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I learned to draw (well, as some would say, I'm still learning . . . ) by looking at “negative space,” the space around an object, rather than concentrating on the object itself. It's one of the methods Betty Edwards teaches in Drawing on the Right Side of the Brain, and it really works.
Having experimented with the technique many times, I’ve grown to love negative space, and frequently find myself on the look-out for new ways to express it. For instance, studying the gaps between the leaves on a plant, or taking note of the patterns created by shadows falling into a room--negative space can sometimes be the most interesting part of a painting.
In daily life, however, negative space can sound frightening. We work so hard to cultivate the light, to stay upbeat and positive that negativity is an emotional state to shy away from. But without the dark spaces in our lives, how can we ever know what, and where, the light is?
Your art journal (or any kind of journal for that matter) can be a useful and cathartic place to take your negative feelings. Everybody needs to vent, to rant, to whine, to cry over what hurts. Some ways I like to express my negativity in my journal are to:- Paint or collage my feelings.
- List my grievances.
- Let my Inner Critic have a field day.
- Sit in the dark with my journal.
Once it's all on paper, I'm free to:- Write a gratitude list.
- Reply to my Inner Critic’s barbs with positive affirmations.
- Light a candle.
- Write a poem.
- Let it go.
And if I really want it out of my life, I tear out the page and burn it.
Something that has truly surprised me about working with my feelings this way is how powerful my "negative" artwork has been for others. Some of the pieces I've had the most positive feedback on have been created when I was at my lowest ebb. Just goes to show that a) the work we do isn't always for ourselves, and b) sadness can truly be transformed into joy with just a little dose of creativity. See you on Monday!
Tip of the Day: The next time you're feeling down, don't turn away from negative space. Even the most trivial of incidents or slights can take on serious proportions if it's not addressed and/or examined for possible solutions. Don’t be afraid. Go into the shadows. Make your journal your friend--the one who listens and understands, no matter what you say.
It's Friday and here I still am: collaging, journaling, blogging my way through the alphabet, landing on M and thanking the heavens for my morning cup of tea.
Ah, tea. Solves everything, in my opinion! It also makes a good subject for drawing and art journaling. For today's journal page I drew (during my morning tea break!) my office tea cup, adding, amongst other things, the tag from one of my favorite tea bag flavors: Jasmine Green, and a scrap of origami paper.
For me, my morning tea is a much-needed daily ritual and respite. I don’t like to hurry any aspect of it. It's also loaded with memories: tea shops in England and New Zealand as a child; visiting an organic tea plantation in Taiwan last year; my parents receiving annual shipments of Murfee’s tea from Canada when we lived in California. I remember when we went together to Vancouver to place that first order. The building was from another century, dark and paneled in Tudor black oak, with all the bins of tea arranged in orderly rows that made me feel I was on board an old clipper ship. I really can't drink tea without thinking about it at least once!
Tea, writing, drawing, and "M is for memories" just all seem to go together. Some journal questions you might like to ask are:- Did you ever play "tea party" as a child? You know, with a little tea-set and mud-pies?
- What morning rituals do you now follow every day? (Even making your bed can take on quiet significance).
- What's your favorite way to take a break from daily stress, e.g., daily blogging?
- If you are a tea-drinker, what are your favorite brands and flavors? (Fortnum and Mason’s Royal Blend for me!)
- If you're not into tea, what makes a good morning for you?
Tip of the Day: Art journaling can be about the simplest things. Tomorrow morning, make yourself a cup of tea. Sit down with your journal. Watch the steam rise. Take a sip. Start writing.
One of my most beloved toys as a child was actually a greeting card. Sent to me when I was five years old and cooped up in bed with the chicken pox, it arrived in the form of a multi-page booklet telling the story of a paper doll named Ginger. Ginger and her wardrobe had perforated edges that allowed me to easily extract the whole kit and kaboodle as quickly as possible while I sat up in bed supported by a mountain of pillows.
The cover of the card was pink and decorated with iconic landmarks from various countries: the Eiffel Tower for France, a windmill for Holland, the leaning tower of Pisa for Italy. Ginger was a twenty-something flight attendant, or as we said back then, a stewardess. She had beautiful long red hair, a perky figure, and a sense of style straight out of Mad Men. I remember being particularly entranced with her white fencing outfit complete with netted helmet and mask. There were also evening gowns, a trench coat, and best of all, her suitcase. Brown cardboard "leather," it was covered in travel stickers from all around the world, stickers that matched many of the icons on the front of the card. As far as I was concerned, Ginger was the It Girl, putting all my other dolls and toys far back into a lowly second- and third-place.
Looking back, it's amazing how much pleasure I received from a flimsy little card, but from that moment on I was determined to travel. To me, Ginger signified much more than a toy; she was the real, adult world I couldn't wait to be a part of. As I waltzed her across my bedspread and blankets, I imagined myself traveling just like she did, wearing, of course, her white fencing outfit I was certain was de rigeur for foreign travel. Ginger became my childhood role model, and every time I pack my bag or board an airplane, I still think of her.
Today's journal page celebrates the spirit of adventure. Where do you want to go for your next holiday? What steps do you need to take to get there? Dream big. En garde!
Tip of the Day: Write it down, make it happen. Your art journal makes an excellent vision board or treasure map for creating your next vacation. Find images in travel magazines or travel agency brochures (that's where I found the printed stamps to cut out for today's page). Paste everything in place along with some positive affirmations, a list of wardrobe items to take and sights to see, and off you go. Send a postcard!
Today's post celebrates Kid-Lit, all the wonderful children's books in the world and what a fantastic subject they make for art journaling. Besides the hundreds of fairy tales I read as a child: The Blue Fairy Tale Book, The Red Fairy Tale Book and on and on through the entire rainbow, some of my favorite titles were: - Lona
- The Diamond in the Window
- The Door in the Wall
- Little Bear
- Little Women
Authors:- Zilpha Keatley Snyder
- Edgar Eager
- Lloyd Alexander
- Laura Ingalls Wilder
Characters:
- Trixie Belden
- Donna Parker
- Madeline
- Babar
Of course there are hundreds more, far too many to list here, but I'm convinced that my early reading and love of picture books is what led me to become a writer, and what then later encouraged my deep interest in art. How about you? What were some of your favorites, and how did they help you become who you are today? Drop a line!
Tip of the Day: For today's journal page I started with a doodle of a frog, as in The Princess and the Frog. I'm a little rushed at the moment so I had to leave out the princess, as well as the kissing part, but it made me think how neat it would be to create an art journal based solely on fairy tales, myths, legends, or perhaps a children's story of your own. Who knows, it might even turn into a publishable picture book!
So much of creativity is really all about just showing up. You don't have to know what you're going to do once you get there, but you do need to get there: to your desk, your studio, your kitchen table. No big deal.
But just in case you do think it's such a big deal you'd rather clean your base-boards and check all your clothes for loose buttons rather than face your journal, here are my favorite tips for showing up with a free and easy attitude:- Assemble what you need ahead of time. Give yourself as long as you need to find and collect collage and other papers, paints, pencils, stickers, etc. Set up a small but usable work-space that makes you want to go there to play.
- Having everything in place, including hand-wipes and other clean-up materials will help keep you in place without constantly having to get up and find yet another missing piece.
- Start a weekly or daily habit of going through magazines in search of images and word-prompts. Collating images when you don't have the energy or will to write or draw in your journal is a strong part of the process and will help ease you into a creative frame of mind.
- If the idea of an actual real-life journal is too intimidating at first, take time to play with the basics: some newsprint or old printed-out pages (back or front) from your printer you no longer need, and crayons or felt-tip markers. Just scribble, doodle, have fun and toss if you don't want to keep any of it.
- Another alternative to a journal is to start out with one of the thousands of adult coloring books currently available. Color in the designs then add your own words or other embellishments later on.
- Buy a "how-to" book on collage, art journaling, or other technique and follow along with the lessons. Choose one day a week to make your "class time" and don't be late!
- Sit down at your workspace and set a timer. It's amazing what you can achieve in 15-20 minutes. (I bet you stay long after the bell has rung!)
- Join or start an art journal group. There's nothing more motivating, or fun, than group creativity at a set time and a set place.
Tip of the Day: If you find that even after trying these methods you're still resisting showing up to work in your art journal, you might want to find out what's really stopping you. Dialogue with yourself, or perhaps with your journal. Ask what's going on. I know that when I first started out with art I could find dozens of other things to do other than finally sitting down to work. Looking back into my past, way back, I realized it all stemmed from kindergarten (seriously!) and being afraid of getting paint on my dress. I was terrified of that dripping paintbrush. Now I wear jeans and fling that paint like there's no tomorrow! (And if there is, I'll see you there with the letter K!)
They say you can't wait around for inspiration to strike before you start writing or creating, but one of my big problems is trying to get away from inspiration. Maybe it's living in Albuquerque, or I read too much, or have too many creative friends, but sometimes it's all I can do to not have any new ideas.
A while back I wrote a post listing my main literary influences and inspirations. The list still holds true today and I enjoyed going over it before writing today. Making a list of your own in your art journal could include:- Spiritual mentors.
- Authors.
- Artists.
- Teachers.
- Blogs you enjoy reading.
- Heroic historical figures.
- Colors.
- Places.
- Friends and family.
Besides listing your primary movers-and-shakers, you might like to explore questions about how you work with inspiration, for instance, when you're feeling down and defeated, how do you bring yourself back up? What kinds of activities or happenings actually un-inspire you? How can you detach yourself from their toxicity?
Tip of the Day: I'm a big fan of altars, especially the small, unassuming sort you make at home without really trying, such as a windowsill where you keep, say, a collection of stones and shells from a favorite beach, or a shelf filled with childhood memorabilia. Even the way you set up your art and journaling supplies can be considered a kind of altar to your creativity.
In that spirit, why not set aside a few art journal pages to create a visual altar, a place where you can visit whenever the well seems a bit dry. Design and color it in a way that makes you want to return again and again for further inspiration!
Happy Saturday! I've been at the zoo all day with Urban Sketchers, hence this very late post. When we first got there, it was freezing, but now, 5.30 PM, it's hotter than a New Mexico chili pepper, good weather for today's topic: Hot and Cold.
What I'm talking about here are hot and cold colors, or in other words, the backgrounds to your journal designs. When I sit down to create a collage or mixed media piece, I often don't know what will be in it, or what colors I'll choose. Sometimes I just let my hand wander over my supplies until I find something that feels right.
For today's piece, I seemed to have needed hot, bright red, orange and yellow. Immediately the idea of "heat in the kitchen" came to mind, meaning, I think, "If you can't take the heat, stay out of the kitchen." I may have sub-consciously been thinking about the A-Z Challenge, i.e., if you can't handle blogging every day, out you go, LOL.
But on a more serious level, I started to think about my grandmother's infamous goulash, so hot it quite literally brought tears to the eyes. And she made it all the time! In retrospect, I know I would probably enjoy it much better today than I did as a child, but back then, it was pure torture to eat. All the same, I loved watching her prepare the dish: getting out the big Dutch oven; tying up the spices and peppercorns in cheesecloth bags; the deep red of the gravy once it had simmered all day. I remember having a special fondness for the bay leaves, not quite believing that you could actually use real leaves to cook with.
Today's art page is rather simple, but the kitchen and cooking theme is one I could go on about forever. If the weather today had been a little warmer, I might have gone for a "cold" page of icy blue, leading me back to those long-ago summers when my best friend and I would ride our bikes to the closest 7-11 for electric-blue Slurpees. Or the time I experimented with blue food coloring for the frosting on a batch of cupcakes, and kind of overdid the color.There is so much you can do in an art journal based on food, so much that I sometimes think it's one of my favorite themes! For instance:- Beloved (and secret) family recipes.
- Special occasion and holiday meals.
- "Dream" meals and baked good you'd love to try making.
- Recalling when you learned (or didn't learn!) to cook or bake.
- Ethnic foods from various cultures.
- Our relationships to food; the good, the bad, the hopelessly tempting.
- Trying a new and healthier lifestyle: making better choices and celebrating the changes.
- Must-have ingredients, and why you rely upon them.
The combination of food, art, and writing has always been special to me, starting with a workshop I took on the poetry of food, led by the poet and food diva extraordinaire, Denise Brennan Watson. Her book, The Undertow of Hunger showed me how eloquent, necessary, and astonishing food can be, from a simple clove of garlic to the satisfying feel of a warm eggplant held in one's hand. Which reminds me--I have to go make dinner! See you on Monday.Tip of the Day: Art journals aren't always for ourselves. An illustrated journal based solely on recipes and kitchen memories makes a beautiful gift, especially for a younger friend, or member of the family just starting out and learning there's more to life than the microwave. Bon appetit!
It's a rainy day in Albuquerque, just right for spring planting and today's topic of GROW:
Mary, Mary, quite contrary, how does your garden grow?
Looking at the page I've created for today, I guess my garden is full of kittens (and one lone puppy). I'm not sure why, but I do remember how much I enjoyed watching my cats grow from little balls of fluff to grand masters of stealth and grace.
Using your art journal to record and examine your own personal growth can be a very helpful and encouraging exercise. Some questions you might want to ask yourself along the way could include:
- In what areas of life would you like to grow stronger, wiser, more informed, more forgiving, etc.?
- What actions can you take to get there?
- What's been stopping your growth now or in the past?
- What new projects would you like to plant the seeds for?
- How can you best take stock of, and celebrate, the growth you've already achieved?
Besides examining your own personal growth, you might like to use your journal to record and express:- Your children's growth and achievements.
- Pets, too!
- An actual garden journal, with notes on planting dates, successes (and failures--my own gardening disasters could fill a whole book. . . ), and wish-lists for future gardens.
As I write this post, sitting under lamplight while the skies remain dark and cloudy and the whole world seems muffled in fog, I'm reminded of elementary school and that constant question: What do you want to be when you grow up?
For me it was always an archaeologist. That is, until I learned archaeologists had to dig ditches in hot climates and get all dusty and dirty. Yuk! Looking back I think what I really meant was I wanted to work in a beautiful museum, hushed and scholarly, and where the only "dirt" was the collection of rock and gem specimens behind glass. But it makes an interesting study, to see where I came from and where I landed, and where I'm still growing (other than my waistline. . .). So how about you?
Tip of the Day: What did you want to be when you "grew up"? Did you achieve your goal, or did life show you an entirely different path you followed instead? And what about now, any plans for the future? Write, collage, draw and get them down on paper--make that garden grow.
It's ironic that today's theme is FOCUS when I'm running late writing this post, while at the same time trying to cram in all my day-job duties, and trying to eat my lunch. To make matters worse, I was so rushed this morning I left my To-Do list at home, and it was a long one. Now I'm trying to figure out what was on it other than "Write Blog Post" scrawled at the very top. Grrr!
So, about focusing . . . what on earth is that??
As I'm typing this, I can hear my co-workers eating their lunch, talking at the top of their voices, and playing the radio full blast (I think it's rap). I just had to get up and shut my door. Not very friendly, but I had to do something to cut out the chaos.
Which is how I view my art journal when things get wild; making it a little sacred space of concentration, just for me. It's where I can go to rest and to play with color, design, and words in ways that feed my spirit and soul more than anything else I know.
Some of the ways I've learned to focus on my journal rather than the noise on the other side of the door are:- Schedule in the time. For today that meant: get up early, and write before I even got dressed.
- Finish what I start. It's so important to me, I wrote it on today's page! It's fun to start various projects, and I, like most writers and artists, have several awaiting completion. But I do, and will, complete them before they become unmanageable. In fact, that's what I've been doing this year, focusing on one project at a time so I can have a clean slate by 2017.
- Still, despite my best intentions, I'm constantly tempted to begin yet another new project. To maintain some kind of order, I keep a special file for ideas, and pictures I want to use "one day," but not now. Once the idea or image is in the file, I don't have to think about it again until later. Much later.
- Too many art supplies can be a big distraction: which one to use first? A good way to solve this is to work your way through them without buying anything new. For instance, use two, and only two, items until you use them up, e.g. charcoal pencils and watercolors only. If you find you really are resisting using them, give them away, and choose two more until you find your true medium.
- The same applies to collage papers and other decorative items. Work your way through what you have. Even if you dislike a certain color or texture--use it anyway, taking each piece from the top of the pile. Afterwards, step back from the page--you may be very surprised at how things have worked out, and well.
- Prepare your art journal supplies in advance. The night before your scheduled session, gather and arrange the items you'll be using and place them on your desk or table. Having your glue stick, water, paints and brushes, cut-out pictures, and even some clean-up wipes all set in place for when you sit down, is both inviting and time-saving.
Tip of the Day: Create a journal section--or perhaps an entire journal--on the theme of focusing. You might want to include things such as inspiring quotes; peaceful scenes of nature; pictures of candles, altars or other spiritual images; short "recipes" for rituals to follow before you begin working. Enjoy the process, enjoy the quiet.
Endings come in all shapes and sizes: from "happily ever after," to "Gosh, am I ever glad that's over." Your art journal is the perfect place to explore, record, and re-imagine a wide variety of endings in your life.
Some of the questions and topics surrounding the theme of "endings" can include:- Taking a good, long look at endings you've never quite been able to accept: the sudden and unexpected end of a job or relationship; moving from a much-loved home or city; losing a loved one.
- Endings that need closure so you can move on to enjoy and more fully appreciate your current situation.
- Areas in your life that need to end in order to keep your health and sanity, for instance a toxic friendship; a dead-end, low-paying job; an organization that requires far too much of your time with little return or appreciation.
On a lighter note, endings, can also be something to celebrate, especially when the end of one chapter opens the door to a new and brighter future. For instance:- Graduations.
- Retirement.
- Getting out of a thankless situation.
- Selling a home or business.
- Leaving a job to become self-employed.
- Significant birthdays.
- Moving.
All of these experiences make good fodder for collage, artwork, poetry; creative work that goes a long way toward accepting and even thanking the endings in our lives.
Tip of the Day: If the idea of working with real-life endings sounds too painful right now, or you're just not ready to go there, try this: Consider all the fictional endings you've either enjoyed,or have been disappointed in. What are your favorite book endings? What movies left you saying, "Huh? What just happened there?" How would you change them to create a more satisfying conclusion? And don't forget about all those non-conclusive fairy tale endings. What if Snow White and Cinderella decide they don't want to marry princes after all, or Little Red Riding Hood is really the wolf's accomplice and it's all just a big set-up? Have fun!
Today's topic, Dress it Up!, goes way back to my very first NaNoWriMo effort (2004!) when I made dozens of character, setting, and wardrobe collage pages to go along with my text. I still have that draft as well as all the accompanying illustrations. The reason it stays in a cardboard box is complicated, but let's just say it's got a lot to do with the story being a genre-authentic romance, and I don't know if I'm very good at writing romances. I love the story, I love my characters, but I have other projects with louder voices calling for my attention right now, so . . . maybe one day I'll re-open that manuscript box!
In the meantime, though, I enjoy riffling through those pages of magazine cut-outs I made to go with the story, remembering how much fun I had putting them together. Part of the story is set in an Italian fashion house. Here's a glimpse of Gina, the beautiful designer and evil villain of the story:
She loves to accessorize:One of my favorite scenes in the plot is when Bailey, my beautiful (all my characters are beautiful, LOL!) heroine is tricked into "borrowing" items from Gina's storerooms so she can go out on a date with Gina's equally villainous accomplice, Ashe, the hero's brother. Bailey goes a little wild for green and gets into a lot of trouble for wearing these items when Gina finds out.I've got dozens of these pages: outfits for Bailey when she goes to Paris with the hero, Declan, (under duress, of course. The old "on the road together, but they hate each other" scenario); pictures of Bailey as a little girl in jeans and T's, and ending with her gorgeous wedding dress when she finally marries Declan (and they don't hate each other any more).
These and other clothing pages I've made for my various drafts and published work since then have been, for me, one of the great delights of writing. Life in Albuquerque is casual--we hardly ever dress up to the extent I sometimes find myself longing to do, and I admit many of my outfit-collages stem from some kind of wish-fulfillment. Probably the same reason why I prefer to read novels and watch movies filled with fabulous clothes!
Adding clothing pages to your art journal doesn't have to be linked to a manuscript, however. For today's page I've glued in another of my practice sketches of a dress I liked, and added a few little embellishments. The flower piece actually fell out of an old journal--the glue must have evaporated to nothing, one of the hazards of living in the high desert--so I stuck it on here just because I liked it. It made me think of old prom dresses and yearbooks and that's probably what I'll be writing about later tonight.
Other prompts to get you started on some clothing pages could include:- Organizing your wardrobe and choosing the pieces you want to keep and those that need to be tossed or donated.
- Memories: favorite dresses, fashion changes throughout your life, fabulous outfit "flops" you'll never recover from . . .
- Make a list of "What I Wore" on different occasions, e.g., "What I wore on the first day of school throughout the years," or "What I wore to friends' and family weddings," or "What I wore for on first dates."
- Recalling what your mother, grandmother, aunts wore, especially the clothes you loved or that intrigued you in some way. I remember being fascinated by my great-grandmother's old-fashioned black lace-up shoes when I sat on the floor by her feet playing with my tea-set and pouring her cup of air.
- Wish lists of clothes you'd like to own. Past experience has taught me that shopping with intention, not only saves money, but goes a long way to avoiding those "flops" mentioned above.
Another good reason to include clothing in your art journal is that it's super-fun to draw or paint. The colors are pretty, working with the draping, shadows and highlights can help your drawing skills, and there's no dry cleaning bills!
Tip of the Day: When I'm not cutting up fashion magazines, my favorite go-to place for design inspiration is Polyvore.com, a digital fashion collage site that's more fun than a barrel of monkeys. (Warning: it's extremely addictive.) But once you've learned to pace yourself and only go there once a day, you can quickly design all kinds of fashion plates you can then print out and paste straight into your journal. Very easy and very effective.
Core values matter to me. I don't know how to live without values, even though they're far from popular, and ascribing to them lost me a chance to attend teacher's training college when I was eighteen and living in New Zealand.
The interview was conducted in a stuffy little room with a hard-backed chair for me, and a long table with padded chairs for the twelve formidable professors asking the questions, questions I found confusing and difficult to answer. I was an American living abroad and still unsure about where I fit in, if at all. Finally, the head interrogator asked if I believed in teaching values. Ah, I could get this one, I thought, so I promptly replied, "Yes."
I don't think I'll ever forget the look of horror that stole across those twelve faces. After a long, uncomfortable pause, the same woman asked, "What values?" Unaware I was committing career-suicide, I listed things such as not stealing, not hitting, forgiveness, not being cruel. You know: be nice! Duh!
The panel remained grim-faced and after another interminable amount of time shuffling papers and shaking their heads, they calmly announced that I was a very unsuitable candidate for teaching and would be better off finding a job as a shop assistant.
I don't remember what happened after that, how I got home, how I faced my parents as a reject and a failure. But later that week I took the panel's advice, went to work in a bookstore, loved it, and never looked back. Later, after saving enough money, I went on to get a degree in Spanish Literature from the University of Auckland, all the while thanking my stars that I didn't have to spend my life in a value-free classroom filled with biting, hitting, mean little kids raised without values. Whew! Saved!
I still don't understand what is so awful or backward about having values, and quite frankly, I hope I never do. Admittedly, what I consider to be my values has shifted, changed, and matured over the years, but I will always hold on to an essential code of ethics that makes me, me.
Which is why I like using my journals, and especially my art journals, to learn more about my values and what I believe in, and why. It's not always an easy process. But after deciding on today's topic, I realized my core values can easily distill into one important core belief: Make every day count. Make every day matter.
That's it. Every day I'm grateful to be alive, and every day I realize how lucky I am to still be alive. So I do my best to make my day matter with not only journaling, but writing, drawing, helping, encouraging, fulfilling my day-job role with enthusiasm, and most of all, being as aware as I can be of the world around me. It's a good world, and I value it, deeply. And I want to thank you for being part of it. Really and sincerely.
Oh, and why a horse with the Eiffel Tower on a page of values? I simply gathered from my collage supplies what spoke to me: maybe strength, service, enjoy the ride? That's the beauty of art journaling--you never know what will happen, but you can always make a connection, if not now, then down the road. It's all good. See you tomorrow.
Tip of the Day: Using your journal, and especially an art journal, is a wonderful way to connect with your personal, professional, and spiritual being. Whether or not you want to call any of it "values" (you can just call it "The Important Things About Being a Human" if you prefer), creating a dedicated journal solely for your core-self is a valuable exercise (no pun intended) for discovering your very own road map to life.
Happy Saturday, all! The perfect day for some art journaling and for today's topic: Buy a Butterfly, or, Sometimes it's Good to Shop.
In yesterday's post I emphasized the importance of using as much FREE STUFF as possible for your journal, but today I'm singing the praises of treating yourself to a trip to the hobby-, dollar-, thrift-, or art supply store. Nothing fancy, mind you, but every now and then your journal could use a little store-bought item or two. And taking yourself to buy some supplies makes the perfect Artist's Date.
My favorite way to do this is to set a budget of about $10 - $20 max, and then drive off with no expectations whatsoever, just an open mind and a sense of adventure. Some of the things I'll look for include: - Bags of collage goodies: from paper scraps to die-cut card pieces, such as the butterfly featured above. I've bought collections that are based on a theme, such as beaches and ocean-side designs, or vintage clothing and Victorian sayings. Other bags have included a variety of fascinating but totally unrelated items; one bag I bought even had tiny little clothes-pegs and safety pins in the mix. None of these bags cost more than $5.00 and they were jam-packed with inspiration.
- Old and very-bad-condition books. These are excellent for tearing up and re-using the pages of text and/or illustration for journal backgrounds. (Note: if the book isn't completely falling apart, it can be turned into your actual journal as an "altered book.")
- Bags of ribbon scraps.
- Pre-cut fabric quilting squares. These are usually bundled into small color-coordinated packages.
- Stick-on pearls, rhinestones, and other blingy-type thingies.
- Jewelry-making components such as pendants and miniature printed pictures for inserting into clear pendant-cases. (I don't know how to exactly describe these pictures, but they're wonderful for collage. Each sheet usually has about 20-30 different designs.)
- Stickers! So many to choose from!
- Scrapbook pages sold in tablets or as individual sheets. (The tablets can be pricey, but they're often on sale, especially at the discount stores.)
- Origami papers.
- Craft magazines. Good for inspiration and cutting up for a wealth of words and images.
And that's just for starters. After I come home with my treasures I usually sort them into different categories of size, theme, or color. I then keep everything in a series of cigar boxes for the smaller pieces, and photo-storage boxes (decorated of course!) for the larger bits.
On today's page I've used a background of watercolor crayon, some leftover strips of a scrapbook page, four pieces of die-cut card from a purchased package, and a lovely quote from a lovely member of my writer's group. She had included these in our Christmas cards a few years back and I always knew I'd use mine in some meaningful way down the road--like today.
For the written part of my journal, I'm going to continue with "I remember. . ." recalling the time my first-grade teacher brought caterpillars to class and we placed them in an aquarium filled with leaves and branches. I'll never forget watching the "worms" (I was a rather squeamish child) form their cocoons, and then the wondrous day when the butterflies emerged to fly out the window. Some things stick with you forever, with or without the glue-gun.
Tip of the Day: The next time someone asks what you'd like for a birthday or holiday gift, why not suggest some supplies for your art journal? I love it when someone surprises me with a grab-bag of notions and "puzzle pieces." Not only does it give me some interesting insights into how other people think (i.e., why they chose particular items over others), but I enjoy the challenge of using things I may not have picked out for myself. Wishing you all a creative weekend!
Hello, everyone, and welcome to the first day of the A-Z Blogging Challenge! As promised in my last post, my theme for the 2016 A-Z will be art journaling, with a new entry for every day of the challenge.
My plan is to base each of my journal pages on a letter of the alphabet, giving myself about 30 minutes a day to put together a visual page (the part I'll be sharing) from the easiest and cheapest materials available, and another half hour to freewrite about what I find in the images. All along the way I'll also be providing tips and ideas for you to create an art journal of your own.
But before we begin: If you're a first-time art-journaler, please don't think you need to go out and buy tons of supplies. One main point I want to demonstrate over the month is how little you need in both materials and time: an hour at the most broken up into several 15- or 20- minute segments, a journal or notebook, some glue sticks, a pair of scissors, some junk mail/every-day ephemera ("The Moon" is torn from the bottom of a sheet of postage stamps), old magazines, some colored pencils, felt tip markers or watercolors, and optional decorative papers which can range from gift wrap to plain papers you paint and decorate yourself. Chances are you probably have everything at home already; even if you don't have a journal, you can just use individual sheets of paper and staple, sew, or tie them together at a later date.So what have I got here for this first entry? Scraps! For instance, the green piece of paper in the background up there is a leftover from cutting out some star-shapes for another journal project. I kept it because I liked the unintentional design and also because I'm a great fan of "waste not, want not." The little colored pencil piece I glued in beneath it is a practice drawing on vellum from last year that seemed to fit the overall design in both shape and color--especially as I could then title the piece "A is for Apricot"! And that, along with "Reach for the Moon" is going to be my writing prompt for the day.
Hint: Apricots always remind me of my childhood in California's San Fernando Valley. A great way to start off your art journal, especially if you're feeling a bit stuck or uninspired is to begin with those wonderful words: "I remember. . . "
Tip of the Day: Did you know cabbage leaves, kale, and collards make excellent journal pages? Oh, okay--April Fools!! See you tomorrow with the letter B.
Hello, Everyone! Today I'm revealing my A to Z theme: An Art Journal Page a Day. For anyone unfamiliar with the challenge, the idea is to blog every day during the month of April except for Sundays, and to base each post on a letter of the alphabet.
This year I'll be creating a small art journal for the month along with tips so you can try something similar yourself. I can't promise it will be a fantastically beautiful journal (see Help, I Hate My Art Journal!), but it will be fun, and it will be a good discipline to collage and journal on a near-daily basis.
To get us all in the art journaling mood, I thought I'd share some pages from past journals.
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I used an actual piece of papyrus on this page. I'm not sure why I associated Paris with Egypt, but it might have had something to do with the Louvre. Whatever, to me art journaling is about emotion, not precision. |
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I found these Betsy McCall paper dolls on line. I loved Betsy as a child, but she was a difficult role model to live up to. My mother had a even more difficult time trying to understand why I couldn't be as band-box perfect as dear Betsy, even when I explained to her Betsy was a doll, while I was a real little girl. The story of our entire relationship. |
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This particular collage was in memory of my grandmother. The picture of the little girl isn't of her, but reminds me of her all the same. |
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I put these maps together for a short story I was writing at the time. My favorite technique was coloring in the black-and-white photocopy of rocks and sea with colored pencil. |
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I created this spread after reading a novel set in Africa. |
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I made this page after I finished writing my novel, Overtaken. The bracelet had been one of my initial writing prompts that fueled much of the story. |
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After Overtaken was published, I wanted to do something with the old manuscript pages. So I did this. |
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Using old, failed, watercolors in a new way. |
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These two pages were created months apart. I was first intrigued enough by "The Lady in White" to consider using her as the model for a possible novel set in Egypt. Then when I came across her again in an orange sweater, I knew there really was a story to write. Currently it's still very much a WIP, but I'd like to return to it one day. These pages are a good inspiration and starting point. |
So start collecting your junk mail, magazines, ribbons and bows and get ready to journal. See you on April 1, and don't forget your glue sticks!
Every year I like to set my goals--not so much to make the year into a non-stop homework assignment, but more to clarify where I want to go and how I want to get there. This year I have five:
1. Keep submitting the novel (The Abyssal Plain) I finished editing last year. Which means: making serious submission lists, staying tuned-in to what's happening in the publishing world, not being defeated by rejection, and just going for it. Yes.
2. Finish the edits on my new novel, Ghazal, and have it submission-ready by the end of the year. I'm really looking forward to this particular task because I particularly love this manuscript. It's based on the theme of "Thirty Doors, Thirty Stories" and one of the things I'm planning to do as a spin-off goal is to create thirty mixed-media illustrations to go with the manuscript. (People with long memories might recall that one of my 2015 goals was to paint and draw scenes of doorways, something that fits my current WIP perfectly and still maintains my interest.)
3. Write short stories. Initially my goal was to "write one short story a week." My goodness, only one? Not . . . three? I don't know who thinks up these things, but after failing to write any short stories during the first two weeks of the year, I thought this imperative was somewhat draconian. To save my sanity and accomplish my other goals, I just plan to write short stories--when I can--rather than embark upon another novel this year. (Whew, that feels better.)
4. Go for the A-Z Blogging Challenge again. This will be my second year participating and another good reason to not fill up my calendar with "must write" short stories. The challenge involves blogging every day except for Sundays during the month of April, each blog post based on a topic starting with A and working through to Z. I enjoyed my first outing with the A-Z'ers and can't wait to see what kinds of new blogs I'll discover this year.
5. Work through my art instruction books one exercise at a time as if I were in a class. After my last bookshelf purge, I was interested to see that the majority of books I kept in any single subject were all my art instruction books. I love them, but I have to admit to not always using them. Too often I just look at the pictures and/or do only the intermediate lessons. I read the beginner's lesson and think, "Oh, that's boring. I don't need to learn about color mixing or how to make pages and pages of pencil marks for practice." This is always followed by then going to the advanced lesson and reeling when I see how complicated it is, my usual thoughts being, "I could never do that!"
This year that's all gonna change. I'm going to tackle one book at a time rather than diving into all of them at once (another bad habit), and do the exercises in order: beginner, intermediate, advanced. If I have to be bored painting circles, or do the advanced lesson on how to draw the perfect sleigh horse with shiny little bells in its mane (yes, this is a real lesson in one of my books) twenty times to get it right, so be it. I might end up having to stay with just one book for the entire year, but it's the only way I'm going to progress with my art skills and justify why I'm keeping those books.
So that's me. How about you?Tip of the Day: Find a group of supportive listeners and goal-setters to help you brainstorm and solidify ideas for 2016. Before writing this post, I met with my writer's group specifically to discuss our goals for the year. It was a wonderful and inspiring meeting that encouraged me to a) have some goals, and, b) go gentle on myself. I was also able to pick up some fresh approaches on how to tackle the various projects, things such as adding more meditation and "quiet time" to my day, or venturing out into new selling opportunities. Best of all, I didn't feel alone in my quest to make my year something special. Thanks, group, and good luck with your own goals!
Wow, the A-Z Blogging Challenge has been over for a week, and I'm just now recovered enough to add some of my thoughts to the list of other bloggers' reflections that you can read by clicking here. As mentioned on my sidebar, my theme for the challenge was "My Keeper Books," all the books I can't imagine living without. It was a particularly poignant theme for me, because I'm currently living without them! As soon as the challenge was over, I began packing for another move, and I started with my books. After two years of condo-living, I'm off on a new adventure to an unfinished town-house in serious need of renovation. But that's all for another post; today's is about the top 12 things I learned from the challenge. Here goes:- My chosen theme of "keeper books" gave me the opportunity to really examine what books I own and why. It helped me to make some choices for the upcoming move, leaving me with a small pile of "non-keepers" that went off to Friends of the Library for resale.
- I learned that using a set theme for any creative project is an excellent idea to help you stay on track. Whether it's choosing a theme such as "Love conquers all" for your novel, or painting a series of still life pictures only in yellow and green featuring koala bears, a theme keeps you focused and productive.
- For the majority of my A-Z posts I made Polyvore.com digital collages to serve as illustrations. Stretching to include a visual "post" along with the text each day was a bonus that kept me feeling even more committed to the challenge.
- I learned that I could write a post without stressing about it. Because I had a deadline to adhere to, I found I was writing more naturally and with a lighter heart--despite the time pressure. Weird.
- And with that, somehow, I found the time to post every day! Proving to myself that I will always have the time to write, draw, and create every day if I want it badly enough.
- I also found I could be much more open with what I wrote about. When I first started my blog several years ago, my intention was for it to be a "how-to-write" site, an extension of my creative writing workshops and classes. But that often meant I would become overly-focused on the need to teach, leading to more stress: Was I clear in my instruction? Did I make the subject too difficult, or boring? Did I make the reader feel inspired or simply overwhelmed? It was a worry, but one that I've learned to set aside. My posts will still center on writing and creativity, but I plan to share more of my own journey and daily life into the mix as well.
- I met a lot of great bloggers. It was wonderful to visit, connect, follow, and comment on so many interesting and varied sites--sites I would never have found prior to the challenge. Can't wait to read more!
- Apologies for this rather negative "lesson" but I was astonished at how many blogs I couldn't read! It saddens me to say this, but it was such an important discovery and eye-opener for me. Many, many blogs I visited turned out to be too cluttered or too busy for me to read without getting a serious headache. Most of these had teensy-tinsy fonts on black backgrounds, and quite often with just a "hint" of the post, with no real indication of how to click onto the main body of the post to read what it was supposed to be about. With this was another problem I kept running into--blogs that I DID like very much had no way (at least that I could see) to follow them. So frustrating! In light of this, I hope my blog is easy for you to use and follow. If at any time you have trouble with any of it, please let me know.
- On the pleasant and easy-to-use blogs, however, (which were also the vast majority) I started to develop a much-improved habit of leaving comments. In the past I have been a terrible non-commenter, blaming my perpetual lack of time. What I learned to do over the month of the challenge was to simply set aside a few extra minutes each day so I could comment on whatever blog(s) I was visiting. It was a good plan and I hope to continue it.
- When I signed up for the challenge, one of my goals was to learn how to blog more frequently--and I certainly did, LOL. Now that the challenge is over, I don't think I will be blogging every day, but a schedule of every 4-5 days is manageable, and more frequent than my past posts of once a week.
- Blogging every day came close to being a daily meditation for me. I enjoyed that, and I may continue using my morning writing practice as a way to generate if not actual blog posts, at least the ideas and themes for them.
- Prior to the challenge, I kept hearing voices in my head--the nagging ones that come from agents, editors, publishers, etc. demanding that writers "blog, and successfully, too." I guess "successfully" means having a gazillion hits and followers, and a fan list from here to the moon. In other words, blogging was promotion and marketing and something to do with job performance and pleasing other people. The A-Z Challenge turned that all around for me. Now I feel blogging is about community and communication, and sharing what is important in your world. It's not about numbers, it's about conversation and helping each other where and when we can.
Tip of the Day: One last thing about the challenge, and maybe the most important: I learned to take time off. Sundays were set aside as the "non-blogging" days, and I was amazed at how vital it was to follow that rule. So the next time someone tells you have to write "every day," guess what? They're wrong! Giving yourself necessary, scheduled breaks will help you maintain energy and enthusiasm for even the most challenging project.
I want to thank the organizers of the challenge--as you can see, I learned a lot from them. I also want to congratulate everyone who completed the challenge. Wishing you an entire dictionary of future blog post ideas!
And we have a winner for the giveaway copy of OVERTAKEN!
Congratulations, and happy reading!
The end of the alphabet, the end of the challenge--today feels a little sad to me! Showing up to blog every day has been an important experience; going through my keeper books even more so. Examining why I have kept a book, and given others away (many, many others) has brought back all kinds of memories, good and bad, and has also confirmed that I've made the right choices. The books I've listed this past month will always be keepers; they make my world whole.
Today's keeper is no exception. Zigzag Paz by Pamela Anne Zolkov, published in 2011, is the only memoir I own. Primarily set in South Africa, it's a journey of the heart that is truly unforgettable. To read my earlier review of the book (which remains one of my most popular posts according to my sidebar!) just click here. I feel the same way today as I did when I wrote that original post--Zigzag Paz is a wonderful story, well-written and thought-provoking--and it has recipes! How cool is that?
But what I really want to say today is what Zigzag Paz has come to symbolize to me now that I've had my blog for several years, as well as a Twitter account, a Facebook page, a website, a JacketFlap account, an Author's Den page (I think that's all!); in other words, the Internet.
I met Pam through the Internet via Twitter. Twitter! I would never have thought back when I was first reading, say, The Alexandria Quartet or Vanity Fair, that I would one day have a combination TV-typewriter that would take me to as far away as South Africa, or even the next state over, giving me the chance to meet amazing people like Pamela Zolkov.
It's been such a privilege, a science-fiction fantasy come true, to be able to communicate with you all wherever you are, whatever time zone you're in. How lucky I am to get up every day and know you're out there somewhere, working on your own creative projects, filling the world with your creativity and good thoughts. I'm so grateful to you all!
Thank you for reading my blog, thank you for the work you do, thank you for sharing your books and art. And thank you, especially, Pam, for writing Zigzag Paz and introducing me to so many new vistas through your book. It means a lot to me.
So with that I'll sign off for a little while. I need to digest this whole "blogging every day" thing. Tomorrow I'll be selecting a winner for a print copy of Overtaken, and will announce who that is in a few days after I've heard back from him or her. There's still time to win--just leave a comment on any of my A-Z blog posts from this month and I'll enter your name in the random drawing.
But now I have to go find a tissue. I'm feeling very emotional saying goodbye to the challenge and to you. Who'd have thunk it? Take care and I'll see you all again in about a week. Keep reading good books!
Although I don't have a keeper book starting with the letter "Y", I do have a special surprise: a guest blogger specializing in Y is for Young Adult! And her new book (which is definitely on my keeper shelf), Baby Gone Bye, does have two Y's in the title. So all round I feel pretty lucky (more Y's) to have Marilee Brothers visiting today. Yay Marilee!The author of eight books, Marilee Brothers is a former teacher, coach and counselor. She and her husband are the parents of three grown sons and live in central Washington State. After writing six young adult books, Marilee is currently hard at work, writing an adult romantic suspense.
Her most recent young adult title, Baby Gone Bye, is a keeper for many reasons: I love the story, I enjoy Marilee's writing style, and I think it's an excellent go-to book for staying up-to-date with modern YA writing. I gave the book 5 stars in my Amazon.com review, which you can read on the book's Amazon listing page.
For today's post I asked Marilee if she could share some of her top tips for writing for the YA market. Here's what she had to say:1. Read, read, read. When I was young, there was no such thing as young adult fiction. The only books available to me featured prissy little girls in white pinafores. Therefore, I had to sneak-read my parents’ books and grew up with the fantastic Travis McGee series by John D. MacDonald and books like The Flame and the Flower by Kathleen Woodiwiss, very likely the first sexy romance novel ever published. 2. Watch TV shows and movies that feature teenagers. Eavesdrop when you’re in the mall or other teen hangouts. But, be careful when using current slang. It will probably be obsolete by the time your book is published. 3. Write in a genuine voice because kids can detect a phony faster than I can write this sentence.
4. Don’t get preachy. If you have a message, make sure it’s an integral part of the story, woven intricately throughout the plot. You may not even know you have a theme until after the book is written. This happened to me. I wrote five books in the Unbidden Magic series and didn’t realize until Book 3, Moon Spun, that I had recurring themes, namely Allie’s search for her genetic roots and the desire to find something larger than herself to believe in.
5. If you’re writing for young teens, bear in mind you are also writing for their mothers. Moonstone, the first book in my series, featured 15-year-old Allie Emerson. She lived in a rural part of Washington State with her young, single mom. She’d never had a boyfriend until she connected with reformed gangbanger, Junior Martinez. When the book came out, I didn’t hear from the young readers. I heard from their mothers who read the book before passing it on to their kids. The message was, “Thanks for writing a book without vampires and sex.” This surprised me.
6. Make ‘em laugh. Your plot may be deadly serious. Your protagonist may be in fear for his/her young life. Your characters may be in mortal danger but that doesn’t mean you can’t throw in a dash of humor. Often, the funny stuff is what your reader will remember about your book. For example, I’ve read all of Sue Grafton’s alphabet mysteries featuring her private detective Kinsey Milhone. I’ve forgotten most of the plots, but I’ll never forget her description of Kinsey sneaking into a house via the doggy door and then meeting the actual dog. Laughed my butt off!
7. Don’t write to a trend. Vampires. Dystopian. Shape shifters. Sorcery. They have all been done to death. Maybe you have a fresh new perspective. If so, go for it, but bear in mind, agents and editors may be sick of these overdone genres. As stated before, write from the heart. Make your story fascinating, original and unputadownable. Is that a word?
8. Here's an exercise guaranteed to put you in a YA frame of mind: harken back to your teen years and pick an age when you were alternatively miserable and euphoric. For me, it was age 14 going on 15, which is why I made Allie Emerson that age at the beginning of my series. Think of an incident that made you miserable. Try to remember how truly awful you felt and write about it. Then, do the opposite. Pick something that sent you over the moon with happiness and write it down. Tap into your inner teen and you will find the age of your protagonist. I promise you it will work.
Last bit of advice: Write. Write. Write. Exercise that writing muscle! It gets lazy if we let it. Not only does it get lazy, doubts begin to set in. I recently finished a contract with my publisher. After writing a book a year for six years, I took some time off. Big mistake. The longer I waited to start something new, the more I began to wonder if I still had the juice. I know. It makes no sense. So, after a serious talk to myself, I began writing again. And, guess what? The act of writing woke up my lazy brain. The ideas began to flow and all is right in my world.
Thank you so much, Marilee! Great advice which I certainly will be taking to heart for my next YA project. Wishing you the very best for continued success.
P.S. Marilee loves hearing from people who have read her books. Feel free to contact her at www.marileebrothers.com. Thanks again--and see you all tomorrow with the letter Z (and the end of the challenge!).
I don't have any books that start with the letter "X." I don't think I've even read a book starting with "X"! So today's fill-in will have to be keeper book Maxfield Parrish, by Coy Ludwig, the closest I can get to any title with an "X" in it, other than The Alexandria Quartet, the first book I posted for the A-Z Blogging Challenge. "Twilight" has always been my favorite Parrish painting. Oh, yes, I adore all his wood nymphs, fairy tale princesses, gorgeous waterfalls and morning skies—I’ve even had drinks at San Francisco’s Pied Piper Bar with its splendid namesake painting, but for some reason, this tame little scene of a white-washed house in the middle of nowhere speaks the loudest to me. When I first started taking art lessons, my teacher said something very interesting that I’ve never forgotten: she said that the world was full of landscape paintings, still life pictures, portraits, fantasy art, you name it. The full range of techniques and expressions from abstract acrylic on glass to humanist marble sculpture has already been done, and by artists of every skill level imaginable. But what differentiates the pieces that truly speak to us is what she called “the X factor.” That little, indefinable unique something-or-other that makes the work different, and special. It might not even be seen by everyone who views the work—but when you see the X factor, you know it, and you want that piece of art in your life. I don’t think there’s any Parrish painting that doesn’t hold some kind X factor for me, but "Twilight" seems to carry a special message, one that speaks to me of home and hope. I’ve moved so many times in my life that I don’t really have a very clear image of what “home” means. The places I lived in as a child were scary and unfriendly, somewhere to escape from, rather than seek refuge or feel any sort of safety or comfort. It wasn’t until I lived in my own apartments and houses that I understood how to make a place warm, welcoming, and peaceful—in other words, a home. “Twilight” has given me that inspiration and a model to follow. Other than my years in the Georgia countryside (and that was pretty suburban; the college was right down the road next to a smooth highway leading straight to the heart of Atlanta) I’ve never lived in quite the full extent of isolation as in this painting. If I did, I know I’d go stir-crazy in a matter of days. After a few walks up and down that creek bed I’d be itching for libraries, art supply stores, and a quick trip to the mall for a latte. But . . . it’s nice to dream. It seems I carry the image of this particular house in my mind wherever I live, and it’s what has made me seek out an X factor in my own sense of style of interior decorating, maybe even my own writing and art. I can't say exactly what that is, but it’s a striving for something quiet and tranquil, a space that allows me to think and create and just be me. It’s a good place to go, and I hope you have a special heart-place of your own, too. Let me know if you'd like to share!
Happy "W is for Weekend"! Hope you're having a good one. It's dark and cloudy in Albuquerque this afternoon, just the right weather for today's keeper book: Writing Poetry from the Inside Out, Finding Your Voice Through the Craft of Poetry, by Sandford Lyne. This particular book is so important to me I've written my name on the inside cover, just like I did in the fifth-grade with Little Women and The Wizard of Oz: My Book, Hands Off! I carry it with me to all sorts of important places like the library for some quiet writing practice; my writer's group for more writing practice and group exercise; for inspiration when I'm waiting in the Lowe's parking lot while my husband shops for gizmos. As Lyne states in the preface, ". . . poetry writing is the most portable of the arts . . ." It's true--all you need is a pen and a notebook, pencil if you prefer.Here are my three favorite things about the book:- I love the way Lyne refers to a writer's journal/sketchbook/notebook as the writer's "studio." Choosing just the right size, paper, binding, and weight of your book goes a long way to feeling comfortable with it, making you want to write more often, or as Lyne calls it, trying your hand at some "poem sketching." The simple act of opening your notebook can become a touchstone, transforming wherever you are to writing space, helping you to block out noise and other distractions. So choose well!
- There's a lot more than poetry "form and function" here. Yes, there's lots of "how to" instruction on "how to write a poem" throughout the text, but this is also a book about how to reach that deep and sacred part of you that wants to express itself through the written word. In many ways, this is secretly a book about how to live, and live well.
- Word clusters. There are about 30 pages of word clusters at the back of the book, divided into groups of four. For example: barefoot, evening, shadows, king. Or: wall, ancient, dawn, dusk. These have been provided as writing prompts (which makes this such a great book for writer's groups). I've used these clusters in all kinds of ways: singly, as the given set, or taking words from across the pages to make new combinations. I've also used them for more than poetry, too, e.g., essays and fiction. And if you manage to work your way through every set, you can always start adding some fresh words of your own to the mix, cutting out words from magazines, or going through the dictionary for fresh and unusual ideas.
There's still five days of National Poetry Month left (and only three more blog posts till the end of the A-Z Blogging Challenge!). How about joining me to write some new poetry over the coming days? Here are a few word clusters of my own gleaned from magazines to get you started:mirage
romance
harvest
escape
taste
scarlet
theory
world
horizon
balance
window
snow
image
ancestral
passion
world
They almost make a poem on their own! Have fun, and I'll be back on Monday. (Yay for free Sundays!)
Yesterday the strangest thing happened to me: I was in a bookstore searching for a new art book (totally realizing that the last thing I need is a new art book), and when I opened a how-to on watercolor techniques, there was a letter inside. A hand-written, angsty "I-don't-mean-to-be-passive-aggressive-but-I really-hate-you-because-I-love-you" letter. Wow. It was written on lined notebook paper and made me feel like I was a character in a movie or a novel. All I could think about was: Who was supposed to receive this letter and why was it in this book? In a public space!
The part that was really strange to me, though, was that I had already planned to make today's post for "U" be a celebration of Urgent 2nd Class, Creatimg Curious Collage, Dubious Documents, and Other Art From Ephemera, by Nick Bantock, the creator of the Griffin & Sabine series of books. If you are a Bantock fan, you'll immediately recognize the significance of finding a letter in a book. If you don't know Bantock's work--run, don't walk to the bookstore and get yourself a copy of Griffin & Sabine, an Extraordinary Correspondence right now--skip reading this post, just go!
In my opinion, Nick Bantock is the foremost mixed media and collage artist/author ever. The End. I have admired (and envied) his work most of my adult life, and taking one of his workshops is so on my bucket list I get dizzy just thinking about it. Fortunately, I have a way to stay sort-of sane while I'm waiting because Urgent 2nd Class is one of my all-time keepers. The book is full of Bantock's artwork, and better yet, great ideas and tips on how he does it. Not only is the book beautiful, it's genuinely useful.
Bantock is the reason I first became interested in making collages of my own. I've often mentioned in the past how important magazine cut-outs have been to both my artwork and writing, but to get that real "fine art" kind of effect, magazine pics can sometimes be too "slick" or commercial-looking.
Bantock uses all kinds of strange and interesting materials in his work, much of it found from combing through vintage shops and yard sales. My own collection of collage materials is rather paltry in comparison, and one of the things I'd like to do this summer is start creating a better selection of items. To get started, I brainstormed a list:- Used costume jewelry: pins, beads, chains.
- Old jigsaw puzzles--doesn't matter if pieces are missing. All the better if they are.
- Vintage postcards, travel brochures.
- Vintage greeting cards.
- Vintage theater programs and tickets.
- Stamps. International, used, pretty, weird . . .
- Buttons, laces, and fabric trims. Preferably used.
- Old books in bad condition (so I can tear them up with a clear conscience).
- Vintage menus, paper placemats.
- Doilies, both fabric and paper (good for making imprints and texture in paint).
- Wallpaper scraps.
- Really bad condition wall-art prints and posters (again for tearing up).
I have a feeling that searching for these items is going to be just as much fun as finding ways to use them. Let me know if you're planning to hold a yard sale any time soon!
When I first moved to Albuquerque nearly eleven years ago, one of the first things I did was join a narrative poetry writing group. I saw their notice seeking new members up at my local indie bookstore, and wanted to join on the spot. I called the listed number, talked to a very nice poet, and attended my first meeting several days later. It was a great group, even if I didn't know that much about narrative poetry at the time, other than having read Gaudete, the subject of my "G" post for the A-Z Challenge.
Unfortunately, several months later the group was the target of a hostile takeover (bet you didn't know groups could fall prey to things like that) and almost overnight it became a . . . science fiction novel writing group! Huh?? I don't write science fiction. I needed a new group, and soon.
Except there were no other narrative poetry groups in Albuquerque. When I told a poet friend in Canada about what had happened and how much I wanted to learn more about the genre, she immediately sent me a very special gift: a copy of The T.E. Lawrence Poems by Canadian poet Gwendolyn MacEwan, a book my friend described as "narrative poetry at its best." She was right.
The T.E. Lawrence Poems is a fictional "autobiography" told in verse from the point of view of Lawrence of Arabia. This Lawrence isn't Peter O'Toole, and maybe not even the author of Seven Pillars of Wisdom, but he sure comes across as real. Reading this book is worse than having an endless bowl of Fritos--once I start, I can't put it down.
I have never been the type of person who can describe poetry very well. I use words like amazing, fantastic, beautiful, soul-stirring, but none of them say what I want to say about poetry. Maybe it's because I just don't know how you can write about poetry, except maybe to write another poem!Which is what I did on a trip to Taos, New Mexico a few summers back. It started with a simple misunderstanding: During much of the trip I kept talking about how much I wanted to see all the places D.H. Lawrence had been while he lived in Taos. It wasn't until we were at the Mabel Dodge Luhan House that I realized with a jolt that my husband thought I'd been talking all this time about T.E. Lawrence. I was stunned. Sons and Lovers had NOTHING to do with camels. I had to process this in my art journal before I felt as if I'd fallen down the rabbit hole:Lawrence in Taos
There were no deserts he could recognize;
His motorbike too small and industrial;
His politics unpopular;
His clothing suspicious.
Arrested over and over for assisting--they thought--Al Qaeda,
He could not convince them he wasn't who they thought he was:
LAWRENCE OF THE INDIANS.
It was terrible how narrow their vision was
And how much he wanted to go home . . .
Whew, that felt better.
I hope you get a chance to read The T.E. Lawrence Poems one day. The copy my friend sent was a used edition, and I was lucky to get it. There are some pencilled annotations in the margins from previous readers, and whoever they were, they seemed to have enjoyed the book almost as much as me!
Happy National Poetry Month, everyone, and I'll see you tomorrow with the letter "U."
The real title of today's keeper selection is: Sunset Menus & Recipes for Vegetarian Cooking; Entertaining Specialties, International Favorites. But to keep life simple, I just call it the "Sunset Vegetarian Book."
It's the only cookbook I own, and I've had it for years and years. I don't think there's a recipe in it that I haven't changed, altered, substituted, rewritten . . . whatever works, right? After all, you can't really go wrong with vegetables!
But the real reason I've kept the book so long is for a recipe that isn't even part of the book. Instead, it's one I've handwritten onto the inside front cover, and its a recipe I do follow (pretty much) to the letter. And that is for:
THE COLONEL'S MUESLI!
This is a recipe I got from my late father-in-law, a larger-than-life character straight from the pages of any runaway bestseller of a novel. Heck, they could make an entire mini-series from his life: hunting tigers in India for his 21st birthday (yes, yes--it was a different world back then); fighting with distinction in the second World War and being highly honored for his service; continuing to serve in Libya and Malaysia (where he took my husband and his siblings into the Malaysian jungle to meet with headhunters) . . .
Eventually he moved to New Zealand where he became a strict vegetarian, one of the reasons he could go on yearly European skiing vacations well into his eighties. (He was also very kind to cats of all shapes and sizes.)
One of his daily rituals was to eat a bowl of his own homemade muesli every morning. He gave me the recipe when he was staying with my husband and me in California one year, and I wasn't able to find ANY kind of muesli for him to eat. I could find Fruit Loops, Coco Pops, cornflakes--but noooo muesli.
After searching every store in my area, I realized I was going to need help and just make some myself, hence the need for a recipe. The Colonel scribbled one down for me, and guess what? It was so good, I've continued making it to this day:
1 cup stoneground wheat flour
Melt the oil and honey together in a saucepan over low heat.
Mix the remaining ingredients in a deep oven-proof casserole dish.
Add the honey and oil. Stir well.
Bake at 350 degrees for half an hour, checking occasionally,
stirring to rotate the ingredients.
When cool, place into a large lidded container.
Lastly, add 1-2 bags of your favorite trail mix. (You have to open the lid for this.)
Note: be careful not to overcook. This isn't granola
so you don't want it too dark or crunchy.
"Lightly-toasted" is what you're going for.
And there you are! Now just keep an eye out for those tigers . . .
Mary Deal is one of my favorite authors. I own four of her books, all keepers, but the only one that starts with "R" is River Bones, so that's the title I'm featuring today. River Bones is an exciting page-turner of a mystery set in California's Sacramento River Delta area.
It has a bone-chilling book trailer:
And I want to re-read it RIGHT NOW! Except I can't. I'm at work.
One of the main reasons I enjoy Mary's work so much is her voice. When I read (and re-read) her books, it's hard to remember I'm reading about fictional characters. Instead, all of her story people feel like real people to me--people I'd like to invite to dinner one day--well, the good guys, at least! Mary is an expert at portraying villains, and I would never want to know any of them in person.
Exactly four years ago (almost to the day, where does the time go??) I wrote a post about Mary's book, The Tropics. Since then, Mary has come out with a completely new version of that book, titled Legacy of the Tropics, available on Kindle. Whichever version you read, though, I think that first post sums up my thoughts on River Bones, too.
Mary also teaches writing, and she has a great website full of excellent tips for writers at all stages of their careers. For more on Mary and her books, plus invaluable writing info, please check out writeanygenre.com. In the meantime, I hope your week is off to a great start and you've been inspired to start searching through all your own bookshelves, discovering which are keepers and what titles you might want to pass on to friends of the library. See you tomorrow with the letter "S"!
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