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I am doing a lot of waiting at the moment. I can't proceed with my mural until I get the go-ahead on the rough and I am also waiting to hear back from publishers about book projects. I hate that 'in-limbo' feeling, so have decided to get on with other things and forget about it all.
Over the Bank Holiday weekend, I was inspired by all the different work I saw at Sheffield's Open Up. It's so lovely to visit other local artists, especially in their work space. Since the weather was so lovely at the start of the week, I took my pastels out into the Peak District for some sketching:
I don't normally use pastels on location, as they are really messy, tricky to transport and the results are a bit of a nightmare to get home unscathed (especially as I can never resist the double-page spread). But I tried doing it once last year, during a SketchCrawl out in Edale and was really pleased with the results...
...so I had another go on Tuesday morning. The one below was what I spent most time on. The light changed a lot, as the sun was in and out, which was quite a challenge, but I didn't mind, as I wasn't trying for naturalism, more an impression, capturing colours and shapes:
I tried fixing it, but of course, all the colours were immediately dimmed and it lost its impact (grrrrrrr...), so I then spent ages reworking it, to brighten it up, and didn't spray it again.
Then I did the drawing at the top very quickly, as the sun had gone and things had turned windy and cold. I used a 2nd sketchbook, so as not to damage the first drawing any more than was necessary.
I was back in the studio by lunchtime, so felt very pleased with myself. It was just what I needed to kick-start the day.You can see the rest of my sketchbooks on my website or, if you are interested to watch me create a sketch, take a look at this film from my YouTube channel:
By:
sketched out,
on 4/15/2013
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Maggie and Buttercup were wild about tea.
The word of the week, over there at Illustration Friday is “wild,” but all I could scare up was this docile boar, so he’ll just have to do.
Last month, Sheffield University began allowing the public limited access to a secret, little, teaching museum, which was created in 1905 for the Department of Animal and Plant Sciences: the Alfred Denny Museum.
It's just one room, but full of wonderfully traditional, wooden-framed display cases and slender, wooden drawers, all of which are crammed with skeletons, taxidermy and odd things floating in jars. Sketching heaven. Unfortunately, we were only allowed 1 hour, and that included the very interesting 20 minute talk by a 3rd year student, about the acquisition of some of the stranger creatures.
I whizzed round with my sketchbook and captured specimens as they caught my eye. I was using my brand new Sailor pen for the first time:
It's designed for Japanese calligraphy, but it is just the ticket for on-location sketching as, though it's a fountain pen, it allows for extreme variations in line width, and glides really smoothly across the page, because of its curiously bent nib:
The sketch below is only about a 3rd of the massive python skeleton mounted on the wall in the university foyer:
Some interesting news: the museum's curator likes the sound of SketchCrawling and it looks like we might get back in soon, for a longer session this time, just for sketchers. Can't wait!!
The other nice thing, was that I got 2 new recruits to SketchCrawl North while I was drawing. That's what I love about sketching in public: people just come up and chat, so you make all sorts of new connections.
By: Leslie Ann Clark,
on 4/8/2013
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Winter is on the way OUT! I say this as a huge storm is coming into Colorado right NOW!! No, I did not go to the grocery store in freak out mode stocking my cupboards. Instead, I spent a bit of time today digging in my garden resisting the urge to acknowledge the storm at all! ha!
Alas, tonight I will hunker down with my pens and paper and continue to work towards deadlines for up and coming trade shows. That is the good thing about storms! They keep me focused. I wonder how many artists are like me?
I have one problem. I can’t seem to go out to my studio to work. It’s covered with papers, receipts, file folders etc. It is my new book-keeping system in progress. Eeeeek! My friend is helping me set up my Quick Books program. She entered all my checks, deposits etc, and sent me the disk. I bought the program, installed it, imported my files… … then I went to reconcile the two bank statements that my friend did not add and suddenly I am thirty dollars off! What on earth? What could I have done?
So, I did what I do best, I locked the studio door and went in the house. ha! My right brain is not in the mood for numbers! Happy Spring everyone!
Over the Easter weekend, we had (bizarrely) two music festivals here: the Sheffield Sessions folk festival and CADS Blues and Beer Festival. It was clearly too good a SketchJam opportunity to miss!

We sketchers gathered up our drawing gear and got stuck in on Saturday afternoon at
The Shakespeare pub. Les and I sketched there
last year. This year we were five strong.
It was a tiny room, full from the start. Despite this, more and more musicians turned up during the first hour, squeezing into every corner, standing up or sitting on instrument cases, joining in with whatever music was in progress.
I soon found I could only see bits and pieces, around the people sitting in front of me, so I had to move the pints aside and sit up on a table. Luckily, it turned out to be very comfortable up there.
The music was wonderful and the musicians such a joy to draw. I love the challenge of trying to capture the energy and movement, as well as the difficulty of making sense of hands that are in constant motion.
It all died down about 5.30 and most of the musicians and sketchers left. Les and I were waiting for our other halves, before moving on to the blues festival in the evening, so we stayed behind. Which was lucky because, less than an hour later, a fresh batch of musicians began to trickle in. They took turns playing for one another, or helped out by adding harmonies or accompaniment:
The blues event later in the evening was completely different. We were in a basement gig space, painted black, with a tiny stage in one corner. It wasn't too packed, but the audience were all standing and the light was very low - neither of which were ideal for sketching.
I gave it a go anyway. Standing up meant just one pencil at a time, but there was no way to use colour in the dark anyway. Luckily I had a tin full of little, pre-sharpened end-stubs of soft graphite sticks. I filled my pockets and I worked my way through them, drawing as best I could.
I couldn't tell whether what I was doing was really working, because I couldn't judge tonal values or see much of my mark-making, but could see enough to be able to gauge space on the page, which was enough. I was encouraged when John used the torch on his phone to reveal that the drawings were in fact looking pretty good.
After the first band though, I once again found my view disappearing and, being short, I was only getting glimpses between heads. Under normal circumstances, I might well have given up drawing at this point but, because we had been out since lunchtime (and it was by now about 10pm), I had drunk more lager than I would generally...
By now any residual self-consciousness was long gone, so I climbed up onto a ledge at the side of the room, which gave me a view over the audience's heads:
We started home just after midnight, with the event still in full swing behind us. Unfortunately, because it was that evening when the clocks went forward, it was actually getting on for two in the morning by the time my head hit the pillow. What a great day though - a big thanks to my sketch-buddy Les for suggesting it!
You can see some of the other sketches people did in the afternoon on the
SketchCrawl North page. There are also lots of my other
sketchbooks on my website.
If you would like to come along to a sketching event, just
drop me an email and I'll put you on the list for my e-newsletter, which will give you all the information you need to join us.
Events are free and untaught: it's all for fun. We are just a bunch of people who enjoy sharing the experience of drawing together on location.
By:
sketched out,
on 4/1/2013
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Yes folks, more tortured puns from a humble April fool.
By:
sketched out,
on 3/31/2013
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Quickly eggsecuted and puns intended!
Happy Happy, everyone!!!
We had a SketchCrawl day last weekend, but we woke up to thick snow. We were supposed to be drawing in a local park in the morning, then capturing a performance by the Sheffield Oratorio Chorus in the afternoon.
The concert was cancelled, which was quite ironic, since we were due to draw them last winter and were snowed off then too. I decided to give the park a go anyway. Even if nobody else turned up, the walk through the beautiful snow and the cosy park cafe at the end seemed reason enough, so I donned long-johns, multiple layers, walking boots, gaiters, silly hat etc and headed out.

The 6 inch deep snow made it quite a trek. I would have loved to draw the trees, all picked out in white, but it was really very chilly so, like everybody else that morning, I took refuge in the cafe. It was pretty chaotic in there: quite lively, quite well stuffed and very noisy.
Only 3 other sketchers made it. Colleen had headed off alone into the snow by the time I arrived (making me think of poor Captain Oates...). I huddled with Martin and Heather in one corner. John joined us after a bit, though without a sketchbook, so he didn't count.
Drawing people in cafes is always quite a challenge; much
more tricky than trains. People move, to chat, eat and drink (how very selfish of them). At least I had a nice big table to lay out my sketching bits, with no danger of losing my pencils in crevices...
When I had finished these sketches, I rewarded myself with a nice lunch and a mochachino (John got lunch too, though he didn't do any work, so I'm not sure he deserved any). Unlike some of my sketcher friends, I gobbled it up while it was hot and didn't wait to draw it:
Then, reluctantly, we pulled our hats back on and started the walk back up the hill.
This time last week, I was on the east coast, celebrating my birthday with good friends.
The coastal area around Robin Hood's Bay and Whitby is one of my favourite places and somewhere John and I return to again and again. We got engaged at Robin Hood's Bay and so started our honeymoon there too. Unbelievably, that was 20 years ago this summer, which makes me feel really rather old!
This time, we rented a lighthouse cottage, high on top of the crumbling cliffs above Whitby. Very dramatic:
Given the time of year, we were pretty lucky with the weather, though it did rain on me while I was out painting this view of the cliff. I had to stop as it got heavier, but I rather like the speckle-effect:
We mainly pottered about on the beach, as recently melted snow made it too muddy to walk along the coastal path. The boys had fun hunting fossils - there are loads to be found in that area:
I mainly hung behind, drawing and painting the cliffs and the sea.
I just love the patterns and colours you can pull out of the rocks, the water and the sky:
It was all over way too quickly. But isn't that always the case when yiu are having fun?
I've been playing around with different black & white techniques. I did a few straight gouache pieces, but I'm really enjoying this pencil and digital combo. I like how the simplicity of the process and how the freshness of the sketching comes through.
As you will know, if you read this blog at all regularly, I love sketching to live music. The two things go together so well and the music (and the beer) really helps to get your sketching arm moving!
This set are from a recent evening I spent with a few of my SketchCrawl North buddies in the White Lion pub, listening to Carolan folk music in their tiny front room.
It was a very intimate experience, as the space was only about the size of the average sitting room, so we were very much on top of one another. There was no way to be discrete about the sketching - it was obvious from the outset, but the musicians took it in good part.
There were in fact about the same amount of sketchers as there were musicians!
I decided I wanted a change from my trusty watercolour pencils, so took my paints and graphite sticks instead. To ensure I stayed loose, I used the technique I learned from Richard Camara at the Lisbon Urban Sketchers Symposium: applying the colour first and the line later.
We had drawn this group once before, just under a year ago. On that occasion, during a pause in the music, the man above said 'I like to draw', so I recruited him on the spot to SketchCrawl North. He joined us for our summer sketchcrawl out in Edale. We must do that again once the weather is nice (it snowed again today - brrrrr...)
In the meantime, we are sticking with indoor locations. Our next SketchCrawl, if you want to join us, will kick off from 10am in Sheffield's Endcliffe Park cafe (brave souls can try drawing out in the park itself). Then, in the afternoon, we will again be entertained by live music: we have been invited to sketch at the rehearsal of Sheffield Oratorio Chorus, which should be amazing.
Things have been quite busy lately, so John and I really enjoyed the chance of a lovely weekend away recently.
I have brothers who are twins and it was their 50th birthday. We are all always busy and so don't get to spend time as often as we should, so we rented a house on the isle of Anglesey for a long weekend.
We were very lucky with the weather. It was FREEZING but, despite being Wales, it was dry and the sun came out for us, at least for a little while, each day.
It was all very laid back: getting wrapped up like Eskimos then mooching around various bays and beaches, looking at the sea birds, collecting shells, taking photos, then warming up in cafes or pubs.
As you can see, I took my sketchbook. I love drawing the big outdoors and those huge skies reflected in the pools of sea left between the sand-banks was perfect. I was lucky that the view from the house was fantastic, so I could paint and draw from the comfort of the kitchen:
But I did also take a mini-sketchbook out onto the walks and drew on the beach:
It was a bit tricky standing up in the middle of nowhere, holding onto my various pencils and my book and my waterbrush, trying to balance an open pencil case in my coat pocket... I kept dropping things and getting in a right muddle!
Worth it though. Although I can sometimes get grumpy when I am drawing-in-adversity, I still really enjoy the immediacy of it. If you're freezing to death and your friends are fast disappearing into the distance, you can't mess about and so generally do your best, most intuitive work.
By:
sketched out,
on 3/8/2013
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So, anywho, I was going to post this yesterday for the Illustration Friday theme “Talent” but missed it by THIS much. Soooo, since this week’s theme is “Yesterday”…
We had another Dr Sketchy evening last Tuesday, up at the Greystones pub in Sheffield. I went with some of my SketchCrawl buddies.
The models dress up to match a theme and pose on the stage, while the audience all try to capture them in sketchbooks. There is a series of short poses, one after the after, starting with 5 minutes, then 10 minutes, then 20 minutes.
I always enjoy myself enormously, but it's totally exhausting, as you can't afford to waste a moment. The concentration in the room is so intense you can feel it vibrating in the air. I was trying out some new intense pigmented watercolours I bought on Monday. Because I wasn't used to them, it helped me to be more experimental in the way I tackled things.
The theme this time round was the circus. We had 3 models: a
sword balancer, a tattooed lady, and a burlesque ring master. The red of the ring master's jacket was great.
The sketch below was a 5 minute pose where I was warming up with my usual watercolour pencils. I played about, using my fingers dipped in water to smudge them:
Drawing in a pub is fun and I love drawing to music. The music for the evening is always selected so it reflects the theme of what we are drawing. When we drew zombies, we had horror-movie soundtracks blaring out, for the Victoriana evening, it was Music Hall, the rollergirls night was punk. This time round our frantic scribbling was accompanied by a mix of all sorts, including mechanical arcade music and French accordion.
The sword balancer did a little performance half way through the evening, to give our sketching arms a rest for 5 minutes. Then it was back to it.
One of the problems I had with my new paints is that, especially in the dim light of the pub, many colours looked indistinguishable on the palette. Something that looked black could turn out to be brilliant turquoise, purple or green. That's why there are all the little marks above the drawings - I'm doing an experimental dab, to find out the colour before I use it.
Thanks to all the models - it was good fun drawing you.
By the way,
Dr Sketchy is a franchise, so if you like the sound of it but don't live near Sheffield, check to see if there is one in your area.
John and I got up early on Saturday and took our trusty 22 bus to Sheffield Station, where we met up with a small band of fellow sketchers, ready for SketchCrawl North's February SketchCrawl. I warmed up on the way:
Part way to Leeds, Suzie, a first-time 'crawler, jumped on the train to join us, then several more met us at the Royal Armouries, until we were eventually about 18 strong, including another couple of newbies (welcome guys) and our 3 regular, younger members: Josh, Tom and Harry.
If you have never been, the Royal Armouries is a fantastic museum which I would highly recommend: full of beautiful and fascinating stuff to draw, as well as talks and re-enactments all day long (and it's free!).
Saturday was a gorgeous, sunny day and the museum towers above the Leeds canal, with full-length windows on all floors, so the views were pretty enticing too and several sketchers had a go. I was tempted, but stuck with the exhibits in the end. It's really easy to lose half your sketching time in indecision, especially in a museum, where there's so much to choose from, so I try to just go for it, with the first thing that draws my attention.
At lunchtime there was a Wild West, gun-slinging re-enactment outside, so we braved the cold to watch.
Unfortunately, there was a bit of a crowd, so I couldn't see or hear much of the action (although the gun-shots must have been heard across Leeds!), but by climbing up on a seat, I was able to see over people's heads sufficiently to sketch some of the re-enactment team on the outskirts:
Then we had a spot of lunch together in the cafe, to warm up. After some soup and a blueberry muffin, I went back into the Oriental gallery to finish off this armoured war elephant I'd not quite got done before lunch. Almost everyone drew this elephant. It was the equivalent of the woolly rhino that we all fell in love with at the Weston Park Museum SketchCrawl.
At the end of the day, we went back to the cafe for the sharing of sketchbooks. We popped them all on the tables and then passed them round and had a good nosy (I love looking in other people's sketchbooks!). As usual, there was some really inspiring stuff (you will be able to see some of it on SketchCrawl North's Facebook group, as people add their work) and everybody tackled things in their own way. Best of all, the newcomers all agreed that they had enjoyed themselves enormously and would come again!
This was a train sketch I did on the way - on the way home I was too tired!
If you are in our region and would like to join in on a SketchCrawl, please email me and I'll add you to the e-mailing list. It's all free and open to everybody: any age, any level of ability. It's about having fun together, sharing a love of sketching.
By:
sketched out,
on 2/14/2013
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Little known fact: The Easter Bunny moonlights the rest of the year for some extra scratch.
A busy Saturday taking a group of seven giggling, sugar infused 10 year olds to the bowling alley for a belated birthday celebration (September is bad time for birthdays in our family - soccer season followed by the holidays...next thing you know, you're having a birthday party in January).
So, I didn't think I'd be getting much in the way of art done this weekend. Certainly, no painting endeavors. But, as it turned out, it was my turn to be in the nursery at church. We have one baby there, and he was kind enough to let me sketch him.
 |
Top: The "I'm growing weary of these toys" look Bottom: Sleepyhead |
He was actually a good model as far as babies go - he was fascinated by the scratching of my quickly moving pencil so he would hold his position for a decent amount of time. But, it's always challenging to draw a moving subject. However, sleepy time came quickly and then drawing is a whole lot easier. You have to grab drawing opportunities wherever you can find them sometimes.
Now, I'm off to read some chapters for a literature study I'm leading with my homeschool group.
 |
| By Kelly Murphy |
Here's what was in the lovely package I received yesterday. My other favorite thing…art supplies!
I had a few colors of FW Inks. I was so happy to see how well they blend with my acrylic paints! They're just wonderful! I haven't used this paper yet, but it was recommended by Tracy Bishop, so I'm anxious to try it. I also got some Fabriano Artistico hot press paper.
Nothing's better than books and shiny new art supplies!
The above book links are affiliate links. How else can I support my book & art supply habit?
John and I are lucky enough to have friends living in the north of the Lake District and this weekend we drove up to visit them. I took my sketchbook of course.
It rained buckets to start with, but got brighter. There was not much of the snow left unfortunately, but the very tops still had enough to be lovely.
I did quite a lot of drawing through the car window, while we were on the move but, as you can see, I did brave the cold a few times.
Our friends took us to a magical place we had not heard of, called Castlerigg.
It's an ancient stone circle set on a grassy plane, very high up in the hills and surrounded on all sides by an extraordinary view - literally 360 degrees of mountain tops. Fantastic.
I managed three drawings at Castlerigg. It was incredibly windy though, so really, really cold and there was only so long we could bare to stand there!
As you can see, I was done up in layer upon layer of jumpers and coats and drew in my gloves. I had to hang on to my sketchbook really tightly - if the wind had snatched it, I would never have seen it again!
You can see the rest of the sketches from the weekend (as well as lots more drawings from other days out) on my website here.
By: Mike Cressy,
on 1/29/2013
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"The Mayor of Simple Town"
Some of the quick life sketches I drew on crowded trains in Tokyo last summer.
I find drawing on busy commuter trains exhilarating. You never know whether your view is going to be blocked as the carriage fills with people, or whether the subject is going to shift position, get off at the next stop, or notice they're being drawn and feel uncomfortable. The trick is not to draw the person in front of you but one sitting further down the carriage. You draw rapidly and surreptitiously from sideways glances, getting as much information down, as quickly as you can.
Dozing passengers are a safe option!
Often the resulting pen line can have a nervous energy that might be hard to achieve in more considered drawings, the white spaces have a natural compositional dynamism . I'm often surprised by the results.
I tend to draw more on Japanese trains than those in the UK, crowded trains with standing passengers offer unusual angles and it's easier on the Japanese networks because all the seats are against the carriage walls facing each other. London tube trains have similar layouts but more cramped so I find them a little too intimate for sketching passengers.
Tomorrow I'm off on a 2 hour train journey though, so if I get any drawing done I'll post when I get back!
By:
sketched out,
on 2/7/2013
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After the flurry of sketching in November and December, January saw a sharp decline. Need to get back in the sketching saddle. Hmmmm, sketching saddle, that might be something to sketch, hee hee!
Anywho, this is a detail of the line, from a page, for an e-reader (in the House that Jack built, no, sorry,) that I’m working on.
Hope you’re having a lovely 2013 so far!
By:
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on 2/7/2013
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Squeaking an “Illustration Friday” in!
Two posts in one day! What the heck is going on?
I really like this sketch, but it was nearly a right old mess.
I had been showing my sketchbook to some Y2 children in Leeds and did a quick demonstration of the watercolour pencils and waterbrush I use (kids always love it - magic paint). I must have not quite screwed the top back on my brush properly: when I started to use it later on the train home, I suddenly has a small lake on my sketch!
I didn't want to blot it off, as that would definitely ruin the drawing, so I blew on it, fanned it and tipped it back and forth, trying not to spill any of the inky water in my lap. It took the rest of the journey home to dry. I still had to walk through Sheffield Station wafting my open sketchbook back and forth in the air (what an attention seeker).
It's odd how it goes. Late last year, I felt like a commuter to Nottingham but, more recently, I seem to have been back and forth to Leeds a lot. I was there working with KS1 children on Tuesday and Thursday of last week, although the two events were unconnected. As usual, I was enjoying myself as much as the kids. It's such a great excuse to tap into the bit of you that is still 8 years old!
The real school visits season is yet to begin: there's always a surge around World Book Day. I am doing another couple of days next week, then have a week's grace before it really starts and I am visiting somewhere different almost every day for a fortnight. Luckily, I have just about finished visualising the new stories I need to show to my publishers, so everything is under control (phew).
I have been trying to do too many things at once (again). All a wee bit stressful, but I can't complain, because it's all fun stuff and I would so much rather be too busy than not busy enough.
One of the jobs I've had to get done was some high-res scanning of these drawings from my sketchbooks. They are needed as publicity images for 3 days of sketching workshops I am doing this summer in Barcelona. Yes, I know - I told you it was good stuff!
I was thrilled to bits when, a couple of weeks back, I got the fantastic news that I have been selected to be one of the instructors to deliver on-location sketching workshops at this year's Urban Sketching Symposium. The competition was fierce this year so I put in my application, but really didn't expect to be accepted.
My workshop will be Sketches That Sing: Creating Drawings with a Life of Their Own. It is one of 20 workshops being delivered by some of the top on-location sketchers in the world! As you can imagine, I am awed and honoured to be amongst them. You can read about all the workshops on the symposium website as soon as everyone's info has been uploaded by the Urban Sketchers team.
Anyone can attend the symposium and take part in 5 different workshops, as well as lots more. As long as you enjoy live, on-location sketching, you can register for a place. Registration opens in March and will cost $395 but, if you fancy it, you will need to be quick - places are expected to go like hot-cakes.
If you have not heard of the Urban Sketchers Annual Symposium before, you can get a pretty good idea of what it's all about by reading my posts after last year's symposium in Santo Domingo:Just backSketching in the Mercado
Workshop with Nina JohanssonColour-Games workshop with Jason Das
or even from the year before in Lisbon
Maybe see you there..?
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so beautiful, I love the way you are using the colors in this pictures. I can feel the sun and the wind... :-)
Beautiful colors:)What a great place to draw:)
Being in Nature and creating art....I can't think of a better combination!
Your interpretations are just gorgeous. Such splendid color...a delight to the eyes :)