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Olga Stern is a visual development artist based in Toronto who also illustrates books. You can visit her website, blog, other blog, and portfolio blog to see her work.

Besides her character and environmental designs, you can see landscape studies that Olga draws in pastels. She initially learned to “paint” with pastels during a class taught by Bill Cone that was part of her three-month internship at Pixar. See her work from that class here.

Olga Stern is a visual development artist based in Toronto who also illustrates books. You can visit her website, blog, other blog, and portfolio blog to see her work.

Besides her character and environmental designs, you can see landscape studies that Olga draws in pastels. She initially learned to “paint” with pastels during a class taught by Bill Cone that was part of her three-month internship at Pixar. See her work from that class here.

Gurggggggle swish…. slluuuuudge glump.… thorp…. bloop, bloop, bloop, bloop…..

I really love Jeremy Pruitt’s (aka Thinkmule) contribution to the AIGA Bordo Bello event. The skateboard art show, which runs now through July 3 features a gaggle of hot design talent and celebrates the Colorado lifestyle. Jeremy’s deck features seventeen custom logos, each loosely paying homage to a different aspect of Colorado’s rich and vibrant history. To see all the boards, visit the Bordo Bello website.

Also, be sure to check out Jeremy’s portfolio. Recently updated, the site hosts a curated collection of personal illustration and lettering work.

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Also worth viewing…
Allan Peters
Missy Austin
Brad Surcey

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Sam Bosma is an artist working in Maryland as an illustrator and teacher. His editorial illustrations are composed using the same narrative visual-language of comics and film. The sketches for an illustration published in the Wall Street Journal below reveal his process of working with an art director to identify the strongest composition of characters and scenery and the peak dramatic moment to capture in the final illustration. These are the same concerns of every visual story teller.

Sam is a prolific artist and outside of his commercial illustrations he produces loads of characters and creatures in sketchbooks and comics. Here is a fan art drawing of San, from Sam’s “favorite movie,” Princess Mononoke:

You can see more of Sam’s work in his portfolio, blog and Tumblr.

by Greg Pizzoli

{published 2013, by Disney Hyperion}

I’ve been looking forward to this book for a long time, mostly because that cover is SPECTAZZLING. But also cause I follow Greg Pizzoli on Twitter, where he is clever and quippy and shares things like THE ENDPAPERS. And then this is what the publisher teased us with, so I was pretty much in love with this book right away:

With perfect comic pacing, Greg Pizzoli introduces us to one funny crocodile who has one big fear: swallowing a watermelon seed. What will he do when his greatest fear is realized? Will vines sprout out his ears? Will his skin turn pink? This crocodile has a wild imagination that kids will love.

Yeah. SO INTO THAT. The Watermelon Seed hits stores TOMORROW, May 14th, so you might want to go ahead and get in line. After you meet Greg, of course.

So I’ve also been looking forward to this post for almost as long. I’m thrilled to have Greg Pizzoli in for a visit. Welcome, Greg!

I call him “Kroc”. Sometimes my editor calls him “K-Roc” or “The Krocster”. Boy, does he hate that.My background is in printmaking, and I built a silkscreen shop in my studio, which is how I generate a lot of my work. I think my preference towards limited and deliberate colors comes from the printmaking. It could be laziness, but I’m going to say printmaking.

Basically you make a drawing in black and use that to make a stencil on a screen. Doesn’t matter how you make that drawing – by hand on tracing paper, with construction paper, in Photoshop – whatever you can use to get a drawing in black. Your screen, which is a frame of aluminum with a fine mesh stretched across it, is covered in photographic emulsion, and you expose the screen to light. Wherever the light hits the emulsion, it hardens and becomes water resistant.

BUT if you put your black drawing between the screen and the light source, the emulsion that is blocked by your drawing (which remember, is black, thus very light blocking-y), that emulsion stays soft. And you can wash it out with water. So everything that wasn’t blocked by your drawing is water resistant, and your drawing washes out of the screen, making a water resistant stencil in the shape of your drawing. You make one of those for each layer, or usually, color. WATERMELON was offset printed obviously, but I did a lot of screenprinting textures, etc to make it feel very printy. The spot colors definitely help there, too.

I’ve been teaching screenprinting for about 4 years at The University of the Arts in Philly. It’s where I met Brian Biggs. He took a continuing ed class I was teaching in 2009. He introduced me to my agent. I dedicated a book to him, but it hasn’t come out yet. I still owe him big time. I still teach! I love it.

Humor usually keeps me interested in whatever I’m doing.

I like to work with texture for sure, too. And shapes. Shapes, yeah, shapes are good. I know this is great interview material here. Breaking news, Greg Pizzoli “like shapes”. Today on Buzzfeed, 23 shapes Greg Pizzoli likes most.

Anyway . . . I was really into shapes and texture with THE WATERMELON SEED, and the next book I’m doing with Hyperion (NUMBER ONE SAM, Summer 2014) comes from a similar place. We’re doing spot colors for that one, too. But four this time, which opens up a lot of possibilities in terms of overlapping layers and colors.

Like most people, I like lots of stuff. I never get tired of looking at Eduardo Munoz Bachs posters. He obviously had a lot of fun making his work. A lot of people you’d suspect probably, Sendak, Ed Emberly, Tove Jansson, Charles Schultz, etc.

I’m really lucky to have so many talented buddies in the Philly area, too. I host occasional drink ‘n’ draws at my studio and Zach Ohora, Matt Phelan, Bob Shea, Tim Gough, Amy Ignatow, Brian Biggs, Lee Harper, Gene Baretta, Eric Wight, and several others have come by. It’s a good time. Sometimes we do this thing where we each draw for five minutes and then pass the paper to the right and draw on top of that drawing for five minutes, until we get all the way around the circle or run out of beer. You can imagine just how bad these things look. Joe Strummer, Iggy Pop, David Bowie. They’re my heroes.

No way! I love coffee. I think I quit for a while last year and it just floated around my online profile for a bit. I did stop drinking as much. I am down to like 2-3 cups a day which feels great for me. I was drinking like 8-10. Oh yeah. I’m nicer now.

Greg Pizzoli, people. Is he awesome or what?

So yeah. That’s pretty much my favorite thing on the internet right now. Did you catch the part where the period at the end of the sentence becomes a spotlight for good old K-Roc?! I love that detail.

The Watermelon Seed! Greg Pizzoli! Thanks for hanging out here! We love your book. And you are top notch, too.

Sarah Mazzetti is a talented illustrator, comic artist, and screen printing teacher based in Bologna, Italy. Her unique style is funky and colorful, with each piece inviting the viewer deeper into her twisted and exchanting world. Dive in here.

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Also worth viewing…
Ken Leung Interview
Amber Assay
Kyle Poff

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It’s The next Big Next I tell ya!
What is?

This!
This is THE NEXT BIG THING!
See, it’s like this… it’s a global blog tour that started in Australia.The idea is to bring awareness to authors and illustrators and their current work. I was tagged by the talented Ginger Nielson. At the end of this post  you see the awesome authors/illustrators that I’ve tagged…. because they’re The Big Thing!

So on to the questions.

2) Where did the idea come from for the book?

I would love to illustrate a book about a monster or maybe  a scary, but not too scary character that is actually quite lovable.  That hasn’t happened…… yet!   So, I wrote my own.  I love to bring the misunderstood to life. With this book  we get to experience the little monster inside us all.

This book is for the 4- 8 range.

4) What actors would you choose to play the part of your characters in a movie rendition?                                         

Hmmm….. actors maybe not so much, but animated for sure!  Hand drawn please!

6) Who is publishing your book?
This book along with my other one, titled “Ruby’s New Stew” have no homes as of yet.  They’re polishing themselves up to go knocking on doors though. Did I mention I’m open for suggestions?  :)

7) How long did it take you to write the first draft of the manuscript?
It started small in one afternoon and bloomed to a full manuscript in about a week. It has been edited several times since then.

8) What other books would you compare this story to within your genre?
I try to never compare. We’re all so different in our writing and illustration. It’s important to find your voice. However, I do love Cinderella Skeleton written by Robert D. San Souci and illustrated by David Catrow. Another one that I really enjoy is The Wizard written by Jack Prelutsky and illustrated by Brandom Dorman.

9) Who or what inspired you to write this book?

The love of the good story that we can all related to, while knowing that everything is going to turn out okay in the end.

10) What else about the book might pique the reader’s interest?
His backpack has teeth!  :))

Next on the blog tour are two very talented artists:

Candace Trew Camling

Disa Wallander is an artist from Sweden currently studying illustration at the University of Brighton.

You can view her work on her current blog, a blog with older work, and her DeviantArt collection.

Working both digitally and on paper, Disa creates moody scenes with strong, limited color choices and rough line work.

Illustration school programs increasingly include animation-related projects in their courses, as the digital tools for creating animation are readily available and overlap with the software that students already use to create static images. Disa has several videos on her Vimeo account including this animation that she made for a University project:

If it looks like things have been a bit wonky here… well they have. The website, the blog have had a complete overhaul.

www.robertabaird.com.   Even my Twitter Page is all shiny! https://twitter.com/robertabaird

Now it’s all matchy like a new box of stationery. Check it out!

It’s spring! Time of renewal and creativity everywhere. Then WHY am I in a ‘brain fog?
Well there are lots of reasons probably…from lack of sleep (!?), to allergies, to ‘it’s still cold in VA!’ to …who knows! I just read a fun newsletter piece about just this from Simone Kaplan… check her out at simone@picturebookpeople.com . Loved her honesty in admitting she has ‘brain fog’ too, so here I am joining her honesty.

And it’s good to admit it when it hits. Use it! Take a break and step back from your projects…writing, illustrating, personal, whatever! If you are having trouble being clear, focused, concise and creatively fresh, don’t try so hard! Step away from the project if possible…maybe for a few weeks or more, and take a new look later. We only want to send out OUR BEST always. You only get one chance to make a good first impression. You can also ruin a good reputation by passing on unfinished or inferior work. Sometimes a deadline requires a ‘finish’…then you have to gut it out. But a step back of a few hours…take a walk, work out in gym or garden… might make all the difference in clearing the brain fog and letting the creativity break through! When are we and our work ‘finished?’ Well probably when the book is published! or the conference talk given! or time has run OUT! But we hope to feel that it’s THE BEST we can do with the situation… the plot is tight, the characters are real and credible and YOURS ALONE, and you’ve added something evocative and provocative to the world. Big order…not really. It’s just breaking through ‘the fog’ and seeing the day and its unique promise! enjoy the possibilities!…..

Image from Priscilla Burris who keeps clear always!

Here is an illustration I did for this month's High Five Magazine.

Rebecca Dart lives in Vancouver and works on animation productions as well as creating comics and drawings for personal projects.

A difficult subject for artists to draw well is the horse. Rebecca renders horses, warriors and all sorts of fantasy creatures in powerful, confidently inked brush strokes that make it seem effortless. Perhaps her horse drawing ability aided her in securing a job as part of the crew that recently rebooted the My Little Pony: Friendship is Magic television series, although you won’t see her art from the show on her blog where she has decided not to post any Pony-related concepts.

Instead, you’ll find her slice-of-life comics:

And various pieces from Rebecca’s art book, Battle Kittens, which features fearsome weapon-wielding ladies riding gigantic kittens into battle.

Many more mythical and original creatures are in Recca’s Flickr collection.

My agency puts out a quarterly catalog featuring all of the artists in our group, and each catalog has a theme.  The second catalog of the year has the theme "Family", and I decided to take a slightly darker view of the subject than would be "typical" for the children's market, but is nonetheless very real for many children.

MB Artists, the amazing artist agency that I belong to, has released a promotional catalog with the theme "Fairy Tales".  Each artist contributed a piece of artwork with that theme. There are so many great illustrations!

Eirian Chapman is a graphic artist and illustrator out of Australia, whose work has spanned editorial, branding, retail, and infographics. Her clean lines and bold color palettes create characters that are whimsical without losing their air of solemnity. Check out Chapman on her website and blog.

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Also worth viewing…
Lotta Nieminen
Recently Received Books
Irving Harper:Works in Paper

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Hi everyone!  Fellow illustrator Kristi Valiant (who has an adorable book about dancing penguins coming out later this year; everyone go preorder it) has a very informative blog post on promotional postcards for illustrators (you know, the ones you make and send out to art directors several times a yaer hoping that someone says "YES!  I love his/her work and have the perfect project for this art style!")  In any case, I wanted to share this post with you, because it is a great resourse for illustrators who are promoting themselves, their artwork, or their upcoming books.

Kristi Valiant Promotional Postcards Blog Post