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Viewing: Blog Posts Tagged with: AJ, Most Recent at Top [Help]
Results 1 - 25 of 205
1. roads

Recently, on Facebook, I asked the question "does anyone use Flickr anymore?" I asked because I was, kind of, toying with the idea of deleting my old Flickr account. I hadn't used it in about a year. It felt like a chore to post on there, or I'd just forget - Flickr seems so isolated from those other platforms. I've also had a lot of my work stolen from Flickr (my own fault, in the old days I had no idea about resizing my images for the web). Plus, I thought it was about time I started a Facebook Page as I hear that's a great marketing/promotion tool. I just felt I was spreading myself too thin. So, I asked the question.

The response was huge.

It seems that I'm not the only one who's been posting less on Flickr these days, if at all. But there are still some people hanging out there. Some folk said they didn't like the new (not so new, now) Flickr layout. Some said that it was still the best platform to view and host visual work. A lot of people felt that these days they used Facebook and Instagram more. There were lots of pros and cons. I was swayed, back and fore, by each point made in each comment.

So I went on Flickr to have a look around again. To remind myself of why I loved it SO much back in the day. To reminisce. And, then I started posting again. I downloaded the app to my new phone, which makes it easier to post and view other people's work. But, since then I haven't blogged! Now, I've had an invite to Ello, am still setting up my Facebook Page and have, almost, been convinced to start a Pinterest account.

I'm not sure what the moral of the story is.

Outside of the online world and my online life, I've been spreading myself too thin too. I've been doing all sorts of Art Fairs and Artisan's Markets in this run up to Christmas. Getting out and sharing my sketchbooks, meeting people and promoting my work. Exactly, what I do online then.

I'm still not sure what the moral of this story is.

And, quite frankly, I'm way too tired to work it out. Up early in the morning for a weekend of Christmas markets. As I've recently noticed that my scanner is playing up, and that my scans seem very odd colours, so there's something else I need to replace, alongside my car and my washing machine. So, yeah, keep on going, keep on working, keep the wolf from the door and keep trying to eke out a living out of this art business. Maybe I just need to accept that I'll be spreading myself thin for the foreseeable future. Perhaps that's it.
The drawing at the top of the page is a local art/craft fair that I've taken part in on a few occasions. The guy above is a local character who stopped by to look at our sketchbooks and buy my book. He is in the top drawing too, can you spot him?

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2. forgive me

I can only apologise, profusely, for what I'm about to do. I hate myself for doing it, but I am about to mention the C-word. 
Yes, as soon as you know, Christmas will be upon us. Well, for once, I've been thinking ahead and I've put this bumper pack of AJ goodies together just in time. This includes my book, 3 zines, bag, badges, postcards, greetings cards & stickers.
You can get your little mits on it HERE.
Sorry, again.

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3. canned

Thank you for all the lovely, supportive messages throughout my month of sobriety during October. I raised over £300 for the charity, Macmillan Cancer Support. All in all, I've been feeling rather chuffed with myself, for not only getting through the month but for really enjoying it. I've been feeling better than ever.

Then last weekend I somehow managed to drive over my new, uninsured, iPhone. I know, you really don't need to tell me; I am an absolute twonk. So, now I need to raise to money for myself. Over £300 just to pay off the trashed phone and then enough to get a new one (although this time it's probably not going to be a brand new iPhone).

Anyway, that is the reason that I'm selling off a load of original drawings. There'll be more going into my Etsy shop over the next few weeks and I've reduced the prices of the originals already in the shop. Today this one went up for sale. I do like this one, actually. I may have changed the pens I've used over the years, and the paper, and the way I draw, but I can't imagine a time when blues and browns are will not my favourite colour combination.

You can get your paws on this original drawing HERE.

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4. all my colours turn to clouds

I've been doing a little design work for a wool/knitting/crocheting centre recently. It took a few attempts to come up with a design that both the client and I were happy with and agreed on. This was one of the earlier attempts and the original is up for sale HERE. yes, I really really need a new phone (see last blog post).

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5. rolling over

Here's another one for the knitters. As I said in my last post, I have been doing some design work for a knitting/wool/yarn centre. This was the finished design for their leaflets, website, promo, etc. I'm really pleased with how it turned out. And, I don't often say that.

The exquisite wools made such a gorgeous subject. The colours were just lush. Plus, I love pattern making which is probably why I enjoyed it so much. You can get your mits on this original, as it's up for sale HERE.

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6. come together

Last weekend I had one of those perfectly creative weekends. The kind of weekend that I wish all weekends were like (does that sentence even make sense? Do those words even make a sentence?).
SATURDAY
As you may or may not know,  I co-run Dr Sketchy Sheffield. You probably do, I certainly bang on about it enough. But, then why wouldn't I when we are THIS fabulous? This is what we created in the Backroom of a pub in Sheffield last Saturday.
When I say 'we' I'm talking about everyone who is involved in making these events happen, from myself and Lara, who run the shows, to the guys who play the music, take the photos, run the bar, the sketchers, and, of course, our amazing models. Just look how brilliant they are.
These girls are a Burlesque Dance Troupe who call themselves The Yorkshire Puddings. They've modelled for us before and they never fail to blow our socks off.

It has to be said, that I probably do less drawing than if I were just a sketcher, but there's something just as magical about creating the events as there is creating the drawings. Here's a couple of mine below, though, they don't always go to plan...

Big shout out to our Eric Murphy for these fantastic photos. You can see the whole set of them HERE.
 I LOVE Dr Sketchy and look forward to another year of cooking up themes and making this sort of magic happen.
 
SUNDAY
On Sunday I got to do a lot more drawing. It was Urban Sketchers Yorkshire's 50th event, and myself and fellow sketcher, Paul Gent, loosely organised a sketchcrawl/pubcrawl/pubscrawl in Buxton. Paul made the map, above.
 We started at 12 noon and went on into the evening. Just a lovely day, sketching my fellow sketchers.
Mel
Matt
Miriam
And, yes, we had to have a photo, to celebrate our 50th and, yes, I seem to be hiding.
 So, all in all, a perfectly sketchy, creative weekend. It's hard for me to imagine that it is only the last, say, three years that I've been drawing out and about and with people. I spent so long at home, drawing alone, I couldn't be happier that this whole new world opened up to me when I stepped outside of my house to draw. You get good things from being people, and you learn so much too. Thanks to everyone I spent the weekend with. It was a pleasure.
Phew, I'm exhausted now. That was the longest blog post ever!
If you're interested in finding out more and, perhaps, joining us at either Dr Sketchy Sheffield or Urban Sketchers Yorkshire then get in touch with me and I'll fill you in on the details. Or, you can follow the links to our Facebook Groups and have a little look around, get to know us and maybe I'll sketch you soon!
Click on links below;

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7. it's just everything i do, we did together

Today's journal. I'm glad I didn't discuss my love of typography, but, got down to the nitty-gritty instead. I think it's important that I did that:

'I started this drawing on day one of my Go Sober For October challenge and did a bit more last night (day two). I had originally intended to discuss why 'd kept these specific wine bottles and my love of typography, fonts and lettering especially French stuff and the Art Nouveau period. But, I'm finishing this drawing on day three of my sobriety, which also happens to be a Friday night. And, twice I've had a wobble. The first time was around tea time, approaching wine-time, when all I wanted to do was drive up to Lil'Sainsburys (the same old routine) and get some wine. I didn't. And again, now. Again, I'm having a wobble. It's a Friday night. I should be drunk. My friend's are drunk. People on Facebook are drunk. And I'm not. And, I'm not going to lie, I'm not only jealous, I'm angry. I'm annoyed.'

Please sponsor my sobriety here; https://www.gosober.org.uk/profile/andreajoseph

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8. she's leaving home

 I really am awful at finishing a story off. This one has been going one for nearly six months and it still hasn't come to a conclusion. I can never deal with endings. I wonder what deep psychological scar I'm avoiding looking at? Hmmm. But, that's another post, another drawing, hey, another book!
So, when we last caught up with my bookbench, my girl, she was finished - all apart from a little colour that I added, and a few more doodles. Less is never more around here. Why stop when you can just keep on going and going? (Go Sober For October really is making me look at my addictive behaviour, it seems).
When I'd thrown as much colour and doodles at her, it needed to be finished with a coat of hardcore resin/varnish. That bit was done at 2am the night/morning before she was being picked up. It was meant to have been done four days before (I didn't realise that until 2am when I finally read the tin) but, shhhh, don't tell anyone. And, anyway, I couldn't have lived with the small of that resin for four days. I'd have been as high as a kite.
And then they came to take her away. After a rather undignified exit from my house which included a door being removed and a washing line being snapped - she just didn't want to leave - she was off.
 After dominating my living room for the past few months she suddenly looked so small. She looked tiny, out there, in the big wide world (car park). Aw.
 She was carefully and lovingly wrapped then bundled into the back of a van and off to find her new home in the big city. In the Big Smoke.
 Well, not quite. Because, yes, she did make her home in London, for the summer, but it was in a rather lovely, green, little churchyard in Greenwich. I even got to go and visit her.
 And, not just once, but twice. Yesterday, I went to say a final farewell, as all of the fifty bookbenches were gathered together in Gordon Square, London, before they go on auction and onto the next chapter of their lives. Lots of people came out to see them in all their glory, on a perfect autumn afternoon.
 And, so, that's it. This evening they will all be auctioned of to raise much needed funds for the National Literacy Trust.
 Unfortunately, I won't be able to make the auction, but I hope she goes to a good home. Bye Bye bookbench.
THE END
(or is it? Maybe, I'll get to visit her in her new home, where ever that may be)

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9. i'm gonna clear out my head

Another good reason for participating in Go Sober For October is that I'm not just kicking the booze for a month - or, who knows, maybe longer (one day at a time and all that) - but I'm also giving the elbow to another habit; the fags. You know, I never smoke unless I've had a drink. Never. It doesn't enter my head to. I never want a cigarette when I'm sober. It repulses me.
 Then I have a drink. Then I can't get enough of the fags (might have a different meaning in the US??). I'd smoke two at a time if I could. All willpower, self discipline, whatever, goes out of the window. I crave dirty tobacco. In the freezing cold and pouring rain, I'll stand outside the pub or in the back garden. It has to stop. It will stop. It has stopped. No more.
 Another damn good reason for taking up this challenge. So, yeah, I'm going double cold turkey. And, if that ain't enough reason for you to donate/sponsor me then I don't know what else to do? You can do that HERE. Cheers (probably not the best choice of words).

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10. and i say, it's alright

I always think that as long as I come away from a day trip or sketchcrawl or Dr Sketchy or any sort of drawing event or opportunity with one 'good' drawing, or, at least, one drawing that I like, then I'm happy with that. That's all I ask for. Just a memento of the day.
 By the time I was leaving London last week I still had nothing, apart from a few prosaic, pretty average drawings of people on the train there, and it was getting dark. I'd gone to the city with a drawing in mind. There's a sculpture I wanted to see and I'd packed the yellow and orange pens especially for it. But, our time there went so quickly that I didn't even get to see or draw it. But, that's okay, that's another trip
 .I didn't want to leave though, not without something, a souvenir, to take home. So, just before I caught my train back, I dived into a café on the corner of Tottenham Court Road for a cuppa and a draw.
 I missed my next train home. So, I had an extra hour to spend drawing the souvenir shop on the opposite corner. I got another cuppa.
 Is it a 'good' drawing? Do I like it? Not really. It's alright. Ish. But, I feel like that about a lot of my work. I need to close the book and put it away for a while. I almost always feel differently with time between it. Who knows, I might even like my souvenir from London in a few months time. Right now I doubt it, but you never know.
 And here's a couple of prosaic, pretty average sketches of people on the train...

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11. Nora

 Hi folks, I have a small, limited edition, set of these bag and badge ('button' in the US?) sets for sale.
The tote bags feature my illustration of Nora Hildebrandt, the original tattooed lady, on the front and back.
 The badges feature a couple of examples of my drawings and a couple of examples of my lettering work.
Also, I'm making a donation, from each set sold, to MacMillan Cancer Support, who I am fund raising for this month - by being sober!
 
You can get your paws on them HERE. Merci!

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12. the changing man

Here's just a little (it's all relative) something I knocked up in my sketchbook.
The story of the drawing goes a bit like this...
Sometime back in May I went to my friend, and Dr Sketchy partner, Lara Gothique's fabulous vaudeville extravaganza (I do love that word, extravaganza. In fact, I love both of those words; vaudeville and extravaganza) called Cupid Stunts. I sketched the whole show that evening. I came away with a load of drawings. Over twenty quick sketches.
One of the fabulous artistes that night was a Victorian strong man called Sir Leopold Aleksander. I got a good handful of sketches of him. They were pretty much all as below - simple line drawings.
Over the last couple of weeks, as I have been living a life of sobriety, I seem to have a bit more time on my hands in the evenings. Time to do the things I've wanted to do for ages but not got around to because wine got in the way. Time to go back through my sketchbooks and rework some of those quick sketches that needed a bit of the AJ treatment. So that's what I did with the, now, tattooed gentleman above, and, at some point, will do with the sketch below. Sure, they don't exactly look like the Victorian gent, but that's what happens when you a) sketch in the dark and b) complete the illustration using only your memory and a lot of imagination. And, that's what I love about drawing.
Thanks to Sir Leopold for the use of his body(?!)
Thanks to Lara for her fabulous show.
And thanks to Go Sober For October for giving me the headspace to draw instead of drink wine! 
If you can spare a bob or two please donate to my sobriety challenge. I am raising money for MacMillan Cancer Support. The most worthiest of causes. You can do that HERE.
And if you'd like to see a vaudeville extravaganza, and are in Sheffield next weekend (a long shot, perhaps), Lara is putting on another. Check it out HERE. Take your sketchbook!

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13. the ghosts of night, the dreams of day

Had a lovely day yesterday, drawing for the love of drawing rather than for work. I always love catching up with Urban Sketchers Yorkshire, my sketchcrawling buddies, too. We spent the day at the National Emergency Vehicles Museum in Sheffield. It was right up my tree. Loved the subject matter. I could spend another day, or ten, there. And, maybe even a night; apparently there are many ghosts in this former police and fire station. If you believe in that sort of thing, of course. I don't but I'm willing to have my mind changed.

 There was a very specific colour scheme too. Reds, blacks and a little yellow were the colours of the day. I managed to not take seventeen pencils cases, which is an achievement for me, and narrowed it down to just the three sketchbooks. I always try to take some tools that I wouldn't normally draw with at home. I try and play a bit more on sketchcrawls. It feels like the right place to do that as you often encounter subject matter you wouldn't normally choose to draw. The red Bingo dabber was an inspired choice of pens.

 Here's something I've noticed during October, as I'm participating in Go Sober For October, I do a lot more with my weekends. It's much easier when you're not factoring in a 'big night' or a hangover. That's just another benefit to being sober; doing more stuff with your time. Just look at how my blogging has increased in the last month!

 The museum holds a vast range of fire service related memorabilia that had previously been sitting in attics and local fire stations all over the county and amongst the exhibits were prisoner files from the last century. I found these the most fascinating of all, and below are my drawings of some of the mugshots from around the 1940s. It's funny how just by drawing somebody, spending that time studying someone, you can feel a real connection with them. I don't just want to now more about the faces I drew, I feel an empathy, sympathy, for them. Protective towards them even, like I knew them. I guess what I'm trying to say was that I was touched by them. Maybe I do believe in ghosts.




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14. talking about good things and singing the blues

Another thing I've noticed, since giving up the demon drink, is that you feel very smug when it come to putting your recycling out on the street.

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15. COMING SOON!

Coming soon, to my Etsy shop, limited edition, Wonderful Women Book Bags. Starting with, Nora, the original tattooed lady.

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16. i am still right here

For everyone feeling like shit today.
A new range of products, lotions and potions that I may, or may not, be bringing out in the future.
Probably not coming to my Etsy shop very soon.

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17. Nora

 Look who's turned up.

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18. me, myself and the Gents

Me, drawing, by Paul Gent
I'm very lucky to have met some really wonderful artists over the last few years. Artists from around the world. I've met them online, then met them in person. In many lovely parts of the world. Plus, as well as that, I regularly meet up with some brilliant artists closer to home.
Me, drawing, by Miriam Gent
These drawings, of me, were made by a couple of extremely talented friends, Miriam and Paul Gent. They were created, just a couple of weeks ago, on a local Sketchcrawl/Pubcrawl that we three planned (in the pub). It was so local it went through the streets we live on.
Me, drawing, by Paul Gent
It's amazing, when you look, what and who you'll find on your doorstep.
I couldn't love them more; the drawings and the Gents.
 

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19. take me up to the top of the city

So, it's nearly time to say goodbye to August, and summer, and Hello September. I like September. It feels like a month when changes can and will happen and I always welcome that. Plus, autumn is most definitely my favourite season. Even the word 'autumn' is lovely.

September, before it has begun, has a theme to it. I am paying three visits to our capital - which feels exciting and sounds expensive. At the end of the month I am going to see, and I can't quite believe I'm saying this, Kate Bush in concert. I know, how crazy is that? I hope she hasn't had a big strop by then and called the rest of the dates off. You wouldn't put it past her. And, I love her for that.

Mid month I am finally going to see my bookbench. It's been a long time coming, but at last, just days before it retires from the city, I'll get to see it, in situ, on the streets of London. Well, actually, in a churchyard in Greenwich. The photo, below, was taken by, and of, a couple of friends who recently visited.
Then there's next weekend and a rather fabulous opportunity that presented itself to me. You know, sometimes, a little gem of a 'job' pops up in your inbox? Sometimes, you don't even take it seriously because it sounds too good to be true? Yeah, that.

Next weekend, on Saturday 5th of September, I will be drawing for, and representing, MOLESKINE and URBAN SKETCHERS in COVENT GARDEN. It's true! Please come along. We're there all day for a big old sketchathon. Come! Draw! Plus, rumour has it, that there may just be free Moleskines. Oh yes. You'll need to get there early to catch one of those lovely worms.

Oh, oh, and I forgot to mention the rest of the Covent Garden sketching team. I'll only be sketching with, ahem, Urban Sketching correspondents Adebanji Alade, James Hobbs, Olha Pryymak. Eeeeek! I already feel like a fraud.

Full details of the event can be found HERE. Even though our Learning Sessions are sold out still come along. We'll all be hanging out, sketching, all day. Hope to see you there.

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20. guess i'll have another round

I seem to have been spending a lot of time sketching in pubs over the last few weeks. It's kind of become one of those unintentional themes. An enjoyable one. What could make a better subject matter than a lovely old pub? And, I've been visiting quite a few. On Sunday evening I attended Pubscrawl in Sheffield; ten pubs turned into art galleries, or exhibition spaces, for the evening, hosting ten different artists. Such a great idea. Great to view art in these great British institutions.

The drawing below is from a Pubcrawl Sketchcrawl that myself and a friend hosted, here, in the High Peak. That day we took in seven or eight different pubs, drawing inside and outside of them. I drew this in the beer garden of our final stop.

So yeah, there's a definite theme going on. One that I'm quite happy to continue.


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21. i wanna say, i wanna tell you

 On Saturday I got to be part of a lovely event in Covent Garden, which was brought about by Moleskine in collaboration with Urban Sketchers. I was absolutely stoked to be asked to contribute, to the event, in way of presenting a 'learning session' to anyone interested in Urban Sketching. I was surprised, to be asked, too, as I'm not normally recognised for that kind of sketching - although I am an active member of Urban Sketchers Yorkshire - I suspect I was invited because I am a prolific Moleskine user and fan.

And so, I found myself up at an ungodly hour and on the six o'clock train down to London.
Which is, of course, when I started drawing.

 My first stop, on arrival in the city, was a Timberyard café in Covent Garden, where I met the Moleskine team and the other three sketchers, Adebanji Alade, James Hobbs and Olha Pryymak, taking part in the event. This, too, was a privilege as I have admired these guys work, from afar, for years. Then we were joined by members of the press and bloggers to discuss all things Urban Sketching, before moving on to our venues.
James and I were based at the wonderful London Graphic Centre for the day. I'd never visited before, but it really is a must for pen/stationery/notebook geeks (you know who you are). If you're in London, and you are such a geek, don't miss this place. Three or four stories of awesomeness, I have no idea how I didn't spend a fortune. Well, I do; I was kept busy, drawing the day.

In the afternoon it was time for my Learning Session, in which I talked about my journey from being a secret private drawer to taking that leap, joining an Urban Sketchers group, and drawing outdoors and in public. I also discussed some of my coping strategies for making that move, how it has changed my drawing and how it's changed how I view the world (now EVERYTHING is a drawing opportunity). Then we took to the streets for some more sketching.

It was a perfect way to spend an afternoon. And, again, it is another reason I love 'sketchcrawling' - just getting in that zone with a bunch of people who are passionate about drawing, talking, not talking, but always sketching. There were sketchers of all ages, too. Above are a couple of my sketches of the youngest sketchers.

Now, I know what you're thinking, and, no, there aren't that many moose roaming the streets of London. This one was on the wall of a flower shop - the one that Emily is drawing above. I know it's not what you might expect of Urban Sketching, but that was part of my class; there are no rules when it comes to creating. Just get out and draw.

If you feel intimidated by the big picture, by drawing a whole scene or street or building, then start by drawing little bits of it. Just draw the signs, or the bins, or the windows, or the people. The rest will come. You can add the rest of the scene in later. If you want. But, if you are curious about drawing outside, stop putting things in your way. I speak from experience. I came up with so many excuses for not doing what I wanted to do, but finally letting go of that was the best thing.

I don't have all the drawings that I made, to share, here, as at the end of the day we tore them out of our books and hung them at the London Graphic Centre and the Moleskine shop. We didn't just tear up our sketchbooks though. No siree, we'd been drawing in Moleskine's new square Sketch Album which has perforated pages. Another great idea from Moleskine. Above are a couple of drawings by James and myself.

And, finally our day was finished. It was exhausting but exhilarating. There is nothing I enjoy more than talking about and sharing my love for drawing. I wish I could do this every day of the week. I guess I, kind of, do that online - which is great and all well and good - but, there is something about doing it with real live actual people!

As Adebanji finished his last sketch of the day, James and I went for a final coffee before I got my train home. But, as always with obsessive sketchers, a view from the window of Stanfords bookshop café proved to be too tempting. So, I squeezed one last drawing in before departing.

A big thanks to Moleskine and to Urban Sketchers for letting me be a part of this Moleskine Story, to the other artists and everyone who came along to sketch on the day. I enjoyed it immensely. Thanks y'all.

 Did, I say that was my last sketch of the day? I was lying. What else do you do on a train journey?

One observation I will have; if you are on the same train, in the same carriage, as a VERY drunk man then it's very comforting to be sat at the same table as a huge tattooed body builder. Even if he is wearing pink. Just saying.

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22. oooo baby, here i am. signed, sealed, delivered. i'm yours

For those who have enquired, I have had another delivery of books from my publisher and so they are back in stock HERE. Cheers.

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23. push it along push it along

If last month I was spending all of my time drawing in pubs, this month I seem to have been spending it all drawing on trains. I'll be honest, I'm not a fan of public transport. Firstly, I love driving, but, more than that, I don't like being stuck in a confined space with the general public. It's one of my 'things'.

But, necessity dictates and, as I've been back and fore to London and Sheffield all month, I've found myself being stuck in confined spaces with the general public. A lot.

It has, however, given me time to draw the general public. It's not the easiest way to draw. And, you have to hope they'll fall asleep - which they usually do - because they don't always tend to like being drawn. But there really is nothing else of interest, subject wise, on trains, I find. I've made a hundred, or more, sketches, over the last month. Mostly of people sleeping. I've actually enjoyed having that time, with nothing else to do but sketch.

Above, is a drawing of a friend who had no hang ups about being drawn. The two below are a couple of my favourite sketches out of a bunch of pretty bland stuff.
 


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24. the corners of my mind

Today I start a month of sobriety, in an initiative by the wonderful MacMillan Cancer Support called Go Sober For October - which not only raises money for them but also gets us, taking part, to look at our own drinking habits.

My feelings about it change like the weather. One minute I'm really looking forward to it. Excited about the break. No alcohol for a month. I know I'll be more productive, I know I'll feel so much better, I hope the house will get cleaned.

Then it comes over me like a wave, a tsunami actually; NO WINE FOR A MONTH. And, it terrifies me. What will I do? It's those moments, those routines; Thursday after finishing work for the week; Friday night; chatting on the phone with Tim; early Sunday evening; whilst cooking; chatting on the phone with Mark. FRIDAY NIGHT!!!

From the far blurry corners of my mind I remembered something that I saw in one of Danny Gregory's books. I can't remember which, unfortunately, an Illustrated Journey maybe. In it, he gives tips on journaling and one of the ideas he shares is to go without something for a day (chocolate, alcohol, smoking, tv, the internet, etc) and journal about it. I think I may try this over the next 31 days. It would be the most fitting way of me to document the month ahead.

I'm not expecting the next month to be easy but then I remember the cause and it puts it into perspective. If your life had ever been touched by the amazing, and humbling job, that MacMillan do (or if the thought of giving up alcohol for a month terrifies you, too) please donate/sponsor me. You can do that HERE.
Cheers!

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25. you are always on my mind

Tonight I am donating the fiver that I would have spent on my Thursday-night-end-of-the-working-week-wine, if I had not been taking part in Go Sober For October, in support of the amazing MacMillan Cancer Support.

The drawing was made with graphite and colour pencil. The donation was made with ease. And gratitude.

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