What is JacketFlap

  • JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans.
    Join now (it's free).

Sort Blog Posts

Sort Posts by:

  • in
    from   

Suggest a Blog

Enter a Blog's Feed URL below and click Submit:

Most Commented Posts

In the past 7 days

Recent Comments

MyJacketFlap Blogs

  • Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.

Blog Posts by Date

Click days in this calendar to see posts by day or month
new posts in all blogs
Viewing Blog: Drawing a Fine Line, Most Recent at Top
Results 1 - 25 of 748
Visit This Blog | Login to Add to MyJacketFlap
Blog Banner
Statistics for Drawing a Fine Line

Number of Readers that added this blog to their MyJacketFlap: 10
1. Peppercorn Jack Cheese


I'm in a real 'bread and cheese' mood lately. To draw, and to eat. Not sure why, but I'm enjoying doing both.
I just broke off a bit of this wedge and had it with some kalamata olive ciabatta bread for an afternoon snack. So good! My fridge has a handful of other little wedges of interesting cheeses that I hope to manage to get drawn before they get eaten. We'll see.

This was done with all Prismacolor colored pencils on 8" x 10" (20.32 x 25.4 cm) Strathmore bristol.

I actually used a "Bronze" colored pencil on this. I don't know if I've ever used it before! Somewhere along the way I decided the Gold, Silver and Bronze colored pencils were for amateurs. REAL colored pencil artists make their own gold, silver or bronze colors from other color combinations. Which is true, actually.

But this bronze is a really good color, and not even metallic looking. It gave the cheese just a little yellow/gold oomph it needed.


(these are not my images - they're pulled off the web - no © infringement intended)




A good example of what I'm talking about with the metallic colors is my 3 Musketeers Mini drawing. Its Silver, right? But of course I never touched the actual "Silver" pencil. I used a lot of greys, and blues and reds to pick up the reflections in the wrapper.



Same thing here with the Twix Mini. Its all yellows and goldy-browns and whatever else was needed to render the shiny gold foil - without using the "Gold" pencil ever.



Part of the fun of doing shiny things is analyzing what the colors actually are made of (at least I think so). Well, that's true for things that aren't shiny as well. But shiny stuff is a little harder maybe.

This Witor's Noir chocolate was shiny, but a little less so than the Twix, and with a lot of brown. Again, no "Gold", but a lot of other colors.




Well, you get the idea. Its like in illustration class when they told you to never use the "Flesh" color paint! And remember the 'flesh' colored crayon? 

Wow, I really wandered off the mark here. I just wanted to share my cheese drawing. 
I will clean up the background, and put prints in the shop. I think a little grouping of bread and cheese prints would look nice on a kitchen wall. Hmmm, I'll have to work on that . . .


0 Comments on Peppercorn Jack Cheese as of 1/1/1900
Add a Comment
2. Soft Preztel Roll

Soft Pretzel Roll  8" x 10"  colored pencils on Strathmore bristol

Not a lot of art to talk about this week. I was drawn (pun intended) to this soft pretzel roll in the store for some reason. I like the pattern of the 'cuts' on top, and the rich color of the crust. I'd never eaten one of these before, or even seen them I don't think. Its nice and bready and pretzely, and I liked it.

There's something so comforting about nice bread, especially at this time of year. Although here in California we're having Spring already, with sun and lawns being mowed and yard chores in full swing. Everywhere else people are snowed in, its crazy.

One other thing I'll mention with this piece is that I've gone back to Strathmore bristol, just because I have a lot of it, in pads, laying around. One day I thought "why did I stop using this?" and so did a piece on it and was happy with the result. I don't know. Somewhere along the line, when I decided to get 'serious' about my colored pencil work, I started exploring other papers, thinking the key to doing a good piece lay in the paper choice. I'm glad I discovered Stonehenge and Fabriano Artistico, and will still use them when there's something particular I want to do that requires one of their special characteristics. But for now, I'm perfectly happy with this Strathmore bristol - 300 Series.

I put prints of this in the shop, in different sizes.

I'm also working on more cat drawings. { meow }

0 Comments on Soft Preztel Roll as of 1/1/1900
Add a Comment
3. Lemewl Cox Cat, by John Singleton Catley

This was a little experiment with first an idea, then the technique. I wanted to do some Colonial cat portraits, based on actual paintings done back in the day. I did some research, and settled on a painting of Lemuel Cox by John Singleton Copley to be my inspiration.

"Lemewl Cox Cat" 

At first I was going to be more 'illustrative', then I ended up pretty much copying the painting, substituting a cat for Lemuel Cox, and making adjustments to the coat (neck, mostly) to fit the cat proportions. 


I started out with Prismacolors on Strathmore Bristol. 


I developed the drawing, and went darker and darker with background.


I just kept going, with different colors + black, then came in with Black and Caput Mortuum Polychromos. Finally, I scanned it and had a go at it with my digital colored pencil brush and Photoshop, just to get the whole thing dark enough. I also did the whiskers digitally (much easier than doing them 'by hand' with colored pencils!)



I've made prints available in the shop.
Not sure what's going to be next!



0 Comments on Lemewl Cox Cat, by John Singleton Catley as of 2/14/2015 8:15:00 PM
Add a Comment
4. More Downstairs Tabbies

I have more of the below stairs cat servants to share with you. Some have debuted (wow, that spelling looks wrong - "deybyood" is what I mean, in case it is) already on the arCATecture Facebook page, and all of them are already for sale as prints on etsy



I'm still fiddling with some of the descriptions for them in different places, and so they're just slightly all out of sink with themselves, if that makes any sense. 




I've also opened a shop on Zazzle, and the same is true there. It will take me a good while to get it all stocked up. I'm making each product one.at.a.time, since I have to place the art on each phone case, pillow, mug, tile, shirt, etc. etc. individually, to insure the best size and correct placement. So its my life's work now, basically. 




In the last post I said I was determined to figure out how to do these all digitally. Well. I tried. I really did. But what I finally figured out is my 'ideal formula' for these kitties, as well as my other work, is to do 90-99 percent of it with colored pencils, then come in, if necessary, with some digital 'polish' to enhance areas that may not be quite strong enough with pencil alone.




I just can't get the same look of 'real' colored pencil by doing it all digital. The 'polishing' I do though is with a special colored pencil texture brush I made for myself, so it still looks like pencil. The combination works for me, and I'm thrilled to finally have this figured out.



I may take all these over to their own blog, and eventually their own website. (Even though I'm still lagging waaaaaay behind on the re-do of my own main website! which is half done, but not published, and yes, I was one of those kids who didn't finish one thing before starting the next, which drove my parents nuts. Some people never change.)

I think this may be all of the below stairs staff - at least for now. I supposed I could do an under butler, more footmen, housemaids, kitchen maids, scullery maids, hall boy, nanny or nurse (although she would technically be kind of in-between up and downstairs), groundskeepers, and a few other assorted folks. For now though, I need to get these ones all caught up with themselves in all the shops, then I'll move on to something else. I have lots of ideas for other characters, too! 


0 Comments on More Downstairs Tabbies as of 2/3/2015 11:20:00 PM
Add a Comment
5. Servant Kitties

This is a new 'thing'  I'm working on. Its been on a back burner for too long, and one of my resolutions for the new year was to move it to the front, and turn up the heat a bit. 

These first few samples were done with traditional colored pencils, then some 'digital colored pencil' to enhance them. I'm going to see if I can do the rest in the series all digitally. I really want to be able to go all digital for some stuff, and am determined to figure this out, once and for all.




These may remind you of some popular TV characters, or not. I'm not trying to copy specific people, but there may be a strong nod to someone we recognize here and there. 


Its fun to adapt human 'costumes' to cat proportions. Sometimes. I'm trying not to do 'people bodies with cat heads', although that would make things a lot easier.



The ladies are next!

0 Comments on Servant Kitties as of 1/22/2015 6:43:00 PM
Add a Comment
6. Salted Caramel Brownie

Finished!
This has to be one of the most decadent things I've ever eaten (or drawn). 



I used mostly Prismacolors, then a little Polychromo Caput Mortuum Violet (my favorite color!), and a Coloursoft Brown Earth. Its about 8" x 8" on 10" square-ish paper.

Not much else to say. I'll clean up the background and do prints.
Now its back to kitty drawings . . .

0 Comments on Salted Caramel Brownie as of 1/14/2015 2:14:00 PM
Add a Comment
7. Brownie, Work in Progress


Last week I had to get my car worked on (new brakes!), so I put together a little tin of treats to give the guys (I know, I'm so nice). My motivation wasn't all selfless though. I kept back one of these luscious brownies for myself, to draw.

This isn't any ordinary brownie. Its a super decadent salted caramel brownie. (I overheard one of the car shop guys say he could feel his arteries clogging after he ate one.) They're big, and luscious, and heavy. And irresistible to someone who likes to draw food! 

This is how I start. Actually, this is several 'steps' into the process. I just didn't feel like getting up to scan it, but decided I'd better before I got much farther into it. I start by mapping out the nooks and crannies, then start filling in the shadows first, then the more chocolatey parts. I'm simultaneously working out the color (hue), as well as the values (light and dark). One pass of color might focus more on the value, and the next layer might just fill in some flat color.



The parts that are still white are where the caramel is. Its a completely different color, so I'm getting as much of the chocolate established as I can first, then I'll do the caramel.


I can't wait to eat this thing. The smell is driving me crazy! (in a good way)
It has quite a ways to go, but I'll get there.
Oh, its about 8" x 8", so far all Prismacolors, on Fabriano Artistico paper.


0 Comments on Brownie, Work in Progress as of 1/11/2015 10:22:00 PM
Add a Comment
8. Painting black (and green, and brown . . . )


Happy New Year!

I'm starting it off by painting a lot of dark little paintings. You may be able to tell what I'm up to here, but I won't spill all the beans yet, and instead will talk about how I'm painting them, and how they're kind of giving me fits.

My plan was to do these with watercolors on illustration board.




So I went into my supply closet, where I knew I had a whole box of boards (Strathmore 500 Series). But when I opened the box, . . . it was empty! Somewhere along the line I'd pulled out the last board; but because the box is a sturdy, very boxy box, I didn't even notice there was nothing left in it except for some liner boards (and whatever they built the box with to make it sturdy enough to ship fancy illustration board across the country without it getting damaged).

And so onto Plan B. I wanted to get these started, and didn't want to wait for new board to arrive, so I dug out some Arches watercolor paper. Which is really beautiful paper. But its very bumpy. And kind of rough. And I'm trying to get used to painting on it. 

The piece above has several layers of different blacks, but still isn't quite what I wanted the finished 'look' to be.

With this next one, I did a bit less, and somewhere along the way figured out I will still need to add some colored pencil to get the final look I want.




So then I started doing just a base layer of color, without worrying so much about modeling the form or any details, which let me relax a little and enjoy just putting some paint down. The 'splotchy' look is driving me crazy though. I wet an area, then apply the paint (see, I do know how to do this properly), but am still getting uneven-ness. It wouldn't kill me to use a larger brush, which would probably fix the problem. But like I said, I now know I'm going to go over it with pencil, so that will even it all out.




I can see I need to fix the buttons on this one, because they're not lined up right. (How did that happen?)


The paper warps, which drives me insane. I am too lazy to stretch it, and don't want to tape it down either (these are really small little pieces.) I learned all that stuff in art school, and remember running whole sheets of paper under the tap in the bathtub, then taping them down to a board to dry overnight. !!!!! I just don't have the patience for that anymore (but do have the patience to fiddle endlessly with a 00 brush or needle sharp pencil point - so go figure). 

Anyways, that's what I'm up to. And I'm not complaining, really! I'm just sharing. I'm actually having fun, and am looking forward to getting these finished. 

I hope the new year is starting off well for you. So far so good here. I confess I was happy to get back in the swing of things after the holidays. Its all fun, and emotionally uplifting, but also exhausting. There comes a point when you just can't eat one more cookie or fat-laden thing, and anything red and green and sparkly makes you twitch, and you know you're done. Amirite?

I did have one bit of drama for Christmas, involving a kitty. I'll copy it here as I recounted in on Facebook, if you're interested (and haven't already read it). It has a happy ending, and won't even make you cry or anything, so its an easy read. And with that I'll say good night, and go back to my little black paintings. Good night!

~ ~ ~ ~ ~ ~

* * Christmas Miracle * *
On Christmas EveEve, Tracy kitty got himself stuck in a Barnes & Noble plastic bag, with the handle around his body. He freaked out because he couldn't get away from the crackling bag noise, and although hysterically funny to watch at first (just because it was only a stupid plastic bag), it quickly turned serious as he dashed madly around the house, knocking stuff over, then out the cat door. I heard him and the crackling bag whoosh past the front window and off down the street, poor thing, madly trying to run away from the bag.
So I put on shoes, got the flashlight, and even though I was trying to hurry, felt like the slowest moving beast on the planet - he was long gone, down the street who knows how far and to who knows where? I went to the end of the block, but how did I know which way he turned? He could be blocks away already. I trudged home, simultaneously thinking "Oh, he'll be alright", and "I'll never see that cat again".
A long evening, then sleepless night passed, with me imagining every awful thing that could happen to a cat with a plastic bag attached to himself, and listening for any sound of him coming in the cat door, and getting up more than once to check to see if he'd snuck in. All his beds were empty, and in the morning there was still dry food in the bowl, (its usually totally empty), so I knew he hadn't been back and gone out again.
A long Christmas Eve day of Christmas prep and worrying - no Tracy. Then out to dinner, trying to keep a brave face and smile, and be entertaining to my Mom who was spending the night, doing Christmassy things and just saying "Oh, he's outside somewhere" when she asked about him.
Did I mention I was praying to everyone and anything who might be able to help? Jesus, guardian angels, cats on the Other Side . . . .
Mom turned on "Its a Wonderful Life", and I sat in the kitchen, listening to George and Mary and Mr. Potter in the other room, feeling completely miserable.
And then. Twenty four hours after this story began, in the shadows near the cat door, the next room over, I see a little body. At first I thought it was one of my other cats, but then realized they were all accounted for somewhere else in the house. "Tracy?" . . . He'd popped back outside . . . "TRACY?!" again, and he popped back in, and ran right to the 'treat station' (here, next to the computer) and was perfectly fine! Not a scratch on him! Hungry, but not starving, just his regular self, pretty much. Joy! Relief! There was lots of thanking god, jesus, all the others who'd helped bring him back! In the living room, George Bailey was just starting his journey with Clarence, and so I watched and appreciated George's joy at getting his life back, and it really felt like Christmas.
Tracy slept tucked in next to me, right by the pillow, all night, which he's never done before. Santa brought him a new cat nip cigar, and he's been enjoying that and some Christmas sun all morning.
It does feel like a wonderful life today. And I will never let the cats play with plastic bags again. Especially ones from B&N.
Merry Christmas everyone!!


0 Comments on Painting black (and green, and brown . . . ) as of 1/9/2015 2:37:00 PM
Add a Comment
9. Merry Christmas, a little early

Its still 10 days away, but the next week will go by in a whoosh! of activities, so I thought I'd post now and have that one small thing crossed off my 'to do' list. (That didn't sound very festive, did it?)

Oh, I'll get festive. Sometimes it takes me a while. Its like before you've had coffee in the morning, and are not at all awake, then all of sudden you come to life and can function. That's how I am with Christmas. I kind of start the season all draggy, then at some point it kicks in and I'm good.

I finished my Christmas art! This is "Kitty's Christmas Tree". Its my first foray back into watercolors after a pretty long hiatus, and I had a blast. Of course I had to add some colored pencil to it too, for detailing. I could have done more, but decided to leave well enough alone.

And no, I did not count how many pine needles there are. If you are some sort of savant (like Rainman) you may do it for me if you like. 


In addition to all the usual busy Christmas things to do, I'm getting a new fence put up in the back yard. They were supposed to start it today, but it was raining too much. (Wait, did I just say "raining TOO MUCH"?) Yeah. Drought for how many years, and now we've had storm after storm. Crazy. So hopefully tomorrow it won't be too bad and they can get going on it. 

Tonight I'm putting up the tree, and am anxious to see how my newest kitty, Tracy, will behave with it. He's so young, and a real climber - I have a feeling it won't last long in the vertical position! Fingers crossed. 

I hope all of you have a peaceful, healthy, joyous, warm, cozy, happy, (what have I forgotten?) Christmas or Winter Solstice or whatever else you may celebrate!


0 Comments on Merry Christmas, a little early as of 12/15/2014 10:26:00 PM
Add a Comment
10. Back to watercolors


Its been a while since I've done any real painting with watercolors. I've been busy being a colored pencil artist for a while now, with some detours into digital, but have been wanting to go back to watercolors, so here I am.


This piece is my Christmas card, a little behind schedule, but on its way now. I'm working on illustration board (Strathmore 500 series) which is my all time favorite surface to work on. I get cranky with watercolor paper because I can't stand when it warps when wet (even if its stretched and taped down), and illustration board doesn't do that. The only drawback is that you can't transfer art onto it with a light box (its too thick to be 'see-through'), so its back to old-school transferring methods - tracing the drawing down over a graphite transfer sheet.



Here is my glamorous set-up. That's a fancy ceramic yogurt cup for the paint water, held steady by a roll of packing tape. Hey, it works. My drawing table is at a slant, so I have to keep stuff from rolling down. The parallel ruler on the bottom keeps most things from rolling off altogether.



I use a combination of Winsor Newton, Holbein, Daniel Smith, and Turner watercolors. I'm not really a purist - whichever brand has the color I need is what I use. I tend to stay away from the really grainy ones if I can help it, unless I'm doing something with special effects. I like a more even kind of pigment. Sometimes I use gouache (opaque watercolor) too if I need to. Here I've squeezed out some Winsor Newton Hooker's Green, Permanent Sap Green, and Green Gold. So far all I've use on this piece is the Permanent Sap, in various strengths.



And here we have some Christmas tree needles. There will be a lot more of them by the time I'm finished. A LOT.



We're due for an apocalyptic storm tomorrow and the next day. 60-70 mph wind gusts, and 3-4" of rain. This, after years of drought. I think last December it rained one day for about 10 minutes, and the rest of the time we had sun sun sun. The year before, too. Now, we're getting the opposite, and its too much! They're warning the power will go out, trees will fall over and all sorts of awful things will happen, so I thought I'd better blog something in case I'm offline for a while. Let's hope its not as bad as they say!





0 Comments on Back to watercolors as of 12/9/2014 8:59:00 PM
Add a Comment
11. Candy, Colored Pencils, and Christmas

I've been kinda busy I guess, finishing up some projects and trying not to panic about the holidays. Let's get started with the 'catch up', shall we?

The finished SKOR bar. This is with its new owner and is being framed as we speak. (And I'm so glad I bought a few extra of these for reference, which are still in the cupboard, because I just read an article about how there's a chocolate shortage looming on the horizon - !!!!)


I did this with . . . trying to remember . . . Prismacolors and Polychromos I think, on Stonehenge paper. I know that sounds bad that I can't remember, but when you have as many brands of pencils as I do, and they get cleaned up and put away after each project, its easy to forget.) This is 5" x 10".


~ ~ ~ ~ ~


Then I did this house and people portrait for a nice family who wanted to remember their vacation together in France. This one required some photoshopping to get the people from different photos all looking out the correct windows in this photo before I could start the drawing. 

On this one I used Prismacolors and Cretacolor Soho Urban Artist pencils. The Sohos are pretty hard, and had the exact right shade of blue grey I needed for those shutters. I also used a lot of their Lamp Black for shadows, which is really a grey. I don't always mix brands of pencils, but do when I need a certain color, or need something soft or harder to do a specific task. 


The original of this was 11" x 15". And it was going to Buffalo, NY, which had 5' of snow today!!! I feel like I should have wrapped it in a blanket or something. 

~ ~ ~ ~ ~


I'm really honored to be included in Katherine Tyrrell's new book, Sketching 365 (or if you're in the US, its called Drawing 365). She has a Facebook page dedicated to it.
I can't remember now which pieces of mine she asked for, and I don't have a copy yet to check. But I'm in there, somewhere, along with a whole bunch of other super talented drawers. Thanks Katherine!!




~ ~ ~ ~ ~


And then . . . dun, dun, DUNNNNNN . . .

CHRISTMAS

(insert those Psycho screeching violin noises here)

Every year I say "I'm not making cards! I hate making cards! I'm not making them!" and then I do.

Some of these are newish, some are oldies but goodies, image-wise. I found these fun blank cards with ornamental embossed edges, which I thought were perfect for festive cards. They all have fancy deckle edged envelopes. And they're all in the shop.
















I have a couple other pieces I want to make into cards, but we'll see. One is square, so I ordered square envelopes, and when they arrived yesterday I realized I ordered the wrong size! (note to self: never order stuff before the coffee has fully kicked in) I should probably just work on my new card for this year, and some other projects that are pending. 

Its raining here, which is great for our drought. But of course the kitties are all out of whack because they can't go outside as much (translation: they're all climbing the walls in here). They have catnip and snacks and 500 places to perch and sleep, so they're OK. Which reminds me -  I need to order their new catnip cigars for Christmas (shhh, don't tell them). Seriously, if you want a really amazing cat nip toy, go here and get these - Hot Cat Treats.

Stay warm!!


0 Comments on Candy, Colored Pencils, and Christmas as of 11/20/2014 12:12:00 AM
Add a Comment
12. Bricks and chocolate

So, this is some of what I've been up to. 

This drawing was a commissioned piece for a realtor. The house is stunning (inside, too). And will you just look at all those bricks. When I started this I didn't know I was going to be so fiddly with them, and do them individually like this. Usually I develop a kind of shorthand to indicate bricks or whatever, but once I started, I knew I had to draw them all to do it justice. (Yes, I'm a little nuts.) So, long (long long long) story short, I glued myself to the drawing table and drew them all, and this is how it turned out.

This is 9" x 12", Polychromo and Prismacolor colored pencils on Strathmore bristol.





And now I'm doing more chocolate. Another commission piece. This is how they begin. I like to 'map it all out', then go back and do the detailing.



That's it for now. No time to chit chat. Back to the drawing board! 

0 Comments on Bricks and chocolate as of 1/1/1900
Add a Comment
13. UArt 2014 Open winners

University Art, who sponsored the UArt Open 2014, sent me an email with the list of winners. I think they'll be putting these up on the website at some point, but for now, this is all we have to look at. The images are small, which is what they sent, so this is the best I can do, sorry. The show is up at their Redwood City store now through November 8th if you'd like to see these in person. I've put links to some websites, for the people I could find easily online.


BEST OF SHOW



1st Place: Vincent Lu, "Kung Pao Chicken" oil



2nd Place: Lynette Cook, "Connecting the Dots in My Life" acrylic



3rd Place : !!! ME ME ME ME !!! "Molasses Cookie" colored pencil


CATEGORIES

OIL & ACRYLIC


1st Place: Hallie McKnight, "Fedoras" oil



2nd Place: Laura Snable, "Dirty Dog Blues" oil & oil pastels



3rd Place: Andrew Morrison, "Timeless Tenderloin" acrylic



WATERCOLOR


1st Place: Nancy Near, "James M: Soul Man" watercolor



2nd Place: Debbie Bakker, "Lenox Lilacs" watercolor



3rd Place: Peter Carey, "Underwater" watercolor




DRAWING / PASTEL



1st Place: Arena Shaun, "Elegance-Life Drawing of Annie" charcoal



2nd Place: Samantha Holland, "Pele" drawing



3rd Place: Craig Sanborn, "Layers and Segments" graphite


MIXED MEDIA


1st Place: Jenifer T. Renzel, "Optical" mixed media



2nd Place: Davida Feder, "Woman Behind" mixed media


3rd Place: Noreen Rubay, "Trust" mixed media



EMERGING ARTIST


1st Place: Elaine Lu, "The E-generation" oil


2nd Place: Annie Zhang, "Keturah" acrylic


3rd Place: Katrina Hernes, "Paint Chip Portrait" mixed media




0 Comments on UArt 2014 Open winners as of 10/25/2014 4:29:00 PM
Add a Comment
14. Bleeding for my art

This is one little humble pimento olive - the kind you put in your cocktails. I haven't eaten many of these, not being much of a martini drinker, and was surprised to find I actually like them!



But that's not the whole story here. Look closely at the bottom edge of this drawing. See all those little red marks? They're BLOOD. I had a small cut on my hand that I didn't even know about, and accidentally rubbed the edge of the drawing. Eww. And then, hours later, I did it again, with a different scrape on the other hand. I know! I couldn't believe it either. 

Luckily, they were all along the bottom edge, so I was able to just trim them off. People on Facebook seemed to think it added value to the art, but I'm not so sure. I think its just icky.

So here's how it looks all cleaned up (blood, and also the background) for prints. 



I can't seem to look at any food now without seeing it in this 'top, side, and section view' way. I find myself analyzing things in the grocery store for their drawing potential, trying to visualize them cut open, and lined up like this. I've bought a few things that didn't turn out to be very good subjects, but luckily since its all food it just gets worked into dinner or a snack.

Oh, this was done with Prismacolors on Bristol, and is 4" x 9".

0 Comments on Bleeding for my art as of 10/20/2014 1:48:00 AM
Add a Comment
15. A bicycling cat



This is Seth. He is a cycling enthusiast. He especially loves taking long rides in the Fall, when the air is crisp, and he can wear his tweed trousers and favorite sweater. After a good ride he always stops in the pub for a pint of milk and a good chat with his mates.


0 Comments on A bicycling cat as of 10/14/2014 2:49:00 PM
Add a Comment
16. Plaid, chocolate, and an award


I love plaid! It must be my Celtic roots. I don't think I've ever met a plaid I didn't like (unless it was shiny, cheap fabric). I'm a big fan of the show Outlander on Starz - men in kilts, lots of plaid and also some nice knitted things. 

This little drawing is an artistic interpretation of the Chisholm clan tartan. Doing a pattern like this is kind of like meditation. Once I get the color pattern worked out, I can kind of zone out and think about other things while I do the coloring. Its a good way to keep my mind what I call "passively active" - I think its sort of like when you're in the shower, and some idea comes to you, or when you're driving, or knitting . . . your brain is working on the task at hand, but also open to receive thoughts or creative ideas or whatever. I'm not explaining it well, but you know what I'm talking about.





I also love chocolate! This is a Milky Way Dark Mini candy. Its wee tiny - a little more than an inch square. But its packed with lots of chocolate and caramel goodness! These are pretty addictive, because they're so small.

This is 5" x 7", and a little larger than life. I used all Prismacolors, on Fabriano Artistico paper.
I have prints in the shop. I may list the original too at some point.





And then . . . drumroll . . . my little Molasses Cookie drawing has won an award! It won 3rd Place - Best of Show in the UArt Open 2014 competition! This is a regional show, sponsored by University Art. They have art stores in Sacramento, Palo Alto and Redwood City, CA. All the accepted entries will be on display in their Redwood City store - 2550 El Camino Real - from October 25th through November 8th. If you're in the area, please go have a look!

I was especially proud of this little drawing because its so small and kind of quiet. Its only 8" x 10", and not showy or colorful. My Berry Tart drawing was also accepted into the show, and to be honest, I figured if either drawing had a chance at winning something, it would be that one - its bigger, and 'prettier'. Just goes to show, you never know with these things.




It doesn't feel very much like Fall here yet, with 90 degree temperatures still keeping things too warm for my taste. But its getting dark earlier, and I love quiet evenings, working on my art or knitting, while the kitties come and go, stopping in for a snack, then going back outside to lounge on the porch or explore. Soon it will be time to buy the Halloween candy - more chocolate to draw!

0 Comments on Plaid, chocolate, and an award as of 1/1/1900
Add a Comment
17. Its Fall!


I've been tempted to do this a time or two; at a Wayne Thiebaud exhibit, with a Holbein at the Frick, some stuff at the Met. Didn't try it though.

Its FALL, finally. Now if it would just rain . . .


0 Comments on Its Fall! as of 9/23/2014 3:14:00 PM
Add a Comment
18. More herbs, good news, and some knitting

I was tempted by some more herbs - Bay Leaves and Oregano. So I did drawings of both. I am really enjoying doing these. I like the size (5" x 7"), and the soothing quality of the subject matter. And they smell nice!

Fresh Bay Leaves



Fresh Oregano


I used Polychromo colored pencils on Fabriano Artistico paper for the whole series. I thought it was important to have them all look and feel the same.
Prints, and some of the originals, are available in my shop.

I'll be doing notecards too, but have hit a minor snag. The nice card stock I ordered won't go through my Epson printer - boo. I can't figure out why, since I have other card stock that's, to my eye and hand, the exact same weight, which goes through fine. It must be something in the finish. Whatever it is, the printer either refuses to take the paper and flashes lights and has a fit, or just spits it through un-printed, then prints the image on the sheet of cheap bond that's queued up behind it. Baah! So I will now have to make lemonade somehow out of this batch of lemons (250 sheets of it!), which I think may end up being hand made knitted cards or something. I'm sure I'll figure something out. Meanwhile, I have to find more of the paper I already have that the printer does like, which will go with the envelopes . . . oh, the trials and tribulations of being a 'do-it-yourself' art maker and etsy shop owner!


In happier news, I just found out that two of my pieces have been accepted into the UArt Open 2014 art show! Berry Tart, and Molasses Cookie will be going in to be framed tomorrow, so I can meet the final 'deliver the art' deadline. I'm pretty happy. This is a nice regional art show sponsored by University Art. The art will all be on display in their Redwood City store. Both of these pieces were done with colored pencils on paper.


Berry Tart


Molasses Cookie



And then, you know (or do you?) that I also do a bit of knitting, and have a little shop on etsy here
I was excited to learn that someone who bought several pieces last week will be using them in a production of "Annie" in New York! (no, not on Broadway, but still)

These are some of the pieces that will be in the show:




There was a little bit of drama with the post office not getting them there when they were supposed to - I paid extra to get them there overnight, but they didn't, and whoever was in charge of the package didn't think it was important to scan in any tracking info for a whole day, so we were dying a little, wondering where everything went! But then they got there the next day, in time for the show, so phew.

I'm doing some more knitting, trying to get a few more things in the shop for the holidays. Now its actually starting to be real knitting weather (well, actually it was 103 here again this past weekend, but its September at least, and the cool crisp weather will be starting soon - I hope!) 

I also have a 'Fall' illustration piece on the board that started out being done with watercolors, which may now be started over with colored pencils. Its funny - I've been doing so much colored pencil work that going back to painting feels awkward to me. I will of course share when its finished, whatever medium it ends up being done with.



0 Comments on More herbs, good news, and some knitting as of 9/15/2014 11:24:00 PM
Add a Comment
19. 4th of July - Work in Progress



I meant to have this done by the 4th, but oh well. The idea only came to me a couple of days ago, so I drew it out, then started rendering, and of course 'life' happened in between there (nothing bad - just stuff). This is a self-promo piece, so it doesn't have a real deadline, so I guess its OK. I'll just be really really early for next year! heh

Anyway - you can see where I'm going with this I think. I'm going back to this style for my children's book work. I used to work like this a lot, then . . . well, I'll spare you a long boring essay about why I shifted gears and started doing more 'fine art' kind of work. The time I've spent refining my colored pencil style will definitely come in handy here, and has not been time wasted.

"Style" is a hard thing to describe. I call this my "round, shapey people" look. Everyone I draw looks very well fed, and I have a sort of architectural way of designing things. Everything fits together "just so". Its tight, and fully rendered, and there's not a hair out of place (unless its on purpose!).

The outfits these guys are wearing are kind of a mash-up of different Revolutionary War and 'fife and drum corps' uniforms. Most are some combination of red, white and blue, and some are fancier than others. I'm not doing powdered wigs, but will give them each their real hair (partly to get some more color in there).

Hope you all have a good 4th of July, if you're here in the States, and celebrate. We have hot dogs and potato salad and apple pie all ready to go. No fireworks though. They're illegal here, but of course that doesn't stop everyone else from doing them (much to my chagrin - they scare all the animals so). I feel very very thankful for the freedom to be able to draw and color pictures like this all day, for a living, and am so grateful for everyone who has fought for our collective freedoms as a nation to sit and color, and do everything else we do as free people!

0 Comments on 4th of July - Work in Progress as of 1/1/1900
Add a Comment
20. Stars & Stripes


(click the image to see it larger)


I'm really happy with how these little guys turned out. They were super fun to draw, and I loved using my Prismacolors again for a whole, entire illustration. (Thank you Bostitch Super Pro 6 pencil sharpener for making that possible!)


This guy is very proud to be first in line in the procession, and has been practicing his fife music a lot, making sure he was ready for today.




This guy lost his nice tricorn hat in a horse-and-wagon mishap just before he had to step into line here, but is trying to put on a brave face, and is very proud that he gets to be the one carrying the flag.




And this guy has been driving his family nuts, practicing the drums, but they all know its worth it when they see him marching and drumming so well with his friends.




I did this whole thing with colored pencils. And I managed to keep it pretty clean. But even so, it needed a little tweak with Photoshop at the end to look even better. So I thought I'd show you a little 'behind the scenes' look at how things magically get cleaned up before going to print. 


This is how it looked straight from the scanner. Its a little 'dirty', and the scanner made a dark edge on the left. Its also a little crooked.



Then here it is cleaned up, and straightened out.




Here's a close up showing one little piece, with the background as it was, then cleaned up.


Can you see how grey the background looks on the left, and all the little 'bits of stuff'? That's the paper texture, and little flecks of pencil that, no matter how careful you are, deposit themselves on the paper and refuse to come off. So, with the help of the eraser tool in Photoshop, I painstakingly go around each figure and erase all of that out, leaving a nice clean background.

I also use the clone tool to carefully pick out any little stray flecks of something that may land on the actual image (here, there was a tiny grain of dark color on his nose). 



When I'm working on a piece that I know is going to be printed, and make a little goof or stray mark, I find myself going "That's OK, I'll fix it with Photoshop", and keep going. But when you're doing something where the original art is IT, like a commissioned piece, you have to be really really careful, because there is no room for mistakes, and there is no fixing the final art with Photoshop! The piece has to be perfect (no pressure). 


0 Comments on Stars & Stripes as of 7/8/2014 11:28:00 PM
Add a Comment
21. 2 Works in Progress - Berry Tart, and Jesus


Nothing finished to show today. I took reference for something that ended up being a disaster, so I had to scrap the idea (for now) until I can do a re-shoot and start again. I've also been feeling a little under the weather (partly thanks to a weird piece of fruit, and the rest is thanks to the heat, I'm sure) and haven't been as productive as I'd like. But I do have two very different things 'on the board', and thought I'd share some work in progress shots so you can see what's happening.


First up is a little berry tart. These scanned so different, when in fact the only thing that's been worked on more is the criss-cross dough on the top one. I'm saving the filling to the end, because its going to be so much fun to do - its such a gorgeous color. This is also planned to be one of my Architectural Food pieces, showing the top (this view here), side, and cross section views. If all goes according to plan. If they don't work out I can always cut them off and just have this nice round tart all by itself! So far this is all Prismacolors, on Fabriano Artistico hot press paper.





Now, onto Jesus and the children. These are the first first first sketches, sitting with plain printer paper and a black ball point pen, with a cup of coffee, out on the porch. 



Working out the girl hugging Jesus.




It seems like there would be a crippled child in the scene. And a bird.



Maybe a girl carrying her little baby brother or sister. Also thinking about hair styles. A braid? Just tied back somehow?



I love fat little baby hands, reaching.



I like the idea of one kid hugging Jesus' hand, and kind of standing on his foot. Jesus doesn't care if you stand on his foot! haha  Also drew a little Down Syndrome boy, but then wasn't sure if that was too much. I want to show all kinds of kids, so that kids looking at the illustration will be able to relate.



A girl carrying her lamb. Or maybe he's a boy. Have to make sure the sandals don't look like flip flops!



This one looks like he's anointing someone. Need to work out what that arm's doing. Not sure if I want it to just be 'down', or like he's saying "hey, Jesus!".



Just walking. Getting the feet just right, especially from the back, is tricky.


A little boy and his . . . sister? Not sure how many of these kids will be in this illustration, but the one's that don't make it in will show up in another piece, somewhere, eventually.



Its fun to just imagine a scene like this, and what it was really like. 


So that's what I'm up to. Hopefully next time I'll have a little more to share. Hope its cool where you are!



0 Comments on 2 Works in Progress - Berry Tart, and Jesus as of 7/25/2014 12:50:00 AM
Add a Comment
22. Berry Tart

Its all done! Phew. I thought I'd never finish. Being sick is a drag (some kind of 'bug', requiring lots of naps and 'lie downs'). But I managed to pick at this in bits of being up and around and finally gone it done.


The paper is 11 x 17. I used Polychromos, Pablos, and Prismacolor colored pencils, on Fabriano Artistico Hot Press paper.

Not too much else to share. Its so #&* hot here, 100 or over for I've lost count how many days now. The cats have gone wild, insisting I keep the cat door open so they can roam around at night when it cools off. Charlie brought me a mouse, on the bed, at 3:00 am one night, which I did not appreciate. 

Sigh. Cats. Summer. Maybe I should eat this tart - its still in the fridge. 
Stay cool!

0 Comments on Berry Tart as of 7/30/2014 11:58:00 PM
Add a Comment
23. Jujyfruits


"Jujyfruits" 
8" x 10", every colored pencil under the sun, on Fabriano Artistico paper

This one was a CHALLENGE. 

My client wanted an old, retro Jujyfruits box, which of course you can't buy anymore. 



I was lucky enough to find this picture by googling (its amazing what people take pictures of, and put on the internet, isn't it?) 


The new box, if you go shopping for these today, looks like this:


So, Photoshop to the rescue! I used Distort and a couple of other commands in the Transform palette to tweak the old box onto the new one, in the layout the client liked. I ended up with a very Frankenstein-y stitched together weird reference photo to work from! 


After I had this worked out, I just started rendering. I had to tuck in the little side flap, and fix the shadows. I brightened it all up a bit, and had to invent just a bit of lighting to make the shadows work.



The client loved it, so I'm happy. I'm very glad to have this one finished! 

Now its back to some other work I have on the board. I had a panic about Christmas being only a few months away the other night. I AM NOT READY. I'll be getting the midnight oil out to burn pretty soon. Meanwhile, its still very much Summer, with sun and bees and flies and lawn sprinklers and the A/C going strong. Hope you're enjoying your August, whatever its like where you live.


0 Comments on Jujyfruits as of 8/8/2014 1:26:00 PM
Add a Comment
24. Parsley, Sage, Rosemary and Thyme


Parsley


Sage


Rosemary


Thyme

All of these are 5" x7", done with Polychromo colored pencils on Fabriano paper
Prints and some of the originals are in the etsy shop. (These images are of the originals, with the paper texture background. For the prints, I used Photoshop to clean up the backgrounds to pure white.)

Go here to hear them sing the song in Central Park.


That's all I can muster today. Robin Williams leaving us has knocked the wind out of my sails, completely. He lived in my old neighborhood in San Francisco, and was part of the fabric of everyone's lives there for years. I just can't believe he's gone. RIP Robin.




0 Comments on Parsley, Sage, Rosemary and Thyme as of 8/14/2014 9:42:00 PM
Add a Comment
25. Jesus art (adventures in going digital)




Yes, I still love my colored pencils. But I've had the itch to work on a digital style, and have done it in fits and starts, but always seem to get sidetracked with something else. (If you are one of the three or so people who read this blog, you might remember me struggling valiantly with trying to do a 'digital colored pencil' style a while back, and how I kind of, well, let's just say, "got frustrated and put it aside".)

I thought I'd do a simpler technique, something that could work for educational and/or religious publishers, so I started sketching out a piece with Jesus and the children. (I did some first 'thinking sketches' for this idea here, which have changed completely.) 

I work in Photoshop, in layers. Here is the first rough drawing of my idea, with a darker, slightly more finished sketch on top of a really super sketchy one. I laid it out with two possible areas for type (thinking like a 'book' or published piece, which would most likely have some words on there someplace) - the sky, top right; or the grass, bottom left.




I made quite a few adjustments and changes to the figures, and ended up with this finished line drawing, which I think is pretty cute. This, all by itself, could work as a black and white piece.



And with the line work darkened up, it could be a coloring book.



So then onto color! This first sample is like other digital work I've done. Its very simple, flat color. This style is really good for high volume work that needs to be done fast. You figure out your palette, then just start painting away, keeping each element, or figure, on a separate layer, so that you can make changes easily (there are always changes!).



And then, because I can't help myself, I started working on one that has more detail. (I showed this to someone who thought it was colored pencil, so I guess maybe I'm onto something here.)


I thought you might enjoy seeing how it looks in separate layers. Those of you who work digitally will yawn at this, but for the rest of you who have no idea how this works, you will be amazed! (or at least mildly entertained).

I start with the drawing layer. (see above)
Then, imagine sheets of clear glass, laid one on top of the other, over that original drawing. That's what working in layers in Photoshop is like. I 'color' on each layer, then at the end, flatten them all down together into one picture. 

Here is the layer where I just painted in all the grass, and the trees in the background. 




Then this was the fun part. I decided to do some texture, and drew little blades of grass. The dirt was originally on its own layer, but somewhere along the way (probably when I was getting too tired) I merged these two layers together. Oh well.



Here's a close up of what the grass blades look like. There are actually two layers - the first one was too light, so I drew them all again, darker.




I love this one. Just the skin! ewwwww.



And the trees. This was done with a few layers, then I mushed them together.


And so on. I may not actually finish this piece because as much as I love Jesus, I'm getting really tired of working on this one illustration of him. I hope he understands. I think I'll change it up and do some Romans, or Lazarus, or Noah.

Meanwhile, hello all you nice publishers who need religious art! I'm all enthused to illustrate your book of Bible stories for you! All 500 illustrations, spots and vignettes and full bleeds, Moses and the Red Sea, the Burning Bush, Jonah, temples, palm trees, the 12 apostles, sandals, beards, robes, Mary, Joseph, Egyptians, . . . Call me! (well, maybe email first.) paula@paulapertile.com

0 Comments on Jesus art (adventures in going digital) as of 8/30/2014 8:39:00 PM
Add a Comment

View Next 25 Posts