6%)
03/14  Avengers Assemble #25 – 19,102  ( -4.8%)
---
6 Mnth  ( -35.4%)
1 Year  ( -32.8%)
2 Year  ( -81.0%)

This is the final issue on a really fun and easily accessible Avengers series that could never quite hold onto its audience.

119, 122. SUPERIOR FOES OF SPIDER-MAN
07/13  Superior Foes #1 - 61,413
08/13  Superior Foes #2 - 34,300  (-44.1%)
09/13  Superior Foes #3 - 30,081  (-12.3%)
10/13  Superior Foes #4 - 26,884  (-10.6%)
11/13  Superior Foes #5 - 23,694  (-11.9%)
11/13  Superior Foes #6 - 21,367  ( -9.8%)
12/13  Superior Foes #7 - 20,858  ( -2.4%)
01/14  ---
02/14  Superior Foes #8 – 19,193  ( -8.0%)
03/14  Superior Foes #9 – 18,620  ( -3.0%)
03/14  Superior Foes #10- 18,437  ( -1.0%
---
6 Mnth  ( -38.1%)

This series is solicited through June, even with Amazing Spider-Man replacing Superior. It is relatively stable even if its sales aren’t great.

128. A+X
03/13  A+X #5  - 37,250  (-22.5%)
03/13  A+X #6  - 34,434  ( -7.6%)
04/13  A+X #7  - 31,183  ( -9.4%)
05/13  A+X #8  - 26,967  (-13.5%)
06/13  A+X #9  - 25,803  ( -4.3%)
07/13  A+X #10 - 24,371  ( -5.5%)
08/13  A+X #11 - 23,222  ( -4.7%)
09/13  A+X #12 - 21,282  ( -8.4%)
10/13  A+X #13 - 20,908  ( -1.8%)
11/13  A+X #14 - 19,318  ( -7.6%)
12/13  A+X #15 - 18,648  ( -3.5%)
01/14  A+X #16 - 17,913  ( -3.9%)
02/14  A+X #17 – 17,075  ( -4.7%)
03/14  A+X #18 – 16,428  ( -3.8%)
---
6 Mnth  ( -22.8%)
1 Year  ( -55.9%)

Final issue.

131. GEORGE ROMERO EMPIRE OF THE DEAD: ACT ONE
01/14  Act One #1 of 5 - 24,515
02/14  Act One #2 of 5 – 17,624 ( -28.1%)
03/14  Act One #3 of 5 – 15,720 ( -10.8%)

The drops are slowing down a bit.

132. AVENGERS A.I. 
07/13  Avengers A.I. #1 - 68,130
08/13  Avengers A.I. #2 - 37,079  (-45.6%)
09/13  Avengers A.I. #3 - 29,776  (-19.7%)
10/13  Avengers A.I. #4 - 25,770  (-13.5%)
10/13  Avengers A.I. #5 - 23,146  (-10.2%)
11/13  Avengers A.I. #6 - 20,037  (-13.4%)
12/13  Avengers A.I. #7 - 19,879  ( -0.8%)
01/14  A.I. #8.NOW      - 20,084  (  1.0%)
02/14  Avengers A.I. #9 – 16,906  (-15.8%)
03/14  Avengers A.I. #10- 15,616  ( -7.6%)
---
6 Mnth  ( -47.6%)

Looks like April’s issue #12 will be the last issue of Avengers A.I. with no relaunch in sight.

80. Captain America Homecoming
02/14  CA Homecoming #1 – 15,379

Not a lot of orders for this miniseries featuring Captain America. Not sure what Marvel was going for with this series, but retailers didn’t order it, and I don’t recall seeing any press about it.

147. MARVEL KNIGHTS: X-MEN
11/13  X-Men #1 of 5 - 30,214
12/13  X-Men #2 of 5 - 22,549  (-25.4%)
01/14  X-Men #3 of 5 - 16,581  (-26.5%)
02/14  X-Men #4 of 5 – 15,014  ( -9.5%)
03/14  X-Men #5 of 5 – 13,294  (-11.5%)

Hopefully, these Marvel Knights book will do better in trade than they did as floppies.

166. MARVEL KNIGHTS: HULK
12/13  Hulk #1 of 4 - 22,169
01/14  Hulk #2 of 4 - 14,568  (-34.3%)
02/14  Hulk #3 of 4 – 12,305  (-15.5%)
03/14  Hulk #4 of 4 – 11,363  ( -7.7%)

See above.

172. DEXTER
07/13  Dexter #1 of 5    - 20,540
08/13  Dexter #2 of 5    - 17,304  (-15.8%)
09/13  Dexter #3 of 5     - 17,586  ( +1.6%)
10/13  Dexter #4 of 5     - 14,920  (-15.2%)
11/13  Dexter #5 of 5     - 13,439  (-10.0%)
12/13  ---
01/14  ---
02/14  Down Under #1 of 5 – 13,203  ( -1.8%)
03/14  Down Under #2 of 5 – 10,664  (-19.2%)
---
6 Mnth  (-39.4%)

Dropping pretty steeply.

186, 195, 197. REVOLUTIONARY WAR
01/14  Alpha                - 16,788
01/14  Dark Angel           - 14,083
01/14  Knights of Pendragon - 13,440
02/14  Death's Head II      - 11,310 
02/14  Supersoldiers        - 10,310 
03/14  Motormouth           -  9,355
03/14  Warheads             -  9,249
03/14  Omega                -  9,820

Again, we don’t see the whole picture for these Marvel UK books, since we don’t get the UK sales numbers, but the sales for the US weren’t great.

199. Brilliant
02/14  Brilliant #5 – 9,239

This oft-delayed book pops back up with numbers that are low for Marvel, but standard for an indie title.

222. DISNEY KINGDOMS: SEEKERS OF THE WEIRD
01/14  Seekers #1 of 5 - 24,910
02/14  Seekers #2 of 5 –  9,182  ( -63.1%)
03/14  Seekers #3 of 5 -  7,887  ( -14.1%)

This Disney marvel crossover is dropping down fast.

6-Month Comparisons
---

119.7%	AMAZING X-MEN #5
107.3%	DAREDEVIL #1
93.7%		CAPTAIN MARVEL #1
44.0%		AVENGERS UNDERCOVER #1
36.9%		SECRET AVENGERS #1
34.1%		ALL NEW X-FACTOR #4
30.8%		ALL NEW X-FACTOR #5
20.8%		IRON MAN #23.NOW
19.5%		FANTASTIC FOUR #2
13.4%		WOLVERINE #3
6.8%		X-MEN LEGACY #300
6.8%		DEADPOOL #25.NOW
-3.4%		DEADPOOL #26
-8.4%		WOLVERINE AND X-MEN #1
-8.6%		X-FORCE #2
-12.7%	CAPTAIN AMERICA #18
-13.0%	HAWKEYE #17
-13.4%	UNCANNY AVENGERS #18.NOW
-14.1%	SUPERIOR SPIDER-MAN #29
-14.2%	HAWKEYE #18
-15.4%	SUPERIOR SPIDER-MAN #30
-16.0%	UNCANNY X-MEN #19.NOW
-17.8%	GUARDIANS OF GALAXY #13
-19.7%	NEW AVENGERS #16.NOW
-20.2%	IRON MAN #22
-21.1%	THOR GOD OF THUNDER #20
-22.3%	NEW AVENGERS #15
-22.8%	A PLUS X #18
-23.6%	THUNDERBOLTS #23
-24.3%	ALL NEW X-MEN #24
-28.1%	INDESTRUCTIBLE HULK #20
-28.5%	UNCANNY X-MEN #18
-32.3%	WOLVERINE AND X-MEN #2
-35.4%	AVENGERS ASSEMBLE #25
-37.2%	SAVAGE WOLVERINE #16
-37.9%	NOVA #14
-38.1%	SUPERIOR FOES OF SPIDER-MAN #9
-38.7%	SUPERIOR FOES OF SPIDER-MAN #10
-39.1%	NOVA #15
-39.4%	DEXTER DOWN UNDER #2
-39.8%	X-MEN #12
-41.7%	AVENGERS #27
-43.6%	SUPERIOR SPIDER-MAN TEAM UP #11
-47.6%	AVENGERS AI #10
-75.5%	MIGHTY AVENGERS #8

1 Year Comparisons
---

149.4%	CAPTAIN MARVEL #1
104.1%	DAREDEVIL #1
67.3%		SHE-HULK #2
67.0%		AMAZING X-MEN #5
30.6%		ALL NEW X-FACTOR #4
30.1%		WOLVERINE AND X-MEN #1
27.4%		ALL NEW X-FACTOR #5
18.4%		WINTER SOLDIER BITTER MARCH #2
0.7%		AVENGERS UNDERCOVER #1
-0.3%		IRON MAN #23.NOW
-3.7%		HAWKEYE #17
-3.9%		WOLVERINE AND X-MEN #2
-5.0%		HAWKEYE #18
-11.8%	FANTASTIC FOUR #2
-14.6%	DEADPOOL #25.NOW
-18.7%	SUPERIOR SPIDER-MAN #29
-19.9%	SUPERIOR SPIDER-MAN #30
-22.7%	DEADPOOL #26
-23.3%	X-MEN LEGACY #300
-24.8%	UNCANNY X-MEN #19.NOW
-24.9%	THOR GOD OF THUNDER #20
-25.2%	NEW AVENGERS #16.NOW
-26.7%	SECRET AVENGERS #1
-27.4%	UNCANNY AVENGERS #18.NOW
-27.6%	NEW AVENGERS #15
-29.9%	ALL NEW X-MEN #24
-31.1%	AVENGERS #27
-31.6%	CAPTAIN AMERICA #18
-32.8%	AVENGERS ASSEMBLE #25
-33.4%	SUPERIOR SPIDER-MAN TEAM UP #11
-34.1%	IRON MAN #22
-36.0%	UNCANNY X-MEN #18
-36.0%	X-FORCE #2
-42.2%	THUNDERBOLTS #23
-45.3%	INDESTRUCTIBLE HULK #20
-49.8%	NOVA #14
-50.8%	NOVA #15
-52.3%	SAVAGE WOLVERINE #16
-55.9%	A PLUS X #18
-65.4%	WOLVERINE #3
-74.0%	GUARDIANS OF GALAXY #13

2 Year Comparisons
---

265%		ALL NEW GHOST RIDER #1
48%		SILVER SURFER #1
169%		MOON KNIGHT #1
99%		DAREDEVIL #1
79%		SECRET AVENGERS #1
74%		DEADPOOL #25.NOW
58%		DEADPOOL #26
47%		SUPERIOR SPIDER-MAN #29
46%		AVENGERS UNDERCOVER #1
45%		SUPERIOR SPIDER-MAN #30
40%		IRON MAN #23.NOW
35%		AMAZING X-MEN #5
34%		PUNISHER #3
23%		X-MEN #12
19%		THUNDERBOLTS #23
15%		ALL NEW X-FACTOR #4
12%		UNCANNY X-MEN #19.NOW
12%		WOLVERINE #3
12%		ALL NEW X-FACTOR #5
12%		THOR GOD OF THUNDER #20
3%		AVENGERS #27
0%		WOLVERINE AND X-MEN #1
-5%		UNCANNY X-MEN #18
-6%		NEW AVENGERS #16.NOW
-8%		IRON MAN #22
-9%		NEW AVENGERS #15
-11%		FANTASTIC FOUR #2
-19%		CAPTAIN AMERICA #18
-26%		INDESTRUCTIBLE HULK #20
-26%		WOLVERINE AND X-MEN #2
-29%		WINTER SOLDIER BITTER MARCH #2
-32%		X-FORCE #2
-38%		X-MEN LEGACY #300
-48%		SUPERIOR SPIDER-MAN TEAM UP #11
-81%		AVENGERS ASSEMBLE #25

3 Year Comparisons
---

179.1%	DAREDEVIL #1
176.4%	SILVER SURFER #1
132.0%	LOKI AGENT OF ASGARD #2
61.0%		DEADPOOL #25.NOW
45.7%		DEADPOOL #26
34.7%		AVENGERS UNDERCOVER #1
29.2%		IRON PATRIOT #1
28.4%		SUPERIOR SPIDER-MAN #29
26.5%		SUPERIOR SPIDER-MAN #30
15.8%		UNCANNY X-MEN #19.NOW
8.2%		ALL NEW X-FACTOR #4
5.5%		ALL NEW X-FACTOR #5
0.0%		IRON MAN #23.NOW
-1.5%		UNCANNY X-MEN #18
-6.3%		INDESTRUCTIBLE HULK #20
-10.0%	THOR GOD OF THUNDER #20
-10.8%	THUNDERBOLTS #23
-13.8%	X-MEN #12
-13.9%	WOLVERINE #3
-18.7%	NEW AVENGERS #16.NOW
-19.0%	AVENGERS #27
-21.3%	NEW AVENGERS #15
-24.2%	CAPTAIN AMERICA #18
-33.7%	SECRET AVENGERS #1
-33.9%	IRON MAN #22
-35.5%	X-FORCE #2
-53.2%	X-MEN LEGACY #300

5 Year Comparisons
---

177.8%	MOON KNIGHT #1
134.6%	ALL NEW GHOST RIDER #1
107.1%	GUARDIANS OF GALAXY #13
84.2%		DAREDEVIL #1
76.6%		CAPTAIN MARVEL #1
72.4%		NEW WARRIORS #2
24.9%		SUPERIOR SPIDER-MAN #29
23.0%		SUPERIOR SPIDER-MAN #30
1.7%		DEADPOOL #25.NOW
-2.8%		IRON PATRIOT #1
-8.0%		DEADPOOL #26
-11.2%	NOVA #14
-12.9%	NOVA #15
-14.3%	ALL NEW X-FACTOR #4
-15.8%	IRON MAN #23.NOW
-16.4%	ALL NEW X-FACTOR #5
-17.2%	UNCANNY X-MEN #19.NOW
-20.3%	PUNISHER #3
-22.3%	FANTASTIC FOUR #2
-29.6%	UNCANNY X-MEN #18
-36.1%	X-FORCE #2
-44.4%	IRON MAN #22
-45.8%	CAPTAIN AMERICA #18
-48.9%	NEW AVENGERS #16.NOW
-50.4%	THUNDERBOLTS #23
-50.5%	NEW AVENGERS #15
-52.7%	WOLVERINE #3
-59.7%	X-MEN LEGACY #300
-60.8%	THOR GOD OF THUNDER #20
-65.0%	MIGHTY AVENGERS #8

10 Year Comparisons
---

145.4%	SILVER SURFER #1
48.0%		IRON MAN #23.NOW
39.7%		DAREDEVIL #1
20.2%		THOR GOD OF THUNDER #20
-2.2%		IRON MAN #22
-2.8%		AVENGERS #27
-8.4%		SUPERIOR SPIDER-MAN #29
-9.8%		SUPERIOR SPIDER-MAN #30
-14.1%	CAPTAIN AMERICA #18
-22.7%	SHE-HULK #2
-25.0%	FANTASTIC FOUR #2
-25.4%	UNCANNY X-MEN #19.NOW
-34.9%	INDESTRUCTIBLE HULK #20
-36.4%	PUNISHER #3
-36.5%	UNCANNY X-MEN #18
-41.7%	WOLVERINE #3

15 Comments on Marvel Month-to-Month Sales: March 2014 — the two types of All-New Marvel Now #1s, last added: 4/18/2014
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48. Wizarding World of Harry Potter at Universal Studios Japan to Open July 15th

Today, Universal Studios Japan announced that The Wizarding World of Harry Potter area will open at their park on July 15th, 2014. The prime minister of Japan, the US ambassador to Japan, Evanna Lynch (Luna Lovegood), and Harry Potter set designer Stuart Craig were there for the announcement:

Universal Studios Japan hosted an event today, to celebrate the announcement of the Grand Opening of “The Wizarding World of Harry Potter,” which meticulously recreates some of the iconic locations from the world of Harry Potter.  Universal Studios Japan revealed that “The Wizarding World of Harry Potter” will open on July 15, 2014.  The announcement culminated with the unveiling of the magnificent Hogwarts castle, the focal point of the land.
 
Universal Studios Japan welcomed special guests from Japan and around the globe: Prime Minister Shinzo Abe of Japan; Ms. Caroline Kennedy, Ambassador of the United States of America to Japan; Academy Award®-winning art director and production designer for the Harry Potter films, Stuart Craig; actress Evanna Lynch, who played “Luna Lovegood” in the Harry Potter film series; world-renowned architect Tadao Ando; and Universal Studios Japan ambassadors, and beloved musical act, SMAP, gathered for the celebration.
 
When Prime Minister Abe and Ambassador Kennedy announced the opening date, Hogwarts castle was illuminated with a spectacular show of lights and brilliant fireworks.
 
Event Overview
The evening’s celebration began with an “owl” delivering a letter from Hogwarts to President and CEO of Universal Studios Japan, Mr. Glenn Gumpel, who was revealed on stage with the letter in hand to introduce the honored guests.
 
Guests Evanna Lynch, Stuart Craig, Tadao Ando and SMAP were greeted on stage with loud cheers, and the appearance of United States Ambassador Kennedy was met with thunderous applause. Following her remarks, she introduced special guest Prime Minister Shinzo Abe, for the momentous occasion.
 
With distinguished guests from around the world gathered, Mr. Gumpel presented the letter from the wizarding world to Prime Minister Abe and Ambassador Kennedy, who together, reading from the letter, announced “The Wizarding World of Harry Potter”  opening date.  At that moment, Hogwarts castle was illuminated with a radiant light show with fireworks, which unveiled its towering scale and lit up the night sky.
 
Following additional remarks by Prime Minister Abe, Ms. Evanna Lynch led the guests in casting the spell “Lumos!” followed by more dazzling fireworks to the further the excitement and joy of the crowd.
 
A special website, where you can begin to explore “The Wizarding World of Harry Potter” online, has now launched.  Please visit www.usj.co.jp/harrypotter in the official Universal Studios Japan website.
 
Universal Studios Japan received an annual 10 million visitors for the second time this past March 19 (day 353 of fiscal year), which is the first time USJ has achieved this milestone since the park’s opening in 2001, and, thanks to all, continues to perform strongly. With the much-anticipated opening of “The Wizarding World of Harry Potter,” USJ looks to continue to attract more visitors from both Japan and worldwide.

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49. Very short talks

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By Chloe Foster


We have seen an abundance of Very Short Introductions (VSI) authors appearing at UK festivals this year. Appearances so far have included at Words by the Water festival in Keswick, Oxford Literary Festival, and Edinburgh Science festival. The versitility of the series and its subjects means our author talks are popular at a variety of different types of festivals. First up, Words by the Water:



Later this month, we’ll have talks from VSI authors at Chipping Norton Literary Festival on the 26th and 27th April. This is followed by a series of talks at Ways with Words festival in Devon on the 12th July, Kings Place festival in London on the 14th September, and Cheltenham Literature festival from 3rd -12th October.

The Very Short Introductions (VSI) series combines a small format with authoritative analysis and big ideas for hundreds of topic areas. Written by our expert authors, these books can change the way you think about the things that interest you and are the perfect introduction to subjects you previously knew nothing about. Grow your knowledge with OUPblog and the VSI series every Friday, subscribe to Very Short Introductions articles on the OUPblog via email or RSS., and like Very Short Introductions on Facebook.

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The post Very short talks appeared first on OUPblog.

0 Comments on Very short talks as of 4/18/2014 4:21:00 AM
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50. Kindle Daily Deal: Strange Chemistry title.

Yes, another one!:

When the World was Flat (and we were in love), by Ingrid Jonach

And yes, I bought it, description unseen, even!

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