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Viewing: Blog Posts Tagged with: illustration, Most Recent at Top [Help]
Results 1 - 25 of 6,079
1. Charlotte Day

PlantHunters_Hooker

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Charlotte Day specialises in creating botanical inspired illustrations, she combines an historical interest in botany with the decorative arts. Charlottes work has featured on editorials and on products such as tents and teapots! Her clients include Random House, Penguin, Liberty and Anthropologie to name a few. 

To see more fantastic work from Charlotte Day visit her website 

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2. come out to play now the light nights are here


A few of my bike drawings here. You know when something kind of unintentionally becomes a theme? Well, that. And when a theme comes knocking on my door I do love to go out to play with it. 
Watch this space if you like bikes, or art, and specifically bike art. 

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3. A House for a Tink

I’ve been working on some readers that have kept me pretty busy.  Mostly fairy tales which I really enjoy creating. But when work is done and I have a few spare minutes, I let my pencil wander. This is where it goes, to the land of little creatures, where fairies collect the things that go missing in the house, and whose friends are the crickets and the mice in the woods. Won’t you join me?snailshell_House_RobertaBaird_72

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4. 20 Pieces of Advice from 20 Art Directors

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In preparation for their upcoming online workshop Building a Freelance Illustration Business, Illustrators Salli Swindell and Nate Padavick followed up their article 20 Pieces of Advice from 20 Illustrators by asking art directors for a brief, top-of-mind response to the following question:

“Why would you hire a freelance illustrator a second time?”

Art Directors are a very busy bunch and we thank them all for their time and thoughtfulness.Read on for their insightful responses. Also be sure to check out Salli and Nate’s educational and inspiring online workshop: Building a Freelance Illustration Business here.

 

HANNAH RAHILL

VP Associate Publisher, Ten Speed Press

“I would hire a freelance illustrator for a second time if they over delivered! Skill, flexibility, patience, and collaboration are what I value most.”

 

KATHY MCCONAUGHY

VP Creative Development , American Greetings

“I would hire someone again based on the quality of work and how hard I had to work to get it.”

 

JULIE GOH

Art Director, Going Places, Malaysian Airlines In-Flight Magazine

“I would hire a freelance illustrator for a second time if he/she was someone who is conscientious and delivered his/her work on time. It’s very likely that he/she would have already been producing the kind of work I like as otherwise I would not have hired him/her in the first place.”

 

CECI BUTLER

Art Director, Design House Greetings

“Well I am assuming that I like their style and art or I would of not have hired them the first time. I will hire them again and again if – I find the artist easy to work with – fun, pleasant, open to feedback. They have to be willing to tweak their designs to fit our needs and art direction. I know that many artists are concerned about their look and their brand but we need to ensure that our product will sell and if that means we need to alter the image we need to have artists who are willing to work with us.

If they provided the above and get their work in on time and in a professional format I would hire them again.”

 

LYNNE SHLONSKY

Senior Art Director New Product Concepts, American Greetings

“Awesome delivery of the goal ON TIME.”

 

CAITLIN WILSON

Associate Product Manager, Mary & Martha

“There are 4 things I look for in every freelance illustrator we work with:

~The illustrator’s raw talent
~Their ability to take a design concept and creatively flush it out
~Effective collaboration and communication with director ~Timeliness.”

 

JEREMY BLACK

Managing Partner, Jasper + Black

“We work with design talent globally and two attributes set apart those we work with again: project management and communication:

Project Management: It’s critical that our collaborators understand the importance of managing against deadlines. There is nothing more frustrating or disappointing than receiving questions about the project a day before it is due. We need our collaborators to set aside time to think, develop, revise, and finalize. Decline a project if you don’t have the time, I’ll respect you more for it.

Communication: From confirming the receipt of a creative brief, providing a timeline and budget, to discussing the creative brief in further detail, communication is critical. Know when the phone is better than email to communicate, and vice versa. If you have specific questions or want to provide an update, use bulleted emails … it helps even the poorest of writers to organize their thoughts.”

 

FOREST EVASHEVSKI

Art Director, Wall Street Journal

“I usually hire an illustrator a second time if they are easy to work with and timely.”

 

TOM VITUJ

Senior Director of Creative, Design Design, Inc.

“I would hire an illustrator a second time if:
~Their designs were current and on trend with what I was looking for.
~They were flexible and easy to work with.
~Their art files were very well organized and complete. ~If I needed additional art to complete a product…such as art for a gusset on a paper gift bag or a border on paper tableware, and they were happy to oblige.
~They used our contract and made few or no revisions to it.

 

COLLETTE KULAK

Senior Creative Planner, Hallmark

“My answer would be that they meet or exceed my main goal of the project (assuming it’s a visual one). They deliver what I’m looking for and hopefully more…over and above would guarantee a second time with them.

Note – deadline also plays into it of course, a fast worker is a dream but the end goal is to get the visual I need. ”

 

MARY ANN HALL

Editorial Director, Quarry Books and Rockport Publishers

“When you get the work, and you just say YES. This nails it. This is finished, perfect, thought-out, ready to sail. Or, if you want a little tweaking, they are flexible and happy to accommodate, explore different options, and just keep trying things until everyone feels it’s right. Either scenario leaves me wanting to work with someone again.”

 

PATTY FLAUTO

Color & Design Consultant

“Low maintenance – they need to prove themselves before asking for this, that and the other.”

 

KRISTEN HEWITT

Design Director, Chronicle Books

“The main thing I would consider before hiring a freelancer for a second time, apart from the quality of their work, would be the experience that I had working with them the first time. Was it a good work experience? Were they pleasant to work with? Were they good communicators (i.e., did they ever go M.I.A. for a period of time and/or never email me back—more people than you would think do this!)? Were they (relatively) on time with their deliveries? These are all questions I would ask myself and the answers would factor into my decision to work with a freelance illustrator again.”

 

LORI PEDRICK

Art Director, Yankee Magazine

“My answer would really be related to collaboration. Of course skill and ingenuity is key but one of the most important things for me when working with freelancers is the ability to collaborate and offer resourceful solutions to problem solving and a collaborative spirit knowing that with editorial there is a team-like atmosphere and remembering that they are working for a client and while they are being hired for their aesthetic and style, there needs to be some level of flexibility.
As a side note, I always tell any creative who asks about how to pitch to a client, you really need to know their brand and their following or their brand identity and who their core readership is. I wouldn’t propose your work unless you really know that brand and feel that your work is suitable. That is the best way to get noticed, show the client how your vision fits into their brand.”

 

MADGE BAIRD

Managing Editor, Gibbs Smith

“I would hire an illustrator for the second time because the first time they were able to creatively respond and adapt to art direction for the first project.”

 

ROGER FRANK

Partner/Creative Director, Little Jacket

“If the working partnership was as remarkable as the work product, then I’d gladly hire a freelance illustrator a second time.”

 

ELIZABETH STUMBO

Art Director, Meredith Corporation

“I would gladly hire an illustrator a second time who has proven that they can be flexible and are not only willing, but happy to make changes to their artwork to better align with editorial content and opinion.”

 

DAWN EIDEN

Studio Director, CSS Industries

“I would hire a freelance illustrator the second time around if they met the deadline, provided organized, user friendly files, understood the product and end user and checked in before the assignment was due for feedback.”

 

SALLY FARR

Art Director, Telegraph Media Group

“If I had had a good experience working with an illustrator before, I will use them again. It’s a given that I like their work for the appropriate job. Keeping to deadlines is key, and where clients are involved, it’s even more important, as with those jobs, we have to take into account various other people and deadlines too.”

 

SALLI S. SWINDELL

Co-founder of They Draw & Cook, Studio SSS

“I would hire an illustrator again and again if I could sense a bit of their personality and joy in the art. Otherwise it feels like assembly line imagery. I like to think the artist enjoyed the project.”

Thanks to Salli Swindell and all the Art Directors who shared their thoughts. Be sure to check out Salli and Nate’s upcoming 3-Day online workshop: Building a Freelance Illustration Business.

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5. Tonight is the opening of the WB Animation show, hosted by Fan...



Tonight is the opening of the WB Animation show, hosted by Fan Alley and @Dennis Salvatier in Anaheim CA. My Dodo piece can been seen there- I’m super excited for this show, and wish I could be there for the opening. If you can make it, the details are here:http://shopfanalley.com/events/2015/6/16/wb-animation-tribute-gallery-artist-signing

There are a bunch of awesome artists, and from what I’ve seen so far, the artists involved have made some beautiful work!





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6. This is the kind of relaxation I wish I had

Our fat black feline, Moses, spends more time on his back than on his feet.



A few days ago I pondered the possibility that the reason Jim Dear and I feel like the summer has flown by is because through some twist of cat magic Moses actually pulled all the ambient relaxation out of the atmosphere around us. Then he sucked it into his skin and stored it up like a bear stores berries in winter. Therefore we get to spend all summer feeling like we are working hard, chasing kids and yard projects and Moses gets to open one eye and watch us once in a while.

Here's a few slices of work in progress:




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7. Comics Illustrator of the Week :: Eva Cabrera

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Eva Cabrera is one of the exciting new talents to come out of Mexico in recent years, along with her Boudika Comics cohort Claudia Aguirre. I stumbled upon their table of comics a few years ago at San Diego Comic-Con. Boudika Comics has a few collaborative books available now, including The House of Dreams, Daymares, and the brand new Mavi.

Eva recently dipped her toe in the big publisher pool with two variant covers for BOOM! Studios’ Adventure Time comic and Bravest Warriors. She has also worked on various other projects like Esa Visita children’s book and No Entren Al 1408 Stephen King tribute anthology.

You can follow Eva Cabrera and see the latest art on her twitter page here.

For more comics related art, you can follow me on my website comicstavern.com – Andy Yates

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8. meet blossom....

blossom~original drawing
graphite/tinted graphite on bristol 7x9
©the enchanted easel 2015
second in a series of three summer/flower girls.

the ORIGINAL DRAWING is FOR SALE here. also, sweet little Flora can be found in shop as well...and then for the winter lover like myself, well there are three pristine ice princesses in my shop FOR SALE also. 

with Blossom and Flora complete, there is only lovely Camillia left in the series...COMING SOON! :)

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9.

Illustration
We're Having a Super Baby
by Abie Longstaff

I have 2 new books coming very soon. We're having a Super baby written by Abie Longstaff and published by Scholastic will be available from 3rd September. Abie has written lots of great books including The Mummy Shop and The Fairy Tale Hairdresser.






'This warm and funny celebration of the bond between siblings is perfect to share with your first-born.'

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10. Peek A Boo

Visit My Page to Browse the Store
Lately there has been so much information on how to run a business, so much to read and prepare, that I feel like I'm falling behind while moving ahead. Crazy how it works eh?

I haven't forgotten about my blog or my newsletter, or Facebook for that matter, but working out new schedules, system for what I offer where, and how to find "me" time in it all. Because let's face it, when you can't take care of yourself, what you give out is no where near what you hoped it would be.

Wings are getting a bit clipped over on my end, but all for the better. Thank you for all of your patience and support. :)

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11. The Red Case

Wow what a ridiculously long time between blogs. Possibly the longest yet. I don't know what to do to fix it; this (non) blogging issue, that is. I don't know why it seems so hard to do. I'm drawing all the time. And have all sorts of projects on. But just never seem to get around to blogging about them.
 
But, I'm here now, and here's one such project that's been occupying my time and mind. It's a drawing session/class/event that I've been running at a local studios. Once a month I arrange for a great model to pose in various scenarios for a group of sketchers. The difference between this and a (clothed) life drawing session is that there is a story, a narrative, running through the sessions and is passed on from model to model via
A RED CASE.
We started in session, or chapter, one with a show girl...
(drawing by Steve King)
...who held a dark secret...
...no matter what she did...
(drawing by me)
...to try to forget...
...it was always there, so one night...
 Drawing by Kate Yorke
 ...after too much to drink, she wrote a letter...
 ...asking the only person she trusted...
...to pick up the red case...
(drawing by me)
...which she did...
(drawing by Paul Gent)
 ...and now she carried the burden...
...and now, no matter what she did...
 (drawing by me)
...to try to forget...
...or who she talked to...
 (drawing by Kate Yorke)
...she too now held the secret...
 (drawing by me)
...so she decided to dispose of the case...
(drawing by Lynne McPeake)
...but...
(drawing by Karrie Brown)
...she was caught in the act...
(drawing by Kate Yorke)
...and she was marched off to jail...
 ...which all proved too much for her mother...
...but her cousin was there to pick up the pieces, and the inheritance, including the red case.
It would be his undoing.
 
You can see where the story goes here;
 
Photography by Rod Walton
Showgirl played by Pinky DeVille
Edith played by Miriam Gent
Hector played by Mike Cross
#TheRedCase
 
Fancy joining my class? Get in touch.
 

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12. TREASURE by Janice Fried

treasure

Submitted by Janice Fried for the Illustration Friday topic TREASURE.

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13. throwback...

"moonlight mavens"
11x14 acrylic on canvas
to one year ago yesterday...and this painting, "moonlight mavens".

hard to believe this piece (and the newly designed website, by me) are exactly one year old! how do i know this? it was website renewal fee day yesterday (squarespace is awesome, by the way)....and, i have a memory like an elephant. ;)

here's the story behind this painting as well as a bit more about me (in case you didn't already know)...

{and, just because it's throwback thursday, well i thought i'd share a picture of a very small Nicole with lots of dreams behind those big brown eyes of being the bestest children's artist she could be! :)}

a little Nicole...circa. 1975/76

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14. just a couple things...


in the works....always sketching out new ideas. :)

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15. Craftsy Illustration Workshop: Meeting my Producer


Remember the Craftsy online-workshop I was invited to run on How to Design Children's Book Characters? Well, last month, my outline got the go-ahead (yeh!), so I have now moved onto the next stage, fine-tuning the content.



The company are extremely professional and organised, which is great, as it fills me with confidence that they will get the best out of me (and help to make it look like I know what I am talking about!). They have a huge team of people working on all aspects of the process. First of all, I was commissioned by the Acquisitions Editor, who talked me through the framework of the workshops and advised me while I put together the outline and organised it into 7 similar length lessons of approx 15 - 20 minutes each. Now I have started to go through the lesson plans in detail with a Producer. 



My producer called me from Denver last week and we talked for about 45 minutes about what happens next. He asked me to devise 'homework' projects to follow each of the 7 lessons. I also have to make a list of all the materials I will need and all the materials my students will need. The biggest job though is to time myself, to make decisions about which teaching points I am going to demo live and which I am going to talk through, using existing examples of my book illustrations - I can't demo everything as there is so much to teach and so little time.




I did the homework last week and have started making preliminary decisions about what book illustrations I think I am going to need to show on-screen. Next job is to hunt them out of the archive to send to my producer. Luckily, I still have the original digital scans of pretty much everything I have ever had published.



I have also just had an email from another member of the team: the Talent Coach. they are responsible for making sure I coming across well on screen. All very interesting stuff. I am so enjoying the wild variety of my work at the moment, what with this film, the urban sketching book, the residency, the school visits and of course my next picture book with Julia Jarman, which I start in October. 



What a lucky bunny I am!

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16. Illustrator Submission :: Stefano Colferai

Post by Chloe

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Stefano Colferai is an artist, illustrator and character designer born and based in Milan. His work depicts personality-packed and humorous characters brought to life through plasticine. The traditional media gives his work a quirky, unique edge and adjustments are made using digital software.

If you would like to see more of Stefano Colferai’s work, please view his portfolio.

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17. Castleford Children's Library Mural - at Last!



Well, it's been a bit of a long time coming, what with the original delays to installation and then John's little bit of drama at home, but I am finally able to show you how the children's 'Tigers in the Jungle Library' mural looks in situ. 


I'm so pleased with how bright and funky it looks. It was such a dark and dismal room before: more like a cell than anything, so we certainly have transformed the space.


As you can see, I added my little trademark signature to the bottom, just like I did with the first mural in Wakefield Library:


The team at Wakefield Libraries arranged an official opening day, where all the children from the two local schools who had worked on the project were invited back to see their drawings writ large. 


They were all very excited. Lots of pointing and shouting 'Look, look, that's mine!' to friends. It was a bit of a Where's Wally experience, as they jostled around the space, trying to find their particular tiger, snake or screaming librarian, but I think everyone found their pieces in the end.


After the speeches from the Head of Libraries and the Friends of Castleford Library, who helped with the funding, I posed with the children for lots of photos for the press. Then we had the rest of the day for drawing.


I ran a workshop with each of the class groups in turn. When we had worked together originally, there was so much to do and so little time, there was not much opportunity for me to do more than gentle guidance, so this time I was able to spend a bit longer, showing them in detail how to use emotion and body-language in their drawings, to bring their characters alive (although, I think you'll agree, they did a pretty good job without my help!). 


Everyone worked really hard, produced loads more illustrations and seemed very proud of the characters we piled up at the end of the sessions, for them to take back to school.


I ran around in the lunch hour getting these snaps. It was a very hard space to photograph, so I apologise for the dodgy quality of some of the pics, but I hope they give you a flavour of how it looks. Didn't the children do well? There are some very funny little details and nice jokes that they added, for instance, the flamingo above is holding a book called 'How to Get More Pink'. 

If you want to take a look for yourself, Castleford is in Wakefield, North Yorkshire.


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18. Just Keep Drawing...


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19. Fireworks

Let your colors burst!
giraffe_RobertaBaird_july2_72

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20. This is Florence- a commission I did for a lovely couple. Yay...



This is Florence- a commission I did for a lovely couple. Yay for pugs!



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21. Illustrator Submission :: Clare Owen

Post by Chloe

flowers jpg jpg2 toulouse

Clare Owen is a freelance illustrator based in Bristol who combines traditional media such as pen and ink with digital media to create charming illustrations. Her work has a feminine, pretty feel with added quirky touches. Clare Owen is inspired by films, flowers and food.
If you would like to view more of Clare Owen’s work please visit her portfolio.

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22. Yay for Le Tour De France being on!



Yay for Le Tour De France being on!



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23. The Disney Animation Recruitment Website

main-page

If you’ve ever wanted to work for Disney, well head on over to this “official website for Disney Television Animation talent and recruitment”. You can use it to view and even apply for a variety of artistic and production-related projects.

Visit the Disney Recruitment site here >>

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24. Katharine Morling

Stitched up Katharine Morling_2

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Butterfly Box KATHARINE MORLING_0017

Time KATHARINE MORLING_with hook Plenty -KATHARINE MORLING_large

Katharine Morling is an award wining artist working in ceramics, describing her work as “3 dimensional drawings”. She creates her sculptures from porcelain, using a monochromatic aesthetic. Katherine’s work has been featured in the likes of Elle decoration, Country & Town House and Dpi Magazine.

To see more of this amazing artists work visit her website and Facebook page 

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25. Bears IN SPACE!



Bears IN SPACE!



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