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Like many this past week, our attention has been fixated on the media coverage of the Ebola outbreak: images of experts showing off the proper way to put on and take off protective gloves to avoid exposure to the virus; political pundits quarrelling over the appropriateness of travel restrictions; reassuring press conferences by the director of the Centers for Disease Control. It is an event that has received immediate and intense attention and generated compelling journalism, for sure, but does it really give us an emotional understanding of the impact of the event?
What is it like for a mother or a father to watch their child die and not to be able to touch them? What happens within a community that has experienced a major outbreak? Are people brought closer through a shared suffering or are the bonds that held the community together forever broken? There are infinite questions that we could ask of the human heart in the midst or the aftermath of such an event. Oral history with its emphasis on empathy is an effective method of asking these questions.
Hopefully the epidemic will be contained, but by the time it is, it is likely that the public’s appetite for more analysis on the outbreak will have been satiated. Journalists will be compelled to move onto the new topic of the day. Oral historians, however, can — and should — linger on this event.
For oral historians, who have increasingly worked in the aftermath of crisis over the past decade, the motivation to document is fueled by both a humanitarian impulse to respond to crisis and a scholar’s desire to inquire and understand. Times of widespread crisis have an elusive complexity which defies any attempt at meta-narrative. Aspiring to get at a comprehensive picture and the countless ways in which the epidemic is impacting so many seems unfeasible. For many researchers, the most profound way to begin is to try to appreciate how this crisis manifests itself for an individual, for a family, or for a community is oral history.
Doing oral history in West Africa in the aftermath of the epidemic will present unique challenges for interviewers. Navigating the emotional and political resonance of the Ebola outbreak will require caution, compassion, and courage, as well as flexibility in the application of oral history best practices. The outcome of this work, however, can offer insight into how the individual human heart and mind respond to the terror of an epidemic, and how an individual’s responses to fear and grief impact their communities.
The personal perspective oral history provides has so often been left out of our analysis of crisis. We are left with dry academic reports often composed by responding agencies trained to exclude emotion from their analysis. But without this emotion, without this individual perspective, we don’t understand crisis and the impact it has on those who are left to pick up the pieces of shattered lives and communities. Oral history provides a means for the people most affected by crisis or disaster to be recorded, archived, and shared, to put them, not the devastation, at the center of the story. It is an effort that often runs counter to our collective response to emergency and, for that reason alone, it offers meaningful and enduring outcomes.
Featured image: Hospital in Kenema, Sierra Leone, where the Ebola virus samples are tested. June 2014. By Leasmhar. CC-BY-SA-3.0 via Wikimedia Commons.
What is your favorite thing about LOOP? LOOP is about a twenty-third century time traveler named Bree who meets a boy from the past who is already in love with her future self and is keeping his own set of secrets. One of the things I love most about the story is that Finn (the boy) refuses to give up on Bree even when she's almost at the point of giving up on herself. He loves her even when she's unloveable, and that makes it a very hopeful story.
What was your inspiration for writing this book?
I fell asleep while watching my husband play a video game that had all sorts of grappling hooks and explosions. It triggered a vivid, fun, action-filled dream, and right before I woke up, I dreamt the twist that this guy fell in love with a time-traveler's future self. I grabbed a notebook and started scribbling ideas. It was the first time that I'd ever thought, "This could be the one."
How long did you work on the book?
I started writing it in 2010, and approved my first pass pages just a few months ago so...a long time. I wasn't working strictly on LOOP that entire time, though. I was also writing and revising TWIST, its sequel.
What's your writing ritual like? Do you listen to music? Work at home or at a coffee shop or the library, etc?
Before I had my second child, I would write while my older son was in preschool, usually at a coffee shop or the library. Now that I have two (one of whom is a toddler), I squeeze in writing during naps and after they go to bed. I'm also blessed to have a very supportive husband, so I'm able to get away from the house when I'm on a pressing deadline.
What advice would you most like to pass along to other writers?
I know everyone says it, but KEEP WRITING. One of my favorite writing quotes is from C.S. Lewis:
"What you want is practice, practice, practice. It doesn’t matter what we write (at least this is my view) at our age, so long as we write continually as well as we can. I feel that every time I write a page either of prose or of verse, with real effort, even if it’s thrown into the fire the next minute, I am so much further on."
ABOUT THE BOOK
Loop by Karen Akins Hardcover St. Martin's Griffin Released 10/21/2014
At a school where Quantum Paradox 101 is a required course and history field trips are literal, sixteen year-old time traveler Bree Bennis excels…at screwing up.
After Bree botches a solo midterm to the 21st century by accidentally taking a boy hostage (a teensy snafu), she stands to lose her scholarship. But when Bree sneaks back to talk the kid into keeping his yap shut, she doesn’t go back far enough. The boy, Finn, now three years older and hot as a solar flare, is convinced he’s in love with Bree, or rather, a future version of her that doesn’t think he’s a complete pain in the arse. To make matters worse, she inadvertently transports him back to the 23rd century with her.
Once home, Bree discovers that a recent rash of accidents at her school are anything but accidental. Someone is attacking time travelers. As Bree and her temporal tagalong uncover seemingly unconnected clues—a broken bracelet, a missing data file, the art heist of the millennium—that lead to the person responsible, she alone has the knowledge to piece the puzzle together. Knowledge only one other person has. Her future self.
But when those closest to her become the next victims, Bree realizes the attacker is willing to do anything to stop her. In the past, present, or future.
Karen Akins lives in the MidSouth where she writes humorous, light YA sci-fi. When not writing or reading, she loves lightsaber dueling with her two sons and forcing her husband to watch BBC shows with her.
Karen has been many things in her life: an archery instructor, drummer for the shortest-lived garage band in history, and a shockingly bad tic-tac-toe player.
The cover for Neil Gaiman’sTrigger Warning: Short Fictions and Disturbances has been unveiled. We’ve embedded the full image above—what do you think?
This anthology contains previously published short stories, a Doctor Who story that was written to celebrate the fiftieth anniversary of the science-fiction TV series, and a tale that revisits the universe of American Gods called “Black Dog.” William Morrow, an imprint at HarperCollins, will release the book on February 03, 2015. (via USA Today)
As chair of the ALA/CBC committee I am working with United for Libraries and the Children’s Book Council on an initiative for Children’s Book Week. It is our hope that during Children’s Book Week in 2015 that with your help United for Libraries can dedicate throughout the country at least 7 Literary Landmarks that are connected with a children’s book or author.
It would be great if you or your state organization would take the lead in nominating a possible Literary Landmark in your State. You may also want to work with your state’s Center for the Book.
Here are some helpful links that give you more information on Literary Landmarks.
I have worked in having several sites designated as Literary Landmarks. Most recently we dedicated The Walt Whitman Birthplace a Literary Landmark. At the event we had a Congressman, State Senators and members of the NYS Assembly including the chair of the Library Committee. I am happy to say that the Landmark was cosponsored by Suffolk County Library Association, Suffolk School Library Media Association and the Lambda Literary Foundation.
Attached is a photo of the Librarians in attendance.
Feel free to contact me of Sally Gardner Reed or Jillian Kalonick (cc’d in this email) if you have any questions.
The annual Foreign Direct Investment (FDI) International Arbitration Moot gathers academics and practitioners from around the world to discuss developments and gain a greater understanding of growing international investment, the creation of international investment treaties, domestic legislation, and international investment contracts.
The FDI Moot occurs over the course of six months, and includes regional rounds, which took place in August in New Delhi, Seoul, and Buenos Aires, and concludes with the global finals. Global finals venues rotate each year between Frankfurt, Malibu, Boston, and London.
The 2014 final hearing will be held 24-26 October at Pepperdine University School of Law in Malibu, California. In this phase, 48 teams from the South Asia, Asia-Pacific, Latin America, Africa, North America, Europe and the Middle East regions will compete in the global oral argument preliminary rounds followed by the quarter final, semifinal, and final rounds.
Established practitioners and academics in the international arbitration, investment regulation, construction law, and international economic law fields act as arbitrators or memorandum judges throughout the competition. The arbitrators facilitate hearings during the oral arguments while the memorandum judges assess and score memorials one month before the oral arguments. Oxford University Press will be awarding prizes for the best memorial and counter memorial.
With three days of oral arguments, this year’s FDI Moot promises to be a busy and exciting weekend. In addition, Malibu, often described as “27 miles of scenic beauty,” is surrounded by the Pacific Ocean and Santa Monica Mountains, so don’t forget to take some time to check out area attractions.
Late October, with an average high temperature of 69°F/21°C, is perfect for exploring one of Malibu’s many beaches. Check out the famous Surfrider Beach and the nearby Malibu Pier.
If you’re interested in taking a hike, plan an excursion to Point Mugu State Park, which has more than 70 miles of trails in the Santa Monica Mountains.
If you’ll be joining us in Malibu, stop by the Oxford University Press booth where you can browse our journals collection and take advantage of the 20% conference discount on all books. We’re also offering one month of free access to our collection of online law products for all attendees. Looking to brush up on the Vienna Convention on the Law of Treaties in BIT arbitrations in time for the Moot? Check out the recording of our recent Investment Claims Webinar session and accompanying slides.
To follow the latest updates about the 2014 FDI Moot, follow us on Twitter @OUPIntLaw and at the hashtags #FDI14 #FDIMOOT14, and don’t forget to like the FDI Moot Facebook page.
See you in Malibu!
Heading image: Willem C. Vis pre moot at Palacky University of Olomouc by Cimmerian praetor. CC-BY-SA-3.0 via Wikimedia Commons.
Though the weather outside has been dreary, some of this diversity news has been anything but!
This week, the We Need Diverse Books campaign announced that they’re naming an award in honor of the late, great Walter Dean Myers! They are currently raising money through their IndieGoGo campaign and the hashtag #SupportWNDB.
School Library Journal and #WNDB also announced their collaboration. The collaboration will include a diversity-themed event at the 2016 ALA Midwinter conference and support for the diversity-themed festival to be held in the Washington, D.C. area in 2016.
We’re also excited to see all of the diverse movies being released:
The Book of Life, the Mexican-themed fantasy-adventure was released last week! Manolo, an adventurer, travels through magical worlds to rescue his one true love and defend his village from death!
Dear White People, the comedy-satire that started as a Youtube concept trailer premieres today. Dear White People was the winner of the 2014 Sundance Film Festival’s Special Jury Award for Breakthrough Talent. This comedy is a clever satire of race relations in the age of Obama.
Disney’s next heroine will be Moana. The eponymous film will be about a teenaged explorer from Oceania who travels the ocean with a demigod named Maui in search of an island. It’s set to be released in 2016!
Have you seen any great news about diversity this week?
There is a quarrel inside me about fairies, and the form of literature their presence helps to define. I have never tried to see a fairy, or at least not since I was five years old. The interest of Casimiro Piccolo reveals how attitudes to folklore belong to their time: he was affected by the scientific inquiry into the paranormal which flourished – in highly intellectual circles – from the late nineteenth century and into the twentieth. But he also presents a test case, I feel, for the questions that hang around fairies and fairy tales in the twenty-first century. What is the point of them? What are the uses of such enchantments today? The absurdity of this form of magical belief (religious miracles are felt to be different, and not only by believers) creates a quarrel inside me, about the worth of this form of literature and entertainment I enjoy so much. In what way am I ‘away with the fairies’, too?
Suspicion now hangs around fairy tales because the kind of supernatural creatures and events they include belong to a belief system nobody subscribes to anymore. Even children, unless very small, are in on the secret that fairyland is a fantasy. In the past, however, allusions to fairies could be dangerous not because belief in them was scorned, but because they were feared: Kirk collected the beliefs of his flock in order to defend them against charges of heterodoxy or witchcraft, and, the same time as Kirk’s ethnographical activities, Charles Perrault published his crucially influential collection (l697), in which he pokes fun, with suave courtly wit, at the dangerousness of witches and witchcraft, ogres and talking animals. Perrault is slippery and ambiguous. His Cinderella is a tale of marvellously efficacious magic, but he ends with a moral: recommending his readers to find themselves well-placed godmothers. Not long before he was writing his fairy tales, France and other places in Europe had seen many people condemned to death on suspicion of using magic. The fairy tale emerges as entertainment in a proto-enlightenment move to show that there is nothing to fear.
The current state of fairy tale – whether metastasized in huge blockbuster films or refreshed and re-invigorated in the fiction of Robert Coover, Donald Barthelme, Margaret Atwood or, most recently, Helen Oyeyemi (Mr Fox, and, this year, Boy Snow Bird) does not invite, let alone compel, belief in its magic elements as from an audience of adepts or faithful. Contemporary readers and audiences, including children over the age of 6, are too savvy about special effects and plot lines and the science/magic overlap to accept supernatural causes behind Angelina Jolie’s soaring in Maleficent or the transmogrifications of the characters. Nor do they, nor do we need to suspend disbelief in the willed way Coleridge described.
Rather the ways of approaching the old material – Blue Beard, The Robber Bridegroom, Hansel & Gretel, Snow White and so on – opens up the stories to new meanings. The familiar narrative becomes the arena for raising questions; the story’s well known features provide a common language for thinking about families and love, childhood and marriage. Fairies and their realm allow thought experiments about alternative arrangements in this world. We are no longer looking for fairies at the bottom of the garden, but seeing through them to glimpse other things. As the little girl realises in The Servant’s Tale by Paula Fox, her grandmother through her stories ‘saw what others couldn’t see, that for her the meaning of one thing could also be the meaning of a greater thing.’ In the past, these other, greater things were most often promises – escape, revenge, recognition, glory – but the trend of fairy tales is turning darker, and many retellings no longer hold out such bright eyed hope.
Featured image credit: Sleeping Beauty, by Viktor M. Vasnetsov. Public Domain via Wikimedia Commons.
From the narrow twisting streets of the old town centre to the shady docklands, Copenhagen Tales captures the essence of Copenhagen and its many faces. Through seventeen tales by some of the very best of Denmark’s writers past and present, we travel the length and breadth of the Danish capital examining famous sights from unique perspectives. A guide book usefully informs a new visitor to Copenhagen but these stories allow the reader to experience the city and its history from the inside. Translator Lotte Shankland is a Copenhagener by birth who has lived many years in England. In the videos below she discusses the collection, decribing the richness of Danish literature, as well as the Scandinavian noir genre.
Lotte Shankland on the greater significance of short stories within Denmark:
Lotte Shankland discusses her favourite short story, ‘Nightingale’, by Meir Goldschmidt:
From Hans Christian Andersen to Søren Kierkegaard, Denmark has been home to some of the finest writers in Europe. In the National Museum in Copenhagen you will find stories from as early as 1500 BC, covering myth and magic. A walk through the city will most likely involve an encounter with the emblematic statue of the Little Mermaid from Hans Christian Andersen’s famous tale. The Danes continue to tell great stories, as evidenced by the hugely popular Danish TV series The Killing and the Sweedish co-production The Bridge. Copenhagen Tales offers a way to understand the heart and soul of this diverse city, through the literature and art it has generated.
Featured image credit: Copenhagen, Denmark. Public Domain via Pixabay.
Writer Patrick Ness (pictured, via) has signed a two-book deal with HarperCollins Children’s Books.
Editorial director Rosemary Brosnan negotiated the deal with literary agent David McMillan. According to the press release, the first book, entitled The Rest of Us Just Live Here, will be released in Fall 2015.
This novel examines “what it would be like to live in a world that’s a lot like a YA novel, where some kids in school are battling forces of evil, and some kids just want to go to prom and graduate before someone goes and blows up the high school again.” The second book which will also feature a stand-along story; no other details have been announced.
Author Question: What is your favorite thing about THE SORCERER HEIR?
The Sorcerer Heir is the final novel in a series of five contemporary fantasies revolving around five magical guilds: Warriors, Wizards, Seers, Enchanters, and Sorcerers. In this novel I was able to clear up the trouble I made for my characters in The Sorcerer Heir as well as giving two deserving minor characters some major stage time. I also got to change up the magical system a little. An appropriate tagline for these last two installments would be: This is what happens when magic goes mutant.
What was your inspiration for writing THE SORCERER HEIR?
1. The prospect of having to give my advance back.
2. The opportunity to bring closure to a number of characters that readers had bonded with. There's also a strong musical element in these stories: the characters are all magical misfits who formed a band and that pretty much describes my teen life.
What did this book teach you about writing or about yourself?
Somebody once said that you never learn how to write a novel until it's finished. And then it starts all over with the next one. There's truth in that--it's not like once you get the hang of this thing it's easy. But what you do have is the memory of succeeding at it before. And that's very encouraging.
What advice would you most like to pass along to other writers?
Writing well is the very best thing you can do to promote your novel. I see too many writers attending sessions on writing a query letter or pitching agents before they have a project completed. Trying to shop a bad book is like trying to roll a boulder uphill--it's a lot of work with very little return. The Sorcerer Heir is my ninth published novel, and I am still learning how to write.
What are you working on now?
I've signed on to write four more fantasy novels set in the Seven Realms, my high fantasy world. I'm revising the first of those, scheduled for release in spring, 2016.
The Sorcerer Heir by Cinda Williams Chima Hardcover Disney-Hyperion Released 10/21/2014
The delicate peace between Wizards and the underguilds (Warriors, Seers, Enchanters, and Sorcerers) still holds by the thinnest of threads, but powerful forces inside and outside the guilds threaten to sever it completely.
Emma and Jonah are at the center of it all. Brought together by their shared history, mutual attraction, and a belief in the magic of music, they now stand to be torn apart by new wounds and old betrayals. As they struggle to rebuild their trust in each other, Emma and Jonah must also find a way to clear their names as the prime suspects in a series of vicious murders. It seems more and more likely that the answers they need lie buried in the tragedies of the past. The question is whether they can survive long enough to unearth them.
Old friends and foes return as new threats arise in this stunning and revelatory conclusion to the beloved and bestselling Heir Chronicles series.
Praise for The Heir Chronicles: The Warrior Heir *"Chima offers a pitch-perfect blend of high fantasy and small-town reality..." -The Bulletin of the Center for Children's Books (starred review)
* "Twists and turns abound in this remarkable, nearly flawless debut novel that mixes a young man's coming-of-age with fantasy and adventure." -VOYA (starred review)
The Wizard Heir
* "Chima uses her pen like a wand and crafts a wonderfully rich web of magic, while thankfully leaving some dangling threads for subsequent tales." -VOYA (starred review)
"Chima is a talented storyteller...a strong choice for teens seeking a rousing read." -The Cleveland Plain-Dealer
The Dragon Heir
* "A superlative accomplishment." -Kirkus Reviews (starred review)
"Chima spins a finely structured tale that roars to a satisfying conclusion." -School Library Journal
The Enchanter Heir
* "A smoldering story soaked in tears, sweat and blood, constantly threatening to blaze into an inferno. Spellbinding." -Kirkus Reviews (starred review)
"Chima continues to excel at building tension and populating her well-told tales with new and returning characters we want to know better." -Booklist
New York Times bestselling author Cinda Williams Chima comes from a long line of fortune-tellers, musicians and spinners of tales. She began writing romance novels in middle school, which were often confiscated by her teachers.
The Warrior Heir was named to Voya’s Best Science Fiction and Fantasy 2005-2006, is a 2006 Booksense Summer Reading Pick, was named to the 2007-2008 Lone Star Reading List, and was a finalist for the 2006 Great Lakes Book Award. Warrior Heir received a starred review in the Bulletin of the Center for Children’s Books and a “Perfect Ten” (5Q, 5P) in Voya. The Wizard Heir also received a “Perfect Ten” from Voya and appears on Voya's Best Science Fiction and Fantasy 2007. The Dragon Heir received a starred review in Kirkus, was named to Kirkus's Best YA 2008 list, was a VOYA Perfect Ten, and is a USA Today, Indie Next, and NYT bestseller.
Chima's Seven Realms series launched with The Demon King in October, 2009.It received a starred review in the Bulletin of the Center for Children's Books, was a Voya Perfect Ten and was named to the 2009 Voya Best Science Fiction, Fantasy, and Horror List. The Exiled Queen followed in September, 2010. It received a starred review from Kirkus, was a Voya Perfect Ten, and a New York Times bestseller. The Gray Wolf Throne follows in September, 2011.
Chima is a graduate of Case Western Reserve University and the University of Akron. Chima is an active member of the Society for Children’s Book Writers and Illustrators and the Science Fiction and Fantasy Writers of America. She has been a workshop leader, panelist, and speaker at writing conferences, including the Northern Ohio SCBWI Conference, the Western Reserve Writers’ Conference, and the World Fantasy Convention. She frequently speaks to young writers and readers at schools and libraries nationwide.
Chima lives in Ohio with her family, and is always working on her next novel.
Famous time-wasters tend to fall into two camps: There’s the hedonistic band of enthusiastic lollygaggers, and there’s the anti-dillydallying brigade of outputters. The logic follows that non-famous writers follow the same pattern. For both sides, here are some thoughts and advice from the greats on the art and craft of wasting time—or not.
Mark Twain: “Never put off till tomorrow what may be done day after tomorrow just as well.”
Marthe Troly-Curtain: “Time you enjoy wasting is not wasted time.”
Rita Mae Brown: “If it weren’t for the last minute, nothing would get done.”
Herodotus: “Some men give up their designs when they have almost reached the goal, while others, on the contrary, obtain a victory by exerting, at the last moment, more vigorous efforts than ever before.”
Douglas Adams: “I love deadlines. Especially the whooshing sound they make as they pass by.”
Ellen Degeneres: “Procrastination isn’t the problem. It’s the solution. It’s the universe’s way of saying stop, slow down, you move too fast.”
Dorothy Parker: “Live, drink, be merry, love the reeling midnight through, For tomorrow ye may die, but alas we never do.”
Jerome K. Jerome: “Why, some of the work that I have by me now has been in my possession for years and years, and there isn’t a finger-mark on it. I take great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.”
Susan Orlean: I think of myself as something of a connoisseur of procrastination, creative and dogged in my approach to not getting things done.”
Auguste Rodin: “Nothing is a waste of time if you use the experience wisely.”
The Writer’s Digest Retreat on the Water is your chance to escape the demands of everyday life and immerse yourself in your craft for a few purposeful and peaceful days. Enrollment at this Retreat is limited—you’ll enjoy the close mentorship of the instructors and the attention to your individual manuscript that only an event this small and exclusive can provide.
Pablo Picasso: “Only put off until tomorrow what you are willing to die having left undone.”
Benjamin Franklin: “You may delay, but time will not.”
Charles Dickens: “Procrastination is the thief of time; collar him.”
Abraham Lincoln: “You cannot escape the responsibility of tomorrow by evading it today.”
George Bernard Shaw: “If you take too long in deciding what to do with your life, you’ll find you’ve done it.”
Oscar Wilde: “Hesitation of any kind is a sign of mental decay in the young, of physical weakness in the old.”
Victor Hugo: “Short as life is, we make it still shorter by the careless waste of time.”
J.R.R. Tolkien: “It’s a job that’s never started that takes the longest to finish.”
Martin Luther King, Jr.: “How soon ‘not now’ become ‘never.’”
Henry Ford: “It has been my observation that most people get ahead during the time that others waste.”
Which camp do you fall into? For myself, I’ll only say that this post was supposed to run yesterday.
So recently I picked up the YA fiction novel Uninvited by Sophie Jordan. Let's just say, the book was permanently glued to my hands until I finished. It was that good. Filled from cover to cover with an intriguing story, thrilling action, and witty dialogue, the book takes the reader on a wonderful ride and never lets go. So, without further ado, here are the top five things I loved about Uninvited.
1. The Plot is Scary Good
It's so unique I can't take it. Told from the POV of an "HTS" carrier (Homicidal Tendency Syndrome; aka: The Kill Gene), the plot twists and turns through the multitude of possibilities in a world where violence can be traced to someone's DNA. It's truly original and completely engrossing.
2. The Characters are so Real
Not only does the main character, Davy Hamilton, drag you in with her unique voice, but every character she meets does as well. They all have distinct, wonderfully written personalities, and the dialogue is to die for.
3. The Romance is Gripping
So, we've got the whole homicidal thing going on- super cool. But then you add romance to the picture? It all just fits together beautifully. Amidst a crumbling world full of violence and a power-hungry agency fixed on her demise, Davy manages to fall in love in the last place she thought possible. Hopeless romantics beware.
4. The Action is Awesome
This book is packed full of thrilling action scenes, and boy are they awesome. From fist fights to armed guards, every page is a surprise, and not one that you'd want to miss.
5. It's Scientifically Spooky
The way Jordan weaves the tale is genius in that it all seems so real. Before each chapter is a short blip about HTS, and the way its described seems so plausible you can't help but shudder. It's truly a work of art, and utterly addicting.
And there you have it! Five reasons why my latest read was so fantastic. Pick up a copy of Uninvited by Sophie Jordan, and I promise you that you'll be hooked.
Many ALSC Members are also YALSA members. At the request of the Chair of the 2015 MAE Jury Award for Best Literature for Teens, here is information about an Award in which many of you might be interested.
YALSA members who have run an exceptional reading or literature program in the 12 months leading up to Dec. 1, 2014 are eligible to apply for the 2015 MAE Award for Best Literature Program for Teens, which recognizes an outstanding reading or literature program for young adults.
Do you run a spectacular teen book club that engages underserved audiences? Did your summer reading program or literature festival connect teens with literature in an innovative way? Is your Reader’s Advisory always three steps ahead of a trend? Have you connected teens to literature or helped them gain literacy skills via some other exciting means? Whether the program was large or small, if it was good, you could win $500 for yourself and an additional $500 for your library by applying for this award! Individual library branches may apply.
The MAE Award is sponsored by the Margaret A. Edwards Trust. Applications and additional information about the award are available online. Applications must be submitted online by Dec. 1, 2014. For questions about the award, please contact the jury chair, Tony Carmack (email@example.com). The winner will be announced the week of Feb. 9, 2015.
Not a member of YALSA yet? It’s not too late to join so you can be eligible for this award. You can do so by contacting YALSA’s Membership Marketing Specialist, Letitia Smith, at firstname.lastname@example.org or (800) 545-2433, ext. 4390. Recognize the great work you are doing to bring teens together with literature and apply today!
The goal next month is not to write a polished novel. Next month's goal and every fast-writing goal is simply to write the barebones, foundation, design, essence, promise of a story -- words, lots and lots of words -- with the idea of going back and revising after the month is up.
Begin now: 1) Visualize yourself letting go, writing with abandon, sleeping, eating, breathing your story for an entire month, becoming obsessive of your writing time and compulsive about writing, letting the real world drop away as you fully enter the exotic world of your story. Without judgement, criticism or shame, see yourself writing for the pure joy of putting one word after another in the spirit of creating something out of nothing but a fragment, a wisp, a dream…
2) Clear your calendar of everything next month.
3) Schedule in your writing, sleeping, writing, eating, writing, plotting, dreaming, writing time.
4) See yourself writing everyday joyfully.
(NOTE: don't worry about your plot or if you're starting in the right place or any of the details. We'll get to that in December. For now, give yourself permission to completely give yourself to writing your story.
Fox is developing an Archie Comics TV drama called Riverdale.
It will feature several characters from the Archie universe including Archie Andrews, Betty Cooper, Veronica Lodge, Reggie Mantle, Jughead Jones, Kevin Keller, and Josie & The Pussycats. Warner Brothers Studios and Greg Berlanti’s Berlanti Productions will partner together to produce this project.
Roberto Aguirre-Sacasa will work on the writing. He gave this statement in the press release: “This is something we’ve been working on for awhile now, figuring out the best way to bring these characters to life for what will be, essentially, the first time. The entire team working on Riverdale is as passionate about Archie as Jon and I are, so it feels like the stars have finally aligned for Archie and the rest of the gang.”
We’re excited to announce this week’s topic, but first please enjoy the illustration above by Susie Oh our Pick of the Week for last week’s topic of ‘TROUBLE’. Thanks to everyone else for participating. We hope it was inspiring!
You can also see a gallery of all the other entries here.
And of course, you can now participate in this week’s topic:
Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).
Step 2: Post your image onto your blog / flickr / facebook, etc.
Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).
Step 4: Your illustration will then be added to the participant gallery where it will be viewable along with everyone else’s from the IF community!
Anna Todd, the first-time author whose online fan fiction series After became a Wattpad sensation, has had a big month.
Publishing one chapter at a time, Todd racked up 1 billion reads online and gained avid fans worldwide. Last week, Paramount Pictures announced it had acquired screen rights, and this week, After was pubbed newly revised and expanded in a paperback from Gallery Books, part of a six-figure, multi-book deal with further print releases set for this November 18, December 30, and February 10, 2015.
Talking with Alexandra Alter, Todd told the New York Times that she began as a Wattpad reader, hooked on serialized fictional stories about British boy band One Direction. In 2013, she started writing her own fiction about a female college freshman who gets involved with a tattooed, lip-ringed, cute, tousled-haired guy named Harry Styles.
“I didn’t think anyone would read it.” … She updated “After” with a new chapter every day to meet readers’ demands and tapped out much of the book on her cellphone. She wrote for five hours a day and spent three hours trading messages with readers on Wattpad, Twitter and Instagram and drew on those comments to help her shape the story.
“The only way I know how to write is socially and getting immediate feedback on my phone,” she said.
Todd also told Alter that she receives threats daily from angry One Direction fans on Twitter and Tumblr, which explains why, as Alter reports, in the print After the romantic lead is no longer Harry Styles but Hardin Scott. We’ll know soon enough if After is as big in print for $16 as it is online at Wattpad, where it remains free.
In other Wattpad news, the site is currently hosting two contests. “Share your Yes moment,” cohosted with HarperCollins, is the call for the Yes Please by Amy Poehler Writing Contest. They want to hear about a moment when your life changed because of saying yes. The Yes Please prize pack includes a tweet shout-out from Amy’s Smart Girls. And, to celebrate Margaret Atwood’s Stone Mattress, fans are asked to write a piece of fanfiction inspired by her Freeze-Dried Groom on Wattpad. Atwood will choose and recognize the winning story.
With Halloween just one week away, we’re getting into the spirit of the season with these 13 quotes on the writing life from famous authors of horror, thriller and suspense:
1. “So where do the ideas—the salable ideas—come from? They come from my nightmares. Not the night-time variety, as a rule, but the ones that hide just beyond the doorway that separates the conscious from the unconscious.” —Stephen King, “The Horror Writer Market and the Ten Bears,” November 1973, WD
2. “The first thing you have to know about writing is that it is something you must do everyday. There are two reasons for this rule: Getting the work done and connecting with your unconscious mind.” —Walter Mosley
3. “I hope people are reading my work in the future. I hope I have done more than frightened a couple of generations. I hope I’ve inspired a few people one way or another.” —Richard Matheson
4. “When one is writing a novel in the first person, one must be that person.” —Daphne du Maurier
5. “When I write, I try to think back to what I was afraid of or what was scary to me, and try to put those feelings into books.” —R.L. Stine
6. “[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.” —Clive Barker
7. “Beauty is the sole legitimate province of the poem.” —Edgar Allan Poe
8. “I have always loved to use fear, to take it and comprehend it and make it work and consolidate a situation where I was afraid and take it whole and work from there.” —Shirley Jackson
9. “Writing is writing, and stories are stories. Perhaps the only true genres are fiction and nonfiction. And even there, who can be sure?” —Tanith Lee
10. “I always wanted to be in the world of entertainment. I just love the idea of an audience being happy with what I am doing. Writing is showbusiness for shy people. That’s how I see it.” —Lee Child
11. “I don’t think there is enough respect in general for the time it takes to write consistently good fiction. Too many people think they will master writing overnight, or that they are as good as they will ever be.” —Tananarive Due
12. “What I love about the thriller form is that it makes you write a story. You can’t get lost in your own genius, which is a dangerous place for writers. You don’t want to ever get complacent. If a book starts going too well, I usually know there’s a problem. I need to struggle. I need that self-doubt. I need to think it’s not the best thing ever.” —Harlan Coben, WD Interview, January 2011
13. “My reason for writing stories is to give myself the satisfaction of visualising more clearly and detailedly and stably the vague, elusive, fragmentary impressions of wonder, beauty, and adventurous expectancy which are conveyed to me by certain sights (scenic, architectural, atmospheric, etc.), ideas, occurrences, and images encountered in art and literature.” —H.P. Lovecraft
The one and only Floating Head of Shannon Hale! It rocks! It talks! It silences its viewers! I didn't take as many notes as I should have, when author Shannon Hale "visited" KidLitCon on our second day. Mainly because I was on edge, hoping against... Read the rest of this post
Cartoonist Noah Van Sciver has been crafting his own special brand of throwback indy comix since the mid-2000’s. His one man anthology, Blammo, is up to issue #9, and it would fit quite comfortably between classic Eightball’s & Yummyfur’s on the funny book racks! It was with Fantagraphics’ critically acclaimed anthology series, Mome, that Noah started to reach a wider audience, and soon after that his first graphic novel would be published; The Hypo: The Melancholic Young Lincoln. Van Sciver was born in New Jersey, but has lived in Denver, CO for most of his adult life, where his oft times publisher Kilgore Books & Comics is located.
AdHouse Books recently published a collection of his comics titled Youth is Wasted, and Fantagraphics has 2 more upcoming projects with Noah in 2015: Saint Cole & Fante Bukowski.
Noah has been nominated multiple times for an Ignatz Award(which is sort of like an Oscar for Small Press comics…), and has had his work featured in the prestigious Best American Comics annual.
You can check out more of Noah Van Sciver’s comics like his day-to-day “Diary Comics”, and other serialized stories on his tumblr site here.
For more comics related art, you can follow me on my websitecomicstavern.com- Andy Yates
As a nonfiction writer, you might feel a bit left out during November. Everyone is talking about NaNoWriMo this and NaNoWriMo that. All the while, you want to write a nonfiction book in a month not a novel.
Well, you can, and you should. I have news for you, though. You don’t have to do it as a NaNoRebel or as part of an event created for novelists. You can write your nonfiction book in 30 days during an event for writers just like you—nonfiction writers.
During National Nonfiction Writing Month (NaNonFiWriMo) you can start and finish the draft of your nonfiction book in a month. Just take the Write Nonfiction in November Challenge (WNFIN). No need to even restrict your self to a full-length book; you can finish the final draft of a short book, an article, an essay, a series of blog posts, or your manifesto. As long as you embrace the goal of completing a work of nonfiction, this event is for you.
********************************************************************************************************************************* This guest post is by Nina Amir, the bestselling author of How to Blog a Book and The Author Training Manual. She is a speaker, a blogger, and an author, book, and blog-to-book coach. Known as the Inspiration to Creation Coach, she helps creative people combine their passion and purpose so they move from idea to inspired action and positively and meaningfully impact the world as writers, bloggers, authorpreneurs, and blogpreneurs. Some of Nina’s clients have sold 300,000+ copies of their books, landed deals with major publishing houses and created thriving businesses around their books. She is the founder of National Nonfiction Writing Month, aka the Write Nonfiction in November Challenge, and the Nonfiction Writers’ University. www.ninaamir.com
Let’s say, however, that you do, indeed, want to write a nonfiction book in a month. There’s nothing like a challenge to get your creative juices flowing and to heighten your sense of commitment to completing your project and doing it fast. To meet that goal, though, you need to be prepared before the month starts.
While there are similarities between how fiction and nonfiction writers prepare for a book-in-a-month event, differences exists as well. What you need to do to be ready to get quickly from first to last page of you manuscript by the end of November also has a lot to do with the type of nonfiction book you choose to write.
Let’s take a look at the eight preparatory steps necessary to successfully write a nonfiction book in a month.
1. Choose your topic.
The first thing you want to do as you prepare for a month-long nonfiction book-writing challenge is choose a topic for your project carefully. This may seem like a no-brainer, but it really isn’t. Remember, you must finish your book in 30 days. (Now, NaNonFiWriMo is not a contest. No one counts your words to see if you won, and you don’t submit anything at the end to prove you finished your project. It’s a personal challenge. Still…you know if you succeed or fail.) Therefore, you don’t want to choose a subject that requires 150,000 words. That would mean you need to complete 5,000 words per day. That’s a tall order to fill for any writer, especially if he or she has a day job.
It’s better to select a topic you can cover in 50,000 words or less. You can write 1,667 words per day over the course of 30 days. If that still feels like a lot, then opt to write a guide, tip book or booklet. Many ebooks sold on Amazon today have only 5,000 to 20,000 words.
Who knows…you might end up with a longer book by month’s end. But don’t start with an unattainable goal. Begin with a topic that lends itself to a word-count that feels doable to you. That gives you a higher chance of success.
2. Create a Content Plan
While you can write a nonfiction book by the seat of your pants, it’s best to have a plan. (Yes, the seatsers vs. planners debate pertains to nonfiction as well as to fiction.) That plan helps you know where you are going so you write in a straight line rather than taking many detours. As you know, the need to make a lot of u-turns takes up a lot of time. When it comes to writing, that means cutting, rewriting and revising. You don’t want to do that if you are going to finish a goodfirst draft or a final draft in a month.
Create an outline or a table of contents for you book. I like to start by brainstorming my topic and then taking all the different topics and organizing them into a book structure. (I use a mind map.) This ends up looking like a table of contents—actually a rather detailed table of contents with chapter titles and subheading titles. You might prefer to just create a simple outline or a bulleted list.
Whatever your method of choice, create something that looks like the structure of a book—a table of contents. And know what content will fill that structure as you create your manuscript. That’s your map.
Then, when you sit down to write each day, you know exactly what to write. In fact, the more detailed you make this plan, the more quickly and easily you will write your book. You will spend little time staring at your computer screen wondering what to write or what comes next. You will know. It will be right there in your writing plan. You’ll just follow the map—your tale of contents—to your destination.
3. Determine What Research You Need
You might think you can write your book “off the top of your head” because you are the expert on the topic. Inevitably, though, you will discover a need to search for something—a URL, a quote, the title of a book. These things can slow down your process. This is where preparation can help keep your fingers on the keyboard typing rather than perusing the Internet.
For each item in your plan—or your detailed table of contents, brainstorm the possible research you need and make note of it.
As you write, if you discover you need more research or interviews, don’t stop writing. Instead, create brackets in your manuscript that say [research here] and highlight them in yellow. Later, do a search for the term “research,” and fill in the gaps. In fact, you can even leave a certain amount of time per week for this activity if you think you will need to do so; this ensures you don’t come to the end of November with a manuscript filled with research holes.
4. Create a To-Do List
Look over your content plan. Take all the research items you listed and put them on a to-do list.
Make a list of URLs, books and articles to find. Look for anything you need to do. For instance, does your research require that you visit a certain location? If so, put “Visit XX” on the to do list.
Don’t forget to put interviews on this list. You want to conduct your interviews now, not during November, if at all possible.
5. Gather and Organize Your Materials
Gather as much of your research and other necessary material as you can prior to the end of October. Purchase the books, copy the articles into Evernote.com, copy and past the URLs into a Word doc, or drag them into Scrivener’s research folder, for instance. Get your interviews transcribed as well—and read through them with a highlighter, marking the quotes you think you want to use.
If you are writing memoir, you might want to gather photos, journals and other memorabilia. If you are repurposing blog posts, or reusing any other previously published or written material, you want to put all of this in one place—an online folder, a Scrivener file or a Word file.
Generally, get as much of what you need to write your book in an easily accessible format and location so you aren’t searching for it when you should be writing. Use piles, boxes, hanging folders, computer folders, cloud storage…whatever works best for you.
6. Determine How Much Time You Need
Each nonfiction book is different and requires a different amount of time to write. A research based book takes longer to write, for example, because you have to study, evaluate and determine your opinion of the studies. You have to read the interviews you conducted, choose appropriate quotes and then work those quotes into your manuscript.
If, on the other hand, you write from your own experiences, this take less time. With the exception of drawing on anecdotes, an occasional quote or bit of information from a book, the material all comes from your head. You need only sit down and write about a process you created, your own life story or your area of expertise.
You might normally write 750 words per hour, but the type of book you’ve chosen to write could slow you down to just 500 per hour. Or you might speed up to 1,000 words per hour. Determine how long it will take you on average to compose the number of words you must compete per day to meet your final word-count goal. Then, figure out how many hours per week you need to set aside during November to finish your manuscript. Allow more hours than you think necessary for “unforeseen circumstances,” slow days and a general need for extra time to complete the project the last week of the month.
7. Create a Writing Schedule
Last, create a writing schedule. You now know how much time you need to write your book. Now find those hours in your calendar and block them off.
Make those hours sacred. Nothing other than an emergency should take you away from writing your book during those scheduled writing blocks.
You’ve heard the advice that goes with this:
Find a quite place to write.
Get an accountability partner.
Keep your appointments with yourself.
8. Put a Back-Up System in Place.
Yes…this is my last tip, because you just never know what happens. Your computer crashes or dies. You accidentally delete your whole manuscript. Your child dumps milk all over your keyboard.
You want a back up of your NaNonFiWriMo project. Always save it to your computer’s drive and onto a thumb drive or, better yet, into the cloud, for safe keeping! Make these plans in advance as well. You can use Evernote.com, Dropbox.com or Google Drive, for example.
The other thing you need to has little to do with planning. During your 30-day nonfiction writing challenge, you must posses an attitude that supports meeting your goal. You must:
Be willing to do what it takes
Remain optimistic about meeting your goal.
Stay objective about your work.
Be tenacious and not let anything get in the way of finishing your project.
Those four qualities—Willingness, Optimism, Objectivity and Tenacity—constitute an Author Attitude. With that you will finish your nonfiction book in a month with no problem. Woot!
To learn more about National Nonfiction Writing Month, aka the Write Nonfiction in November Challenge, or to register, click here.
Constantin Film and Dark Horse Entertainment are teaming up to create a movie adaptation of Polar: Came From The Cold.
Victor Santos’ graphic novel was published in November 2013. According to the press release, “the adrenaline-pumping action-thriller tells the story of Black Kaiser, a master assassin forced out of retirement when he finds himself the target of a motley crew of new generation hitmen.”
Jayson Rothwell will write the screenplay. The movie studio is currently looking to hire a director to helm this project.