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Viewing: Blog Posts Tagged with: ILLUSTRATION, Most Recent at Top [Help]
Results 1 - 25 of 5,978
1. Book Release and Publishers Weekly

Exciting news!  "All My Stripes" has been released by Magination Press!  You can purchase the book through my store on my website, or through any bookseller.

 Also, Publisher's Weekly has announced by next picture book from Magination Press, "Big Red and the Little Bitty Wolf."  I'm working on the final art for this title right now, and am excited for its release in spring 2016!  In the meantime, check out this sneak peak at the character art!  I had a lot of fun designing Red's outfits!


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2.


Look what I was sent this week:



The lovely Missus B emailed to ask permission from myself and Damian Harvey. I'm not sure that she actually needed it, but it was lovely to be asked and even lovelier to listen to her reading our book. 

If you have children of the right age (or just like to have a story read to you - I know I do...) then take a look.

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3. something old something new something borowed...

I've a few original artworks, in my Etsy shop, going cheap.
The drawing above is brand new. I did it while waiting in the car park, in a local village, Hayfield, here in Derbyshire. It's the village where the BBC production called, funnily enough, The Village is filmed. Throughout the filming Hayfield was transformed into a village from 1914. Which basically means that they hardly did anything to it. It really hasn't changed much in a hundred years. 
Below, is an oldie.
You can find them both, and some others, HERE.

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4. one of the issues of working with marker pens

That is all.
Bugger.

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5. Bear Picture Book drawings...

A stack of recent drawings for the picture book that I've been working on over the winter. More color images coming soon.


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6. a bit about creating poster artwork

Amongst all the other illustration work I do, I also co-run Dr Sketchy Sheffield and, so, being the sketching half of the team (my co-running partner is from the performance arts), I create the poster artwork. It's one of my favourite things to illustrate. Because it makes me feel closer to the poster artists, from days gone by, who's work I adore. I wish there were more call for poster artists. These days it's all done digitally so I like to buck that trend with purely illustrated posters (and I wouldn't have a clue how to do it digitally).

Now once we've set our theme for our Dr Sketchy event the idea for the poster image pretty much comes to me straight away. Sometimes without even having to think about it. Really, it's just there. I see it - the whole poster - fully formed. I then just need to put it onto paper.

Our next event (next Saturday, at the Greystones, Sheffield!) will be a celebration of dance. We have performers from different genres of dance modelling and, erm, dancing for us. We have a belly dancer, a breakdancer, a bhangra dancer amongst others. So, already I knew I had to get that info into the drawing. The first and original thought was of the kind of drawing in the image above. I think it's important to go with that initial idea if it has presented itself to you. I love those 'consequences' drawings. I've heard them called other things and somebody once told me that they were known as 'exquisite cadaver' drawings. I think that's such a great name, which conjures up all sorts of weird and wonderful images, so I'll be sticking with that.

I made a few exquisite cadaver sketches, like the one above, to try it out. To see if it worked. I'll be honest with you, I think the trial run above is still my favourite. I guess that's because it was the most spontaneous. Then when I'd got one that I felt would work as a poster image I sketched it out onto a 'proper' bit of paper. I always add the image first, leaving room for the text. Sometimes I will play around with where I want to place the image. I did with this one - I tried her on both sides of the page and central before settling on this composition.

For the text I always quickly research (Google) posters or fonts until I find something that fits. For example, I'll Google 'Bollywood poster fonts' or some such thing. This one was a combination of various fonts because of the variety of dance genres. When I find a font I like I loosely copy it. I don't measure out the letters, nothing technical happens, I just copy it by eye (is that even a saying? It looks odd now it's typed out). I don't want it to look exactly like the fonts I find. I want it to be my own version of them.

Anyway, that's a little (ish) explanation of how I create my posters. Now anyone want a poster illustration? I'm for hire. I'm always for hire.
 

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7. Illustrator Submission :: Miquel Tura Rigamonti

By Chloe

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Miquel Tura Riamonti is an illustrator and designer from Barcelona. His work is colourful and fun with a great attention to detail. The isometric style has proved popular with his clients ranging from Samsung to Monocle Magazine. You can view more of his work here.

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8. ILLUSTRATION - the printed peanut

Louise Lockheart at The Printed Peanut has some lovely new illustrated products that have just gone on sale. Items include little pocket mirrors for handbags or travel and a choice of two A5 Notebook designs. All are designed and made in Yorkshire, England. Louise works as an illustrator and has a collaborated with other designers such as Donna Wilson, and in the future we can look forward to

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9. it's that time again

Sorry to have to pedal my wares here, guys. But, believe me, I have to.
There is free postage on a Bumper Pack of goodies on Etsy until Sunday. The Bumper Pack includes my book, 5 zines, badges, tote bag, postcards and stickers. Get yours HERE.

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10. last, but certainly not least...

icelyn~orignal drawing
graphite on bristol
©the enchanted easel 2015
sweet, little Icelyn. 

this is the third (and final) drawing in my series of three whimsical winter girls. i know, i know....it's almost spring (ugh!) but custom work always comes first and i've had a few of those *jobs*the last couple of weeks (no complaints-love custom work) so little Icleyn here had to take a back seat. but....

she's DONE (yay me!) and FOR SALE here along with her two lovely companions...little miss Crystal and my personal favorite, little miss Glacia (love the happy little twisted pout on her...).

although i shall bid my love, mr. winter, adieu in a few days, it will eternally be winter in my heart...(hey look, someone has to show some love for that season...and well, i have MAJ love for it!)

{up next on the easel (and between other drawings)...custom nursery art...featuring an owl and some sweet little birds.}

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11. Catch your Dreams


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12. Baby announcement!



Baby announcement!



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13. All prepped for the #HartfordMFA! #comic #cat #illustration #ink...

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14. i drew a car


The Jaguar E-type has recently been voted Britain's favourite classic cars in this poll. I was commissioned to produce a drawing of it. It's not surprising that it is in the number one spot as it really is a thing of beauty.

I used pencil (a soft thick 4B) and marker pens, to make this drawing, both of  which are drawing materials that I've recently started using. I've never been much of a pencil girl. It doesn't really do it for me, but I kinda like these soft pencils now and again. The marker pen has been a revelation and I can't get enough of them these days. I did all the darker tones and areas with the markers, and it struck me that at one point I would have filled all that in with tiny cross hatched fine lines. Just the thought of doing that, now, brings me to tears.

You can see the rest of the list of Britain's favourite cars, and if you vote you can actually win this drawing HERE.

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15. People Too

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I was recently looking through Behance and found this Amazing work! which I have to say I have become slightly obsessed with. They are created by the Russian team Alexey Lyapunov and Lena Erlich. I think the detail and skill involved is just beautiful and everything is made out of paper.

To see more of their fantastic work visit their behance and Tumblr 

Posted by Jessica Holden 

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16. Fish Girl

New illustration - "Fish Girl"



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17. I’ve always loved the makeup & costuming on these movies...



I’ve always loved the makeup & costuming on these movies they did for Padmé.



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18. When In Doubt, Search Out Joy

As I came to the end of the Sweet Easter collection yesterday, doubt started to overwhelm me. It had already begun creeping into the space of my heart, but yesterday I was submerged and left bobbing for some kind of clarity. Did I do ok? Was this strong enough?? Is it what my agent wanted??? Will it sell????

The art licensing realm is quite different than what I'm accustomed to. I had a system to my art, always got great feedback, and I thought I knew what I was meant to do! I thought "I'm going to paint fantasy, and that's that. That's me! It's what I do!". I am learning, quickly, that nothing, NOTHING, is "That's that.". EVERYTHING is changing, all....the.....time.

That includes my art. What I'm accustomed to is, as my friend put it best, being comfortable. Art for licensing is stretching me so thin that I'm being redefined, challenged, pulled out of my box. I am usually the one teaching my students to get outside of their comfort zone, and to get outside of the "box" we choose to place ourselves in. Time to take a big bite out of my own teaching! I'm comfortable with my subject matter, my compositions, and techniques. I'm not playing anymore.
This has led to doubt. I feel helpless, lost, without faith, no trust, and begin to think I just don't have what it takes. But doubt is a LIE. It's the biggest lie out there that you'll ever find. It just takes a grain of doubt to bring your entire soul down. At least...that's usually how it rolls with me. That doubt must, I repeat, must be replaced by JOY.


Tonight, after teaching another watercolor class about getting out of your comfort zone, I decided to continue searching for words of wisdom, insight into the world of creating art for licensing, and found this amazing interview by J'Net Smith with Joan Marie.

This! This is just what I needed to hear! If you have any doubt, this simple yet compelling interview resounds all the advice and wisdom I have found thus far, on creating art for licensing. I thrive on constructive feedback, and have found very little in the licensing community so far. But there are TONS of information and interviews. These are the keys to gaining feedback. Read. Read. Read. It's just different then what I'm accustomed too. That's okay!


And...

TRUST

LOVE

Find your JOY. Your VOICE. Your SPIRIT.

Then share it to the world.

This is the key I must continue to remind myself. To remind others as I teach. To remind yourself.

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19. After playing some street fighter at an arcade recently, I just...



After playing some street fighter at an arcade recently, I just had to recreate this guy! I love Dhalsim! 



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20. Looping Seaside Animation

Hi everyone!

I spent the last few days creating this animation for the About/Contact page on my website. I asked a pal of mine(David Walters) how to avoid collecting spam through my contact page and he suggested CAPTCHA, which is great, but it would have taken me at least a couple weeks to dope it out and get it running right. I never have that kind of time. So instead I decided that it would be really hard for bots to scan and scrape an email address from a moving image, and since I love to draw and animate I went to work.

Ryan's Boats from ryanloghry.

I used muted colors, and pencil texture (in the pier, and the gull on the piling) to help this piece blend with my illustration style. I should have some artsy-fartsy, fancy pants reason, but I don't. I just really like the look of washed out color, translucent, so you can see the pencil work through it.

I was kind of bummed that the tops of all the buildings on the pier got cropped, but in order to get them close enough to see them, they were too tall for the frame. So Here is a small version of that drawing.

I also sketched some gulls sitting on top of the buildings, but they would have been so small, they would have been confusing. I might go back and add a couple 3D ones in though, so I can move them a little. We'll see.

Here is my original pencil sketch, all I had at first was the idea about the boats. When I put that scene together it looked so sparse, I knew I needed to add some more elements. So I drew the pier, and then built the clouds and the seagulls in 3D. The gulls were fun to animate. I still might add something in the foreground on the right hand side, to give the scene more depth.

I hope you enjoyed this peak behind the scenes. I sure enjoyed creating it. --Ryan

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21. Sequential

Sequential Chimp-01aa Sequential Chimp2-01a Sequential Chimp3-01a Sequential Chimp4-01a Sequential Chimp5-01a Chimp sequence 4 Chimp sequence 3 Chimp sequence 2 Chimp sequence 1Keeping a character constant throughout a sequential story is critical. This chimp employs a puppetry technique to move his parts.

       

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22. StrawberryLuna studio : a dynamic duo

Post by Jeanine

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I’ve been a long time fan of the super talented design, illustration, and printmaking team known as Strawberry Luna. My art crush on this husband-wife studio might have a little to do with the fact that some of my favorite rock bands are among their impressive client list. And because they hand pull their beautiful silkscreens the super old-fashioned way. Or, because they hail from my hometown of Pittsburgh, PA. But, mostly I just am in love with their distinctive and smart graphic style! Best known for their silkscreen prints and posters, they also work on custom illustration and design projects including CD & vinyl packaging,web-ready icons, t-shirt designs, and logos & identity packages.

Their impressive client list includes Belle and Sebastion, Camera Obscura, Andrew Bird, Feist, Bright Eyes, Death Cab for Cutie and many, many more.

It was hard to choose just a few favorite pieces to share, so be sure to stop by their website and Etsy shop to see more!

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23. the clay pot against the iron pot

A little while back I was asked why my book was more expensive in my shop as opposed to on Amazon. It is a good question. It is a fair question. I tried to answer it in an illustration. How else?
It is an issue that faces all of us that run a small business. There's no way of competing with the big guys, no way at all, there is no point in trying. But we do have an advantage over them and that is the service we give.
I am not making big bucks off my book, hell, I forgot to even mention, in this illustration, that I have to buy my book off my publisher in the first place - as well as the currency conversion and bank charges that that entails too. That's before the, above, process even begins. No, I'm just scraping by. Always just scraping by.
But when you do buy from a small business or independent seller/artist you are also supporting them in creating their work. Thank you for that. I really don't mind where people buy my book from. It is an honour that they do buy it at all.  
I'm glad I was asked this question. It's an important one and it gave me the chance to try and answer it. Quite coincidentally, I was chatting with my publisher, whilst I was in the middle of this drawing, about the price issue when he said "in French we say 'le pot de terre contre le pot de fer'. It's a kind of  David and Goliath" and that's how this drawing got the title.

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24. Holy Ghost Cats! Progress on The Boyler Kat. #cat #comics #ink...





Holy Ghost Cats! Progress on The Boyler Kat. #cat #comics #ink #studio #illustration (at 17th Avenue Studios)




Original post by Brian Bowes via Emergent Ideas: http://ift.tt/1GFLgNH


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25. Neary there! #cat #comics #illustration #ink #Sketch (at 17th...

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