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Just in time for a fresh Spring renewing!  When I was in NYC last, on the second day of Spring, I met with editorial director Jeannette Larson of HMH trade, among others.  She uttered a phrase that has just stayed with me ever since and I had to share it with you all here:  the look being sought for is generally “spare and fresh!”  And I totally got that concept!   I’ve noticed this with almost all my visits with clients…especially for the very young, and picture books.  Not only do they need strong characters, and a layered story that will be revisited many times, but they want a clean, new, approachable look in the style of art.  Less saturation of color often, less texture (though that can play an interesting part in even a’ spare’ approach.)    Negative space (or “white space”) plays an important role…and must be respected.  Buyers want to see energy and a more spontaneous line generally…but not messy or careless.  Control is there, but comfortably and with sense of movement that fits the story illustrated.

There is much interest now again in the non fiction market due to the Standard Core for schools moving in this direction for all ages.  Realistic, historic artists may again see more work possible….but also more unique, FUN styles, and those with humor, might see increased interest as the non-fiction is approached in a more ……     (continue below Patrice Barton’s spring ‘Spare and Fresh’ visual……)  …..accessible manner. But again the “spare and fresh” approach is a good montra….it allow the viewer to get ‘into’ the art, gleam much from it, and bring their own understanding and interpretation into the work viewed.  Less busy, but with all the important details…clear and understandable.  Rather like Spring itself….a fresh look at a world we thought we knew!

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we’ve shared with you before one of our artists Priscilla Burris’s wonderful truly heart felt young characters and their special worlds.  Well one of them Heidi Heckelbeck is a most popular little girl as it turns out!

Heidi won 1st place for fiction series at the New York Book Show!!!
They announced it last night at the event. Exciting!  WAY TUGEAU (ooops To Go!) Little Simon and Priscilla!  wow and wow!

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The ‘CAT Artists’ are wishing you all a most springlike and sweet Easter Weekend….  ENJOY!

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I’ve noticed that FUN is contagious!  One of my artists is a real wiz at doing constant and adorable ‘little ditties’…. little “moments” in a single image that tell a bigger story.  She can not stop herself…they jump out of her head at any time, and require her to draw them.  Or so she tells me!

Well I wish all of my artists did this…and it’s a wonderful promotional idea for all artists, thus my sharing this phenomena.  In fact, I was prompted because she has been offered a couple of book jobs lately (and other publishing interest as well) due to one or more of these ‘little ditties.’  And that pleases us no end!  The artist is Priscilla Burris and many of you know her…. if not through SCBWI, then through her blog and well, her ‘ditties!’  And yes, she is just like her loveable characters.  Priscilla hasn’t always done this, but in recent times she has been taken over it would seem….and it’s a good thing!  Think about it all…. let those characters and their stories OUT!  it’s spring…let them bloom.

 

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The Book Illustrators Gallery (BIG) of the Asian Festival of Children’s Content (AFCC) aims to showcase the work of Asian illustrators and artists to promote them to a wider audience.

You are invited to submit artwork that has appeared in children’s books, audio products, video products, comics, or games, published between January 2012 and March 2013. You can submit a maximum of five pieces of artwork. Send digital copies in jpeg/jpg format to afccbig@gmail.com for consideration, with “AFCC BIG 2013 Submission” as the email subject.

Please include the following information in the submission:

    Name
    Designation / Company name (if applicable)
    Mailing address
    Phone number / Mobile number

For each illustration please include:

    Year of production
    Title of the illustration
    Title of the work in which the illustration appeared
    Actual size of the illustration (in cm)
    Thumbnail sized picture of the work in which the illustration appeared

The closing date for submissions is March 14, 2013 and selected artists will be contacted by March 28, 2013.

Click here for more details!

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No matter what the year seems to bring to us all, this time of year will bring LIGHT and HOPE and JOY to grab.  Thank your ‘higher power’ and rejoice!

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from CAT artist Priscilla Burris with one of her so special visual moments……  we all wish you all many of these enjoyable, loveable, shared, cozy moments in your future!

HAPPY NEW YEAR TO ONE AND ALL !

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Rich Davis is an amazing illustrator. On his website he demonstrates how to draw a leafless tree. In just over a minute, Rich--with his pen in one hand and his camera in the other--draws a beautiful tree. He brings the blank paper to life as if by magic. Well, if a picture is worth a thousand words then Rich's illustrations speak volumes. Check out the link above and see if you can keep up with his wizard drawing skills.

Then after you've created your own tree, try writing a story around it.
Leaf-it-out, so to speak.
Is your tree in your main character's front yard? Maybe it has a favorite swing attached to it.
Or perhaps your tree is in the middle of a cemetery. Will your main character dare to climb it in the dark at midnight?

Have fun writing and illustrating!

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Ang Ilustrador ng Kabataan (Ang INK), the Philippine’s first and only association of artists committed to the creation and promotion of illustrations for children, is open to new members!

Requirements:

1. Accomplished application form.  

2. One illustration based on "Sino Ako?" by Eugene Y. Evasco. 

3. Five sample illustrations from your portfolio.

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I am most honored to be part of the Friday Feb. 1st Artist Intensive for the SCBWI Winter Conference (Grand Hyatt 42nd) this coming weekend!  Our panel discussion is “WHEN DO I QUITE MY DAY JOB?” and I’m looking forward to the subject and opportunity to share the basics (and not so basic) to the business of being an Illustrator.  Brenda Bowen (editor, now Lit Agent, and writer) and Jan Constantine (general counsel for The Authors Guild) and I (20 year artist agent) will be moderated by David Diaz.

The SCBWI conferences are always so very inspirational and done so professionally and with such care for the market and those who participate in it, that it’s always a joy to be part of and/or attend.  I’ll also be one of the judges for the Art Show which is a wonderful part of these events.  Sat. and Sun are full of other talks and sessions for writers and illustrators (or both) and an almost overwhelming opportunity to get an ‘insiders’ look at the children’s book industry. And you meet and chat with so many interesting people!

If you are planning to be there, please make yourself known to me.  And if not this year, do try to attend in LA,CA (Aug.) or NYC (Feb) at some point…invaluable!  See you there!

(“CAT”artist Melissa Iwai’s got the right idea about books!)

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OH the question!  and topic of the panel I was part of at the Winter SCBWI Art Intensive on Feb. 1.  David Diaz moderated Jan Constantine, Author’s Guild, Brenda Bowen, now Lit (and art) rep at Sanford Greenburger Associates and myself in a series of questions about the reality of the biz we all love.  Of course being PART of the panel….I have no memory of what we actually said!!!!…so maybe you all who were there can write crits about us in ‘comments!’  LOL.

“Though a living cannot be made at art, art makes life worth living…. it brings LIFE to life.”  this is a quote from fine artist and illustrator John Sloan that I used in the panel.  He was actually talking about FINE ART here as he DID make most of his living with illustration, and so can you…it IS commercial.  But as we talked about it is quite hard in the children’s publishing market itself.  Possible…but hard, even when you are repped.  The assignments come oddly timed…one year you are turning down work, and the next twiddling your thumbs! (hopefully actually practicing practicing and growing.)  One really must diversify into various areas of the arts, and maybe have a ‘day job.’  Try to find one that is involved with art of course so it FEEDS you.  But financial insecurity can work actively against the ‘expression’ and good choices you DO need to make to make a career in this industry, like most industries!  It IS a business was an all over theme.

A couple of points that were mentioned was about Your First Impression… you only get one of those with publishers.  It’s a small market – long memories.  Another was that too high advances CAN actually hurt your career if the sales records aren’t good for the books…. not earning out.  Do consider this when negotiating.  Ask questions when reading contracts! Team playing is ever so important if you want to be part of an agency…what YOU do professionally does reflect on every other artist/writer in the group! Staying Fresh and updated with your samples is very important…work to make new and promote them often to AD’s and editors. Consistency of style is also VERY important. Be Brutally Honest with yourself when considering giving up your day job…have a five-year business plan of action.

I do hope we get some ‘comments’ as I’m curious about what ‘spoke’ to you all there too!  REMINDER:  order your THE BOOK from SCBWI….the guide to it ALL!  and I wrote/revised the Artist Guide part of it again.  Hope you find it helpful!

this visual of the ‘rep me’ is from my son and artist Jeremy Tugeau, and husband to rep Nicole Tugeau of Tugeau2….check her agency out as well!

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CATugeau agency is very honored and pleased to announce the addition of our FIRST PHOTOGRAPHER ARTIST, Christopher Loren Ewers. Chris is a very narrative, provocative photographer experienced with other commercial markets and cinematography, and we hope he will be embraced by the YA market hungry for new and memorable looks.  Please enjoy a sample of his lovely work…. and see more at www.catugeau.com.  WELCOME CHRIS!

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Last year during a NYC visit, I was visiting a certain Penguin Group AD (hi! Cecelia)  and she gave me a wonderful HINT about her take on viewing art and artists’ work…and I think it applies to writing too.  It’s stayed with me, and because I find I practice the same rule, I felt I should finally share it with you.

THE 10 MIN. RULE:  if the work generally doesn’t HIT me in less than 10 minutes, I move on. Done (often less!)

It’s true…. we see a LOT of art, and often we agents, ADs and designers and editors are artists ourselves.  We see a LOT of art over a LOT of years.  Sure, we filter through our own likes and dislikes, but we do keep an open-eyed ‘ overview’ for the market and it’s needs at any given time.  We make mistakes, but we make decisions fast.  Have to!

So what can you take from this?   WOW US!  start out GREAT and build from there!  Make the first piece (or paragraph) a winner and then must keep following it up with your best characters, your best drawing, your best color, your best expressions, your best action, your BEST!….. and UNlike everyone else’s BEST.                 10 minute rule rules!

so look in the mirror often and be honest about what you see…. your best?  and from my CAT artist and son Jeremy Tugeau, as a reminder= ’ mirror, mirror, on the wall’…’

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Markel, Michelle. 2012. The Fantastic Jungles of Henri Rousseau. Ill. by Amanda Hall. Grand Rapids, MI: Eerdmans.
Review copies provided by LibraryThing and publisher.

I can't imagine many tasks more difficult than painting illustrations for a biography of a famous painter.  In a book for adults, the artist's actual work speak for itself, but in a picture book for children, the art must not only speak for its creator, but it must help to tell a story.  For The Fantastic Jungles of Henri Rousseau, illustrator Amanda Hall eschewed her usual medium in favor of watercolor and acrylics, seeking to more closely mimic Rousseau's style in order to help tell his story.  More than mere imitations, however, she uses Rousseau's style and perspective as the medium to illustrate the time and place in which he lived, his joyous spirit, his famous contemporaries, his wonder at the natural world, and most of all, his complete commitment to his craft - regardless of how it is received by others.  Her illustrations are the perfect complement to Michelle Markel's prose, delivered in a present tense fashion that immediately engages the reader. In language that will speak clearly to children, Markel clearly conveys the transformative power of art,

By now Henri is used to the nasty critics.  He knows his shapes are simpler and flatter than everyone else's, but he thinks that makes them lovely.  He spends all he earns on art supplies, and pays for his bread and coal with landscapes and portraits.  In the afternoon he takes off his frayed smock and gives music lessons.  His home is a shabby little studio, where one pot of stew must last the whole week.  But every morning he wakes up and smiles at his pictures.

Poverty and rejection have never sound so appealing.  Henri Rousseau's life story is an inspiration. A toll collector who did not take up painting until his forties, Rousseau was untrained and largely unrecognized while living, but he was unfazed.  He later became "the first "naïve" artist to be recognized as a great master," and his works now hang in museums around the world.

Author's and Illustrator's Notes complete this stunning picture book biography for older readers.



Enjoy the book's trailer and "Spring," one of Rousseau's famous jungle paintings.

Title: Surprise! Painted by: Henri Julien Rousseau

Other reviews @

• The Nonfiction Detectives
• Kirkus Reviews

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We just learned that First Peas to the Table illustrated by our Nicole Tadgell and published by Albert Whitman is a winner of the Learning Magazine 2013 Teacher’s Choice Awards for Children’s Books!  This is a first time for Albert Whitman…and our girl got them there! We’re so proud….

 

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Summer, as always, was too short…or too long…but full of adventures of all sorts.  My wonderful Ohio son Jeremy (and CAT artist!) and his wife Nicole (T2 agency) and my three grandkids from that Clan were here over Labor Day…a busy and noisy and so appreciated visit! Good to have them play with the 3 boys from my Wmsbrg son Morgan’s family crew of three boys and wife Stef.  So that was the “period” on the summer.  Now they all, and WE are ‘back to school’ and thinking Fall, Holidays, and Winter.  wow….

So the CAT artists wanted to share with you four BACK TO SCHOOL visuals to get you in the mood….and we’ll be sharing lots more in the months to come…. HERE on” THE WAY “, and in the mail, and in person perhaps!  So check us out over and over for the new and different… www.catugeau.com as well as here on our blog.  Change is in the air….lets hope it’s all good!  now open your new ‘box of Crayolas’ and create fun for Fall!

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The Spy Game
Eddie would love to have a puppy to play with.  A puppy would pull on a rope. Catch a ball and lick your face. But his Uncle brings Eddie an older dog named about a famous spy.
What can you do with an old dog? It probably couldn't learn new tricks, and the only thing this dog did was stare.  It's what they find to do together that makes them the best of friends!

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So, anyway, before I go off to do all those Other Things, I want to introduce you to Joey Hartmann-Dow, the artist of the Craft Fair graphic, and creator of Countries Anonymous.  Joey uses her art to amuse and to inform, as well as to underscore her values.

Those critters are all made from the shapes of countries.  Visit Joey's website to learn more.

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This borrowed from PW Bookshelf :  I found myself smiling at her, and his, views so many years ago… and the encouragement she could give to a YOUNG up and coming Sendak. 50 years ago he began…not knowing where he was going.  Do any of us?  Does it matter?  Just putting another stroke (step, word, etc) down and continuing the fun and torment and LIFE.   There is always more in us….and better!  onward….

and to illustrate this…from Michelle Henninger….

The story behind it is that Sendak, illustrating a children’s book by Tolstoy, began to doubt himself and wrote a letter to Nordstrom detailing all his self-doubts. Here is part of what she wrote back:

You reminded me that you are 33. I always think 29, but OK. Anyhow, aren’t the thirties wonderful? And 33 is still young for an artist with your potentialities. I mean, you may not do your deepest, fullest, richest work until you are in your forties. You are growing and getting better all the time. I hope it was good for you to write me the thoughts that came to you. It was very good for me to read what you wrote, and to think about your letter. I’m sorry you have writers cramp as you put it but glad that you’re putting down “pure Sendakian vaguery” (I think you invented that good word). The more you put down the better and I’ll be glad to see anything you want to show me. You referred to your “atoms worth of talent.” You may not be Tolstoy, but Tolstoy wasn’t Sendak, either. You have a vast and beautiful genius. You wrote “It would be wonderful to want to believe in God. The aimlessness of living is too insane.” That is the creative artist—a penalty of the creative artist—wanting to make order out of chaos. The rest of us plain people just accept disorder (if we even recognize it) and get a bang out of our five beautiful senses, if we’re lucky. Well, not making any sense but will send this anyhow.

This was SENT in a letter….no emails then.  No blogs to share, no quick anything…just slow mail or phone.  Thank the Lord…words are saved…. messages shared.  again….enjoy!

The story behind it is that Sendak, illustrating a children’s book by Tolstoy, began to doubt himself and wrote a letter to Nordstrom detailing all his self-doubts. Here is part of what she wrote back:

You reminded me that you are 33. I always think 29, but OK. Anyhow, aren’t the thirties wonderful? And 33 is still young for an artist with your potentialities. I mean, you may not do your deepest, fullest, richest work until you are in your forties. You are growing and getting better all the time. I hope it was good for you to write me the thoughts that came to you. It was very good for me to read what you wrote, and to think about your letter. I’m sorry you have writers cramp as you put it but glad that you’re putting down “pure Sendakian vaguery” (I think you invented that good word). The more you put down the better and I’ll be glad to see anything you want to show me. You referred to your “atoms worth of talent.” You may not be Tolstoy, but Tolstoy wasn’t Sendak, either. You have a vast and beautiful genius. You wrote “It would be wonderful to want to believe in God. The aimlessness of living is too insane.” That is the creative artist—a penalty of the creative artist—wanting to make order out of chaos. The rest of us plain people just accept disorder (if we even recognize it) and get a bang out of our five beautiful senses, if we’re lucky. Well, not making any sense but will send this anyhow.

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WOW….with FRANKENSTORM SANDY just almost leaving the WHOLE east coast, it is certainly the oddest holiday yet!  and a bit hard to laugh and play for many.  But laugh and play we MUST!  and the artists of the CATugeau LLC agency will do our part!  enjoy……

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By Leonard A. Jason

Are art and science so different? At the deepest levels, the overlap is stunning. The artist wakes us from the slumber of ordinary existence by uncovering a childlike wonder and awe of the natural environment. The same magical processes occur when a scientist grasps the mysteries of nature, and by doing so, ultimately shows a graceful interconnectedness.

The intuition of the artist is no different from the hunches of a scientist. Both draw from unconscious realms where inner voices and soaring images provide sustenance for the imagination. Distractions and blind alleys often prevent the grasping of new visions or unraveling of complex social problems. Instincts and other primordial sources can break these intellectual and emotional barriers, and provide unparalleled insights into the vital nature of reality.

Both artist and scientist are revolutionaries, trying to change our perceptions and understanding of the world. Sometimes the fuel is no more than an outrage that “this must change”. Their paths often begin with a gnawing realization that something is askew in nature, which sets the traveler on a journey into the unknown to find what is missing, such as bringing about a more just and humane society.

The bane of artists and scientists is existing paradigms and ideologies, which represent conventional and at times suffocating norms. The status quo is interwoven with concentrated power, which can corrupt and defeat attempts to overthrow dominant values, philosophies, and social inequities. Financial benefactors offer rewards that reinforce a social hierarchy resistant to change. Therefore, when peering into the world with new lenses, like Galileo, radical new insights and discoveries are often challenged and opposed by those reifying mainstream standards and mores.

Artists and scientists use similar strategies and tactics to confront power structures that perpetuate institutional stagnation. Resources need to be identified and mobilized to buttress dreams and inspiration, to weather the assaults of critiques and forces inimical to new perspectives. Focus and commitment against seemingly insurmountable opposition can be sustained and validated by nurturing coalitions, including professional colleagues, friends, and family members. These cadres of supportive counter-change agents often provide a life-affirming antidote to the isolation and even animosity that can be engendered by radical transformative ideas and solutions to aesthetic and social issues. New professional and community coalitions can provide alternative sources of meaning by challenging existing reference groups and standards, and by validating innovative ways of approaching formerly intractable problems.

Suffice it to say, scientists and artists are often greeted with suspicion, disbelief, or even outright disdain for their offerings. Some retreat whereas others persist in sharing their new insights and knowledge in the public domain, regardless of the ego injuries and accruing disrespect. These prophets often feel as if they are lost in a dense fog or dark forest, but their enduring resolve to pursue an unconventional line of research or provide an alternative glimpse of reality represents a sustaining force. It is not fleeting happiness nor a drunken sense of wild abandon that uphold these commitments, but rather a deep sense of conviction and faith about one’s liberating vision.

Finally, learning, experimentation, feedback, and refinement are the backbone of both the sciences and the arts. Decades of painstaking analysis and observation were critical in the development of Darwin’s grand theory of evolution. The dissection of corpses and countless sketches polished and unleashed Michelangelo’s genius in capturing the human spirit in exquisite detail. Sweat and toil nurture the fertile imagination and fine tune the ability to peer through nature’s veil and uncover eternal truths that lead to Eureka moments of exhilarating discovery.

Spectacular gifts await us as we work to unravel the DNA of equality, faith, love, and compassion, and thereby usher in a world saturated with meaning, surrounded by creative rapturous forces. True research has a soul of an artist.

Leonard A. Jason is a Professor of Clinical and Community Psychology at DePaul University, and the Director of the Center for Community Research. For 38 years, he has been studying the interplay between creative forces and the process of community change. He is the author of Principles of Social Change (2013), published by Oxford University Press.

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