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1. what a difference a day makes

 What a difference a day makes up here in these hills. Or Peaks to be specific. I made these two drawings over a weekend. I was participating in the Buxton Art Trail weekend - where artists take over the town. with their creativity, and use shops and cafes and homes to exhibit, and hopefully sell, their work.
 I was upstairs in the Old Clubhouse pub. A venue we use for our Dr Sketchy events. It has the best view in the town, looking right out at the beautiful Buxton Opera House. The Saturday was bright, blue skies, sunny and very quiet.
 The Sunday was throwing it down. A very wet and chilly Buxton in July. I'm not sure whether people just wanted to get out of the rain or see my work, but I don't mind either way. I had the loveliest afternoon and met loads of really nice people. Hello if you're one of them.
You never know how these events are going to go. But after doing my fair share of them, I've learnt it's never about how much work you sell. Of course, that's great, it's the best, but it's also about lots of other things you get out of them; meeting new people, sharing your work, talking about your work. Plus, I signed up two fabulous new models for my alternative life drawing sessions and got two sketches of the Opera House. And who knows what else may come.

Get yourself out there.

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2. 100 Bicycles

Here's another of my current projects and obsessions. I'm not entirely sure where it came from but it's quickly taken over. Bikes, bikes and more bikes.
 It probably really took hold when I visited the Eroica Britannia festival this year. It's a festival and celebration of cycling. The cyclists ride through the gorgeous Peak District on pre 1987 bikes. So lots of wonderful vintage, classic and iconic bikes to look at and draw.
 The thing, I find with bikes is they are not easy to draw. With all their angles and proportions and round wheels and whatnot, they are difficult little blighters. But I love the challenge of something difficult. Once you get to grips with it and start getting it right there's a great feeling of satisfaction.
So, I think that's where this all started. The bike thing. I always remember reading, when I first started drawing, that you've never really got the handle on drawing something until you've drawn it a hundred times. Now I'd probably agree with that.
 And so in September I'll be holding an exhibition, with a friend of mine artist Kate Yorke, called 100 Bicycles. Yes, the title pretty much explains it. We'll be exhibiting one hundred bicycle drawings. Sketches mainly.
I really can't stop. I really mustn't stop. And while I'm loving it why stop? I'm adding some of these sketches to my Etsy shop at very reasonable prices (cheap!) so if you're into bicycles grab yourself a bargain HERE. You'd better hurry though, they're going quick!
 PLUS, for this weekend only, anyone who purchases my Andrea Joseph Bumper Pack will get a FREE bicycle sketch. Check that out HERE.

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3. WARNING: freaky ventriliquist dummy alert

If you follow my blog you may well know
that I draw anywhere and everywhere.
But where better than somewhere that combines your other interests. And I bloody love stuff. Old stuff. Which is why I love the antique auctions.
Which is why I love an antique auction house. Today I was at Adam Partridge's auction house in
Where else can you sit on an antique chair and draw surrounded  by spooky ventriloquist dummies and tiny chaise longue? 
 
And then there's the vast array of fabulous and insane subject matter. It's everything I love in one afternoon.
 And if I'm drawing I'm not bidding.
Although, I always end up bidding too. Not on the spooky dummy though. Not this time anyway.

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4. a bit about perseverance

At the half time break, at life drawing this evening, I was ready to give up forever. I wanted to sneak out, go home and never pick up my pens again. My drawings were an embarrassment and why was I even at life drawing? I shouldn't be there. I didn't deserve to be there - not with what I was producing. I, obviously, was getting ideas above my station going to life drawing. But I finished my cuppa and went back in. I persevered and I'm glad I did. I pulled this one out of the bag. And now I can carry on drawing for a bit longer. 

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5. I'm back after several months of hiatus - #IWSG Insecure Writer's Support Group


I'm delighted to back with celebrating the Insecure Writer's Support Group the first of the month after several months of hiatus. 

Applause all around for the awesome co-hosts for the the July 1 posting of the IWSG will be Charity Bradford, S.A. Larsen, AJ, Tamara Narayan, Allison Gammons, and Tanya Miranda! 

I wish I could say my hiatus was for something fun like traveling the world and hitting lottery.... alas it was not to be. 

Much to our shock the doctor's discovered that my husband developed squamous cell skin carcinoma on his eyeball, inside his lower eyelid and eye socket. After three surgeries and plenty of down time, my husband is now back to work after a little more than two months of recovery time. Thankfully the brilliant surgeons were able to save his eyeball and with extensive reconstructive surgery he is just dealing with a lazy eyelid and a bit of blurry vision this time. I urge you all the protect yourself and your loved one's from the harmful sun. I'm not saying not to enjoy the great outdoors, but be sure to wear sunscreen, sunglasses and hats! 

Now, how do I get back into the groove of my writing and book promotion? I feel like I've lost a tremendous amount of progress in both categories. I've been taking the time over the last few days to get myself reorganized and plan on getting my July newsletter out before the July 4th holiday. 

Does anyone have any suggestions in not loosing one's mojo when dealing with a family crisis without exhausting one's self? I blogged a couple of times and actually released my June newsletter, but otherwise I took the easy way out and put my writing and book promotion on the back burner. My day job was and still is a fantastic support during my husband's health crisis and I'm eternally grateful for The Salvation Army, where I began work in January of this year. 

Your thoughts and suggestions are appreciated!

Thank you!

~~~~~~~~~~~~~~~~~~~~~~~~~


Best wishes,
Donna M. McDine
Multi Award-winning Children's Author

Ignite curiosity in your child through reading!

Connect with

A Sandy Grave ~ January 2014 ~ Guardian Angel Publishing, Inc. ~ 2014 Purple Dragonfly 1st Place Picture Books 6+, Story Monster Approved, Beach Book Festival Honorable Mention 2014, Reader's Favorite Five Star Review

Powder Monkey ~ May 2013 ~ Guardian Angel Publishing, Inc. ~ Purple Dragonfly 2015 Award First Place Historical Fiction and Story Monster Approved 2014 and Reader's Favorite Five Star Review

Hockey Agony ~ January 2013 ~ Guardian Angel Publishing, Inc. ~ Purple Dragonfly 2015 Award Honorable Mention Picture Books 6 & Older and New England Book Festival Honorable Mention 2014, Story Monster Approved and Reader's Favorite Five Star Review

The Golden Pathway ~ August 2010 ~ Guardian Angel Publishing, Inc.
~ Literary Classics Silver Award and Seal of Approval, Readers Favorite 2012 International Book Awards Honorable Mention and Dan Poynter's Global e-Book Awards Finalist

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6. The Red Case

Wow what a ridiculously long time between blogs. Possibly the longest yet. I don't know what to do to fix it; this (non) blogging issue, that is. I don't know why it seems so hard to do. I'm drawing all the time. And have all sorts of projects on. But just never seem to get around to blogging about them.
 
But, I'm here now, and here's one such project that's been occupying my time and mind. It's a drawing session/class/event that I've been running at a local studios. Once a month I arrange for a great model to pose in various scenarios for a group of sketchers. The difference between this and a (clothed) life drawing session is that there is a story, a narrative, running through the sessions and is passed on from model to model via
A RED CASE.
We started in session, or chapter, one with a show girl...
(drawing by Steve King)
...who held a dark secret...
...no matter what she did...
(drawing by me)
...to try to forget...
...it was always there, so one night...
 Drawing by Kate Yorke
 ...after too much to drink, she wrote a letter...
 ...asking the only person she trusted...
...to pick up the red case...
(drawing by me)
...which she did...
(drawing by Paul Gent)
 ...and now she carried the burden...
...and now, no matter what she did...
 (drawing by me)
...to try to forget...
...or who she talked to...
 (drawing by Kate Yorke)
...she too now held the secret...
 (drawing by me)
...so she decided to dispose of the case...
(drawing by Lynne McPeake)
...but...
(drawing by Karrie Brown)
...she was caught in the act...
(drawing by Kate Yorke)
...and she was marched off to jail...
 ...which all proved too much for her mother...
...but her cousin was there to pick up the pieces, and the inheritance, including the red case.
It would be his undoing.
 
You can see where the story goes here;
 
Photography by Rod Walton
Showgirl played by Pinky DeVille
Edith played by Miriam Gent
Hector played by Mike Cross
#TheRedCase
 
Fancy joining my class? Get in touch.
 

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7. something old something new something borowed...

I've a few original artworks, in my Etsy shop, going cheap.
The drawing above is brand new. I did it while waiting in the car park, in a local village, Hayfield, here in Derbyshire. It's the village where the BBC production called, funnily enough, The Village is filmed. Throughout the filming Hayfield was transformed into a village from 1914. Which basically means that they hardly did anything to it. It really hasn't changed much in a hundred years. 
Below, is an oldie.
You can find them both, and some others, HERE.

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8. Museum Week

 If you've followed my work in the past, you may know that a favourite subject matter of mine is collections. I've drawn collections of keys, badges, matchboxes, pens, buttons and souvenirs to name but a few. I've drawn souvenirs of all kinds, like in the drawing above, which comes from an entire sketchbook of collection drawings. Well, recently I've been commissioned by Greater Manchester Museum Group to create four drawings based on their collections from four of their museums.
I'm so thrilled about getting this gig. I've always wanted to draw museums' collections. I used to dream that I'd get a job cataloguing them all. It would be my perfect job, but unfortunately photography happened and then computers and so the call for museum collection illustrators and cataloguers waned. But, anyway, now I have the opportunity. My problem is how do you make just one drawing from each museum?
Well, firstly we narrowed it down by choosing the four museums from Greater Manchester's 21 venues. The first was Stockport's Hat Works Museum which is the building in the picture above. I already knew of, and love, this place. In fact we did a sketchcrawl there just a few weeks ago. It contains everything you need to know about hat making and the most amazing hats. But, not only do I get to visit the museums, but I also got the opportunity of looking through their archives and storage. This has been such a privilege, rooting through the stores, holding history (and antique top hats) in my hands.
 The second collection I'll be drawing is the Egyptology collection from Bolton Museum. They have an impressive collection of  Egyptology artefacts. Unfortunately, I didn't get the best photos from that trip but I did get a sketch of a dinosaur before I left the building!
 My third collection is from the natural History collections of Oldham Museum. I spent the best few hours with the curator, down in the cellar archives, surrounded by so many treasures of nature, whilst being educated on bugs and butterflies and birds nest. Actually, that too has been another joy and privilege of this whole experience, learning about, not just Natural History, the social history of this region and about the collectors. Learning from passionate people.
Again, I managed to sneak some sketching in before leaving the building. Well, what else do you do when waiting for the rain to stop?
 Today was my final visit and final collection. For that I went to the Museum of the Manchester Regiment to view their medal collections. I wasn't quite prepared by how touching an experience that would be. I shed a tear or two reading the heart breaking stories of the soldiers who lost their lives.
So, that's what I'm working on right now. My drawings were commissioned by the Museum Group for a new online shop they are building, which is coming soon. Very soon. Which reminds me, I don't have time to sit here blogging, I've got (a lot of) work to do.....
 
Oh, and unbeknownst to me, and quite coincidentally, this is actually Museum Week 2015. So Happy #MuseumWeek one and all. Go visit a museum because museums are great places. 

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9. getting with the programme

So, I'll be honest, this is basically a test post. For a long time my blog has just been chugging along. There was a time, way back when, when I would blog, religiously, a few times a week. Then social media happened.
Like many people, I suppose, I started 'blogging' there. It seemed easier. I'm not really interested in sharing the ins and outs of my life online, or social media, but sharing my artwork through those platforms seemed to make sense. Blogging suddenly seemed like much more of an effort. I mean you had to switch in the laptop and all that palaver. 
I blamed blogging, and blogs, for that - for being behind the times. Not catching up with social media. But it was me that was behind the times and not keeping up with the technology. It hadn't even dawned in me to download the Blogger app. But now I have. 
I took these photos on Friday. My friend and I, Kate of Emily Pickle design (haven't worked out if it's possible to add a link when blogging on your phone. Anyone?) took her 'pencil case' out to the pub to draw. Her pencil case/make up bag is filled with all sorts of goodies I'd never have dreamtof using to draw with. The drawing above is made with glitter mascara, liquid eyeliner and Christmas wrapping tapes amongst other things. I loved experimenting with all this stuff. I'll never look at an old eyeliner in the same way again.

Right, I'm going to put the laptop on to see how this worked out....

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10. tamping!

My new zine, The Tamp, now has an advert. yes, I've hit the big time. This minature zine is not only a tiny newspaper but also a puzzle. The puzzle is putting the thing together and specifically getting the pages in the correct order. It'll only make sense if they are in the right order. I say 'make sense'...
The newspaper has a tiny comic strip, a tiny film and book review, tiny classified ads. So, as the man says 'READ ALL ABOUT IT!'. Limited print run, get your copy HERE.

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11. the fear of a people sketcher


Yesterday I went back to Gallery Oldham where I'd previously done research for the Museum job that I've talked about in my last posts. This time though I returned for a little mini sketch meet up with some friends.
When I was there last time I made this sketch, below, of the guy who worked in the gallery's lovely Naked Bean cafe. It was a sneaky sketch, I didn't show him but I did post the sketch on Twitter and the cafe saw it. They said that he loved it - even though i'd made him look pretty grumpy in it. Which he wasn't. He was the opposite to grumpy. 
Anyway, yesterday, when I returned and with the knowledge he was happy with the sketch I took the opportunity to get a photo of him with it. He said "I've never been drawn before. It made my day. I put it on Facebook and everything".
think the fear for all of us that sketch people is their response to it. Will they be offended? Will they hate it? I know it's my fear which is why I don't often show them. But his response made my day. This time it paid off.

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12. I'm walking down your street again

Right, once again I haven't posted here in too long. So, here's a mega post. I won't bore you with words. I'll just show you in drawings and photos some of the things I've been doing (drawing) in all the gaps between posts.
I've been drawing in bars
and in antique showrooms
drawing bikes in galleries
and skeletons in museums,
drawing the guy at the bar of the brasserie
and the girl at the café,
the chip van
and at lunch with my niece
at the cricket with friends
more bones at another museum
whilst working at the gallery
at another bar
on the high street
at a transport museum
and another bike
at another pub
with a sharply dressed man
at a bus station
at a flea market
and at another museum.
Which all tells me that I like old things and spend a lot of time eating out in bars and cafes. Yep, I think that pretty much sums it up.

Have you signed up to Sketchbook Skool yet? The course I teach on starts today. You too may end up drawing your life too if you do. Enrol on 'Seeing' HERE.

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13. i'm going to clear out my head, i'm going to get myself straight

I've been cleaning up my house recently. And cleaning up my act. I've always kept stuff 'for drawing'. For that day when I finally sit down and draw my stamp, matchbox, buttons, receipts, doll's heads (really), cork collections. Amongst many others.
But, this isn't fitting in with my quest for minimalist living. So there's going to be a cull. Things are getting serious. But how can I get rid of these corks? They are thing of beauty. I've drawn them before (above and below) and I may want to draw them again. They all have their own characters and personalities. They're all slightly different. You can make rubber stamps out of them. They have sentimental.....

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14. How to upcycle and old radio (drawing)

 As I may have already mentioned, I've been cleaning up my house recently. It fell into disrepair due to neglect (by me) and now I'm giving it some much needed attention. I've put a deadline on getting it done too; August. I have decided to do an Open House then, to show off all my hard work - decorating and drawing - and you're all invited. I need to, not only paint the whole place, but, get my work together to frame and hang. I came across this radio drawing whilst sorting through stuff. I made it, about six years ago, whilst in Italy. It was on that trip that I met lapin for the first time too. I also drew his hat. But that hangs in his home.
 Anyway, I decided I'd like this drawing to be at my Open House exhibition, so last night I played around with it a little. I upcycled this old radio, if you like. There were practical reasons for doing it; the brown pens I used back then (my beloved Pilot G-tec) are just not light fast, and so, as I wanted this radio hanging on my wall, in August, it too needed a little attention. I went over it all in brown light fast fine liners and added a little colour pencil. An improvement on the original? I don't know. That's all subjective.
Now, I haven't got time for all this. I've got walls to paint. AUGUST?! The whole house by August

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15. this week I be mostly using


 A little while back, probably through one of my poorer periods (one of my even more poorer periods), I decided that I would not buy any more pens until I'd used some of the many thousands that I already have. Well, okay, so yes, I have bought more - but just the black, brown and blue fine liners I use a lot of - but for the most part I have kept to that self imposed challenge.
The best thing about it is that it's making me use things I wouldn't normally choose to use. You know, the stuff that isn't the black, brown and blue fine liners. I've used lots more colour felt pens, markers and other stuff I can't think of right now. Things, when  bought, I thought I'd use all the time. They'd push me in new directions, etc. Then they sat in pencil cases and pots and on shelves and I never touched again.
Many moons ago, way before I'd taken up drawing, I got these fountain pens. I went to the Artist & Illustrators fair in London and was talked into spending a huge amount of money on these Pilot Parallel pens and a load of coloured inks. I thought I'd use them for calligraphy. Then I put them in a pencil case and didn't even look at them for a decade.
Now, I've always been a big fountain pen fan. Somewhere in this house I have a box full of old-school fountain pens, inks and nibs. I have always loved playing around with my handwriting and there's nothing better than a fountain pen for that. So rediscovering these modern fountain pens and the variety of lines they make has been a joy.
 And, what's more, it has pushed me. Next time you have a craving for a new pen why not have a dig around in your drawers (!!!) and see what you can find. I really love the results and the marks I've been making with these. Next stop is those scratchy old fountain pens that are lurking around just waiting for me to dig them out.
 So, hands up, who's gone and ordered the Pilot Parallel pen now? That wasn't the point of this post, remember?!
 
And, by the way, these little Toulouse Lautrec inspired drawings are up for sale dirt cheap. Yes, I'm going through one of my even more poorer periods again. get them HERE.


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16. can't talk now I'm sketching a band

Here's another sketching opportunity that came my way recently, I got to go into a studio to sketch band. A local band, including a couple of members I know. I realised that I've never actually been into a studio before. I could have spent hours, days, in there drawing all the equipment.
 I have some larger drawings that I made in my Moleskine sketchbook, but these drawings I made in a cheap little pretend Moleskine that was about a quarter of the price. I'm not somebody who moans about the Moleskine sketchbooks being expensive. I actually don't think they are. Or, at least, for me it's well worth the price for the amount of time, effort and love I put into filling them. But, there is something to be said for these cheaper sketchbooks. You're less precious about them and about wasting the paper which gives you the freedom to make different kind of drawings. More sketchy.

Anyway, here are some sketchy sketches. And, here, if you are interested are the band, Sharma. If nothing else just check out this first track. I think they're good. Really good. You can watch them HERE.

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17. hot off the press

Calling all creative folks, with something they want to promote/advertise/flog. Ever advertised your new book/project/blog/Page in a newspaper or magazine? Of course you haven't. You're a creative - you'd never have the money for that. And anyway, why advertise in a big corporate glossy magazines with huge numbers of readers who, quite frankly, do not deserve to see (ignore) your ad? No, what you want is to be seen by a lot fewer people, but the right people. What you want is to advertise in a small self published, cutting edge, do-it-yourself ethos zine.
What you get; a small (tiny - this is my tiniest zine yet) unique hand drawn advertisement. The space is approximately an inch squared. Just enough room for a logo, a web address, and a few of words.  All for five British pounds. Above is a couple of pages from my How To Draw Like a Loon zine. Your ads will be similar even though the zine layout is totally different.
Spaces are very limited, and as I'm hoping to get this zine to the press on Monday, time is limited too. Take advantage of this offer now. Interested? Get in touch.
Support self publishing. Support a fellow creative to keep on creating.

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18. at the junction


On Thursday evening I went to an Etsy team event in Manchester. For those, not in the know, if you have your own shop on Etsy you are also a part of a huge worldwide community of Etsy shop keepers. Amongst that community there are a whole host of teams - places where traders can connect and discuss what matters to them. And, sometimes events and meet-ups come out of those discussions. So, I went to see what goes on at these events - I've observed from the outskirts until now - and, to sketch the event - which, too, could be seen as observing from the outskirts.

The team in question is Etsy MCR. Based in Manchester (obviously), this is a really pro active team of Etsy traders. Over the evening we had talks from members, local creative businesses and a live Skype chat with Etsy UK HQ. It was really inspirational. I've very much come to realise the importance of getting our and about, networking and connecting with other creative folk and small businesses recently.
This realisation has become heightened, of late, now that I've finally, after all these years, taken the leap and given up my day job. Eeeeek. Woohooo. Arrrgh. YAY. Shit. Oh.Oh dear. Oh yes. Okay. Help. Yay. Eeeek. Woo-fecking-hoo. Yes, that's pretty much what's been going through my head since doing so. Anyway, more of that in another post.
Back to Thursday. And, back to the gorgeous setting of Sugar Junction, in the wonderful creative Northern Quarter of Manchester. And back to Etsy. I'll be honest, I've never made the most of the Etsy community, teams or the tools they have to offer (I've never really had to as I've always had that comfort of a monthly wage) so this has all been bit of a revelation.
It heartens me to know that there are so many people beavering away, turning their passion into a small business, and understanding all those issues and concerns that I too feel. I really do sense a sea change in the way people shop and they way people think about where, and why, they shop these days - since the recession. It's been a long time coming and I guess it takes something like a recession to question those things.
 This is the time, if we want it, for the whole shop local ethos to flourish. Shop local and shop independent that is. Shopping in a way that puts money and investment back into our communities - whether that be our local communities, and high streets, or the worldwide community of small independent businesses who are doing all they can to keep their head above water.
Actually, this, just might have, unintentionally, turned into a post about giving up the day job. Sorry about that.

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19. will draw for money

Thanks for the interest in getting your own classified ad in my new zine. The spaces are now full. Sorry, if you didn't get one. You must be quicker next time!

This little zine (and I mean little) is probably (definitely) the most complicated layout I've ever worked with yet. It was born out of an idea I had when I saw some of the mini zines that people are making. I really wanted to have a go.
It also had to cheap to make. Very cheap. Basically, in true tradition of zine making, it had to be produced with a photocopier. A photocopier and a bucket load of creativity.

I spent my childhood making stuff like this; tiny little books. I haven't made anything on this scale since then. The pages are all double sided too, which complicates things further. It's been a concern, after doing all this work, that when it was all folded up and cut out it might not even work.
So, I crossed my fingers and had a trial run....and phew! It works. It actually seems to work.
I'm hoping it'll be for sale in a day or two. Please come back if you'd like a copy of my first  tiny teeny weeny ziney.

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20. read all about it

 My brand new zine is hot of the press and on sale. This cut out and put together tiny little newspaper is for sale HERE.

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21. a strange dust lands on your hands

This week my class, at Sketchbook Skool, has come around again. The course is called 'Seeing' and is about, well, seeing. Really looking at your subject and perhaps seeing all those details that, if you weren't drawing, you'd never notice. I try to demonstrate this through one of my collection drawings.
Here are a couple of my drawings of one collection - my friend's collection of keys to be precise. They belonged to her father who had all sorts of collections. Most of these, I believe, were from model railways and clocks. I love keys. I love the symbolism of them and all the stories they could tell and doors the could unlock. I'm particularly happy with the drawing below. Don't know why. I just like it.
If you're interested, you can find out more about becoming a student at Sketchbook Skool HERE.

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22. the clay pot against the iron pot

A little while back I was asked why my book was more expensive in my shop as opposed to on Amazon. It is a good question. It is a fair question. I tried to answer it in an illustration. How else?
It is an issue that faces all of us that run a small business. There's no way of competing with the big guys, no way at all, there is no point in trying. But we do have an advantage over them and that is the service we give.
I am not making big bucks off my book, hell, I forgot to even mention, in this illustration, that I have to buy my book off my publisher in the first place - as well as the currency conversion and bank charges that that entails too. That's before the, above, process even begins. No, I'm just scraping by. Always just scraping by.
But when you do buy from a small business or independent seller/artist you are also supporting them in creating their work. Thank you for that. I really don't mind where people buy my book from. It is an honour that they do buy it at all.  
I'm glad I was asked this question. It's an important one and it gave me the chance to try and answer it. Quite coincidentally, I was chatting with my publisher, whilst I was in the middle of this drawing, about the price issue when he said "in French we say 'le pot de terre contre le pot de fer'. It's a kind of  David and Goliath" and that's how this drawing got the title.

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23. i drew a car


The Jaguar E-type has recently been voted Britain's favourite classic cars in this poll. I was commissioned to produce a drawing of it. It's not surprising that it is in the number one spot as it really is a thing of beauty.

I used pencil (a soft thick 4B) and marker pens, to make this drawing, both of  which are drawing materials that I've recently started using. I've never been much of a pencil girl. It doesn't really do it for me, but I kinda like these soft pencils now and again. The marker pen has been a revelation and I can't get enough of them these days. I did all the darker tones and areas with the markers, and it struck me that at one point I would have filled all that in with tiny cross hatched fine lines. Just the thought of doing that, now, brings me to tears.

You can see the rest of the list of Britain's favourite cars, and if you vote you can actually win this drawing HERE.

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24. it's that time again

Sorry to have to pedal my wares here, guys. But, believe me, I have to.
There is free postage on a Bumper Pack of goodies on Etsy until Sunday. The Bumper Pack includes my book, 5 zines, badges, tote bag, postcards and stickers. Get yours HERE.

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25. one of the issues of working with marker pens

That is all.
Bugger.

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