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Viewing: Blog Posts Tagged with: Andrea Joseph drawings, Most Recent at Top [Help]
Results 1 - 25 of 67
1. looking down on everything

Just an acorn. A little acorn. That's all.
And, it's here. For you. For a penny. Just a little penny.

3 Comments on looking down on everything, last added: 3/23/2013
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2. put your lights on

I'm back. Circus life was not for me. No, I have too much baggage (well, boxes) to lug around.
Not much to say about this drawing, really, except that throughout it this song was in my mind;

Hey now, all you sinners
Put your lights on,
put your lights on

'Cause there's a monster,
living under my bed,
whispering in my ear
And there's an angel,
with a hand on my head
She say I got nothing to fear

There's a darkness,
living deep in my soul
it still got a purpose to serve               
So let your lights shine,
deep into my home
God don't let me lose my nerve,
don't let me lose my nerve

From Supernatural by Santana.
'Put Your Lights On' lyrics by Everlast.

7 Comments on put your lights on, last added: 4/8/2013
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3. i got a deal for you right here

A couple of new additions to my Etsy shop here. Above, an original drawing I made a couple of years back. It is actually my kitchen table which also doubles up as my work space. Read more about it HERE.

Below, another original, a brand new little drawing of this poorly saggy old owl. Go on, give him a home. He can be found HERE.

2 Comments on i got a deal for you right here, last added: 2/22/2013
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4. side by side in idle talk

It seems wrong talking about Christmas at this time of year. Quite frankly, I don't want to even think about it until next December, (December the 24th to be precise), but due to all my recent technology issues I never got to post the drawings from our Sketchcrawl Christmas lunch/get-together. We met on a Saturday afternoon at the Harland Cafe in Sheffield. What a great little place. And, so cheap. I can't remember the last time I had a meal, dessert and a couple of drinks for less than a tenner. Plus, I had an extra portion of chips - which were amazing. But, this is what's known as going off on a tangent (it's the sort of thing I remember, though; good chips). Here are just a few sketches I made. I came home with absolutely tonnes of drawings. Some days are like that, though, right? Some days you're just unstoppable.  
 Anyway, I'd like to introduce you to a couple of our group;.
Harry has been drawing with Sketchcrawl North for longer than me. Despite being one of our youngest members he is a veteran. I think he'd been scribbling away since about the age of ten (ish). His work is great now, so I can only imagine what it'll be like in a few years time if he continues at this rate.
Now, I can't pretend I know this baby. He, or she, was sat on a table close by. On these sketchcrawl outings I try to take a few tools that I wouldn't normally use, to change things up a bit. I made this baby sketch with one of my lovely old calligraphy pens. I really must use them more. I pinched a blue pencil, from one of the group, to create his, or her, rosy cheeks.
And, finally, another of our regulars Jane, in her lovely jumper. It's so nice I drew it twice. Here and in the top drawing.

Thanks for all the recent response about resizing vs watermarking images, etc. As you might be able to tell, from this post, I still don't have a bloody clue what I'm doing.

Happy Christmas!

3 Comments on side by side in idle talk, last added: 2/25/2013
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5. i'm not out to convince you or draw upon your mind

 Finally, it's here! Yes, my copy of Danny Gregory's new book 'An Illustrated Journey' has arrived. And, somebody can't wait to see inside.
And, I don't blame her. It really is amazing. Really, I'm not just saying that because I'm in it. It's page after page of gorgeous sketchbook artwork. A cornucopia of carnet de voyage.
 My pages are nestled inbetween Cathy Johnson and Tommy Kane. Can you imagine that? Way back in my own (illustrated) journey I'd marvel at both of their work and dream of, one day, being a teeny weeny bit as good as them.
 Plus, there are just SO many other artists that I adore. ADORE, I won't mention any for the fear of leaving some out. You'll just have to get your own copy. It's worth every penny.
 A huge thank you to Danny for including me in this book. Now, I'm off for a cuppa. Then I'm going to sit down and travel the world, because somebody is just not prepared to wait any longer....
Oh, and you can get it HERE.

9 Comments on i'm not out to convince you or draw upon your mind, last added: 3/4/2013
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6. and it gleamed in the distance and it shone like the sun

A new one here. When I started this it was going to be one of my trademark pen drawings. Just a bunch of pens on a page. I don't know at what point it became London Bridge. That's even if it is London bridge and not, in fact, Tower Bridge.

Can you read the text on this one? Cos, I seriously have NO idea what I'm doing when it comes to resizing these days. It's pot luck.

Anyway, this one drawing is not just new to my blog, but it's new to my shop too. I've put a few originals up for sale over the last few days. Have a gander HERE.

8 Comments on and it gleamed in the distance and it shone like the sun, last added: 3/4/2013
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7. you've come a long way baby

When I began my first travel themed journal I filled it with the souvenirs I'd brought from my trips. Because back then I would never draw in front of people, and so I could draw the souvenirs from the privacy of my own home. In fact, when I made my second little zine I wrote inside "I am a reluctant public sketcher. Actually, that is a big fat understatement. The thought of drawing in public fills me with horror". That was about three years ago.

 And, here I am today. drawing on planes, and in airports, cafes, parks and streets. I made the sketches, above, on the way back from France. I was sat with a really nice French guy who watched me draw through the whole flight. He commented on my sketches and even suggested the passengers who I should draw. The guy who is asleep in the middle of the page was looking over my shoulder at what I was doing (when he'd woken up, obviously!) and the flight attendant came over to take a look. I didn't mind. At all.

 I don't know what has changed in a relatively short space of time. I'm certain it's not one thing. Sure, my confidence has grown and I worry less that people will think my work is rubbish. When I reflect on how far I've come it inspires me to keep on going. And, to keep pushing myself in directions that I never thought I'd go. Roads I never thought I'd travel down. Learning as much as I can to become the best illustrator that I can be. 'Cos, I love drawing. It's as simple as that really; I just love drawing.

16 Comments on you've come a long way baby, last added: 12/27/2012
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8. love me doodle

Posting a couple of oldies here, whilst I get my head around Photoshop and while I tackle (struggle with) my tax returns. It really is the worse job of the year. Made only worse when you leave it until the last minute.

These drawings are both on sale. And, are both on a sale (?). Excuse me for peddling my wares but yes, I'm skint again. It seems being a professional doodler isn't the most lucrative way of making a living. The original, of the drawing above, is on sale at a ridiculously cheap price. One of my gorgeous friends said that this drawing was like 'jewellery flotsam, a tide-line of trinkets' and, you know, that's exactly the effect I was going for. The price has been reduced, by a third, and you can buy it HERE.


The print of this, probably my most famous drawing, is also currently on sale. HALF PRICE! And you can get your mits on it HERE.

The day started so well. Me, and this drawing, are featured in the London Metro today. In a piece about doodling. If you'd like to read it here's THE LINK. To be honest, just being mentioned in the same article as Larry David has made my day, week, year.

Something tells me, though, that today's going to go downhill from here. Right then, *rolls up sleeves* come on you tax returns. Let's be having you.

10 Comments on love me doodle, last added: 2/19/2013
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9. you are perfectly reflected

Now, here's something I've been meaning to post for a long time. For a long long time. Since I had my first solo exhibition over a year ago, in fact. After the exhibition I was commissioned to create two of these 'small blue thing' drawings. This one was for Sally, a surprise gift for her husband (it's a scarab, by the way, Sally), and the other was for the Hughes family. When I delivered the Hughes' drawing I was given this poem, below. Karey had been inspired to write it after visiting my exhibition. I read it often, and have been meaning to come up with the perfect drawing to post with it. But, as yet, that drawing has not happened and as this one has remained un-posted it seemed fitting. Plus, if I continue to wait for the perfect drawing I'll never share the poem with you. And, that would not be right. It's one of the most lovely, and humbling, gifts I've received.
Thanks, Karey.

strictly ballpoint?

No, there’s pencil, ink, gel pen, crayon, marker
even tippex, in your riotous attention to detail.
Thousands of careful lines;
such small changes of pressure, shade, direction.
How much of your time
to draw all those buttons, coins, badges, tickets,
hair grips? Even tiny cat claws.
Obsessive? Compulsive?
I can’t look away.

I’m a voyeur reading your notebooks,
a kindred detective with too many clues:
mass-produced, man-made, plastic, metal
or something natural, unique?
Any object is subject.
Nothing escapes a curious eye.

You rummage in the attic of my memory
to conjour your magic; a delicate, crazy art
full of surprises
like your quirky picture-title puns
from songs in your head,
now in mine, old favourites -
Joni Mitchell, Suzanne Vega.

A kind of give and take
where nothing is too ordinary
or too personal
so you offer up your socks,
like fat birds on a wire,
even a black bra draped over a line,
and in “drawers”  - knickers,
blowing in a breeze!
 
Clothes in a washing machine,
half-submerged in soapy water -
you call it, “slooshy sloshy, slooshy sloshy”
Washed pots draining
and lots of shoes from all angles
and pages of doodles and travel memorabilia,
with whimsical thoughts in curly calligraphy:
“will it ever stop raining?”
“trying to keep out of the rain”.
You must be local. You make me laugh.

It takes time and close attention
to notice everything –
Like peering through a doll’s house window
and seeing my own life,
in every shiny detail:
I want to empty out my pockets!

 Karey Lucas-Hughes 2011
inspired by an exhibition of art work called “strictly ballpoint” by Andrea Joseph at  Buxton Museum and Art Gallery 2011
 
Above is a photo that I took at my show. For some really great photos check out THIS POST by Pippa, which was another lovely gift I received after the exhibition.  I really am a very lucky, ahem, 'girl'.

8 Comments on you are perfectly reflected, last added: 2/9/2013
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10. love is a two way street

trying to get home why i went missingthe one that got awaythree brown pumpstake a pinch of keyholetrying to find the words to say
hat pinsyou are my sistermellow yellowwhere were you when we were getting high?i've been waiting for youbelt up
little moleyyou've got a lot to answer forpinboard wizardsmells like teen spiritlooking down on everythingopen up your door
what's new pussycat?born to (not) runi'll be whistling down the street i can see all i have done'everything comes and goes...room at the top
your faves (25+), a set on Flickr.
Just thought I'd share this with you. Here is a set of pictures I made on Flickr. Damn, I bloody love Flickr - but that's not the point.

Each of the 300 drawings (and a few photos) in this set have been 'Favourited' 25+ times. Three hundred!!!

Thanks for the the Faves, comments, visits on Flickr, Blogger, Facebook, Twitter, Etsy, etc. I appreciate them more than you know.

7 Comments on love is a two way street, last added: 2/8/2013
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11. i guess i'll call it sickness gone

Here's another sketchbook spread that, until now, had remained unposted. I made this some time last summer at my friend, and drawing companion, Lynne Chapman's house. Lynne was planning a workshop that she was giving at last year's Urban Sketcher's Symposium and used some of our Sketchcrawl group as guinea pigs.

I've made no secret that I've been finding it difficult to get into drawing for some time. Jeez, I've been banging on about it for months. It's funny though, it's only when I am out drawing with other people that it's not an issue. I actually enjoy that more than when I'm sat at home drawing, doing my own thing. Perhaps it's because I'm stretching myself. I dunno. But, I do know this; the little drawing of a typewriter, and the bike actually, have pleased me more than anything else I've drawn in quite some time. They were drawn in a totally alien way to how I would normally draw (water colour pencil was put on the page before I drew the shapes in) and that's exciting.

Maybe it's time for a change.

6 Comments on i guess i'll call it sickness gone, last added: 2/15/2013
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12. it's an old romance, it hasn't gone to sleep

Hey guys, just thought I'd let you know that not only does Danny Gregory have a new book out but I'm featured in it. And, I'm pretty damn well chuffed. It was finding the Everyday Matter's group, all those years ago, that kick started my own creative journey. Plus, I'm snuggled under the covers with artists that I totally adore. Read more on Danny's blog. Cannot wait to get my copy.

16 Comments on it's an old romance, it hasn't gone to sleep, last added: 2/28/2013
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13. way past the stars

Yesterday, for the first time, in a long time, I finally sat down and drew (is that a word?). I mean really really drew (why does it not sound or look like a word?). Or, I lost myself in a drawing, that's what I'm trying to say. I let the drawing direct my pen and just went for it. I went nuts all over the page. I love it when that happens and it's been too long since it did. I wanted to draw how it feels to be hyper creative. To the point where sleep escapes you.

So, here's a bit of a milestone for me (I seem to have been hitting these milestones left, right and centre recently);  this is my 700th blog post! SEVEN chuffing HUNDRED?!! How did that happen? I'm flabbergasted (now, there's a word I love and do not get the opportunity to use often enough).

I'd like to ask for a little advice, folks. Since inheriting this new laptop, and all it's programmes, I am trying to learn Photoshop. For a long time (for about 700 posts) I've been concerned that the size of the images I've been posting are MASSIVE. They've been stolen and printed on all sorts of products. I have, for the first time, here, posted an image that (I hope) is not printable and pinchable (now that can't be a word). Does that spoil your viewing experience? Is this the only way to protect my work? What do you think about it? Any thoughts would be appreciated. Thanks.

And, thanks for all the visits and comments over the last seven hundred posts. Did I mention that this is my seven hundredth post?

30 Comments on way past the stars, last added: 2/28/2013
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14. what am i doing here? what am i doing here?

I made this drawing on the plane home from France a couple of months back. This girl, who I was sitting next to, slept for most of the journey and so I got to draw her a few times. I added a bit of colour when I got home. I can't decide whether I like it or really dislike it, but hey ho - that's the way it goes.

A huge thanks for the big response to my last post about protecting one's artwork online. It seems that watermarking is probably the best option but I'm still undecided. I'm not a fan, in all honesty. I always want to give the viewers of my work the best way to, er, view my work. I guess, I now have to weigh up the options of watermarking, resizing images or just continuing to post as I always have.

Plus, I have to work out how to use Photoshop, which, I can tell you, is NOT coming easy. So, bear with me, and excuse my images being too big, too small, unreadable, etc. And, excuse me for being an ignoramus.

10 Comments on what am i doing here? what am i doing here?, last added: 2/24/2013
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15. still a wild seed

I first made this post over five years ago. I felt that I was just finding myself as an artist (apologies for that HORRIBLE cliche) in these early Moleskine sketchbook pages.

10th April 2007
"In my quest to draw everything in my house I stopped by the spice rack. I'm quite happy with this. It reminds me of the illustrations you'd find in recipe books from the 70's. Books that were usually called something like 'The Whole Food Kitchen'. The kind of book that gave you interesting ideas for things to do with lentils and chick peas. The type of book where you can still smell the patchouli wafting through the pages. I dream of illustrating one of those books. One day. One day...."

Well, I'm not done with the cliches. You know, if you work hard and really really dig what you do, it seems, you can make your dreams come true. Right, I'm not allowed to say anything more. For now.

11 Comments on still a wild seed, last added: 9/8/2012
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16. let us not talk falsely now, the hour's getting late

 The chances are, if you have been to the beautiful Yorkshire Sculpture Park then you will have seen Henry Moore's Draped Seated Woman. From the main entrance, just as the park opens up to you, she can be found looking out over the lake. She sits on the hill watching over the park. Keeping her eye on things. Surrounded by her flock.

 If you sit for a while, maybe to draw or something, you'll hear the same old comments, over and over again, from those who come to look at her; stuff about 'her head being too small' and her 'being all out of proportion'. I want to tell them to take a look at themselves, they ain't exactly in proportion either. But I don't. I keep my head down. Keep drawing.

 And, besides, she doesn't need me to stick up for her. She doesn't care what they have to say. She's heard it all before. Over and over again. No, she's not interested. Why would she be when she has this view to look at?

5 Comments on let us not talk falsely now, the hour's getting late, last added: 9/8/2012
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17. and it's you and it's me

A couple of drawings from the last two Dr Sketchy Sheffield events here. Above is the lovely Ieva modelling at the Greystone's pub, Sheffield. My fellow sketchy mates and I discussed this pose on our drive home that night, and all agreed it was definitely the most difficult of the evening. I was, however, pleasantly surprised when I got back and looked at this drawing. I'm just not so sure now I see it on screen.
So onto Tom, who I believe, was out first male model. This was at the Dr.Sketchy/Tramlines festival. When he first got into this position I wasn't confident about being able to make him look, um, human even. But, the best thing, I find, is to stop listening to those voices in your head and not even attempt to make a 'good' drawing. It's at that point you can relax and just play with your pens.
And, just in case you don't believe I drew this (not that there's any reason you shouldn't!) here I am in action. My drawings were also used to advertise this event, as you can see below and here.

2 Comments on and it's you and it's me, last added: 9/19/2012
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18. turns my whole world misty blue

An update on this commissioned drawing here. I started step-by-stepping it a little while back (you can see the first stage in this post) but due to some urgent deadlines it has progressed very slowly.
On a personal level this really is one of the most important drawings I've ever made. Probably THE most important. The commissioner (is that even a word?) gave me free reign over everything - subject, size, materials.
Whilst that's the best kind of commission it does present you with a different kind of pressure from working to a brief. But, it also shows an amount of trust that touches me deeply. This image just came into my head as I drove home the day it was commissioned. I have no idea where from. And, I LOVE that.
I've not only been step-by-stepping it here, but also with the person who I am painting it for. I take it to show him at various stages and we talk about it and what it means to both of us. He said it reminded him of Tennyson's The Lady of Shalott (which again touches me no end). Not only do I love that poem but my all time favourite painting is Waterhouse's version - SEE.
When this image popped into my head it came fully formed. I knew exactly how I wanted it to look. I wanted to create a piece of work that paid the same kind of attention to detail that the Pre Raphaelite's would have. It's a big piece too; over A2 in size. Which is why it's difficult for me to share with you - excuse the rubbish photographs.
The deadline for this piece is the 17th of September, when it needs to be finished and framed. So, basically what I'm looking at is two weeks, whilst working the day job and other illustration jobs, to create my Pre Raphaelite masterpiece.

No, need really. I'll say it to myself; good luck with that!

11 Comments on turns my whole world misty blue, last added: 9/20/2012
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19. a shaggy dog's tale

click on drawing to view
On Saturday our sketchcrawl group attended an open day for a park in Sheffield. It was an afternoon choc full of all sorts of drawing opportunitiess. There was music, dancing, food all the kind of stuff you'd expect to find at such an event. I managed to make a few drawings which I'll post shortly, but for now, I'll leave you with a drawing from my favourite part of the day; the dog show. And, specifically the 'waggiest tail' round.

Now, I don't know if you've ever tried to draw the waggiest tail round of a dog show? Well, if not, I can tell you, it's not easy. There's a whole lot of wagging going on.

2 Comments on a shaggy dog's tale, last added: 9/22/2012
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20. but something real to me

 A while back I did this project for Buxton Festival's production of James and the Giant Peach. I produced a number of drawings that were used as backdrops to the performance. It was a great experience all round, especially seeing the final production and my drawings so BIG.

For some time now I've sat drawing. And drawing. For around about seven years in fact. Since I picked up my pens, back then, I've never stopped. I've always felt that, because I haven't been drawing for a huge amount of time (relatively speaking), I need to squeeze as much of it into my day, into my life, as possible. This has meant that other areas in my life have suffered and been neglected whilst I just draw draw draw.

I've been thinking about this a lot lately. Drawing has become everything to me. It's taken over my life. I feel it might be time to think about redressing the balance. But just thinking about it has thrown me into a bit of a funk. Wondering how I do that - because I still love drawing so much. If anyone has all the answers please let me know. 'Cos, I'm struggling.
Photographs courtesy of Buxton Festival.

19 Comments on but something real to me, last added: 9/29/2012
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21. wish i knew you well

A big thanks, guys, for the response to my last post. It's been a difficult couple of weeks - which I will blog about, shortly. I've been struggling with desperately wanting to draw but not being able to pick up a pen. I'm not sure that I'm out of the drawing funk wilderness quite yet but earlier in the week I sat down with my sketchbook to put something down on paper. I wanted to draw something without thinking too much. Something from deep down. And this is what happened! Actually, I don' think it's anywhere near finished yet but I just wanted to post something.

You may know that I have many sketchbooks on the go at one time. At a rough guess, I reckon I currently have about ten that I dip in and out of. And, I theme them. Yes, yes, I know it's sad. For this drawing I reached for a Moleskine sketchbook that holds the idea for a graphic novel I'm working on. I think it's an amazing idea. My next step is to find a publisher who feels the same. So, if you should know of any publishers just waiting for a graphic novel crammed with obsessively detailed drawings, as well as joy, pain, beauty, rage, sadness, courage and love then please send them THIS LINK. Ta!

9 Comments on wish i knew you well, last added: 10/5/2012
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22. you can still hear sweet mysteries calling you

You know, I do this every single year; I think 'hmmm, I'm sure it's my blog's birthday soon' and then find out it was last week some time. Yep, six years of blogging. It's been an amazing six years for me. I've got nothing but love my blog but I often wonder whether blogging is still relevant. Do you know what I mean? With the rise and rise of social networking, and so many places to post ones work, I sometimes wonder whether blogging is a thing of the past. Anyway, while people still continue to visit, I'll keep on going.
I also always intend to do some birthday related drawing but that never happens either. Here is a new drawing, though. Like the last post, this one is also from my graphic novel idea. I'm really getting into (obsessing over) this idea, and story, again. It's hard to give time to these projects, with everything else going on, so I long for the day that a publisher agrees that this book needs to go to print and I get to give it the time it really deserves.
If you'd like to read the letter to Edward then click on the drawing.
And, if you'd like to see the rest of the book (so far) click HERE.
Finally, Happy belated sixth Birthday to my blog. I loves ya.

24 Comments on you can still hear sweet mysteries calling you, last added: 10/16/2012
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23. we're in for more rain

Well, another couple of weeks have passed and I am still finding it difficult to pick up a pen and draw. I made this little one some time back, in my mini Moleskine sketchbook, at Yorkshire Sculpture Park. Tomorrow my sketch crawl group return to the park, for lots of sketching goodness, but I'll be working the day job so I won't even have a sketchcrawl to kick start some drawing. It's okay though. As frustrating as these periods are, I know it will pass. It will, it will, it WILL pass.

Huge thanks for all your kind and supportive messages in response to my last couple of posts. I'll have some drawings to share soon.

3 Comments on we're in for more rain, last added: 10/16/2012
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24. for the roses

I can always tell when a new term has started from the amount of mail I get from students who have decided to study my work (I never fail to be astounded by that). If you are one of those students, I am very sorry but I just do not have the time to answer all of your questions. But, just for you, here's a little post that may make your research a little easier.
Here are a couple of previous posts on how I might go about creating one of my drawings, in this case a shoe;
How to draw the Adidas Gazelle (as seen above) HERE
How to draw a Converse boot HERE.
Here's a few interviews too. One for the excellent Empty Kingdom, Funky 44 and you can find a three-parter by searching the charming Make Do and Mend.
If that's not enough you could always purchase my zines. They contain a whole load of info (how I create the stuff I do, pen reviews, etc, etc). I hope that helps. Plus, of course, this is a whole blog that'll tell you everything you need to know (and everything that I want people to know). Go, do your research!

You can also follow me on Twitter, for all updates of new drawings and blog posts, HERE. Cheers, my dears.

3 Comments on for the roses, last added: 11/2/2012
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25. out of the sinking

Here's a piece that I have made for an upcoming exhibition organised by Cardboard Shelter (a charity that raises money and awareness about homelessness). They can explain, what they do, better than I can, so, if you are interested, check out their website HERE. Plus, there's some lovely artwork to look at.

But, the gist of it is that a bunch of artists contribute a piece of work, to be sold at the exhibition. No themes and just one rule; the artwork must be on cardboard. 'The idea of the cardboard canvas is a nod towards the material which provides shelter to many homeless'. I pinched that quote from their site. See, I told you they could explain it better.

For this piece, I reworked one of the sketches I'd made at a Dr. Sketchy event, of the lovely Hell's Belle, on a piece of cardboard from an old, used, sketchbook (what else?). I knew that I kept those old pieces of cardboard for a reason.

Making this got me thinking; I hardly ever draw on coloured paper. I don't know why. I must do it more often. I like the effect and the tones I got from blending the graphite pencil into the grey board. But, don't hold your breath, I was saying something similar when I contributed to this good cause some time ago. Check THIS out.

7 Comments on out of the sinking, last added: 11/20/2012
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