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ALA Student-to-Staffers: Where are you now?
Way back in June of 2007, I had the honor of representing TWU’s School of Library and Information Science at ALA Annual in Washington, DC. I was a member of ALA’s Student-to-Staff (S2S) Program, with assignment to the ALSC Division. If you’ve never heard of the S2S program, you can read about it here. There are 56 active ALA Student Chapter Groups at accredited graduate schools. Each is entitled to submit one name for consideration for the program. Schools have varying criteria. My school chose the student – me based on an essay contest. Others have different criteria, but the end result is that 40 promising students receive a free trip to ALA Annual in exchange for working with ALA staff during the week. I was able to choose with whom I wanted to work. An aspiring children’s librarian, naturally, I chose ALSC.
It was my first connection with the national community of librarians. It was during my week as an ALA S2S er, that I first met ALSC’s own Aimee Strittmatter, Laura Schulte-Cooper, and Marsha Burgess, and I began my continuing association with the division. I wrote a piece about my experience for ALSConnect, now called ALSC Matters. (I am no less bright-eyed and bushy-tailed now.)
If you know someone in grad school right now, do them a favor and let them know about the S2S program. If you participated in the S2S program, give a shout out! Did you work for ALSC at the conference? When or where did you attend? How wonderful was it?
(The Student-to-Staff Program was established in 1973. There should be a lot of us out there!)
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What are the books that have shaped you as a teacher of writing? Reflecting today, in thanks, for the authors and books that have influenced my life as a teacher.Add a Comment
|From my Portugal sketchbook:|
The days are shorter, the air is crisp. Perhaps your house smells like fresh baked cornbread?
Thanksgiving is only short two days away!
While the dark might make some younger patrons sleepy, Monday night, some young gourmets trotted into the Syosset Library Children's Room to make a Thanksgiving treat!
Check out some pictures of the adorable Thanksgiving Turkey Rods below. If you ask me, they look too cute to eat. Almost.
Don't you just want to gobble (gobble) them up?
Happy Thanksgiving Day!
-Posted by Miss Jessikah
Title: Oh My Goddess! (Aa! Megami-Sama) Genre: Romance, Fantasy Publisher: Kodansha (JP), Dark Horse (U.S) Artist: Kousuke Fujishima Serialized in: Afternoon Translated by: Dana Lewis, Alan Gleason, Toren Smith Original Release Date: August 11, 2015 In reading Oh My Goddess!, this work that had its anime air on the International Channel when I was 10-13 ... Read moreAdd a Comment
On October 2, 2006, a gunman entered an Amish one-room schoolhouse, shooting ten girls, killing five, then finally taking his own life. This is his mother's story. Not only did she lose her precious son through suicide, but she also lost her understanding of him as an honorable man. It was a trauma that none should ever have to face.I knew this would be a sad story, but I didn't expect to bawl my eyes out through the entire thing. It's so sad, but also so beautiful. I feel like Roberts' story is just unparalleled. I remember when this happened, but somehow I missed the coverage of the Amish response to the shooting, so I was unprepared for how supernaturally kind and forgiving they were to the Roberts family. It's a beautiful portrait of grace and how God can empower us to go so far beyond what our human hearts feel capable of. I highly recommend this one and will be buying several copies to give as gifts this Christmas.
But the biggest headlines came when her Amish neighbors did the unimaginable, reaching out to the family of the shooter with comfort and forgiveness. Today Terri lives in harmony with the Amish and has built lasting relationships beyond what anyone could have thought possible. From the grace that the Amish showed Terri's family from day one, to the visits and ongoing care Terri has given to the victims and their families, no one could have foreseen the love and friendship that have been forged from the fires of tragedy.
Like millions of her millennial peers, Rachel Held Evans didn't want to go to church anymore. The hypocrisy, the politics, the gargantuan building budgets, the scandals--church culture seemed so far removed from Jesus. Yet, despite her cynicism and misgivings, something kept drawing her back to Church. And so she set out on a journey to understand Church and to find her place in it.Another one that will rip your heart right out - I also cried through the entirety of this book. I follow Evans' blog and love her ideas and writing style, so I grabbed this one as soon as I had the chance. I could so strongly identify with her choice to both leave church and return to church, as it's something I've also gone through in the last five years or so. She has such beautiful and honest stories about the pain and beauty of being a part of the Church and what that means. It's another that I'll be buying my own copy of as well as passing around to everyone I know. Add a Comment
Centered around seven sacraments, Evans' quest takes readers through a liturgical year with stories about baptism, communion, confirmation, confession, marriage, vocation, and death that are funny, heartbreaking, and sharply honest.
A memoir about making do and taking risks, about the messiness of community and the power of grace, Searching for Sunday is about overcoming cynicism to find hope and, somewhere in between, Church.
The Alcorn Homestead & Gallery; Mixed media on paper Pictured above is an image from illustrator and printmaker Stephen Alcorn. It depicts the home he grew up in; Stephen’s father was artist, designer, and children’s book illustrator John Alcorn, who died in 1992. (There’s more information here at 7-Imp about John and his work.) […]Display Comments Add a Comment
Even if you're not an illustrator, you should make a dummy for all your picture books, and here's how.
Black Friday has been historically the busiest shopping day of the year here in the U.S. However, this one-day celebration has pretty much expanded into a full-blown extended sale that often starts before Thanksgiving and goes until Cyber Monday. Let’s get ready to save! …Or spend a lot of money. Either one. Black Friday Tips ... Read moreAdd a Comment
I have something a little different for you today--two adult gift books--prizing/samples provided by Penguin Random House.
First, you should know that both books are based off of Tumblr. I love Tumblr. I also love both of these specific Tumblrs, though I was only familiar with the second one before this.
The first one is a little serious, which would be great for someone who loves words and photographs: All the Words Are Yours: Haiku on Love by Tyler Knott Gregson.
Every day for the past six years, Tyler Knott Gregson has written a simple haiku about love, and posted it online. These heartfelt poems have attracted a large and loyal following around the world. This highly anticipated follow-up to Chasers of the Light, presents Tyler’s favorites, some previously unpublished, accompanied by his signature photographs, which capture the rich texture of daily life.
This vibrant collection reveals the intimate reflections of one of poetry’s most popular new voices — honest, vulnerable, generous, and truly present in the gift that is each moment.
Most of them are a little maudlin for me, but I love a few.
They're sometimes inspiring and insightful.
Some I want to mail home to my mother.
Some will calm, some will soothe, some will arouse desire. You definitely don't want to mail the whole book to your mother. Actually, probably 80% you wouldn't want to discuss with her unless you have a very, very, very comfortable relationship.
This is definitely something you want to give to someone you love love.
Now we move on to my favorite of the two: Men & Cats by Marie-Eva Gatuingt & Alice Chaygneaud.
Now, this your mom might enjoy. Assuming she likes scantily clad men. And cute cats.
A brilliant collection of photographs that brings together two of the world’s favorite things: hot men and cute kittens.
Based on the chic French Tumblr Des Hommes et des Chatons, Men & Cats presents an original collection of 50 pairs of sexy men and adorable cats. Each clever match-up shows a heartthrob posing alongside a cat in a similar pose or with a similar expression. Not sure if you want to look at sexy men or cute cats? With this book, you don’t have to choose.
But, before you visit Des Hommes et des Chatons on Tumblr, I have to warn you some of the pics may be NSFW. Here are some of the more tame ones (i.e. they've mostly got clothes on):
Mmm.... you get the idea.
Wait, one more.
Can't promise you these are all in the book. Actually on second glance *flips through entire book again* Yup. Nope. None of these are in the book. But you get the picture, don't you?Remember to Enter the giveaway before you lose yourself in an endless queue of des hommes et des chatons
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|Jan Steen, School Class with a Sleeping Schoolmaster|
Unit 1: First ThingsLots of people teach the course by going through major genres, but I don't care for that approach because in my experience it's highly superficial to write essays for a week or two, poems for a week or two, stories for a week or two, etc. I sprinkle different genres throughout the term, but we never stick with any particular one. Learning different genres is not the goal. I want the students to play around, and I want them to think about similarities in different ways of writing rather than differences.
Unit 2: Shaping Raw Material
Unit 3: Images and Senses
Unit 4: Words
Unit 5: Sentences and lines
Unit 6: Paragraphs and stanzas
Unit 7: Revision
Final Exam week: Portfolio
What your portfolio must include, at a minimum:All grading before the portfolio is purely on whether the students follow the guidelines or not. For instance, here's an assignment:
You are welcome and encouraged to include more than this in your portfolio, but this is the absolute minimum.
- Your own artist's statement / portfolio intro. Length: 114-119 words. (Yes, this number is arbitrary. Most rules are.)
- Examples of 3 different types/genres of writing, each with at least one revision included. (You will have done a lot of this work for previous units. Now you’re collecting it and polishing it.) Include all drafts along with a final, polished, proofread draft.
- A reflection of at least 500 words. This should be the last thing you write. After you've put the portfolio together, read it, then write this reflection.
1. Go to the index at the website Worldwidewords.org.
2. Read around on the page. Click on words that grab your attention. Look for weird words.
3. Once you are familiar with the site and how it works, write a piece and use as many unfamiliar/weird words from the Worldwidewords.org list as you can -- at least 20.
GRADING: 6 points = 600+ words; 5 points = 500-599 words; 4 points = 400-499 words; 3 points = 300-399 words; 2 points = 200-299 words; 1 point = under 200 words(Each exercise is worth a certain amount of points, and I just add them up for their exercises grade, so 95 points = a 95 (A), 84 points = 84% (B), etc. They have a number of exercises to choose from in each unit. All of the exercises together add up to more than 100 points, but I've rarely had students try to go beyond 100 points because I don't count anything above 100 and, in any case, most of the exercises are more complex and take more work than the one above, so if you do them all at the highest level, it's quite a lot of work.)
I think that aesthetics exists in a special relationship to political economy, precisely because aesthetics is the one thing that cannot be reduced to political economy. Politics, ethics, epistemology, and even ontology are all subject to “determination in the last instance” by the forces and relations of production. Or rather, if ontology is not entirely so determined, this is precisely to the extent that ontology is itself fundamentally aesthetic. If aesthetics doesn’t reduce to political economy, but instead subsists in a curious way alongside it, this is because there is something spectral, and curiously insubstantial, about aesthetics.As teachers of writing, we can wield aesthetics as a weapon against the all-consuming power of neoliberalism — we can help and encourage students to revel in the inefficacy of our aesthetic projects.
Happy Thanksgiving everyone. This is a quick note to let you know how thankful I am for all of you that read my posts. It is nice to know what you do, or in this case, what I do is not for naught. I hope each one of you has a wonderful holiday. I will see …Add a Comment
Tim Hopgood is an illustrator and author I admire greatly. His brilliant Here Comes Frankie was one of the first books I reviewed on this blog, over 6 years ago now, and I’ve yet to read a book of his which hasn’t made me happy.
His use of colour is exceptional. His strong sense of design is eye-catching. His use of visual textures always has me stroking the pages of his books. Yes, I’ll admit I’m a bit of fan!
And so it’s a great honour, and an enormous delight to bring you an interview with Tim today. His latest book is something of a departure for him – up till now (at least when working with children’s publishers) he has always illustrated fiction, but Fabulous Frogs is a bold, extremely beautiful and fascinating non-fiction collaboration with Martin Jenkins (author of the award-winning Can We Save the Tiger?). I kicked off my interview with Tim by asking him about this different genre and what impact it had on his illustrations.
Playing by the book: This is the first time you’ve illustrated a non-fiction book. How was your approach different (and also how was it similar) to illustrating a fiction picture book?
Tim Hopgood: It was my first time working on a non-fiction book and my first time working with the team at Walker (Editor – Lucy Ingrams, Art Director – Beth Aves) and Author – Martin Jenkins, but what was so great was their approach was exactly the same as mine when working on my own picture books. By that, I mean the process was very fluid. We met a few times face-to-face at key stages in the development of the book and the rest of the time it was all done via email, but nothing was ever set in stone until it went to print, and that’s how I like to work. So the book was allowed to evolve in a very natural, organic way; it was a very enjoyable process.
It was also incredibly hard work. For me, the biggest challenge was trying to capture the essence and personality of each frog in my style of illustration whilst remaining anatomically correct. When working on a fiction picture book I wouldn’t be too concerned with anatomical correctness as I’d be more interested in whether my frog character had personality and emotion so this was the main difference, as all the frogs had to be easily identifiable. I don’t think I’ve ever drawn anything quite so small and in such detail as the tiny frogs from Papua New Guinea!
The other big difference was each frog belonged to a different world; so unlike in a fiction picture book where you create a world for your characters to exist in and have to stick to it throughout the book, this project allowed me the freedom to create completely different backgrounds for each frog. In some cases I kept the backgrounds white, which is something I don’t usually do in my own books.
Playing by the book: I think you’ve combined anatomical correctness, personality and emotion wonderfully well in this book – a huge part of its visual appeal is that the frogs have immense personality – lifting the book into something special and very, very distant from a “dry” fact based book…
Tim Hopgood: Thank you Zoe! that’s really good to hear…
Playing by the book: So is there anything about the process of illustrating non-fiction that you think you will “bring back” to your story picture books? Any way of looking at a subject which is different for you now because of the things you had to think about with your frogs?
Tim Hopgood: Although I wasn’t able to draw any of the frogs from life, I think my observational skills were sharpened because of this project. I studied lots and lots of photographs of each frog and had to work out what were the defining features, what made each frog special and then try to bring that frog to life on the page. I think working on the book reignited my interest in nature and I think this will influence my future projects.
Playing by the book: That’s wonderful to hear! Were you a fan of frogs before you illustrated the book? Not everyone loves wet slimy creatures…
Tim Hopgood: As a child I was fascinated by frogspawn and tadpoles; I think children like the way tadpoles move in the water. When my children were little we discovered frogs at the bottom of our garden so we created a small pond in the hope to encourage more (we put an old school sink in the ground and put some plants in it) and amazingly it wasn’t too long before we had a sink full of tadpoles. The kids loved watching the tadpoles grow and develop into tiny frogs.
Playing by the book: Which is your favourite frog in your book?
Tim Hopgood: My favourite is the striped rocket frog from Australia. It can jump five metres in one go. I love the look of this frog with its cool stripes running down its back and sides. The other one I really enjoyed drawing is the Malagasy rainbow frog.
Playing by the book: How did you and the author interact during the process of creating the book – like a great picture book, the illustrations in this book don’t just double up on the text – there’s a real interplay between words and images. Did Martin indicate what he was thinking of with regard to images? Or was there something of a dialogue about how text and image could play together?
Tim Hopgood: When I first read Martin’s text what really appealed to me was the humour running through it and that it was packed full of frogs I’d never heard of, so I knew this had the potential to be a very striking and informative book. Although we didn’t interact directly – it was all done via Beth (Art Director) – there was definitely a dialogue between text and image which shifted and developed throughout the creative process, but it was a team effort.
We did meet a few times at key stages in the development of the book. At our first meeting we discussed the overall approach and Lucy (Editor) explained how the text would work on two levels: there’s the main text running through the book and then there’s the more detailed information which would sit smaller on the page. We discussed initial ideas for each spread and Beth and Martin provided me with source material for each frog. The next stage was for me to respond to the text in a visual way.
For my first rough I did several versions for each spread so that we could discuss options and work out which one we all thought worked best. Throughout the process the copy would be revised and repositioned on the page to work with the illustrations I was creating. And sometimes I did new drawings to sit more comfortably with the text. Beth is the kind of Art Director I really enjoy working with, the kind that has a clever knack of getting the best out of you, sometimes pushing you out of your comfort zone, but in a supportive and encouraging way. I think a great Art Director can often see things in your work that you as an artist can’t see yourself, they can see you’ve got more to give and that maybe you should approach a subject in a slightly different way, and with the right encouragement and support you can do it! I learnt a lot from creating this book and not just about frogs, but about drawing too!
Playing by the book: Whilst researching your frogs, did you come across any other non-fiction illustrator’s work on frogs that really stood out for you?
Tim Hopgood: Oh yes – Art of the New Naturalists – Forms From Nature by Peter Marren and Robert Gillmor is an amazing non-fiction book for anyone interested in art and nature. I was given this book as a present and was inspired by the vitality of the drawings and the strong design compositions of the New Naturalist covers that are lovingly recorded in this book. It definitely influenced the way I approached the artwork for Fabulous Frogs: artwork for a non-fiction book doesn’t have to be clinical it can be painterly too. Combining expressive artwork with clear-cut information produces an interesting dynamic and that’s something I intend to explore in future projects.
Playing by the book: So apart from books used for researching for work, what role does non-fiction play in your own personal reading? Now, and as a child?
Tim Hopgood: As a child, non-fiction played a big part in my love of books. I struggled to learn to read and I struggled to find books that I enjoyed reading. I was always drawn to the non-fiction side of our local library, highly illustrated books on nature filled with facts had a particular appeal.
When I was nine, my parents bought me a hardback copy of ‘More Tell Me Why’ – Answers to over 400 questions children ask most often, by Arkady Leokum, published by Odhams Books. I loved that you could dip into it, that you didn’t have to start at the beginning and stick with it all the way through to make sense of it. You could flick through the pages and see something different each time you picked it up and I loved that it weighed a ton! And although it was heavy that didn’t stop me taking it to school and proudly reading from it in assembly!
Nowadays you’ll find plenty of non-fiction titles on my book shelves; mainly cookbooks (I recently completed over 100 illustrations for the new River Cottage cookbook ‘Love Your Leftovers’), but also lots of books on artists, designers, textiles and architecture. I still love the way you can dip in and out of a non-fiction title and discover new things each time you pick it up.
Playing by the book: One last and completely different question given that you are being interviewed on Playing by the book… what’s the last thing you did / place you visited / something you made for fun having been inspired by a book you’ve read?
Tim Hopgood: Now I feel very dull! I’m afraid it’s been all work and no play here recently, but when I’m not drawing I love to cook. For my birthday I was given ‘A Modern Way to Eat’ by Anna Jones – her Artichoke and fennel seed paella recipe is delicious!
Playing by the book: A book that makes you want to cook? That’s good enough for me! Thank you so very much Tim – here’s to frogs, fennel Seeds and further success in the future!
Do look out for Tim’s new pre-school boardbook Walter’s Wonderful Web, and (like me) rejoice that his first three books are now all back in print!
Hello friends! You might have noticed that I’ve been basically non-existent on Twitter and Instagram for the past couple of months–and I am so sorry! I really miss everyone, and getting to chat about books and have fun! But if I’ve been absent, at least it’s for good reason: I started library school at the very end of August. I am currently finishing up my first semester in The University of Pittsburgh’s online Master of Library and Information Science program. It’s been very, very stressful, but also fun in how challenging it is! I thought it’d be neat to give you some insight into what gets covered in library school and what I’ve been learning. I’m in the school library program (I hope to be a high school librarian one day!), and as someone without a previous education background, this means I am also working toward my teaching certificate in... Read more »Add a Comment
There are perils to being a children’s librarian. This never occurred to me until I took grandson Robby to story time. At one session, the head came off of the turkey puppet that was helping to illustrate a story and song about Thanksgiving. While the librarian was trying to stick the head back on the turkey and sing simultaneously, the felt board fell over. The 3-and 4-year-olds seated in a circle erupted in laughter. The librarian was quick on his feet and rescued this “turkey” by playing his guitar and singing I’m a Little Turkey to the tune of I’m a Little Teapot as they all strutted around like Thanksgiving gobblers. My grandson thought it was the best thing ever.
This November when children’s librarians are strutting their stuff by cutting Thanksgiving turkeys out of construction paper, singing songs and playing with puppets, there is another important observance to headline: It’s National Diabetes Awareness Month.
Years ago, Type 1 diabetes was rare in children and Type 2 did not exist. A nationally representative study[i] now has confirmed that from 2001 to 2009 the incidence of Type 1 and Type 2 diabetes drastically increased among children and adolescents across racial groups in this country. The study found that the prevalence of Type 1 diabetes increased 21 percent among children up to age 19. The prevalence of Type 2 diabetes among ages 10 to 19 rose 30 percent during the same period . Nearly 30 million children and adults in the United States have this disease.
As an author and journalist with a background in health care communications, I am passionate about writing books that empower and help children deal with medical conditions. The most recent effort is a self-help book for children with diabetes, Maddy Patti and the Great Curiosity. Dr. Stan Borg, a family physician, and I collaborated to write this story across the miles—354.8 to be exact—to help youngsters understand and manage their diabetes.
A special section in the book is for teachers and parents. Teachers especially may benefit from this information because it helps them understand why, for example, a child with diabetes may need more bathroom breaks because of high blood sugar levels, or they may need to eat periodically throughout the day.
Informational links for librarians:
Q. What special tools will help illustrate and promote National Diabetes Month for youngsters at our libraries?
Q. How can librarians find help and support for children and parents who are dealing with a diabetes diagnosis in our community?
Q. How can we use National Diabetes Awareness Month to garner publicity for our library?
Despite the occasional perils of falling felt boards and headless puppets, I believe that children’s librarians are important and necessary advocates for youngsters not only with diabetes but all children because you are fluent at knowing and interpreting their needs to teachers, parents and the community. So amid the sing-a-longs about gobblers and the Thanksgiving tales this November, National Diabetes Awareness Month might be a good topic to feature at your library, too.
Mary Abel has been a professional writer for more than 40 years and is the recipient of multiple writing awards, including the Sigma Delta Chi Mark of Excellence Award in journalism. She holds a BA in journalism from The Ohio State University. Contact her at: firstname.lastname@example.org.
Please note that as a guest post, the views expressed here do not represent the official position of ALA or ALSC.
If you’d like to write a guest post for the ALSC Blog, please contact Mary Voors, ALSC Blog manager, at email@example.com.
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Recently a friend asked me whether she should address the concerns of a beta reader who had clearly missed something in her novel that everyone else got. This started me thinking about the challenges in revising a story when you’ve received critiques from many different people, particularly when their comments contradict each other.
We’ve talked a lot at Publishing Crawl about revising your novel on your own and with editorial letters, but what about earlier in the process — maybe before your book even reaches agents or publishers? I am a big believer in beta readers and critique groups, and I participate in an amazing writing group. Almost every piece of fiction I have written has benefited from the sharp insights of other writers who tell me what’s working and what needs work, and call me out when I’m being lazy. If you’re fortunate, there will be a consensus, a clear sign to what you should focus on, but often there’s very different feedback from everyone, and it isn’t at all obvious who is “right” about your story. Now what?
First and foremost, it’s your story, so you have to follow your instincts. That said, you do have to be open to the possibility that you can make it even better by listening to suggestions you may not immediately agree with. And always remember that you can’t make everyone happy, but that isn’t the point; you’re trying to figure out how to make the story as good as it can be, which should also be the goal of your critiquers.
My record for critiques on a single piece is probably around twenty, for some of my short stories at the Clarion West Writers Workshop, which is where I developed my process for juggling feedback and planning a revision strategy. Whether I have seven or 17 critiques, my first step is to read through everyone’s comments and my notes from the crit session, jotting down the key points and organizing them into four categories:
Although here I’m focusing on what needs to be improved in the next draft, make sure you’re also noticing the good stuff, which can show you where your story is on the right track, as well as give you an ego boost that is likely sorely needed about now. This is the stuff you don’t want to break when you’re fiddling with everything around it — which can easily happen, especially if you’re trying to follow every suggestion you received.
Once you’ve listed everything out, categories 1 and 2 should give you a pretty clear idea of what changes to make in your revision; however, sometimes you will get two or more recommendations that are incompatible, and you have to choose one. Assuming you don’t want to settle for the fastest and easiest fix, you should consider what makes the most sense for your characters and their story, and what fits with the rest of the feedback you’ve received and strengthens what was already there.
You can also consider the source of the feedback: For example, if you’re writing a YA novel, you might weigh criticism from other YA writers or readers more heavily than feedback from someone who rarely reads YA or doesn’t enjoy it. (Their perspective is still valuable and probably shouldn’t be dismissed out of hand, but they may be unaware of some of the nuances of your particular genre.) Or certain readers “get” your work or connect with your story more than others, so they have a better idea of what you were trying to accomplish.
Once I have a sort of road map of the changes I want to make, I usually dive in and start editing from beginning to end, in a linear order, layering in changes as I go. Of course every edit ripples throughout the piece, so the more time I can spend focused on and immersing myself in the story, the better to keep it all in my head, and ultimately put it on the page. I’m also keeping in mind some of the criticism that I am less sure about, or even some of those “nopes,” because as the story changes, they might make more sense or I’ve become more receptive to them. As I change the story, I feel more free to take it wherever it needs to go. If I take it too far or it doesn’t work, I can always revert back to the previous draft!
When I first started revising this way, it sometimes felt like I was writing by committee, and I resisted taking too many suggestions from others. Whose story is this, anyway? But if you’re committed to telling it in the best possible way, so it will reach the most readers, getting lots of feedback from many different perspectives is incredibly helpful. Don’t forget that every reader is different — just look all those wildly differing reviews on Goodreads! (No, don’t.) In a way, they’re all correct, because reading is such a personal, unique experience. And so is writing. In the end, you decide what your story will be, and you’re the only person who can write it.
Everyone’s writing and revision process is also unique! So, how do you reconcile varying feedback from multiple readers?Add a Comment
Are you wondering what's new in YA today? Check out these wonderful new releases!
Like any other Saturday night, Gabby Perez and her best friend, Maria, are out dancing. But this isn’t just another night. When a mysterious stranger warns Gabby their drinks have been drugged, she hurries Maria home. Sure enough, the next day, Maria can’t remember a thing. Gabby’s shaken by their close call. And she’s not going to stay quiet about it.
She opens up the airwaves on her radio show and discovers an even worse truth: the guy who drugged them was going to force them into prostitution. Then Gabby’s friend Bree never makes it home from a party, and Gabby fears the worst.
Gabby reaches out to the guy who saved her, the gorgeous stranger she knows only as X. As they dive into the seedy underworld of Miami, searching for Bree, they can’t ignore their undeniable attraction. Until Gabby discovers the truth about who X really is and the danger that surrounds him. Can their love survive the light of day?
In the thrilling sequel to Lies I Told, Grace learns that the most difficult thing about pulling off the perfect crime is living with the consequences.
Grace Fontaine was trained to carry out perfect crimes. But when a mistake was made the night her family tried to execute their biggest heist yet, her world fell apart. Now her brother is in jail, her mother has disappeared with the entire stolen fortune, and her father is determined to find a new mark, no matter the cost.
Haunted by the way she betrayed her friends—and Logan, the only boy she’s ever loved—as well as the role she played in her brother’s arrest, Grace decides she must return to the place every thief knows you should avoid: the scene of the crime.
Returning to Playa Hermosa as a wanted criminal is dangerous. But Grace has only one chance to make things right. To do it, she has to use everything she’s been taught about the art of the con to hunt down the very people who trained her: the only family she’s ever known.
Perfect for fans of Ally Carter, Cecily von Ziegesar, and Gail Carriger, this thrilling, high-stakes novel deftly explores the roles of identity and loyalty while offering a window into the world of the rich and fabulous.
What do you do if you find yourself fantasizing about kissing your best friend? Sensitive guitarist Jake has been asking himself that same question for a long time, and there’s no easy answer. Telling his dream girl –talented anime artist Elena– about his feelings might lead to the ultimate rejection, but not telling her just might kill him.
Before Jake can make his move, though, a new mysterious guy enters the picture in an unexpected way. In Elena’s mind, Harlow is excitement-personified: a rebellious yet kindred spirit who she instantly connected with online. Jake’s gut is telling him that something about Harlow is off, and that Elena is in way over her head, but the more Jake pushes the issue, the more he pushes Elena right into Harlow’s arms –and into a tragedy that neither of them would ever see coming.
A heartrending but ultimately uplifting debut novel about learning to accept life’s uncertainties; a perfect fit for the current trend in contemporary realistic novels that confront issues about life, death, and love.
Seventeen-year-old Rose Levenson has a decision to make: Does she want to know how she’s going to die? Because when Rose turns eighteen, she can take the test that will tell her if she carries the genetic mutation for Huntington’s disease, the degenerative condition that is slowly killing her mother. With a fifty-fifty shot at inheriting her family’s genetic curse, Rose is skeptical about pursuing anything that presumes she’ll live to be a healthy adult—including going to ballet school and the possibility of falling in love. But when she meets a boy from a similarly flawed genetic pool, and gets an audition for a dance scholarship in California, Rose begins to question her carefully-laid rules.
After Gabi’s relationship with her long-time boyfriend Max falls apart, she just needs to get away—and she finds the perfect escape in a summer internship for her favorite TV show in London. All the gorgeous actors in the cast will more than distract her from the Break-Up.
Then she meets Spencer Black: student, show extra, expert flirt. Spending time with him is fun, intoxicating, and uncertain. Their relationship is heating up when he lands a featured role on the show. Will his newly found fame break them apart, or is Spencer the one?
In this steamy love story, the drama is just as real off-screen as it is on.
If there are any new YA books we missed, let us know in the comments below, and we'll add them to the list!
Katie MacAlister dropped by the virtual offices to answer a few questions! Be sure to enter the giveaway, too!
Do you have any favorite book boyfriends of your own?
Oh, mercy, just line my books up and start reading off the hero names. I’ve said before that I write books for myself first, and that’s absolutely true. I love all of my heroes, and it’s only because publishers won’t let me write all the heroines as me that I bother with writing those dishy men females who are worthy of them.
Outside of my books, I was one of those girls who grew up with the hots for Sherlock Holmes. As an adult, I’ve been quite fond of several of Georgette Heyer heroes, particularly those who give in to their senses of humor (Sir Tristram from Talisman Ring, and Freddy Standen from Cotillion).
What are five books on your night stand/bookshelf?
This is going to be a very disappointing answer, I fear. Right now on my nightstand are Sol y Viento (a Spanish textbook), Art: A Brief History by Marilyn Stokstad (an art history textbook), History of Italian Renaissance Art by Frederick Hartt and David Wilkins, Introduction to Forensic Science by Richard Saferson, and Step Aside, Popsm a Hark! A Vagrant Collection by Kate Beaton.
What’s your favorite quote or scene from your book?
I think the scene where Gary meets Jim is one of my faves. Especially since Gary is showing off, and Jim is instantly jealous of Gary’s toys.
If your couple’s relationship had a theme song, what would it be?
Roar by Katy Perry. The need to rise above people who want to put you down is pertinent to both hero and heroine. Plus I can see them both singing it loudly.
Tell us about the cover process. Is this what you had in mind?
I’m lucky in that my publishers have excellent art departments who take a few bits of scattered ideas that I pry out of my brain, and turn them into gorgeous covers, usually involving lick-worthy men. And this cover is no different. It’s not a bad thing to find yourself stroking a book cover, is it?
Where do you find inspiration for you writing? Do you use real people/places as a foundation?
I’ve always told myself stories, so writing is really just an extension of that. My inspiration is my muse, who I picture as a bon-bon eating diva who reclines of fainting couches a lot, waving a languid hand whenever she wants something, and basically ruling me with threats of going away on vacation if I attempt to work her too hard. I seldom use real people in my books, since the people in my head are much more flawed and thus suitable for me to torment, but I do use as many real locations as I possibly can. I rely heavily on past trips to Europe as the source of many locations, and those I haven’t visited I usually research by finding people who live there, and haunting online webcams, and photo galleries.
Do you have any hobbies or activities that you enjoy outside of writing?
When my arthritic hands let me, I like to spin wool into yarn, knit, and sew a variety of things that never quite turn out as I’ve envisioned. I’m a gamer girl, as well, so I’m online in games like World of Warcraft, Guild Wars 2, Star Wars The Old Republic, Hearthstone, Lord of the Rings Online, and way too many other games.
I’ve also decided to go back to school, and am enjoying online classes at Fort Hays State University so I can add a history degree to my list of credentials.
Would the 10 year-old version of yourself kick your butt or praise you for what you’ve accomplished in life?
Oh, she’d be thrilled that I’ve survived the last few years, since they included everything from the death of my husband to moving to a new house. And I think she’d be quite happy with the body of work I’ve produced in the last ten years, although I know she’d tell me I should stop insisting on having time off between books, and instead write non-stop.
About Dragon Storm
TURN ON THE CHARM
According to some (including himself), Constantine is one of the greatest heroes of dragonkin who ever lived. Too bad he’s now lonelier than ever and his biggest adventure involves a blow-up sheep-until he has an opportunity to save his kind once again. All Constantine has to do is break into a demon’s dungeon, steal an ancient artifact, and reverse a deadly curse. The plan certainly does not involve rescuing a woman . . .
TURN UP THE HEAT
Bee isn’t sure whether to be infuriated or relieved when Constantine pops up in her prison. The broody, brawny shifter lights her fire in a way no one ever has before, yet how far can she really trust him? Their chemistry may be off the charts, but when push comes to shove, Constantine will have to make a crucial choice: to save the dragons or the woman he’s grown to love with fierce intensity.
About Katie MacAlister
For as long as she can remember Katie MacAlister has loved reading, and grew up with her nose buried in a book. It wasn’t until many years later that she thought about writing her own books, but once she had a taste of the fun to be had building worlds, tormenting characters, and falling madly in love with all her heroes, she was hooked.
With more than fifty books under her belt, Katie’s novels have been translated into numerous languages, been recorded as audiobooks, received several awards, and are regulars on the New York Times, USA Today, and Publishers Weekly bestseller lists. A self-proclaimed gamer girl, she lives in the Pacific Northwest with her dogs, and frequently can be found hanging around online.
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Today we're super excited to celebrate the cover reveal for GIVE UP THE GHOST by Megan Crewe, re-releasing December 1, 2015. Before we get to the cover, here's a note from Megan:
Ready to see?
Scroll, YABCers! Scroll!
Here it is!
*** If you choose to share this image elsewhere, please include a courtesy link back to this page so others can enter Megan's giveaway. Thank you! ***
GIVE UP THE GHOST
Two winners will each receive a signed paperback copy of the new edition of GIVE UP THE GHOST.
Entering is simple, just fill out the entry form below. Winners will be announced on this site and in our monthly newsletter (sign up now!) within 30 days after the giveaway ends.
During each giveaway, we ask entrants a question pertaining to the book. Here is the question they'll be answering in the comments below for extra entries:
What do you think about the cover and synopsis?
Click the Rafflecopter link below to enter the giveaway: