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Viewing: Blog Posts Tagged with: ILLUSTRATION, Most Recent at Top [Help]
Results 1 - 25 of 5,790
1. In a Puddle


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2. SkADaMo 2014 Day 18

stink 2


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3. SkADaMo 2014 Day 17

quackoon use

Not unlike a platypus, but ya know…


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4. SkADaMo 2014

fight
Deep in the recesses of my brain…
a tiny red-hot little flame began to grow.
Something had happened.
A fuse blew and I had gone out of my skull.
I’m telling my dad!
Hey, Ralphie!
Beat him up! Beat him up!
Did you hear what he said?
I have since heard of people under…
extreme duress speaking in strange tongues.
I became conscious that a steady torrent of obscenities…
and swearing of all kinds was pouring out of me as I screamed.

Ralphie!

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5. fancy mail

Today's package is a bit intimidating, and not only because of it's size.
Voila: my page in this year's Directory of Illustration!!!!!!!

TaDa!

I submitted this last spring, and while there are things I would do differently today, (you know how it is) I'm pretty proud of it. It's a nice big book, I wonder where all the other copies are heading out to today...

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6. forgive me

I can only apologise, profusely, for what I'm about to do. I hate myself for doing it, but I am about to mention the C-word. 
Yes, as soon as you know, Christmas will be upon us. Well, for once, I've been thinking ahead and I've put this bumper pack of AJ goodies together just in time. This includes my book, 3 zines, bag, badges, postcards, greetings cards & stickers.
You can get your little mits on it HERE.
Sorry, again.

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7. Umizoomi – Children’s Book Illustration

Children’s book illustration – Working with Licensed Art

umizoomi children's book illustration cover art christmasA few years ago I teamed up with a good friend of mine to work on some children’s book illustration for Random House and Nickelodeon. We were hired to create two different Umizoomi books, one for Christmas and one about a lost kitten. Umizoomi was completely new to me and when the request came in I actually had to look the characters up on line. When I was younger my children used to watch all the kid shows so it was easy to get familiar with them. Now that my kids are older I have to watch them all on my own. I must admit it’s not nearly as fun but I do still enjoy working on the books.

Putting together illustrations like these was a bit of a challenge because they were originally created in 3D animated and I work mainly in 2D. Even though we had to imitate a 3D look the creation process is basically the same no matter what kind of book it is, starts with sketches, ends with finished art. To build each illustration requires me to become familiar with the characters, the sets, their personalities, how they move, the mannerisms they use and all the other little things the animators masterfully build into the property to bring it to life. That means reviewing each episode over and over again until I’m sure I’ve got it right. By the time the project is complete I’ve probably watched each video 50 times or more but it all pays off when I get to see the printed book sitting on a shelf in the book store. I love working on licensed properties and am always looking for something new. Each one holds a separate challenge and requires a different skill set. My ultimate goal is for my work to match the original so closely no one can even tell it was illustrated by me. Unlike my other books the best compliment I can receive when I working with a licensed property is when someone looks at it and says, “You did that? That doesn’t look anything like your work.”

 

Umizoomi children's book illustration 7 Umizoomi children's book illustration 2 umizoomi children's book illustration cover art christmas Umizoomi children's book illustration 5 Umizoomi children's book illustration 3 Umizoomi children's book sketch1 Umizoomi children's book illustration 4 Umizoomi children's book sketch 2

The post Umizoomi – Children’s Book Illustration appeared first on Bob Ostrom Studio - 919-809-6178.

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8. sweetness

I received a package in the mail this week, and now I can finally show you a sweet assignment that dropped in my lap this summer. If you follow me on Instagram, you've already seen the whole thing in excruciating detail, but it always takes me a bit longer to come over here. Well, here goes:

Here I am on the table of contents, mine is the seal juggling Oreo truffles - of course.
 I got to do a feature for allrecipe magazine, and although I'm playing it cool, it was pretty exciting.

For this holiday candy recipe layout, the Art Director chose to photograph the confections in a watercolor Candyland landscape. The candies would become part of the picture, and turn into something else. I got to invent a storyline, paint the scenes and come up with ways to "disguise" the candy, which was a lot of fun.




These are a few of my favorites.

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9. A New Picture Book with Julia Jarman!


Remember a while ago, I mentioned that Julia and I were talking through her ideas for a new story? Well, Julia has put in a lot of work since then. The text has undergone several rewrites and the various drafts have been back and forth to our publisher, but all that work has finally borne fruit - Hodder have given us the go-ahead. Yippee!


The book is another in the series with Class Two at the Zoo and Class Three all at Sea. This one is to be Class One Farmyard Fun and involves similar levels of chaos. This time though, the action revolves around a bull on the loose. The teacher is,  once again, hopelessly ill-equipped (she ends up getting tossed into a tree) and it's the kids who save the day.

This will be our 6th book together. I love working with Julia - we have exactly the same silly sense of humour and her texts are so incredibly visual, the pictures just leap straight into my head!


I'm delighted about this one in particular, as Julia has been trying to get another in the series published for some time. The other two have been so popular and successful, it seemed such a waste not to. 


I can't start on the artwork until half way through next year, as I have too many other irons in the fire, but will certainly share my sketches with you as soon as I get going.

Well done Julia!!


.

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10. SkADaMo 2014

The weeks of drinking gallons of Ovaltine, in order to get…
the Ovaltine inner seal to send off for my Little Orphan Annie…
secret decoder pen, was about to pay off.
decoder-ring
Remember, kids, only members of…
Annie’s secret circle can decode Annie’s secret message.
Remember, Annie is depending on you.
Set your pins to B-2.
Here is the message.
12. 11. 2…
I am in my first secret meeting.
…25. 14. 11. 18.
16. 23…
Pierre was in great voice tonight.
I could tell that tonight’s message was really important.
…3. 25.
That’s a message from Annie herself. Remember, don’t tell anyone.
Ninety seconds later I’m in the only room in the house…
where a boy of nine can sit in privacy and decode.
Ah! “B.” I went to the next.
“E.” The first word is “be”!
“S.” It was coming easier now. “U.”
“T. O.”
“Be sure to.” Be sure to what?
What was Little Orphan Annie trying to say? Be sure to what?
I was getting closer now.
The tension was terrible. What was it?
The fate of the planet may hang in the balance.
Almost there! My fingers flew.
My mind was a steel trap.
Every pore vibrated.
It was almost clear.
Yes!
Ovaltine?
A crummy commercial?

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11. 2014 stamps

Just ordered my new stamps for the holiday season.


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12. Weekend Re-Cap

It’s been quite a busy weekend full of baptisms and weddings and creative events. So exhausted, but it was all worth it.

This past Saturday we attended the Carousel for Kids event at Dixon Place (NYC) which was hosted by R. Sikoryak and Neil Numberman. It’s a yearly event where these wonderful writers and illustrators read their zany comics and other creations to kids of all ages! It was pretty entertaining!

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The best part was when they picked some kids in the audience to help them read their comics. And most of the kids were so gung-ho about volunteering.

unnamed-4

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This past Sunday I attended my first ever CBIG portfolio review where we were all given the opportunity to speak with 2 editors or art directors of our choice and share our work with them one on one. What a great experience!

unnamed-10

 

An editor from Penguin Group suggested I venture into drawing for older kids and experiment more with lettering. It’s actually something I’d been meaning to explore a bit more so you might be seeing more tweens  and tween themed illustrations in the coming months.

My favorite part of the afternoon was seeing other peoples work and book dummies. It was all so inspiring. Here’s hoping I get inspired enough to write a story myself soon!

Oh and don’t forget to check out the December issue of Highlights for Children to find this little dittie I did over the summer!

unnamed-11

Wishing you all a Happy &  Creative Week!!

 

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13. Royal Mail Stamps



Last summer I was lucky to work on a design proposal for Royal Mail and their Christmas stamps for 2014. It was a dream job!

Working in such a small scale was a real challenge for me as my work is so detailed. I was pleased with the final result, but my designs were not adopted in the end... Of all the opportunities and jobs that I have missed, this is one of those I still feel sorry for, even after a year. This is part of our work as illustrators though. Not every project and every sample is used or published.

Royal Mail gave me permission to include the illustrations in my portfolio. They own the full copyright to the images though, so please, share the link if you like them, but don't take them or use them in another blog post! Thank you.


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14. Illustrator & Designer Jon Contino

I discovered Jon Contino by following the work of Jessica Hische and Drew Melton (the typography world is very small). The first two things that resonated with me was the fact that he, like me, didn’t go to art school, and that he also used his musicianship as a passageway to his passion for design. As much as I’ve grown to love digital illustration and type design, I’m always the most drawn to analog aesthetics–and Jon prioritizes them in his work.

Jon Contino is an award-winning designer, illustrator, art director and self-professed alphastructaesthetitologist. His style is strongly inspired by contemporary street art, his native stomping grounds of New York, and the grit of hand-drawn type. He’s worked with clients like Ogilvy, Nike, Whole Foods, McSweeney’s, Target and The New York Times. He’s also an ADC Young Gun 9 winner to boot, and happens to possess a heartwarming Long Island-born accent.

Jon cites his family as being vital in governing his design and illustration aesthetic. His mother and grandmother happened to be artists, both supporting and assisting in his pursuit of his craft by bringing home reams of butcher paper and instructional drawing books (more about this in the wonderful Shoptalk interview here). He discovered that the lettering he was seeing in movie posters and baseball adverts still counted as typography–even at a very early age. It took me much longer to figure out that illustration and beautifully drawn words weren’t just for books–the marks of our handiwork can truly be found anywhere, if you just slow down and take the time to look.

As a teenager, Jon got his freelancer chops very early on. As a designer geek and drummer in a hardcore band, he was constantly relied upon by his band (and friends’ bands) to supply flyer designs, gig posters and the like. Soon enough, he realized that he could actually “make money at this thing,” and he was preparing invoices and freelancing by the ripe old age of 15.

In 2006, after working for a few different companies and design houses, he opened his own creative studio and has been working for himself ever since. He’s constantly turning pet projects into mini-businesses–most recently, he started up Contino Brand. And even amidst his successes, he’s learned the art of saying no for the sake of self-preservation.

Jon has spoken about how his preference for modern minimalism and his hand-drawn gritty aesthetic meets with a clash. That clash has governed a unique vision that brings the best of clean design and true-to-form drawing together. I’m enthralled by this intersection, and so clearly see the passion and determination that stands solidly behind Jon’s work. His personal history only continues to illuminate it.

Website

Facebook

Blog

Twitter

I also highly recommend his interview with The Great Discontent and his podcast interview with Shoptalk.

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15. Cow Night Light

Thank you Pregnancy & Newborn Magazine for featuring my cow night light with Oopsy Daisy in this month's magazine.


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16. come together

Last weekend I had one of those perfectly creative weekends. The kind of weekend that I wish all weekends were like (does that sentence even make sense? Do those words even make a sentence?).
SATURDAY
As you may or may not know,  I co-run Dr Sketchy Sheffield. You probably do, I certainly bang on about it enough. But, then why wouldn't I when we are THIS fabulous? This is what we created in the Backroom of a pub in Sheffield last Saturday.
When I say 'we' I'm talking about everyone who is involved in making these events happen, from myself and Lara, who run the shows, to the guys who play the music, take the photos, run the bar, the sketchers, and, of course, our amazing models. Just look how brilliant they are.
These girls are a Burlesque Dance Troupe who call themselves The Yorkshire Puddings. They've modelled for us before and they never fail to blow our socks off.

It has to be said, that I probably do less drawing than if I were just a sketcher, but there's something just as magical about creating the events as there is creating the drawings. Here's a couple of mine below, though, they don't always go to plan...

Big shout out to our Eric Murphy for these fantastic photos. You can see the whole set of them HERE.
 I LOVE Dr Sketchy and look forward to another year of cooking up themes and making this sort of magic happen.
 
SUNDAY
On Sunday I got to do a lot more drawing. It was Urban Sketchers Yorkshire's 50th event, and myself and fellow sketcher, Paul Gent, loosely organised a sketchcrawl/pubcrawl/pubscrawl in Buxton. Paul made the map, above.
 We started at 12 noon and went on into the evening. Just a lovely day, sketching my fellow sketchers.
Mel
Matt
Miriam
And, yes, we had to have a photo, to celebrate our 50th and, yes, I seem to be hiding.
 So, all in all, a perfectly sketchy, creative weekend. It's hard for me to imagine that it is only the last, say, three years that I've been drawing out and about and with people. I spent so long at home, drawing alone, I couldn't be happier that this whole new world opened up to me when I stepped outside of my house to draw. You get good things from being people, and you learn so much too. Thanks to everyone I spent the weekend with. It was a pleasure.
Phew, I'm exhausted now. That was the longest blog post ever!
If you're interested in finding out more and, perhaps, joining us at either Dr Sketchy Sheffield or Urban Sketchers Yorkshire then get in touch with me and I'll fill you in on the details. Or, you can follow the links to our Facebook Groups and have a little look around, get to know us and maybe I'll sketch you soon!
Click on links below;

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17. SkADaMo Day 14 (late)

Shrimpmunk

Someone’s gotta eat all those sea chestnuts.

If you’d like to know what SkADaMo is, check it out here.


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18. Preview: Ed Emberley Monograph

Designer Todd Oldham, who has compiled impressive monographs on mid-century illustrators and designers like Charley Harper and Alexander Girard, looks to have made something special again with his book on Ed Emberley.

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19. Goldielocks and the Three Bears



In January I had the opportunity to work on a rather unusual project. This new editions of Goldielocks and the Tree Bears, published by Editions Fleurus, has a simple but lovely paper engineering. Each page is made by two rotating disks so the scene inside changes.
I'm very pleased with the print quality and how well the book was put together. One of my favourite projects this year!








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20. Suzy


Written by Sandra Solinet and published by Editions Fleurus, this is one of the stories I enjoyed the most this year. It's fun and well written and it was joy to work on!
I'm especially happy with the house in the woods.





 




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21. La Petite Poule Rousse


This past spring I've illustrated this lovely board book for Editions Milan. It was a nice challenge. Sometimes simple is not as easy to do as we imagine. This is also a reason why I do enjoy board books. Not only are the very first kids own, but they're a good design excercise.

La Petite Poule Rousse is an audio-book with tiny little buttons on the front so kids can listen to the story while reading each page. You can see a small video on my Instagram!





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22. La Collina dei Folletti

A selection of illustrations from "La Collina dei Folletti" published in Italy by Edizioni EL






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23. ILLUSTRATION - pintachan

More fun designs just because its Friday with a selection from Pablo Rueda or ‘Pintachan‘ as he calls himself, an illustrator based in in Northern Spain. Pablo collects children's illustration books and loves vintage sci-fi. His clients have included Anorak Magazine, 1973, and Jamie Oliver. Open for commissions you will Pablo online here at Pintachan.

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24. SkADaMo 2014 Day 13

Macows

… or maybe Moocaws.
What do you think?

If you’re wondering what SkADaMo is, check this out.


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25. Float Like a Balloon and Raven Sketches

I've been busy at college. Started learning metalwork recently and it's wonderfully fascinating. I've done a couple of rough, small pieces and will show them off soon. Meanwhile I've managed a few doodles when time permits, adding colour to my Float Like A Balloon drawing and sketching a few ravens for fun, all in my moleskine blank book ...

 


Float-Like-A-Balloon-by-Floating-Lemons

Ravens-by-Floating-Lemons

 

So yes, I'm still fascinated by the black birds and their mythologies and fables, so will pursue that further whenever I find spare moments to do so. Right now I'm occupied with filling in college sketchbooks and drawing tons of shoes ... so expect to see loads of footwear up here soon.

Wishing you a week full of blessings and lightness. Cheers.

 

 

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