The once happy little red fox thinks she isn't good enough... but Grandfather fox knows better. I liked the folk tale nature that these characters allowed. And I like the mountain meadow setting.
Even Piggles is going back to school!
This was one of my interactive ebook apps I did for the iPad. I got to do the art direction, animation, sound effects, voices (with Garage Band), costumes, choreography, publisher, set design and I made the coffee.
Sure was fun... and Piggles made it safely to school.
I discovered the most wonderful walled in garden on my bike ride. It's been there for years, but I only happened through there this summer.
A burst of morning glory color signals the beginning of the end of summer.
The sun filling the green walled garden makes for a very peaceful place. A gravel walk, an interesting collection of medicinal herbs... a lovely quiet space on a sunny sunday morning.
Here is a joyous little critter living in the moment. Happiness spinning like a top.
Poor little Foxy is being belittled for her poor penmanship. I can so relate since my penmanship is now completely destroyed by years of drawing.
When I write a grocery list I can't even make out half the things I wrote... it's that bad! Oh, and I'm lucky if I don't lose the list between leaving the house and arriving at the grocery store.
Before I ran away to New York City, I'd spend my days drawing scenes like this - all from scratch, no sketches, just pen on newsprint. I'd draw away for hours and hours listening to the radio.
Somehow I got hooked on how the ink lines sank into the newsprint. I couldn't stop drawing. That art business can lead youth astray!
Mr. Bunny has delivered new boxes of postcards! Art Directors will want to keep on the lookout. I've always liked to print things and look at them - so I was especially chuffed to open these boxes.
Sometimes in choosing the cast and characters, different choices pop up. I think the with original sketches for a book I tried I had a hippo, an alligator and this charming elephant family. But the chair stayed the same!
Here's a sneak peek from my new book.
I liked the storybook feeling that turned out on this page. There's an old fashioned decorative quality somehow. The fabrics are hand made... maybe that's it.
I think in general the world longs for storybook worlds to live in. I know I do...
First comes the pencil, which is the most important... and next a suitable color with texture is added. What you don't see is me making about 147 changes to every combination of colors, shapes, patterns and textures.
And then it's done!
Here are some of the different color designs I tried for little Fox's house in the woods. It's supposed to show as a movie though it started as an animated GIF.
I read that if you post an animated GIF to Twitter it is turned into a movie. So I tried it and it works... then I downloaded the movie and that can be posted onto FB. The things one never knew!
This only plays once, but the GIF repeats over and over.
I discovered online, entirely by accident, that my Uncle Ed had illustrated a little golden book that I'd never seen before - Captain Kangaroo and the Panda.
|A Little Golden book by my Uncle Ed|
And a few weeks later it arrived. My Uncle, Edwin Schmidt, was an illustrator who lived outside Philadelphia back in the 50's and 60's. He was my hero. I used to see his name in print in various books and I'd think he was famous. He always sent the best Christmas presents. He went to the Museum School in Philadelphia and he lived in Valley Forge.
|I recently did a panda book too.|
My Uncle Ed's wife was a painter too - she was also a model and covergirl on some magazines. She moved to Camden Maine later. I did get to meet her when I was living in NYC. She was sooo thrilled that I had succeeded an illustrator.
I only met Ed once, for an afternoon when I was in high school. But it made a lasting memory. Sadly they both died before 50.
It's ironic that I recently did a panda book too. I was thrilled to see that both my Uncle Ed and I were listed in the Little Golden Book 50th Anniversary directory that came out a while back.
Thanks to Shawna Tenney
for inviting me to be in a blog tour. It's fun connecting with other bookmakers in my profession.
Just now I'm working on a book set in the woods, which is a very fun world to escape to. It's about a fox family and it's set in the deep woods. So I get to make up the entire woodsy world. I have a school scene with raccoons, beavers, badgers, squirrels and owls. Maybe it's the Beatrix Potter syndrome coming out? Anyhow it's loads of fun. I love drawing anthropomorphic animals... as I did with 'Peter Panda Melts Down!', where I created a world with pandas, cats and bears.
But then I think of drawing and making pictures as basically fun. Drawing and coloring - that's the world for me.
|Characters from the new work in progress|
|A sketch from a new book|
2. How does my work differ from others of this genre?
I'd guess if anyone can recognize my work, then I'll have succeeded in differing myself from the other 15,000 children's illustrators out there. I think most illustrators basically just make their art - so that's their style. So anything different must be me - or my style. The key is to try to make the work contain the basics involved in art - things like draftsmanship, perspective, design, tasteful color. The designing of any illustration usually is limited by the page and text, so often it's a challenge to fit the artwork into the remaining space.
Here's an insightful series that shows how a character was developed from my recent book 'Spot Saves the Day'.
|A sequence of character development|
3. Why do I write what I do?
Inspiration is mysterious - there's no two ways about that. I write and write and write, whenever the inspiration strikes. Some of my stories start out on an envelope or back of a grocery list. Sometimes a particular phrase will catch my mind and that leads to the motif of the story. Usually the first line kind of jumps out in a declarative way and the book jumps in to follow.
Sometimes a story will fall together wonderfully complete - other times it only comes out halfway and gets stuck. But only one out of maybe 10 or 20 stories I write ever gets published. I think that's average for most writers. Anyhow, one never writes so much as one re-writes. The same rule applies to making art. I never just draw as much as I re-draw.
Here is the dummy to 'The Cranksville Cookout' along with the main set of characters.
|A story dummied out with Indesign|
4. How does my writing process work?
First the story starts out as a rough diamond. Then I re-write until the words are done. The second half is when the art is added - and that changes everything. As an illustrator author I find that the words are usually less than half the writing, because it really is amazing how much adding the art changes everything.
The working process begins when I take the text and divide it up into 32 page sections and then paste that all into Indesign. When art is added I'll see the many changes that need to be made. Usually half of the text is rewritten.
It seems so obvious when you see the text with the art included. Everything changes - often even parts of the plot seem obvious to change. So it becomes a fun struggle between the words and pictures, like a puzzle. It is true that a picture is worth 1,000 words.
Also I need to add that I always use Indesign to create dummy books. It has so many advantages over the old paper & tape method I used to use. With Indesign it's easy to swap out drawings, resize, reorder pages, change text, save different story versions and export the art.
And Indesign does a brilliant job of keeping everything organized with links. Often I can scarcely even find a particular piece of art, but Indesign keeps track of it. So Indesign and Photoshop are my main bookmaking tools.
|Some steps in making the finish art|
Anyhow, it is an intriguing process. It's basically just puzzle solving, that's all. And there's nothing a monkey likes more than a puzzle.
Next week for the book maker blog tour I've tagged Stephen Aitken
, a great painter, bookmaker, and traveler to exotic faraway lands for the next installment of the Welcome to the Writing Process: An Author/Illustrator Blog Tour.
About Stephen: (who spends most of the year in Nepal by the way!)
I have been drawing and painting for as long as I can remember. My dad picked up a hitch-hiker in my hometown Ottawa who turned out to be a brilliant artist and he gave me private classes from his home for most of my youth. The ride home on his motorcycle gave the sessions an extra allure. After completing an honors biology degree with a minor in Fine Arts, my artistic hemisphere was reinvigorated by a 2-year stint at the Carleton School of Architecture. I went on to a career as a biological illustrator, then publishing, then editing, then writing…you get the idea. I have been creating my own children’s books for the past 15 years, many of them about the natural world and the rich diversity of life on our planet.
I quite liked how the scanned fabric fit into the painting. There's nothing like plaid to go with a hunting cap. "I say!" lol!
I've been scanning in some striking woven textures to put in the new book I'm working on. And to keep the crafts in the family, these lovely scarves were woven by my clever and lovely spouse, Ann. She'll be flattered to see her work turned into part of a book, hopefully.
Her scarves certainly add a nice homespun look to the old wacom and Epson v700, that's for sure.
You'll never guess what happened when I turned the page... (like they say on the internet). There was some gorgeous art by my online pal Brian Lies! Such a small world, this publishing world.
Sometimes I think more than half of children's book illustration is creating landscapes. Landscapes of imagination. It's always fun to create imaginary houses where storybook characters live. And adding in a grandfather adds a mysterious storybook charm to the atmosphere too.
This piece was inspired by Mary Blair. I find Mary Blair and photoshop are a match made in heaven.
Reading makes you smart! I'm quite sure of it.
This is a variation on the line and color of the previous blog illustration. I find it's fascinating how line quality can make such a difference.
Some new changes to my website went up over the weekend. Now I've added a 'PDF Tearsheet' link
, so visitors can download samples of my current illustration work. I've been meaning to put up a tearsheet for years... but never got around to it before.
I think this was the color cover sample I did for 'One Smart Cookie', my tale of the dog that can read. This was during my half real paint - half digital phase. I remember this book languished collecting dust with my agent for 4 years until I decided to sell it myself. I sold it in 3 weeks
I see that now there is a 3rd literary sidewalk stop on the street down the block. Already there are two Little Free Libraries - but now someone thought to install a writer's box, where I assume you're supposed to write something and leave it? Funny. When the first one went in I got all excited and left two signed books of mine. But no one ever brought them back. Then I found a copy of 'It's a Bunny Eat Bunny World', so I've been reading that for the past 6 months.
This morning I had another 'paper bag moment'. Naturally you want to know what is a paper bag moment?
It's when I get an idea for a technique in making art and I rush to my wacom to try it out... and it's so exciting when it works just as I'd hoped it would. Whew! It's so exciting it's almost like I need to breath into a paper, though really I have never done that. It's just the thought.
Anyhow... I was delighted. It's nice when art makes you happy.
A marvelous review for Peter Panda Melts Down! from Readertotz!
I enjoyed painting in this cover. Cold - fog - and wintry blues. The client seemed well pleased too.
It was drawn in pencil on paper and the rest is photoshop color with scanned real textures. I think all art is mostly in the drawing.
I guess there's no turning back for me & my wacom since I tend to get frustrated using real paints. Just a few dabs will do me... then I need computer magic because I'm spoiled - or something.