JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans. Join now (it's free).
Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.
Viewing: Blog Posts Tagged with: Mexico, Most Recent at Top [Help]
Results 1 - 25 of 93
How to use this Page
You are viewing the most recent posts tagged with the words: Mexico in the JacketFlap blog reader. What is a tag? Think of a tag as a keyword or category label. Tags can both help you find posts on JacketFlap.com as well as provide an easy way for you to "remember" and classify posts for later recall. Try adding a tag yourself by clicking "Add a tag" below a post's header. Scroll down through the list of Recent Posts in the left column and click on a post title that sounds interesting. You can view all posts from a specific blog by clicking the Blog name in the right column, or you can click a 'More Posts from this Blog' link in any individual post.
Republican Presidential candidates Donald Trump and Ted Cruz have called for the mass deportation of undocumented workers, the majority of whom hail from Mexico. To many liberals, the anti-immigrant rhetoric of these Republican candidates seems oddly anachronistic—a terrible throwback to an earlier America when we were less in touch with our melting pot roots.
I have know Santi for a while online through our wonderful 12×12 community and I was very fortunate to meet him finally at the fabulous 12×12 5th anniversary party in New York last month. We bonded over literary cocktails, as … Continue reading →
Ten years ago Don Winslow wrote the thriller of the decade. The Power of the Dog was an epic thriller that detailed America’s thirty year war on drugs on both sides of the U.S.-Mexican border. Ten years later he has done it again. Winslow blows The Power of the Dog away detailing the next ten […]
Eder Castillo: Mecánica Nacional (vista exterior) Artistas/Videos: Jason Mena: Fault Line (línea de falla), Eder Castillo: Mecanica Nacional, Karmelo Bermejo: -X, Guillermo Vargas “Habacuc”: Persona sin educación formal caminando con zancos hechos de libros apilados, Nadia Granados “la Fulminante”: La Fulminante Detonando Montreal / Cabaret Callejero, Victor Hugo Rodriguez “Crack”: Planas, Andrea Mármol: Otros Paramos / Julia, Jorge Linares: Trafico Aéreo Las [...]
The headline reads: “Border State Governor Issues Dire Warning about Flood of Undocumented Immigrants.” And here’s the gist of the story: In a letter to national officials, the governor of a border state sounded another alarm about unchecked immigration across a porous boundary with a neighboring country. In the message, one of several from border state officials, the governor acknowledged that his/her nation had once welcomed immigrants from its neighbor, but recent events taught how unwise that policy was. He/she insisted that many of the newcomers to his/her state were armed and dangerous criminals. Even those who came to work threatened to overwhelm the state’s resources and destabilize the social order.
Indeed, unlike earlier immigrants from the neighboring nation who had adapted to their new homeland and its traditions, more recent arrivals resisted assimilation. Instead, they continued to speak in their native tongue and maintain attachments to their former nation, sometimes carrying their old flag in public demonstrations. Worse still, the governor admitted that his/her nation seemed unwilling to “arrest” the flow of these undocumented aliens. Yet, unless the “incursions” were halted, the “daring strangers,” who are “gradually outnumbering and displacing us,” would turn us into “strangers in our own land.”
Today’s headline? It could be. The governor’s fears certainly ring familiar. Indeed, the warning sounds a lot like ones issued by Governor Rick Perry of Texas or Jan Brewer of Arizona. But this particular alarm emanated from California. That might make Pete Wilson the author of this message. Back in the 1990s, he was very vocal about the dangers that illegal immigration posed to his state and the United States. As governor, Wilson championed the “Save Our State” ballot initiative that cut illegal aliens from access to state benefits such as subsidized health care and public education. He campaigned on behalf of the initiative (Proposition 187) and made it a centerpiece of his 1994 re-election campaign.
Wilson, however, was not the source of the letter cited above. In fact, this warning dates back to 1845, almost 150 years before Proposition 187 appeared on the scene. Its author was Pio Pico, governor of the still Mexican state of California.
The unsanctioned immigrants about whom Pico worried were from the United States. Pico had reason to be concerned, especially as he reflected on events in Texas. There, the Mexican government had opted to encourage immigration from the United States. Beginning in the 1820s and continuing into the 1830s, Americans, primarily from the southern United States, poured into Texas.
By the mid-1830s, they outnumbered Tejanos (people with Mexican roots) by almost ten to one. Demanding provincial autonomy, the Americans clashed with Mexican authorities determined to enforce the rule of the national government. In 1836, a rebellion commenced, and Texans won their war of secession. Nine years later, the United States annexed Texas. And now, claimed Pico, many officials of the United States government openly coveted California, their expansionist designs abetted by American immigrants to California.
In retrospect, the policy of promoting American immigration into northern Mexico looks as dangerous as Pico deemed it and as counterintuitive as it has seemed to subsequent generations. Why invite Americans in if a chief goal was to keep the United States out? Still, the policy did not appear so paradoxical at the time. There were, in fact, encouraging precedents. Spain had attempted something similar in the Louisiana Territory in the 1790s, though the territory’s transfer back to France and then to the United States had aborted that experiment. More enduring was what the British had done in Upper Canada (now Ontario). Americans who crossed that border proved themselves amenable to a shift in loyalties, which showed how tenuous national attachments remained in these years. From this, others could draw lessons: the keys to gaining and holding the affection of American transplants was to protect them from Indians, provide them with land on generous terms, require little from them in the way of taxes, and interfere minimally in their private pursuits.
For a variety of reasons, Mexico had trouble abiding by these guidelines, and, in response, Americans did not abide by Mexican rules. In Texas, American immigrants destabilized Mexican rule. In California, as Pico feared, the “daring strangers” overwhelmed the Mexican population, though the brunt of the American rush did not commence until after the discovery of gold in 1848. By then, Mexico had already lost its war with the United States and ceded California. Very soon, men like Pio Pico found themselves strangers in their own land.
Featured image credit: “Map of USA highlighting West”. CC-BY-SA 3.0 via Wikimedia Commons.
These were my three sketches for the second day of the post-three-sketches-for-five-days challenge. I went from three girls drawing, in my last post, to three girls dancing. I love this idea of drawing people whilst they are indulging in their own passion. Whatever that may be. That can only add another layer of richness to the work I think. Richness? Not the word I'm looking for, but it's late. And, I'm not so good with words. That's why draw.
You can find opportunities to draw people, doing their thing, here there and everywhere. I drew these three ladies at various events and places. In the last few months I've drawn a local choir, orchestra, band, knitters, drinkers. If you're brave enough (and I know it's not easy) just find out where people are meeting or rehearsing and ask if they mind you coming along and sitting quietly in a corner scribbling away. If it helps take a fellow sketcher or two.
Last year I drew the TED Talks event in Manchester. That was a great day. It was a gig I got just through asking the organisers if I could do it. I got to listen to inspiring speakers whilst sketching them. I made a big A2 drawing, over the course of the day, of the 25 different speakers. I also stole a quote from each of them and worked them in amongst the sketches. Pretty much everyday I see that drawing (it's lay on top of my scanner as I haven't found anywhere to put it -with it being that big). One of the quotes that I borrowed was "life begins where your comfort zone ends". It's a great quote. And an even better idea.
"Mexico is way more complicated than anybody thinks." Jorge Gutierrez talks like a man on a mission. For the past decade-and-a-half, he has sought to bring a more authentic portrayal of Mexico and its people to Hollywood.
In keeping with my blog’s strong support of the #WeNeedDiverseBooks campaign, for a while I have wanted to interview illustrator Yuyi Morales. I think from the words and photos YuYi shares today, you will see the important stories and influences … Continue reading →
On September 26th, my hometown of Iguala, Guerrero was the site of one of the most horrific crimes in recent Mexican history. Forty-three students from a rural teachers college in Ayotzinapa were abducted by Iguala police and handed over to the local drug gang, Guerreros Unidos. No one has seen the students since, and they are feared killed in a mass incineration. It was later discovered that the Iguala mayor and his wife were involved, and it is believed that the police was acting on the mayor’s orders. The failures of the Mexican government, and the incompetent way it has handled the situation has led the Mexico people to say they’ve had enough; they are tired of corruption, impunity, and the continued violation of human rights. National protests have been held for the past two months across the country as the Mexican people fight for reform, justice, and change.
Before the tragic events that took place in Iguala on September 26th, hardly anyone in the U.S. had even heard of my hometown. Iguala is a mid-size city surrounded by mountains located between Mexico City and Acapulco. Seventy percent of the people in Guerrero live in poverty. I experienced that poverty first-hand when I lived there. That poverty, and the lack of opportunities, was what drove my father, and later my mother, to leave Iguala and head to the U.S. Then one day I also left Iguala, and at nine years old I found myself running across the U.S.-Mexico border in search of a better life. I made it across the border on my third attempt, and I vowed that I would never forget where I had come from.
A little girl who will benefit from Reyna's efforts.
This summer, I returned to Iguala to visit my family. I hadn’t been there in four years, and I was shocked to see that my old neighborhood had gone from bad to worse. More and more people are living in extreme poverty. Shacks have sprouted where there weren’t shacks before. As I watched the children playing in the dirt, I decided I was going to do something special for them. I decided that I would come back in December and make their Christmas unforgettable.
On September 6th, I launched a fundraiser campaign for a Christmas Toy Giveaway. In sixty days I raised over $5,000 dollars with the support of friends and strangers who believed in my project. On December 17th, I will go to Iguala with my son and host a Posada in my old neighborhood, where, in addition to a goody bag, all children will receive toys and every family will receive a special Christmas dinner.
The Grande Familia in Iguala, December 12, 1979.
I know this isn’t enough, and in the future I would like to do much more for the people in Iguala. But for now, I think that what I am doing is more important than ever. After what happened in Iguala in September—the disappearance of the students, the numerous mass graves found in the area, the fear and horror that the community has endured—I think that my Christmas Toy Giveaway will provide a little joy to what otherwise has been a bleak and sad time in the city, and in the country as a whole.
I urge you to stand in solidarity with the Mexican people as they fight for a better Mexico. Together, we can all make a difference.
So, the secret destination I mentioned earlier was Oaxaca (say “wah-HOCK-ah”), Mexico. I love this city! I had visited once 15 years ago and always dreamed of going back.
The capital city of the state of Oaxaca, it’s like a jewel-box deep in heart of the southern mountains of Mexico, full of stunning architecture, intricate handicrafts, and oh yes, fantastic food.
The top photo was my first meal there, an ancho chile relleno next to plaintain mash with Oaxacan cheese. Surprisingly, it was actually a lot prettier than it was flavorful, but I enjoyed trying it anyway.
Below are the appetizers from that night, including, from the back of the slate platter, cheese, guacamole, and chapulinas. Chapulinas are a Oaxacan specialty—roasted grasshoppers!
Our Mexican friends told us that if you eat one, it means you get to come back to Oaxaca. It would be a lie to say they’re my favorite dish, but I was super glad I DID eat one 15 years ago. So glad, in fact, that I ate several more, hoping I will for sure get to visit again.
Below you see chiles drying at a restaurant where we ate lunch. The set up was unusual—you walk through the kitchen area up to the roof to eat. Sadly I didn’t take pics of the wonderful chicken red mole enchiladas I had.
Mole is a type of sauce involving many ingredients, including cocoa, which was first cultivated in ancient Mesoamerica. There are many different kinds of mole, and they’re not at all sweet, so don’t worry, it’s not at all like eating candy on your meat.
From the rooftop of the lunch restaurant, there’s a view of the historic Santo Domingo church, and we had great seats to see a traditional wedding celebration going out of the church, complete with dancers, costumes, and these enormous puppets that lead the way to the reception.
Lastly, here’s a photo (from the same location) of Caldo de Piedra, or “Stone Soup.” I couldn’t actually eat it, since I can’t do shellfish, but it was fascinating to watch our chef cook it, tableside.
The rocks were heated to such a high degree that when they were placed in the bowls of raw food (shellfish and broth, veggies), the liquid immediately boiled like mad. After a few moments, the liquid cooled a bit, and the chef removed the first stones and added a second hot stone to each bowl.
If you look closely, you can see the beautiful handcarving on the bowls, which are made of what I gather is a kind of gourd.
Delicious foods not pictured: duck tacos, Oaxacan tamales (wrapped in banana leaves), hot chocolate, and eggs smothered in fantastic sauces. Breakfast was not to be missed.
More on Oaxaca to come. Hope you have a great weekend. It’s like 75 degrees here today. I can’t believe it’s December!
So, in my last post I showed you some food from our trip to Oaxaca, and here I wanted to show you a little of the town and surroundings. Excuse me if I’m a little picture happy. It was hard to choose.
Above is a street in Oaxaca, to give you an idea of the town. This street happens to be a pedestrian only zone, though I guess bench-sitters get a pass, too. Hey, if I could sit on a comfy pink bench on this street right now, I would.
And I’ve fallen hard for the church’s stone walls. The subtle color variations (and size variations, which you can see less well) are making me so, so happy. I think I’m going to have to use that colorway and grid pattern somewhere.
Up next, a convent-turned-hotel. The walls are literally three feet thick. It’s a total dream. I have a thing for thick walls and courtyard gardens.
Here and there, on the former convent walls, you’ll see little bits of painting:
And lastly, just outside Oaxaca are the pyramids of Monte Alban. From the top, the view of the area is breathtaking.
I’d love to show you some of the handicrafts Oaxaca is famous for, but I think I’ll have to show you after Christmas, since several that I bought are gifts for others.
Up next, hopefully I’ll have time to post a few Christmas-themed items. I’ve been trying to be really nose-to-the-grindstone on my writing projects. Back to work for me! Be well.
I was first introduced to Javier Garcia through his intoxicating blog, No Barcode, where he posts his latest vintage finds. It was here that I discovered that he is an accomplished illustrator and designer in addition to having an amazing collection of design related ephemera. A resident of the Bay Area via Mexico he is developed an audience for his highly expressive and colorful illustrations. In today’s interview, the 4th part of our ongoing design in process series, Javier speaks on his passions outside of design, his workflow and more. Enjoy!
Lets start off with a little bit about your background. Where are you from originally? When and how did you become interested in design?
I was born and raised in México. I grew up drawing since I can remember so my three options when I was going to college were architecture, industrial design or graphic design. I was a bit indecisive and went for a combined industrial and graphic design major back in México. That made me realize that what I wanted to do was more graphic and so I came to the US to go to school.
Could you walk us through one of your projects? Please describe your workflow, including the tools, from pen and paper to software and devices.
I’m going to walk you through my Hail to the King illustration. First I think about what I want to say with the piece even if it’s subjective. In this case, the princes represents power which is something that both evil and good wants. I started by drawing small sketches of the general idea. Since it was a collage of illustrations, I rearranged them multiple times in sketch form until I found the right placement for them. I proceeded to drawing each character multiple times until I got the desired look keeping in mind it’s placement. Then I scan those drawings and trace them in Illustrator. In this phase I play with the scale of the characters and just moving things around. Once I got this down I proceeded to play with a bit of texture which I have created my own photoshop brushes from actual hand inked textures that I drew and scanned myself. For this piece since there wasn’t much texture I converted that to vectors but I usually work with a lot of bitmaps. I used illustrator, photoshop and a wacom tablet to do this. And that’s it!
Early sketches for Hail to the King!
Hail to the King Poster
How has your process evolved since you first started designing?
As far as designing logos, packaging and print it’s been about the same. The drawing tablet replaced my mouse at some point but it’s all been the same process which starts on sketch form in the initial stage and then it’s all computer work from there. But as far as illustration, I have been going a bit backwards. My work is turning more into the hand drawn/inked direction. I use a lot more india ink and brushes now.
Album cover for Mr. Ho’s Orchestrotica’s
Are you a creature of habit or do you like to try new technologies, applications, and features?
I’m not that much of a techie, I mostly use illustrator and photoshop to edit everything I do. Even when working with hand inked drawings I take it into photoshop and clean up/edit my files quite a bit. I try to mimmic old design and illustration techniques like inking by hand and creating textures by hand as close as possible. I feel that modern technology is not the same when it comes to translating that into the screen. I work in digital mediums but at least there’s a hand done quality to it. I can usually tell when someone used the computer to brush something. Some people are very good at it but I really enjoy the hand done process. So I think technology really speeds up my process but I don’t like to skip that human aspect phase of design.
Herb Lester Maps
What are your passions and interests outside of design and why?
This is very tough as I spend most of my time looking at design in one form or another. Architecture, pottery, furniture, interior design, and things of that sort are always on my mind. But outside design I really enjoy listening to music, surfing and being with my little boy and wife.
We would like to thank Javier for taking time to share with us. You can see more of his work at javiergd.com and his etsy shop.
This interview is part of the #designinprocess series brought to you by Adobe. Read all of the interviews here and follow along on Twitter and Pinterest at #designinprocess and #newcreatives.
Few Americans today would have difficulty imagining a United States where the citizens disagree over the wisdom of immigration, question the degree to which Mexicans can be fully American, and dispute about the value of religious pluralism. But what if the America in question was not that of 2014 but rather the 1830s and 1840s? Along with being a high point of anti-Catholic nativism, these two decades witnessed the Texas Revolution, the US annexation of Texas, violence in US cities against Catholic immigrants, and the Mexican-American War. As Americans struggled to negotiate their identity as a people in terms of race, religion, and political culture, the war with Mexico clarified and for one century afterward cemented American identity as a Protestant, Anglo-Saxon republic.
Manifest Destiny held that American Anglo-Saxons, by reason of their cultural and racial superiority, were destined to overtake the western hemisphere. This Anglo-Saxonism was not so much based on attributes like skin color, as it was on unique attitudinal traits that predisposed Anglo-Saxons to be the most effective guardians of liberty. From this innate love of freedom had sprung Protestantism and republicanism—the religion and government for free men.
While the majority of Americans condemned a series of mob attacks against Catholic convents, churches, and schools in Boston and in Philadelphia, they nevertheless agreed with nativists that Catholicism was incompatible with representative—or what they called, “republican”—government. Politically unstable Mexico, they said, was proof of this.
When the United States and Mexico went to war in 1846, doubts quickly surfaced about the patriotic fortitude of foreign-born, Irish-Americans in a war against a Catholic nation. Irish immigrant soldier John Riley fled the US army on 12 April 1846, about two weeks before the first battle of the war. American authorities suspected that in September 1846 he was the leader of a group of mostly Irish and Catholic deserters at the Battle of Monterey. These rumors were true, and in late 1847 the US Army captured the San Patricios, or Saint Patrick Battalion. In the United States, debate ensued over the San Patricios’ motives and goals. At stake was the question of immigrant Catholic loyalty to the United States.
So, what were the factors in the San Patricio desertion? Abuse by nativist American officers was one of them. For a given crime, officers would sometimes merely demote native-born soldiers while imprisoning, whipping, or dishonorably discharging foreign-born men. Atrocities, church looting, and violence against priests by some American troops aggravated the fear that the Protestant United States was attacking not just Mexico but the Catholic faith.
The causes of this desertion, however, were not a one-sided affair. Mexican propaganda enticed Americans to leave their ranks. One broadside was addressed to “Catholic Irishmen” by General Antonio López de Santa Anna but the writer probably was Riley. It beckoned Americans to “Come over to us; you will be received under the laws of that truly Christian hospitality and good faith which Irish guests are entitled to expect and obtain from a Catholic nation.” It then asked, “Is religion no longer the strongest of all human bonds? Can you fight by the side of those who put fire to your temples in Boston and Philadelphia”?
It is most accurate, then, to say that while religion was involved in the defection, most of the San Patricios deserted because of intense abuse by officers, not for love of Mexico or the Catholic Church. This includes Riley. In all, 27 San Patricios were hanged.
Hanging of the San Patricios following the Battle of Chapultepec. Painted in the 1840s by Sam Chamberlain. Public domain via Wikimedia Commons.
The capture and punishment of the San Patricios may have been dramatic, but the questioning of Catholic loyalty was just one small part of religion’s interplay with the war. Religious rhetoric constituted an integral piece of nearly every major argument for or against the war. This civil religious discourse was so universally understood that recruiters, politicians, diplomats, journalists, soldiers, evangelical activists, abolitionists, and pacifists used it. It helped shape everything from debates over annexation to the treatment of enemy soldiers and civilians. Religion also was the primary tool used by Americans to interpret Mexico’s fascinating but alien culture.
More than any other event during the nineteenth century, the Mexican-American War clarified the anti-Catholic assumptions inherent to American identity. At the same time, from the crucible of war emerged an American civil religion that can only be described as a triumphalist Protestant and white, anti-Catholic republicanism. That civil religion lasted well into the twentieth century. The degree to which it is still alive today in current debates over Latino immigration is debatable, but one can hardly miss the resemblance and connection between the issues of the 1840s and those of 2014.
The animated feature "JOYFLUID" opens in a limited number of IMAX 3D theaters in Mexico this Friday. The Mexio City-produced motion capture animated film was directed by Alejandro Rodriguez Huerta and made by the Rodriguez Brothers Animation Group.
"They say Mexicans have a special fascination with death," writes Christian Bermejo of the Mexican animation website Tweenbox. "We don't believe it but maybe playing around with mapping in the cemetery doesn't help."