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Viewing: Blog Posts Tagged with: sketches, Most Recent at Top [Help]
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1. Float Like a Balloon and Raven Sketches

I've been busy at college. Started learning metalwork recently and it's wonderfully fascinating. I've done a couple of rough, small pieces and will show them off soon. Meanwhile I've managed a few doodles when time permits, adding colour to my Float Like A Balloon drawing and sketching a few ravens for fun, all in my moleskine blank book ...

 


Float-Like-A-Balloon-by-Floating-Lemons

Ravens-by-Floating-Lemons

 

So yes, I'm still fascinated by the black birds and their mythologies and fables, so will pursue that further whenever I find spare moments to do so. Right now I'm occupied with filling in college sketchbooks and drawing tons of shoes ... so expect to see loads of footwear up here soon.

Wishing you a week full of blessings and lightness. Cheers.

 

 

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2. Lilly the Kid's School for Bandits (working title)

So last February I went to the Society of Children's Books Writers and Illustrators conference in New York City. Made the journey all by myself, leaving my toddler 871 miles away with daddy in Atlanta. The first night there I got food poisoning, forcing me to miss the entire morning session on Friday. Oh, did I mention I was 2 months pregnant as well? It was an experience for sure.

But none of that really matters. What matters is what I learned from the convention and what came out of it. I've wanted to attend for years and was not disappointed. Learned a lot, including how to approach my portfolio and branding for the next time I attend.

What's especially wonderful is how many art directors/editors are right at your fingertips. The conference allows for a lot of self promotion. During the open portfolio showcase, where you get to display your portfolio as well as leave out business cards and postcards, I had an editor ask me about one.


He especially liked the little girl and wanted to know if there was a story to go with her and if I would send it to him.

"Yup!" I replied. I did have a story, just didn't know what it was yet.

So after the excitement, nervousness, panic, and anxiety went away, I asked a few experienced illustrators and writers at the conference what I needed to do exactly. Elizabeth O Dulemba gave me some great advice. If an editor or art director asks you if you have a story, always say you have a story (check). Then take a couple months and write it. Editors expect it to take some time, and 2-3 months is not out of line. But make sure it is perfect! Illustrations to accompany are a bonus, but not necessary. He already liked my illustration style, he just wanted to know what it was all about.

So I followed their advice, kind of. Being pregnant and moving just a few months after the conference set me back a bit. Then a severe case of writers block set me back even more.

"You need to work on that story," my husband would often say.

"I know," was my only reply.

I have a lot of picture book ideas. I'm not saying every one is gold, but they are an idea, a place to start. But having an illustration and being told "come up with a story for this" put my mind in a fog I could not overcome. So I did the only thing I could do, took my time. Did research, had some creative procrastination and worked on the story little by little.

Till voila, I had an idea. Which developed into a story. Which has since become a world with characters and setting and concept. Here is a little peak.






Once the storyboard is finalized I will send it off to the publisher! Only 6 months late.



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3. Grandparents and SkADaMo 2014

Over on my blog ( June Goulding ) I'm trying to post a sketch a day as part of Sketch A Day Month, and this couple arrived on my sketch book page.
I think they might qualify as Granparents, so I thought I would share them here as part of our monthly inspiration theme word - Grandparents.

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4. SkADaMo 2014

xmas_tripledog2_rbaird

Well I double-DOG-dare ya!

NOW it was serious. A double-dog-dare. What else was there but a “triple dare you”? And then, the coup de grace of all dares, the sinister triple-dog-dare.

I TRIPLE-dog-dare ya!

 Schwartz created a slight breach of etiquette by skipping the triple dare and going right for the throat!

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5. Business or Pleasure?

unnamed-11Worked on some fun sketches all week and I can’t wait to share the finals with you!

The hubby and I took a quick trip to Vegas last week. Although it was mostly a business trip rather than a pleasure trip, we managed to squeeze in a little bit of fun in between our chaotic schedules.
vegas14I’ve never been to Vegas in the fall..I hadn’t realized how enchanting this place can be. If you get a chance to go this fall I highly recommend it. The weather seems great this time of the year.

unnamed-12

This is pretty much what I saw all of last week..I’m not complaining!!

HAPPY MONDAY!

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6. Process ~ Playtime










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7. Classical Head Sketch of a Child

This is one of several preliminary drawings for a project I'm working on.

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8. Ping and Po-Li

Ping and Po-Li written by Audrey Moore, is now on the
drawing board ....what a delightful Shiwu (food)
adventure we will be taking! The research for Asian terrain, rain forests,
bridges, unique creatures like coconut tree crabs, vultures and otters
will be almost as much fun to learn about as to sketch. See more sketches at
PKS Display Case

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9. A Peek into the Sketchbook: Mail Art & Birds

I can't believe that it's been less than two months since I moved to the UK ... so much has been squeezed into that small amount of time that I'm still in a bit of a daze. But the good news is, of course, that I'm finally back on the internet.

Have tons of catching up to do but it will have to fit into the cracks between my college artwork. And I haven't been completely idle creatively either, despite 'real life' competing for my attention lately. Here's a glimpse into what I've been doing - tons of research and a few sketches for an upcoming class project. First though, here's the art-space I've set up for myself in our new, temporary home:

 

Sketchbook-1-by-Floating-Lemons

 

And a glimpse into the pages of a new sketchbook:

 

 

Sketchbook-2-by-Floating-Lemons
Sketchbook-3-by-Floating-Lemons
Sketchbook-4-by-Floating-Lemons
Sketchbook-5-by-Floating-Lemons

Sketchbook-6-by-Floating-Lemons

 

Different mediums, styles, cutting, collaging - lots of lovely experimentation going on. Birds (I'm developing a particular fascination with ravens and crows) and mail art. I've also been pinning for inspiration so if you'd like to have a look, check out my Pinterest Boards, Art: Mail Art, Art: Crows & Ravens, and Art: Birds. Have fun.

Wishing you a week full of flights of fancy. Cheers.

 

 

 

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10. and i say, it's alright

I always think that as long as I come away from a day trip or sketchcrawl or Dr Sketchy or any sort of drawing event or opportunity with one 'good' drawing, or, at least, one drawing that I like, then I'm happy with that. That's all I ask for. Just a memento of the day.
 By the time I was leaving London last week I still had nothing, apart from a few prosaic, pretty average drawings of people on the train there, and it was getting dark. I'd gone to the city with a drawing in mind. There's a sculpture I wanted to see and I'd packed the yellow and orange pens especially for it. But, our time there went so quickly that I didn't even get to see or draw it. But, that's okay, that's another trip
 .I didn't want to leave though, not without something, a souvenir, to take home. So, just before I caught my train back, I dived into a café on the corner of Tottenham Court Road for a cuppa and a draw.
 I missed my next train home. So, I had an extra hour to spend drawing the souvenir shop on the opposite corner. I got another cuppa.
 Is it a 'good' drawing? Do I like it? Not really. It's alright. Ish. But, I feel like that about a lot of my work. I need to close the book and put it away for a while. I almost always feel differently with time between it. Who knows, I might even like my souvenir from London in a few months time. Right now I doubt it, but you never know.
 And here's a couple of prosaic, pretty average sketches of people on the train...

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11. push it along push it along

If last month I was spending all of my time drawing in pubs, this month I seem to have been spending it all drawing on trains. I'll be honest, I'm not a fan of public transport. Firstly, I love driving, but, more than that, I don't like being stuck in a confined space with the general public. It's one of my 'things'.

But, necessity dictates and, as I've been back and fore to London and Sheffield all month, I've found myself being stuck in confined spaces with the general public. A lot.

It has, however, given me time to draw the general public. It's not the easiest way to draw. And, you have to hope they'll fall asleep - which they usually do - because they don't always tend to like being drawn. But there really is nothing else of interest, subject wise, on trains, I find. I've made a hundred, or more, sketches, over the last month. Mostly of people sleeping. I've actually enjoyed having that time, with nothing else to do but sketch.

Above, is a drawing of a friend who had no hang ups about being drawn. The two below are a couple of my favourite sketches out of a bunch of pretty bland stuff.
 


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12. Doodles from the 2014 Midsouth SCBWI Conference

My complete recap of the 2014 Conference is over at Once Upon A Sketch. The conference also got some great coverage in Publishers Weekly and of course there's the conference blog.

Instead of rewriting my notes here (when you can find those fabulous details at the places above,) I'm just going to show off some character sketches for a work-in-progress I did while listening to the speakers.






























Also I won a little award again. At this point saying I was honored with the top illustration prize two years in a row feels a little like bragging. But it's my blog so I'm gonna;) This year the conference gave an honorable mention as well to my friend and fellow Nashville illustrator, Cat York.

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13. Birthday sketch



A quick sketch I did to wish a friend a Happy Birthday...
June Goulding

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14. 17, ART and Paying it Forward

In honor of my baby girl’s 17th birthday today, I am giving YOU, my friends and readers, the gift of HER ART. (isn’t it interesting how close “her art” sounds like “her heart?) Seriously, this girl is hard worker – and gifted with many gifts, including the gift of tenacity. Just months ago, she sat…

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15. Q is for Queen

Here is one of my favorites from P is for Pirate, the notorious Grace O’Malley—Irish queen & pirate captain. She was a contemporary of Queen Elizabeth I and reportedly had an interview with Gloriana (who, after all, had a soft spot for buccaneers).

Queen Grace has been the subject of songs, at least one play and even a musical. So far as I know the swashbuckling Maureen O’Hara never played her in a movie, but what perfect casting that would have been!

I show Queen Grace in an Errol Flynn pose with her ruffians behind her. In the sketch I thoughtlessly drew a baroque-looking ship like we’re used to seeing from piracy’s golden age. In the final painting I used the Mayflower—much closer in style to a ship from Queen Grace’s time—as reference. Same deal with the costumes: they’re Elizabethan. I first drew her in men’s clothes but thought she looks much cuter in a dress.

Thumbnail sketch Errol Flynn in Captain Blood Tight sketch—in a man's costume In a dress with skirts hiked up for ease of movement Color sketch IMGP1534 IMGP1535 IMGP1622 IMGP1623 IMGP1624 IMGP1625 IMGP1626 IMGP1627 IMGP1628 IMGP1629 IMGP1630 IMGP1632 IMGP1633 IMGP1634 IMGP1635 IMGP1636 Queen

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16. "Reading" sketches

Here are a few rough sketches I recently blogged, which fall under this month's theme of READING.


Storytime




Pictures by June Goulding

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17. My Summer Blog Tour plus…. meet the family in The Little Kid's Table!

Wow summer is almost done and it seems I've been everywhere but on my blog. To start here's a few guest posts and interviews I did over the summer:

I was profiled on Kid Lit 411. Ya'll this is a terrific site for readers, creators, and lovers of children's literature. I was interviewed by the talented Sylvia Liu, who curates the illustrator's sections.

In May and June I contributed my regular columns to Once Upon A Sketch.com and Word Disco.com:
Both Once Upon a Sketch columns focused on best practices for illustrators. In May I discussed how to deal with a difficult client. In June I wrote about the difference between sampling for a client or working on spec. These are both issues that aspiring illustrators will encounter.

While Once Upon A Sketch is about hardcore, practical advise for illustrators, Word Disco is my fun dance floor. In July I wrote about my summer reading list.

Finally last week, I kicked off Telaina Muir's DOT Drawing Challenge with this post about art, love and fear.

So go catch up on reading and come back when you want to see my characters for The Little Kid's Table….

What's that? Let's see them now? Ok you twisted my arm… BUT I'm going to introduce them in batches. First here's the family portrait:




The family members are Grandma Mable, Grandpa, Mom, Dad, Aunt Nancy and Uncle Bob, Uncle Fred, cousins, Little Brother, Daisy the dog and MC (main character.) Whew, this is a lot of people to keep up with but I decided to create my own backstories for all of them. And because most modern families are colorful these days, The Little Kid's Table has a lot of diversity around it. Here's some more family groups.

Grandma Mable is bringing out the pie… and the real fun is going to start

This is a proposed page layout for one of the final spreads:

Kind of like casting for a movie, determining who each character is as a person helped me illustrate how they would react in a different scene. In this book most of the action takes place in one area - the dining room at Grandma Mable's house. The drama had to be heightened through the characters' personalities. Next week I'll post about building their individual personalities and backstories. 

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18. Finishing up some #sketches from our trip! #seattle #artstagram...



Finishing up some #sketches from our trip! #seattle #artstagram #illustration #watercolor #ink #journal



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19. Sketch Outing at Krohn Conservatory

Sketch in my 8x10 Moleskine

Amy Bogard, Vanessa Sorensen and I all went to Krohn Conservatory Friday May 16th to check out the butterfly exhibit and sketch. Check out there sketches at their blogs (their names are linjked.

It was a rainy day out so sketching in the rainforest was just perfect! There are a bunch of caged tropical birds in that area too so we could not resist drawing them.

Vine Video: https://vine.co/v/MXTjEgX1JdO

I have a backlog of sketches to post. More soon!

Curly leaves.

Leaves covered in  rain drops.
 
Wonderful camel bench.

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20. The Worm

I'm sure you've all seen someone do The Worm, but have you ever wondered how worms really dance? I have solved the mystery.




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21. What's been cooking....

Sketches for Trimble Characters....

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22. Behind the Scenes with Tom Lichtenheld

ThisIsAMooseRemember Moose and his motley crew? He’s hard to forget with that superhuman (supermoosian?) determination and antlers tuned toward mischief. Let me turn the reigns over to Tom Lichtenheld himself, so he can give you a look at his process, sketches, and creative problem solving. It’s a fascinating look at how an illustrator responds to an author’s manuscript, and a glimpse at the evolution of a picture book.

Welcome back, Tom!breakerThis is a Moose by Richard T. Morris and Tom LichtenheldWhen I receive a manuscript and like it, the first thing I do is start doodling. That initial moment of inspiration only comes once, so I try to capture the first images that pop into my head.This is a Moose by Richard T. Morris and Tom LichtenheldThis is a Moose by Richard T. Morris and Tom LichtenheldThen I start refining and exploring options.This is a Moose by Richard T. Morris and Tom LichtenheldThis is a Moose by Richard T. Morris and Tom LichtenheldThe director was initially a raccoon, but a duck felt more manic.This is a Moose by Richard T. Morris and Tom LichtenheldI spent a lot of time on film sets during my career in advertising, so I know it’s a lot of hurry-up-and-wait.This is a Moose by Richard T. Morris and Tom LichtenheldNo, giraffe don’t live in the woods, but I like to draw them, so a giraffe it is.This is a Moose by Richard T. Morris and Tom LichtenheldThis is a Moose by Richard T. Morris and Tom LichtenheldThis is a Moose by Richard T. Morris and Tom LichtenheldThis is a Moose by Richard T. Morris and Tom LichtenheldLots of gags get left on the cutting-room floor, but it’s all part of the process.This is a Moose by Richard T. Morris and Tom LichtenheldBoom!This is a Moose by Richard T. Morris and Tom LichtenheldAn idea revealing that the movie was actually made, which makes no sense.This is a Moose by Richard T. Morris and Tom LichtenheldFirst crack at a title page. This is a Moose by Richard T. Morris and Tom Lichtenheld(click to enlarge)

First version of the opening scene. The narrator was a monkey, and part of the scene. We quickly realized that the director had to be “off-camera” until the end.This is a Moose by Richard T. Morris and Tom LichtenheldFirst version of the spread where Director Duck realizes none of the animals are playing by the rules. I liked the simplicity of having only his eyes move, but it was a bit too subtle, so I changed it to his entire head looking from side to side.This is a Moose by Richard T. Morris and Tom Lichtenheld(click to enlarge)

The Moosenest 

Turning this marvelously manic manuscript into a logical sequence of pictures required complete immersion, so I made a foamcore enclosure around my desk, with only Moose material within my sight lines, and dubbed it The Moosenest. It sounds like a joke, but there’s a point in sketching out a book where you need to have the entire book suspended in your mind at once, so you can mentally move the pieces around without losing sight of any elements. It’s challenging, but one of my favorite parts of the process and I don’t think I could have done it for This Is A Moose without The Moosenest.

breakerA marvelously manic manuscript with mayhem in the pictures. Thanks for letting us in to The Moosenest, Tom!

(I love that moose-like alien. I’m glad he got his day here.)

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Tagged: composition, little brown, process, richard t. morris, sketches, this is a moose, thumbnails, tom lichtenheld

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23. Character Design Sketches




Here are a few character sketches from a new personal book project I am working on! This represents only a very small portion of the pages and pages of character sketches that I have drawn, and I am sure there will be many many more to come.

 Something I am really trying to think about is varying the shapes and sizes and proportions in each character. I am also trying to give them unique silhouettes. This is something I didn't think about much before I started learning from artists in the animation industry. These are principles I think every children's illustrator should think about when designing characters for books.

Another great tip I learned from my friend, and concept artist at Disney Infinity in Salt Lake, Nasan Hardcastle is to start out really small and loose. Draw your character first in very small and simple shapes- almost like drawing a letter. Work loosely. Get the main general shapes first and then work up to a bigger size and work in the details.

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24. i've been waiting for you

Okay, so these may not be the greatest sketchbook pages. They're not going to set the world alight, but, I just needed to shout about the fact that I went to see Neil Young on Sunday!!! Damn, I love that man. He's the most inspirational artist to me. So, we may work in very different fields but how he continues moving on and changing creatively is so very inspiring. I wish I were that brave.

 Above is the inner cover of the little Moleskine sketchbook that I took with me. I drew it as the arena was filling up. And, I drew it over the page where I created THIS VIDEO (the one that shows you how to write your name!). I cannot leave a blank space alone. I just can't stop fiddling.

 I'm often asked about what I do if a page in a sketchbook 'goes wrong'. My answer is usually 'collage', but it's also where a good quote or lyric comes in handy. The page above didn't so much 'go wrong' but the girl I was drawing moved away, just as I got my pens going, so I was left with just a few squiggles. You can see them behind these Neil Young lyrics; behind the top two lines on the right hand page.

 Anyway, you know what? Not every sketchbook page should set the world alight or be all singing and dancing. In my opinion. To me the unremarkable, quiet little pages act as a comma or a pause in a book. Some time for a brief reflection. A page to get your breathe back before you dive back in.

And, the lyrics and quotes; a great place to practice your handwriting. Or better still, make up a whole new kinda handwriting.

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25. Backwards Process Post Pictures



































No words today, just pictures. :-)

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