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Viewing: Blog Posts Tagged with: ILLUSTRATION, Most Recent at Top [Help]
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1. Mystery

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2. Living in a Pencil (illustration for Pitanki)


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3. 2016 SCBWI Bologna Author-Illustrator Interview: Susan Eaddy

Photo by Peter Nash
By Patti Buff
for SCBWI Bologna 2016
and Cynthia Leitich Smith's Cynsations

Susan Eaddy works in her attic studio writing picture books and playing with clay. She was an art director for fifteen years, during which time she won international 3D illustration awards and a Grammy nomination. 

She lives in Nashville, Tenn.; and is the regional advisor for the Midsouth chapter of SCBWI and a co-organizer of the SCBWI Bologna Book Fair

Her illustrated books include Papa Fish’s Lullaby by Patricia Hubbell (Cooper Square, 2007) and My Love for You is the Sun by Julie Hedlund (Little Bahalia, 2014). Her latest picture book, Poppy’s Best Paper, was released by Charlesbridge in July 2015.

She loves to travel and has used the opportunity to do school visits anywhere in the world from Taiwan to Alabama to Hong Kong and Brazil.

Hi Susan! Thanks for participating in the 2016 SCBWI Bologna Book Fair interview series.

With much more focus on diversity in children's books than has been in the past, how important of a role do you think book fairs like Bologna play in introducing young readers to children from other countries and cultures?

I think that book fairs like Bologna offer hope and understanding for our future. It creates the opportunity to come together from all over the world and find common ground in stories.

Children can only benefit from books translated into their native language to both learn about new cultures or to find that other cultures are very much like their own. With this experience, they see that kids from all over have similar feelings and experiences.

Any tips for new visitors to the Bologna Children’s Book Fair?

First of all, the SCBWI booth is your hub, and home away from home. You’ll be surrounded by friends you’ve never met before. To maximize your opportunities:

  • Apply for a personal or regional showcase with Chris Cheng.
  • Schedule portfolio reviews.
  • Bring promo materials.
  • Read the program.
  • Attend the talks.
  • Network!

Getting Around: Being the worrier that I am…I like to figure out where I am going via Google Maps the day before I need to be somewhere.

Since wi-fi is not always available on the streets, I take a screen shot of the map I need when I am connected, and can then access it through my phone or iPad photos whether I am connected or not.

Get city and bus maps at Tourist Info in the Neptune Fountain Piazza. Buy bus tickets there or at the Tabachi (the little kiosk).

Budget Tips: Have breakfast bars with you at all times. There are food stands at the Fair, but they are pricey and packed, and often a breakfast bar will get you though the day. Then you can splurge a bit on the dinner meal.

Some lodging comes with a modest breakfast, but if you have the option of declining breakfast for a price break, do so. You can generally get a cappuccino for much less and chomp on your breakfast bar.

If you have an apartment, buy groceries and make lunches, even some dinners.

But do eat out when you can. This is Italy! Home of spectacular food. Share a room, a taxi, a bottle of wine.

Do keep all receipts, again, remember this is a business trip.

Those are some great tips. You really are a pro. You’ve done a lot of traveling over the years, China, Italy, and Brazil. As an illustrator, how does seeing different cultures influence you?

I love getting a peek at different cultures when I travel, and specifically I love visiting the schools. One of the things that strikes me most, is how universal kids reactions and questions are.

I have had the same questions from kids in Hong Kong as I've had in Brazil. ("How long does it take you? Why clay? How much money do you make?")

Kids' artwork and enthusiasm are so similar in every culture I have seen. And since so much of my presentations are visual, language does not impose a huge barrier.

In 2015, you officially stepped onto the writing side of picture books with the release of Poppy’s Best Paper. First off, congratulations! And secondly, what particular challenge surprised you when you took off your illustrator’s hat and switched it for an author’s hat?

Thank you! I have lots of memories and ideas from my childhood.

I began writing because most art directors told me that my clay artwork was a tough fit for other people's manuscripts and that I should come up with my own stories.

As I began to write, the stories that unfolded were more complex than suited my illustration style, and the irony is that my own manuscript of Poppy's Best Paper was not a good fit for the clay!

I tried to illustrate Poppy in clay many times, until finally my agent intervened with the suggestion of using another illustrator.

Brilliant! Rosalinde Bonnet's illustrations made all the difference in the world.


Sometimes a fresh perspective is exactly what the project needs. So glad that worked out. 

I’m just fascinated by your illustration method of first drawing an outline then filling it in with clay. Do you see the image with color before you begin or is that something that changes as the page progresses?

I start with a color palette that interests me, then I explore it further in the computer or with colored pencil, working on top of copies of my original sketch. Often colors are changed a bit in the clay stage, but I try to have the colors worked out before I mix them in clay.




I can imagine mistakes can be costly. After your artwork has been published in a book, how do you preserve it and are you allowed to sell it?
 
I save my artwork in pizza boxes and other flat boxes and have my studio knee wall space filled with them. The sad thing is that if I am using plasticine, it is not a permanent medium and they can never displayed in any way but on a tabletop under glass.

I do have some framed and saved that way, but I don't sell them. I also use some polymer clay which is more permanent, but I don't sell those either. Since the end product is ultimately a photograph of my clay, I do sell large prints of the work.



Pizza boxes. I love it! What question have you never been asked on an interview or school visit, but wish to be?

Hmmmm.... How old do you feel, or rather, what is your mental age?

I think ten years old is the age I identify with most. I still think like a ten year old. I'm forever trying to figure the world out and gain experiences by feeling my way through while keeping that sense of wonder. I rarely feel like an expert, but in a way that feeds the creativity.

That's actually why I enjoy clay so much, because I don't know how to do it! Every illustration becomes a discovery process. With lots of skills, ten year olds are still trying to do things in their own way with exuberance and angst, and most are not yet jaded.

Ten is my favorite age, too. And finally, what are you working on now? Any surprises you can share with us?

I am thrilled to say that my editor and I are working on a new Poppy book! In this second book, Poppy faces sibling rivalry with not one but two adorable additions to the family.

We'll see if Poppy can learn to share the limelight!

Congratulations! Can’t wait to find out. Thank you so much for stopping by, Susan. I wish you a lovely time at the Bologna Children’s Book Fair.

Cynsational Notes

Patti Buff
The tenth out of eleven children in a family that took in hundreds of foster kids, Patti Buff found solitude in reading at a young age and hasn’t stopped. She later turned to writing because none of her other siblings had and she needed to stand out in the crowd somehow.

Originally from Minnesota, Patti now lives in Germany with her husband and two teenagers where she’s also the regional advisor of SCBWI Germany & Austria. She is currently putting the finishing touches on her YA novel Requiem, featured in the SCBWI Undiscovered Voices 2016 anthology.

The Bologna 2016 Interview series is coordinated by Angela Cerrito, SCBWI’s Assistant International Advisor and a Cynsational Reporter in Europe and beyond.

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4. Valentines cards, made with love


Nora and George.

I drew Nora maybe three years ago. George is much more recent. I always wanted a companion for Nora and a couple of weeks ago I brought George to life. Both were based on two well known fascinating characters in the history of tattoo art. Nora Hildebrandt was considered the first tattooed lady and toured with the Barnum & Bailey circus whilst George Burchett had an equally amazing life and went on to become a world famous tattoo artist who even tattooed royalty.

It's been just over a year now, since I went full time as an illustrator and I won't lie, it's been tough. Great, and the best decision I've ever made, but it's been really tough financially speaking. So if 2015 was the year of transition, then 2016 has to be the year where I try to turn my illustration into a business. But that's really hard, right? Thinking of your art in those terms. But I need to eat and I need to pay bills and I need to keep a roof over my head. And, I'll do anything that means that I can draw for a living. Well, not quite anything...
I made both of these drawings with the upside down technique. Nora took me a while and quite a few attempts to get 'right' (or how I wanted her). I got George first time - but then I have had a LOT of practice with this technique as you can see in this sketchbook project. So Nora had a companion at last. I love both of these drawings. George and Nora are actually very dear to me.
I never ever saw myself making Valentines cards. I've never really done anything for a particular market or an occasion. Recently my sales in my Etsy shop have plummeted. I'm part of a local Etsy team and this seems to be something of a trend and not exclusive to me. There has been a huge amount of discussion on forums as to why this is but that's a whole blog post of it's own. I've spoken to people who have weathered that storm and asked them what they've been doing to keep afloat. A lot of those people have a good range of products at different price ranges. They also take holidays and markets seriously.
I couldn't though. I couldn't make something for a market. Not me. But Valentines day was coming up. Could I? Could I really? Surely it would be selling out. Surely it would mean I'd have to dilute my work and make something with hearts and roses and oh no. It was already making me cringe. But also, in another part of my brain, it became a kind of challenge. And then it made sense. I didn't have to do anything I felt uncomfortable about. I had the perfect pair for my Valentines cards. So George and Nora went to print.
I printed them on both white and cream card. I also made a sheet of different messages (see above), based on vintage tattoo designs, to put inside the cards and printed those off too. Then I hand cut them all out (this is where my great ideas always become very complicated and end up taking ridiculous amounts of time to create). Yes, I decided I wanted them to have almost a pop-up feel to them, so I cut around George and Nora and all the tattoos.
Then I bought some smart white and cream blank greetings cards and envelopes and hand stuck, with a little of that sticky foam, the romantic pair onto either side of the card and stuck the message on the inside. Finished them off with some cellophane bags and handmade labels and, hey presto, I had Valentines cards. Just like that.
And they went on sale. In my Etsy shop and at local galleries and art cafes. So, it is possible to make things for a specific occasion or market without compromising your art. When it comes to the amount of money I laid out and time put into each one I probably won't make my fortune on this range but I made something I'm proud of.
And, on another note, this is the kind of attention to detail and care that you buy into when you make a purchase from an independent maker. Products made with love and passion, where every single sale is appreciated. Now, I'm off to come up with my next money making world domination art project.
George and Nora. Made with love.
Available HERE.

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5. Train Station (illustration for Pitanki)




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6. DESIGNER - tilly

Tilly is a designer and illustrator based by the sea in Brighton. She had her first children's book 'Where's Will?' published in 2015 by Ivy Press with Thames and Hudson. Tilly's other clients have included National Geographic, Stella magazine, BBC, The Guardian and Bosch. Tilly likes to approach each brief with originality and a touch of humour, drawing inspiration from the everyday and the

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7. Pirates and Princess Exhibit preview

What an exciting day!  The Children's Museum of Indianapolis invited me to be part of a news segment to promote the new Pirates and Princesses exhibit opening this weekend.  It was amazing to see the exhibit.  Here is a clip from the newscast, as well as some photos from the exhibit. 



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8. StoryMakers | Angela Dominguez

STORYMAKERS Angela Dominguez Featured Image

Maria Had a Little Llama/Maria Tenia Una Llamita and Knit Together author and illustrator Angela Dominguez creates heart-warming tales about family and togetherness. Angela Dominguez is a two-time recipient of the American Library Association’s Pura Belpre Honor (2014 and 2016).

It’s kind of a love letter to my mom.
— Angela Dominguez on “Knit Together”

Angela’s picture books are rooted in the themes of family, tradition, and friendship. Several of her books including Maria Had A Little Llama/Maria Tenia Una Llamita; Let’s Go, Hugo; and Knit Together pull from relationships with family members and artifacts from her childhood. A wind-up toy inspired French bird Hugo. Angela’s memories of wanting to be a skilled knitter like her mother led her to write a book to remind children they can be talented in their own way. An aunt’s interest in indigenous cultures informed the writing of a version of Mary Had a Little Lamb with a Peruvian twist.

Angela’s books aren’t only an option for children growing up bilingual; they are excellent for those who want to expose young readers to the Spanish language and Latino culture.

Aspiring illustrators will enjoy hearing about Angela’s process and seeing what a book looks like from start to finish.

We’re giving away three (3) sets of books from Angela Dominguez. Each set includes signed copies of Maria Had a Little Llama and Knit Together. Enter now!

a Rafflecopter giveaway

All entrants must reside in the United States and be at least 13 years old.

ABOUT THE BOOKS

Knit TogetherKnit Together Cover
Written and illustrated by Angela Dominguez
Published by Dial Books for Young Readers

From an award-winning illustrator comes a sweet story of mothers and daughters, drawing and knitting, and learning to embrace your talents just right for Mother’s Day. Drawing is fun, but knitting is better because you can wear it Knitting isn t easy, though, and can be a little frustrating. Maybe the best thing to do is combine talents. A trip to the beach offers plenty of inspiration. Soon mom and daughter are collaborating on a piece of art they can share together: a special drawing made into a knitted beach blanket. For every mom and daughter, this is an arts-and-crafts ode creative passion and working together.

Santiago StaysSantiago Stays Cover
Written and illustrated by Angela Dominguez
Published by Harry N. Abrams

Dominguez presents a humorous and endearing portrait of a stubborn French bulldog and a determined little boy.

Maria Had A Little Llama/Maria Tenia Una LlamitaMaria Had A Little Llama/Maria Tenia Una Llamita Cover
Written and illustrated by Angela Dominguez
Published by Henry Holt & Company

Everyone knows about Mary and her little lamb. But do you know Maria? With gorgeous, Peruvian-inspired illustrations and English and Spanish retellings, Angela Dominguez gives a fresh new twist to the classic rhyme. Maria and her mischievous little llama will steal your heart.

Let's Go, Hugo! CoverLet’s Go, Hugo!
Written and illustrated by Angela Dominguez
Published by Dial Books for Young Readers

Hugo is a dapper little bird who adores the Eiffel Tower — or at least his view of it from down here. Hugo, you see, has never left the ground. So when he meets another bird, the determined Lulu, who invites him to fly with her to the top of the tower, Hugo stalls, persuading Lulu to see, on foot, every inch of the park in which he lives instead. Will a nighttime flying lesson from Bernard the Owl, some sweet and sensible encouragement from Lulu, and some extra pluck from Hugo himself finally give this bird the courage he needs to spread his wings and fly?

Marta! Big & SmallMarta Big and Small Cover (August 23, 2016)
Written by Jennifer Arena, illustrated by Angela Dominguez
Published by Roaring Brook Press

Marta is “una nina,” an ordinary girl . . . with some extraordinary animal friends. As Marta explores the jungle, she knows she’s bigger than a bug, smaller than an elephant, and faster than a turtle. But then she meets the snake, who thinks Marta is “sabrosa” tasty, very tasty But Marta is “ingeniosa,” a very clever girl, and she outsmarts the snake with hilarious results. With simple Spanish and a glossary at the end, this fun read-aloud picture book teaches little ones to identify opposites and animals and learn new words.

COMING IN 2016

How Do You Say/ Como Se Dice Cover How Do You Say? Como Se Dice? (November 8, 2016)
Written and illustrated by Angela Dominguez
Published by Henry Holt & Company

Hello “Hola.” Some people speak Spanish. Some people speak English. Although we may not speak the same language, some things, like friendship, are universal. Follow two young giraffes as they meet, celebrate, and become friends. This bilingual tale will have readers eager to meet new friends and “amigos.”

COMING IN 2017
Sing Don't Cry CoverSing Don’t Cry
Written and illustrated by Angela Dominguez
Published by Henry Holt & Company

Pura Belpre Honor winner, Angela Dominguez, based this musically driven story on her beloved grandfather. Her abuelo always encouraged her to stay positive and carry on.

ABOUT ANGELA DOMINGUEZ

Via AngelaDominguezStudio.com
Angela was born in Mexico City, grew up in the great state of Texas, and lived in San Francisco. She’s the author and illustrator of picture books such as Let’s Go, Hugo!, Santiago Stays, Knit Together, and Maria Had A Little Llama, which received the American Library Association Pura Belpré Illustration Honor. When she is not in her studio, Angela teaches at the Academy of Art University, which honored her with their Distinguished Alumni Award in 2013. She also enjoys presenting at different schools and libraries to all sorts of ages. Angela is a proud member of SCBWI, PEN America, and is represented by Wernick and Pratt Literary Agency.

CONNECT WITH ANGELA DOMINGUEZ
Website
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StoryMakers
Host: Rocco Staino
Executive Producer: Julie Gribble
Producer: Kassia Graham

This post contains affiliate links.

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The post StoryMakers | Angela Dominguez appeared first on KidLit.TV.

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9. Mr. Orange Comes to Life

Mr. Orange 1.23.16-01Mr. Orange is the second in this series of characters for the math card game. What a happy fellow, he gets to join Ms. Banana in their adventures with numbers.

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10. Characters for an Educational Card Game

Banana character 1.11.16-01Meet Ms. Banana, the first of three fruit characters heading to a math card game. I am so honored to get to work with great clients, doing great things for others. This project is the brainchild of a creative mathematics instructor. Using Adobe Illustrator and InDesign we are bringing to life a fun and entertaining method to teaching arithmetic.

      

Related Stories

 

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11. NEW WORK - milk & honey

Designer Lisa Barlow has recently gone from working full time in-house for 4 years for greetings card companies to full time freelancing, working under the name Milk & Honey Studio. She is very experienced in designing/illustrating for greeting cards, children's homeware and fashion as well as children's books and we are lucky enough to see some of her latest portfolio pieces in this post. Lisa

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12. Pirates and Princesses

 These past few months, I have had the opportunity to create the artwork for the Children's Museum of Indianapolis's upcoming "Pirates and Princesses" exhibit, which will be opening next week on January 30th!  This exhibit will be a walk through famous stories of royals and rebels.  Children can play in a castle, a pirate ship, dress up in costume, experience an interactive digital piece, and more!  I hope you can join us on opening day!

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13. Happy 2016 Patient Readers… and a look back at 2015

Wow I did not get a lot of blogging done in 2015. 

Instead I got a lot done everywhere else.

Like here:
The cover illustration of KOOKY CRUMBS in progress



















and here:
With a posse of illustrators at the Midsouth
SCBWI Picture Book Dummy Retreat at Pickwick Landing State Park




















and here:
Meeting Dan Santat and Michelle Knudson
at the National SCBWI conference in LA


















and especially here
My launch for THE LITTLE KIDS' TABLE !! On September 11th, the day
after my 43rd birthday. This is probably my favorite picture from all of 2015.
All the ladies in this picture are accomplished artists as well as amazing friends.


Dulce Desserts provided this amazing cake!


Reading my book at Parnassus during the launch.
I was so happy I didn't have to use a microphone.

And this is the my other favorite picture from 2015.
After the party was over the very last picture
was taken with me, Jim Dear, Fry and Sprout




























































































There were also some pretty awesome vacations in the mix:
Then two weeks after that we boarded the Disney Wonder
for some much needed relaxation from Vancouver to San Diego.






















as well as some very awesome book parties for many of my talented friends:
Launching POPPY'S BEST PAPER by Susan Eaddy
Launching DUNCAN THE STORY DRAGON by Amanda Driscoll. Also
pictured is Jessica Young who launched SPY GUY and FINLEY FLOWERS







































So while a tiny little part of me missed writing in my blog the truth is the time has come for me to realize that the time I spend blogging is time I could be spending doing a lot of other things. Which leads me to my personal goal for 2016: CRAFT

Illustrating and writing require a constant, lifelong commitment to get better. Over the course of my blog I've posted my weekly sketches. I've posted about critiques and workshops and conferences. These are all important to do and to attend but now I plan to spend the better part of 2016 focusing all my creative energy on my craft. Writing and rewriting, drawing, and redrawing. The time that I could be spending putting together a blog post is now going to be spent doing the work that improves my craft. And when I'm not doing THAT I'll be continuing to keep my resolutions from 2015. Or hanging out with Jim Dear, The Fry, and Sprout who are growing up at a much more rapid rate than they have a right to.

Not that I won't ever post as Fabulous Illustrator again but Facebook and Twitter give me the opportunity to natter about ordinary life. I do have some other posts planned but for 2016 I'll save my blog for really special occasions…. like this:
KOOKY CRUMBS arrived on my doorstep on January 11th, 2016!





































Happy 2016 patient readers


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14. Happy Mermaid Monday

Even a cold couldn't keep me away from creating a lovely mermaid for the upcoming book. ♥︎ Feeling the love in the air as Valentine's Day approaches next month.


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15. and now for something completely different

As is standard with me, as soon as I say I'm going to be on top form, posting on my blog daily, I post nothing for weeks. I should just not say anything. Plus, I promised a month of inspirational drawing ideas. Well, I do kind of have one of those for you. Quite unintentionally really.
So, this was yesterday. A small group of us had planned to meet for our friend Karrie Brown's birthday in what was being called a 'Doodle and Afternoon Tea'. A sort of mini sketchcrawl.
After the first destination we had arranged to meet at was closed for 'emergency maintenance' our plans had to change, so we ended up at Staircase House - the oldest town house in Stockport - and while we didn't draw in there we (some of us) raided their dressing up box.
The kind people of the museum even let us take the costumes out on the town. Or specifically to the market. So with three of the group dressed up, in costumes that spanned the ages and messed with history, the rest of us got to draw them in various parts of the market.
It struck us that this is a great idea. Some of us already do urban sketching, and sketchcrawls, and we also do alternative life-drawing - with clothed models - but this brought those two things together.
So, just like above, getting models to pose in-situ was really good fun. And, at moments, also quite surreal.
So, that's my suggestion/idea. Give it a go. If you know anyone nuts enough to walk around in costume, in public places, rope them in. Otherwise hire someone! We intend to do more of this in the future.
I love it when things work out like that. Serendipity, I guess they call it.
Then it was back to afternoon tea and more drawing.
Oh, and here's another idea. Something I try to do lately. I always try to take some different pens and tools out with me on these little jaunts. Whether its a sketchcrawl or life drawing. I take things that I wouldn't normally draw with.
It forces you to use something else apart from your old favourites. Cos if you ain't got it with you you cant use it.
Like yesterday, not a fine liner in sight. I took marker pens (Letraset Aqua-Markers to be specific) and a brush pen. So, I know it's a real old cliché, but my idea for today is to get out of your comfort zone. I did and I'm pretty chuffed with the results.

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16. Zim & Zou

15dd6936506591.560155b20bead ca6a8a17739289.562be63c6fdb6

f9558f18014465.562c2573b2ebd 7f8d3a26046307.56350681c71f0 eaa29224580603.5604a67c24fd8 f09c5e1787758.560101fdae55c 

Zim & Zou are Lucie Thomas and Thibault Zimmermann, they are two french artists based in Nancy. They use handcrafted objects to make beautiful colourful installations. They studied graphic design for three years whilst at art school, but their studio works in a variety of multidisciplinary ways incorporating illustration, graphic design and paper sculptures. There favourite material to use is paper, making everything by hand.

To find out more visit their website and Behance.

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17. Babybug Magazine Jan 2016

Been busy working on illustrating two children's books, but managed to do these illustrations for Babybug Magazine, out now.



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18. ILLUSTRATION - yanyan evan-jones

YanYan Evan-Jones is originally from China but now lives in England. She is an amateur illustrator who is really interested in surface pattern design and wanted to show her works to a wider audience. YanYan primarily works with pen and paper, and doesn't sketch anything out in pencil first. She loves the fact that working this way means that there are no second chances; for better or worse

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19. farewell 2015....

www.etsy.com/shop/theenchantedeasel

thanks for a very productive year and an even bigger THANK YOU to everyone who purchased my art, as i am constantly humbled each and every time. 

looking forward to new paintings, drawings and just a super creative 2016! oh, and if i could get SNOW in there....;)

MANY BLESSINGS TO ALL FOR A VERY HAPPY AND HEALTHY NEW YEAR!


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20. New Sketchbook Skool Class by Penelope Dullaghan

Screen Shot 2016-01-04 at 12.26.59 PM

“Illustration Friday friends, hello!
 
I wanted you to know that I am teaching at Sketchbook Skool for the first time! Sketchbook Skool is an online video course (or ‘kourse” as they say at Sketchbook Skool) that lasts six weeks and has a different teacher every week. We made more than a dozen videos in which I appear telling stories, sharing pages of my sketchbooks and doing some demos. Here’s a video trailer about the kourse
 
You can learn all about the Skool at their website, sketchbookskool.com
During the week I am teaching, I will be right there with you, answering questions and comments and admiring the artwork you’ll share! It’ll be so fun!
 
One of the things I love about SBS is the wonderful, supportive community that has developed there. There are thousands of people from around the world, some are professional artists and illustrators, some are complete beginners, all collaborating and encouraging each other. It’s a great experience I think you’ll love, too!
 
Enrollment starts today and the kourse begins on January 15th. I hope to see you in klass!
 
As a special treat (and for the very first time ever) Sketchbook Skool is offering a 20% discount only to members of Illustration Friday — like you.  When you check out, just use the code: Pennyatskool2016 and do it soon — it expires on January 15th.
 
Can’t wait to begin!”
-Penelope Dullaghan

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21. Sketchy Squares

Sometimes in the middle of a deadline, along with the joy of making art for a book that you are completely over-the-top excited about*, there's an urge to break out and try something new.

A few months ago I cracked open a sketchbook, new ink, a tiny set of travel paints, and a bunch of watercolor pencils I'd been meaning to play with for a long time. The goal was only to make small, quick drawings of whatever was floating around in my head at the time, and to keep it loose. (Must squash that perfectionist beast that makes you tighten up and question every mark on the page!) Each is only about 3" square.

This exercise has turned into relaxing little breaks that fit in the crevices of my day between other projects. Also, it's FUN! You might want to try it sometime.

Here are some of the drawings. I also post them over on Instagram...




































*The book is CHARLES DARWIN'S AROUND-THE-WORLD ADVENTURE (Abrams, 2016), coming out in October! Woohoo! (More about this, soon!)

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22. Illustrator Submission :: Laura Manfre

By Chloe

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Laura Manfre is a self-taught illustrator from France. Her work has a beautiful traditional quality to it but still remains relevant and appealing. It’s difficult not to feel hungry when looking at Laura Manfre’s work due to one of her main subjects being indulgent treats and tasty snacks. She is equally talented though at depicting other subjects such as animals and people.

If you’d like to see more of Laura’s work, please visit her portfolio.

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23. Little Red Riding Hood

Baird_Roberta_tomie72 little red roberta_72Every year I seem to do several versions  of my entry for the SCBWI Tomie Depaola award Contest. this year was no exception. I did two completely different settings for Little Red Riding Hood prompt. The passage I used was “Her grandmother lived in the woods, about half an hour’s walk away. When Little Red Riding Hood had only been walking a few minutes, a wolf came up to her. She didn’t know what a wicked animal he was, so she wasn’t afraid of him.”

In the end I sent the Central Park Little Red Riding Hood, but I always wonder if I should’ve sent the other one/ones. Which one?

 

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24. 2016's first week....

so sometime this winter, i'd really love to see some snow...until then, i'll have to paint myself a beautiful winter muse. and that's exactly what i've been working on....


  

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25. Yeehah - I am at 99%!


Since my Craftsy masterclass launched on Oct 19th, I have had an amazing 1161 people sign up! This is great news, not just because it is brilliant to know that it is obviously hitting the spot, but also because Craftsy classes are paid very much like picture books - you get an advance and then royalties. 


For those who don't know how an advance works, it is a payment to help cover the time the artist spends in development and production. It's better than a flat fee though, because it is an advance on royalties that the company expects you will be able to earn, which means that, if sales go really well and you earn more than the advance they've paid, you start to get more payments: your actual royalties.


I was paid half my advance when we finished filming in September last year and half when the class went live in October. The Craftsy website has a place with a little graph which tells me how much of my advance has been earned out. I've been taking a peak every few days and watching it creep up and, FANTASTIC news - this morning it looked like this. It was at 99%! 


I goes up slightly faster if people click through from my website or blog, so it's hard to work out exactly how many people that missing 1% represents, but I reckon I need about 12 more people to subscribe, for me hit the golden 100%.


The great thing about a Craftsy class is that it is not in 'real time'. You can sign up at any time and watch it at any time: it's there forever, for you to watch over and over if you like, so you can work through things as fast or as slowly as you wish. Plus, if you get busy and suddenly don't have time to get through all the 7 lessons, you can come back and carry on next year, if that fits better. You also get the chance to ask me questions and post your homework. If you've not seen it yet, this little trailer gives you a very clear idea of what you learn:


So, if you want to be able to draw characters with confidence - animals, people, whatever you fancy - and more importantly, learn how to make them feel real, by giving them individual personalities and emotional responses to their situations, have a go at the class and be one of my 12 people! 


It's currently on sale at £19.16 (or whatever the equivalent is in dollars, if you are over that side of the pond). I think for what you get, that it really good value. I've certainly had lots of lovely feedback. Hope you like it!

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