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Getting used to life in the big city is proving difficult for Hilda. The diminutive explorer is still missing the enchanted valleys and magical friends that surrounded her home in the fjords. But tonight is somehow different; tonight is the night of the mysterious Bird Parade.
Finding herself lost on the streets of Trolberg, Hilda befriends a talking raven. Together they encounter all manner of bizarre creatures from outcast Trolls to ferocious Salt Lions and deadly Rat Kings—maybe the city isn’t so boring after all.
As the pair try to find their way home, it becomes clear that the amnesiac raven has an important mission to attend to . . . if only he could remember what it was.
This beautiful book with its embossed cloth spine and eye-popping spot varnish is sure to delight children and adults across the country.
Luke Pearson, author of Hildafolk, Hilda and the Midnight Giant, and Everything We Miss has fast become one of the leading talents of the United Kingdom comics scene, garnering rave reviews from the prestigious Times and Observer newspapers and winning the Young People’s Comic Award at the 2012 British Comic Awards for Hilda and the Midnight Giant.
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I've been working hard this week on some of the many changes that are going on behind the scenes in my life. But managed to take time off to play with the watercolours and marker pens. Painted a Tree of Hearts - no idea where that came from but enjoyed myself in the process - and then began work on some sketches for MATS Bootcamp, an exploration of jelly!
Am not sure where the tropical fruit jellos, or cupcakes or mice came from but I had fun with them. I'm trying to capture that gorgeous translucent gloss of the jelly and I may have to continue with watercolour now and see how that develops.
I'll leave you with an oldie tune, let me know if you remember it!
Jelly on the plate, jelly on the plate, wibble wobble, wibble wobble, Jelly on the plate.
WIshing you a day full of inspiration. Cheers.
I'm pretty stoked to finally be able to show off a project I've been working on for the last several months. It's hard to keep a secret about something you're excited about. Almost as hard as pronouncing Idina Menzel's name.
I had the pleasure of working with Enslow Publishers on designing and illustrating the covers for a new series of middle grade books called "The Baseball Geeks Adventures." They're about a trio of best friends who (obviously) loooove baseball, and the various and sundry shenanigans they get in to. Loads of fun to work on,
“life has a funny way of testing you to see if you really want, what you say you want.”
― Turcois Ominek
The Triumph of Pupik. Sometimes a cicada is just a cicada.
The Illustration Friday word of the week is “voice.” So I decided to redraw yet another oldie. I better get off my duff and come up with some new ideas I suppose, eh?
From behind the scenes at the TSA, to book deals, to captivating illustrations and fascinating musical analysis, WordPress.com bloggers are making their mark on the world.Display Comments Add a Comment
Under the algae that carpets the swamp, near the duck who paddles in ooze, close to the turtle who takes a snooze . . . hides a gator! Still as a log, only his watchful eyes can be seen. But when gator moves, he really moves! What happens to the duck, the turtle, the egret, the deer, and the many other critters of the swamp when gator makes his move!
A great time was had with the kids at The Lighthouse! We learned about the plants and the animals that inhabit the Everglades and studied the layers of swamp water that enables gators and other animals the ability to hide. What a great time we had!
“Here’s a fun tale that introduces young readers to concepts of camouflage and predator-prey interactions. And kids will love searching for the hidden alligator in the beautiful illustrations.”
–Annie Oxarart, Board Member, League of Environmental Educators in Florida Available HEREAdd a Comment
Last fall I took a class with Virtual Animators (http://www.virtualanimators.com/) taught by James Lopez. I’ve had quite a few questions from the internets about what I thought, so I thought I’d write a note about my experience.
About the class: Character Design with Disney Artist & Animator James Lopez is a 12 week course taught online. See his IMDB here or amazing work here. The class is viewed through Adobe connect once per week for 12 (12!) weeks. You log in and the VA team, James and your classmates are online. You can ask questions via a chat box, and the VA team does a great job keeping track of the chat and bringing questions to James. The class is not structured, giving James the freedom to teach the class to the group’s skill level. You are also invited to send it work weekly to have it reviewed by James online.
What I thought:
1. The cost: usually where I’d start when considering a class. I didn’t have to consider the class cost here, since I won this class in a contest, but even if I hadn’t it would be a great deal. (As a note: this is not an endorsed post, haha). All of these courses are so affordable- This one was $250, which is really a couple of trips to the grocery store. For 12 weeks, that breaks down to $20/ class- for an experienced teacher at James, who teaches at Cal Arts… it’s beyond a bargain.
2. The class size: SMALL. There were under ten people in our class, which allows for everyone to ask questions and see James visually explain the answer. You can send emails with questions and receive individual attention.
3. The talent & experience of the instructors: I’ve only taken one class with VA (I am planning on another class this spring/ summer) and the instructors are so experienced and knowledgeable it’s unreal to have this sort of individualized attention. James is a friendly and giving individual who really cares about paying it forward and working with artists of all skill levels. He’s got so much knowledge and information it’s a thrill to see him visually work out problems and review your work.
4. The Virtual Animators team: Usually I wouldn’t touch on the “customer service” aspect in this sort of thing, but it was so amazing it needs to be mentioned. The small group who runs this online class system are probably the most genuine and friendly team ever. They’re focused around making a good experience for everyone involved, and keep up with their students. If I had a question or concern I would have an email back super quick. Also, as I mentioned above, they are in the classes with you running the sessions and keep on top of questions for the instructor.
5. Work Review: You send in your work, it gets a review online that week or the next. James was thorough and incredibly professional when reviewing work- it sort of felt like I was working with him at a studio! I learned a lot in such a small amount of time.
6. Recorded Classes: Classes are recored and posted on vimeo so you can watch later, or if you miss a class you can catch up. This was really helpful to me, watching in the midwest where the class time was late. Also, if you miss something, you can re-watch the class too!
7. A Personal Connection to the industry: As I mentioned above, I’m located in the midwest. It’s sort of like being on my own island, far away from the sunshine and talent network of California. Being involved in this class allowed me to connect at CTNX to the VA team, including founder Bill Recinos (who has an impressive IMDB himself), meet James Lopez and be involved in the community.
Ok, so, that’s a lot of writing. I guess you can see that I really loved the class. Negatives include the regular things of online classes- difficult to connect to classmates, really late live class times because of the time difference- but the benefits far outweigh these small points. I’m going to be completely honest, if you’ve ever thought of taking an online class, don’t think twice about this one, or any with these guys. This class is definitely the best online class I’ve taken based on the personal attention, small class size and the amount of information I learned in a short period of time.Add a Comment
Be joyful! March always seems such a transitional month for me. Winter hasn’t quite shed its icy coat but there are signs of balmier spring weather sneaking into the air. A perfect time to choose to feel Joy, especially on those grey, cloudy mornings.
I wanted this illustration to feel natural, simple and spontaneous, so out came the watercolours, and I painted using bright, cheerful pinks, greens, oranges and blues, ending up with the above piece. Here are a couple of sketches:
The above text illustration is available as part of a series of monthly free printables for the subscribers of the Floating Lemons newsletter. If you'd like to sign up to receive them, just click here.
Wishing you a day full of brightness and joy. Cheers.
Sketch of the day: Jem!Add a Comment
Arabian Nights layout #2 Puzzle pieces slowly coming together.
I received a proof copy of my book "I Fell Through The Crack" today. I got it printed by MILK books, (I'm testing various printers and formats). I must say they've done a very good job. Contact me if you want to buy a signed copy.
When Samurai Jack burst onto the small screen in 2001, it introduced a boldly imaginative visual style to the often dreary realm of television animation. Other series have tried to imitate the flattened, angular graphics pioneered by the UPA studio during early ’50s. Samurai Jack succeeds in recapturing the essence of the UPA shorts because creator Genndy Tartakovsky and his artists understand that these highly stylized visuals require equally stylized movements.
The ongoing battle between heroic Jack and the evil shape-shifter Aku simultaneously evokes and spoofs the conventions of anime and Western live-action film. Long ago, Jack nearly destroyed Aku in a duel; in desperation, the wizard hurled the samurai far into the future, where Aku’s word is law. Jack fights robots, monsters, bounty hunters, etc. as he seeks to return to his own time, so he can prevent Aku’s rise to supremacy.
Make sure to click the source links since there are more images from each site!
Samurai Jack Painting Demos:
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