How to use this Page

Penguin’s Grosset & Dunlap imprint will award a $10,000 contract to a writer who can write the first book in a new young adult series based on Jim Henson’s 1982 fantasy film THE DARK CRYSTAL.

The world of The Dark Crystal is a world unlike any we have ever known. Under the triple suns, the skies roil with cloud formations not seen in our skies. Seedpods spiral up and rocks scuttle off. It is a world where the wise and noble urSkeks have been split into two imperfect races, Skeksis and urRu; and the Gelfling Clans, the species most like our own, go about their lives not knowing what their future holds. This is a world waiting to be explored and expanded upon with new stories, new quests.

You could be the author of a new novel
set in the world of Jim Henson’s
The Dark Crystal.

At The Jim Henson Company, we continue to be enthralled with the possibilities of this world and invite you to join us in our obsession. We have set up a portal to share what we know, a new website with all of the information about this place and these creatures: DarkCrystal.com. We invite you to use the resources, character descriptions, locations, and history on this site to join us in imagining the next Dark Crystal story.

Cheryl Henson Founder, DarkCrystal.com

CALL FOR ILLUSTRATIONS: Please remember to send in your illustrations for June. It is a great way to get seen and keep your name out there to get noticed. Send to Kathy.temean(at)gmail.com. Please submit .jpgs at least 500 pixels wide.

Anna Olswanger has agreed to be our Guest Critiquer for June’s First Page. For those who like the picture prompt, you will find it at the bottom of this post.

Anna Olswanger is a literary agent with Liza Dawson Associates in New York. Anna has been a literary agent since 2005 and has sold to Boyds Mills Press, Marshall Cavendish, Dutton, HarperCollins, McElderry, Pomegranate, and Random House Children’s Books, among other publishers. Specializing in: middle grade and young adult fiction and nonfiction, some adult fiction and nonfiction, children’s illustrated books, and Judaica.

Anna is particularly interested in working with author-illustrators.Anna enjoys discovering new authors and illustrators. She is looking for “voice,” the sound and rhythm of an author that could be no one else’s, and has a special interest in children’s picture books (author-illustrators only), adult nonfiction, Judaica, animal stories, and ghost stories. Contact her at queryanna@LizaDawsonAssociates.com.

In addition to being an agent, she is the author of the picture book Shlemiel Crooks, a Sydney Taylor Honor Book and a Koret International Jewish Book Award Finalist.

You may have attended some of her workshops, like Why Was My Manuscript Rejected? 3 Agents, 3 Opinions, with two other agents (see www.3LiteraryAgents.com). Writers in the Northeast may also know Anna, because she coorinated the Jewish Children’s Book Writers’ Conference at the 92nd Street Y for many years. In addition, she founded the website http://www.Host-a-Jewish-Book-Author.com

Anna’s own website is www.olswanger.com.

Submission Guidelines for Anna Olswanger:

I only accept email queries (no snail mail queries, please.)

Please insert (cut and paste) the first five pages of your manuscript into the body of your email. (I’m leery of opening attachments from addresses I don’t know.)

Queries to: queryanna@LizaDawsonAssociates.com

June’s Picture Prompt illustration was created by Shawna JC Tenney. She was recently featured on Illustrators Saturday. http://kathytemean.wordpress.com/2013/04/20/illustrator-saturday-shawna-jc-tenney/

WRITERS Sending in a First Page: Please attach your double spaced, 12 point font, 23 line first page to an e-mail and send it to kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail. Put “June First Page Critique” or “June First Page Picture Prompt Critique” in the subject line. Make sure you have your name on the submission, a title, and indicate the genre.

SUBMISSION DEADLINE: JUNE 17th .

The four chosen and their critiques will be posted on June 28th.

Talk tomorrow,

Kathy

Bloomsbury Spark is a one-of-a-kind, global, digital imprint from Bloomsbury Publishing dedicated to publishing a wide array of exciting fiction eBooks to teen, YA, and new adult readers. 

Our outstanding list will feature multiple genres: romance, contemporary, dystopian, paranormal, sci-fi, mystery, thriller, and more. 

Bloomsbury Spark is a one-of-a-kind, global, digital imprint from Bloomsbury Publishing dedicated to publishing a wide array of exciting fiction eBooks to teen, YA and new adult readers. 

Launching in Autumn 2013 our outstanding list will feature multiple genres: romance, contemporary, dystopian, paranormal, sci-fi, mystery, thriller, and more. 

If you’re an author, Bloomsbury Spark is the premiere place to publish your work. 

Why? Because we are a hands-on, full-service publishing house. We will publish you globally  but market you locally. We are not just interested in publishing your book; we want to help craft your career.

If you have a manuscript between 25 and 60k words long, then send it to us at one of the following emails: 

For submissions in the United States and Canada: BloomsburySparkUS@bloomsbury.com
For submissions in the United Kingdom, Europe and ROW: BloomsburySparkUK@bloomsbury.com
For submissions in Australia: BloomsburySparkAUS@bloomsbury.com
For submissions in India: BloomsburySparkINDIA@bloomsbury.com

Good luck!

Talk tomorrow,

Kathy

Emily Gref is an Agent at Lowenstein Associates, as well as our contracts and royalties manager. She also handles foreign and subrights. Her interests are wide and varied. In Young Adult and Middle Grade she is looking for all genres, but has a weak spot for fairy tale, folklore, and mythology retellings. Emily is also interested in fantasy and science fiction, as well as literary and commercial women’s fiction.

In non-fiction she is looking for strong narratives and books by recognized experts with a wide-reaching platform, especially books that lend themselves well to digital mediums. Subjects of interest include popular science, linguistics, anthropology, and history. She is not looking for memoirs or biographies at this time.

To Submit

By e-mail:

For fiction, please send us a one-page query letter, along with the first ten pages pasted in the body of the message by email to assistant@bookhaven.com. If nonfiction, please send a one-page query letter, a table of contents, and, if available, a proposal pasted into the body of the email to assistant@bookhaven.com.

Please put the word QUERY and the title of your project in the subject field of your email and address it to the agent of your choice. Please do not send an attachment as the message will be deleted without being read and no reply will be sent. We reply to all queries and generally send a response within 4-6 weeks.

By mail:

For Fiction: Mail a query letter, short synopsis, first chapter and a S.A.S.E (Self-Addressed Stamped Envelope).

For Nonfiction: Mail a query letter, table of contents and, if available, a proposal (if not, please send a project overview) and a S.A.S.E (Self-Addressed Stamped Envelope).
To:
Lowenstein Associates
121 West 27th Street Suite 501
New York, NY 10001

Please note, if you do not include a S.A.S.E., we will not be able to respond to your submission. Please allow 4-6 weeks for our response.

Talk tomorrow,

Kathy

The above illustration is by John Manders. He was featured on May 25th without his interview. Here is the link to read john’s interview answers that were added this week : http://kathytemean.wordpress.com/2013/05/25/illustrator-saturday-john-manders/

CALL FOR ILLUSTRATIONS: Please remember to send in your illustrations for June. It is a great way to get seen and keep your name out there to get noticed.

Anna Olswanger has agreed to be our Guest Critiquer for June’s First Page. Deadline will be June 18th, so I wanted to give you an early heads up. For those who like the picture prompt, you will find it at the bottom of this post.

Anna Olswanger is a literary agent with Liza Dawson Associates in New York. Anna has been a literary agent since 2005 and has sold to Boyds Mills Press, Marshall Cavendish, Dutton, HarperCollins, McElderry, Pomegranate, and Random House Children’s Books, among other publishers. Specializing in: middle grade and young adult fiction and nonfiction, some adult fiction and nonfiction, children’s illustrated books, and Judaica.

Anna is particularly interested in working with author-illustrators.Anna enjoys discovering new authors and illustrators. She is looking for “voice,” the sound and rhythm of an author that could be no one else’s, and has a special interest in children’s picture books (author-illustrators only), adult nonfiction, Judaica, animal stories, and ghost stories. Contact her at queryanna@LizaDawsonAssociates.com.

In addition to being an agent, she is the author of the picture book Shlemiel Crooks, a Sydney Taylor Honor Book and a Koret International Jewish Book Award Finalist.

You may have attended some of her workshops, like Why Was My Manuscript Rejected? 3 Agents, 3 Opinions, with two other agents (see www.3LiteraryAgents.com). Writers in the Northeast may also know Anna, because she coorinated the Jewish Children’s Book Writers’ Conference at the 92nd Street Y for many years. In addition, she founded the website http://www.Host-a-Jewish-Book-Author.com

Anna’s own website is www.olswanger.com.

Submission Guidelines for Anna Olswanger:

I only accept email queries (no snail mail queries, please.)

Please insert (cut and paste) the first five pages of your manuscript into the body of your email. (I’m leery of opening attachments from addresses I don’t know.)

Queries to: queryanna@LizaDawsonAssociates.com

June’s Picture Prompt illustration was created by Shawna JC Tenney. She was recently featured on Illustrators Saturday. http://kathytemean.wordpress.com/2013/04/20/illustrator-saturday-shawna-jc-tenney/

WRITERS Sending in a First Page: Please attach your double spaced, 12 point font, 23 line first page to an e-mail and send it to kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail. Put “June First Page Critique” or “June First Page Picture Prompt Critique” in the subject line. Make sure you have your name on the submission, a title, and indicate the genre. 

SUBMISSION DEADLINE: JUNE 17th .

The four chosen and their critiques will be posted on June 28th.

Talk tomorrow,

Kathy

When talking with Charlotte Bennardo on Friday at the conference, she showed me a receipt that she received at Barnes and Noble after buying a cup of coffee. I just thought this was so cool. Imagine seeing your book suggested on the receipt. Must have been very exciting for Charlotte. Another reason to make sure you look at your receipts.

In its nearly three centuries of existence, The Saturday Evening Post has published short fiction by a who’s who of American authors including F. Scott Fitzgerald; William Faulkner; Kurt Vonnegut, Jr.; Ray Bradbury; Louis L’Amour; Sinclair Lewis; Jack London; and Edgar Allan Poe. Now you have the opportunity to join that illustrious line-up by taking part in The Saturday Evening Post’s Second Annual Great American Fiction Contest.

The winning story will be published in the Jan/Feb 2014 edition of the magazine and on our website. The winning writer will receive a payment of $500. Five runners-up will be published on our website and receive payment of $100 each.

Helpful Hints:

“We like a good story! Entries should be character- or plot-driven pieces in any genre of fiction, but keep it readable, please! “We are looking for stories with universal appeal touching on shared experiences and themes that will resonate with readers from diverse backgrounds and experience,” says Joan SerVaas, publisher of The Saturday Evening Post.” Think local. The Post has historically played a role in defining what it means to be an American. Your story should in some way touch upon the publication’s mission: Celebrating America, Past, Present, and Future.

Submission Guidelines:

Stories must be submitted by the author, previously unpublished (excluding personal websites and blogs), and 1,500-5,000 words in length. No extreme profanity or graphic sex scenes, please. All stories must be submitted online and should be in Microsoft Word format with the author’s name, address, telephone number, and email address on the first page. There is a $10 entry fee, which helps defray a portion of the cost of operating the contest.

Click on the “Fiction Contest Entry Form” link below to upload your story and make a secure payment. Deadline for entry is 11:59 p.m. (EST), July 1, 2013.

Fiction Contest Entry Form

Thanks in advance for participating! The Editors

We’re pleased to announce “Wolf” by Lucy Jane Bledsoe the winner of our 2013 Great American Fiction Contest! Click here to read the prize-winning fiction from our winner and six runners-up.

- See more at: http://www.saturdayeveningpost.com/fiction-contest#sthash.sEifrf2J.dpuf

Talk tomorrow,

Kathy

Illustrator Gregory Myers from Syndey, Australia sent in this illustration. He is a freelance illustrator. Studied under Czech artist Petr Herel at Canberra School of Art, and Akira Kurosaki at Kyoto Seika University. Hand-coloured scraperboard artworks like this has proven to be popular with his clients. www.gregorymyers.me

Mt. Airy Kids’ Literary Festival

Friday, May 17, through Sunday, May 19, 2013

Big Blue Marble Bookstore is proud to present its seventh annual Mt. Airy Kids’ Literary Festival! All events are FREE and open to the public!

This year, our festival includes events at the Color Book Gallery, 6353 Germantown Avenue (215-844-4200).

All Weekend

The Craft Table! Big Blue Marble Bookstore will have our special craft table open all weekend, stocked with brightly colored paper, collage materials, and all kinds of other supplies to create your own books! (In our Community Room, All Ages. Adult Supervision Required.)

Special Door Prizes! Winners will be randomly selected throughout the entire weekend to win free books, promotional goodies, and more. Stop by with your family and get a chance to go home with all kinds of special treats. (All Ages)

Friday, May 17

10:30am – Big Blue Marble Story Time with Amanda Hendricks. Join us for our regular Friday morning story time! (Ages 18m-4y)

6:30pm – Philadelphia Youth Poetry Slam. Share your words in a welcoming literary environment in the Big Blue Marble Bookstore cafe! Light refreshments will be served, and local poets will be invited to help decide the winners. Prizes include bookstore gift certificates for an overall winner, a middle school winner, and one runner-up. (Ages 12-18) Special Guest Judge/Host: Ms. Alyesha Wise

Alyesha Wise was raised in the city of Camden, N.J. She began writing at the age of 11 and eventually developed a passion 4 Poetry. The founder of “Love, Us,” she is on a mission 2 spark a LOVE REVOLUTION, holding a strong belief that unity and compassion is the healing force to all that exists. She’s the co-host of the longest running weekly open mic in Philadelphia, “Jus’ Words.” In addition, she’s the co-founder & co-host of “The Pigeon Presents: The Philadelphia Poetry Slam,” voted “Best of Philly” for Literary Activity in 2012, by Philadelphia Magazine.

Saturday, May 18

10:30am – Nature Yoga for Kids with Deirdre Vezirov-Kilkenny. Join yoga teacher Deirdre Vezirov Kilkenny as she reads from The Yoga Game, and incorporates yoga postures. (Ages 3-7)

Deirdre Vezirov-Kilkenny trained with the Radiant Child Yoga Program at Karma Kids NYC. She is also certified in Storytime Yoga levels 1 & 2 and Yoga4Teens, and has been teaching kids yoga since 2004.

Deirdre’s classes at Springboard Studio are 45 minutes on Tuesdays: Nature Yoga for 4-7 year-olds takes place from 4:00pm–4:45pm, and for 8-12 year-olds from 5:00pm–5:45pm. Spring classes will be April 2nd–June 4th. Nature Yoga for Teens and Tweens (10+) on Fridays from 4pm-4:45 pm this Spring will be April 4th–June 7th. The 10 session cost is $100; drop-ins are $12 per session. For information, call 267-241-4810 or e-mail natureyoga@comcast.net. Facebook page: http://www.facebook.com/NatureYogaforKids.

11:15am – Festival Storytime with Lauren Grace. Come join us for a special Mt. Airy Kids’ Literary Festival storytime! Together we will sing songs, play games, and read some books, of course!  (Ages toddler to 4)

Lauren Grace is a local mom who enjoys knitting, sitting outside, laughing with her two daughters, and reading!

12:00pm – Harry Potter fun with Grace Gordon.

1:00pm – Afternoon Drawing Workshop with Mark Mattson. (Ages 6 and up)

Mark Mattson is a Philadelphia-based artist, writer, illustrator, and designer. A graduate of Columbus College of Art and Design, he also makes video games and kids’ products; and is a member of The Society of Children’s Book Writers and Illustrators. He’s made everything from books based on famous red monster puppets, to Easter baskets starring martial-arts mutant turtles, to educational games prominently featuring deep-voiced tooth fairies. It is all true.

2:00pm – Reading and crafts with Ame Dyckman, author of Boy + Bot and Tea Party Rules. Join author Ame Dyckman for a cool Boy + Bot reading, with robot crafts and giveaways, and a special sneak peek into her forthcoming book, Tea Party Rules.  (Ages 4 and up)

Ame Dyckman

3:00pm – Creating Graphic Novels/Comic Books with Marta Rose and Judy McCoubry. Text (Ages 7 and up)

Festival Events at Color Book Gallery

All day – Face painting and activity table!

12:00pm – C. Getti, author of Bear’s Prayer

1:00pm – Melissa Conroy, author of Poppy’s Pants

2:00pm – Baba Abiodun, Storyteller

3:00pm – Rhiannon Richardson, author of Model Friendship

4:00pm – A. R. Bey, author of Netherworld of Kemet

Sunday, May 19

1:00pm – Reading with , author of .

10:30am – Music with Gina Ferragame! Join local musician Gina Ferragame for a fun-filled round of kid music and interactive fun. (Ages toddler to 5)

Gina Ferragame is a trained Music Therapist who has extensive experience working with children, special needs children, hospice care, and in-patient hospital care with emotionally disturbed adolescents. Gina is also a preschool Music Teacher in Mt. Airy, Philadelphia. “Music With Gina” is a class designed for babies/toddlers (ages 6mo to 3yrs) and caregivers. The intention for each class is to allow your little one the freedom to express themselves in a positive and compassionate setting through the use of movement, playing, and singing. Music classes are meant to enrich, enliven, and entertain your little ones! it’s just fun! 10:30am Tuesdays, Mt. Airy Yoga: 610 Carpenter Lane Philadelphia, 19119. $12 drop in $100 for 11 classes. Contact musicwithgina@gmail.com.

11:00am-12:00pm – Free Creative Writing Games Workshop with Cordelia Jensen. This workshop is for any kid who wants to get creative. We will play four or five writing games that focus on different aspects of the storytelling process, such as dialogue and character development. So, come and get wild with words! (Ages 7 and up)

Cordelia Jensen is a YA Writer; her novel in verse SKYSCRAPING is forthcoming from Philomel/Penguin. Cordelia graduated in 2012 with a MFA in Writing for Children & Young Adults from Vermont College of Fine Arts. Cordelia graduated from Kenyon College where she majored in English, with a Concentration in Creative Writing. Cordelia was Poet Laureate of Perry County in 2006 & 2007. She has also had nonfiction work appear in Literary Mama. Cordelia has worked with young people for most of her career; with a Masters of Education in Counseling, she has worked as a counselor, teacher and spent ten summers as a camp counselor in Central PA. She works at The Big Blue Marble Bookstore and loves being surrounded by books and people who love stories and language. Cordelia lives in West Mt. Airy with her husband, Jon, and twin seven-year-olds, Tate and Lily.

12:15pm – Reading with Kit Grindstaff, author of The Flame in the Mist. Join Kit for themed refreshments and a special reading from her new book The Flame in the Mist, a fantasy-adventure for fans of Philip Pullman’s The Golden Compass. (Ages 9 and up)

Kit Grindstaff was born near London and grew up in the rolling countryside of England. After a brush with pop stardom (under her maiden name, Hain) she moved to New York and embarked on her career as a pop song writer. Kit now lives with her husband in the rolling countryside of Pennsylvania. She is a member of the SCBWI. The Flame In The Mist is her first novel. You can also find her at http://www.kitgrindstaff.com , http://www.facebook.com/kitgrindstaff  and on Twitter: @kitgrindstaff.

Check the Big Blue Marble Bookstore for additions and changes: http://bigbluemarblebooks.com/kidslit13.html

Talk tomorrow,

Kathy

KUDO’S:

BETH FERRY’s PIRATE’S PERFECT PET, in which a captain, who considers himself practically perfect in every way, decides that he’s just missing one thing — the perfect pet — and goes on a wild search to hunt that pet down, was sold to Mary Lee Donovan at Candlewick, by Elena Mechlin at Pippin Properties.

INDUSTRY NEWS:

Emily van Beek has been promoted senior vice president at Folio Jr., the children’s division of Folio Literary Management.

Joe Perez has joined the Random House Publishing Group as senior art director. Previously he was art director at Portfolio.

At Atheneum, Emma Ledbetter has been promoted to assistant editor.

Christina Pulles moves up to assistant editor at Simon & Schuster Children’s.

Congratulations everyone!

Remember that the deadline is May 22nd to submit a first page to win a critique with MELISSA FAULNER, Editorial Assistant, ABRAMS Books for Young Readers and Amulet.

Last week Melissa answered a few questions. Here they are, again:

1. This is the first time we have had someone from Abrams BFYR. Could you share what makes Abrams different from other publishers?

Abrams is a smaller, boutique publishing house, so we’re able to provide a level of personal attention to authors and illustrators that a lot of larger houses aren’t able to achieve. Because of our size, we don’t really have a “mid-list.” Abrams’ is also deeply rooted in design and art having begun as an art book publisher, so there is a strong visual sensibility to every book we publish.

2. Do the editors at Abrams work as a team or do they chose books independently?

While editors do acquire books individually, we very much work as a team on projects. We have weekly editorial meetings where we discuss potential acquisitions with the entire department before taking them to an acquisitions board meeting. It’s also not unusual for editors to ask other editors to read manuscripts or look over covers just to get a second opinion, or to bounce around ideas.

3. Does Abrams try to stick to a certain ratio or PB, MG, YA, Fiction, and non-fiction with each catalog?

We generally try to have as balanced a list as possible for each season (we have two a year). We’ve always had a very strong non-fiction publishing program in both our Books for Young Readers and Amulet imprints, which is really great since so many publishers are now looking to acquire more non-fiction.

4. What is the ratio of debut authors to published author on your list?

It’s generally a fairly even split, though some seasons it may weigh more heavily in one direction or the other. We’re equally enthusiastic about bringing new talent to Abrams as we are about developing and nurturing our house authors.

5. The industry has been changing quite rapidly, do you think the mid-list authors are finding it harder to stay on the list?

I think at a lot of larger houses, authors are finding that they have to be a stronger advocate for themselves. Most aspiring authors know it’s essential to have built a strong platform before their book has been acquired, but it’s also essential to maintain that engagement and build even after their book has published. It can be daunting, but today, authors are fortunate to have so many avenues of engagement to pursue.

May’s submission deadline will be May 22nd, due to the Memorial Day.

Below is this month’s picture prompt for those of you who like them. This illustration is by Maria Bogade. She was featured on Illustrator Saturday on Feb. 9th 2013 and I missed showing off this illustration. Thought it might provide some inspiration for a story. You do not have to use it. Feel free to submit a first page from a work in progress.

WRITERS Sending in a First Page: Please attach your double spaced, 12 point font, 23 line first page to an e-mail and send it to kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail. Put “May First Page Critique” or “May First Page Picture Prompt Critique” in the subject line. Make sure you have your name on the submission, a title, and indicate the genre. Also let me know if you were able to post of facebook or Tweet. You will get your name in the basket for each time you comment, tweet, or mention on facebook, giving you a better chance of being picked. If you end up doing more things to get additional entries, then e-mail me a note by May 20th. The four chosen and their critiques will be posted on May 31st.

Call for illustrations for May: Thank you to everyone who sent in an illustration for April. There are a couple that I didn’t get up. I promise I will use them in the days to come.

You can send anything, but I am especially looking for illustrations that reflect the month. I hope you will send something for May. This is a good way to get your work seen. Don’t wait, I will post the illustrations as they come in. Please make sure the illustration is at least 500 pixels wide and include a blurb about yourself and a link to see more of your work. Please send it to kathy(dot)temean(at)gmail(dot)com and put “May Illustration” in the subject box.

Talk tomorrow,

Kathy

Do you have a manuscript—picture book, novel, or nonfiction—that needs work? Do you wish you could learn techniques that would help you revise not only this manuscript, but future ones?

Then come to the KBR “Editing without an Editor” workshop in Westport, CT. Learn how to revise like an editor by working with two experienced editors, who have distilled the methods they’ve used in editing manuscripts with individual clients and in the online Kid’s Book Revisions class. To create a framework, they’ll compare “reader response” theory and the lit. crit. approach, and explore ways to gain objectivity and to focus on different aspects of manuscripts. You will pick up and try out methods for making critique groups work better. After lunch, you will learn and try out a variety of techniques for self-editing, from big picture revision down to copy-editing, working on your own or with a partner.

Critiques are available for those that want them, but are not included in the standard package, to keep the price as low as possible. The workshop fee is $175 through May 21st, and $225 after that. A critique of up to 15 pages is $40; longer manuscripts can be critiqued by arrangement.

The workshop will run from 9 AM to 5 PM on  Sunday, June 30, at the workshop space, Write Yourself Free/The Editing Company, 252 Post Road East, Westport, Connecticut, (the little red schoolhouse).

Schedule:

In advance: Student preparation: You will need to bring copies of up to 5 pages of your manuscript for use in model critique groups and hands-on work. We will tell you how many copies are needed ahead of time.          If you want a critique, submit manuscript when you register but no later than two weeks before the workshop, to allow ER or HU time to review and comment. See details following the schedule.

• Class “textbook”: Writing It Right!, Sandy Asher. We will give copies of this to all students.
• Also useful: A Family of Readers, ed. by Roger Sutton and Martha Parravano. Find it at your local library.

9:00   Welcome, introductions, and review of schedule.

9:15   Introduction: Reader Response vs. Lit. Crit–different ways to respond to a manuscript and what you get from them.

10:00   How Critique Groups Work and Don’t Work–introduction and discussion.

10:30   Critique Group Practice and Feedback. Break into critique groups to dive into “what lies underneath.” Focus on trying out a specific technique and getting peer critiques and editor feedback. (Eileen and Harold will lead and take part in a group.)

12:00   Lunch: Sign-up sheet available at lunchtime for impromptu critique groups or work with partners, etc., during 3:30 to 4:30 individual meeting time.

1:30   Big Picture Revising – Some techniques and what they do for you. Hands-on practice with your manuscript.

2:45   Sweating the Small Stuff – Yes, the details matter!  Again, techniques and what they do for you. Hands-on work.

3:30   Individual meeting with editors for those students who signed up for them. When not in meetings, students can write, revise, meet with a reading partner or impromptu crit. group, or do creativity exercises we provide.

4:30   Lessons Learned—what you’ve learned about yourself and your manuscript, and what do you do next? Discussion. Final questions.

Click link for more information, and registration details:http://www.kidsbookrevisions.com/editing-without-an-editor-2013.htm

Talk tomorrow,

Kathy

What is the Katherine Paterson Prize for YA and Children’s Writing?

Anna Olswanger has agreed to be our Guest Critiquer for June’s First Page. Deadline will be June 18th, so I wanted to give you an early heads up. For those who like the picture prompt, you will find it at the bottom of this post.

Anna Olswanger is a literary agent with Liza Dawson Associates in New York. Anna has been a literary agent since 2005 and has sold to Boyds Mills Press, Marshall Cavendish, Dutton, HarperCollins, McElderry, Pomegranate, and Random House Children’s Books, among other publishers. Specializing in: middle grade and young adult fiction and nonfiction, some adult fiction and nonfiction, children’s illustrated books, and Judaica.

Anna is particularly interested in working with author-illustrators.Anna enjoys discovering new authors and illustrators. She is looking for “voice,” the sound and rhythm of an author that could be no one else’s, and has a special interest in children’s picture books (author-illustrators only), adult nonfiction, Judaica, animal stories, and ghost stories. Contact her at queryanna@LizaDawsonAssociates.com.

Ms. Olswanger has a background in editing and has worked with the author Mary Ann Schaffer on the adult novel The Guernsey Literary and Potato Peel Society, which became an international bestseller.

She represents Jim Carroll’s THE BOY AND THE MOON (Sleeping Bear Press), Nell Dickerson’s GONE (BelleBooks), Luli Gray’s ANT & GRASSHOPPER (McElderry), Michael Hall’s MY HEART IS LIKE A ZOO and PERFECT SQUARE (Greenwillow), Zack Miller’s TRADESTREAM YOUR WAY TO PROFITS: Building a Killer Portfolio in the Age of Social Media (Wiley), Margaret Peot’s INKBLOT (Boyds Mills Press) and THE SUCCESSFUL ARTIST’S CAREER GUIDE (North Light Books/F+W) Barry Rothstein’s EYE-POPPING 3-D BUGS (Chronicle), Jennifer Sattler’s SYLVIE (Random House Children’s Books), CHICK ‘N’ PUG and PIG KAHUNA (Bloomsbury Children’s Books), and upcoming books by Allida Black (Penguin Classics), Cathy Fishman (Cavendish), Brett Hartman (Cinco Puntos), Michelle Markel (Balzer & Bray, Eerdmans, and Chronicle), Patricia Hruby Powell (Chronicle), Alan Rabinowitz (Houghton Mifflin), Vince Vawter (Delacorte) and composer Marvin Hamlisch (Dial).

In addition to being an agent, she is the author of the picture book Shlemiel Crooks, a Sydney Taylor Honor Book and a Koret International Jewish Book Award Finalist.

You may have attended some of her workshops, like Why Was My Manuscript Rejected? 3 Agents, 3 Opinions, with two other agents (see www.3LiteraryAgents.com). Writers in the Northeast may also know Anna, because she coorinated the Jewish Children’s Book Writers’ Conference at the 92nd Street Y for many years. In addition, she founded the website http://www.Host-a-Jewish-Book-Author.com

Anna’s own website is www.olswanger.com.

Anna Olswanger, Literary Agent

Liza Dawson Associates 350 Seventh Avenue,  Ste. 2003 New York, NY 10001 Direct tel.: +1-201-791-4699

www.olswanger.com www.shlemielcrooks.com www.host-a-jewish-book-author.com

Submission Guidelines for Anna Olswanger:

I only accept email queries (no snail mail queries, please.)

Please insert (cut and paste) the first five pages of your manuscript into the body of your email.  (I’m leery of opening attachments from addresses I don’t know.)

Queries to: queryanna@LizaDawsonAssociates.com

Lisa Dawson Associates says:

• We understand the priorities and passions that motivate editors, publicists, sales directors, and marketing directors.
• We consider each of our books to be an exciting kernel that can grow – into an international bestseller, into a movie, into a calendar, into a career. That’s the power of a thrillingly told story, and that’s what people expect from our submissions.

Liza Dawson Associates

350 Seventh Avenue, Suite 2003

New York, NY 10001

www.LizaDawsonAssicates,com

June’s Picture Prompt illustration was created by Shawna JC Tenney. She was recently featured on Illustrators Saturday. http://kathytemean.wordpress.com/2013/04/20/illustrator-saturday-shawna-jc-tenney/

Talk tomorrow,

Kathy

Cartwheel imprint is open until Fri July 19th, 2013 to submit unagented picture books and younger manuscripts, so if you have a submission geared for 0-5 year-olds (board book, novelty, or picture book), now is your chance to get it considered.

Please snail mail your manuscript to:

Scholastic Inc.

Please include a SASE.

Debbie Ridpath Ohi  over at Inky Girl interviewed Celia Lee, Assistant Editor at Cartwheel if she’d be the person who would be reviewing submissions and what kind of submissions was she especially looking for/not looking for, plus if she was open to submissions from illustrators who are NOT writers. Celia says that she’ll be the primary reviewer though other editors may also take a look. From Celia:

“In terms of what we’re on the lookout for: holiday; tried-and-true subjects like transportation, community, or new experiences; interesting novelty formats; and new ways of addressing core concepts. Things that we’re not looking for are nonfiction, anything older than 1st Grade, and “love” books. And we can certainly take a look at illustrators who aren’t writers! They can send a postcard with their url to their portfolio.”

USE THIS LINK TO READ THE FULL INTERVIEW DEBBIE HAD WITH CELCIA AND DON’T LET THIS OPPORTUNITY DEBBIE HAS FOR YOU.

Talk tomorrow,

Kathy

Chuck Sambuchino over at Writer’s Digest reported last week that agent Emma Patterson was looking to build her client list at Brandt & Hochman Literary Agents.

Address:
1501 Broadway New York, New York 10036
Phone: (212) 840-5760

Emma grew up in New Jersey, the daughter of a literary agent, so she has been around books, manuscripts, and query letters, all her life. After graduating from Kenyon College with a degree in history, she joined The Wendy Weil Agency as an assistant, later became a rights associate, and eventually an agent. After Wendy’s sudden and tragic death last fall, Emma and her colleague Emily Forland joined Brandt & Hochman in the beginning of 2013. She sold her first manuscript in March. She now lives in Brooklyn.

She is seeking: “I am on the lookout for literary and commercial fiction, upmarket women’s fiction, historical fiction, narrative nonfiction, pop culture, memoir, food writing, and YA and MG fiction and nonfiction. I’m open to mostly any project with strong writing, an original premise, and a story that immediately grabs me – and I still think about weeks after I’ve finished reading it. I’m especially drawn to stories that make me cry, laugh, or transport me to a world that’s new to me. So long as the writing is strong, I don’t shy away from dark or quiet stories. I don’t tend to like category or genre fiction.”

How to submit: “The best way to contact me is via email at epatterson [at] bromasite.com with a basic query letter (a bit about the project, the author, and the author’s past publishing or writing history). A few pages of the work can also be pasted into the body of the email, but I won’t open attachments unless I’ve specially asked for one. Due to the high volume of emails I receive, I generally only respond to queries that sound up my alley.”

I could not find a website for this agency, but they have reported 15 signed contract in the last twelve months.

Women Who Write 2013 International Poetry & Short Prose Contest

DEADLINE: June 30, 2013

ENTRY FEE: $12.00

Contest Rules

1. Open to women 18 years or older.

2. Women Who Write will retain one-time publication rights (print and electronic), after which all rights revert to the author.

3. Entries to the contest must be previously unpublished.

4. Prose pieces can be fiction or non-fiction and are limited to 3,000 words or less.

5. $12 entry fee for each prose piece submitted or for up to two poems. Submissions will not be returned. Entry fees will not be reimbursed for any reason.

6. Deadline is June 30. Electronic submissions must be received by midnight June 30. Print submissions must be postmarked on or before June 30. Late entries will not be considered.

7. Winners will be notified in August by phone.

8. Women Who Write members are ineligible to enter the contest. (See details below.)

9. Contest entries or member submissions in any genre are welcome, and many stories and poems in past issues have addressed adult themes or contained strong language. However, the board of directors reserves the right to omit work they deem incompatible with the organization’s mission and values.

10. Writers are encouraged to read past issues of Calliope (available on Amazon) to become familiar with the type of work we publish.

Submission Guidelines

1. Each poem or prose entry must include a cover page with the title of the work, the author’s name, address, home phone number, and valid email address.

2. On the cover sheet, include a bio of up to 200 words. Bios will be published with the winning entries.

3. To identify each page of your work, use a header with the title on the right, followed immediately by the page number. For example: To Kill a Mockingbird – 1. Do not put the author’s name or other identifying information in the header.

4. Formatting:

•Microsoft Word format (other formats, such as pdf files or Notepad, will not be considered)
•Times New Roman font, 12-point type
•Double-spaced
•One-inch margins on all sides
•Left-justified for prose
•Indent paragraphs one tab
•Do not insert a line space between paragraphs
•One space after periods or other terminating punctuation
•Default on all other MS Word settings

Submit

Submit entries online or send hard copy by mail to:

Women Who Write
P.O. Box 6167
Louisville, KY 40206. Entries are subject to editing for spelling, grammar, punctuation and line spacing. If other changes are needed, authors will have the opportunity to review edits before publication.

Judging and Awards

First, second and third place winners will be selected in the prose and poetry categories (a total of six winners) by independent judges in a blind judging. Decisions of the judges are final.

Winners will receive:

1. First place: $300, publication in Calliope, the annual anthology of Women Who Write, and up to five copies of Calliope.

2. Second place: $200, publication in Calliope and up to five copies of Calliope.

3. Third place: $100, publication in Calliope and up to five copies of Calliope.

Women Who Write Members

Women Who Write members may submit work for inclusion in the organization’s anthology, Calliope, but are not eligible to win the International Short Prose & Poetry Contest. Members must also pay an entry fee and follow the same submission guidelines as non-members. In addition, member submissions must be read aloud and critiqued at a Women Who Write meeting at least once. Pieces requiring extensive work may need to be read and critiqued twice before acceptance for publication.

Good Luck!

Talk tomorrow,

Kathy

This illustration was sent in by Heather Dent. Since a little girl, Heather’s dream has been to become a professional author and illustrator. Now the time has come to try to make that dream come true.  Right now she works for a small business in Berea KY called Attic Light Studios that transfers old videos and photos into digital files and makes movies for special events like weddings, funerals, and anniversaries.  Her blog is:  http://heatherdentstudio.blogspot.com/.

Anita Nolan is doing a four hour intensive workshop titled, Creating Better Beginnings on June 7th at the New Jersey SCBWI Conference. Here is the description:

It’s vital to make the first pages of your manuscript the best they can be. After all, an editor or agent might read no more than the first few paragraphs before deciding to reject. In this intensive we’ll look at different ways to begin a story and what should be included in the first few pages. We’ll consider what you are revealing about your main character, (and whether it is what you intended!) and whether the character is sympathetic. You’ll rewrite your first paragraphs of your story in this workshop. Bring a printed copy of your first chapter (at least 5 pages, double spaced), paper and pen, (and your laptop if you’d like—laptop is not necessary) highlighter, and be prepared to dig into your first chapter.

I asked Anita if she could share some tips with the writers following my blog. Anita does a great job. You will learn a lot and advance your story if you sign up for her Friday session. Below are a few things from Anita on what a first chapter should accomplish:

As a reader dives into the first chapter, he searches for clues as to what type of story he’s reading. Is it a fantasy? Historical? A fast-paced adventure or a slower-paced coming of age story? Is the voice humorous? Sarcastic? Flowery?

A story’s beginning makes a promise to the reader about what type of story he’s picked up, the pacing, and voice.

Recently I read first pages from one story that promised a fantasy but had no fantastical elements, and from another that had no fantastic elements in the beginning, but the story had an entire secondary fantasy world.

Here are a few things the first chapter should accomplish:

1. Intrigue Reader. Hook them & keep them reading.

2. Introduce either main character/s or theme.

3. Identify what Main character needs/lacks/wants.

4. Identify the obstacles standing in the Main Character’s way.

5. Establish a bond (sympathy) between the reader & Main Character.

6. Present the world in which the story is set.

7. Establish the general tone of the novel.

8. Show Pacing.

9. Show the Voice.

Remember registration ends April 30th at midnight.

Talk tomorrow,

Kathy

With only two days left to register for the New Jersey SCBWI June Conference, I wanted to make sure you didn’t miss the chance to spend four hours with Sudipta Bardhan at her Writer’s Intensive on Friday June 7th titled, Chapter Books and Series Writing. There are skills writers need to learn to write a good chapter book. No need to spin your wheels trying to bridge that gap between picture books and middle grade, when you can attend Sudipta’s intensive. 

You may have noticed Sudipta is a regular on the NJSCBWI faculty each year for the June Conference. The reason for that is she does an exceptional job. Everyone who attends always leaves saying how much they learned.

Here is the blurb about the workshop:

Creating a publishable manuscript is challenging enough; creating one with series potential can be a different animal altogether. The writer must develop a complete stand-alone plot that, at the same time, is open for continued interpretation. In addition, the main character must both develop throughout the pilot book but retain some consistent characteristic/circumstance that can tie the series together. This intensive discusses ways to create character-driven books that editors may see as strong enough to support a series.

Sudipta Bardhan-Quallen is the author of more than thirty books for children, ranging from thirteen picture books to over a dozen nonfiction books for young readers to a newly-contracted chapter book series called Spectacles of Destiny. Her titles include Hampire!, The Worst Twelve Days of Christmas, Half-Pint Pete the Pirate, Pirate Princess, and Chicks Run Wild. She speaks at conferences, educator events, and schools across the country, teaching the craft of writing to children and adults.

Talk tomorrow,

Kathy

This is the last day to register for the New Jersey SCBWI June Conference. Over the last few months, I have posted information about many of the editors, agents, authors, and illustrators who are on the faculty. I didn’t get to all of them, so I am briefly going to mention some additional people. There are still pitch spots, one-on-one critiques with the editors/agents, one-on-one critiques with authors, and portfolio reviews for the illustrators available.

For the illustrators and author/illustrators:

Portfolio reviews are conducted one-on-one with an available editor, agent or art director (see list for choices) who is happy to offer feedback about your work.

It does not guarantee you will be published. BONUS! Kelly Light will be reviewing portfolios and offering feedback on character development, and Peter Brown will also be reviewing portfolios this year.

Have to share Kelly Light’s special box that was delivered to her today.

You can still get a portfolio Review from:

Agent Christina Tugeau,

Illustrator Peter Brown

Illustrator Kelly Light: Here is a little about Kelly.

Kelly Light has had a career that began in animation that led to a decade of drawing many of the most famous cartoon characters in the world of cartoon licensing. She has illustrated two middle grade chapter books out this Spring, The Quirks from Bloomsbury and Elvis and the Underdogs from Balzer and Bray. Her picture book debut as author/illustrator, Louise loves Art comes out Fall 2014 followed by another picture book series, Lola Knows A Lot! all with Balzer and Bray. www.kellylight.com

She is also doing a workshop during the conference about drawing characters. Here is a little bit from Kelly:
To be able to draw a well known character over and over again you have to focus on the construction, the shapes that make up that character and exactly where the details and features will go. Then that character has to be drawn doing all sorts of things. That character has to show emotions, action and inhabit the world created for it. Doesn’t that sound just like what we need to do with our characters in our books?

The workshop that I am giving will go thru gesture, construction, turn around, expression, acting and give attendees a chance to ask about their own character design questions. It’s all about drawing and having fun, so I hope you all come ready with pencils and paper and a smile. I will also be giving critiques that weekend. My portfolio critiques will have the same focus – character design. You can even bring some sketches and I will help you break the construction down right there for you.

Every year I always had published authors do critiques and attendees could get more than one editor or agent critique if their second critique was with an author and this year is the same. Why did I do that? Because I know how much work and effort authors put into giving a writer a great critique to help you get closer to your goal of getting published. Authors are going to dig down deep and share all of their knowledge. Don’t get me wrong. I always want an agent or editor critique, but authors bring a different set of skills to a critique. It is something you will find very valuable.

Here are the authors you can sign up for:

Sudipta Bardhan 

Laurie Calkhoven 

Tami Charles (nonfiction only) 

Ame Dyckman (picture book only)

Kit Grindstaff 

Suzy Ismail 

Tara Lazar 

Anita Nolan (mg/ya only) 

Kathy Temean 

Tim Young

If you have already registered and have a critique with an editor or agent, you can add an author critique, and then jump on a second editor/agent critique.

Hope I’ll see you there. www.regonline.com/njscbwi2013conference

Talk tomorrow,

Kathy

It seems more and more picture books and middle grade books are being picked up and brought to stages around the country. We all dream of seeing our books on the big screen, but more and more production companies are looking at children’s books to bring to the stage. I thought you might like to know that if you live in the New York area you can see Eileen’s Spinelli’s picture book “Wanda’s Monster” played out on stage.  It sounds like a lot of fun and runs through May 12 at Theater 3, 311 West 43rd Street, NYC (646) 250-1178, www.makingbookssing.org .

Here is a an article that appeared in Theater Review on April 25th.

Feared Fiend to Gentle Friend

Wanda’s Monster,’ With Laurie Berkner’s Tunes, at Theater 3

By LAUREL GRAEBER

Anyone familiar with cable television knows that plenty of adults believe in monsters. But the parents of Wanda, the heroine of the new family musical “Wanda’s Monster,” must not be fans of series like “Finding Bigfoot.” Wanda can’t convince them or her brother that a creature lives in her closet.

Audiences at Theater 3, however, know he’s there. Looking more like a Honker from “Sesame Street” than like Nessie or Sasquatch, this fuzzy beast enters from the aisles. Like the children around him, he’s been enjoying the show’s opening, set at a rock club run by Wanda’s grandmother. Granny, you see, is Joan Jett.

Well, not really Joan Jett, though she does wear black leather and ride motorcycles. Mostly Granny evokes Laurie Berkner, a wholesome singer-songwriter who’s bigger than Justin Bieber, if you happen to be 4 or 5. Making Books Sing, which turns children’s books into musicals, commissioned Ms. Berkner to write the score and lyrics for “Wanda’s Monster,” based on Eileen Spinelli’s 2002 picture book. Ms. Berkner, who doesn’t perform in the show, has filled it with catchy, folk-flavored pop, arranged by the production’s music director, Kristen Lee Rosenfeld. The upbeat melodies include one of Ms. Berkner’s longstanding hits, “Monster Boogie,” which fans are invited to dance to.

Barbara Zinn Krieger, founder of Making Books Sing, wrote the script, one of whose most inspired touches is turning Granny, who wears sweat pants and sensible shoes in Nancy Hayashi’s book illustrations, into this kick-out-the-jams rocker. Vibrantly played by Jamie Kolnick, Granny alone takes Wanda’s side, acknowledging the Monster’s existence but persuading her granddaughter (Laura Hankin, a grown-up who makes a convincing 5-year-old) that monsters are really shy, gentle, misunderstood souls.

In this hourlong adaptation, briskly directed by Adrienne Kapstein, the Monster is not only sweet but also sublimely silly. Winningly portrayed by James Ortiz in a role greatly expanded from the book, he eats the flowers Wanda slips into the closet for him and attaches her artwork to the wall with his spit. While the hulking, horned Mr. Ortiz may frighten a few little theatergoers at first, most, like Wanda, will want to hug him at the conclusion. This charming musical brings home a point worth considering at any age: embrace what you fear, and you just may find a friend.

“Wanda’s Monster” runs through May 12 at Theater 3, 311 West 43rd Street, Clinton; (646) 250-1178, www.makingbookssing.org.

Congratulations, Eileen! It must be exciting to see your book come to life.

Everyone, please let me know if you get to see this show. I would love to hear your thoughts.

Talk tomorrow,

Kathy

MELISSA FAULNER, Editorial Assistant, ABRAMS Books for Young Readers and Amulet has agreed to share her expertise with us and critique the four winning first pages for us in May.

Thank you everyone who sent in something for April. I read them over and each month wish I could pull off getting a critique for each one, but the editors are being very generous with their time, but please know I enjoy reading them. Feel free to resubmit a first page and try again. 

I am looking forward to meeting Melissa at the conference and reading her critiques for May. Next week I will include a short interview with Melissa on Friday. 

May’s submission deadline will be May 22nd, due to the Memorial Day.

Below is this month’s picture prompt for those of  you who like them. This illustration is by Maria Bogade. She was featured on Illustrator Saturday on Feb. 9th 2013 and I missed showing off this illustration. Thought it might provide some inspiration for a story. You do not have to use it. Feel free to submit a first page from a work in progress.

WRITERS Sending in a First Page: Please attach your double spaced, 12 point font, 23 line first page to an e-mail and send it to kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail. Put “May First Page Critique” or “May First Page Picture Prompt Critique” in the subject line. Make sure you have your name on the submission, a title, and indicate the genre. Also let me know if you were able to post of facebook or Tweet. You will get your name in the basket for each time you comment, tweet, or mention on facebook, giving you a better chance of being picked. If you end up doing more things to get additional entries, then e-mail me a note by May 20th. The four chosen and their critiques will be posted on May 31st.

Call for illustrations for May: Thank you to everyone who sent in an illustration for April. There are a couple that I didn’t get up. I promise I will use them in the days to come.

You can send anything, but I am especially looking for illustrations that reflect the month. I hope you will send something for May. This is a good way to get your work seen. Don’t wait, I will post the illustrations as they come in. Please make sure the illustration is at least 500 pixels wide and include a blurb about yourself and a link to see more of your work. Please send it to kathy(dot)temean(at)gmail(dot)com and put “May Illustration” in the subject box.

Talk tomorrow,

Kathy

For all you Jerry Spinelli and STARGIRL fans, don’t miss out seeing STARGIRL on stage.

Stargirl

April 20—May 12, 2013

By Y York

Adapted from the novel by Jerry Spinelli

Directed by Samantha Bellomo

When an eccentric homeschooler arrives at Mica Area High School, hallways buzz with texts, whispers fill the air, and 11th grader Leo Borlock’s life is changed forever. Based on the critically-acclaimed young adult novel by Jerry Spinelli, the author of everyone’s favorite Maniac Magee, Stargirl celebrates first love, non-conformity, and the similarities that connect us all.  Best appreciated by ages 12 and up.

Join the actors after every performance to discuss the making of the production.

Meet Author Jerry Spinelli!

Jerry is the author of more than 30 books including Stargirl, Crash, Loser, Milkweed, Knots in My Yo-Yo String, and has recently released a new novel, Hokey Pokey.  In 1991 he received the Newbery Medal for Maniac Magee and was awarded the Newbery Honor in 1998 for Wringer.

Join us for book signings with Jerry Spinelli before these performances of Stargirl:

May 11 at 1pm

There are 5 shows still available from Thursday May 9th – May 12th and Jerry Spinelli will be signing books at 1 pm, before the 2 pm Saturday matinee.

Mother’s Day: The theatre is having a buffet brunch or prix fixe dinner with a performance of Stargirl on Sunday, May 12th! Experience their award-winning gardens and the charming, historic setting of the 18th-century farmhouse. What a nice way to celebrate Mom’s Day. Reserve your table and tickets now!

Calling all Star-people! Only today to work on this:

Enter to win tickets to a performance of Stargirl at People’s Light and Theater, along with a chance to meet Stargirl and receive a copy of the book, signed by Jerry Spinelli!

Simply send us a 250-word essay or link to a 2-min video describing to us the person you are, just like Stargirl does in her “The Person I Am” speech.

Essays and videos can be sent via email to artsdiscovery@peopleslight.org and MUST be received by Monday, May 6th.  Winners will be contacted directly so please be sure to include your name, age, and contact information (email and home phone).

(Note: If any of the pictures in this post or other posts are squished, refresh your screen and it will correct.)

Hope you live close enough to take advantage of this.

Talk tomorrow,

Kathy

Hunger Mountain’s Annual Manuscript Critique Auction is happening NOW on ebay. Don’t miss out. It ends on May 12th. I have listed below the agents involved in children’s books and YA novels. Here is the link to bid: http://stores.ebay.com/The-Hunger-Mountain-Store

Young Adult/ Middle Grade Manuscript Critique with Literary Agent and former Simon & Schuster Editor Alexandra Penfold

ALEXANDRA PENFOLD has been working in publishing for nearly a decade. Formerly an Editor at Paula Wiseman Books/Simon & Schuster Books for Young Readers, she’s now an agent with Upstart Crow Literary and specializes in young picture books and middle grade and young adult fiction. She is the co-author of New York a la Cart: Recipes and Stories from the Big Apple’s Best Food Trucks. 

25-Page Middle Grade Fiction Critique with Agent Alyssa Henkin

ALYSSA EISNER HENKIN began her career in children’s publishing as an editorial assistant in 1999. Now, as a successful literary agent at Trident Media Group, Alyssa considers herself privileged to be able to work with such talented authors and illustrators who create the books readers cannot put down.

25-Page Middle Grade, Picture Book, or Young Adult Manuscript Critique with Author and Literary Agent Ammi-Joan Paquette

AMMI-JOAN PAQUETTE is associate agent with the Erin Murphy Literary Agency, where she represents all forms of children’s and young adult projects. She’s especially passionate about connecting with and launching the careers of debut authors and is most excited by a strong lyrical voice, tight plotting with surprising twists and turns, and stories told with heart and resonance. She is the author of a picture book, The Tiptoe Guide to Tracking Fairies, and a middle grade novel, Nowhere Girl.

Full-length Middle Grade Fiction Manuscript Up to 250 Pages with Literary Agent Elena Mechlin

ELENA MECHLIN  began as a literary agent at Pippin Properties, Inc. in June of 2009. She notes that she “is thrilled to be pursuing her love of children’s literature and the industry from her seat at Pippin and especially enjoys the treasure hunt that is sorting through the daily query emails.” Pippin Properties, Inc., an agency devoted primarily to picture books, middle-grade, and young adult novels, has represented such literary luminaries as Katherine Applegate, Kate DiCamillo, Kathi Appelt and illustrator Harry Bliss.

100-Page Young Adult or Middle Grade Critique with Literary Agent Emily Van Beek

EMILY VAN BEEK is a literary agent at Folio Literary Management. She spent six years as agent and rights director at Pippin Properties, Inc, where she represented such titles as Kathi Appelt’s Newbery Honor-winning The Underneath , Jandy Nelson’s The Sky is Everywhere, and Jenny Han’s New York Times bestselling Summer series. Since joining Folio in May of 2010, Emily has represented established writers of YA and Middle Grade fiction, debut voices in children’s lit, and a select group of illustrators, including the Caldecott Medal winning creators of A Sick Day for Amos McGee, Philip C. Stead and Erin E. Stead.

Full-length Picture Book Critique with Agent and Agency Founder Holly McGhee

HOLLY MCGHEE founded Pippin Properties, Inc., an agency devoted to the management and representation of the finest authors and artists at work today. Her fascination with making books began in 1991, and now her agency is devoted primarily to picture books, middle-grade, and young adult novels, and has represented such literary luminaries as Katherine Applegate, Kate DiCamillo, Kathi Appelt and illustrator Harry Bliss.

50-Page YA or Middle Grade Manuscript Critique with Literary Agent Tricia Lawrence

TRICIA LAWRENCE worked for 17 years as a developmental and production-based editor (from kids book to college textbooks, but mostly college textbooks) before she joined the Erin Murphy Literary Agency team in March 2011. As associate agent, Tricia represents picture books/chapter books, and middle grade and young adult fiction and nonfiction. She also writes a blog about social media for authors and the publishing industry at large.

Hunger Mountain is both a print and online journal of the arts. They publish fiction, poetry, creative nonfiction, visual art, young adult and children’s writing, writing for stage and screen, interviews, reviews, and craft essays.

Good Luck! and Happy Bidding.

Talk tomorrow,

Kathy

I am starting to set up a small Writer’s Retreat for this September in Avalon NJ, similar to what we did last year, which was a four day workshop with an editor and an agent. It included a one hour full manuscript critique with one of the mentors and a one hour 50 page critique with the other mentor, a first page session, a brainstorming session, group critiques, and pitch practice. The cost last year was $850 which included the cost of the house, the critiques, and most food.

Since the house is rented for the week, you have the choice to come early before the mentors get there to relax and work on your writing. I have not confirmed the mentors, yet. It would be nice to customize to fit the final group. I am looking to let two additional writers attend, so if you are interested in joining our group of advanced writers, please email me (Kathy.temean(at)gmail.com) for more details. Last year’s retreat was the best thing I have ever put together.It is a great opportunity.

Gregory Myers from Australia sent in this illustration called “Haru” that was commissioned by Tokyo Journal as part of a series on the seasons in Japan. Gregory is a freelance illustrator. Studied under Czech artist Petr Herel at Canberra School of Art, and Akira Kurosaki at Kyoto Seika University. He is based in Sydney, Australia. Hand-coloured scraperboard artworks like this one prove to be popular with his clients.

Ammi-Joan Paquette has been promoted to senior agent at the Erin Murphy Literary Agency.

Julie Just, who became an agent at Janklow & Nesbit in late 2010 after working at the NYT Book Review as children’s book editor, is moving to Pippin Properties on May 1. Pippin founder Holly McGhee says: “We were looking to expand our agency and had just signed a new office lease when we began talking to Julie. Since we are interested in representing our authors’ and artists’ work across all genres, including more YA and adult trade books as well, Julie Just is exactly the right fit.”

Greenhouse Literary Agency has hired Polly Nolan head up the UK side of their business representing children’s and YA authors. Currently associate publishing director, fiction, at Macmillan UK Children’s, she will start her new job on June 3.

At Simon & Schuster, Molly Lindley has been promoted to associate editor.

Alison Weiss has been promoted to associate editor at Egmont USA.

Amber Morley has joined Chronicle Books as marketing coordinator for their children’s division.

At HarperCollins, Dana Trombley has been promoted to senior manager, digital marketing, adding oversight for the marketing of all the digital-first titles published through the Impulse lines.

Angela James has been promoted to editorial director, Carina Press.

At Harlequin, Adrienne Macintosh has been promoted to editor, series, while Karen Reid moves up to associate editor, Harlequin Superromance and Charles Griesman has been promoted to editor, Harlequin Desire. In addition, Reka Rubin has been promoted to senior manager, subsidiary rights, while Amy Wilkins moves up to the manager, online engagement.

At Simon & Schuster Children’s, Nicole Russo has been promoted to deputy publicity director and Lydia Finn has been promoted to publicist. Russo has been with the company since 2005.

Talk tomorrow,

Kathy

Karen and Philip Cushman Late Bloomer Award

Are you over 50 years old and have not been traditionally published? If so, this is something you should consider.

The Karen and Philip Cushman Late Bloomer Award is for authors over the age of fifty who have not been traditionally published in the children’s literature field.

The grant was established by Newbery Award winner and Newbery Honor Book recipient Karen Cushman and her husband, Philip Cushman, in conjunction with the Society of Children’s Book Writers and Illustrators.  Karen published her first children’s book, The Midwife’s Apprentice (winner of the 1996 Newbery Medal), at the age of fifty-three and has gone on to become one of the field’s most acclaimed novelists.

“This award was established to encourage and celebrate late bloomers like me, who didn’t start to write until age fifty.  But then I bloomed, and I’d love to see others do so as well,” said Karen.

SCBWI Executive Director Lin Oliver agreed, “One of the great aspects of writing children’s books is that it’s not age-restrictive. The SCBWI hopes an individual’s creative expression can make a valuable contribution, no matter what his or her age.”

The award is open to both unpublished children’s book authors or author/illustrators over the age of fifty, and one winner will be chosen from the pool of those who have submitted material for the SCBWI Work-In-Progress Grants.

The winner will receive $500 in cash, and free tuition to any worldwide SCBWI conference.  The first winner will be selected this year and announced along with the other Work-in-Progress Grant recipients. Because this grant was started after the applications were due we will be contacting finalists to see if they are eligible for this additional award.

Application Process You do not apply directly for this award, rather it is chosen from among the Work-in-Progress grant entrees. To enter you will indicate on your application that you are over 50 and would like to be considered for the award.  http://www.scbwi.org/Pages.aspx/Work-In-Progress-Grants Must be an SCBWI Member to apply.

About Karen Cushman

Karen Cushman is the author of The Midwife’s Apprentice (winner of the 1996 Newbery Medal), Catherine, Called Birdy (a Newbery Honor book), The Ballad of Lucy Whipple (winner of the John and Patricia Beatty Award), and her latest book, Will Sparrow’s Road (Clarion 2012). Karen lives and writes on Vashon Island in Washington.  To learn more about Karen visit www.karencushman.com .

Talk tomorrow,

Kathy

MELISSA FAULNER, Editorial Assistant, ABRAMS Books for Young Readers and Amulet has agreed to share her expertise with us and critique the four winning first pages for us in May.

Melissa was kind enough to answer a few questions I thought you might be interested in reading. Here they are:

1. This is the first time we have had someone from Abrams BFYR. Could you share what makes Abrams different from other publishers?

Abrams is a smaller, boutique publishing house, so we’re able to provide a level of personal attention to authors and illustrators that a lot of larger houses aren’t able to achieve. Because of our size, we don’t really have a “mid-list.” Abrams’ is also deeply rooted in design and art having begun as an art book publisher, so there is a strong visual sensibility to every book we publish.

2. Do the editors at Abrams work as a team or do they chose books independently?

While editors do acquire books individually, we very much work as a team on projects. We have weekly editorial meetings where we discuss potential acquisitions with the entire department before taking them to an acquisitions board meeting. It’s also not unusual for editors to ask other editors to read manuscripts or look over covers just to get a second opinion, or to bounce around ideas.

3. Does Abrams try to stick to a certain ratio or PB, MG, YA, Fiction, and non-fiction with each catalog?

We generally try to have as balanced a list as possible for each season (we have two a year). We’ve always had a very strong non-fiction publishing program in both our Books for Young Readers and Amulet imprints, which is really great since so many publishers are now looking to acquire more non-fiction.

4. What is the ratio of debut authors to published author on your list?

It’s generally a fairly even split, though some seasons it may weigh more heavily in one direction or the other. We’re equally enthusiastic about bringing new talent to Abrams as we are about developing and nurturing our house authors.

5. The industry has been changing quite rapidly, do you think the mid-list authors are finding it harder to stay on the list?

I think at a lot of larger houses, authors are finding that they have to be a stronger advocate for themselves. Most aspiring authors know it’s essential to have built a strong platform before their book has been acquired, but it’s also essential to maintain that engagement and build even after their book has published. It can be daunting, but today, authors are fortunate to have so many avenues of engagement to pursue.

May’s submission deadline will be May 22nd, due to the Memorial Day.

Below is this month’s picture prompt for those of you who like them. This illustration is by Maria Bogade. She was featured on Illustrator Saturday on Feb. 9th 2013 and I missed showing off this illustration. Thought it might provide some inspiration for a story. You do not have to use it. Feel free to submit a first page from a work in progress.

WRITERS Sending in a First Page: Please attach your double spaced, 12 point font, 23 line first page to an e-mail and send it to kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail. Put “May First Page Critique” or “May First Page Picture Prompt Critique” in the subject line. Make sure you have your name on the submission, a title, and indicate the genre. Also let me know if you were able to post of facebook or Tweet. You will get your name in the basket for each time you comment, tweet, or mention on facebook, giving you a better chance of being picked. If you end up doing more things to get additional entries, then e-mail me a note by May 20th. The four chosen and their critiques will be posted on May 31st.

Call for illustrations for May: Thank you to everyone who sent in an illustration for April. There are a couple that I didn’t get up. I promise I will use them in the days to come.

You can send anything, but I am especially looking for illustrations that reflect the month. I hope you will send something for May. This is a good way to get your work seen. Don’t wait, I will post the illustrations as they come in. Please make sure the illustration is at least 500 pixels wide and include a blurb about yourself and a link to see more of your work. Please send it to kathy(dot)temean(at)gmail(dot)com and put “May Illustration” in the subject box.

IN DOYLETOWN,PA – Tomorrow:

Talk tomorrow,

Kathy

I personally do not know Dede Cummings, but I thought you would want to informed when a new agency opens.  Here is a little bit about Dede, her background, and what she brings to the table.

Dede Cummings started her literary career as a book designer at Little Brown & Company. Prior to working at Little Brown, she worked at David R. Godine in Boston as a designer and production editor. Design is something she loves to do, and she still designs covers and interiors of books; most notably, she is a six-time winner of the New England Book Award for a number of authors’ works, including Slow Learner by Thomas Pynchon, Voices From The Moon by Andre Dubus, a reissue of Borstal Boy by Brendan Behan, four books of poetry by Mary Oliver, and others.

She is also a publicist and literary agent for emerging writers. She’s been coined as one of the most accessible and yet well-connected agents starting out in the business. Because she is an author herself, she understands both sides of the publishing process. Dede is a 2010 graduate of the Harvard Medical School’s Department of Continuing Education course “Publishing Books, Memoirs and Other Creative Non-Fiction,” under the direction of Julie Silver, M.D. Her first book, Living With Crohn’s & Colitis: A Comprehensive Naturopathic Guide for Complete Digestive Wellness, was published in 2010 by Hatherleigh Press and distributed by Random House. She has another cookbook (Cooking Well:IBS) under the same imprint, and her third book—Questions for the Dalai Lama—is due out in 2014.

Dede holds a BA from Middlebury College in Literature where she was also a poetry contributor at the Bread Loaf Writers Conference and was the recipient of the Mary Dunning Thwing Award. In 1991, she received an award to study with Hayden Carruth at the Bennington Writers’ Workshop. Dede has had her poetry published in Mademoiselle magazine and she was a Discovery/The Nation poetry semi-finalist, and she was most recently published by ConnotationPress for her poetry.

Dede has attended the National Publicity Summit in NYC where she made media contacts at this premier event. She is excited to work with writers — from Children’s picture books, YA fiction and non-fiction, to adult trade books, and she will help you think about all aspects of publishing from pitch to publicity, and even self-publishing. In its first year, the Dede Cummings Literary Agency has sold a number of books to the trade, most notably, “Wonder Woman Isn’t Bulletproof,” by Shannon Galpin, to Daniela Rapp at St. Martin’s Press.

Dede is interested in literary fiction, both adult and YA, Children’s illustrated books, self-help memoir, health and wellness. Submissions can be emailed to her at dcdesignteamvt@gmail.com  and usually take 6-10 weeks for review. Self- or co-publishing writers may also contact Dede at this email.