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Viewing: Blog Posts Tagged with: illustrator, Most Recent at Top [Help]
Results 1 - 25 of 394
1. Fernando Leal

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Fernando Leal is an illustrator and animator based in Brazil. His clients include Computer Arts, New scientist and Businessweek to name a few. He graduated from the Royal College of Art with an MA in Animation.

To see more from this great illustrator visit his website and Behance  

Posted by Jessica Holden 

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2. Kylie Westaway Makes a Big Splash with her Debut Picture Book, ‘Whale in the Bath’

Kylie Westaway is the author of her popular debut picture book, Whale in the Bath. She has literally travelled far and wide, worked in foreign schools, events and in theatre. But there’s one thing that has remained constant in her life; her love of writing. Here, I’ll give you the brief run-down of her captivating […]

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3. Illustrator & Gig Poster Designer Dan Stiles

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While my color mood project is officially over, I haven’t stopped keeping an eye for effective uses of color and geometry in illustration and design. Because I happen to be a musician, I’ve also started creating gig posters for my band’s shows. The gig poster is an interesting format–you have to draw attention quickly and effectively, which typically means that it needs a striking illustration or eye-catching typography.

Dan Stiles is a cornerstone of the gig poster world, and has continued to surpass its limits with his incredible command of color and use of interacting shapes. He’s a Portland-based designer and illustrator with an award-winning track record, and has worked with clients such as Death Cab For Cutie, Feist, Nike, Birch Fabrics, MTV, and Wired Magazine.

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Dan, originally from Ann Arbor, Michigan, got his footing in Portland during his college years. He gravitated towards design by falling into the role of rock-poster-maker at the University of Oregon. Interestingly enough, he got his start as a pen-and-ink artist rather than a digital pixel-pusher (which he expounds on in his interview with WeMake). As a punk DIY-er, he originally was avoidant of graphic design. It’s a relief to know that there were others who resisted digital illustration at first aside from me!

From there, he fell in love with the design process as well as the silkscreen process, which is often a principal element in many gig posters. His minimalist aesthetic and focus on the integrity of shape only lends itself to his chosen medium. As a gig poster designer, he often has complete creative control over the concept and execution of his designs.

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Since those early days, Dan has branched out to advertising, branding/identity, surface design, packaging, and even creates his own books and merchandise. He’s worked with Birch Fabrics on their Marine Too and Mod Squad lines (the former of which was borne out of his design for an A.C. Newman poster). Dan cites his success as being dependent on his abundance of completed work.

“I look at it like the sorcerer’s apprentice. I’m Mickey Mouse, and every project I complete is another broomstick out in the world doing work for me. The more quality work I release, the wider my reach.” -Dan, from his interview with Birch Fabrics.

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4. Living in my Illustrations

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Being an illustrator is great fun.  Why?  Because you can use your imagination to go places you’ve never been and do things you’ve never done. For instance, I have always wanted a log cabin up in the mountains.  As a teen, I used to imagine having a studio up a flight of wooden steps to a big room. It would have rafter ceilings and a window seat for me to look out of.  It would be warm and cozy and I could sit and do my art all day long near a roaring fire in the wood stove.

When I began thinking of places for my character Burl the bear to live in, I made it just like “I” wanted it!  Warm and inviting!  When you walk through the doorway of my story, you will find a home that lives in my imagination. It will be a place that I love and I will revisit it many times as the story progresses. I must be passionate about what I draw or it becomes listless and boring. This process is what makes a story believable.

My experience tells me that children notice the tiniest of details.  I did a school visit after Peepsqueak was published by Harper Collins Publisher.  I read the book to the children and then we talked.  Through out the story there was another story going on in the book. It was a little tiny mouse who appeared on many of the pages.  The children did not miss it. They even commented on the mouse as I read to them.  I let them in on a little secret.  I named the mouse Elliot.  When I told them his name they all squealed with delight and pointed to the cutest little boy in their classroom who was named Elliot!   He was beaming.  Suddenly he became part of the story. He was so happy!

These are the things that make a story magical in the eyes of children and adults alike.  Its also why I continue creating images.  I love seeing characters develop.   I love finding their voices. .. what they are like… what they like to do.  It does not stop when I leave the studio.  I think about them all the time, until I finally know how they would react in any given situation. That way they become very believable creations and loved by all.

Stay posted,  Burl and Briley are growing on my heart daily.  I can hardly wait to illustrate the books that are in my mind!


Filed under: how to write, My Characters

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5. forgive me

I can only apologise, profusely, for what I'm about to do. I hate myself for doing it, but I am about to mention the C-word. 
Yes, as soon as you know, Christmas will be upon us. Well, for once, I've been thinking ahead and I've put this bumper pack of AJ goodies together just in time. This includes my book, 3 zines, bag, badges, postcards, greetings cards & stickers.
You can get your little mits on it HERE.
Sorry, again.

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6. Renée Treml Reveals Answers About Her Picture Book, ‘The Great Garden Mystery’

Renée Treml is a talented artist and author, originally from the States, now residing in Melbourne. She creates her stunning illustrations primarily using the scratchboard technique, setting her work apart with its unique qualities. Her artwork can also be seen at design markets and art exhibits through a range of gorgeous products. Renée has three […]

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7. Illustrator & Designer Jon Contino

I discovered Jon Contino by following the work of Jessica Hische and Drew Melton (the typography world is very small). The first two things that resonated with me was the fact that he, like me, didn’t go to art school, and that he also used his musicianship as a passageway to his passion for design. As much as I’ve grown to love digital illustration and type design, I’m always the most drawn to analog aesthetics–and Jon prioritizes them in his work.

Jon Contino is an award-winning designer, illustrator, art director and self-professed alphastructaesthetitologist. His style is strongly inspired by contemporary street art, his native stomping grounds of New York, and the grit of hand-drawn type. He’s worked with clients like Ogilvy, Nike, Whole Foods, McSweeney’s, Target and The New York Times. He’s also an ADC Young Gun 9 winner to boot, and happens to possess a heartwarming Long Island-born accent.

Jon cites his family as being vital in governing his design and illustration aesthetic. His mother and grandmother happened to be artists, both supporting and assisting in his pursuit of his craft by bringing home reams of butcher paper and instructional drawing books (more about this in the wonderful Shoptalk interview here). He discovered that the lettering he was seeing in movie posters and baseball adverts still counted as typography–even at a very early age. It took me much longer to figure out that illustration and beautifully drawn words weren’t just for books–the marks of our handiwork can truly be found anywhere, if you just slow down and take the time to look.

As a teenager, Jon got his freelancer chops very early on. As a designer geek and drummer in a hardcore band, he was constantly relied upon by his band (and friends’ bands) to supply flyer designs, gig posters and the like. Soon enough, he realized that he could actually “make money at this thing,” and he was preparing invoices and freelancing by the ripe old age of 15.

In 2006, after working for a few different companies and design houses, he opened his own creative studio and has been working for himself ever since. He’s constantly turning pet projects into mini-businesses–most recently, he started up Contino Brand. And even amidst his successes, he’s learned the art of saying no for the sake of self-preservation.

Jon has spoken about how his preference for modern minimalism and his hand-drawn gritty aesthetic meets with a clash. That clash has governed a unique vision that brings the best of clean design and true-to-form drawing together. I’m enthralled by this intersection, and so clearly see the passion and determination that stands solidly behind Jon’s work. His personal history only continues to illuminate it.

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I also highly recommend his interview with The Great Discontent and his podcast interview with Shoptalk.

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8. Kim Fleming Draws on Her Experience as Illustrator of ‘Mummy, You’re Special To Me’

Kim Fleming knows how to tell a great story. She tells stories through pictures. Kim’s art creates a sense of affection, warmth and joy. Born in Canada, this now Melbournite has found her calling in illustrating children’s books. She has previously illustrated such picture books as the gorgeous True Blue Santa written by Anne Mangan, […]

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9. come together

Last weekend I had one of those perfectly creative weekends. The kind of weekend that I wish all weekends were like (does that sentence even make sense? Do those words even make a sentence?).
SATURDAY
As you may or may not know,  I co-run Dr Sketchy Sheffield. You probably do, I certainly bang on about it enough. But, then why wouldn't I when we are THIS fabulous? This is what we created in the Backroom of a pub in Sheffield last Saturday.
When I say 'we' I'm talking about everyone who is involved in making these events happen, from myself and Lara, who run the shows, to the guys who play the music, take the photos, run the bar, the sketchers, and, of course, our amazing models. Just look how brilliant they are.
These girls are a Burlesque Dance Troupe who call themselves The Yorkshire Puddings. They've modelled for us before and they never fail to blow our socks off.

It has to be said, that I probably do less drawing than if I were just a sketcher, but there's something just as magical about creating the events as there is creating the drawings. Here's a couple of mine below, though, they don't always go to plan...

Big shout out to our Eric Murphy for these fantastic photos. You can see the whole set of them HERE.
 I LOVE Dr Sketchy and look forward to another year of cooking up themes and making this sort of magic happen.
 
SUNDAY
On Sunday I got to do a lot more drawing. It was Urban Sketchers Yorkshire's 50th event, and myself and fellow sketcher, Paul Gent, loosely organised a sketchcrawl/pubcrawl/pubscrawl in Buxton. Paul made the map, above.
 We started at 12 noon and went on into the evening. Just a lovely day, sketching my fellow sketchers.
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And, yes, we had to have a photo, to celebrate our 50th and, yes, I seem to be hiding.
 So, all in all, a perfectly sketchy, creative weekend. It's hard for me to imagine that it is only the last, say, three years that I've been drawing out and about and with people. I spent so long at home, drawing alone, I couldn't be happier that this whole new world opened up to me when I stepped outside of my house to draw. You get good things from being people, and you learn so much too. Thanks to everyone I spent the weekend with. It was a pleasure.
Phew, I'm exhausted now. That was the longest blog post ever!
If you're interested in finding out more and, perhaps, joining us at either Dr Sketchy Sheffield or Urban Sketchers Yorkshire then get in touch with me and I'll fill you in on the details. Or, you can follow the links to our Facebook Groups and have a little look around, get to know us and maybe I'll sketch you soon!
Click on links below;

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10. Illustration Inspiration: Hervé Tullet

Hervé Tullet is known for his prodigious versatility, from directing ad campaigns to designing fabric for Hermès. But his real love is working with children, for whom he has published dozens of books, including Press Here.

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11. rolling over

Here's another one for the knitters. As I said in my last post, I have been doing some design work for a knitting/wool/yarn centre. This was the finished design for their leaflets, website, promo, etc. I'm really pleased with how it turned out. And, I don't often say that.

The exquisite wools made such a gorgeous subject. The colours were just lush. Plus, I love pattern making which is probably why I enjoyed it so much. You can get your mits on this original, as it's up for sale HERE.

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12. Caldecott Honor-Winning John Rocco Talks About Blizzard

John Rocco discusses his newest picture book, Blizzard, the companion to your Caldecott Honor-winning Blackout.

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13. all my colours turn to clouds

I've been doing a little design work for a wool/knitting/crocheting centre recently. It took a few attempts to come up with a design that both the client and I were happy with and agreed on. This was one of the earlier attempts and the original is up for sale HERE. yes, I really really need a new phone (see last blog post).

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14. canned

Thank you for all the lovely, supportive messages throughout my month of sobriety during October. I raised over £300 for the charity, Macmillan Cancer Support. All in all, I've been feeling rather chuffed with myself, for not only getting through the month but for really enjoying it. I've been feeling better than ever.

Then last weekend I somehow managed to drive over my new, uninsured, iPhone. I know, you really don't need to tell me; I am an absolute twonk. So, now I need to raise to money for myself. Over £300 just to pay off the trashed phone and then enough to get a new one (although this time it's probably not going to be a brand new iPhone).

Anyway, that is the reason that I'm selling off a load of original drawings. There'll be more going into my Etsy shop over the next few weeks and I've reduced the prices of the originals already in the shop. Today this one went up for sale. I do like this one, actually. I may have changed the pens I've used over the years, and the paper, and the way I draw, but I can't imagine a time when blues and browns are will not my favourite colour combination.

You can get your paws on this original drawing HERE.

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15. Autumn Gold


Back to the drawing board for an artist means catching up on advances in digital imaging, even if one would rather stay fixed on brush and paint. So many things are possible now that once looked like magic, or at least  the sole proprietorship of boffins and computer geeks. So I am back to school, in a way, online and learning new things that first confound and then delight.
In addition to my illustration work I teach classes in watercolour painting. The picture above is from one of my recent lessons.

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16. talking about good things and singing the blues

Another thing I've noticed, since giving up the demon drink, is that you feel very smug when it come to putting your recycling out on the street.

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17. Review – Imagine a City

The sumptuous cloth cover and unfurling clouds swirling across the end pages indicate something special about Elise Hurst’s latest picture book, Imagine a City. You’ll recognise Hurst’s illustrations from her other picture books such as The Night Garden, Flood and The Midnight Club to name a few. Imagine a City is a glorious collection of […]

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18. the ghosts of night, the dreams of day

Had a lovely day yesterday, drawing for the love of drawing rather than for work. I always love catching up with Urban Sketchers Yorkshire, my sketchcrawling buddies, too. We spent the day at the National Emergency Vehicles Museum in Sheffield. It was right up my tree. Loved the subject matter. I could spend another day, or ten, there. And, maybe even a night; apparently there are many ghosts in this former police and fire station. If you believe in that sort of thing, of course. I don't but I'm willing to have my mind changed.

 There was a very specific colour scheme too. Reds, blacks and a little yellow were the colours of the day. I managed to not take seventeen pencils cases, which is an achievement for me, and narrowed it down to just the three sketchbooks. I always try to take some tools that I wouldn't normally draw with at home. I try and play a bit more on sketchcrawls. It feels like the right place to do that as you often encounter subject matter you wouldn't normally choose to draw. The red Bingo dabber was an inspired choice of pens.

 Here's something I've noticed during October, as I'm participating in Go Sober For October, I do a lot more with my weekends. It's much easier when you're not factoring in a 'big night' or a hangover. That's just another benefit to being sober; doing more stuff with your time. Just look at how my blogging has increased in the last month!

 The museum holds a vast range of fire service related memorabilia that had previously been sitting in attics and local fire stations all over the county and amongst the exhibits were prisoner files from the last century. I found these the most fascinating of all, and below are my drawings of some of the mugshots from around the 1940s. It's funny how just by drawing somebody, spending that time studying someone, you can feel a real connection with them. I don't just want to now more about the faces I drew, I feel an empathy, sympathy, for them. Protective towards them even, like I knew them. I guess what I'm trying to say was that I was touched by them. Maybe I do believe in ghosts.




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19. she's leaving home

 I really am awful at finishing a story off. This one has been going one for nearly six months and it still hasn't come to a conclusion. I can never deal with endings. I wonder what deep psychological scar I'm avoiding looking at? Hmmm. But, that's another post, another drawing, hey, another book!
So, when we last caught up with my bookbench, my girl, she was finished - all apart from a little colour that I added, and a few more doodles. Less is never more around here. Why stop when you can just keep on going and going? (Go Sober For October really is making me look at my addictive behaviour, it seems).
When I'd thrown as much colour and doodles at her, it needed to be finished with a coat of hardcore resin/varnish. That bit was done at 2am the night/morning before she was being picked up. It was meant to have been done four days before (I didn't realise that until 2am when I finally read the tin) but, shhhh, don't tell anyone. And, anyway, I couldn't have lived with the small of that resin for four days. I'd have been as high as a kite.
And then they came to take her away. After a rather undignified exit from my house which included a door being removed and a washing line being snapped - she just didn't want to leave - she was off.
 After dominating my living room for the past few months she suddenly looked so small. She looked tiny, out there, in the big wide world (car park). Aw.
 She was carefully and lovingly wrapped then bundled into the back of a van and off to find her new home in the big city. In the Big Smoke.
 Well, not quite. Because, yes, she did make her home in London, for the summer, but it was in a rather lovely, green, little churchyard in Greenwich. I even got to go and visit her.
 And, not just once, but twice. Yesterday, I went to say a final farewell, as all of the fifty bookbenches were gathered together in Gordon Square, London, before they go on auction and onto the next chapter of their lives. Lots of people came out to see them in all their glory, on a perfect autumn afternoon.
 And, so, that's it. This evening they will all be auctioned of to raise much needed funds for the National Literacy Trust.
 Unfortunately, I won't be able to make the auction, but I hope she goes to a good home. Bye Bye bookbench.
THE END
(or is it? Maybe, I'll get to visit her in her new home, where ever that may be)

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20. Ready to Play: Peter Carnavas bears all on ‘Oliver and George’

Peter Carnavas is an award-winning children’s author and illustrator, some of his titles including The Children Who Loved Books, Last Tree in the City, The Great Expedition, The Boy on the Page, The Important Things and Jonathan!.   Peter’s books consistently provide both children and adults with heartwarming, humorous and thought-provoking experiences that leave a […]

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21. i'm gonna clear out my head

Another good reason for participating in Go Sober For October is that I'm not just kicking the booze for a month - or, who knows, maybe longer (one day at a time and all that) - but I'm also giving the elbow to another habit; the fags. You know, I never smoke unless I've had a drink. Never. It doesn't enter my head to. I never want a cigarette when I'm sober. It repulses me.
 Then I have a drink. Then I can't get enough of the fags (might have a different meaning in the US??). I'd smoke two at a time if I could. All willpower, self discipline, whatever, goes out of the window. I crave dirty tobacco. In the freezing cold and pouring rain, I'll stand outside the pub or in the back garden. It has to stop. It will stop. It has stopped. No more.
 Another damn good reason for taking up this challenge. So, yeah, I'm going double cold turkey. And, if that ain't enough reason for you to donate/sponsor me then I don't know what else to do? You can do that HERE. Cheers (probably not the best choice of words).

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22. and i say, it's alright

I always think that as long as I come away from a day trip or sketchcrawl or Dr Sketchy or any sort of drawing event or opportunity with one 'good' drawing, or, at least, one drawing that I like, then I'm happy with that. That's all I ask for. Just a memento of the day.
 By the time I was leaving London last week I still had nothing, apart from a few prosaic, pretty average drawings of people on the train there, and it was getting dark. I'd gone to the city with a drawing in mind. There's a sculpture I wanted to see and I'd packed the yellow and orange pens especially for it. But, our time there went so quickly that I didn't even get to see or draw it. But, that's okay, that's another trip
 .I didn't want to leave though, not without something, a souvenir, to take home. So, just before I caught my train back, I dived into a café on the corner of Tottenham Court Road for a cuppa and a draw.
 I missed my next train home. So, I had an extra hour to spend drawing the souvenir shop on the opposite corner. I got another cuppa.
 Is it a 'good' drawing? Do I like it? Not really. It's alright. Ish. But, I feel like that about a lot of my work. I need to close the book and put it away for a while. I almost always feel differently with time between it. Who knows, I might even like my souvenir from London in a few months time. Right now I doubt it, but you never know.
 And here's a couple of prosaic, pretty average sketches of people on the train...

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23. Nora

 Hi folks, I have a small, limited edition, set of these bag and badge ('button' in the US?) sets for sale.
The tote bags feature my illustration of Nora Hildebrandt, the original tattooed lady, on the front and back.
 The badges feature a couple of examples of my drawings and a couple of examples of my lettering work.
Also, I'm making a donation, from each set sold, to MacMillan Cancer Support, who I am fund raising for this month - by being sober!
 
You can get your paws on them HERE. Merci!

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24. the changing man

Here's just a little (it's all relative) something I knocked up in my sketchbook.
The story of the drawing goes a bit like this...
Sometime back in May I went to my friend, and Dr Sketchy partner, Lara Gothique's fabulous vaudeville extravaganza (I do love that word, extravaganza. In fact, I love both of those words; vaudeville and extravaganza) called Cupid Stunts. I sketched the whole show that evening. I came away with a load of drawings. Over twenty quick sketches.
One of the fabulous artistes that night was a Victorian strong man called Sir Leopold Aleksander. I got a good handful of sketches of him. They were pretty much all as below - simple line drawings.
Over the last couple of weeks, as I have been living a life of sobriety, I seem to have a bit more time on my hands in the evenings. Time to do the things I've wanted to do for ages but not got around to because wine got in the way. Time to go back through my sketchbooks and rework some of those quick sketches that needed a bit of the AJ treatment. So that's what I did with the, now, tattooed gentleman above, and, at some point, will do with the sketch below. Sure, they don't exactly look like the Victorian gent, but that's what happens when you a) sketch in the dark and b) complete the illustration using only your memory and a lot of imagination. And, that's what I love about drawing.
Thanks to Sir Leopold for the use of his body(?!)
Thanks to Lara for her fabulous show.
And thanks to Go Sober For October for giving me the headspace to draw instead of drink wine! 
If you can spare a bob or two please donate to my sobriety challenge. I am raising money for MacMillan Cancer Support. The most worthiest of causes. You can do that HERE.
And if you'd like to see a vaudeville extravaganza, and are in Sheffield next weekend (a long shot, perhaps), Lara is putting on another. Check it out HERE. Take your sketchbook!

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25. Illustrator & Printmaker Daniel Danger

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I first stumbled across Daniel Danger’s work quite a while ago and it stuck with me ever since. I’m not sure if I’ll ever get the chance to meet him, but if/when I do, I have a feeling it’ll be like seeing an old friend.

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Daniel is a Boston-based illustrator, mediamaker and printmaker with a penchant for urban scenery, natural landscapes, vintage guitar effect pedals and creepy memories. His style is marked by confident black strokes and eerie uses of color, often looking to one solid shade to create haunting contrast. You might have seen instances of his work through gig posters for bands such as The Black Keys, Arcade Fire, The Decemberists and Flight of the Conchords. He’s also worked with clients like Universal Pictures, Dreamworks, Penguin Books, Polyvinyl Records and ABC Television.

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His aesthetic strongly reminds me of Tugboat Printshop–the obsessive linework and powerful contrast work beautifully in a screenprinted format. I think art is especially successful when it looks good across a variety of formats (screen, print, phone, etc). He reflects the best and worst of reality, and most interestingly, his works reflect what’s neither here nor there–ghosts of forgotten cities, empty theaters, silent roads. Daniel demonstrates a sincere concern for the elements of life that continue to exist without inhabitation–an awareness that is rarely paralleled.

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I feel an extreme bond to Daniel not only over our shared love of creepy abandoned houses, but also because he’s yet another illustrator-musician hybrid (currently on tour in Europe right now, as a matter of fact). In a lot of ways, I couldn’t imagine him not being a musician–if that makes any sense. These pieces would all go entirely too well with some Neko Case or Laura Veirs songs.

The detail of his works is nearly overwhelming to the point of obscurity–as, sometimes, the most realistic aspects of life are the ones that are the most difficult to understand.

Follow along with Daniel and his breathtaking work:

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