"Write, write, write... The world is full of people with good ideas. The published authors are the ones who sat down and got them written." - Jennifer FallonAdd a Comment
"Write, write, write... The world is full of people with good ideas. The published authors are the ones who sat down and got them written." - Jennifer FallonAdd a Comment
I've been thinking about why young writers struggle with personal narrative and realistic fiction writing.Add a Comment
Ahoy! This quarter's theme was "Superheroes, Pirates and Princesses!" Check out all of the beautiful and action-packed artwork!
We are the dreamers of dreams - Roald Dahl
|A real donkey being rescued! Don't worry - he was fine and happy|
Only in our dreams are we free. The rest of the time we need wages. Terry Pratchett
|It was all a dream ...|
And then, in dreaming,Back to Granny. When I was about eight I had an incredible experience. I so loved being with Granny at her house and I would frequently dream about being there. One night, I dreamed about my bedroom in that house - the perfumey scent, the sunshine on the bed, the creaking wardrobe door. I woke up and for a glorious few seconds I was there - in that bed, in my granny's house and my happiness was like sunshine. It lasted no time and I woke up again, confused and with a terrible weight of disappointment and a fierce yearning to be back there. Sometimes, I think that this it is what being a ghost might feel like - a tremendous yearning to get back to life. I haven't knowingly used this experience in my work but I recognise it in other stories.
The clouds methought would open and show riches
Ready to drop upon me, that when I waked
I cried to dream again. Caliban, The Tempest, Shakespeare
|Don't let her in, you fool|
knocking my knuckles through the glass, and stretching an arm out to seize the importunate branch: instead of which, my fingers closed on the fingers of a little, ice-cold hand. The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, "Let me in—let me in!"Set on the wild and windy moors, Bronte’s Victorian classic has lots of dream-like qualities. There are several occasions when characters are guided by their dreams. The character Lockwood has an unsettling dream about a brawl at an endless church sermon while staying at Wuthering Heights, while Catherine accepts a marriage proposal from Edgar after connecting a dream about going to heaven with their union.
‘I have dreamt in my life, dreams that have stayed with me ever after, and changed my ideas; they have gone through and through me, like wine through water, and altered the colour of my mind. And this is one: I’m going to tell it – but take care not to smile at any part of it.’ the HousekeeperThere are those books which deal directly with dreams like one of my favourites, 'Marianne Dreams' by Catherine Storr.
What option can you give your students when they just get stuck?Add a Comment
J. Albert Mann
“There are those writing days where I feel more alive than I can almost handle. And then there are the days of all out despair where I worry I’ll never have success again. If I have patience with myself, I get that exhilarating feeling all over again, and it keeps me going.”
“A big part of surviving in this business is managing my own negative emotions. That means I protect my mind and my heart fiercely. I do whatever I need to do to stay in a healthy place, because I've realized that I'm no good to anyone when I've let a bad review or my own natural writing insecurities get the better of me.”
“Not only do real-life experiences and relationships inform and inspire your art, these will be there for you on days when the writing world is difficult or frustrating or just plain hurts your feelings.”
“We can’t get better or grow if there is no reason to. Obstacles, like critique, rejection, time constraints, tech failures, family obligations, power outages, chocolate shortages, give us a reason to change how we do things, and every time we do something differently, we grow.”
“It is crucial to have people around you who understand the process and the industry.”
“I remind myself that it is just a book. Sure, authors can impact, and maybe even save, lives when their stories reach the right person at the right time, but possibly not as many lives as, say, heart surgeons or the inventors of airbags... and I sometimes need the reminder to just get over myself and put things in perspective!”
“I sit at my computer and imagine myself with those blinders you see on horses.
"This helps me shut out the world and disconnect from negative distractions. It refocuses me on what matters most, the writing, and reminds me this is what deserves my time and energy.”
“Write the next thing. And the next thing after that.”
“Have two or three projects going at once.”
“Believe in yourself and your work, no matter what.”
“Remember that you love the process.”
“You will get through this,” says a card pinned over Jennifer Whistler’s desk from a writing buddy.
“I call a Jen. I’ve never met one I didn’t like and my best Jens have pulled me through everything from self-doubt to full-out funk.”
I loved my view master-still fascinated by these mini environments!
This drawing by Ernest H. Shepard inspires every single time I see it. Add a Comment
Do you remember when you first fell in love with stories? When I was a young boy—before I fell in love with reading, before I sat in front of the TV for hours watching movies—I loved sitting in the kitchen on Sunday mornings listening to my grandfather tell stories about his life growing up in a tiny village on the outskirts of Warsaw. It wasn’t just his stories that drew me into theAdd a Comment
Years ago, a friend told me that getting published was the easy part. It was staying published that was difficult.
I laughed a little. I died inside.
I was still trying to get published the first time, let alone a second or third time, and I wasn’t having a whole lot of success.
But perseverance won, and eventually I did get published. And because I was one of those annoying overachievers, I’d already written first drafts of the second and third books in my trilogy by the time I turned in my first book, which meant that I had some free time.
I wrote another — unrelated — book, revised it a bit, shared it with a few critique partners and my agent, and when I had another stretch of free time, I went back to it to make the manuscript shine.
But something was wrong. There were huge parts of the book that I loved, but I knew it had problems, and I wasn’t sure how to fix them. I knew the book wasn’t strong enough to give to my publisher, so I put it aside to wait for a spark of brilliance to tell me how to fix it.
That book is still waiting. I had to move on. So I finished writing my first series (again), and I wrote another new book. I gave it to critique partners. I gave it to my agent. I revised the snot out of it. And I thought it was ready, so I gave it to my publisher. They said they didn’t think this was the very best followup to my first series.
I started thinking about that thing my friend had said years before. I started wondering if maybe she was right. I’d been published! People liked my book! But I’d put one new book aside because I knew it wasn’t ready, and I’d had to put the other new book aside because my career wasn’t ready.
But because I had no desire to starve to death and a very strong desire to keep my career in motion, I wrote yet another new thing (while finishing working on my first trilogy). All the necessary people liked it and approved it, and that book became my second series. (For those wondering if that pattern continued, it did not. There were no books between that one and what will be my third series.)
I’m sharing all this because I think a lot of writers believe that once you’re published, you can hand in new books and a couple of years later, they appear on shelves. Not true! New books must go through the same rigorous acquisitions process as the first one, but this time with sales records of your previous books as a key factor in what the publisher decides to do.
I know a lot of authors who’ve written new things after they’ve been published, and for one reason another, had to trunk them. Maybe they knew from the start it wasn’t ready. Maybe their agent said it wasn’t ready. Maybe their publisher said it wasn’t ready.
And you know, there’s no shame in that. Trunked manuscripts — no matter what stage of your career they were written — are still useful creatures. There are no wasted words in writing, even if those words never make it to the bookshelves. All that experiences goes into the next new thing, which will be even stronger than the last ones.
We all have trunked manuscripts. Lots come before getting published the first time, but they happen after, too. For a lot of writers.
And it’s totally okay. Just keep writing. Keep looking forward. (And hopefully one day, you can resurrect the trunked manuscripts you particularly love. That is my plan!)Add a Comment
Recently at the New Yorker, tetchy old fogey and lousy former film critic David Denby has published a lament about how few teens are reading books these days. He has one great overheard line—a student saying “Books smell like old people”; and he builds in a few caveats (“It’s very likely that teen-agers, attached to screens of one sort or another, read more words than they ever have in the past”); but mostly he is describing a decline of western civilization via smartphone. “If teachers can make books important to kids … those kids may turn off the screens,” he wraps up, making clear his real issue here: a favored primacy of one form of technology (ink on paper) over another (e-ink or pixels on screens).
Here’s the thing: He’s casting a transitional period … [more]Add a Comment
I’m thrilled to introduce author Shannon Parker as our special guest today. February is Teen Dating Violence Awareness Month, and Shannon is here to talk about her upcoming YA debut, The Girl Who Fell, about a high school senior who is swept off her feet—and into an intense and volatile relationship—by the new boy in school.
It is such a small word. Three tiny letters. A conjunction. Nothing you particularly focus on when reading or chatting.
Until it balances something ugly, justifies something hard.
When a girl tells you she knows it’s wrong the way her boyfriend treats her, but she loves him—that is when you notice this word. I did.
In my work with struggling teens, I have heard this justifying ‘but’ pass the lips of the fourteen-year-old-girl who is staying with the boy who beat the twins from inside her belly because the boy has promised her forever. Her eyes light when she tells me about the engagement ring that will come. How they’ll be married. How his father will give them the trailer at the back of the property. She tells me this and I wonder if she notices how her hands can’t help but rub back-and-forth over the band of her stomach, flat now.
Her boy didn’t mean it.
He loves her.
He will never hurt her again.
I know the college-bound student. Smart and driven. I see her long-sleeved shirts in summer, the way she hasn’t met my eyes since she met her boy. She whispers this ‘but’—she whispers now—when she tells me she’s not leaving her rural town for college. She remembers being the girl who wanted to get out, get away. But she stays behind for the boy who is attracted to her light—the bright beacon of possibilities I see fading into shadows.
Her boy loves her so much.
He can’t let her go.
So he keeps her too close.
I’ve listened to the ‘but’ on the phone when the girl who was one credit away from completing her alternative high school credential calls again to say she won’t make it in.
Her boy can’t give her a ride.
He didn’t finish school so she doesn’t need to either.
He doesn’t need her having options.
These girls were never stupid or weak. They were in love and they could not see past that love. They could not see the worth that bubbled in them like a geyser waiting to jettison into the world. My debut is not their story. It is a work of fiction, though my inspiration for the book grew out of my time with these girls and so many others. Listening to their stories made one rise in me. And I hope my debut helps end a culture of blaming the girl—writing her off as damaged—just because she falls for the boy who wants to control her.
The Girl Who Fell is about a strong, powerful, beautiful girl who falls in love. Falls deeply. Physically. Mentally. Falls so hard that the line between Before Love and After Love starts to blur. Her priorities change. Her focus shifts. And why wouldn’t it? Who doesn’t want to feel love and feel loved?
The Girl Who Fell has swooning (and much of it).
There is love.
There is kindness and tenderness and trust.
Until there isn’t.
I want to thank Shannon for being our guest and sharing her inspiration for The Girl Who Fell! By way of introduction to our readers, here’s Shannon’s bio:
If you’re like me, this post raises questions in your mind. Fortunately, Shannon is here for a Q&A:
Julie: I loved The Girl Who Fell! Knowing what moved you to tell Zephyr’s story made it even more compelling, but it also made me curious! First, when did you realize you wanted to write? Did you always plan to write novels, or did your work with at-risk youth create that desire in you?
Shannon: Thank you so much for having me here, Julie! I’m thrilled that you loved The Girl Who Fell! I’ve been writing most of my life, for work and pleasure. I started writing novels about six years ago, mostly quiet middle grade novels that were honestly pretty boring. I really found my literary voice when I set out to write Zephyr’s story.
Julie: It must have been exciting when Zephyr’s story started to come together. Did you know right away that this story was “the one?” Could you tell as you wrote that this book was different from your earlier attempts? When did you first realize this was the book that would be your debut?
Shannon: Setting Zephyr’s story to paper was exhilarating and petrifying all at once. I wasn’t sure the story would sell. In fact, even after I sold the book I was totally prepared for Simon & Schuster to call and say, “Um…, yeah. We meant to send that contract to SHARON M. Parker.” Ha! Kidding, but not. My debut is edgier than anything I’d written previously, which made the entire writing experience different. But if felt authentic and that’s what kept me going. All along I was acutely aware that IF the manuscript ever sold, it would need to find a home with an editor that was willing to take risks. I’m forever grateful The Girl Who Fell found that editor in Nicole Ellul.
Julie: Thanks for that honest answer! I can’t help but also wonder what thoughts you had about reactions. I know Zephyr wasn’t inspired by any one girl, but did you ever imagine some of the girls you’ve worked with reading the book, and did you worry how they might react? Did thoughts about reactions from anyone else—family and friends, for instance–ever threaten your process?
Shannon: Oh, sure! I’m pretty much crippled with worry about my book. I was worried when my mom read it–no joke! It’s edgy. The main character experiences her sexual awakening and I’ve always feared the backlash for acknowledging a teenage girl’s sexuality on the page. I wanted Zephyr to own her sexuality and her experimentation and I knew that would cross a line for many people. This never hindered my writing process, though because the sexuality—the total intoxication of first love—had to read authentically. The reader has to believe that a strong, driven young woman could fall prey to a manipulator. So, it’s intense.
The greatest shock has come from feedback from early adult readers. Almost every woman who has read my book has told me about their story, their daughter’s story, their best friend’s story. All hauntingly similar to Zephyr’s story. So many women have lived a similar story. Survived it. The sheer numbers of woman who can relate has been a real eye-opener.
I want to thank Shannon for being our guest! Here’s more about The Girl Who Fell, which releases from Simon & Schuster/Simon Pulse on March 1, 2016.
Zephyr is focused. Focused on leading her team to the field hockey state championship and leaving her small town for her dream school, Boston College.
But love has a way of changing things.
Enter the new boy in school: the hockey team’s starting goaltender, Alec. He’s cute, charming, and most important, Alec doesn’t judge Zephyr. He understands her fears and insecurities—he even shares them. Soon, their relationship becomes something bigger than Zephyr, something she can’t control, something she doesn’t want to control.
Zephyr swears it must be love. Because love is powerful, and overwhelming, and…terrifying?
But love shouldn’t make you abandon your dreams, or push your friends away. And love shouldn’t make you feel guilty—or worse, ashamed.
So when Zephyr finally begins to see Alec for who he really is, she knows it’s time to take back control of her life.
If she waits any longer, it may be too late.
Doesn’t that sound amazing? I was lucky enough to read an ARC of The Girl Who Fell, and I can tell you that it is a powerful read.
And now I want to invite our readers into the conversation. What are your thoughts on books that deal with difficult issues? Do you have any questions or comments for Shannon? Please share your thoughts in the comments!Add a Comment
Rejection. We’ve all been there, starting with the threesome of friends that decided to become a twosome without you, or the unrequited love you slathered on that skinny basketball player in sixth grade. Writing is not for the faint of heart. It often feels like the bad days outnumber the good, that the days of utter dejection and rejection will stop the ship from sailing all together. Many days, I feel like the luckiest person alive to be doing the one thing I’d always wanted to do — make a living as a writer. Some days, I feel like I might chuck it all. Go catch up on those movies I’d been wanting to watch, those travel adventures I’d wanted to take. I wouldn’t read, because reading would only remind me of my giving up. But it would be an easier life, wouldn’t it?
Statistics show that the average number of rejections writers receive before selling a manuscript is about 3,967, based on absolutely no evidence at all. Once you do make that sale, there may be and probably will be dark days ahead. There is the pain of being rejected for blurbs. The torment of not feeling cool enough on social media. The agony of reviews, both professional and bloggers. There is the consternation of not being included on ‘lists,’ or not being invited to conferences, and the heartache of being passed up for awards. There is the distress of having an agent fail you, or an editor leave, or your publisher not buying your next book.
Stacey: Speaking as someone who has a book out and two on the way, When I feel down about publishing, I distance myself. I surround myself with Stacey-supporters and avoid that thing that brings me pain. I get busy doing other stuff, cleaning out the coupon drawer (I know, I have a coupon drawer) finding stuff to giveaway to the Salvation Army, I research my next vacation spot.
Then, when I’m ready, I talk to other people who have ‘been there’ and can validate my experiences. One of my favorite quotes is, “misery shared is misery halved, and joy shared is joy doubled.”
Stephanie: As someone who has shared both misery and joy with Stacey Lee, I can say that the above quote is so true!
One thing that helps me deal with feelings of rejection is to think of books as if they are birthdays.
When it’s getting close to my sister’s birthday and my family starts talking about how we are going to celebrate, I don’t start feeling sorry for myself. I never wonder, Why isn’t anyone talking about my birthday? Isn’t anyone excited for me? Same for her presents. I’m not going to count how many presents my sister receives and then compare the number of gifts I’m given for my birthday—that would be ridiculous.
And I believe the same type of comparing can be said for books.
So, let’s say, your book is slated to come out in summer or fall of 2016, avoid the temptation of feeling bad because the winter and spring books seem to be receiving most of the attention right now—those books have birthdays coming up, they should be getting the buzz.
Stacey: It’s important to remember that there is more to you than your writing. We are not in a race. What can screw us up is the image in our head of how things are supposed to be. As nobody ever said, the flower does not compare itself to the beauty of the flower growing beside it, it just blooms. We each proceed at the pace we’re meant to proceed, taking the losses as they come, but also the wins. There is the joy of connecting with a reader who needed your book. The hug from your critique partners, whose love and support goes way beyond books. There are the emails from your publishing team calling you ‘awesome.’ There is the simple joy of losing yourself in your storytelling. These things must be remembered.
*Cue a rainbow.*
Stephanie: During the holidays I spent sometime cleaning out my closet and I found a journal from when I was in high school. I was nervous about looking inside it—I was a pretty depressed high school student—so, afraid of what I might find, I told myself I would only peek for a second. The page I opened to was a list, written in brightly colored markers, full of all the things I wanted. I listed things like clear skin, perfect SAT scores, to be able to dance, and to someday write a novel. And while I still don’t have clear skin, my SAT scores were far from perfect—and sadly so are my dance skills—I did write that novel.
And I know I’ve said it here before, but just writing a book is a huge accomplishment, whether it sells or not. I meet so many people who tell me they want to write a book, but hardly any of them actually sit down and do it. So if you have written a book that is awesome. If it’s being published, or if it’s about to be published, that is even more incredible!
Stacey: Remember the speeder chase scene through the redwood forest in Return of the Jedi? It’s exhilarating to watch that scene because the camera shows it from the perspective of the rider, Luke. You don’t get a sense of exactly where he’s going, but you feel all the bumps and jolts and swoops and loops that he experiences. As we enter this new year, take a moment to rise above the chase scene, and view it from the top, where unlike that scene in Star Wars, you will not see all the bumps and dips, but the one thing you will see is your progress.
Now it’s your turn. We know all of our readers are in different places with their publishing journeys—we’ve shared a bit about our experiences, so now we’d love to hear from some of you.Add a Comment
To writers out there who never have trouble finding time to write or revise: pls ignore the rest of this post.
To those who are always putting their own projects on the back burner because of bill-paying work taking priority, family obligations, favors for other people, insecurity or fear, procrastination or a zillion other reasons, feel free to check out the Inkygirl Daily Writing Challenge.
I've also added a bunch of time goal badges for those who think that way instead of wordcount.Add a Comment
To kick off our Writers on Writing post series for 2016, we're welcoming Marieke Nijkamp, author of the arresting THIS IS WHERE IT ENDS. Today, she's talking about the three things she wishes she'd known when she was just starting out.
A long time ago, before I was telling my stories with illustrations and words, I was a telling them through the use of moving pictures, I was an aspiring filmmaker.
It all started when a friend and I decided we would be the next Tarantino; break out filmmakers, creating cutting edge film. But instead of spending thousands of dollars on film school, we took what little money we had and we were going to do it guerilla style, the indie way.
In the next few months, we drafted a screenplay, auditioned actors, scouted locations, purchased equipment and started filming. We even came up with a hollywood sounding name for our troupe, “The Yuzzi Brothers.” And since we couldn’t take a few months out of our day jobs to make the movie, we wrote a story that took place at night. It would be one of the most intense times of my life. We typically filmed from 8pm to 3am, with just enough sleep to go to work that same morning. Caffeine had become my best friend. A year later, we finally finished our movie and showed it in theaters, in all its flawed glory.
Looking back at the romanticized version of those events, I could honestly say that it was one of the best experiences of my life. We learned a lot about ourselves and about the industry, yet it was not without its challenges. We had actors & crew members who dropped out, our equipment was stolen, myriad of technical issues, schedule conflicts and even injuries. And when you’re on the 8th month of a production, you start to question yourself and your project (or your spouse would). We could have easily given up at any point, but we did not. We kept telling ourselves that we needed to finish.
Starting something new is exciting & fun. And let’s be honest, it’s probably the easiest part. The endless daydreaming of a new project gives us a sense of euphoria. But once the tire hits the pavement and the daily grind of our life gets in the way, that’s when we’re really tested. Self-doubt begins to manifest and we start looking for the off-ramp. We question our ideas, we procrastinate, we revise endlessly. We’re stuck in a never ending loop between unlived expectations and our limited abilities to meet them.
It’s only natural we should strive for perfection. But perfection is that golden goose that if you look at it long enough, it turns into an ugly duckling. That is, in fact, an important part of what makes us creatives. And as we grow and get better, we look back at our work and see the flaws. Yet it’s also important not to get stuck, to keep moving forward, to finish. That is how we grow. I know artists who actually don’t start anything, fearing that the end result will never live up to their expectations. It’s quite unfortunate.
When I feel dismayed, I go back to the reasons why I started. It’s much like reminiscing about my carefree childhood days. Everything seemed possible. I look for that seed of inspiration and use it to re-ignite my inner locomotive.
Sometimes, I realize that I am at that moment in my life incapable of telling the story or drawing that picture. I simply lack the life experience or skills to do so. This doesn’t mean that my idea is lost in the woods, never to be seen. It just means that I can put it in my back pocket and come back to it later. And trust me, I have many of those.
When we were working on our movie, there were so many variables that was ultimately out of our control. We relied on so many people, and to be able to keep it going for a year, and to finish was quite a miraculous thing.
Contrasting that to my current endeavor of writing and illustrating, where everything is really on my shoulders, gives me a unique perspective and set of expectations. I really have no excuse not to finish. It’s all on me. And If I have to spend time away from my family to work on my craft, then I better make it count.
Finishing is important. Once you’ve experienced completing a project that you’ve poured your life into, you stand among the few who have “made it.” You can tip your fedora to the naysayers and show them that you’ve done what you’ve set out to do. You’ve kept your word, your promise; even if it’s just to yourself.
Those who finish are the ones who inspire me the most, because I know how hard it is to get to that point. Not everyone can be a breakout overnight success, but we can sure break out of our walls and create something amazing, and it all starts with mastering the art of finishing.
So put on that thinking cap, adjust your monocle, get a jug of coffee, and dust off that manuscript or picture book. It’s calling your name.Add a Comment
We talk about a lot of things on Pub Crawl – writing craft, the submission process, the editorial process, the industry, and lots of stuff in between. We like to encourage writing by hopefully imparting insight and advice. Lots of people do; bloggers, writers, editors, agents. And at one time or another, you’ve likely seen this advice: Write Every Day. There are no excuses. Do it or you’ll never get better. Practice makes perfect – so practice every single day.
But for many of us, this advice can actually be detrimental to the process because we are going through a different kind of process: Healing. And sometimes, healing means not writing every day, or at all, for a long time. And the biggest key to this is understanding that it’s okay. That your pace may different. That even your writing routine may change. This does not make you less of a writer, nor does it mean you won’t still improve.
Full disclosure: I lost my father in March of this year. I say this not to garner sympathy, but to give some context. It was shocking in many ways, and completely unsurprising in others. But the thing I didn’t expect? How grief really felt, and still feels. How it comes out at strange times, making the rest of your day difficult to get through. It’s a daily struggle, and I am only just beginning to understand that it will be for a long time yet.
The worst of it was, I lost my will to write. For many years, I posted poetry and flash fiction on my blog a couple of times a month. In addition, I did write nearly every day, or revised finished projects, or dashed off a few lines here, a few lines there. A random scene. A conversation between characters. For a long time, I was lucky enough to be full of inspiration.
After March, I still tried to write. But I was dissatisfied with the words, with the content. Suddenly, I wasn’t sure who I was as a writer. What did I even enjoy writing? What stories did I have to tell? Everything was colored by this new way I viewed the world, however slight the difference might have been. I would begin a story, short or long, and see it through to 5,000 words before deciding I wasn’t into it. I’d sit down to dash off a line here, a line there, and end up staring at a blank screen instead.
I read advice that told me to keep writing, to keep doing, to keep practicing OR ELSE. So over and over again I attempted it, and more and more the anxiety over that command made it impossible. And you know what? It wasn’t until I finally allowed myself a break, some time away from the page to actually breathe, that writing finally started to be of interest again several months later. Now, I’m using NaNoWriMo to encourage that interest – but I’m not punishing myself when I don’t hit the word count.
This is not to say I am not still struggling. Every word is harder to write than it used to be, because I’m fighting to understand who I am now versus who I was then. This is the same for those struggling with depression, or even with physical illness. Sometimes the idea that a true writer is one who writes every day, despite the struggle, despite the emotional hardship, is more detrimental to a struggling writer than the idea that we are allowed some time off, or we are allowed to adhere to a schedule that works for us – even if it means not writing daily. We are allowed to back away for a little while, to regroup, to think, to fight.
There is only one “right” way to write, and that is whichever way empowers you as an individual. If the idea of writing is giving you anxiety, remember that it’s okay to take a break if you need one. Writing isn’t going anywhere – it’ll still be there when you’re ready.
I’m certain I’m not alone in this – if you’ve found a way to write through emotional hardships, tell me about it! I’d love to know what you’ve done, or are doing, to find writing in your life again.Add a Comment
Yeah, never leave one millimetre of paper untouched!
A creative tip for writers and illustrators: Every so often, take the time to look at things around you differently than you normally would. Sounds like a glib cliché, I know, but I encourage you to really give it a shot. When I'm walking through a familiar area or doing something I've done a zillion times before, I tend to take my surroundings for granted. Every once in a while, I force myself to stop and really look at something or someone. I mean really LOOK. If I have the time, I sketch or write about it in my notebook. If I only have a few minutes, like when I'm waiting in a grocery line, then I make it a mental exercise. I also do this through my found object art and encourage young people to do found object art for the same reason.
Since I consciously started doing this, I have found my work showing the benefits. I'm sharing this tip here in hopes that it might help some of you as well.
How you can apply this principle in your illustrations: Before settling on a way of illustrating a scene, experiment with different perspectives and other ways of interpreting the text. Feel free to use one of my brainstorming templates. Do more art just for the fun of it to keep yourself from falling into a rut. Doodle, experiment. Remind yourself you don't have to show anyone what you're drawing.
How you can apply this principle in your writing: Avoid describing people and things in clichéd phrases ("she was fit as a fiddle" etc.), take the time to make your characters and stories unique, don't chase trends. Carry around a notebook and jot down phrases, descriptions, ideas, names. Brainstorm. Write every day; it doesn't have to be for a book project or something you want to get published. Write for FUN. Experiment with poetry (you don't have to show anyone); I find writing poetry makes me more conscious of word choice and the sound of the words. Read what you write out loud; read in a different voice, at different speeds.
Do you have your own creativity boost techniques? Feel free to share them below in the comments.Add a Comment
As I reflect on 2015, while my future is still uncertain beyond June, that elusive soul-mate is well, still elusive and my best-fit agent is yet to materialize, I have a boatload of things for which to be grateful! I hope … Continue readingAdd a Comment
My fourth grade self's advice, my grandmother's influence, participating in the Literacy Leaders' Forum, and even a Facebook quiz and a fortune cookie have all pointed me in the direction of my One Little Word for 2016...HAPPY.Add a Comment