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Viewing: Blog Posts Tagged with: illustrator, Most Recent at Top [Help]
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1. 100 Bicycles

Here's another of my current projects and obsessions. I'm not entirely sure where it came from but it's quickly taken over. Bikes, bikes and more bikes.
 It probably really took hold when I visited the Eroica Britannia festival this year. It's a festival and celebration of cycling. The cyclists ride through the gorgeous Peak District on pre 1987 bikes. So lots of wonderful vintage, classic and iconic bikes to look at and draw.
 The thing, I find with bikes is they are not easy to draw. With all their angles and proportions and round wheels and whatnot, they are difficult little blighters. But I love the challenge of something difficult. Once you get to grips with it and start getting it right there's a great feeling of satisfaction.
So, I think that's where this all started. The bike thing. I always remember reading, when I first started drawing, that you've never really got the handle on drawing something until you've drawn it a hundred times. Now I'd probably agree with that.
 And so in September I'll be holding an exhibition, with a friend of mine artist Kate Yorke, called 100 Bicycles. Yes, the title pretty much explains it. We'll be exhibiting one hundred bicycle drawings. Sketches mainly.
I really can't stop. I really mustn't stop. And while I'm loving it why stop? I'm adding some of these sketches to my Etsy shop at very reasonable prices (cheap!) so if you're into bicycles grab yourself a bargain HERE. You'd better hurry though, they're going quick!
 PLUS, for this weekend only, anyone who purchases my Andrea Joseph Bumper Pack will get a FREE bicycle sketch. Check that out HERE.

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2. come out to play now the light nights are here


A few of my bike drawings here. You know when something kind of unintentionally becomes a theme? Well, that. And when a theme comes knocking on my door I do love to go out to play with it. 
Watch this space if you like bikes, or art, and specifically bike art. 

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3. Bears IN SPACE!



Bears IN SPACE!



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4. Yay for Le Tour De France being on!



Yay for Le Tour De France being on!



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5. Illustrator Submission :: Clare Owen

Post by Chloe

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Clare Owen is a freelance illustrator based in Bristol who combines traditional media such as pen and ink with digital media to create charming illustrations. Her work has a feminine, pretty feel with added quirky touches. Clare Owen is inspired by films, flowers and food.
If you would like to view more of Clare Owen’s work please visit her portfolio.

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6. This is Florence- a commission I did for a lovely couple. Yay...



This is Florence- a commission I did for a lovely couple. Yay for pugs!



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7. Working with Textures in Adobe Illustrator

Most people point their cameras up when there taking photos. Lately I’ve been pointing mine down. I find the best textures live on or near the ground. I’m sure my neighbors think I’ve lost it when they see me taking pictures of my driveway but I don’t care because I know it’s going to make an excellent texture for my next piece of art.

There are lots of different ways to add visual interest to a digital file.  I’ve been inspired by the some of the unique art I’ve been seeing on Instagram lately. Lots of textures and lots of originality. It seems as though the pendulum has begun to swing in the direction of a more organic look these days. Adding texture is a great way to great way to add visual interest and create a unique signature.  The trick is figuring out how some of it is done and that’s the focus right now.

I’ve worked with adding simple textures in the past but I feel like I’ve barely scratched the surface when I look at some of the artists I’ve been following. This month I plan to dig in a little deeper and see if I can come up with some solutions of my own. At the same time I’ll be attempting to solve some of the problems I ran into earlier with my textures. I noticed some of the blending modes I used earlier made my art skew a little darker than I would have liked. I’d also like to see if I can find a way to add more vibrant colors to my textures at the same time.

My early attempts focused mainly on Photoshop but now I’m looking into Illustrator. The technique is slightly more complicated with Illustrator because, as you know, Photoshop offers the ease of using clipping masks where Illustrator does not. The art shown here involves two different textures placed on top of the original art using different blending mode for each. I’m pretty happy with whats going on in this illustration but for my next attempt I’d like to try and push the envelope a little further. Stay tuned for more updates.

 

chameleon texture art by bob ostrom

This art was created in Adobe Illustrator using two different texture placed on top of the original image each with a different blending mode.

 

If you’d like to see a demo of the Photoshop techniques I use just check out this video:

 

 

The post Working with Textures in Adobe Illustrator appeared first on Bob Ostrom Studio - 919-809-6178.

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8. RUPERT The Very Naughty Elephant ....Pre-order for preschoolers on Kindle July 4th






















Rupert is acting very naughty at home and at school...
but one day someone new comes to class who is 
even NAUGHTIER... has Rupert met his match? 

For ages 4 and up! 

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9. Henri!, Character design concept.



Henri!, Character design concept.



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10. Illustrator Submission :: Lizzy Stewart

By Chloe

C-cover LUX-web_650 page 1 salonnyt_650_650

Lizzy Stewart is an illustrator and artist currently based in London. She is inspired by writers such as Tove Janson and Doris Lessing, as well as museums and galleries. Her work is highly narrative and full of character. This is aided by her use of traditional media which gives Lizzy Stewart’s work a unique, quirky quality. If you’d like to find out more about Lizzy and her work please visit her portfolio here.

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11. a bit about perseverance

At the half time break, at life drawing this evening, I was ready to give up forever. I wanted to sneak out, go home and never pick up my pens again. My drawings were an embarrassment and why was I even at life drawing? I shouldn't be there. I didn't deserve to be there - not with what I was producing. I, obviously, was getting ideas above my station going to life drawing. But I finished my cuppa and went back in. I persevered and I'm glad I did. I pulled this one out of the bag. And now I can carry on drawing for a bit longer. 

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12. How to upcycle and old radio (drawing)

 As I may have already mentioned, I've been cleaning up my house recently. It fell into disrepair due to neglect (by me) and now I'm giving it some much needed attention. I've put a deadline on getting it done too; August. I have decided to do an Open House then, to show off all my hard work - decorating and drawing - and you're all invited. I need to, not only paint the whole place, but, get my work together to frame and hang. I came across this radio drawing whilst sorting through stuff. I made it, about six years ago, whilst in Italy. It was on that trip that I met lapin for the first time too. I also drew his hat. But that hangs in his home.
 Anyway, I decided I'd like this drawing to be at my Open House exhibition, so last night I played around with it a little. I upcycled this old radio, if you like. There were practical reasons for doing it; the brown pens I used back then (my beloved Pilot G-tec) are just not light fast, and so, as I wanted this radio hanging on my wall, in August, it too needed a little attention. I went over it all in brown light fast fine liners and added a little colour pencil. An improvement on the original? I don't know. That's all subjective.
Now, I haven't got time for all this. I've got walls to paint. AUGUST?! The whole house by August

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13. i'm going to clear out my head, i'm going to get myself straight

I've been cleaning up my house recently. And cleaning up my act. I've always kept stuff 'for drawing'. For that day when I finally sit down and draw my stamp, matchbox, buttons, receipts, doll's heads (really), cork collections. Amongst many others.
But, this isn't fitting in with my quest for minimalist living. So there's going to be a cull. Things are getting serious. But how can I get rid of these corks? They are thing of beauty. I've drawn them before (above and below) and I may want to draw them again. They all have their own characters and personalities. They're all slightly different. You can make rubber stamps out of them. They have sentimental.....

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14. I'm walking down your street again

Right, once again I haven't posted here in too long. So, here's a mega post. I won't bore you with words. I'll just show you in drawings and photos some of the things I've been doing (drawing) in all the gaps between posts.
I've been drawing in bars
and in antique showrooms
drawing bikes in galleries
and skeletons in museums,
drawing the guy at the bar of the brasserie
and the girl at the café,
the chip van
and at lunch with my niece
at the cricket with friends
more bones at another museum
whilst working at the gallery
at another bar
on the high street
at a transport museum
and another bike
at another pub
with a sharply dressed man
at a bus station
at a flea market
and at another museum.
Which all tells me that I like old things and spend a lot of time eating out in bars and cafes. Yep, I think that pretty much sums it up.

Have you signed up to Sketchbook Skool yet? The course I teach on starts today. You too may end up drawing your life too if you do. Enrol on 'Seeing' HERE.

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15. How to Do It (self publishing) Yourself

Here's another of my passions folks. Zines. I am a fully fledged zine maker. A zinester, to use the technical term. What is it about making zines I love? Well, it is the whole process. But the main main thing is that it is DIY publishing which means you only answer to yourself. You write, draw, play, create whatever it is that you want to. Totally and utterly authentic. Nobody else has any say, influence or sway over what you want to produce. What can be better than that? Well, making money out of it would be nice. But, that's never the starting point. You'd be sorely disappointed if it was. They are a labour of love. No, the starting point is 'I'm going to make this because I want/need to'. 

It does, however, mean that sometimes we have to flog our creations. So, here's a bundle of my five current zines. Each has a run of 1000. No more no less. And, I've put a SALE on. Normally $50 but I've knocked 20% off so until the end of the week they're just $40.

This is the perfect inspiration kit for anyone who loves drawing or just loves to look at drawings.
Molezine 2
A collection of some of the drawings from my travel themed Moleskine sketchbook. Limited stock.
 How To Draw Like a Loon
Created with nothing but a four colour ballpoint. This zine is all about drawing and handwriting. Filled with lots of exercise for you to try. Including how to make a zine! Very limited stock.
An Idle Daydream
A zine that reviews my favourite (and not so favourite) pens. Also includes some of my favourite blog images from the last eight years.
How to Draw Like a Barmpot
Another tutorial zine. This one focuses on drawing with your imaginations. Includes lots of little exercises to get your imagination working.
The Daily Tamp
A tiny cut-out-and-make newspaper full of stories, film reviews, classified ads and all the usual features of a big full sized newspaper but just tiny.
 
If you'd like to purchase, or read more about this zine bundle you can do so HERE. You will be supporting an artist to create more publications that you won't find on the supermarket shelves.
Many thanks for listening.

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16. Check out the Chun-Li Artist Series Card I made for Fangamer:...



Check out the Chun-Li Artist Series Card I made for Fangamer: Also, don’t forget to take a peek at the other cards, they all turned out awesome!  goo.gl/0aUSNm



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17. the fear of a people sketcher


Yesterday I went back to Gallery Oldham where I'd previously done research for the Museum job that I've talked about in my last posts. This time though I returned for a little mini sketch meet up with some friends.
When I was there last time I made this sketch, below, of the guy who worked in the gallery's lovely Naked Bean cafe. It was a sneaky sketch, I didn't show him but I did post the sketch on Twitter and the cafe saw it. They said that he loved it - even though i'd made him look pretty grumpy in it. Which he wasn't. He was the opposite to grumpy. 
Anyway, yesterday, when I returned and with the knowledge he was happy with the sketch I took the opportunity to get a photo of him with it. He said "I've never been drawn before. It made my day. I put it on Facebook and everything".
think the fear for all of us that sketch people is their response to it. Will they be offended? Will they hate it? I know it's my fear which is why I don't often show them. But his response made my day. This time it paid off.

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18. Multidisciplinary Submission :: Sticky Monster Lab

By Chloe

2013_MTV_Underdog_HD_06

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Sticky Monster Lab is a multidisciplinary creative studio based in Korea. They cover various mediums from illustration to motion graphics, graphic design to product design. This wide spectrum helps make their work so unique and dynamic. Sticky Monster Lab have great wit and attention to detail which has allowed them to collaborate with Nike, Nissan and MTV.
If you’d like to see more work from Sticky Monster Lab, please visit their portfolio.

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19. it's that time again

Sorry to have to pedal my wares here, guys. But, believe me, I have to.
There is free postage on a Bumper Pack of goodies on Etsy until Sunday. The Bumper Pack includes my book, 5 zines, badges, tote bag, postcards and stickers. Get yours HERE.

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20. a bit about creating poster artwork

Amongst all the other illustration work I do, I also co-run Dr Sketchy Sheffield and, so, being the sketching half of the team (my co-running partner is from the performance arts), I create the poster artwork. It's one of my favourite things to illustrate. Because it makes me feel closer to the poster artists, from days gone by, who's work I adore. I wish there were more call for poster artists. These days it's all done digitally so I like to buck that trend with purely illustrated posters (and I wouldn't have a clue how to do it digitally).

Now once we've set our theme for our Dr Sketchy event the idea for the poster image pretty much comes to me straight away. Sometimes without even having to think about it. Really, it's just there. I see it - the whole poster - fully formed. I then just need to put it onto paper.

Our next event (next Saturday, at the Greystones, Sheffield!) will be a celebration of dance. We have performers from different genres of dance modelling and, erm, dancing for us. We have a belly dancer, a breakdancer, a bhangra dancer amongst others. So, already I knew I had to get that info into the drawing. The first and original thought was of the kind of drawing in the image above. I think it's important to go with that initial idea if it has presented itself to you. I love those 'consequences' drawings. I've heard them called other things and somebody once told me that they were known as 'exquisite cadaver' drawings. I think that's such a great name, which conjures up all sorts of weird and wonderful images, so I'll be sticking with that.

I made a few exquisite cadaver sketches, like the one above, to try it out. To see if it worked. I'll be honest with you, I think the trial run above is still my favourite. I guess that's because it was the most spontaneous. Then when I'd got one that I felt would work as a poster image I sketched it out onto a 'proper' bit of paper. I always add the image first, leaving room for the text. Sometimes I will play around with where I want to place the image. I did with this one - I tried her on both sides of the page and central before settling on this composition.

For the text I always quickly research (Google) posters or fonts until I find something that fits. For example, I'll Google 'Bollywood poster fonts' or some such thing. This one was a combination of various fonts because of the variety of dance genres. When I find a font I like I loosely copy it. I don't measure out the letters, nothing technical happens, I just copy it by eye (is that even a saying? It looks odd now it's typed out). I don't want it to look exactly like the fonts I find. I want it to be my own version of them.

Anyway, that's a little (ish) explanation of how I create my posters. Now anyone want a poster illustration? I'm for hire. I'm always for hire.
 

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21. one of the issues of working with marker pens

That is all.
Bugger.

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22. Maria Jordan's interview with Sannel Larson


 Sannel Larson - The Total Picture 
An Interview by Maria Jordan 
You may read the whole interview here: Inspiration Station






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23. getting with the programme

So, I'll be honest, this is basically a test post. For a long time my blog has just been chugging along. There was a time, way back when, when I would blog, religiously, a few times a week. Then social media happened.
Like many people, I suppose, I started 'blogging' there. It seemed easier. I'm not really interested in sharing the ins and outs of my life online, or social media, but sharing my artwork through those platforms seemed to make sense. Blogging suddenly seemed like much more of an effort. I mean you had to switch in the laptop and all that palaver. 
I blamed blogging, and blogs, for that - for being behind the times. Not catching up with social media. But it was me that was behind the times and not keeping up with the technology. It hadn't even dawned in me to download the Blogger app. But now I have. 
I took these photos on Friday. My friend and I, Kate of Emily Pickle design (haven't worked out if it's possible to add a link when blogging on your phone. Anyone?) took her 'pencil case' out to the pub to draw. Her pencil case/make up bag is filled with all sorts of goodies I'd never have dreamtof using to draw with. The drawing above is made with glitter mascara, liquid eyeliner and Christmas wrapping tapes amongst other things. I loved experimenting with all this stuff. I'll never look at an old eyeliner in the same way again.

Right, I'm going to put the laptop on to see how this worked out....

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24. tamping!

My new zine, The Tamp, now has an advert. yes, I've hit the big time. This minature zine is not only a tiny newspaper but also a puzzle. The puzzle is putting the thing together and specifically getting the pages in the correct order. It'll only make sense if they are in the right order. I say 'make sense'...
The newspaper has a tiny comic strip, a tiny film and book review, tiny classified ads. So, as the man says 'READ ALL ABOUT IT!'. Limited print run, get your copy HERE.

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25. Family Hug


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