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Viewing: Blog Posts Tagged with: design, Most Recent at Top [Help]
Results 1 - 25 of 737
1. Postcard layout

Florentine Ins. Group Florentine Ins. Group2This is a huge postcard I designed for a local insurance group. They are using the U.S. Postal Service Every Door Direct Mail option to get new customers.

      

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2. Coffee Roasters in New Mexico - branding, package design,...











Coffee Roasters in New Mexico - branding, package design, illustrations.











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3. Illustrator Shadra Strickland Takes Us Behind the Art of Sunday Shopping

shadra stricklandSunday Shopping, our new spring title released this month, is a whimsical and fun-filled story of a young girl and her grandmother who use their big imaginations to go “shopping” through the Sunday paper. We asked illustrator Shadra Strickland to take us behind the scenes for creating the art work used in Sunday Shopping.

Making the Art for Sunday Shopping

Making the art for Sunday Shopping was almost like making two different books. The two art styles were distinctly different. The illustrations of Evie and grandma in bed were painted in watercolor, much like the paintings I made for Bird. The second set of images were made with a combination of line drawings, acrylic paintings, and assembled digitally.

The most challenging part of making the art for Sunday Shopping, was making sure that all of Evie and grandma’s “bought” items were consistent in all of the small paintings. I had to draw the same small bits of paper in every scene as the wall of items grew and grew.

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Once the watercolors were done, I drew all of the Evie, grandma, and cat characters on pieces of Bristol board. They were all painted in the same week to make sure that the clothes and skin tones were consistent. Even then, some colors had to be adjusted after I scanned them into the computer.

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Once the characters were all done, I made drawings of the imaginary world with a wax pencil (also known as a China Marker). I drew on sheets of smooth plastic like drawing vellum. Those drawings were then scanned into the computer.

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Next, I painted different pieces of newspaper in different colors based on all of the elements I needed in the book. Some colors were adjusted digitally, but not many. Most of the paper was used as it was painted.

sunday shopping illustrations_5After everything was scanned in, I began to “cut” shapes out in photoshop and compose them within the line drawings.

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The last step was digital retouching. I had to go back into a few faces and digitally paint over some faces to make sure that skin tone was consistent throughout.

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My wonderful editor checked all of the art for consistency, and after a few passes back and forth, we made sure all of the elements were lined up throughout.

Once all of the art was assembled, I worked closely with our designer to discuss page color and type design for the book. My favorite thing about making books with Lee and Low is how truly collaborative the process is!

You can learn more about Shadra Strickland and her creative process on her website.

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4. Comics Illustrator of the Week :: Stacey Lee

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I’m having trouble finding background information on Stacey Lee, so I’m mainly going to be sharing links to her social media presence. She’s new to me, but I think her work on the new Marvel series Silk is exceptional, so I thought I’d share some of her work here. Lee is from Boston, currently lives in New York, and specializes in graphic design and illustration. I hope her run on Silk is a long and memorable one; she’s doing great things with that character!

Stacey Lee’s website.

Her art blog and twitter.

For more comics related art, you can follow me on my website comicstavern.com – Andy Yates

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5. Comics Illustrator of the Week :: George Bletsis

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George Bletsis provided this week’s stunning Adventure Time cover, so he gets Comics Illustrator of the Week honors! Bletsis brings his carefully constructed drawings to life with rich, bold colors and seems to have a real knack for field of depth & space in his work. Working and living in Southern England as a freelance illustrator for print media and as an artist for the film/video game industry, Bletsis has collected quite an impressive list of clients thus far including Jamie Oliver, BBC, Penguin, and The Royal Academy of Dance, to name a few.

You can find more art by George Bletsis, including some pages of his own comic strip, on his blog here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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6. Blog Tour: The Water and the Wild

The Water and the Wild by K.E. Ormsbee

by K.E. Ormsbee, illustrated by Elsa Mora (Chronicle Books, 2015)

From the publisher:

A green apple tree grows in the heart of Thirsby Square, and tangled up in its magical roots is the story of Lottie Fiske. For as long as Lottie can remember, the only people who seem to care about her are her best friend, Eliot, and the mysterious letter writer who sends her birthday gifts. But now strange things are happening on the island Lottie calls home, and Eliot’s getting sicker, with a disease the doctors have given up trying to cure. Lottie is helpless, useless, powerless—until a door opens in the apple tree. Follow Lottie down through the roots to another world in pursuit of the impossible: a cure for the incurable, a use for the useless, and protection against the pain of loss.

WaterAndTheWild_BlogTourBanner2

I’m so excited to be a stop on the blog tour celebrating the release of The Water and the Wild, which includes a chance for you to win a copy of this beautiful (literally and figuratively!) book.

First, let’s hear from K.E. herself. Welcome, K.E.!

K. E. Ormsbee

Visualizing Limn: The Real-World Inspirations Behind Lottie Fiske’s World.

In The Water and the Wild, twelve-year-old Lottie Fiske travels through the roots of an apple tree into the magic-soaked world of Limn—a land filled with bustling cities, dense woods, magical yew trees, and giant spider webs. World building Limn was one of the most fun and challenging aspects of writing The Water and the Wild, and my inspiration for the look and feel of the fantasy landscape came from very real places.

Today, I’d like to share some of those inspirations and take a moment to gush about just how perfectly artist Elsa Mora captured the magic of Limn in her cover art and illustrations.

New Kemble – York, England

I’m a huge anglophile, and one of my favorite places in all of England is York. The city is rich with layer upon layer of history, as evidenced in its walls, its giant cathedral, and its winding streets. I remember first setting foot in The Shambles and feeling certain that something ancient and magical was at work there.

When I first drafted The Water and the Wild, the story actually took place in York. Over time and a number of subsequent revisions, York became New Kemble, a fictional island town off the coast of Massachusetts. But the inspiration for New Kemble remained thoroughly English. I still envision The Barmy Badger—home of Lottie’s best friend Eliot—on a street similar to The Shambles. And Lottie’s home in the boardinghouse on Thirsby Square is based on the real St. Paul’s Square in York.

St Paul's Square - Personal Photo

Iris Gate – The Biltmore Estate

When Lottie first arrives in Limn, she stays at the home of the Wilfers—an old money family with royal connections and a fair share of secrets. The Wilfer family home is called Iris Gate, and Lottie is overwhelmed by the size and grandeur of the place. When describing Iris Gate, I tried to capture the intimidation I felt upon first walking into the Biltmore Estate in Asheville, North Carolina.

The Biltmore is an imposing mansion even to full-grown adults, and I was ten when my family visited. I remember gaping at the soaring ceilings, ornate decorations, and sprawling gardens. Though Iris Gate is nowhere near as extensive as the Biltmore, its architecture and landscaping were written to resemble that of the Biltmore Estate.

Biltmore Estate - Taken From Biltmore Official Website

Wisp Territory – Springtime in my childhood neighborhood

I grew up in Lexington, Kentucky. The city is surrounded by rolling green hills, black fences, and horse farms. It experiences four distinct seasons, and the springtimes there are lovely. In my neighborhood, there were many dogwoods, magnolias, and Bradford pear trees. When all of those trees were in bloom, white petals would blow loose into the wind, and everywhere I turned the world seemed awash in white. I called it my Warm Winter.

I never shook those springtime images, and when I was creating Wisp Territory—home to the mysterious will o’ the wisps—I wanted to convey a similar aesthetic. The world of the wisps is, by and large, colorless. The grass, the trees, and the leaves are all white. The royal home is made entirely of glass. This wintry appearance does not vary with the seasons, and it’s my homage to the Warm Winters I experienced as a kid.

* * *

Clearly, I have some very distinct ideas about how the world of Limn looks. What I was most nervous and excited about during the publication process was seeing how an artist would render a world that had for so long existed only in my imagination. As it turns out, I had absolutely nothing to worry about. When Melissa Manlove, my fabulous editor at Chronicle Books, first gave me Elsa Mora’s name, I of course went straight to Google to do some major image stalking. After only a minute, I knew I was in the best of hands.

Elsa’s papercuts are pure magic. There is so much detail, care, and whimsy in each of her creations. The cover of The Water and the Wild conveys not only the fantasticalness, but also the danger of Lottie’s journey. The way in which the characters and their natural surroundings blend so effortlessly captures my own attempt to make the world around Lottie as much a character as she is.

Inside the book, you’ll find a papercut plant accompanying each chapter heading. These illustrations reinforce the importance of the natural world throughout the book. And, you know, they just so happen to be GORGEOUS.

It’s been almost seven years since I first wrote down the image of a magical green apple tree. Now, as Lottie Fiske’s story officially hits bookshelves, I couldn’t be happier with the way that image and others came to be realized in the art and text of The Water and the Wild.

——–

If you’re anything like me, you’re dying to read more about Lottie and Limn. So! Tweet this post anyway you’d like on Twitter, and include the hashtag #dpb for a chance to win a copy! I’ll be in touch with a winner in a week.

Check out The Water and the Wild’s teacher guide here, and a sneak peek at its beginning here.

And be sure to check out tomorrow’s stop on the tour at Green Bean Teen Queen, where K.E. talks libraries!

ch

 

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7. Comics Illustrator of the Week :: Dan Mora

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I’m so impressed with artist Dan Mora’s work on Michael Alan Nelson’s Hexed, that I had to share a sampling of it here with all of you! The little bit that I can find out about Dan Mora on the web is that he lives in Costa Rica, he’s done graphic design work & many illustrations for numerous print/online publications, and loads of concept art/character design work, as well. In it’s previous incarnation, Hexed introduced the great artist Emma Rios to the world, and now it’s Dan Mora’s turn to find legions of new fans.

Hexed, published by Boom Studios, is up to issue 9 now; it will be interesting to see if Mora sticks with that series a while longer or if one of the “Big 2″ scoops him up. Either way, I’ll be following for the good arts!

You can find more of Mora’s artwork, and see many revealing artist process posts, on his “Behance” site here.

For more comics related art, you can follow me on my website comicstavern.com - Andy Yates

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8. Multidisciplinary Submission :: Sticky Monster Lab

By Chloe

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Sticky Monster Lab is a multidisciplinary creative studio based in Korea. They cover various mediums from illustration to motion graphics, graphic design to product design. This wide spectrum helps make their work so unique and dynamic. Sticky Monster Lab have great wit and attention to detail which has allowed them to collaborate with Nike, Nissan and MTV.
If you’d like to see more work from Sticky Monster Lab, please visit their portfolio.

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9. SBI Website Revealed

A big project that's been underway since December, my website.

I have many goals for what it can provide my customers and potential clients, yet until all those goals are met, there are a few that have been reached and I feel the site is ready to be revealed.


What Does My Site Offer Now



Goals For the Site

  • List all of my original artwork for sale, paintings and drawings
  • Move prints from Etsy to personal site
  • Offer more licensed gifts such as figurines, mugs, puzzles, etc. 

It would mean so much if you could take a visit and see what's new. Enjoy! :)

Visit the new SaraB Illustration site

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10. Newsletter Design

Screen Shot 2015-04-01 at 11.24.15 AMHere is the cover for the eight  page newsletter I just finished designing for Unity Fort Lauderdale. You can download the whole newsletter here:

Download Unity Newsletter 4.5.15 web version

      

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11. Book-O-Beards: A Wearable Book

Book-O-Beards by Donald Lemke and Bob Lentzby Donald Lemke and Bob Lentz

Guys. So if book-gifting isn’t a thing for April Fool’s Day, then it totally should be. These books aren’t a joke, but they are a huge bunch of laughs.

Here they are in action:

How funny is that? Such clever design. A perfect accessory.

Book-O-Beards by Donald Lemke and Bob Lentz

Hipster popularity aside, these punchy beards provide a secret identity for the preschool set. It’s dress up meets poetry meets a barrel of laughs.

And these guys don’t stop there! Beards have some series teammates in Book-O-Hats, Book-O-Teeth, and Book-O-Masks.Book-O-Beards by Donald Lemke and Bob Lentz Book-O-Beards by Donald Lemke and Bob Lentz

 

Sure to spice up story time!

ch

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12. Moodog

Medium Moodog Logo_final mediumI just finished this logo for a local start-up. The client wanted her dog included in the logo. Lots of elements and detail, but I think it works. She will watch your home when you can't, making sure your pool does not turn green and bugs don't over take your space.

      

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13. The Art of Making Gelato

The Art of Making Gelato by Morgan Moranoby Morgan Morano (Race Point Publishing, 2015)

And now for a little something different. And delicious.

Last week we spent a bit of time in Paris, so won’t you join me in Italy? It’s only a hop, skip, and a spoon away.

I’m not the only author in this family. Our cousin Morgan is a superstar in the gelato world, and her debut book holds all of her sweet secrets. She’s a traditionalist. A purist. An artist.

Gelato 2

Forbes called her gelato the best in America, so you don’t just have to take my word for it.

Take a look.

The Art of Making Gelato by Morgan MoranoThe Art of Making Gelato by Morgan Morano

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Morgan’s expertise and love of this art form are fingerprinted here. And for someone who just learned how to make pancakes (me!), she’s an encouraging teacher.

And it’s beautiful. Hard not to make such a confection look so lovely, but the attention to composition and warmth in these pictures is a real treat.

The Art of Making Gelato by Morgan Morano The Art of Making Gelato by Morgan Morano(click to enlarge)

We’ve been pushing the mid-90s here in southern California, but for those of you still under winter’s freeze, the thaw is coming. And it looks delicious.

You can pre-order The Art of Making Gelato here or here.

And why not pair it with Olivia Goes to Venice? Or grab one of M. Sasek’s sharp and simple classics This is Rome or This is Venice.

That’s some tasty reading!

ch

PS: Thanks for all of the Cat Says Meow support! Congrats to our giveaway winner, Clark Haaland!

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14. Sample Logos

Logos I have made-01 Logos I have made-02 Logos I have made-03Over the years I have had the opportunity to design many logos. Here is a representative set of examples. They are all vector.

      

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15. Sample Packaging

Caffè FAMIGLIA 1kg-Regulara Caffé FAMIGLIA 500 g-Esp~l3 Caffé FAMIGLIA 500 g-DecafThree varieties of coffee bean packaging designed by yours truly.

      

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16. It's Official

My very first intentional collection, from start to finish. A sweet Easter lamb surrounded by tulips, joyful bold colors, and a hint of earthy textures.


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17. StrawberryLuna studio : a dynamic duo

Post by Jeanine

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I’ve been a long time fan of the super talented design, illustration, and printmaking team known as Strawberry Luna. My art crush on this husband-wife studio might have a little to do with the fact that some of my favorite rock bands are among their impressive client list. And because they hand pull their beautiful silkscreens the super old-fashioned way. Or, because they hail from my hometown of Pittsburgh, PA. But, mostly I just am in love with their distinctive and smart graphic style! Best known for their silkscreen prints and posters, they also work on custom illustration and design projects including CD & vinyl packaging,web-ready icons, t-shirt designs, and logos & identity packages.

Their impressive client list includes Belle and Sebastion, Camera Obscura, Andrew Bird, Feist, Bright Eyes, Death Cab for Cutie and many, many more.

It was hard to choose just a few favorite pieces to share, so be sure to stop by their website and Etsy shop to see more!

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18. Tricky Vic: The Impossibly True Story of the Man Who Sold the Eiffel Tower

Tricky Vic by Greg Pizzoli

by Greg Pizzoli (Viking, 2015)

I’ve read lots and lots and lots of books for kids. I’ve read lots of questionable ones and I’ve read lots of spectacular ones. And then I’ve read a handful that are simultaneously spectacular and fresh and inventive and completely honor how smart kids are.

This is one of those.

You might know Greg from that burping crocodile or the hound with a need for speed, but did you know a book about an impossible con is exactly what the world of kids’ books needed? Meet this Greg.

Actually, meet Robert Miller.

Tricky Vic by Greg Pizzoli

(click to enlarge)

A normal kid, one who leaves home to become an artist despite his parents’ best efforts. A normal kid with a penchant for billiards, poker, and gin.

A grifter known as Count Victor Lustig.

Tricky Vic by Greg Pizzoli

(click to enlarge)

This liqour induced pow-wow below the Totally Legit delivery truck might be one of my favorite moments in this thing. It’s accompanied by a sidebar of Totally Legit information about the Prohibition. This blend of grit and truth and history hangs right in the suspense of Vic’s story. It feels like Saul Bass made one of those The More You Know PSAs right there on the page.

Tricky Vic by Greg Pizzoli

(click to enlarge)

One of the greatest tricks in this whole book is how we see the silly, unsuspecting faces of Vic’s marks, but never his. Only a thumprint. Both the clearest and fuzziest identification.

Mixed-media collage always yields great texture, just by its very nature. But Greg adds custom-made rubber stamps, actual photo texture from the floor of the Eiffel Tower, and like we’ve already seen, his very own thumbprint. This approach is as layered and grungy as Vic himself. This book can’t be slick and clean and soft–it needs depth and dirt and intrigue. That’s what it’s got.

That’s no con.

Check out these endpapers. Brick wall, posted bills, danger, and suspense.

Tricky Vic by Greg Pizzoli

(click to enlarge)

Why does that not look like the full width of the book, you ask?

Because then there’s this:

Tricky Vic by Greg PizzoliIn the best of places, that sneaky space under the dust jacket, where unsuspecting grownups don’t dare peek. Kids do. They know where the good stuff is. And this is the good stuff: The Ten Commandments for Con Artists by our hero.

I think 8 is my favorite. Or 5. Or 10.

And now, don’t miss Greg and Julie’s chat about this book over at Seven Impossible Things. Lots to digest. Commandment 2 will be an impossibility.

ch

 

I received a copy of Tricky Vic from Viking, but the comments are all my own. And speaking of Viking, huge kudos to the publicity team that sent the book like so:

Tricky Vic by Greg Pizzoli

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19. Stunning book covers by artist Iacopo Bruno

Post by Jeanine

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Beautiful drawings, stellar storytelling, and gorgeous typography are among the many skills and expertise of Italian illustrator, Iacopo Bruno. They are also the key components of truly successful book covers, so it’s no surprise that Iacopo’s portfolio is jam-packed with delightful covers and his client list inclusive of many major publishers.

His style varies just enough to adapt to an impressive range of audience and subject matter. Sometimes his covers feature delicate hand lettering, vivid silhouettes, lively characters, or a touch of vintage or steampunk details—and often a combination of these elements. But the end result is always an inviting cover, drawing any reader into the world that lies within.

Iacopo founded DOT, a graphic design studio based in Milan that specializes in editorial and book design, illustration, and typography for a range of client markets. He’s created over 300 book covers, always bringing enthusiasm to each new project.

More of his work can be seen here: studio site | cover blog |sketch blog 

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20. This is not recent, but I forgot to repost after website...







This is not recent, but I forgot to repost after website overhaul until now. Very Poe-inspired, of course.







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21. Who made the Oscars look so great? Designer Henry Hobson

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It’s not often you come away from an awards show thinking “Man those title cards were amazing!” but that’s exactly what I thought while watching the Oscars on Sunday. Everything about the graphics used to introduce the nominees was spot on — from the gorgeously curated objects used for the Production Design nominees to the lovely photos morphing into line drawings used for the in memoriam.

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I wasn’t alone in my admiration. And Deadline has a profile of the man behind it: commercial director and Oscar design vet Henry Hobson who is about to make his feature film directing debut. Hobson worked with a variety of talented producers and production houses to introduce a bracingly modern and startlingly stylish look too something that people see for literally five seconds.

Those title cards showing the 3D elements of the visual effects category? The makeup swipes that transformed the actors to their characters? The Best Picture montage from Birdman‘s silhouette fluttering away to the voting ballot from Selma that turned from white to black? It was Hobson, visual producer Lee Lodge and design/production house Elastic who brought it all to life. (How lucky is Maggie‘s financier Lotus Entertainment and its distribs Lionsgate and Roadside Attractions to be able to tap Hobson’s talent for the film’s marketing materials?)

Hobson is quick to give credit all around. “The charge from (producers) Craig (Zadan) and Neil (Meron) was to make each category stand out and as much as possible and not to rely on clips because the audience gets turned off after awhile,” he said. “This year, I wanted to mix it up a bit, so I worked with Elastic for the first time. We had 23 out of 24 categories this year, and we wanted to showcase the uniqueness of each event.” He worked closely with Jennifer Sofio Hall, a producer at Elastic.

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Hobson also worked with production designer Derek McLane with Hobson, Lodge and Elastic to recreate the Edmond Pettus bridge set where Common and John Legend sang “Glory,” which had almost everyone watching it in tears.

Here’s a video montage of Hobson’s designs for the title cards for the eight Best Picture nominees. Call it post Saul Bass/Milton Glaser.

Best Picture Oscar Nomination Title Sequence – 2015 from henry hobson directing & design on Vimeo.

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Hobson has gotten a ton of attention for his work, including a fascintating interview on Slate where he reveals he such an Alan turing fan that he had reserved alanturing.com back in the 90s.

Sadly I can’t find any large images of his title cards, but you can get an idea of his fusion of classic and modern design sensibilities.

Hobson’s first film, Maggie, starring Arnold Schwarzenegger and Abigail Breslin, comes out in the Spring. While the casting may make you think it’s a “Professional” riff, t’s an offbeat zombie story about a father who stays by the side of a girl who’s been infected. Pretty sure it will look amazing.

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1 Comments on Who made the Oscars look so great? Designer Henry Hobson, last added: 2/24/2015
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22. Wood Block Painting

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Updated version of my modular wood-block-painting in the BYU-Idaho Faculty Art Show in the Spori Gallery.

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23. Cat Says Meow (and a giveaway!)

Cat Says Meow by Michael P. Arndtby Michael Arndt (Chronicle Books, 2014)

This book won me over when I saw it last year, and it’s one that is fun to peek into again and again. And how is that the case with something so simple, but so sophisticated? So spare, but so complex? That’s the best truth of design.

Here’s what’s happening. Each spread shows an animal and its sound. And each animal is mostly made up of the letters of that sound.

It’s a fun puzzle to unlock. The portraits are bold and saturated in color, often different than we’d see them in the wild.

But here they are, wild anyway.

Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt

I do love an animal book that goes beyond the usual suspects, don’t you? A mosquito! Not my favorite friend by any means, but he looks good and menacing here.

Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt

This small volume is a perfect primer on both typography and onomatopoeia.

And it’s got killer endpapers.

Cat Says Meow by Michael P. Arndt

A portion of  proceeds from Cat Says Meow goes to support animal rescue organizations, including the ones from where Michael’s dog (Clooney!) and cat (Aiden!) were rescued.

And for more type fun, play this kerning game and see how your eye stacks up to a designer’s. Or this one on letter forms, which is a bezier curve bonanza.

Would you like a signed copy? And these one of a kind bookmarks and vinyl stickers! You do, yes. Leave a comment here or share this post on Twitter before midnight on March 8st, PST. Good luck!

Cat Says Meow by Michael P. ArndtCat Says Meow by Michael P. Arndt

 

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All images are © 2014 Michael Arndt. Thanks to the artist for sharing them (and an awesome giveaway!) here. And be sure to check out his Instagram if you love all things type, animal, and lovely. It’s a great one!

 

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24. Sarah Andreacchio

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Sarah Andreacchio is an illustrator living in France. Her playful patterns are packed with florals and happy critters in cheerful colorways. In all of her pieces there is an energy and rhythm that keeps a captive audience while eliciting a happy mood. Her work has appeared on journals, cards, silk scarves and even dimensional object such as rings, little sculptures and pendants.bl

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underwaterblogBe sure to follow along with Sarah’s creative adventures on her blog, or add some of her cheery prints to your art collection by visiting her shop.

Written by Bryna Shields.

 

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25. Illustrator Submission :: Dean Gorissen

By Chloe

CCueBooks Gorissen-Kinglake+Cookbook+Family Gorissen-LSJ+Sherlock Gorissen-TenLittleElviTitle

Dean Gorissen’s illustrations are packed with character. His warm colour palettes and subtle textures add depth to his work and give a slight retro feel. Dean Gorissen has worked for a large variety of editorial clients and has also illustrated several picture books.

You can see more of Dean Gorrisen’s work here.

 

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