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Viewing: Blog Posts Tagged with: illustration, Most Recent at Top [Help]
Results 26 - 50 of 6,454
26. ILLUSTRATION - hector dexet

I came across the work of French artist Hector Dexet again (after featuring a print back in 2013) whilst on holiday in Bologna last month. I saw his books in many of the city's bookshops and they looked fabulous with their simple graphic images. Hector is based in Paris and has been working in design and illustration since graduating 2009. He has produced lots of great children's books largely

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27. DESIGNER - striped pear studio

Kirsten Sevig is an artist /designer/ illustrator/ pattern painter based in Minneapolis, MN where she works in a stripey studio that she has dubbed the 'Striped Pear Studio'. Kirsten loves creating patterns and products and has recently designed and produced a couple of notecard sets for her new Striped Pear Studio brand. Featuring her lovely hand painted patterns they are now available in her

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28. WALL ART - marks & spencer

We finish the week as we began it, with a look at some of the latest arrivals at Marks & Spencer. Here we have a selection of prints from their wall art department starting with these striking prints : bright birdie bouquet and painted butterfly, sadly by an unnamed artist. Also shown are colourful abstracts plus some smart type and geomtrics from Marks & Spencer's collaboration with Conran.

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29. DESIGNER - louise lockhart sale

Super talented designer and illustrator Louise Lockhart has 10% off of everything in her shop throughout October so this gives me a lovely excuse  to showcase some her wonderful work. Louise produces her designs under the label The Printed Peanut all goods are proudly made n the UK. Products in her online shop include notebooks, cards, mugs, plates, books and bags. Use the coupon code '

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30. BOOK DESIGN - aino-maija metsola

This month sees the re-issue of six Virginia Woolf  books by Penguin Classics - all with stunning covers by artist Aino-Maija Metsola. Aino-Maija is best know for her work with Marimekko and for her bold use of colour and painterly patterns. Available from 6th October in good bookshops and see them online here at Amazon.

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31. to the moon and stars and back


Aw, I found this a drawing whilst looking for something else.  I made for my Art O Level  many many moons ago. Around thirty years ago. I did this and some studies of denim with blue ballpoints. I'd never have imagined then that I'd become known for drawing with a ballpoint pen. Or that I'd have a drawing of a pair of converse in ballpoint that would go viral. Although, I was a real dreamer so maybe I would have imagined that. Well, not the bit about it going viral. I couldn't have dreamt up the Internet. Even my imagination couldn't have come up with that!

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32. Bowers Blogs about Buddy's Bedtime Battery.

A new book just hit the shelves, last week. Buddy's Bedtime Battery by Chirstina Geist (published by Random House) is my latest book and I want to take you behind the pages to see how the project progressed.


It's always exciting to get the first printed books in the mail. After months of a studio full of art boards in progress, wet paint and gallons of coffee (not part of the painting process but very necessary), the final product is a welcome payoff. Buddy finally arrived!


  

Now, let's look at how Buddy arrived. After reading the story manuscript and creating sketches for the characters, a full length book dummy was created. When the book sketches were finalized, the painting process began. 

I created a production line of boards with images of each page. I taped the edges with low-tac tape to keep that area clean and white. Then, an underpainting with brown acrylic paint was washed (thin layers) onto the boards. I usually do this when the final art is created with oil paint. The acrylic and polymer layers sealed the paper board from the oils and gave me a good (light and dark) value study to follow.

At this stage, the studio was full of artwork covering every flat space to be found. I have a drying rack for storing work in progress but I like to see everything laid, side by side.
     


Here is the title page. The towel area on the left was used for copyright and publishing information. The title was placed on the wall, above the bathtub. Notice the pajamas are visible, just below the towel. I often use elements and story props to hint at what's coming on the following page(s).


Here is one of the illustration spreads. One of my favorite images of the book.


This was my table, somewhere under the shingles of drying illustrations. The images were at various stages of completion so Buddy's hair looks really dark on the bottom image, etc. I worked on several paintings at a time and all art started to finalize toward the end of the process....which is also called..."the deadline" (If all goes as planned). It was a fairly long process and sometimes hard to see the end when spending days painting little parts, adjusting colors and adding detail. But eventually, it all came together and a package with the final art of Buddy's Bedtime Battery traveled to Random House



Then, months later, I get to see the book on NBC, being read to millions of TV viewers. How COOL is that? So exciting! ...So surreal! ...Yay, Buddy! 

...deep breath...now, back to the drawing board. :)

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33.

It's a good news day! My artwork for this past July cover for Cricket Magazine was chosen for their 2017 calendar! Woo hoo! #grateful



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34. Ladybug Magazine

Check out my artwork in the newest issue of "Ladybug" magazine!  I had so much fun imagining the details for these illustrations.


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35. How Animation Artists See Donald Trump and Hillary Clinton

The animation community has been creating fantastic cartoons and caricatures of this year's goofball presidential candidates.

The post How Animation Artists See Donald Trump and Hillary Clinton appeared first on Cartoon Brew.

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36. Flood Warning

I received a "flood" of books this week. Flood Warning published by Harper Collins.



And here are a couple of peeks inside the book.




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37. Busily painting on this private comission. #sketch #watercolor...


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38. ILLUSTRATION - ben newman

Another of my Bologna discoveries was this book L'Avventura Atomica (Atomic Adventure) illustrated by London based designer Ben Newman. This is the latest title in his series The Professor Astro Cat a series of children's books created with his longtime friend and scientist, Dr Dominic Walliman. Ben's pervious clients have included No Brow, The Tate, Selfridges and Magma. Below are some snaps

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39. BOLOGNA TRIP - children's books

Next we have some more snapshots of Italian books to post today featuring covers and illustrations that caught my eye in the shops of Bologna. This selection are all children's books and were mostly spotted in Feltrinelli and Libreria Coop.

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40. Colonial Family


I just finished this one. An American Colonial family is gathered together to listen to the Father read a letter from a loved one far away. Its all done with Prismacolor colored pencils, one black Verithin pencil for a few details, and the clone stamp in Photoshop to pick out a few pencil crumbs that ended up where they shouldn't. I'm pretty happy with this, and figured out some technique things that have been bugging me. 

Here are a few close ups:





Yes, I love doing woodgrain. That rug was fun, too.


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41. Landscape

Hi everyone!  Check out MB Artists' new promotional catalog, themed "Landscape."  What a great collection of new pieces from this group of artists!

https://view.publitas.com/mb-artists/landscape/page/1

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42. 3 Zeichnungen für Victor Staudt




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43. Hidden City

I mentioned recently that I had been wrapping up illustrations for a children's book which I have been working on most of this past year. This project has been a labor of love and one of my favorite projects to date. It is published by Eerdman's Books for Young Readers and the title is Hidden City. A release date is yet to be determined as the book is being finalized.

This is the first of a series of sneak peeks and posts about the process I used in illustrating this book leading up to it's release. Eerdman's is a dream publishing house to work with. At every turn they are so supportive to the illustrator's process and have come back with thoughtful and intelligent feedback. It has been a true creative collaboration. The book is a collection of image rich poems written by Sarah Tuttle about nature hidden in urban environments. To tell you this has been fun to illustrate would be an understatement!

Here are a couple of sketches and the progress to full color. I am just showing cropped illustrations, not the full page illustrations yet.

This first illustration is a poem about bats hunting moths at night under a streetlamp. Here are my pencil sketches that I scanned into my computer.




In the past I would not have described myself as a big sketcher. I would typically dive into the color illustrations and work things out intuitively as I proceed. With this book I sketched a lot and tried out different ideas, layouts, characters, etc. Once I had things worked out in pencil, I stuck fairly closely to my sketches for the color work. I wanted to focus on character, story, and atmosphere in each spread. I like to pose a question at the beginning of each book project that gets to the heart of what I am trying to say. For this book, I asked myself.... "Do you want to live in this illustration?" And of course, if the answer was not yes, it was back to the drawing board, literally. 

I also spent a lot of time collecting...references, materials, papers, textures. I made a folder for each poem. I also kept a notebook with all of my ideas regarding colors, textures, and perspectives that would best illustrate the feelings that each poem evoked. I also tried to tap into our shared childlike curiosity,enthusiasm, and wonder when we are surrounded by natural beauty, especially in urban settings.

Another poem is about a mother raccoon teaching its young to hunt. This wound up being one of my favorite illustrations in the book, both to draw and also seeing how it turned out when I was done. 

Here are a couple of little fellas in pencil and full color.

We wound up changing the scene from a city park to a back alley behind a restaurant. It worked out so much better than the original vision I had which I had strong feelings for. There is a lot to be said about letting go and staying open as I mentioned, it has become one of my favorite illustrations in the book. And it stretched me as an illustrator. I can't wait to show you the full spread! 

Stay tuned for more posts about Hidden City as we get closer to a release date.

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44. the most marvelous Roald Dahl

It has been brought to my attention that we are approaching what would have been Roald Dahl's 100th birthday.
 Yes, today I (and I'm guessing lots of other people in the UK) have been watching, and voting on, Roald Dahl's Most Marvellous Book; a programme that has taken a look back at all of his greats
Well, ten of them. Ten of his children's books that is, as, of course he also wrote for adults (we all remember Tales of the Unexpected, right?).
Not only has the programme reminded me as to what an amazingly ridiculously phizz-whizzingly whoopsy-whiffling genius he was, but it also reminded me of these drawings I made a few years ago.

I made twelve drawings that were used as backdrops for a production of James and the Giant Peach at the Buxton Festival.  And an extra one for the programme (top of post).
It was a really good excuse to re-read the book too. I find a lot of childhood favourites don't read quite as well (to say the least) when you're an adult. But Dahl's do. Try it.
As much as I love James and his Giant Peach it's not the most marvellous. That, of course, is Danny Champion of the World. Which is what I voted for, and which, incidentally, is also as good a read when you're grown up (ish).

(By the way, Matilda won the poll. But obviously everyone was wrong)

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45. Ink and Paint Chip Dugan

Howdy friends and neighbors!

It has been a couple months since I have had time to post something here. This summer has been a busy one. I have been working hard for a new client. The style is slightly different from my usual work, so I have had to put many hours in honing "inking and coloring" skills. Usually I do pencil drawings, and light color washes in PhotoShop which resemble water colors in the final piece. This is a style I have honed for years now, and am quite comfortable with.

The style this new client is asking for is pen and ink, like comic book art. I started using Photoshop brushes (which would have been ideal if they worked right). But I was never able to achieve the same results in the computer as real ink on real paper. After a couple of days of research I decided to delve into inking with a brush. I bought the supplies, and spent literally a couple of months trying to master a skill that takes years to hone. Not surprisingly I came up short of perfection (in my opinion). After working out the cramps in my drawing hand I switched to ink pens. There is still a problem of having to clean up the lines (removing the white of the page so I can color it). It is a time consuming process. Although I was able to reduce my clean up time dramatically with some help from my friend Matt Strieby (Matt also helped provide me with the tools I have needed to keep my work going. Thanks Matt, I owe you a lot buddy).

The drawing you see here of Chip was done with Micron Pens on Pentalic Paper for Pens. Then I scanned it, and in Photoshop (using the new selection tools they have) separated the lines from the page. Then I painted underneath the lines on a separate layer. I did this drawing to test out the new Micron pens and to practice cross hatch shading. I hope in the next couple days to post a black and white coloring page version of this art to TheSearchersWorld.com, and to The Searcher by Ryan Loghry on FB.

It has been a summer of learning, and struggling, and in the end success which is what we all strive for right? I hope you have enjoyed this post, and the drawing of our hero Chip. Thank you for stopping by. God bless, and have a terrific day.

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46. Ink and Paint Chip Dugan

Howdy friends and neighbors!

It has been a couple months since I have had time to post something here. This summer has been a busy one. I have been working hard for a new client. The style is slightly different from my usual work, so I have had to put many hours in honing "inking and coloring" skills. Usually I do pencil drawings, and light color washes in PhotoShop which resemble water colors in the final piece. This is a style I have honed for years now, and am quite comfortable with.

The style this new client is asking for is pen and ink, like comic book art. I started using Photoshop brushes (which would have been ideal if they worked right). But I was never able to achieve the same results in the computer as real ink on real paper. After a couple of days of research I decided to delve into inking with a brush. I bought the supplies, and spent literally a couple of months trying to master a skill that takes years to hone. Not surprisingly I came up short of perfection (in my opinion). After working out the cramps in my drawing hand I switched to ink pens. There is still a problem of having to clean up the lines (removing the white of the page so I can color it). It is a time consuming process, although with some help from my friend Matt Strieby I was able to reduce my time spent cleaning up dramatically.

The drawing you see here of Chip was done with Micron Pens on Pentalic Paper for Pens. Then I scanned it, and in Photoshop (using the new selection tools they have) separated the lines from the page. Then I painted underneath the lines on a separate layer. I did this drawing to test out the new Micron pens and to practice cross hatch shading. I hope in the next couple days to post a black and white coloring page version of this art to TheSearchersWorld.com, and to The Searcher by Ryan Loghry on FB.

It has been a summer of learning, and struggling, and in the end success which is what we all strive for right? I hope you have enjoyed this post, and the drawing of our hero Chip. Thank you for stopping by. God bless, and have a terrific day.

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47. Wrapping Presents


I used three black Polychromo pencils on this one. Almost - two are total stubs, and one has a little life left in it, barely. This was a lot of fun to do! Its all colored pencil - no digital at all. All I did at the end was use Photoshop to clean up around the outside edge (erase the paper texture), and a weird blob that's on my scanner that I always have to clean up on everything I scan (sigh). This stayed remarkably clean, otherwise. I resisted the urge to 'nudge' a few values here and there, because I figured I'd end up redoing the whole thing once I get started. That's the good and bad of being able to fuss with things digitally - you can go on forever. No, I decided this was done, and left it alone. Onto the next one!

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48. New Book





Woohoo! Just when I was grieving the end of one book project, another offer came. A super opportunity, feeling so blessed, I could just pinch myself!

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49. Texture Painting, Glazing Brushes, Customizability Among New Features in Corel Painter 2017

Corel has added significant improvements to the 2017 edition of its digital paint software Painter.

The post Texture Painting, Glazing Brushes, Customizability Among New Features in Corel Painter 2017 appeared first on Cartoon Brew.

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50. Wine & Spirits Magazine

Here is another link for the article in Wine & Spirits Magazine.


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