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1. Learning to Read German...


The postman delivered another parcel this week. It's the German co-edition of Jungle Grumble:


It's always fun to get copies of foreign co-editions of my picture books. I especially enjoy it when I get German ones, as I did German A level at school, many, many moons ago. 

It got very rusty of course so, in the days when I used to torture myself at the gym, I used to work my way, painfully slowly, through German translations of trashy novels, while I was puffing away on the exercise bike - much easier vocabulary than more worthy literature. People used to laugh at me, because I had to hold the book in one hand and a pocket dictionary in the other!


After that, I decided to re-do a German GCSE, just for fun, as an evening class, because I was OK reading off the page, but absolutely rubbish at any kind of conversation - which is after all, the point of a language. I really enjoyed myself and was a real swot. A little group of us used to get together in-between classes and test each other. I got an A* and was very pleased with myself.

Anyway, enough of this rambling and back to Jungle Grumble. The fact that I can read the text (more or less) is interesting, because things are not always direct translations. The title for instance is no longer Jungle Grumble but 'The Hippo Wishes He was a Bird'.



It's great news that the 2014 German edition of 5000 copies has already sold out: the copy my publisher has just sent me is from a 2015 reprint - they have done another 4000. Hurrah! 

I also just found out that Jungle Grumble has now got a Chinese co-edition. I had Chinese editions of Stinky! and Lark in the Ark too. I love the ones with different alphabetic styles. I've had lots of Korean ones and Big Bad Wolf is Good was published in Arabic, which is great for taking into schools, because it runs in the opposite direction to a UK book, something I didn't know until I got my copy.

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2. The Problem with Living Forever

The conversation started one late night (or very early morning) in the summer of 1994. I was unemployed, between my freshmen and sophomore year at Kansas State, stuck between art and English education. My best friend and I spent those long summer nights driving aimlessly through our small, sleepy hometown. We played amatuer philosopher during those drives, questioning God, the universe, everything.

"I don't want to live forever," I said.

"Neither do I. Not on Earth, anyway."

"No," I said, "I don't want to go to heaven either. I mean, that's just nuts. Forever is a long time."

My friend laughed. "It's not like heaven's just clouds and harps and shit. I don't think you understand what it would be like."

No, it's not like that at all. I've seen death in my life--death and a lot of change. I remember every one of my grandparents' funerals, my father's, my first wife's. I remember standing in the basement of the Warren-McElwain mortuary in Lawrence, KS deciding on a casket for my wife at age 37.

The funeral director, a relatively young woman herself, stopped in mid sales pitch/product description, and said, "You're too young for this."

Yes, and no. And maybe. 

Death is a part of life. Our mortality is what binds us together, and to rob anyone of death is to steal the very essence of what it means to be human. Death is not the worst thing to come for us. Death is our oldest friend. Death reminds us to live, to enjoy, to laugh and have fun, and to love well. Death taught me well from a young age. This is what is the end to which we all must go. This is what gives value and rarity to your life.

I've carried those lessons with me. I have no desire to live forever--and I fear immortality in world not built for it much more than my own death. Maybe heaven isn't harps and clouds and "shit." Maybe I can't comphrended immortality. I do know this: on Earth, I'm happy my time is limited.

It's much more valuable this way.

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3. An Afternoon in Pictures

Yesterday we celebrated Blue Birds at Page One.

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I got to give a little Over in the Wetlands: A Hurricane-on-the-Bayou Story previewAlso, it seems I took a nap.

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Look! There’s my student teaching partner, Eva!

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Thank you, friends, for all your kindness these last few days. It’s been a wonderful privilege giving my book over to you.

 

 

The post An Afternoon in Pictures appeared first on Caroline Starr Rose.

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4. Navigating a Debut Year: Writing Life

                  The Curious Incident of the Dog in the Night-Time The Autobiography of Henry VIII: With Notes by His Fool, Will Somers The Name of the Rose The Crimson Petal and the White Crossing to Safety Sophie's World

I first ran this series five months after May B. hit the shelves. With Blue Birds releasing next week (!), it feels like the right time for me to revisit my Writer’s Manifesto — a list of things I’d like to focus on in my public, private, and writing life. 

This is not in any way meant to be preachy or condemning (please notice I’m directing all of this to myself). I have yet to figure everything out and am in many ways a pro at doing the exact opposite of what I know is best. Yet these are ideas I’ve circled back to again and again, things I know will ultimately benefit my career, my friendships, my writing and my life. I’d love to hear your thoughts below.

In my writing life I will…
  • Write the stories that speak to me: I will continue to write what nourishes and interests me first and worry about the market second.
  • Seek guidance, support, and direction when needed: I will ask questions of my agent and editor when I’m unsure or need help. I will go to other writers in the same life phase or those older and wiser when I need assistance.

In my writing life I will not…
  • Lose my love for story, kids, or words: Once you’re published, art becomes commodity. It’s not right or wrong, it just is. I want my motivation and passion to remain firmly in the place it always has been. While there are no guarantees of success in writing this way, their is much joy, and this, in the end, is more important to me.
  • Compare one book against another: I choose not to be paralyzed by comparing my titles to previous books I’ve written. Each deserves to stand alone and has its own merit. The rest of the publishing world has the freedom to compare if they choose. For me to do so is unfair to new stories beginning to form.
  • Despair: If you know me well, you know panic is a part of my writing when I’m drafting something new. I fret that I don’t know how to write or have nothing new to say. But I can’t let that panic lead to despair. Reminding myself that things always start this way keeps things in perspective. Allowing myself to play with language and ideas is much more doable than telling myself I’m writing an entire book. Choosing to nurture rather than berate gives me permission to try.

It’s my hope that holding to what I’ve processed these last few months will keep me grounded, help me grasp the deep satisfaction writing brings, and hold at bay the things that only lead to disappointment.

What about you? What things do you want to uphold in your public, private, and writing lives?

The post Navigating a Debut Year: Writing Life appeared first on Caroline Starr Rose.

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5. Navigating a Debut Year: Private Life

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I first ran this series five months after May B. hit the shelves. With Blue Birds releasing next week (!), it feels like the right time for me to revisit my Writer’s Manifesto — a list of things I’d like to focus on in my public, private, and writing life. 

This is not in any way meant to be preachy or condemning (please notice I’m directing all of this to myself). I have yet to figure everything out and am in many ways a pro at doing the exact opposite of what I know is best. Yet these are ideas I’ve circled back to again and again, things I know will ultimately benefit my career, my friendships, my writing and my life. I’d love to hear your thoughts below.

In my private life I will…
  • Err on the side of love: I got this beautiful quote from author Irene Latham, who first heard it from her mama. It’s a good way to think about the world in general and is especially important in our small community. Assume the best of others, their intentions, their actions. It will make you happier and kinder, too.
  • Let go of what I can’t control: This is pretty much everything from how my work is received by professional reviewers, bloggers, readers, and friends to sales, publicity, and marketing efforts outside my hands. I can do what I can, and that is all. It isn’t right or fair to try to own things that aren’t mine and never will be.
  • Be real with other authors in a safe, closed community: I’ve talked a lot about the Class of 2k12 and The Apocalypsies around here. Though both function as promotional groups for debut authors, they are first and foremost a place I can go for support. The debut year is full of new experiences only other debuts can truly appreciate and understand. Knowing I can go to these stellar people with anything has helped bolster and encourage me.
In my private life I won’t…
  • Hold my colleagues to unspoken expectations: This one is easy to do without even realizing it — trusting a colleague will read my book as I have read hers, assuming someone else will talk up my titles as I have for him, believing another should comment on my blog as much as I do on hers and on and on. Insisting others are beholden to me because of what I’ve done for them is a sure formula for heartache, especially when those friends have no idea of my expectations. Maybe they haven’t read my book yet but still plan to. Maybe they have, and out of an attempt to be courteous haven’t mentioned it because it wasn’t their thing. Maybe they’re not interested in it at all. Ultimately, it’s none of my business and becomes another opportunity to err on the side of love.
  • Compare or begrudge the successes, sales, or careers of others: About six months ago, there were a number of posts in the blogosphere about envy and contentment. There was tremendous response from readers confessing similar feelings. The drive to compare is such a gut-level thing it’s sometimes hard to avoid. Some people are able to use comparison as a sort of motivation for their own work. Not so with me. Comparison leads to frustration and feelings of inadequacy…or feelings of superiority, neither of which benefits me. My friends’ successes don’t somehow negatively reflect on my own efforts. There is room for all of us. Just because my career will unfold differently from someone else’s doesn’t make it wrong and doesn’t give me the right to be bitter with others’ success.

The post Navigating a Debut Year: Private Life appeared first on Caroline Starr Rose.

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6. Navigating a Debut Year: Public Life

                           All Over But the Shoutin' Wildflowers from Winter: A Novel A Lady Cyclist's Guide to Kashgar Circle of Secrets A Kingdom Strange: The Brief and Tragic History of the Lost Colony of Roanoke

I first ran this series five months after May B. hit the shelves. With Blue Birds releasing next week (!), it feels like the right time for me to revisit my Writer’s Manifesto — a list of things I’d like to focus on in my public, private, and writing life. 

This is not in any way meant to be preachy or condemning (please notice I’m directing all of this to myself). I have yet to figure everything out and am in many ways a pro at doing the exact opposite of what I know is best. Yet these are ideas I’ve circled back to again and again, things I know will ultimately benefit my career, my friendships, my writing and my life. I’d love to hear your thoughts below.

In my public life I will…
  • Be generous: In my interactions with others and in the way I conduct myself, I’d love to be known as generous. This doesn’t mean committing to every opportunity or request that comes. It means being warm, friendly, and supportive of the writing community and the publishers, teachers, librarians, booksellers and readers who make it all happen.
  • Speak well of fellow writers: Whether I know them personally or not. Whether I like their work or not. These people are my people. This is enough of a reason to speak kindly or not at all.
  • Conduct myself in a becoming way: While I can’t control what others think of me (more on that below), I can choose to present myself in a way I’m proud of, whether that be in person or through social media. I am in no way perfect, believe me, but I strive not to embarrass myself, the children I write for, or the people who publish my writing.
In my public life I won’t…
  • Add to or perpetuate gossip: In just these few months as a debut, I’ve already heard things about fellow authors that have broken my heart. Whether shared maliciously, as some sort of cautionary tale, or just for fun, it’s been more than I need to know. I refuse to participate in keeping the stories going, and I will ask you not share whatever it is you’ve heard about others with me.
  • Disparage others’ books, genres, or talents but will find value in what they create: For much of my life, I’ve been a self-proclaimed book snob. Many writers talk of becoming more and more critical as readers the longer they write. For me, some sort of weird opposite has happened. Because I know first hand of the hard work the writing life demands, I’m learning to appreciate books, topics, and styles I would have ignored years ago. The books I don’t connect with aren’t really my concern: they weren’t written for me. There is an audience for them somewhere.

The post Navigating a Debut Year: Public Life appeared first on Caroline Starr Rose.

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7. Celebrating BLUE BIRDS: A Week-Long Giveaway

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Blue Birds makes its way into the world two months from now. I am beyond excited to introduce you to my girls, Alis and Kimi, and hope they will come to mean to you what they do me.

During the next week over a dozen bloggers will celebrate Blue Birds. Some will post about friendship or cross-cultural experiences. Others will run interviews with me or will share a Blue Birds review. I’ll include all links on the blog, so that you might read along.

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As part of the celebration, I’m giving away a downloadable PDF of this beautiful Blue Birds quote (created by Annie Barnett of Be Small Studios) for anyone who pre-orders the book. If you’d like to participate, here’s all you need to do:

I will send out the PDF on Tuesday, January 20. This is yours to use as you choose. My copy is going on my bookshelf, and I’ve also had notecards made. I do ask that you not give away the PDF itself. This is an honor system sort of thing, and I’d like it to remain as a gift for those who pre-order. But feel free to print as many copies as you’d like. Imagine what a lovely gift the book and quote might be together!

Before getting published, I had no idea how much power pre-sales can have. Early numbers help a publisher decide how many books to print (what’s known as a print run), influence bookstores whether or not to carry a book, and can indicate how successful a book will be overall.

I would be honored if you spread the word about Blue Birds. Thank you, friends, for your support. A book needs readers, and I am so grateful for readers like you.

The post Celebrating BLUE BIRDS: A Week-Long Giveaway appeared first on Caroline Starr Rose.

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8. The Fuzzy Muse and a BLUE BIRDS Giveaway

When we got Boudreaux three years ago, I hoped she’d keep me company while writing, be a warm, faithful soul who’d stay by me as I worked.  She’s been that and more.

Boo’s been around since the beginning of BLUE BIRDS, back when I started reading everything I could find on the Lost Colony of Roanoke. She took a special shine to the manuscript, too. Here she is with first-round edits,

second-round edits,

Boo and FPP

and now, with an advance reader copy.

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It seemed fitting that Boo get her own copy of BLUE BIRDS, but seeing as she hasn’t yet learned to read and it’s not as tasty as she first hoped, Boo’s offering to give her copy away.

If you’d like to read the book a full seven months before it’s published, enter below!

a Rafflecopter giveaway

The post The Fuzzy Muse and a BLUE BIRDS Giveaway appeared first on Caroline Starr Rose.

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9. Writing Links

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Rejecting Rejection by Sarah Aronson :: The Writing Barn

The Real Job of a Writer :: Chatting at the Sky

Introverted: The Writer’s Power and Downfall :: Darcy Pattison

Dear Soon-To-Be-Published Author :: Writer Unboxed

Self Publishing vs. Traditional: Some Straight Talk :: Nathan Bransford

Picture Books Are for All Ages :: Publishers Weekly

 

The post Writing Links appeared first on Caroline Starr Rose.

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10. There is No Schedule

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If you’ve been around here for any length of time, you know my friend  J. Anderson Coats says a lot of things that resonate with me. She’s the one who gave me my favorite piece of writing advice and came up with that great cow-through-a-colander writing metaphor.

During a recent email exchange with my Class of 2k12 friends, Jillian shared this:

A writing career is not a sprint. It’s a marathon. You’re not on a schedule. There is no schedule.

That first part, I’ve probably heard it a thousand times. But the second part? It felt like a revelation. It’s true that when you’re on deadline you most certainly have a schedule, but otherwise, the writing life is wide open.

So you know what?

  • If there’s no schedule, someone else isn’t going to beat you to the punch. What you’re working on now will not somehow be replaced by someone else’s (faster) efforts.
  • The market isn’t in charge of your story. You are.
  • For you published folks, you will not be forgotten if you somehow don’t get to keep some “regular” publishing schedule. Yes, your readers might age out, as they say, but there are always new readers to take their place and earlier books to introduce readers to the new ones, whenever they happen to be published.
  • Unless you’re contractually committed, you can write whatever you want whenever you want.
  • And there’s what author/illustrator Ruth McNally Barshaw (my niece’s former Girl Scout leader!) posted on Facebook a few days ago:

Repeated themes I heard at the writer-illustrator conference in LA: Slow down. Take time to do your best work. When you think it’s done, set it aside to assess again later. Build on what you borrow. Be courageous — do work you find important, no matter what others say. LIVE so you’ll have a rich portfolio of experiences to draw and write from. What gets your next book published isn’t luck, desperation, a magic shortcut, or networking with stars; it’s your hard work, your being ready to jump at sudden opportunities, and your connections with friends. #SCBWI14

Here’s to approaching your writing with freedom in the days ahead!

 

 

 

The post There is No Schedule appeared first on Caroline Starr Rose.

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11. Jungle Grumble - the Paperback!


The day before I left for Brazil, the postman bought me another of those fun packages. I have already had an advance copy of my next book Jungle Grumble, so I have seen it, but this new copy is the paperback.


It's due out in October, although I am not sure which end. Not long though now!


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12. Handspring’s Writing Conference 2014

The Society of Children’s Book Writers and Illustrators (SCBWI) has played a huge role in my writing life.  Joining SCBWI was a leap for me — for the first time I was able to see myself as a professional, even though I had no published works to show for it. The organization has led me to dozens of writing friends, critique groups, opportunities to better my craft, and now, as New Mexico’s assistant regional advisor, a chance to give back to the children’s writing community.

Ever dreamed of writing or illustrating books for children? If you live in New Mexico or in a neighboring state, I invite you to join us in Albuquerque for the upcoming Handsprings Conference on Oct. 24 and 25, 2014 at the Ramada Inn, Eubank and I-40.  Faculty will include the following publishing professionals:

  • Liza BakerExecutive Editorial Director, Little, Brown Books for Young Readers
  • Patti Ann HarrisSenior Art Director, Little, Brown
  • Sara MegibowAgent, Nelson Literary Agency
  • Julie Ham BlivenAssociate Editor, Charlesbridge ​​

The conference will include an evening social event on Friday and a full conference scheudle on Saturday, including a First Impressions Panel, individual faculty presentations, plus the opportunity to attend two of our five targeted breakout sessions.

Breakout Sessions

Here is an overview of the breakout sessions offered during this year’s conference. When you register, you’ll be asked to select two different workshops, one for breakout session #1 and one for breakout session #2.

Sara Megibow: Spoken Words and Written Words: Talking about Our Manuscripts and How This Helps Nail Pitch — Talking about a book can be helpful both to pitching your novel and to the actual written creation of your book. Attendees will talk through their pitches and their stories in a safe environment (or just listen to others talk if that’s more comfortable).

Julie Ham Bliven: Writing Middle-Grade Novels: Voice Your Voice — Using recent Newbery Medal and Honor books as a guide, this presentation examines qualities of remarkable middle-grade novels and suggests ways for you to strengthen your novel’s unique voice.

Patti Ann Harris:  Good Habits of Successful Illustrators — Learn how simple ideas like keeping a sketchbook, taking the time to research your subject, and being open to the revision process can help you to grow as an illustrator and a picture book artist.

Patti Ann Harris and Liza Baker: Picture Book Boot Camp — A behind-the-scenes look at the world of the picture book and the steps leading up to publication. A focus on craft will include lively discussion and some in-class work on such topics as creating strong characters, the best practices of succeful illustrators, and tips on polishing your picture book.

Liza Baker: SOMETHING OLD, SOMETHING NEW:  Bringing Creative Twists to Perennial Themes in Picture Books — There is a reason why some picture book themes are perennially popular and timeless, and why books that explore those themes are beloved by so many children. Be it bedtime, dinosaurs, princesses, or monsters, some topics are universal and resonate with children in a deep and resounding way. But within those themes there is a great deal of room for authors to explore new areas of creativity and bring a fresh point of view. In this workshop, we’ll discuss some of those most resonant topics, discuss examples of great books that bring an original approach to classic themes, and also brainstorm ideas for creatively layering themes in a playful way that offers readers a satisfying twist on those most celebrated topics.

Please click through to SCBWI New Mexico if you’d like to sign up for the event. I’d love to see you there!

 

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13. Publication Day: Jungle Grumble is Here!!


My new book, Jungle Grumble is in the shops! Yahooooooooooooo!!!


Actually, its publication date came while I was still in Barcelona but, as you can imagine, I had a few other things going on at that point, so have only just found time to tell you the good news. 

Jungle Grumble is really funny and very unusual, so please do all rush out and buy it, right away! The paperback is £6.99. If anyone would like a signed copy with a little drawing and a dedication inside, just drop me an email and we'll sort it out on PayPal, then I'll pop one off to you. Perfect Christmas presents to put away perhaps?


Jungle Grumble is another brilliant text from my good friend Julia Jarman, who is of course also author of the classics, Class Two at the Zoo and Class Three all at Sea, as well as my top book for reading in schools at the moment, Bears on the Stairs. Julia also wrote one of my old favourites, sadly now out of print, Kangaroo's Cancan Cafe so you can see, we have had a lot of fun together over the years. Thanks Julia!

Thank you as well to all the team at Piccadilly Press who have worked with Julia and I on the book. People outside the business don't always realise what a team job picture books are and how important people like the editor, art director and designer are, not to mention all the folks we rarely get to meet, from sales and publicity etc.

If you would like to follow the process of how I created the illustrations, use this blog's Jungle Grumble label and scroll back to the beginning, for my very first sketched thoughts. There are also several short films on my YouTube channel, explaining how I created the animal characters in Jungle Grumble:


...and how I designed the book's roughs (it takes about a month to work out all the drawings and layouts in pencil, before any colouring can begin):


There is also another film on the way, talking you through the creation of a piece of pastel artwork - the cover of Jungle Grumble - just like the film I did when I was illustrating Swap!:


The footage for new film is all shot, but it always takes quite a time to edit the films and this is the most complicated one we have attempted. It got put on the back-burner while other things have been happening, but now the book is available, it's definitely time to get it out and get it sorted, so watch this space!

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14. Hooray for Val’s CROOKED RIVER! A Giveaway

‘Tis the season for critique partner debuts!

Last month we celebrated Kate Bassett’s Words and Their Meanings. Now it’s time to cheer on Valerie Geary and her Crooked River. It’s been especially thrilling to watch these two talents find their agents, sell their books, and then release them into the world just a few weeks apart. Val and Kate have been instrumental in my own writing process. Here’s a little glimpse into CROOKED RIVER and the way the three of us work together.

Before I hand things over to Val, though, I want to share that Crooked River made November’s Indie Next list. It’s that good.

Tell us about your book.

Still grieving the sudden death of their mother, Sam and her younger sister Ollie McAlister move from the comforts of Eugene to rural Oregon to live in a meadow in a teepee under the stars with Bear, their beekeeper father. But soon after their arrival, a young woman is found dead floating in Crooked River, and the police arrest their eccentric father for the murder.

Fifteen-year-old Sam knows that Bear is not a killer, even though the evidence points to his guilt. Unwilling to accept that her father could have hurt anyone, Sam embarks on a desperate hunt to save him and keep her damaged family together. Ollie, too, knows that Bear is innocent. The Shimmering have told her so. One followed her home from her mom’s funeral and refuses to leave. Now, another is following Sam. Both spirits warn Ollie: the real killer is out there, closer and more dangerous than either girl can imagine.

Crooked River is my first novel, a coming of age story and a page-turning mystery that I hope will touch readers’ hearts and keep them up past their bedtime.

What is it like to work with two other writers you’ve never met in person?

I was in a local writer’s group for a short time, and while it was nice meeting in person to talk life and writing, it was also incredibly awkward to have to sit there and listen as my group members picked apart my chapters. There was very little time and no space to consider what they were saying, and for me it ended up being this horrible emotional roller coaster that did more harm than good. 

My socially anxious personality tends to fit better with a virtual writer’s group. Whenever I’m ready, I send Caroline and Kate part or all of my manuscript. They take their time reading it and then they send the manuscript back with their notes attached. There’s less pressure this way, and a lot of distance, a feeling of detachment. Revision is all about setting aside what you think a story should be and really seeing it for what it is so that you can figure out what’s working and what’s not and why. During this stage, it’s important to be as objective as we can with our own work, and the best way I’ve found to do this is by not having my critique partners in the room while I consider their feedback. There’s no one around watching, or judging, or expecting things from me. No one for me to try and justify, defend, or explain my choices. It’s just me alone with my manuscript and their notes, finding a way to a better story.

That said, there are definitely times when I just want to go grab a cup of coffee and talk shop with my friends. Or pop by their house with a plate of cookies when they’re having a hard day. We can’t do this because of the distance, and that’s something I miss.

How often do you read for each other? Do you respond differently as a manuscript progresses? If so, how?

As long as I’m not pushing up against a deadline, I’ll read as often as Kate and Caroline need me to. I’ve read their manuscripts at various stages of development. When I read early drafts, I tend to look more for big picture problems like pacing, story arc, and character development. As the drafts progress, if I’m asked to read again, I still keep big picture things in mind, but I also edit for details, oddly worded sentences, grammar errors, and typos. At every stage, too, I try and point out things I love, beautiful phrases, sections that make me hold my breath or shed a tear, characters that steal my heart. Drawing attention to where a story already shines is just as important as pointing out where it might need a little more elbow grease

Beyond critiquing manuscripts, how else do you support one another?

In this business, there are highs and lows, good days, bad days. When I need to vent, when I want to celebrate, when I feel like a sham, when I read an interesting article, when I need encouragement, when I have stupid questions, when I need someone to tell me I’m not going crazy, or a safe place to be myself, or someone to bounce ideas off of, I go to Caroline and Kate first. No one understands the strange life of a writer better than other writers. 

What is something you’ve learned from your critique partners?

Perserverence, courage, resilience. 

Also, that I overwrite more often than underwrite. Thanks to Caroline and Kate’s keen eyes and wicked red pens, I’m more aware now of the places in my manuscripts where the prose gets wordy or redundant. Of course, I don’t catch everything–I still need them to help me trim the fat.

And finally…

One thing I always remind Caroline and Kate (or anyone else who asks me to critique their writing) is this: At the end of the day, it’s your story. So take the feedback that rings true to you and throw out the rest.

I feel like this is good life advice, too.

 

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15. The Penguin Who Didn't Like Snow


A nice surprise package arrived this afternoon. I was trying to work out what it could be, as I wasn't expecting anything big and flat. I had completely forgotten about the American editorial commission I took on at the beginning of the summer, via my US agent:


I haven't worked in editorial for years, though it was where I learnt my trade, back in the late '80s. On publication day, they always send you at least one copy of the magazine, for your portfolio. So here it is! 

The spread was for Spider - a subscription magazine for children, mainly full of stories and poetry, with some activities to try. This fabulous front cover illustration was done by Dom Mansell:


If you are interested to see how the artwork was created, I blogged the process in three different stages and you can see them all here.

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16. A Podcast with Brilliant Business Moms

caroline-starr-rose-author-on-getting-published-cover-podcast

It was so, so lovely to talk a few weeks ago with Sarah and Beth Anne of Brilliant Business Moms. They sought me out after reading this guest post at Modern Mrs. Darcy. Here are a few of the things you can expect in the podcast:

01:15 – Roald Dahl, the Oregon Trail, and My Journey
04:24 – The Most Honest Thing I’ve Ever Written
07:48 – What about Mr. Chapman?
09:59 – The Apprentice Stage
13:34 – Maniacal Optimism
16:54 – Why a Traditional Publisher?
19:29 – How to Get Published
22:50 – Finding an Agent
24:59 – Advice for Apprentice Authors
29:31 – Does a Web Presence Matter?
31:02 – A Day in the Life
34:34 – How Much Does an Author Make?
38:56 – Resources for Aspiring Authors
44:30 – What My Boys Think About Having an Author for a Mom

The podcast is live! Click through to have a listen.

 

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17. Are You A Blogger? Let’s Talk about BLUE BIRDS!

One of the most exciting things about being an author is connecting with readers. It’s incredible to me to realize there are people out there waiting for my next book. And it’s especially dear to know some of you come here regularly to listen in on the things I have to say.

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As you probably know, the best way to launch a book into the world is to send it out with lots of love. What’s the best sort of love a reader can offer? Word of mouth, hands down. Word of mouth comes in the form of casual conversations, recommendations, blog posts, and reviews on sites like Amazon or Goodreads. It’s simply one reader talking to another.

Want to have a hand in a word of mouth campaign? I have ten advance reader copies of BLUE BIRDS to give away. I’d love if you’d consider writing a blog post to run the second week of January about one of the following things:

  • Friendship: how your friend(s) have influenced you, the role childhood friendships have played in your life, or any other friendship-related idea
  • Pivotal Moments: An instance when you experienced a world completely different from anything you’d ever known before, a time you stepped outside your own culture, or any other life-changing idea
  • Review: an honest look at what you think of BLUE BIRDS (Just because you read here doesn’t mean you have to like it! Every opinion is a valid one.)

To participate, leave a comment below. While I’ll only have ARCs for the first ten commenters, if you’d still like to participate, I have a lovely little thank you I’ll send along to all who choose to blog.

Thanks, friends! I’ll be in touch with more specific details soon.

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18. No Fee Short Story Writing Contest Seeking Boy Adventure

lidiasnow in the park

The snowy illustration above was sent in by Lidia Gurling-Mielcarek to help us celebrate this time of year that brings in the cold. Brrr! 

Lidia is an freelance illustrator from Poland. She works in traditional and digital medias and loves to create children’s illustrations.

Call for:

Kudos for Friday post

Holiday Illustrations (at least 500 pixels wide)

Christmas Poems

Hanukkah Poems

New Year Poems

Send to Kathy.temean(at)gmail.com Put December Illustration or December Poem in subject area. Thanks!

Last week I pointed out that the 7 Point Story Structure System could work even with short Stories. Here is an opportunity to try it out with this no fee short story contest. Here are the details:

2014 NIGHTLIGHT READING WRITERS CONTEST

Nightlight Reading is requesting submissions for our 2014 Nightlight Readings Short Story Writers Contest that is geared to at-risk boys in the 10-12 year age group who often stop reading for pleasure.  Nightlight Reading’s goal is to fund and promote literature that appeals to boys and keeps them engaged and reading.

  • The 2014 CONTEST THEME is ADVENTURE.
  • The written piece should be considered a SHORT STORY with a MAXIMUM COUNT of 5,000 WORDS.

JUDGING
The 2014 contest entries will be pre-screened and read by a jury panel who may be scholars, librarians, teachers, and special guests who will decide on 10 semi-finalists.  Then, a jury of young readers selected from our target readers will read all 10 entries and vote on the winners.

PRIZES
Prizes will be awarded for First, Second, and Third Place as follows:

  • First Prize: $1,000 award plus certificate and publication of the story.
  • Second Prize: $500 award plus certificate and publication of the story.
  • Third Prize: $300 award plus certificate and publication of the story.

All award winners will be publicized nationally by Nightlight Reading.

OWNERSHIP
The authors will retain ownership of the stories, but Nightlight Reading will have the right to publish and distribute the story without compensation and in ways consistent with its mission for up to 2 years from the date of the awards are announced.

RULES
The Nightlight Reading Writers Contest is open to anyone who loves to write stories for boys, and may be a professional writer, student or budding writer.

Submissions must not have been previously published or won any other writing contest.  However, simultaneous submissions to other contests are acceptable.

DEADLINE
Deadline for submission for the 2014 contest is December 31, 2014.

Use this link to enter: http://www.nightlightreading.org/contest-entry-form/ Good luck!
Talk tomorrow,

Kathy


Filed under: Contests, opportunity, Places to Submit, Win, writing Tagged: Lidia Gurling-Mielcarek, Nightlight Reading, Publication, Short Story Writing Contest

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19. For Those Who Work Behind the Scenes

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Today I’m feeling grateful for the people in my life who make the books happen. My agent, who believes in me and is the enthusiastic, in-the-know one who shows my work to others, the one who looks out for me and cheers me on.

My editors, who push me to find my best work, whose faith in my writing I can borrow when I’m not believing it myself.

The copyeditors, art directors, book designers, publicists, book sales reps, and marketing department who add their expertise and love.

I’ve got one small role in the process. If what I write is worth reading, its because of the hard work everyone else puts in behind the scenes.

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20. Writing Links

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How Best-Selling Writers Sabotage Themselves (and How to Learn from Their Mistakes) :: Live Write Thrive

What it Really Takes :: Writer Unboxed

What does logic have to do with it? :: Avi

9 Reasons Your Reader is Bored :: Ingrid’s Notes

Encouraging Writers Who Don’t Know If They Should Keep Going :: Jody Hedlund

Your Best Promotional Tool :: Writer’s First Aid

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21. Writing Contests and Grants: Why You Should Enter

This post is an oldie but goodie worth re-running. In case you’re wondering, I continue to apply for grants and fellowships — three in the last eighteen months, to be exact.

in the mail

My high-tech list of submissions (contests included) before signing with my agent. Something kind of fun — #71 on the white page? A portion of that book will publish in an anthology in 2016. And Stacey Barney just happens to be my beloved editor of BLUE BIRDS as well as my next novel, coming in 2016.

I’ve entered/applied for roughly a dozen writing contests/grants over the years. One I finished first. One I got an honorable mention. The others I didn’t place at all. Still, every contest was worth experiencing for a number of reasons:

1. Working with a deadline: Those of us who haven’t yet sold a manuscript write without any sort of formal deadline. This works well for some, not so well for others. By signing up for a contest, you have committed to finishing and submitting your writing by a certain time, great practice for future deadlines once your work is sold.

2. Reviewing your writing: Whether applying for a grant or entering a contest, you’ll need to carefully study your work, looking for ways to strengthen it but also examining why your writing deserves to win (early pracitice on determining why your title would be successful in the marketplace). Filling out an application and following the contest’s guidelines will bolster your ability to write a strong, concise query.

3. Getting read: Some contests/grants offer feedback for those who place. It is so beneficial to see what others outside of your writing community have to say about your work. Authors, editors, and agents often judge these contests, putting your work front and center. Sometimes for me, just knowing someone I admire has read my work is enough. I entered Hunger Mountain’s Katherine Paterson Award so that she might read my writing. I got no feedback. I didn’t place, but the gracious, two-time Newbery winner read my words! I’m satisfied.

4. Publishing opportunities: Winning contests/grants means a portion of your work is often published, allowing for other readers, agents, and editors to learn of your writing. In winning first place for a novel excerpt at the Jambalaya Writers’ Conference, my work will be featured in an anthology put out by Nicholls University. At the same conference, I happened to be critiqued by a poetry professor from Southeastern Louisiana University. He asked for a few poems from my free-verse novel to publish in Louisiana Literature magazine, which he edits. These publications don’t have wide circulation, but my work is out there. People are reading it.

5. Beefing up your query: Winning a contest is great query fodder. I think a large part of my agent requests these last few months have come from winning this small, local contest and the publication that has come about as a result.

Those of you who are members of the Society of Children’s Book Writers and Illustrators need to take advantage of their grant programs, if you haven’t already. There are a half-dozen or so to choose from. You may enter one per calendar year. In the three I’ve entered, there have been only 200-400 other entrants. Think about it. There are thousands of member in this organization, but only a handful applying for grants. Your work will be read by industry professionals. You might even get some money out of the experience. What have you got to lose?

Have you entered contests or applied for grants? Any you could recommend? What has your expereince been?

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22. The Quiet One

This is kinda-sorta an "author's notes" post but without the spoilers. After a few months of quiet, I have a flurry of writing news. Horror d'oeurves features my flash piece, "Slips of Yew," a title I lifted from Shakespeare's "Scottish play." Okay, Macbeth. I guess it isn't bad luck to reference Macbeth in writing, just theater. Or is it theatre?

When I used to teach Macbeth, I'd show the rather grim and bloody Roman Polanski version. Yes, some moments are silly (e.g., a sleepwalking (in the nude) Lady Macbeth). Thanks for that, executive producer Hugh Hefner. Like anyone slept in the buff in a drafty Scottish castle, but I digress (again). The third of three witches in the film was younger than the others and Polanski/his writers chose to make her mute and assign her lines to the other two. "Slips of Yew" was born as I imagined her voice.

Imagine the excitement when I warned a room full of high school seniors (mostly boys) that we'd see nudity when I showed them the "something wicked this way comes" scene. Now imagine the shock and revulsion when the nudity was a cave full of old hags. Awesome. Those were the days...

Anyway, "Slips of Yew" to Horror d'ouerves marks my third official professional sale (5 cents a word or better)--fourth overall if you count a contest I won a few years ago. Unfortunately, it, added to my other professional sales, runs 1,000 words short of the ascribed 7500 word count/3 pieces threshold to be an active member of the HWA. So be it. I'll keep writing. Thanks to editor Shane Staley for picking up my little bit of darkness.

There's more, too, like "Lucky Numbers" in Dark Moon Digest #16. What's the skinny behind "Lucky Numbers"? Let's just say it might not be a good idea to cast a mask of your recently deceased loved one (post burial, even). And because everyone loves cover art:


The issue isn't officially out yet, but will be soon. Speaking of soon... I'm up at Every Day Fiction again on Wednesday. More soon.

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23. Almost Five Years of Blogging: What’s Changed, What’s the Same

blog notebook

I started blogging in September 2009. By then I’d been writing for over eleven years, and though I had no publishing leads, I decided to jump in feet first: I quit my teaching job and started writing full time.

Though opinions have since changed, anyone who was trying to get published “back then” was supposed to blog.* I’ve often been thankful I started writing long before the blogosphere was born. While it was sometimes lonely writing on my own, it was also simpler, too — fewer distractions, no one else’s writing regimen or sales to compare to my own experiences. I sometimes wonder if I’d started writing then how far I would have gotten. How easy it would have been to try and keep up with everyone else on-line and altogether forget about the actual writing thing.

I remember checking out a book about blogging, and though I didn’t understand a lot of it, one thing stuck with me: with so many voices out there, a blogger needed a unique angle. I decided my blog would be called Caroline by line, a name I hoped would be catchy, would be a play on “by line,” and would help people learn I was a CaroLINE and not a CaroLYN (Five years later, I still get LYN-ed as much as before). I opened a free account on Blogger and committed to talking about writing and reading, but also the publication process as I was learning about it. I also threw in some bits and pieces on teaching. These were the things I knew and loved.

Using a weekly planner I got through Writer’s Digest, I kept record of my blog posts. I posted five days a week until I sold May B. (roughly seven months in), then switched to three times a week. In 2010, I took off the weeks of Thanksgiving and Christmas. In 2012 I gave myself a whole month of sabbath in July. It’s a schedule that I’ve stuck to since.

Though many who started blogging around the time I did have since hung up their fiddles**, I’ve continued on. Not because I’m so great, but because I’ve really fallen in love with it all. After sending manuscripts into the void, sometimes never to be seen again, having immediate feedback from readers was and is the most amazing thing. Some of my most popular posts have been my Running a Book Club for Kids series, this Third-Grade Reading List I created for the said book club, a post on sod houses, and my interview series with author/teacher Donalyn Miller discussing her title, THE BOOK WHISPERER.

I’ve tried regular features. Some have succeeded, some have fizzled, some I’d like to revive: Classroom Connections, a series meant to introduce teachers to new books; Fast Five, an up-close look at five books that share something in common; On Writing and Why We Read, which are simply quotes on the reading and writing life; Navigating a Debut Year for those new to publication; and most recently, Straight from the Source, a series of interviews with authors of historical fiction. Then there was Carpool Conversations, little nuggets I overheard while driving the neighborhood kids to and from school.

Some of you are new around here, and some of you have stuck around since the very beginning. I’m so grateful for all of you and this journey we’ve been on together, from those first days I stepped into the world as an unemployed, unrepresented author to the present, with one book in the world and four more under contract.

If you haven’t before, I’d love for you to introduce yourself in the comments below, perhaps sharing how long you’ve read in these here parts. If there are any topics you’d like me to blog about in the future, I’d love for you to let me know.

Thanks, friends! This blog wouldn’t exist without you.

 

 

 

*Now it seems those of us who write fiction have been cut some slack. It’s you non-fiction folk who are absolutely required / no excuses / get to it / must blog. Or not. Whatever works for you.

**Sometimes only frontier slang will do.

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24. 2013 Writing Goals: Hit, Miss, or Somewhere In Between?

July’s the month I take a blogging sabbath. Throughout the course of the month, I’ll re-run some oldies but goodies. Enjoy!

I thought it would be fun to look over the goals I set for my writing this year, to see what worked and what didn’t. And in light of this recent discussion on author output, comparison, and finding peace with my own creative processes, the timing felt right.

At the end of last year, our SCBWI-NM monthly schmooze focused on personal writing goals. During that session, I took a one-page calendar and marked out school holidays, family vacations, and other important dates I knew in advance. And then I aimed high.

Here’s what I wanted to tackle in 2013:

  1. research for a new picture book
  2. twelve new picture book manuscripts (!!!)
  3. six months of research for a new novel
  4. three months of drafting this new novel
  5. blog/reading goal: re-read The Complete Journals of Lucy Maud Montgomery, Volumes I-V and write about it here

 Author Chris Eboch led a second schmooze discussion in July about reassessing our goals. I noticed a few things:

  1. I was already waaay off on the picture book goal.
  2. Due to some wonderful news, I needed to change my novel goals.
  3. This was all A-okay.

One of the best things I got from Chris’s talk was information on author Kristi Holl’s Rx for Writers: Managing Your Writing Space and Your Writing Time (a free mini e-book).

Kristi talks about four terms that are key to a writer’s success:

  • DREAMS: not under your control
  • GOALS: under your control
  • SUB-GOALS: specific to-do steps under each goal
  • HABITS: daily practices that support your sub-goals

The distinction between what an author can control and what she can’t is key.* For example, while aiming to nab an agent is wonderful, it’s a dream, not a goal. But there are steps (sub-goals) a writer can take to do all that is in her control in this regard, from completing a manuscript, working with critique partners to revise it, taking advantage of contests or grants that might give feedback on her work, researching agents for the best fit, writing and evaluating a query letter, and finally sending it out.

A dream that wasn’t in my control changed the course of some of my writing goals this year. Some goals, such as the twelve picture books, were way off track.

Here’s what I actually did in 2013:

  1. research for a new picture book
  2. two new picture book manuscripts
  3. four months of research on a new novel
  4. one month drafting this new novel
  5. work on first and second-round edits for Blue Birds
  6. blog/reading goal: met! Plus I read the new(ish) LMM biography, THE GIFT OF WINGS by journal co-editor, Mary Rubio

 Over all, I’m pleased with this year’s work. As for next year, I’ll consider re-visiting some of those picture book ideas, work on my novels within my editor’s time table, flex when surprises come, and keep re-assessing what’s best for my work and me.

Do you set writing goals? How have you fared this year?

 

 

*Unless you’re a local superstar author who recently shared with me she likes to set goals like “I’ll sell two novels and one picture book this year”…and does just that!

 

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25. Jungle Grumble - Almost Here!!!


Sorry I've been off-air for a while. I am so busy trying to get my sketching book ready for presentation at the Frankfurt Book Fair, that I have not been able to stop and chat. But I had to tell you about what arrived in the post today... 




My advance copies of Jungle Grumble! It was a total surprise, as I wasn't particularly expecting them yet, since publication isn't until October. It's looking great. It's got a silk-finish cover, rather than full gloss, which I rather like.

I'll let you know when it's actually available to buy. Not long now! Right, back to work...

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