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Maria Had a Little Llama/Maria Tenia Una Llamita and Knit Together author and illustrator Angela Dominguez creates heart-warming tales about family and togetherness. Angela Dominguez is a two-time recipient of the American Library Association’s Pura Belpre Honor (2014 and 2016).
It’s kind of a love letter to my mom.
— Angela Dominguez on “Knit Together”
Angela’s picture books are rooted in the themes of family, tradition, and friendship. Several of her books including Maria Had A Little Llama/Maria Tenia Una Llamita;Let’s Go, Hugo; and Knit Together pull from relationships with family members and artifacts from her childhood. A wind-up toy inspired French bird Hugo. Angela’s memories of wanting to be a skilled knitter like her mother led her to write a book to remind children they can be talented in their own way. An aunt’s interest in indigenous cultures informed the writing of a version of Mary Had a Little Lamb with a Peruvian twist.
Angela’s books aren’t only an option for children growing up bilingual; they are excellent for those who want to expose young readers to the Spanish language and Latino culture.
Aspiring illustrators will enjoy hearing about Angela’s process and seeing what a book looks like from start to finish.
We’re giving away three (3) sets of books from Angela Dominguez. Each set includes signed copies of Maria Had a Little Llama and Knit Together. Enter now!
All entrants must reside in the United States and be at least 13 years old.
ABOUT THE BOOKS
Written and illustrated by Angela Dominguez
Published by Dial Books for Young Readers
From an award-winning illustrator comes a sweet story of mothers and daughters, drawing and knitting, and learning to embrace your talents just right for Mother’s Day. Drawing is fun, but knitting is better because you can wear it Knitting isn t easy, though, and can be a little frustrating. Maybe the best thing to do is combine talents. A trip to the beach offers plenty of inspiration. Soon mom and daughter are collaborating on a piece of art they can share together: a special drawing made into a knitted beach blanket. For every mom and daughter, this is an arts-and-crafts ode creative passion and working together.
Written and illustrated by Angela Dominguez
Published by Harry N. Abrams
Dominguez presents a humorous and endearing portrait of a stubborn French bulldog and a determined little boy.
Everyone knows about Mary and her little lamb. But do you know Maria? With gorgeous, Peruvian-inspired illustrations and English and Spanish retellings, Angela Dominguez gives a fresh new twist to the classic rhyme. Maria and her mischievous little llama will steal your heart.
Let’s Go, Hugo! Written and illustrated by Angela Dominguez
Published by Dial Books for Young Readers
Hugo is a dapper little bird who adores the Eiffel Tower — or at least his view of it from down here. Hugo, you see, has never left the ground. So when he meets another bird, the determined Lulu, who invites him to fly with her to the top of the tower, Hugo stalls, persuading Lulu to see, on foot, every inch of the park in which he lives instead. Will a nighttime flying lesson from Bernard the Owl, some sweet and sensible encouragement from Lulu, and some extra pluck from Hugo himself finally give this bird the courage he needs to spread his wings and fly?
Marta! Big & Small (August 23, 2016)
Written by Jennifer Arena, illustrated by Angela Dominguez
Published by Roaring Brook Press
Marta is “una nina,” an ordinary girl . . . with some extraordinary animal friends. As Marta explores the jungle, she knows she’s bigger than a bug, smaller than an elephant, and faster than a turtle. But then she meets the snake, who thinks Marta is “sabrosa” tasty, very tasty But Marta is “ingeniosa,” a very clever girl, and she outsmarts the snake with hilarious results. With simple Spanish and a glossary at the end, this fun read-aloud picture book teaches little ones to identify opposites and animals and learn new words.
Hello “Hola.” Some people speak Spanish. Some people speak English. Although we may not speak the same language, some things, like friendship, are universal. Follow two young giraffes as they meet, celebrate, and become friends. This bilingual tale will have readers eager to meet new friends and “amigos.”
COMING IN 2017 Sing Don’t Cry
Written and illustrated by Angela Dominguez
Published by Henry Holt & Company
Pura Belpre Honor winner, Angela Dominguez, based this musically driven story on her beloved grandfather. Her abuelo always encouraged her to stay positive and carry on.
ABOUT ANGELA DOMINGUEZ
Angela was born in Mexico City, grew up in the great state of Texas, and lived in San Francisco. She’s the author and illustrator of picture books such as Let’s Go, Hugo!, Santiago Stays, Knit Together, and Maria Had A Little Llama, which received the American Library Association Pura Belpré Illustration Honor. When she is not in her studio, Angela teaches at the Academy of Art University, which honored her with their Distinguished Alumni Award in 2013. She also enjoys presenting at different schools and libraries to all sorts of ages. Angela is a proud member of SCBWI, PEN America, and is represented by Wernick and Pratt Literary Agency.
But what happens when he has to choose between his passion and his pals?
Stanley the Amazing Knitting Cat by Emily MacKenzie (@emilymackenzie_) is all about the dilemma you face when you have to decide what really matters to you. Stanley is wild about wool, barmy about yarn and just can’t stop the click-clack of his knitting needles. He makes all sorts of lovely jumpers, scarves and more for his friends, but when he runs out of wool just when he needs it most (for a knitting competition) what’s he to do? Will he demand his gifts back, in order to re-use the wool? Will he find a way to follow his dream and yet avoid disappointing his friends?
Emily MacKenzie’s tale of enthusiasm and eccentricity is joyous and upbeat, illustrated with all the energy Stanley puts into his knitting. Funny (knitted elephant trunk tubes, anyone?), vibrant (all the alluring colours you’d find in a wool shop) and feel-good, Stanley’s spirited creativity is infectious and inspiring.
And inspired we were! Taking our lead from Stanley and a hot air balloon he knits we decided to have a go at making our own woolly dirigibles.
Our first balloons were made by gluing lots and lots of strands of different wool onto card (we used PVA glue and card rather than paper so everything held together a little better).
When all the glue was dry we flipped the card over and drew two shapes – a large circle (by drawing around a bowl), and a basket shape – before cutting them out and joining them together with a bit of hot air balloon rope (ie more wool). Finally we drew Stanley so he could fly in our balloons as they floated gently over our kitchen table (suspended from the ceiling with a little bit of thread).
If you don’t feel like drawing your own Stanley, Emily has very kindly created one you can print off and cut out:
Right click to save and the print out!
Our next plan was a little more ambitious.We wanted to create a 3-D hot air balloon and so this time we dipped our wool in PVA glue before draping it over a suspended balloon.
Whilst the gluey wool dried (it took a couple of days – though if it’s summer where you are the process might be a whole lot speedier) we made our basket. I cut vertical lines down the side of a plastic pot and the girls then wove wool strands in and out of the tongues of plastic, gradually covering the entire pot.
We attached the basket to the woolly balloon and then popped the balloon….
It didn’t work out quite how I had hoped, but we were still smiling at the result and hopefully Stanley was too!
Scribbling with exhilaration! The endpages of Stanley the Amazing Knitting Cat are filled with lots of unruly wool, with wild scribbles across the page. Why not let the kids go crazy and see how quickly they can fill a page with loose pieces of “wool”?
Happy New Year to you! I hope yours is starting off nicely.
Mine started off with a bang! a few days in. One evening I had just turned off the computer (early) and was minding my own business, quietly knitting, and bang! something exploded or blew up in the back yard, and the most blinding bright light lit up the back window. I dashed out to see a raging fire in my flower bed by the back fence! and had absolutely no clue as to what was going on. I could tell it was an electrical fire (it was making "zzzzzt" noises and sizzling), but I was baffled (and panicked).
911 was called, firemen came, and we figured out the overhead power line had come down. How or why is still a mystery. The power company turned off the power - to the whole entire neighborhood - for hours, and men with big trucks came and climbed telephone poles to fix it all up.
Long story short, it was put right eventually and no one (or kitties) were hurt. A nice big rose bush is completely fried, as is part of my Japanese Maple. Some paving stones have holes burned into them, and fence boards are blackened, but all in all, we were very lucky. It remains a mystery as to what this was all supposed to accomplish!
In other news - I'm still coloring, and making drawings of knitting, and doing actual knitting.
This is a work in progress in colored pencil of my baboushka kitty. I started her in watercolor, then decided to go back to my pencils. She has a ways to go, but will be a riot of patterns and color when finished. I'm doing a lot of burnishing to get the colors really saturated on this one, as opposed to my softer look I do with other drawings.
Drawings of Knitting is now a shop on etsy and a page on Facebook. I'm still doing all the 'behind the scenes' set up duties and all for the shop, but hope to have some actual listings up in the next few days. I think I'll start with downloadable pdf files of coloring pages from my coloring book, then go from there. I have so many ideas for cool things to make with my drawings! I am in serious need of a clone, because I just can't do everything I have in my head. (I'm still trying to get arCATecture back in gear after its big debut, then sort of fizzle.)
And then there's real knitting. Working with yarn and needles is a nice relaxing 'brain rest' thing to do in between drawing and coloring and computering. One of the things I make are these old-fashioned hand knit cotton dish cloths. People really like them and I've been selling a lot and getting custom orders for them. So lately, if I'm not doing art of some kind, I'm probably knitting a dish cloth.
I'm really glad Downton Abbey is back and look forward to 9:00 Sunday evenings. Its the only night I can manage to be sitting down ready to go on time for a show! I'm always finishing up working or doing 'one more thing' and then finally sit down in time to get the last 5 minutes of Charlie Rose (and always on a night when he's had someone really good on).
Lots of ideas for things for this year, as usual. I should do an inventory of supplies and do a good sorting out of stuff. I will probably do a 'good enough' attempt. Does anyone ever really do that properly? Really?
Well I've prattled on about not much for long enough. Just thought I'd check in and wish you well for the new year. We're having RAIN, real honest to goodness, almost too much now, RAIN, so I think our drought may finally be over. I hope that's a sign of good things to come for us all.
It’s unseasonably warm in my part of the world at the moment, and here at Playing by the book we’re all longing for crisp days, with snow and ice and sparkle and the sort of mint-fresh air which gives you the magical ability to breathe out puffs of microscopic diamonds. Dreaming of a proper winter, we’ve really enjoyed stepping into the world of Icelandic author and illustrator Lani Yamamoto with her new book, Stína.
Stína appears to live alone in a cabin (you can easily imagine she is a good friend of a slightly grown-up Pippi Longstocking). She’s inventive, clever, capable and resourceful, able to solve her every day problems with flair and charm. But as winter sets in, she becomes a prisoner in her own home: Stína really hates the cold and finds it ever harder to leave the warmth of her bed, even though she’s curious about the white landscape and children playing – apparently unperturbed by the bitter cold – she can see through her window.
This is a delightful tale of unexpected friendship and of being brave and imaginative enough to try doing something you couldn’t believe you could do. It’s about being a person not defined either by stereotypes (Stína has her own tool box but also sews and knits) or your own expectations of yourself (Stína is afraid of the cold, but doesn’t let it stifle her curiosity) and it is uplifting, empowering and heart-warming.
Stína is also simply but beautifully produced. A cloth cover and black line drawings enhanced by a restricted, primarily blue and green palette give this stylish book a homespun and yet stylish feel. The positive, can-do attitude of Stína, the way she makes friends and the story’s quiet exploration of the benefits of being open and brave make this a book it’s a real delight to share.
Whilst Stína is very much a story book, one of the reasons it appeals so much to all of us at Playing by the book is that it is also part activity book. There are instructions for finger knitting (an activity Stína teachers her new friends), and a hot chocolate recipe. Taking our lead from our new favourite heroine we set about trying to invent the yummiest hot chocolate ever experienced in the Playing by the Book Household.
We drew up a list of potential ingredients:
Hot Chocolate powder
A vanilla pod
Broken up bars of milk chocolate and dark chocolate
Each person got to create their own recipe using whatever they liked from the list. Rigorous taste testing was then carried out, assessing our hot chocolates, not only for general yumminess but also for interesting ingredients and unusualness.
Essentially this was like a “potions” making activity, but entirely edible (or drinkable) and with lots of lip and finger licking.
My personal favorite turned out to be a recipe using a good dash of cream and a pinch of cinnamon, though J preferred the version she created where the hot chocolate was stirred with a vanilla pod and M liked her version with a tall tower of squirty cream and lots of spices.
A simple but very satisfying after school winter activity! Indulgent and imaginative, I can only encourage you to set up your own hot chocolate testing laboratory!
Whilst empirically researching hot chocolate we listened to:
OK, so its finally Fall. Yay! And it actually rained today. Double Yay!!!
I've been super busy working on this secret project that I'm tired of keeping a secret but have to for a little bit more until I'm finally really done. I thought I'd be done by Oct. 1st, but it looks like I need a couple more weeks. When I'm finally finished you'll be sick of seeing it and hearing about it. But for now, I'm still staying mum.
The drawing of autumn above was a fun little diversion. I wanted it to look like yarn, and did it all digital, start to finish. I've done these yarn drawings before with colored pencils, but what happens is they're hard to clean up after they're scanned because of all the little 'hairs'. Its too hard to try and erase out the paper texture when you have to go around all those fine little bits. So I had a go at it with my digital colored pencil.
Then I did this one. Its a little softer, and fuzzier.
I work in layers in Photoshop with my special colored pencil texture brush, building up the color just as I would if I were using 'real' colored pencils. It takes a bit of fiddling to get the setting just right - opacity, scale, hardness, etc., but in the end it gets there.
Here's the top layer with just the fuzzy bits. Fun, huh?
I've also been doing some knitting, taking custom orders. It feels like knitting weather finally, and I enjoy sitting with my cats and working on a piece with a cup of fresh hot coffee.
The stores are all bursting with pumpkin flavored everything, and its a little overwhelming. I did find a nice pumpkin ginger spice cake at Trader Joe's which is lovely, but I shy away from most of the stuff like pumpkin lattes and potato chips and beer (OK, I don't know about those last two, but I'm sure someone, somewhere has done them). I'm looking forward to a really good pumpkin pie before the season is over. Then we're on to mince meat! But that's another story.
My Poetry Sisters and I have been scribbling down Odes all through the past month. Every month this year we are working on writing different forms of poetry in a group challenge. It's been both fun and frustrating at times! But Odes are pure fun. We agreed to take a light-hearted look at things this month, and some of these are downright funny! Check out my compatriot's Odes at these links:
from Thin Time.... in the Shropshire village of Tong, a bad tempered dog called Fymm, who is many centuries old, makes a mistake and chooses the wrong girl to be Task Bearer. Chased by gargoyles, Alice reaches the Green Lady’s cottage, receives the first of her three gifts, and learns that she must enter the Other World at Thin Time. Her task is to bring back the New Year seeds before midnight and prevent the world from dying. With her small stepbrother Thomas, Ratatosk the squirrel who can’t be trusted, and Fymm by her side, she sets out on her dangerous quest. Using the skipping rhyme password to enter the door into the Tree of Life, she travels into the Other World. With the help of the singing cockerel from Tong’s church tower, and armed only with a stone and a gargoyle’s shield, she must face the three terrible Sisters at the Well of Wyrd and the fury of Nidhogg the Snake-Dragon. But does she possess the one thing that will protect her – a loving heart? For without that, she will never be able to return to her own time, and the treasure, whatever it may be, will never be hers.
Fifteen - Knitting Frog Skins at the Well of Wyrd The three sister’s clothes were twisted layers of dripping pondweed. Long ribbons of frogspawn hung round their wrinkled faces. They were knitting strips of wet frog skin on clacking fish-bone needles. I shuddered because the heaps of skins at their feet were wriggling and trying to crawl away.
‘The Three Sisters of the Well of Wyrd,’ whispered Fymm, settling beside me and pointing at the women sitting on the wall. ‘They are the Guardians of all the knowledge in the world. It is knowledge written in magic symbols on stones at the bottom of the well. Go on, Task Bearer. Speak to the sisters. Ask them to read the runes and to tell you where to find the seeds. Be quick, there can only be an hour or two left before midnight. Thin Time will soon be over.’ ‘You ask them,’ I said angrily. ‘They are horrible. Why must it always be me?’ Fymm growled under his breath and I backed away, trying to keep clear of his snapping teeth, and not looking where I was going, stumbled into the clearing.
The three sisters saw me, stopped knitting, and stared at me through strands of frogspawn hair. Their silvery, fish-scale skins glittered in the moonlight, and on the sides of their necks were gill slits that flapped as they breathed. They looked so alike it was impossible to tell one from another, and I stared at them in horror. There were bubbling watery sounds coming from their throats and they chanted, ‘Go away, go away, GO AWAY!’ Waving their strips of frog skin knitting at me, I saw the leathery skins on their needles lift their heads, their bulging frog throats croaking like kettledrums.
Have I ever mentioned before that I knit? I don’t knit as much as I used to, mostly because I have tendonitis in my wrist and if I am not careful I can very easily make it flare up and give me all kinds of unhappy pain. But I still knit, if only for short periods of time at sometimes widely spaced intervals. In spite of the fact that I don’t knit a lot, I still enjoy reading knitting magazines and collecting patterns for things I will very likely never make. But that doesn’t matter really because I get great pleasure in imagining the whole project.
Recently I was perusing the latest issue of a knitting magazine I borrow electronically from my public library and saw an advertisement for a book called The Best of Jane Austen Knits. Whaaa? Of course I immediately checked to see if my library had it and they do. Yay Hennepin County Library! I love you so very much!
The book has patterns for 27 “regency inspired designs.” That translates to lots of shawls and shrugs. But there are a few cardigans, a couple of bags, some baby clothes, a tea cozy, some elbow-length gloves, some super-cute stockings, and a few other items. I can’t imagine Austen herself wearing any of them, maybe the stockings, or her heroines, but the idea is still fun. There are a few of the shawl designs I like very much from a filmy lace to a solid cute number that is long and designed to wrap over the shoulders and tie behind the waist. And did I mention the stockings? They are just below the knee and have a pretty lace and heart pattern up the side and are held up by a satin ribbon.
There is also a “loyalty and pin ball.” These were popular projects to make and give to friends (so the book says). They have a medallion-like motif on each side. It is stuffed and sewn together and trimmed with a ribbon or twisted rope. It is made with a very fine cotton and calls for size 0000 (1.25mm) needles. I have used size 1 (2.25mm) needles before but nothing that small. It seems like it would be something really fun to try. I promise if I manage one I will take a photo to share.
For all you bookish knitters out there, I recommend you take a look at this book. It’s got some super-fun patterns in it.
Do any of you have some favorite literature-inspired knitting patterns to recommend?
It is warm and cozy and can also be worn as a loose hood to keep my ears warm while not messing up my hair.
It also can cover large portions of my face when the weather requires!
The pattern isn't 100% exact, but if you want to knit one too, here's the general recipe. The actual knitting is pretty easy, but you have to be able to do it while reading. (Knitting while reading is my superpower. It got me through college--the knitting kept me awake while reading boring articles, and if that wasn't enough, I could randomly stab myself with a needle to help me perk up.)
Gather a few colors of yarn in a similar weight. For this scarf, I used a KnitPicks lace sampler that had been sitting in my stash forever. It's a mix of their various lace-weight yarns, a total of 5 colors.
Find a gauge that gives a nice drape, but is tight enough to still be warm For me, that was 5 stitches/inch on a size 3 needle.
Cast on 60 inches worth of stitches So... 300 for me. BUT I did not take into account that, when worn, the weight would stretch it, so it's a lot longer than I intended, so I can loop it 3 times instead of 2.
Join round, being careful not to twist stitches, mark beginning of round I totally twisted my stitches. :(
Knit in the round while reading your first book Yes, you have to read and knit at the same time.
When you finish your book, break yarn, join next color Don't worry about finishing the round. I used a split splice so I wouldn't have to weave in any ends. As you're striping, you can't really tell where the yarns overlap in the finished project.
Purl in the round (reverse stockinette stitch) in the round while reading your next book
Repeat in this way until you've read all your books or are running out of yarn. I ran out of yarn. Some books were read more than once (especially on the short list) so they have multiple stripes.
Finish final round, bind off in pattern
Lightly steam block One of the things that makes it so cozy is that the changing between stockinette and reverse stockinette make it bunch up, so it's even more extra warm!
Here's a close up of my striping pattern:
One stripe is not a full round long. Nonfiction lends itself to this, as the books tend to be a size where they stay open nicely on their own. A stapler across the top of the pages also works well to hold it open. If you're working with longer books, you can also switch every chapter or reading/knitting session. I kinda want to do one that is smaller (so it'll just be a cowl, no looping) in shades of dark gray/black with the stories in one of the City Noir books.
Also, just to brag, here's the vintage WWI poster you can see in the edge of the frame:
Here's another one for the knitters. As I said in my last post, I have been doing some design work for a knitting/wool/yarn centre. This was the finished design for their leaflets, website, promo, etc. I'm really pleased with how it turned out. And, I don't often say that.
The exquisite wools made such a gorgeous subject. The colours were just lush. Plus, I love pattern making which is probably why I enjoyed it so much. You can get your mits on this original, as it's up for sale HERE.
I've been doing a little design work for a wool/knitting/crocheting centre recently. It took a few attempts to come up with a design that both the client and I were happy with and agreed on. This was one of the earlier attempts and the original is up for sale HERE. yes, I really really need a new phone (see last blog post).
What’s a life without love, even if that love is a bit wonky and not quite what you expected?
Madame Chapeau, the latest creation from the finely paired team of Andrea Beaty and David Roberts, does her best to send little flights of joy and love out into the world, by making hats that perfectly match each of her clients. She’s imaginative, attentive and playful with what she creates, and her customers are delighted. However, poor Madame Chapeau lives alone. There clearly once was someone important in her life, but now, on her birthday she is left dining without close company.
What makes it even harder to bear is that her most treasured hat has been lost en route to her solo birthday meal. Passers-by try to help by offering their own hats to Madame Chapeau, and although their kindness is appreciated. nothing is quite right.
But then up steps a secret admirer, who has been watching Madame Chapeau for some time. A young girl, clearly fascinated by the hats Madame Chapeau creates, offers the milliner a little something she has been working on. It’s rather odd, but this gift has been made with much love and turns out to be the best sort of birthday present Mme Chapeau could have wished for. A new friendship is formed and – one suspects – a new hat maker begins her training.
Detail from Happy Birthday, Madam Chapeau. Note the hat that Madame Chapeau is wearing and compare it with the hat in the photo below of David Roberts’ mum.
This is a whimsical and charming book which celebrates creativity, generosity and thoughtfulness from start to finish. Beaty’s rhyming text tells a heart-warming tale, but Roberts’ detailed and exuberant illustrations steal the show. With lots of famous hats to spot (look out for Princess Beatrice’s hat, for example, or Charlie Chaplin’s Derby) and fabulous fashion, food and architectural details to pour over, this book rewards repeated readings. Happy Birthday Madame Chapeau is a joyous, life-affirming read and if that isn’t enough of a reason to seek it out, do read Maria Popova’s commentary on the subtle message this book has about diversity and cultural stereotypes.
Beanie type hats, plus some colourful craft pompoms make for some enjoyably silly headgear – perfect as winter approaches
I wonder what David Roberts would make of our hats? I ask this because it turns out he was himself a milliner before he became an illustrator. From a young age he had an interest in fashion, making clothes for his sister and her dolls, before going on to study fashion design at college. From this, a special love and skill with hats grew – a love and eye that can clearly be seen in his Madame Chapeau illustrations. I asked David if he would share a little about his love of hats, how it developed and what he finds so enjoyable about making hats. Here’s what he had to say:-
One of the first hats David Roberts made – for The Clothes Show competition in 1993.
“As a kid I was fascinated by Mrs Shilling, and the hats her son David made that she wore to Ascot. They were so theatrical that it would make the news! I loved how she wore these amazing and often bizarre creations with such style and elegance – even if the hat was ridiculous she never looked ridiculous in it.”
David Shilling with his mother Gertrude Shilling. Photo: Sidney Harris
“So when I had the option to do a course in millinery while studying for a degree in fashion design at Manchester Polytechnic, I jumped at the chance, and from then on I was hooked.”
David Roberts’ sister in the hat he made her for her wedding day.
“I love the sculptural aspect of millinery; a hat can be so individual, so singular, a one off. It’s so exciting to have all your elements to create a hat, cloth, wire, glue, buckram, feathers, beads, tulle, net and just let something evolve in your hands. It can turn in to anything really – an abstract shape or something natural like a plant or a flower.”
Stephen Jones, surrounded by some of his hat creations, London, circa 1985. Photo: Christopher Pillitz
“I worked for Stephen Jones for 5 years make his couture hats , where I learned so many skills. And although I loved making his imaginative creations, I stared to realise that I wanted to try my hand at illustrating children’s books – the other great passion in my life.”
This hat is one David Roberts made for his partner Chris (modelling it here). Do look out for it in Madame Chapeau’s shop!
“I am glad I made the step in to illustration, but I do still love to get the wire and beads and feathers out to make a hat once in a while. Madame Chapeau came about when the author Andrea Beaty heard that I had once been a milliner: She wrote the text for me and sent it from Chicago in a hat box! I was utterly captivated by it and enjoyed illustrating it and indulging myself once more in the wonderful world of millinery.”
This is the hat David Roberts gave to Madame Chapeau to wear. It is one David made for his mum to wear at his sister’s wedding.
My enormous thanks to David for sharing some of his millinery background with us today. His passion for hats shines through in his gorgeous illustrations for Happy Birthday, Madame Chapeau. Don’t take my word for it – go and find a copy to enjoy yourselves!
I was tempted by some more herbs - Bay Leaves and Oregano. So I did drawings of both. I am really enjoying doing these. I like the size (5" x 7"), and the soothing quality of the subject matter. And they smell nice!
Fresh Bay Leaves
I used Polychromo colored pencils on Fabriano Artistico paper for the whole series. I thought it was important to have them all look and feel the same. Prints, and some of the originals, are available in my shop.
I'll be doing notecards too, but have hit a minor snag. The nice card stock I ordered won't go through my Epson printer - boo. I can't figure out why, since I have other card stock that's, to my eye and hand, the exact same weight, which goes through fine. It must be something in the finish. Whatever it is, the printer either refuses to take the paper and flashes lights and has a fit, or just spits it through un-printed, then prints the image on the sheet of cheap bond that's queued up behind it. Baah! So I will now have to make lemonade somehow out of this batch of lemons (250 sheets of it!), which I think may end up being hand made knitted cards or something. I'm sure I'll figure something out. Meanwhile, I have to find more of the paper I already have that the printer does like, which will go with the envelopes . . . oh, the trials and tribulations of being a 'do-it-yourself' art maker and etsy shop owner!
In happier news, I just found out that two of my pieces have been accepted into the UArt Open 2014 art show! Berry Tart, and Molasses Cookie will be going in to be framed tomorrow, so I can meet the final 'deliver the art' deadline. I'm pretty happy. This is a nice regional art show sponsored by University Art. The art will all be on display in their Redwood City store. Both of these pieces were done with colored pencils on paper.
And then, you know (or do you?) that I also do a bit of knitting, and have a little shop on etsy here.
I was excited to learn that someone who bought several pieces last week will be using them in a production of "Annie" in New York! (no, not on Broadway, but still)
These are some of the pieces that will be in the show:
There was a little bit of drama with the post office not getting them there when they were supposed to - I paid extra to get them there overnight, but they didn't, and whoever was in charge of the package didn't think it was important to scan in any tracking info for a whole day, so we were dying a little, wondering where everything went! But then they got there the next day, in time for the show, so phew.
I'm doing some more knitting, trying to get a few more things in the shop for the holidays. Now its actually starting to be real knitting weather (well, actually it was 103 here again this past weekend, but its September at least, and the cool crisp weather will be starting soon - I hope!)
I also have a 'Fall' illustration piece on the board that started out being done with watercolors, which may now be started over with colored pencils. Its funny - I've been doing so much colored pencil work that going back to painting feels awkward to me. I will of course share when its finished, whatever medium it ends up being done with.
When you grow up with a mother who is a knitter, there are certain facts in life that you simply have to accept. Knitting all the time, everywhere, is the norm. A bookshelf full of different kinds of yarn is not weird. Fiber Fests are de rigeur and knowing the difference between a gossip wheel and a walking wheel (when talking spinning wheels) is par for the course. Don’t even get me started on drop spindles and dying wool with Kool-Aid. Not that I ever took to the craft myself. Maybe it was just so prevalent in my home that I never felt the necessity to learn. Also, why learn to knit when my children are amply provided for, not just by my always knitting mama, but by her friends and my knit-worthy co-workers as well (Alison Hendon shout out!)?
My mom, as it happens, is heavily involved in the knitting blogger community as a commenter. I have honest-to-gosh had people say to me, “I saw that someone called Rams commented on your blog. Is that the same Rams as the one on Ravelry?” Mom be famous. And like all knitters, she pays attention to how they are portrayed in children’s literature.
In a recent Harper Collins post the comment section suddenly got very interested in the subject of books in which knitting is accurately represented. The talk started bring up book after book, so that I suddenly had the idea for this post. You see, the portrayal of knitting by illustrators is very touch and go. Artists are not particularly thrilled by the notion of the ends of knitting needles going down, in spite of the fact that that’s how one actually knits. So as often as not you’ll see an image like this with the ends up:
Note the knitting needles to the right.
Rather than this:
Not sure what their fingers are supposed to be doing here, but at least the needles are down.
Here then, are a couple of our favorite artists, answering the “Does the illustrator care how to hold knitting needles?” question. The answers may surprise you.
DOES THE ILLUSTRATOR CARE HOW ONE HOLDS KNITTING NEEDLES?
Penguin in Love by Salina Yoon – YES!
You’ll find that for some of these books I don’t have images of the knitters knitting, so you’ll just have to take my word for it. A penguin is naturally going to have some difficulty knitting since it is without phalanges, but in spite of this impediment Yoon’s flightless waterfowl still knows the proper way to hold its needles.
Extra Yarn by Mac Barnett, ill. Jon Klassen – NO
When the Caldecott committee sat down and considered Barnett and Klassen’s fabulous book for an Honor, did the fact that its heroine didn’t know how to hold knitting needles ever come up? Was there a knitter on the committee? Or did they feel that in light of the lovely art and great storytelling that this wasn’t an issue? It’s surprising, certainly, to find that for all his talent and charms, Mr. Barnett is unaware of how one knits. However, knowing knitters I suspect he has been informed of this misdeed more than once, and shall continue to be told for years to come.
Swamp Angel by Anne Isaacs, ill. Paul O. Zelinsky – YES!
Interesting, is it not, that I can find images of people knitting incorrectly but never correctly? What does that say, I wonder, about the state of knitting today? If you know Zelinsky then you know he is meticulous in his research. If someone is, say, spinning straw into gold as in his Rumpelstiltskin, then doggone it he’s going to create the world’s most accurate spinning wheel. And if Swamp Angel is going to knit something gigantic using (as I recall) trees for needles then you can BET Paul will make that image as correct as he can. Other award winning artists take note.
The Hueys in the New Sweater by Oliver Jeffers -NO
Nope. Not even close. Repeated several times over in the same book, too.
Nana in the City by Lauren Castillo – YES!
This one’s not out yet, but when it is you’ll have a chance to see some truly keen knitting on the part of Nana here. Castillo, one suspects, actually knows from whence she draws. Well done!
A rare graphic novel where knitting is not only important but the climax of the book hinges on it. And you can BET that when it came to knitting, Barry studied precisely where the fingers are supposed to go.
This begs the question: Is it possible to knit with the ends of the needles pointed high to the sky? I leave that to the knitters to answer. In the meantime, what are some of your favorite knitting books for the kiddos? How did those needles fare? High to the sky or low and proud?
So when Made by Raffi written by Craig Pomranz, illustrated by Margaret Chamberlain (@madgiemadge) appeared in my hands for the first time I sat up and noticed; it’s about a boy who feels he doesn’t quite fit in, for instead of football, his passion is knitting and sewing.
Although he’s a curious and generous kid, he feels sidelined at school. Unlike most of his classmates, he doesn’t like noise and rough play. But thanks to a supportive teacher he discovers a new passion – making his own clothes. When it is time for the school play could this new skill help him gain the respect of his peers? Without giving the game away, the ending is upbeat, but also authentic. This isn’t a sugar-coated story. (For the really interesting background to the story, take a look at this article).
This book deserves to be in every school and read in every family for a whole plethora of reasons. It’s bold, tackling gender issues that many adults might skirt around: I love Pomranz daring to use the word “girly“, and it certainly helped us talk about how being a girl interested in ‘boys’ things’ is often more accepted by society than a boy interested in ‘girls’ things’. It’s big hearted; not just the warm, loving family Raffi is part of, but also his supportive school. It shows all sorts of children playing together, with different skin colours and different physical abilities, as well as different interests. It’s a joyously inclusive book, which tackles big themes gently and playfully.
Margaret Chamberlain’s illustrations are delightful. She uses colour very cleverly to portray moods and to mirror how much more interesting – indeed colourful – the world is for a diverse range of characters; wouldn’t the world be a dull grey place if we all liked only the same things?
A book about loneliness, respect, difference, and learning to trust your instincts even when it means you don’t follow the crowd, Made by Raffi is a vital, delightful and unusual book I urge you to share.
M and J were recently shown how to knit by their Grandma, and reading Made by Raffi offered the ideal opportunity to practice their recently acquired skills. (Here are some Youtube tutorials we found helpful to refresh our memories of what Granny had taught us: Casting on, knit stitch, casting off.
Having a ball of wool with lots of different colours on it was an effective tool in motivating the kids; each child would knit one or two colours and then hand the needles and ball over to the other. It gave them easy targets to aim for, and I’m sure this is partly why they completed a long scarf far more quickly than I was expecting.
Letting the kids embellish their own clothing. I found this the easiest/most satisfying way to let the kids have a go at making something themselves – they chose buttons they liked and sewed them onto a couple of pieces of clothing. Simple sewing but with a relatively big (and ‘real’) result.
Making a cloak as described in the story. Alternatively, if you can find a department store selling off curtain samples (eg in John Lewis or House of Fraser), you can pick up pretty much prepared cloaks – all you need to do is add something (eg a large hook and eye) so you can have the cloak safely stay on your shoulders as you zoom around wearing it.
If in a school or a library setting, making a display with images of clothes designed by men (Galliano, Versace, Gaultier for example, cut out from glossy magazines) and as the centre pieces place Made by Raffi and The Boy in the Dress by David Walliams. Whilst not for primary school kids, I’d also encourage you to read Boys Don’t Knit by T.S.Easton, a hilarious take on a teenage boy who loves to knit. Ben Fletcher and Raffi would definitely like to meet each other!
Other picture /illustrated books which feature knitting include:
This class was kind of funny too. I came up with the idea with older kids in mind, but the way it worked out we were a group of 6-9 year old's. I had had great plans of room size fiber installations and free form crochet/knit/weaving projects, but for these smaller people we took it down a notch.
These snakes were knit on an oversized "knitting Nancy". Although a few of the kids grumbled a bit about the time it took to make them, as soon as the eyes and tongues were added they were in love.
The girl faces were embroidered on a hoop, then hand sewn into little pillows and stuffed.
By the end of the week everyone's patience and attention span had magically expanded and they were crocheting fools. (picture of the "magic tree" installation to follow later)
Knitting in Vogue by Christina Probert, a collection of vintage knitting patterns from 1932 to 1979, is a keeper for a single reason: I live in hope. In all the years I've owned the book, purchasing it in San Francisco and hauling it from one side of the country to the other more than once, I have only knitted one garment from the entire text. And that was a very easy 1950s ski sweater that didn't even have long sleeves. But I have plans, I tell you, plans.
One day when I'm not writing/painting/cooking/reading/sleeping, I will make:
Thick Tri-colour Windjammer
Diagonal Pattern Shirt Blouse
Twisted Rib Sweater and Scarf (sounds a bit painful)
Shetland Honeycomb Pattern Sweater
And my absolute favorite:
Butterfly and Moss Stitch Jacket
That's just for starters. I've got the book, I've got the needles, now all I need is the time. Anybody got some extra to spare? No, I didn't think so. Oh, well. See you on Monday with the letter "L." Happy weekend!
The internet is all abuzz about knitting sweaters for penguins. Snopes.com first said it wasn't true, but now they're showing uncertainty. As a children's book illustrator, I can just use the story as a jumping off point for a sketch. Lucky me. What could be cuter than penguins in sweaters?
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Daniel Rabuzzi, the blog's author, emailed with all sorts of very flattering things to say about my Un-Still Life pieces, and asked if he could interview me. I blinked a few times and thought "Seriously? ME?" and then of course I said yes.
After you've read my interview, please take some time to peruse the rest of the blog, because its a treasure trove of really interesting art and creativity. Thank you Daniel!
~~~~~~~~~ In other news - I've been knitting a lot, and am juuuust about ready to stock my etsy knitting shop with some new goodies for the Fall and Winter. Small, affordable cable-y things.
Hope you're all enjoying September. Its one of my favorite months, as the season changes back to cooler weather, and the anticipation of the holidays begins. Sweaters! Knitted woolies! Fall colors! Crunchy leaves! Stew! Picturebook kitty characters wearing Fall colored woolie sweaters, walking through crunchy leaves and eating stew! (OK, that will be the next thing on my drawing board.)
There's a lot on my 'to-do' list, so I've better get to it. Bye for now ~
I've had a knitting shop on etsy for a while, which I haven't "worked" much. At all. In fact, I've emptied it out altogether more than once, and left it sitting there, abandoned, for long periods of time.
But I have all this yarn. A lot of yarn. Seriously. I'm a yarnaholic. Some of you might like beads, or colored pencils, or fabric, or something else. You know what I'm talking about. Your 'thing' is on sale somewhere, and its calling out to you. You never need it, you just have to have it.
Well, that's how I am with yarn.
Sometimes I just can't commit to doing a whole big project, like a shawl or big scarf even, because of time. So I've been trying to come up with something small I can make, that's fun and cool.
I love love love love cables, so starting playing with some ideas. How could I make a 'stand alone' piece of cabling, not attached to a sweater or something? Usually you see cabling done within a panel, with plainer stitches on either side. I wondered what would happen if I just isolated them. What would it look like? Sometimes you try these genius ideas and end up with a hot mess.
But this time my idea worked. I actually started with a much more complicated braided piece, then edited it down to these simpler ones. And having it look like a bow tie was a happy accident! My intention was to make an accent pin - something you could wear for a pop of color or texture on a sweater or jacket. The larger ones just happen to look like a bow tie.
So I sewed a pin back to the back of each one, and voila! We have Cable Knit Bow Tie Pins and Mini Cable Knit Bow Pins.
It was fun to make the little cards to pin them to. Taking the pictures for the shop is never my favorite thing, but a necessary evil. (I always wonder about the people who do the pro photo shoots, with models and all. How on earth do they manage that?) So I do the best I can.
There are 25 new pieces in the shop, mostly all Fall-ish colors. Christmas and holiday ones are in the works. I hope to do some hair clips and other little goodies too. How cute would these be on pet collars? If you have an idea for one, or would like to commission me to make some for you, please let me know!
Rilla found a Winky Cherry beginner sewing kit on the shelf—one of those things I’ve had stashed for ages and forgot we owned. I used to feel pangs of guilt over forgotten acquisitions, but they so often seem to turn up at exactly the right moment, such a nice surprise. She’s busily stitching away and I look forward to a menagerie of felt critters in the days ahead. Felt is the nicest thing for a beginner, don’t you think? For both sewing or embroidery. No hemming required, overstitch looks lovely, it’s stiff enough not to need an embroidery hoop (for small pieces, at least), and no matter what you do it always looks cozy and cheerful. I love Felt Wee Folk and Doodle Stitching for ideas.
I had all sorts of little stitchery projects going before Huck was born (a mere four years ago), but I put everything aside when he came along and haven’t returned to it since. (To my chagrin: I still owe a couple of quilt blocks to certain VERY UNDERSTANDING members of my virtual sewing circle, and I never even sent out my own fabric for them to magic into something wonderful. IT’S STILL ON MY LIST OF THINGS TO DO, THOUGH.) (I’m shouting at myself.)
We had planned to go to the zoo today to celebrate Beanie’s 12th (TWELFTH!!!!) birthday, but the rain foiled our plans. Perhaps next week. Among all the other delights of the zoo, I want to give Rilla and Huck a chance to pet a real sheep, feel the lanolin in its wool, for a little sheep-to-yarn rabbit trail I’ve planned for Rilla, who got knitting needles for Christmas. With pink cats on the ends! And how’s this for incentive to pick up my own needles: I was sent a KnitCrate package to review for my subscription-box series at GeekMom—it’s loverly. The two yarns they included are to swoon for. I’ll let you know when that post goes up, probably next week.
I'm not certain if this is a picture book (a little scary and complex for that) or a graphic novel (maybe a graphic novelette?) but what I am sure of is that it's awesome and funny. I love these little "aunts" who knit and bake but never really farm. There's also another Aunt in the story who knits everything. I love it!
I recently finished working with Alana Dakos on her newest book, "Botanical Knits." The patterns are inspired from plants, trees, leaves, etc. I love the designs (as always when looking at Alana's stuff) and once again wish I had the physical dexterity to knit.
...along with images that inspired her to create the patterns. Then essentially said, "here is what I created, now you create something." So I did.
If you have the book you could play a fun "Where's Waldo" trying to find where some of the illustrations ended up. The interesting thing for me is to see what made it into the book (of course not all do) and where.
Alana also asked me to design the title. Always a fun challenge. She wanted something natural, rustic, with tall letters, almost like they are growing. So here are some examples I came up with.
But ultimately this style was the winner (see above cover).
Another interesting request was for the resource page. She knitted little leaves out of the fabric she used for the knits in the book, and used those as reference for where she got the yarn. Photos of the knitted leaves were eventually placed onto an illustration of a tree branch. You can get an idea for it from the color studies. You will have to buy the book to see how it all really comes together. :)
When I was 10 years old, I was diligently knitting away at a mitten when I realized I had made a mistake. Imagine my surprise when my dad sat down beside me, took my knitting and fixed my mistake. Turns out, my dad knew how to knit rather well.*
So, I knew I wanted to read Knit Your Bit the moment I first heard about it. The United States had entered World War I in April 1917, and lots of men rushed to enlist, leaving their families behind. This is true for young Mikey, whose Pop is also a soldier and who has just shipped off to fight overseas in Europe. Mikey is very frustrated that he has to stay home and can't do something big and important to help the war effort, too. Nevertheless, he turns up his nose when his mother asks if he would like to learn to knit for the soldiers along with his sister. Mikey turns the offer down, because, well, boys don't knit!
But when his teacher announces that there will be a three-day Knitting Bee in Central Park to make hats, socks and scarves for US servicemen overseas, Mikey is challenged by a girl to learn to knit and participate - boys against the girls. And so it is settled - the Boys' Knitting Brigade vs. the Purl Girls.
The only problem is - knitting isn't quite as easy as the boys thought it would be. Yet, they soon master knit, and then it is on to purl. Mikey works on socks, friend Nick on a muffler and Dan works mostly on tangling and untangling his yarn.
The first day of the Knitting Bee finally arrives and there are lots of people participating - men, women, girls and, yes, even other boys. And there's also lots of food, a band and before they all know it, it is time to cast on.
As Mikey does his best trying to knit a pair socks, he learns a mighty important lesson from a disabled soldier about what it really means to do something big and important to help the war effort and the brave soldiers overseas. But who wins the challenge? The Boys' Knitting Brigade or the Purl Girls?
Knit Your Bit is based on a three-day knitting bee held in Central Park in August 1918 and sponsored by the Navy League Comforts Committee. It is a heartwarming story that might even bring a tear or two to your eyes. Hopkinson has seamlessly woven in Mikey's story with this event to produce a wonderful story that shows that sometimes what counts it isn't how well you do something, rather what counts is doing something out of your comfort zone, doing your best and doing it in the right spirit. Wonderfully humorous pen, ink and watercolor illustrations by Steven Guarnaccia add much to the enjoyment of Knit Your Bit. The lines are clean and simple, yet delightfully expressive, and I really liked how they reflect the clothing of the period.
Hopeinson has provided lots of back matter including a Red Cross knitting poster from WWI, an Author's Note which you should be sure to read all about the real Knitting Bee and sources for more information.
Though this is a story that all will enjoy, sending gifts to loved ones fighting in a war is long held tradition and for that reason, I think Mikey's story will particularly resonate for readers in today's world, especially those who have or know someone who has a relative deployed overseas.
This book is recommended for readers age 7+
This book was sent to me by the publisher as part of a Knit Your Bit Blog Tour.
For other stops on the blog tour, be sure to visit Deborah Hopkinson's blog.
And guess what? You can still Knit Your Bit.
All you have to do is visit The National WWII Museum to download patterns and learn how to participate. Your knitted scarves will be sent to veterans all over the country.