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Viewing: Blog Posts Tagged with: sketchjam, Most Recent at Top [Help]
Results 1 - 7 of 7
1. Rain, Hula-Hoops, Music, Muffins and Mud...


John and I bought a new tent recently, and a little one-ring stove. We were getting ready for last weekend. Like half the residents of Nether Edge, we were all excited, because our favourite music venue, Café #9, had decided to put on a mini music festival!


It was very do-it-yourself: Jonny hired a field, a generator, a couple of portaloos and some hay bales, bought a big star-shaped marque, then divvied up the cost between about 40 participants and everyone else mucked in to make it happen. Various people offered their different skills and we had a bunting-making evening at the café. 

On the Friday afternoon, John and I helped to get things set up.


The sun was shining and the reservoir was glinting behind tall pine trees. Jonny's wife India unpacked buckets of beautiful things and turned our little encampment into a colourful paradise of flowers and lights, pom-poms and cushions. The stage was set!


The music was mainly in the evenings, but people had offered to run different activities during the day. John organised a Saturday morning walk. I offered a sketching session for Saturday afternoon. Unfortunately the rain put paid to most of that... Yes, there was rain. Then more rain.


At least we got our tent up before it hit. By Friday night though, it was pouring down and those coming after work weren't so lucky.


It poured and poured. India's paper stars dissolved. The wind blew the rain in and her cushions and throws wicked up water. It put out the fires. The rain might have dampened everything in sight, but it didn't dampen our spirits. Oh no. We Nether-Edgers are a tough lot.


We huddled under our marquee and ate and drank and chatted and sang. People played guitars, someone brought out a mandolin. Someone arrived with home-baked cheese muffins. someone else brought out a wind-up gramophone and a pile of old 78 records:


In moments when the deluge slowed to a drizzle, kids ran around and people hula-hooped:


Somehow the time became half past two in the morning and we dashed back through the rain to our tents.


Next day started dry, so John's walk went ahead. It was great to see where we actually were. We walked up onto the moors and around the reservoir. We were out for two and a half hours and only got rained on once. It was saving itself...


Yep. Saturday afternoon and evening were EVEN WETTER! Was this possible? John described it best: the rain was biblical. The thing was, even though we couldn't do all the dancing, painting, yoga and star-gazing we had planned, the weather almost did us a favour. Because we spent the whole time together in the marquee, sitting on our hay bales, we really got to know each other and I made so many new friends.


Then in the evening, when the bands arrived the wonderful music totally eclipsed the rain. The main act were the fabulous Goat Ropers Rodeo Band, all the way from Rhyl. Fantastic.


As you can see, I did plenty of painting, though it got tricky as it got dark and we were operating with decorative lights alone.


Some time around midnight the rain stopped. Dan, who had set up a cocktail bar from the back of his van, brought out a record player and a massive pile of LPs. We danced in the mud, in wellies and walking boots, cocktails in hand, to hits from the 70 and 80s mostly. The best boogie I've had in a long while. Numbers dwindled gradually. At half three, John and I gave it up, but apparently the last few stopped up until 5.30!


Sunday was glorious. While those who had to get home packed up their stuff,  we put on the kettle for constant tea and a small encampment of 'morning-afters' lounged around our tent.


There was some guitar playing, a bit more hula-hooping, but mostly we just wanted to chill. The Café #9 bus served coffees.


A bass player was discovered asleep under a hay bale. 


And then it was time to pack up ourselves. The stragglers mucked in to help clear up and ferry things back into Jonny's van and we said our final goodbyes. not that final though - Jonny is already planning another one for mid summer!


Thanks to various people for taking such great photos, especially Charlie Osguthorpe. And of course thanks to Jonny, for such a brilliant idea and having the energy to make it happen.

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2. Painting Live Music




We are so lucky to have the excellent Cafe#9 just 5 minutes walk away from our house. It's only small but it has such a lovely atmosphere. Very bohemian, very relaxed, very friendly.



Any regular readers will know though, that what makes it even more perfect, is the music. I have been spending more and more evenings there, sketching the performances and, recently was invited to take part in a couple of recording sessions.



This was of course, rather exciting. Jonny, owner of the café, thought it would be fun to record albums for up and coming bands who he is impressed with. Having watched me paint and draw my way through so many gigs, he commissioned me to sit in on the recording sessions with my sketchbook.



The idea was for me to just do what I normally do, but the extra challenge was for me to create a piece of artwork which could be used as an album cover. I might once have found this a little daunting but, having sketched so many events during my residency, knowing with each that the results would need to work, being part of a larger piece of artwork, I felt pretty brave about the idea.



All these sketches are from those sessions. The first session was with Liam Walker, with session musicians making up the band. The second one was recording Gregory S. Davies above. He was again performing with the local session musicians: the person below on the piano, Finn, is also on a guitar at the top, the glockenspiel at the bottom and playing the red double-base. Talented fella!



We haven't actually had any finished CDs out the other end yet. The illustrations are with the designer. I'll show you when they're done.





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3. End-to-End SketchJamming: Sheffield Music Festivals




Over the Easter weekend, we had (bizarrely) two music festivals here: the Sheffield Sessions folk festival and CADS Blues and Beer Festival. It was clearly too good a SketchJam opportunity to miss!



We sketchers gathered up our drawing gear and got stuck in on Saturday afternoon at The Shakespeare pub. Les and I sketched there last year. This year we were five strong. 


It was a tiny room, full from the start. Despite this, more and more musicians turned up during the first hour, squeezing into every corner, standing up or sitting on instrument cases, joining in with whatever music was in progress.


I soon found I could only see bits and pieces, around the people sitting in front of me, so I had to move the pints aside and sit up on a table. Luckily, it turned out to be very comfortable up there.


The music was wonderful and the musicians such a joy to draw. I love the challenge of trying to capture the energy and movement, as well as the difficulty of making sense of hands that are in constant motion.


It all died down about 5.30 and most of the musicians and sketchers left. Les and I were waiting for our other halves, before moving on to the blues festival in the evening, so we stayed behind. Which was lucky because, less than an hour later, a fresh batch of musicians began to trickle in. They took turns playing for one another, or helped out by adding harmonies or accompaniment:


The blues event later in the evening was completely different. We were in a basement gig space, painted black, with a tiny stage in one corner. It wasn't too packed, but the audience were all standing and the light was very low - neither of which were ideal for sketching. 


I gave it a go anyway. Standing up meant just one pencil at a time, but there was no way to use colour in the dark anyway. Luckily I had a tin full of little, pre-sharpened end-stubs of soft graphite sticks. I filled my pockets and I worked my way through them, drawing as best I could.   


I couldn't tell whether what I was doing was really working, because I couldn't judge tonal values or see much of my mark-making, but could see enough to be able to gauge space on the page, which was enough. I was encouraged when John used the torch on his phone to reveal that the drawings were in fact looking pretty good.


After the first band though, I once again found my view disappearing and, being short, I was only getting glimpses between heads. Under normal circumstances, I might well have given up drawing at this point but, because we had been out since lunchtime (and it was by now about 10pm), I had drunk more lager than I would generally...


By now any residual self-consciousness was long gone, so I climbed up onto a ledge at the side of the room, which gave me a view over the audience's heads:


We started home just after midnight, with the event still in full swing behind us. Unfortunately, because it was that evening when the clocks went forward, it was actually getting on for two in the morning by the time my head hit the pillow. What a great day though - a big thanks to my sketch-buddy Les for suggesting it!


You can see some of the other sketches people did in the afternoon on the SketchCrawl North page. There are also lots of my other sketchbooks on my website.

If you would like to come along to a sketching event, just drop me an email and I'll put you on the list for my e-newsletter, which will give you all the information you need to join us. 


Events are free and untaught: it's all for fun. We are just a bunch of people who enjoy sharing the experience of drawing together on location.



4 Comments on End-to-End SketchJamming: Sheffield Music Festivals, last added: 4/10/2013
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4. SketchJam - Carolan Folk



As you will know, if you read this blog at all regularly, I love sketching to live music. The two things go together so well and the music (and the beer) really helps to get your sketching arm moving! 


This set are from a recent evening I spent with a few of my SketchCrawl North buddies in the White Lion pub, listening to Carolan folk music in their tiny front room. 


It was a very intimate experience, as the space was only about the size of the average sitting room, so we were very much on top of one another. There was no way to be discrete about the sketching - it was obvious from the outset, but the musicians took it in good part. 


There were in fact about the same amount of sketchers as there were musicians! 

I decided I wanted a change from my trusty watercolour pencils, so took my paints and graphite sticks instead. To ensure I stayed loose, I used the technique I learned from Richard Camara at the Lisbon Urban Sketchers Symposium: applying the colour first and the line later. 


We had drawn this group once before, just under a year ago. On that occasion, during a pause in the music, the man above said 'I like to draw', so I recruited him on the spot to SketchCrawl North. He joined us for our summer sketchcrawl out in Edale. We must do that again once the weather is nice (it snowed again today - brrrrr...)


In the meantime, we are sticking with indoor locations. Our next SketchCrawl, if you want to join us, will kick off from 10am in Sheffield's Endcliffe Park cafe (brave souls can try drawing out in the park itself). Then, in the afternoon, we will again be entertained by live music: we have been invited to sketch at the rehearsal of Sheffield Oratorio Chorus, which should be amazing.

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5. SketchJam: Sheffield Folk Festival



After the fun of the recent SketchJam at the White Lion, Les and I hooked up again and took our sketchbooks to the Shakespeare pub to draw one of the events at the Sheffield Folk Festival


It took a while for things to get going, then suddenly the tiny bar exploded into music. Flutes, accordions, squeeze-boxes, a fiddle, a sax, guitars... you name it, they were whipped out of bags and we were soon tapping our toes and warming up our pencils!


Everyone was crammed into such a small space that we quickly got to know our neighbours, some of whom were musicians, some morris dancers. They were all very friendly indeed and, as usual, very interested to see what Les and I were up to! 

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6. Carolan Folk Music - SketchJamming


We've not been SketchJamming for ages, so when we heard they had an evening of Carolan music at the White Lion pub just down the road, a few of us decided to head over there. 


For those who've not come across a SketchJam before, it's a term we sketchers invented for a live music SketchCrawl

It's great fun drawing to music but can be quite a challenge, as of course musicians are inclined to move about! The harp and whistle players below were a gift though, as they kept very still, though the songs didn't last long, so it was still a bit of a race:


Another thing I particularly like about SketchJamming in the informal setting of a pub, especially if, as on this occasion, it is a fairly small and casual gathering, is the way it becomes a general experience of 
sharing, making contact between two different forms of creative expression.


T

2 Comments on Carolan Folk Music - SketchJamming, last added: 4/13/2012
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7. Live Music - SketchJamming in the Park



I spent last Sunday afternoon sitting in front of the beautifully restored bandstand in Sheffield's Weston Park, listening to a great rock / blues band called Fade 2 Black. Well, actually, I had only half my brain listening, the other half was frantically sketching.


I warmed up by painting the view above, while the band was setting up. I'd got there really early to ensure a space right at the front, with a good, close-up view.
 


It was then that I realised: if I sat on the grass with everyone else, I wouldn't see much worth drawing, as the bottom metre of the raised bandstand was boxed in! So I did my usual attention-seeking, and sat myself on the bandstand's front steps, peering into the front for the entire afternoon's set.


It played havoc with my bum, knees and back, as the steps were concrete, and I had to twist round a bit awkwardly (which my physio would have loved, I'm sure) but it was worth it. 


I started off by drawing in graphite stick, which gives a nice, loose line.

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