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Viewing: Blog Posts Tagged with: book design, Most Recent at Top [Help]
Results 1 - 25 of 54
1. Harvard Discovers Old Library Books Bound in Human Skin

harvardlibraryHarvard University recently discovered three books in its collection that are bound in human hide.

The details make it sound more like the elements of a novel than of real life. One book was found in the Langdell Law Library, another in the Countway Library of Medicine, and yet another in the Houghton Collection. One book deals with medieval law, another Roman poetry and the other French philosophy. The book Practicarum quaestionum circa leges regias… doesn’t jump out as bound in human flesh, as The Harvard Crimson reports. Check it out:

The book’s 794th and final page includes an inscription in purple cursive: ‘the bynding of this booke is all that remains of my dear friende Jonas Wright, who was flayed alive by the Wavuma on the Fourth Day of August, 1632. King Mbesa did give me the book, it being one of poore Jonas chiefe possessions, together with ample of his skin to bynd it. Requiescat in pace.’

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2. The Storytellers Cover Reveal & Giveaway



Four storytellers
One ancient demon
No way out…
Four women who call themselves The Storytellers have gathered one hot August evening to tell tales, as they have for years. But on this night, they unknowingly evoke the powers of an ancient Mayan idol that breathes real life into their stories. The Mayan idol isn’t the only ancient being awakened. A power-hungry demon is determined to see the women fail and become enslaved to him forever.
Now the women’s lives depend on surviving each other’s stories, defeating the demon and solving a centuries-old mystery.
If they survive until The End untold wealth is theirs. But some stories have a life of their own…



OMG! The road to this cover has been hilarious! There was the too-chicklity version the hands-down-the-pants version, the oh-kiss-her-already version and then…..the version that won….the Quentin Tarantino version! Cover design is an adventure for every writer. It’s near and dear to my heart because I loved working in graphics for decades and there’s lots to do here at what I lovingly call the fiction factory. I make the coffee and the popcorn, (you all know that :) ) …I’m the janitor….tech support….I’m the buddy in the cubicle next to me who drives me nuts and chews my clock….AND…..I’m the book trailer gal, word maven, wine drinker, coach, and book designer. LOL! Next to writing, book cover design has got to be one of my favorite jobs as an indie––in a terrifying but fun sort of way. I love designing book trailers too but the covers are where I usually get to see my characters for the first time and that’s always magical. I hope you enjoy them. But enough about the book cover journey……

Click here for the giveaway!
Up for grabs? 5 e-arcs of THE STORYTELLERS

Get in on the special contest!
For every 100 adds Laura gets on goodreads for THE STORYTELLERS before the release (September 10th), she will reveal 5 pages of the book early!

If the book hits 600 adds before the release, Laura will release a bonus scene! She will also choose random people who use the tag #THESTORYTELLERS on twitter and facebook, or adds the book to their TBR list, to receive swag!

Goodreads link:


4 Comments on The Storytellers Cover Reveal & Giveaway, last added: 8/12/2013
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3. Book cover design workshop coming, maybe a book, too

On Sunday, August 3, I'll be Willamette graphicdoing a workshop at the Willamette Writers Conference on Book Cover Design for Less than $50.

The workshop will cover these things:

  • Tools: the free GIMP image manipulation program
  • Resources: the best stock image resources and free typography resources
  • Considerations: the goals of your design, things to watch out for
  • Techniques: using single images, manipulating color and images for effect, combining multiple images, and more. I'll show the original art used, the type selected, and the process of putting them together for a number of books, including fiction, memoir, and non-fiction.

So I'm building a Powerpoint presentation on the above right now and I got to thinking--maybe people who visit FtQ would be interested in a book covering those topics.

The book would be an ebook, a PDF at the minimum, maybe a Kindle version. It would cover all the topics listed for the workshop, and be illustrated with many many color examples. I think a good price would be $2.99 or $3.99.

So please give me some insight with the poll below--you can enter multiple answers.

Many thanks, and I hope to see you at the workshop.

What's your interest in designing a book cover?

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4. Book cover design

Crrreative logo 100WIn addition to editing and writing, I do book design, too, both covers and interiors. I've worked for a small publishing company for a couple of years, and the occasional independent author comes along. Here are the latest of the latter.

Hookernomics cover Hookernomics is a title suggested by an FTQ reader (whose name I've lost) is non-fiction, ebook-only cover. It's about the business of sex, and I thought the art of a red light worked pretty well for catching attention and lending subtext.

Collected works coverCollected Works is a private book, not available for sale, and at the far end of the spectrum from the first book. It is a book of poetry published in memory of my client's mother. I learned that she had, long ago, kept poems in what she called her "lavendar box," and that was the thought that led to this cover. It's a hard-cover book, and the cover is a "dust cover" with flaps on the inside.

Collected works interior spreadIt was a very short book--there weren't a lot of poems--and many of the poems were about one page long. So the interior design for Collected Works uses spreads, graphics, and white space to display her art.

Kosher Sutra front cover jpgLastly, a lively, funny "food memoir" by a Jewish author. What else but Kosher Sutra would do? The art I found foreshadows the book nicely--lively, fun, and food (there are some delicious-sounding recipes in it).

Samples of other full cover designs are here.

For what it's worth,


© 2012 Ray Rhamey

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5. Covers make a difference--a big difference

Sexy cover 150WSelf-published novelist R.L. Mathewson initially published Playing for Keeps on Smashwords with a plain blue and white cover, but saw a significant sales spike in the iBookstore once she added a steamy Shutterstock photo to her cover




Sexy cover sales spike-300W

Smashwords founder Mark Coker had this to say:

“The new covers caught the readers eye and it helped clear up any confusion they may have had about the books. The new cover along with the price helped the books sell. I would say that you should avoid covers that cause confusion, are horrible to look at, too plain, or too over the top. You don’t need to spend a lot of money to get a good cover, but you do need something that can help draw attention to your book and intrigue someone to take a chance on your work.”

For what it's worth.



© 2013 Ray Rhamey

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6. Slated: Getting it Covered

by Teri TerryIt has been a year with a lot to smile about: the last twelve months have seen an agent, and not just any agent but Caroline Sheldon; a publishing deal for Slated with Megan Larkin and Orchard Books; and finally: a long-awaited moment. An actual book cover!!Read on, and there just might be a chance to read Slated before the 3rd May publication date...One of the most exciting moments

17 Comments on Slated: Getting it Covered, last added: 2/3/2012
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7. The Blog Is BACK!!!

It’s finally time to resurrect my blog from its long hiatus!  I’ve actually missed being on Walking In Public… digging up blog content has always kept me engaged with the publishing/art/design industries, and it motivates me to write and draw regularly.  So, I’ll be back on the blog for a long while, with all-new features and updates on my journey to success in the children’s book world!

What have you missed while I’ve been away from the blog? Here are the best things that happened, circa 2011:

Annie’s Top 5 2011 Professional Developments

1. Illustrated and designed the Little Farmer app.

You may remember that I began a project working on a toddler game app, called Little Farmer, back in May.  Well, after months of illustrating, designing and developing, we released it for sale in the iTunes store in October!  It has been a really wonderful experience working with a talented developer, Anita Hirth, to create artwork that children can interact with, right there on any iPhone.  There’s much more to say about the process of creating an app, and my future in the digital world… but those are subjects for bigger posts!

In the meantime, purchase the app here, or watch the video trailer, above!

2. Joined the Children’s Book Council’s Early Career Committee.

I’ve been attending events for young adults in the publishing industry for awhile, so it was exciting to be asked to represent Penguin Young Readers (and designers everywhere) on the Children’s Book Council’s Early Career Committee.  This organization creates opportunities for those in the first 5 years of the children’s book industry to network, learn, and become more involved in their fields… so their mission is right up my alley!  Since becoming a part of the team this summer, I’ve had a TON of fun making great friends with 20-somethings in different houses, through planning creative programming.  I’m also having a blast designing fliers, making good use of my design time and talents.

If you haven’t already, make sure to catch up on the CBC and ECC’s fabulous social media enterprises – Facebook, Twitter, and Pinterest!

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8. Free Customized ‘Go Away, I’m Reading’ Book Covers

Wish you could tune out the world while reading your favorite book? The free “Go Away, I’m Reading” book covers will send a blunt message, customized for your book.

Erin Bowman, Sarah Enni and Traci Neithercott created the simple but inspiring dust jackets pictured above–what cover will you pick?

They have built “Climbing Mount Doom” for fans of J. R. R. Tolkien‘s Lord of the Rings trilogy,  “In Narnia BRB” for readers of C. S. LewisThe Chronicles of Narnia, “At Hogwarts” for aficionados of J.K. Rowling‘s Harry Potter series, “In Forks, Send Help” for fans of Stephenie Meyer‘s Twilight series and finally, “In the Arena, BRB” for readers of Suzanne CollinsHunger Games series.

Here’s more about printing: “These covers will fit the traditionally-sized YA book. Take the PDFs to your local FedEx or Staples and get them printed on tabloid paper (11x17in). We suggest a matte cardstock (you could print on something glossy, but sometimes that causes light glares at certain angles and you want people to be able to read that Go Away message without incident). Choose a weight between 60-80lb for the paper. Anything lighter and the page will be too thin, anything heavier and folding it around your book will be difficult.”


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9. Your Words Need Good Design

A well-marked document design book
this writer loves. | Elizabeth King Humphrey

I believe that my eyes are heavily involved in the tactileexperience of reading. Sure, I love to handle a new book or to upload a neweBook. There is that tactile. But my eyes want in on the game, too.

While the words definitely matters, keep in mind that the design of a book also matters.

 As a graduate student in creative writing, I insisted onalso taking a document design class. It was clear to me that regardless ofwhere my books ended up, I wanted them to be aesthetically pleasing. I want mywriting to use beautiful fonts. I want my future books to look good. (Yes, I do believe that you can judge a book's design by its cover.)

And I want to be able to explain that to whoever is spendingthe time to layout my book.

A few months ago, I was hired to copyedit. But one of theelements of copyediting often overlooked is the job of ensuring the manuscript's overall consistency.

I spent hours ensuring that there were the correct number ofspaces between a chapter heading and the first paragraph. I looked at samplesof previous publications to provide the correct bold or italics placement. I eradicated two spaces after each period, if necessary.

When the design works, you don’t notice it.  But when if fails, you probably notice it and itimpacts your enjoyment of the book. Your eyes catch the inconsistencies.

But design also helps by making books more inviting.

I checked a book out of the library recently. At home wealready owned two books dealing with the same subject. The library book wascolorful and the layout was accessible. The reason we hadn't consulted the other books was their layouts are flat. In the library book, the designer had festooned the pageswith illustrations that grounded me.

The book invited me into its pages. The words spoke to me. And my eyes were happy.

Look at your bookshelves, what books invite you into theirpages?

Elizabeth King Humphrey writes and edits in coastal NorthCarolina. Generally she loves reading books that are good AND have good design.

10. Paperback Boxed Set Design Revealed for 1Q84 by Haruki Murakami

Vintage and Anchor Books art director John Gall has revealed the design for the paperback edition of 1Q84 by Haruki Murakami.

We’ve embedded a photograph above–what do you think?

The New York Times had more details: “Gall, the art director for Vintage, designed the paperbacks to be visible through a clear plastic box, fitting together to create one image. The list price is $29.95, and Vintage will initially print 50,000 copies.” (Image link via Sarah Weinman)

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11. The Cover Evolution of Me Earl and the Dying Girl

Me Earl and the Dying Girl is the finniest book I have read this year. And when I say book I don't just mean young adult I mean adult books as well. This is why I knew I need to find someone who had the whit and edginess of the story to design the cover. That lucky man turned out to be Ben Wiseman. Ben up until recently had only designed book covers for adult books.  An impressive list of adult titles I might add. Such as...

First let me tell you a little about,  Me and Earl and the Dying Girl

Up until senior year, Greg has maintained total social invisibility. He only has one friend, Earl, and together they spend their time—when not playing video games and avoiding Earl’s terrifying brothers— making movies, their own versions of Coppola and Herzog cult classics. Greg would be the first one to tell you his movies are f*@$ing terrible, but he and Earl don’t make them for other people. Until Rachel.Rachel has leukemia, and Greg’s mom gets the genius idea that Greg should befriend her. Against his bet

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12. What If Classic Novels Had 8-Bit Covers?

Over at SlackStory, artist Oliver Miller has created 8-bit covers for famous books, turning classic novels into pixel-paintings that look like video games from the 1980s.

We’ve embedded Miller’s cover for J.R.R. Tolkien‘s The Two Towers above, what do you think about his computerized take on the fantasy novel? The image above built upon Wizard by Radpants at Make Pixel Art and Towers by Mildtoast at Make Pixel Art. If you like his 8-bit art, Miller also illustrated the first lines of some famous short stories.

Here’s more from the artist: “I selected the novels above, not as a list of the Greatest Novels of All Time, or as a list of My Favorite Novels of All Time, but because they were (mostly) books that I love whose covers I knew how to illustrate. Full confession: I have not read An American Tragedy, and I think that Theodore Dreiser is a boring writer. I just liked the title. And I started reading Moby-Dick (“Call me Ishmael”) and Gravity’s Rainbow (“A screaming comes across the sky”) but I did not finish reading them. Someday I will finish reading them. I read all the others.”

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13. Fahrenheit 451 Cover Design Contest Winner Revealed

Matthew Owen has won the  Fahrenheit 451 cover design contest from Simon & Schuster and the American Library Association’s Office for Intellectual Freedom.

The winning cover (embedded above) was revealed at the ALA Midwinter Meeting.

Owen, who hails from Little Rock, AR, created a cover that beat out more than 360 submissions. Both the Simon & Schuster staff and the Bradbury estate participated in judging the entries.


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14. Fahrenheit 451 Design Includes Match & Striking Paper

Combining a matchbook and a classic novel, designer Elizabeth Perez created a thought-provoking edition of Ray Bradbury‘s Fahrenheit 451 for the Austin Creative Department.

Her design made the front page of Reddit, earning more than 400,000 views in a couple days. What do you think? Here’s more from the designer:

Fahrenheit 451 is a novel about a dystopian future where books are outlawed and firemen burn any house that contains them. The story is about supressing ideas, and about how television destroys interest in reading literature. I wanted to spread the book-burning message to the book itself. The book’s spine is screen-printed with a matchbook striking paper suface, so the book itself can be burned.

(Link via)

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15. New Literary Agency


I personally do not know Dede Cummings, but I thought you would want to informed when a new agency opens.  Here is a little bit about Dede, her background, and what she brings to the table.

Dede Cummings started her literary career as a book designer at Little Brown & Company. Prior to working at Little Brown, she worked at David R. Godine in Boston as a designer and production editor. Design is something she loves to do, and she still designs covers and interiors of books; most notably, she is a six-time winner of the New England Book Award for a number of authors’ works, including Slow Learner by Thomas Pynchon, Voices From The Moon by Andre Dubus, a reissue of Borstal Boy by Brendan Behan, four books of poetry by Mary Oliver, and others.

She is also a publicist and literary agent for emerging writers. She’s been coined as one of the most accessible and yet well-connected agents starting out in the business. Because she is an author herself, she understands both sides of the publishing process. Dede is a 2010 graduate of the Harvard Medical School’s Department of Continuing Education course “Publishing Books, Memoirs and Other Creative Non-Fiction,” under the direction of Julie Silver, M.D. Her first book, Living With Crohn’s & Colitis: A Comprehensive Naturopathic Guide for Complete Digestive Wellness, was published in 2010 by Hatherleigh Press and distributed by Random House. She has another cookbook (Cooking Well:IBS) under the same imprint, and her third book—Questions for the Dalai Lama—is due out in 2014.

Dede holds a BA from Middlebury College in Literature where she was also a poetry contributor at the Bread Loaf Writers Conference and was the recipient of the Mary Dunning Thwing Award. In 1991, she received an award to study with Hayden Carruth at the Bennington Writers’ Workshop. Dede has had her poetry published in Mademoiselle magazine and she was a Discovery/The Nation poetry semi-finalist, and she was most recently published by ConnotationPress for her poetry.

Dede has attended the National Publicity Summit in NYC where she made media contacts at this premier event. She is excited to work with writers — from Children’s picture books, YA fiction and non-fiction, to adult trade books, and she will help you think about all aspects of publishing from pitch to publicity, and even self-publishing. In its first year, the Dede Cummings Literary Agency has sold a number of books to the trade, most notably, “Wonder Woman Isn’t Bulletproof,” by Shannon Galpin, to Daniela Rapp at St. Martin’s Press.

Dede is interested in literary fiction, both adult and YA, Children’s illustrated books, self-help memoir, health and wellness. Submissions can be emailed to her at dcdesignteamvt@gmail.com  and usually take 6-10 weeks for review. Self- or co-publishing writers may also contact Dede at this email.

Dede Cummings, literary agent, author, publishing + design
West Brattleboro, Vermont  05301    802-380-1121 http://dedecummingsdesigns.com  |  Twitter  |  Facebook  |  Tumblr  |  Pinterest Follow my book’s blog 
Talk tomorrow,

Filed under: Agent, need to know, opportunity, Publishers and Agencies Tagged: BA Middlebury College in Literature, book design, dcdesign, Dede Cummings, Little Brown & Company

2 Comments on New Literary Agency, last added: 5/26/2013
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16. Photo Shoot

As I mentioned last Monday, last Wednesday was the photo shoot for the yet-to-be-named cover. On Monday, we reviewed the photos of our top choices from the model call. It was interesting to see that the one model I had thought was gorgeous did not photograph as such. One of the photographer's and designer's faves from the model call also did not photograph well. But our other top choice had absolutely lovely photos--she clearly knew how to model, and her poses were expressive and natural. There were a few other strong options as well. However, the problem was that we only had a "second hold" on our top choice, meaning that someone else had also really liked her and was considering her for a Wednesday job. We decided to challenge the first hold, and as of Tuesday morning, we thought we had her booked.

In the meantime, we were also searching for a male model. We had two top choices from Monday, but were told right away that one had been booked. We wanted to see more options, and so the model agencies told us they were sending two male models to the office.

Only one ended up showing up--it was a little surreal to have this tall, good-looking male model with us in a publishing company's conference room. When I saw him, I thought he looked a little familiar, and as I was flipping through his portfolio, I recognized a shot of his (that happened to be a shirtless photo--hee hee) from Friday.

"We've met you before, haven't we?" I asked him. He looked at me a little confused. "Were you at the model call on Friday?" He didn't remember. The models go to so many different calls that I guess I couldn't expect him to remember us.

At any rate, it was good thing we saw him again, because we realized that we liked his look over the other model we had chosen from Friday. We booked him.

It was all set. We were sent the schedule. And then, around 3:30 on Tuesday afternoon, the day before the shoot, we were told there had been a mix-up with the female model and that she had been booked elsewhere. After a flurry of phone calls, we decided to book our second choice, who luckily we still had a first hold on. Whew.

The day of the photo shoot was a busy one at work, and I knew I couldn't be there for the whole day. The designer, Alison, would be there the whole time to art direct, so I knew everything would go smoothly, but I did want to a least stop by to see how it all worked.

Bethany and I stopped by the studio at 10:30. The male model's call time was 9 am, so his make-up was done by the time we arrived. The female model's call time was 10 am, so she was in a robe about the sit down in the make-up artist's chair.

Alison and the stylist showed up the rack of clothing the stylist had picked out for the girl, ranging from leather jackets, to tank tops, textured dresses, slouchy sweaters, skinny jeans, leggings, etc. There was also a table of accessories. Awesome. "Everything's for sale, by the way," the stylist told us, "selling it would mean there's less for me to return later." Tempting, but I managed to resist.

The photographer started shooting the male model while the female model was getting her hair and makeup done. Different poses, different lighting, two different shirts, sitting standing, etc. Various assistants milled around helping with the lighting. Alison and the photographer discussed the different angles and what effect they wanted to achieve. It was fascinating. I love watching other creative professionals at work--it'

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17. Top 5 Things To See/Know/Do This Week

Since the week has been so crazy for me preparing the Spring 2012 picture books at work, here are a few announcements/discoveries to keep y’all busy:

1. Seems that Coralie Bickford-Smith, senior cover designer over at the UK’s Penguin Books, has been on everyone’s brains lately . . . I received two links to her in the past few days!  I have always been a huge fan of her Clothbound Classics series, but I hadn’t seen her full site.

And, my goodness, take a look at her newest work!  I’m getting giddy looking at this Penguin Great Food series (link courtesy of Creative Review, via Ryan, extremely cool fellow designer/cubicle neighbor).  Each plate is based on vintage ceramic patterns, and I seriously can’t get over how gorgeous they are.

2.  Speaking of how the UK dominates beautiful patterned covers, let’s move along to White’s Books, a small London publisher directed by David Pearson (a former Penguin Books designer himself).  In a different way, these patterns draw the reader into other imagery and bring visually potent symbolism to distinguished classics. Thanks to Kevin Stanton, amazing paper-cut illustrator from the Illustration Week extravaganza, for referring me to Jessica Vendsen’s blog!

3. On a local level, I have to give a shout-out to a new show opening up in town: Maira Kalman: Various Illuminations (of a Crazy World).  I’ve mentioned before my infatuation with Maira’s work, and since she’s a Nancy Paulsen Books author/illustrator, I get to drool over her new children’s books on a regular basis.  Can’t wait to check out this exhibit of many of her best-known works, as I know it’ll be as original and out-of-the-box as ever.

Maira Kalman: Various Illuminations (of a Crazy World) is on display at The Jewish Museum from

1 Comments on Top 5 Things To See/Know/Do This Week, last added: 3/7/2011
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18. AIGA’s 50 Books/50 Covers Exhibit

On Monday, the Art Department took a field trip to see the AIGA’s 50 Books/50 Covers of 2009 exhibit.  It was a worthwhile show to attend, but I had mixed feelings about it.  For one, the non-traditional gallery presentation (above) brought both advantages and challenges.  I loved the low bleacher set-up for books, because I could sit and relax while browsing heavier volumes.  But the bleachers did the covers a huge disservice; not only did you have to bend down repeatedly to pick up each individual cover, you had to flip the card over to even see the image.

But the main reason that I left ambivalent over the 50/50 exhibit encompassed more of my greater feelings about design in general.  Without a doubt, the books on display were creatively inspiring.  I loved thumbing through the photos and art, the lavish paper stocks, and the 3-dimensionality of a beautifully-presented package.  Books like these make me want to go home, stay up all night and make ART.  It makes me feel a little inferior that I’m not doing that kind of work already.

At the same time, though, many of these books get right to the heart of one of my greatest pet peeves: design for design’s sake. Design should always serve a purpose, complement its material, and make content accessible to its consumer. I love design because it places equal importance on being functional AND visually pleasing.  But many of the 50/50 books suggest the opposite. Type running into more type, or scattered across the page, or written in tiny Helvetica Bold . . . these things appeal to the hipster art-design community, but aren’t the best solution for the general reader.  Go ahead and be as artsy as you want, but please, let it make sense.

That being said, I’ve composed some highlights of the exhibit to present my case.  I’ll showcase my favorites, as well as some titles that really made my blood boil.

A perfect example to explain my point?  Two books, no type on the cover:

Afrodesiac (AdHouse Books) – Perfectly captures the 1970s exploitation and comic book crazes. The interior contains pictures, not words. Generally all-around badass.


Manuale Zaphicum (Jerry Kelly LLC) – Yes, the letterpressed interior is absolutely gorgeous, but I found a blank cover for a book about a type designer to be annoying-ironic, not funny-ironic.

See what I mean?  Okay, now on to some favorites:

Pictorial Webster’s (Chronicle Books) – Gimme gimme gi

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19. WIP Wednesday: Lost in the Font Forest

One of the fun things (for me) about e-publishing involves font selection.

Yes, you read that right: font selection. Crown me king of the geeks.

But think about it. Book covers are different in the digital era. They are an electronic "button" with which a reader might investigate or purchase your book. Fonts must be readable on small icons and draw in a reader's attention. They should convey a message about the book, too.

I could spend hours looking at fonts...

Unfortunately not much else would get done.

Some of my favorite haunts:



1001 Free Fonts

Don't blame me if you accomplish nothing today.

10 Comments on WIP Wednesday: Lost in the Font Forest, last added: 5/8/2011
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20. Q&A with Designers

Greetings from Melbourne! Well, Geelong, to be exact. I've been here since Friday morning, and am slowly getting over jetlag. I'm staying with old friends who used to live in NY and am having a great time--getting a taste of what normal life is like, combined with a bit of sightseeing, too. Today I'm off to Melbourne to have lunch with author Karen Healey and her Australian editors at Allyn & Unwin.

Before I left NYC, I arranged a Q&A with two of our fantastic Associate Art Directors at Little, Brown Books for Young Readers. Thank you so much to Tracy Shaw and Alison Impey for answering some questions! Note: they both answered these questions independently, but I loved arranging this so it seemed more like a conversation--I thought it especially telling that they answered question five in the exact same way.

1) Please list five books you've designed in the last two years.
The Time-Traveling Fashionista by Bianca Turetsky; Huntress by Malinda Lo; You Killed Wesley Payne by Sean Beaudoin; Ninth Ward by Jewell Parker Rhodes; Reckless by Cornelia Funke.

Bunheads by Sophie Flack, Sisters Red by Jackson Pearce, The Daughters series by Joanna Philbin, Jane by April Lindner, The Duff by Kody Keplinger

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21. Best of Student Work 2011 – Part 2: The Pratt Show

Mozart at the Beach from Christee Curran on Vimeo.

Oh, the Pratt Show . . . it’s hard to believe that it’s been a full year since all the momentous graduation-related events were happening to me!  It was great to be on the other side of things last week… browsing new artists, sipping champagne and catching up with old classmates, without the stress of having my own work in the show.

This year’s class certainly didn’t disappoint in talent!  I was so proud to see many familiar faces represented at the show, from Sarah Mimo‘s swoonworthy clocks, to new textile prints from Alexa MacFarlane and new comics from our former Putnam intern, Kris Mukai.  I’m also jumping for joy to showcase Christee Curran‘s video storyboard project (above). How adorable is that kid at the beach?!

In addition to old friends, there were also a few new faces at the show.  Here were my favorite kids’/book related discoveries:

1. Alexandria Marie Compo / I loved her quirky animal characters, and combination of digital and hand-crafted work. In fact, we were all so taken with her 3-D figures that they almost “walked” away with us!  Very well suited for the pages of a trade hardcover picture book.

2. Michelle Lynch / Michelle’s range of work is crazy &nd

1 Comments on Best of Student Work 2011 – Part 2: The Pratt Show, last added: 5/21/2011
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22. How Much Do Book Designers Earn?

According to the anonymous job site Glassdoor.com, the average salary for a book designer in the New York area is $58,924 a year.

The site also breaks out figures from specific companies. Below, we’ve made a list of what book designers at three book publishing companies make–all the figures drawn from anonymous users at Glassdoor.com.

Follow this link to find out how much book editors earn and this link to find out how much book publicists earn. For more details on book publicist salaries, keep reading…


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23. I just finished illustration a children’s book full of...

I just finished illustration a children’s book full of dozens of spaceships, and I wish I had this book to use as a resource when I was doing my initial concept work.

Hardware: The Definitive SF Works of Chris Foss collects the art that originally graced the covers of paperback scifi books from the 70s and 80s. Foss’s designs are both strangely organic and severely industrial.

The book features forewords from Moebius and Alejandro Jodorowsky whose collaboration on the comic book The Incal directly influenced the film The Fifth Element.

I’m keeping this on my reference shelf for the next time I need to draw dozens of spaceships.

Images © Chris Foss, courtesy ChrisFossArt.com

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24. Kern Type: Practice Publishing the Old Fashioned Way

Think you have what it takes to be a book designer? Test your skills with the addictive Kern Type game.

The free game gives you a word, testing your ability to evenly space, or “kern” the letters, an old fashioned skill from the days of the printing press. Even though modern printers don’t physically lay out letters on a printing press, kerning is still very important for modern designers as they straighten letters in digital space.

Adobe’s glossary provides the simplest definition of kerning: “The adjustment of horizontal space between individual characters in a line of text. Adjustments in kerning are especially important in large display and headline text lines. Without kerning adjustments, many letter combinations can look awkward. The objective of kerning is to create visually equal spaces between all letters so that the eye can move smoothly along the text.” (Via Book Bench)

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25. Interactive Digital Book Cover Changes at Your Touch

What if your book cover could interact with your reader? Drag your mouse over the book cover embedded above to see what the future might look like.

UK Publisher Walker Books just unveiled that cover for Daylight Savings by Edward Hogan. Impressed by the design, literary agent Jonny Geller tweeted a great question: “Better than a book trailer?”

Here’s more about the book: “Today, in fact right this second, the clocks are going back an hour. For most of us, this is a fantastic day as it means we get an extra hour to stay wrapped under the duvet, safe in our beds. But for one of the main characters in Edward Hogan’s debut young adult novel, Daylight Saving, this time of year brings nothing but fear… it’s a thriller ghost story by a new voice in YA fiction that will have you utterly gripped. We can also tell you that this very night, when the clocks go back, is one that fills the characters with dread.” (via Jane L.)

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