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1. Thanks, Penns Manor Elementary!

IMAG0579


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2. Author/Illustrator Interview: AJ Smith and Even Monsters


I'm really excited to share this interview with author/illustrator AJ Smith. His picture book, Even Monsters, came out earlier this month and it chock-full of monsters, cooties, and a silliness that kids and grownups alike will really love. So let's get right into the wit and wisdom, shall we?

G: I love the rich, layered look to your art for Even Monsters. What is your process like?

A: My process involves a hodge-podge of mixed media: pencil, ballpoint pen, sometimes technical pens or brush pens, acrylic paint, cut paper, a shoddy laptop (donations welcome!), lots of caffeine, with a dab of old school Crayola crayons! I work different depending on the client but the common denominator is always rough pencil sketches on 8.5 x 11" copy paper.


G: What came first for you with Even Monsters: the words or the visuals?

A: Mostly the words came first for Even Monsters (way back in 2006). As I revised it, I began to ping pong ideas back and forth: a written idea would become a sketch and then that would ignite some new writing brainstorms and 'round and 'round we go...

G: Could you share one sparkling nugget of advice for aspiring author/illustrators?

A: First, have a sound foundation in drawing and/or in writing. Practice often and always. If you want to write and illustrate picture books,you should be reading picture books! Beyond that, I think you have to bring something new to the table. Have a unique voice, unique style. Be yourself. Be different. Do the art you want to do. You will meet rejection at every stage of the game (I'm always surprised to hear how much Jane Yolen is STILL rejected) so be doing the art you want to be making, not what you think publishers/editors want to see.

G: You are one busy guy - speaking at events, creating fun videos, and throwing awesome monster book parties. What has been the best part of promoting Even Monsters so far?

A: To me promotion is something an author/illustrator HAS to do. It's part of the job. And that is not always something that's easy to grasp. The tricky part is that you don't get paid to promote your book. In fact, it's been quite the opposite in my empty-pocketed experience. That said there is a reason I do it: To help the book do well (I'm terrified and convinced that this cannot happen on its own unless you are already a bestselling author/illustrator) and to network: meet new people -- educators, librarians, parents, KIDS. Promotion is not just promoting your book. It's promoting and fostering literacy. And if that didn't answer your question, I'd say making videos where I dress up like this has been the best part:


G: What's your next project? And does it involve having the readers spot cooties? (I do love the cooties! They are little orange puffs with silly eyes. Can you spot 3 in the illustration below?)

A: My next book is Even Dinosaurs, which comes out in 2015. There might be cooties. If there are, they'll be Cave Cooties. Still toying with that idea, but I really like the idea of adding an "Easter Egg" element to the book that kids can hunt for on a second read of a book. I hope kids really like them... Really like them or say "eww, gross -- cooties!" Either would be perfect really.



*FYI: My kids LOVE finding the cooties. Like it's their job. And everyone at the book launch loved the way AJ kept 'finding' cooties.

Many thanks to AJ for his thoughtful answers and insight. Be sure to visit www.evenmonsters.com to see where you can buy his book, see more silly videos, learn how to draw Skeebu and Glubb, have your kids enter in his Monster Art Contest, and even design your own silly underpants. I know what my kids will be doing after breakfast!

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3. the ladies of the bench

You know when a project takes over your life? Yeah? Well, that's exactly what has happened here.
Here's an update on the Books About Town / Wild In Art book bench project that I am working on. Last time, I posted about it, I had just received this giant open book that has now become part of the furniture in my living room.
Stage 1 was to prime the bench. I wanted a clean white background for my drawing - so a friend came around to help with that. That friend was not Dexter, despite it looking that way from the photo above. We just got over enthusiastic with the dust sheets.
That was the easy bit. Stage 2 is to transfer my drawings, which I originally made on A4 paper (20 x 30cm ish) onto the bench. It's not just enlarging the drawing, to such a scale, that's difficult. No. It's that the bench is not a flat piece of paper. Working the drawing around all the curves is tricky. But, I've started.
And, I did so whilst watching back to back Columbo over this Easter weekend.
Many people have said that this must be a daunting task. People often talk about the fear of drawing in a new sketchbook. The fear of the blank page. And, this is such a large blank page. But, I've never had the issue. In fact, I'm quite the opposite I love starting a new sketchbook with all the possibilities that brings. Procrastination is my issue.
So, I'm pleased that I've got going, whilst being watched over, and inspired by, my ladies over the bench; the Lady of Shalott; my teenage self; and, of course, Sue Townsend whose recent death has made choosing her Adrian Mole book as my theme for the bench even more poignant.
It also fills me with pride to be honoured to pay tribute to her, and Adrian, in this way.
You can read about how I got involved in this project HERE. I'll see you soon with some drawings, I hope. Although this has taken over my life. And my living room.although

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4. well, it's so good to be here

Nice of Dexter to come and help paint the bench.

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5. CAT TALE SERIES : D.I.Y. SMARTPHONE CASE







0 Comments on CAT TALE SERIES : D.I.Y. SMARTPHONE CASE as of 4/10/2014 2:29:00 AM
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6. just saying it could even make it happen

Natalie
Here are a couple of portraits that I made at our last Dr Sketchy Sheffield event 'Get Your Tatts Out'. They are both on A3 paper - which is why it's taken a while to upload them. One day I will get myself an A3 scanner and not have to cart them off to print shops to get them scanned. I'm pretty chuffed with both. I did them very quickly (they were 15 min poses) with marker pens. I did add some extra cross hatching, to Natalie, at home later. But most of the shading was done with a marker pen that's running out of ink - which is currently one of my favourite tools. No decent pencil case should be without a marker pen that's running out of ink! I've told you before; I ain't a pen snob. Anything goes.
Alexis
And, the blog title? Well, to those with discerning taste, you'll know that's a Kate Bush lyric. I've just found out that I'll be going to see her in concert in September! Eeeek, eeek and more eeek. I never believed this would happen; a) she'd ever play live again and b) I'd get tickets.

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7. Cartoon Illustration – Bob Ostrom Studio

Illustration Work in Progress

Every once and a while it’s fun to post a little illustration work in progress. Here’s quick sneak peak at my latest:

cartoon, bob ostromtyping, cartoon, business, ostrombusiness cartoon, bob ostrombusiness cartoon, ostrom

 

The post Cartoon Illustration – Bob Ostrom Studio appeared first on Illustration.

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8. Illustration Inspiration: Diane Goode

DIANE GOODE has illustrated 55 beloved and critically acclaimed picture books, including the New York Times best seller, FOUNDING MOTHERS and the Caldecott Honor Book, WHEN I WAS YOUNG IN THE MOUNTAINS.

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9. long may you run

Last Saturday we, at Dr Sketchy Sheffield, held an event celebrating the art of tattoos. I'd been wanting to do a tattoo themed event ever since I took over the running of the branch with my co-co-ordinator Lara Gothique. The idea of drawing people who are covered in drawings really does it for me.

Plus, it was a great opportunity to get some male models on board. We haven't had anywhere enough guys modelling for us - although they were pretty hard to convince. Who'd have thought these inked up guys would be so shy?

We had a great mix of guys and girls. I did these black and white drawings at the event. I added colour at home, later.

The other great thing about being the artist, in our partnership, is that I get to set some drawing exercises. My exercise for this event was to draw the (model's) body through the tattoos alone. It was more difficult to do than I'd imagined, and I still ended up adding some body lines to my attempt (above).

Despite my car braking down en-route, and being totally stressed out by that by time I got there, I still managed to get a whole load of sketches done. Many more than this in fact, but the rest were on a larger A3 sketchbook - and I'll have to get them scanned by somebody with an A3 scanner.

I'm always so impressed by the events we create. Obviously, it takes a whole lot of help from the people who get involved just for the love of the event. From the DJ, to the photographer, to the runners, to the sponsors, to the venue and the amazing models. We appreciate and thank them all. And, of course, to all the sketchers that come along and have fun, draw and ensure that Dr Sketchy Sheffield continues.
Plus, if that's not impressive enough, where else do you get to draw a tattooed Reverend? I'm guessing nowhere. I may be wrong, but if I were a betting woman I'd put money on it.

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10. Make your reservations now!

I am booking school visits in the Pittsburgh, Pennsylvania area for Read Across America Week, March 2 – 6, 2015. Friday the 6th just got reserved this morning. If I can book the whole week, everybody gets me for 25% off the regular rate.

Contact Lisa— bookings@johnmanders.com


2 Comments on Make your reservations now!, last added: 3/13/2014
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11. That would be excellent

         




I've been a very bad blogger this year, mainly because of this, of course. But G's treatments are now done, and we're working toward getting our life back to our "new normal." But first, we're moving apartments this week and packing is exhausting!

As always happens, while packing I've been finding forgotten things, like this letter Grace had sent me back when we were both seniors in high school. I had brought this with me from my parents' house in California a while back because I wanted to quote some of the letter in a talk I was giving, I think.

In it, we talked about boys, of course. I had asked her to send me a boyfriend, so she sent me this guy:


Cute, huh? She named him Roger.

And here are a few snippets from the letter:

"I'm going to illustrate children's books, y'know. That would be so cool. One day when we're all grown up, you'll see in a book store: Illustrated by Grace P. Lin. That would be excellent."

and:

"I wish I could show you my portfolio. Then you could tell me if you think I'm talented. Or then you could lie to me and tell me you think I'm the bestest artist in the world and of course I will make it into RISD."

I wonder if Grace has the letter I wrote back to her. But I'm sure I said something like:

I think you're talented, Grace! You are the bestest artist in the world, you will make it into RISD, and you will become a famous children's book author and illustrator.

See, I can predict the future!

4 Comments on That would be excellent, last added: 10/31/2013
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12. could be in a dream

Here's another sketchbook that I've just about finished. I'm not sure of the brand, I bought it because I wanted a different page shape and size from the Moleskine and this had nice thick paper too. I've really enjoyed working on a more panoramic (?) page and will need to replace it with something similar if I can't find another of these.

I made the top drawing at a field day that had all sorts of events going on. I'm really happy with some of the lines I achieved in this drawing. I used a fine liner and a calligraphy pen to get them. And, the one below is from one of our Dr Sketchy events.
The rest of the drawings from this book can be viewed HERE.

2 Comments on could be in a dream, last added: 9/18/2013
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13. Interview With Children’s Book Author and Illustrator Calvin Innes

Its Author Interview Thursday! Woohoo! Ladies and Gentlemen I’d like to let you in on a secret.Calvin Innes I’ve been trying for the last 5 months to get today’s featured guest in the hot seat. I met him at the London Book Fair in April and have had the privilege to have him critique my work and he’s offered useful advice to help improve my writing and publishing efforts. He’s worked with the best of the best and founded a successful publishing company in the North of England. Do you remember my interviews with Stuart Reid and Beth Dexter-Smith? Well, they’re successful authors at his publishing firm. Books published by his company, My Little Big Town can be found in the big bookstores in the UK and could soon be coming to a bookstore near you. He has a lot to share with us today, so without further ado, please join me in welcoming Calvin Innes.

 

Can you tell us a little bit about yourself and how you got into the publishing world?

I’ve been an illustrator and designer for about twelve years, having worked for loads of companies all over the world including Cadbury’s, Nestle, Sony, RSPB, The Brownies, Girl Guides on all sorts of different projects. I’ve story-boarded TV commercials, I’ve worked on advertising for the Smurfs Movie and Slush Puppies, I’ve designed toys and games as well as illustrating books and comics. Basically if it’s drawing, I’ve probably done it at some point. It was working for other publishers that lead me to set up My Little Big Town. I became disheartened with some of he work I was getting (it was all a little sickly sweet for my taste) and wanted to set up a company that published fun, silly, quirky children’s books.

 

What can a reader expect when they get a book published by My Little Big Town?

My Little Big Town Books

We publish books that are written and illustrated with children in mind. Many publishers target the parents (they are the ones who actually buy the books after all) but My Little Big Town works hard to create books that children really WANT to read. They are often disgusting, scary, silly books. We like to take risks when it comes to our titles and pride ourselves on publishing fun books, with great authors behind them.

 

What is your first love: writing or Illustrating?

Illustrating. It’s hard to explain but for me illustration is just who I am. It’s what I’ve always done and would do it whether I was doing it for a living or not. Writing is kind of the same but if I absolutely HAD to choose one or the other it would be illustration.

 

Who has been an inspiration to you in your journey as a writer/illustrator and what do you love about their work?Calvin Innes Monster

The two biggest influences for me happen to be children’s literature’s greatest team. Roald Dahl and Quentin Blake. Roald Dahl is in my opinion the best there ever has been or ever will be. He just had a way of writing that worked perfectly for children’s books. He understood on a wonderful level how children think and see the world. Quentin Blake has the same talent with illustration. He draws how children think. His illustrations are free and loose and energetic and exciting. He doesn’t worry about making mistakes or getting everything precise, it’s more about how the illustration makes you feel. They’re always fun. As a duo they had something very special.

 

People talk a lot about writer’s block. Is there something similar in an illustrator’s world and what do you do to overcome it?

Yes, of course. I can sometimes stare at the drawing board for hours struggling to get something down on paper. When that does happen I tend to work on something else to just chill out and take my mind off it for a bit. I have quite an odd way of working where I usually have at least three or four illustrations on the go at any one time, side by side. These illustrations are usually vastly different. One might be a children’s book illustration while another might be quite a dark comic book illustration, another may be something quite technical. I have a very large desk/work space and have a drawing tablet and two drawing boards all side by side, allowing me to work in this way.

 

As a publisher, I imagine you must get a lot of manuscripts on your desk. What key elements make you stop and take notice in a manuscript?

It’s very hard to say. It has to be different and have something special, but exactly what that ‘special thing’ is… well, it’s not an exact science. I may like a general concept, or I may like a particular character, or even a style of writing. I’m always looking for that ‘something’ that gets my attention, but that something can often be very different things.

 

Can you take us behind the veil and explain the process from when you (or one of your authors) get an idea until it gets published and seats on a shelf in a local bookstore?

Calvin Innes with Beth Dexter-SmithIt’s a pretty long process… usually from us receiving the initial manuscript or story it’s about 12 to 18 months until it hits the shelves. In this time the book is edited, an illustrator is sought for the project and the illustration process begins. Marketing of the book begins a long time before it actually hits the shelves, often 6-8 months before. This is to allow time for the stores to stock the books, buyers to pre-order copies and for us to make sure as many retailers as possible have the book on their shelves (or websites). We make sure that the author and illustrator work closely together but the final decision on the style of illustrations is primarily based on the market and what we think will work for the book buyers. Once the book is edited, illustrated and ready we go ahead with an initial print-run, with numbers based heavily on pre-orders and potential sales. At the same time the book goes to print we are editing and producing the eBook versions across all formats as well as often producing interactive versions for tablet computers and phones.

 

How critical is marketing in the success of a book and what three marketing paths have proved the most successful for you?

Marketing is everything. You can produce the best book in the world but unless people know about it, they’re not going to buy it. The key to successfully marketing a book is to target ALL areas, from social media, to print advertising and real world promotion. In the past we have had great success with real world marketing including a launch campaign involving hundreds of pupils and dozens of schools across the UK through to photo-shoots with the New Zealand cricket team. The key is to spot these opportunities to gain exposure in interesting and original ways, then to pounce on them and make the most of those opportunities to gain newspaper/magazine space or radio and TV time. In the past we have successfully worked with thousands of pupils, hundreds of schools, gained national, regional and local newspaper, TV and radio coverage and we continue to promote our books in new and exciting ways. This year will see us launching books at haunted houses, we will be taking part in the World Porridge Championship and organizing a series of writing and illustration workshops across the UK and Scotland. It’s this variety and innovative way of marketing our books that has helped us establish ourselves in the industry.

 

What mistakes do authors make when they approach publishers that you have noticed?Calvin Innes Pink Elephant

There are a number of sure fire ways to get a submission rejected as far as I’m concerned. Firstly, not reading the terms and conditions. We have very clear guidelines on our website for authors wanting to submit manuscripts to us. There are a number of points, but they are very simple to follow. Not following them is the first mistake. (it’s always amazing how many people don’t follow the guidelines).

Sending in incomplete manuscripts or ‘ideas’ is never a good tactic. A good idea is pretty easy to come across. A good idea doesn’t however make a good author. We want to see that an author can actually write and develop their good ideas into great stories. Possibly the most frustrating submission we’ve ever received was an envelope stuffed with glitter. The person submitting the manuscript obviously thought that the idea would make them stand out, and it did… just not in a good way. After spending half an hour cleaning up glitter from the office floor we weren’t exactly in the best mood to read the new submission.

 

How do you handle bad reviews to any of your work?

If the bad reviews come in the ‘testing phase’, and it’s suitable to do so, we edit the books. All of our books are tested on children before publication to make sure they work, and appeal to as many people as possible. It’s how we built the business and it’s a key part of how we work. We genuinely value what children think of our books, so we listen and take action. Some bad reviews can always be expected after publication and to a certain extent it has to be taken on the chin. Not everyone is going to like all of our books all of the time, especially with the sorts of books that we publish. We like to take risks and publish books that other publishers may not always take on.Gorgeous George

If a number of bad reviews come in for a particular book then as a group we would sit down and figure out why, and where these reviews came from and what changes would need to be made to future publications to ensure the books were seen in a better light. We are a tight knit company who are passionate about producing high quality children’s books, and as such we take reviews very seriously. They are the best way to see what the public think of our titles, and are directly related to sales so we always take feedback seriously.

 

What were your favorite books growing up?

Anything by Roald Dahl. He was a genius when it came to children’s books. I have always been a huge horror and science fiction fan. The Riverworld series by Phillip Jose Falmer is my all time favorite set of science fiction stories. I have always loved anything scary too, from classics like Frankenstein and Dracula, to The Shining and Pet Cemetery.

 

What has been the craziest request/question a child has asked you at a school event?Calvin with Children

I always end my sessions with a question and answer session. Questions are always entertaining (and often nothing to do with books). Where did I get my trainers from? How tall am I? What’s my favorite food? are all questions I’ve had from kids. I often sketch whatever children want me to sketch too… just a quick scribble of whatever is shouted out. The strangest has to be a monster that had the head of a dragon, legs of a horse, ears of a lion, fifteen eyes, a snakes tongue and wings of a pigeon… that was a fun one to draw.

 

What is your favorite Disney/Pixar Movie and why?

I love loads of Disney/Pixar films and watch them again and again. For me though it has to be, Up! simply because it’s one of the best all round films ever made. From a storytelling point of view the first ten minutes of the film were amongst the best cinematic sequences, animated or otherwise, ever put together. I’ve lost count of how many times I’ve seen that film.

 

Most of the visitors to this blog live outside the United Kingdom. Where should they go or do when they visit the North of England where you’re based?

They should visit us at our new offices and stop by for a coffee on the balcony. We have a fantastic space complete with a ‘chill out zone’ (bean bags, computer games, TV and snacks). We’re also in the process of setting up an ‘art cafe’ and an art gallery on the bottom floor our building!

 

What can we expect from Calvin Innes and My Little Big Town in the next 12 months?The Bug Eating Man

Lots of fantastic new books, both printed and digital. We have ten new printed titles and over twenty digital titles being released over the next twelve months. We are also launching two new imprints, ‘Room 110′ which will be publishing comic books and graphic novels and ‘Last Door On the Left’ which will be publishing books for teens and adults, including our first non-fiction books. MLBT is also venturing into TV with My Little Big TV and Radio with the My Little Big Radio Show. It’s going to be a busy year.

 

What advice do you have for authors who have received multiple rejections from publishers and are at the brink of giving up?

Just keep going, it’s as simple as that. Even the best authors get rejected (often a lot). If you’re getting the same feedback or advice on how to improve again and again, don’t be too proud to take it. Even great writers improve over time and sometimes need to take a step back to assess themselves and their writing. Get feedback from people who aren’t related to you. Just because your kid’s like your book doesn’t mean other people will.

 

Wow! There’s just so much good stuff you’ve shared with us today Calvin, I’ll definitely be coming back to read this interview. I love what you said about Marketing being everything. While it’s a bit frustrating to see average or poorly written books sitting at the top of best-seller lists, the sad reality is that if a writer/publisher does not grasp the importance of marketing their books, then they could very well admit they’re pursuing a hobby and not a professional endeavor. You can discover the latest news and giveaways at Calvin’s firm by following them on Twitter at the link below

 

You can also discover all the books in his company’s catalog and all the wonderful authors at My Little Big Town by visiting the link below

 

1 Comments on Interview With Children’s Book Author and Illustrator Calvin Innes, last added: 9/15/2013
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14. Pinocchio


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15. Dreaming Up Children's Books: An Interview with Artist/Illustrator Joy Chu

Reblogged from UC San Diego Extension:

Click to visit the original post

"Sure, it's simple, writing for kids...just as simple as bringing them up." - Ursula K. LeGuin

We recently had a chat with children's book illustrator and instructor Joy Chu about her taste in children's literature and for some advice on entering the field. Joy is teaching our first online children's book illustration course in Winter 2013 (the class opens for enrollment in October)!

Read more… 532 more words

*  NOTE: The above is from an interview that was featured in UCSD Extension's Blog last fall, just before I began teaching the on-line version of my class, "Illustrating Books for Children"/Winter 2013 Quarter. — JC

2 Comments on Dreaming Up Children's Books: An Interview with Artist/Illustrator Joy Chu, last added: 6/19/2013
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16. Gemma Robinson Illustrates For Educause Review

US based Educause Review commissioned me to illustrate three stories in their March/April issue. Educause Review is an award-winning magazine which takes a broad look at current developments and trends in information technology and how they may affect colleges and universities. All three stories were in some way linked to the impact technology has on higher education.

Disaggregated Accreditation by Gemma Robinson
 
The first story was about accreditation and the need to view higher education institutions as fragments rather than a whole in our rapidly changing world.


We Love E-Books by Gemma Robinson
 
The second story was titled 'We Love E-Books!' and focussed on the need to increase the availability of e-books at libraries.  You can read the story here.
 

Gateway To The Universe by Gemma Robinson
 
The third story was about the disruptiveness of technology within higher education which, if embraced, can expand the classroom beyond the limits of four walls to encompass the whole known universe. Full story here. 
 
Check out more of my illustrations on my website or Behance portfolio.

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17. Commissioned Portrait...

 On the Fence...

When you purchase an item from MY STORE, 10% of your purchase price will be donated to my favorite animal charities; Last Chance Animal Rescue and Horses Haven, both in lower MI. Which charity the donation goes to, will depend on the item purchased and I will love you forever from the bottom of my little black heart. ...and even if you don't purchase anything from me, you can go to their site and make a donation! They deserve a chance too!
 
Have a seat and browse through the pages of my website here:

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18. looking down on everything

Just an acorn. A little acorn. That's all.
And, it's here. For you. For a penny. Just a little penny.

3 Comments on looking down on everything, last added: 3/23/2013
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19. i got a deal for you right here

A couple of new additions to my Etsy shop here. Above, an original drawing I made a couple of years back. It is actually my kitchen table which also doubles up as my work space. Read more about it HERE.

Below, another original, a brand new little drawing of this poorly saggy old owl. Go on, give him a home. He can be found HERE.

2 Comments on i got a deal for you right here, last added: 2/22/2013
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20. side by side in idle talk

It seems wrong talking about Christmas at this time of year. Quite frankly, I don't want to even think about it until next December, (December the 24th to be precise), but due to all my recent technology issues I never got to post the drawings from our Sketchcrawl Christmas lunch/get-together. We met on a Saturday afternoon at the Harland Cafe in Sheffield. What a great little place. And, so cheap. I can't remember the last time I had a meal, dessert and a couple of drinks for less than a tenner. Plus, I had an extra portion of chips - which were amazing. But, this is what's known as going off on a tangent (it's the sort of thing I remember, though; good chips). Here are just a few sketches I made. I came home with absolutely tonnes of drawings. Some days are like that, though, right? Some days you're just unstoppable.  
 Anyway, I'd like to introduce you to a couple of our group;.
Harry has been drawing with Sketchcrawl North for longer than me. Despite being one of our youngest members he is a veteran. I think he'd been scribbling away since about the age of ten (ish). His work is great now, so I can only imagine what it'll be like in a few years time if he continues at this rate.
Now, I can't pretend I know this baby. He, or she, was sat on a table close by. On these sketchcrawl outings I try to take a few tools that I wouldn't normally use, to change things up a bit. I made this baby sketch with one of my lovely old calligraphy pens. I really must use them more. I pinched a blue pencil, from one of the group, to create his, or her, rosy cheeks.
And, finally, another of our regulars Jane, in her lovely jumper. It's so nice I drew it twice. Here and in the top drawing.

Thanks for all the recent response about resizing vs watermarking images, etc. As you might be able to tell, from this post, I still don't have a bloody clue what I'm doing.

Happy Christmas!

3 Comments on side by side in idle talk, last added: 2/25/2013
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21. and it gleamed in the distance and it shone like the sun

A new one here. When I started this it was going to be one of my trademark pen drawings. Just a bunch of pens on a page. I don't know at what point it became London Bridge. That's even if it is London bridge and not, in fact, Tower Bridge.

Can you read the text on this one? Cos, I seriously have NO idea what I'm doing when it comes to resizing these days. It's pot luck.

Anyway, this one drawing is not just new to my blog, but it's new to my shop too. I've put a few originals up for sale over the last few days. Have a gander HERE.

8 Comments on and it gleamed in the distance and it shone like the sun, last added: 3/4/2013
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22. DVD Cover Designs - Blade Runner & Casablanca

So it's been a HELL of a long time since I last posted anything and there have been quite a few changes in my life. Most notably I am back in school taking a three year Graphic Design program. I'll post more later but here are my two latest works - DVD redesigns for Blade Runner and Casablanca. The assignment was to create an entirely new cover for a randomly assigned film in a style of our choosing. I got ambitious and decided to make two! For Blade Runner I went with a 1950's pulp novel look, and for Casablanca I went with an early 1960's pop art look. Hope ya digs! Comments and constructive criticisms welcome.

OH! Additionally, my blog address has changed (to): http://markreslater.tumblr.com




0 Comments on DVD Cover Designs - Blade Runner & Casablanca as of 3/7/2013 11:28:00 PM
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23. In the works...





Pepi Moves House

Just completed "Pepi Moves House" e-book five in the series 
written by Alarna Gray....Coming Soon!


New Works Program

Characters developed a play written by Marcia Trimble for
Boston Children's Theater New Works Program

This is a sequel to Marcia's FREE ebook - Fairytale Moments - Who is Your Giant?

0 Comments on In the works... as of 3/9/2013 1:32:00 PM
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24. New Postcard

postcards_RobertaBaird

Call me, don’t be afraid you can call me,

Maybe it’s late but just, call me.

Tell me and I’ll be around.

www.robertabaird.com

0 Comments on New Postcard as of 3/13/2013 11:58:00 AM
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25. put your lights on

I'm back. Circus life was not for me. No, I have too much baggage (well, boxes) to lug around.
Not much to say about this drawing, really, except that throughout it this song was in my mind;

Hey now, all you sinners
Put your lights on,
put your lights on

'Cause there's a monster,
living under my bed,
whispering in my ear
And there's an angel,
with a hand on my head
She say I got nothing to fear

There's a darkness,
living deep in my soul
it still got a purpose to serve               
So let your lights shine,
deep into my home
God don't let me lose my nerve,
don't let me lose my nerve

From Supernatural by Santana.
'Put Your Lights On' lyrics by Everlast.

7 Comments on put your lights on, last added: 4/8/2013
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