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1. the ghosts of night, the dreams of day

Had a lovely day yesterday, drawing for the love of drawing rather than for work. I always love catching up with Urban Sketchers Yorkshire, my sketchcrawling buddies, too. We spent the day at the National Emergency Vehicles Museum in Sheffield. It was right up my tree. Loved the subject matter. I could spend another day, or ten, there. And, maybe even a night; apparently there are many ghosts in this former police and fire station. If you believe in that sort of thing, of course. I don't but I'm willing to have my mind changed.

 There was a very specific colour scheme too. Reds, blacks and a little yellow were the colours of the day. I managed to not take seventeen pencils cases, which is an achievement for me, and narrowed it down to just the three sketchbooks. I always try to take some tools that I wouldn't normally draw with at home. I try and play a bit more on sketchcrawls. It feels like the right place to do that as you often encounter subject matter you wouldn't normally choose to draw. The red Bingo dabber was an inspired choice of pens.

 Here's something I've noticed during October, as I'm participating in Go Sober For October, I do a lot more with my weekends. It's much easier when you're not factoring in a 'big night' or a hangover. That's just another benefit to being sober; doing more stuff with your time. Just look at how my blogging has increased in the last month!

 The museum holds a vast range of fire service related memorabilia that had previously been sitting in attics and local fire stations all over the county and amongst the exhibits were prisoner files from the last century. I found these the most fascinating of all, and below are my drawings of some of the mugshots from around the 1940s. It's funny how just by drawing somebody, spending that time studying someone, you can feel a real connection with them. I don't just want to now more about the faces I drew, I feel an empathy, sympathy, for them. Protective towards them even, like I knew them. I guess what I'm trying to say was that I was touched by them. Maybe I do believe in ghosts.




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2. the changing man

Here's just a little (it's all relative) something I knocked up in my sketchbook.
The story of the drawing goes a bit like this...
Sometime back in May I went to my friend, and Dr Sketchy partner, Lara Gothique's fabulous vaudeville extravaganza (I do love that word, extravaganza. In fact, I love both of those words; vaudeville and extravaganza) called Cupid Stunts. I sketched the whole show that evening. I came away with a load of drawings. Over twenty quick sketches.
One of the fabulous artistes that night was a Victorian strong man called Sir Leopold Aleksander. I got a good handful of sketches of him. They were pretty much all as below - simple line drawings.
Over the last couple of weeks, as I have been living a life of sobriety, I seem to have a bit more time on my hands in the evenings. Time to do the things I've wanted to do for ages but not got around to because wine got in the way. Time to go back through my sketchbooks and rework some of those quick sketches that needed a bit of the AJ treatment. So that's what I did with the, now, tattooed gentleman above, and, at some point, will do with the sketch below. Sure, they don't exactly look like the Victorian gent, but that's what happens when you a) sketch in the dark and b) complete the illustration using only your memory and a lot of imagination. And, that's what I love about drawing.
Thanks to Sir Leopold for the use of his body(?!)
Thanks to Lara for her fabulous show.
And thanks to Go Sober For October for giving me the headspace to draw instead of drink wine! 
If you can spare a bob or two please donate to my sobriety challenge. I am raising money for MacMillan Cancer Support. The most worthiest of causes. You can do that HERE.
And if you'd like to see a vaudeville extravaganza, and are in Sheffield next weekend (a long shot, perhaps), Lara is putting on another. Check it out HERE. Take your sketchbook!

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3. Nora

 Hi folks, I have a small, limited edition, set of these bag and badge ('button' in the US?) sets for sale.
The tote bags feature my illustration of Nora Hildebrandt, the original tattooed lady, on the front and back.
 The badges feature a couple of examples of my drawings and a couple of examples of my lettering work.
Also, I'm making a donation, from each set sold, to MacMillan Cancer Support, who I am fund raising for this month - by being sober!
 
You can get your paws on them HERE. Merci!

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4. the corners of my mind

Today I start a month of sobriety, in an initiative by the wonderful MacMillan Cancer Support called Go Sober For October - which not only raises money for them but also gets us, taking part, to look at our own drinking habits.

My feelings about it change like the weather. One minute I'm really looking forward to it. Excited about the break. No alcohol for a month. I know I'll be more productive, I know I'll feel so much better, I hope the house will get cleaned.

Then it comes over me like a wave, a tsunami actually; NO WINE FOR A MONTH. And, it terrifies me. What will I do? It's those moments, those routines; Thursday after finishing work for the week; Friday night; chatting on the phone with Tim; early Sunday evening; whilst cooking; chatting on the phone with Mark. FRIDAY NIGHT!!!

From the far blurry corners of my mind I remembered something that I saw in one of Danny Gregory's books. I can't remember which, unfortunately, an Illustrated Journey maybe. In it, he gives tips on journaling and one of the ideas he shares is to go without something for a day (chocolate, alcohol, smoking, tv, the internet, etc) and journal about it. I think I may try this over the next 31 days. It would be the most fitting way of me to document the month ahead.

I'm not expecting the next month to be easy but then I remember the cause and it puts it into perspective. If your life had ever been touched by the amazing, and humbling job, that MacMillan do (or if the thought of giving up alcohol for a month terrifies you, too) please donate/sponsor me. You can do that HERE.
Cheers!

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5. you are always on my mind

Tonight I am donating the fiver that I would have spent on my Thursday-night-end-of-the-working-week-wine, if I had not been taking part in Go Sober For October, in support of the amazing MacMillan Cancer Support.

The drawing was made with graphite and colour pencil. The donation was made with ease. And gratitude.

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6. it's just everything i do, we did together

Today's journal. I'm glad I didn't discuss my love of typography, but, got down to the nitty-gritty instead. I think it's important that I did that:

'I started this drawing on day one of my Go Sober For October challenge and did a bit more last night (day two). I had originally intended to discuss why 'd kept these specific wine bottles and my love of typography, fonts and lettering especially French stuff and the Art Nouveau period. But, I'm finishing this drawing on day three of my sobriety, which also happens to be a Friday night. And, twice I've had a wobble. The first time was around tea time, approaching wine-time, when all I wanted to do was drive up to Lil'Sainsburys (the same old routine) and get some wine. I didn't. And again, now. Again, I'm having a wobble. It's a Friday night. I should be drunk. My friend's are drunk. People on Facebook are drunk. And I'm not. And, I'm not going to lie, I'm not only jealous, I'm angry. I'm annoyed.'

Please sponsor my sobriety here; https://www.gosober.org.uk/profile/andreajoseph

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7. she's leaving home

 I really am awful at finishing a story off. This one has been going one for nearly six months and it still hasn't come to a conclusion. I can never deal with endings. I wonder what deep psychological scar I'm avoiding looking at? Hmmm. But, that's another post, another drawing, hey, another book!
So, when we last caught up with my bookbench, my girl, she was finished - all apart from a little colour that I added, and a few more doodles. Less is never more around here. Why stop when you can just keep on going and going? (Go Sober For October really is making me look at my addictive behaviour, it seems).
When I'd thrown as much colour and doodles at her, it needed to be finished with a coat of hardcore resin/varnish. That bit was done at 2am the night/morning before she was being picked up. It was meant to have been done four days before (I didn't realise that until 2am when I finally read the tin) but, shhhh, don't tell anyone. And, anyway, I couldn't have lived with the small of that resin for four days. I'd have been as high as a kite.
And then they came to take her away. After a rather undignified exit from my house which included a door being removed and a washing line being snapped - she just didn't want to leave - she was off.
 After dominating my living room for the past few months she suddenly looked so small. She looked tiny, out there, in the big wide world (car park). Aw.
 She was carefully and lovingly wrapped then bundled into the back of a van and off to find her new home in the big city. In the Big Smoke.
 Well, not quite. Because, yes, she did make her home in London, for the summer, but it was in a rather lovely, green, little churchyard in Greenwich. I even got to go and visit her.
 And, not just once, but twice. Yesterday, I went to say a final farewell, as all of the fifty bookbenches were gathered together in Gordon Square, London, before they go on auction and onto the next chapter of their lives. Lots of people came out to see them in all their glory, on a perfect autumn afternoon.
 And, so, that's it. This evening they will all be auctioned of to raise much needed funds for the National Literacy Trust.
 Unfortunately, I won't be able to make the auction, but I hope she goes to a good home. Bye Bye bookbench.
THE END
(or is it? Maybe, I'll get to visit her in her new home, where ever that may be)

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8. i'm gonna clear out my head

Another good reason for participating in Go Sober For October is that I'm not just kicking the booze for a month - or, who knows, maybe longer (one day at a time and all that) - but I'm also giving the elbow to another habit; the fags. You know, I never smoke unless I've had a drink. Never. It doesn't enter my head to. I never want a cigarette when I'm sober. It repulses me.
 Then I have a drink. Then I can't get enough of the fags (might have a different meaning in the US??). I'd smoke two at a time if I could. All willpower, self discipline, whatever, goes out of the window. I crave dirty tobacco. In the freezing cold and pouring rain, I'll stand outside the pub or in the back garden. It has to stop. It will stop. It has stopped. No more.
 Another damn good reason for taking up this challenge. So, yeah, I'm going double cold turkey. And, if that ain't enough reason for you to donate/sponsor me then I don't know what else to do? You can do that HERE. Cheers (probably not the best choice of words).

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9. and i say, it's alright

I always think that as long as I come away from a day trip or sketchcrawl or Dr Sketchy or any sort of drawing event or opportunity with one 'good' drawing, or, at least, one drawing that I like, then I'm happy with that. That's all I ask for. Just a memento of the day.
 By the time I was leaving London last week I still had nothing, apart from a few prosaic, pretty average drawings of people on the train there, and it was getting dark. I'd gone to the city with a drawing in mind. There's a sculpture I wanted to see and I'd packed the yellow and orange pens especially for it. But, our time there went so quickly that I didn't even get to see or draw it. But, that's okay, that's another trip
 .I didn't want to leave though, not without something, a souvenir, to take home. So, just before I caught my train back, I dived into a café on the corner of Tottenham Court Road for a cuppa and a draw.
 I missed my next train home. So, I had an extra hour to spend drawing the souvenir shop on the opposite corner. I got another cuppa.
 Is it a 'good' drawing? Do I like it? Not really. It's alright. Ish. But, I feel like that about a lot of my work. I need to close the book and put it away for a while. I almost always feel differently with time between it. Who knows, I might even like my souvenir from London in a few months time. Right now I doubt it, but you never know.
 And here's a couple of prosaic, pretty average sketches of people on the train...

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10. well my time went so quickly, i went lickety-splickly

 I've just made these really quick sketches whilst watching a series of interviews with Bette Davies. They took a couple of minutes each. It's by doing these fast and furious portraits, from the tv, that I've become comfortable with drawing faces and people. I've made hundreds and hundreds of them over the past few years. They're not amazing. They're not going to set the world alight. But that's not the point. I've learnt so much from doing them, and more than that I really enjoy creating them.

There's another blog post HERE, from two-ish years ago. Back then, it seems, I was still not confident drawing 'real life people'. Which just goes to show how quickly you can build your confidence through practice. Jeez, I'll draw anyone and everyone now - from the big screen to the real life.

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11. now it's closing time, the music's fading out

Photography by Rod Walton
Now, if you visit this blog regularly, you'll be aware that I do bang on about Dr Sketchy every now and again. Well, not only am I hooked on the whole concept of these alternative life-drawing events, but, I also co-run the Dr Sketchy Sheffield branch, with my partner in crime, Lara Gothique, so, you know, a little banging on is allowed, right? And, to be honest, when we create these kind of amazing events I think we have every right to bang on. They're great!

Drawing by me
The photo, at the top of this post, is of me in action - or, more to the point, is of Tallulah in action. The drawing, above, is the end result. We are so lucky to have a couple of great venues to hold our shows. This one, the Old Clubhouse, Buxton, is a former Victorian genlteman's club. To say that it worked beautifully, as the saloon bar, in our Wild West themed evening last Wednesday, would be an understatement.
Photography by Eric Murphy
I have to say that seeing these images makes me hugely proud of what we achieve; the whole Dr Sketchy Sheffield team, that is. The models, the guys who volunteer their services - in the way of music and photography - just everyone. So, we don't make a penny out of it. But who cares? Success can't always be measured by money, right again??
Drawing by me
Which brings me on to our sketchers. Not only are the photos stunning, but the artwork produced on our evenings is insanely good and so varied too. You can see what I mean in our Facebook Group HERE. Plus, when all the sketchers leave saying they had a great time then that's how you measure success, I reckon.

Photography by Rod Walton
Oh, and making scenes like this, above, happen to.

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12. have you ever had it blue?

Damn, I'm going to miss this place this year. These are drawings of Clermont Ferrand. They're a kind of mixture of realism and imagination, fact and fiction. I like that place in between both. I have an idea for a small series of these drawings. So, if I will not get to physically visit this year, I will travel there through drawing.

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13. and it all comes back to you

Drawing by Jeeda Barford
Phew! I've just wrapped up my time teaching at Sketchbook Skool for this semester. Thanks to everyone whose taken part in my classes - and been so kind about them! And, hello to everyone who has found my work via the Skool. Plus, a HUGE thanks for all the orders, of books and zines, from my shop. I am wading through them all. Please bear with me, I sign, wrap, package them all myself. And, wasn't expecting quite as many.

Here, in this drawing you can see a) the generosity shown to me by the students and b) some of the things that I talked about on my course, like, drawing room plans, making an illustrated letter and handwriting exercises. 

Big thanks to Jeeda for this lovely drawing. I feel a little embarrassed, and certainly overwhelmed, by the attention. It's quite surreal.

Thank you for having me Sketchbook Skool. It's been a blast!
And, if you'd like to enrol on my course, next time it comes around, you can do so HERE.

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14. COMING SOON!

Coming soon, to my Etsy shop, limited edition, Wonderful Women Book Bags. Starting with, Nora, the original tattooed lady.

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15. i am still right here

For everyone feeling like shit today.
A new range of products, lotions and potions that I may, or may not, be bringing out in the future.
Probably not coming to my Etsy shop very soon.

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16. Nora

 Look who's turned up.

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17. me, myself and the Gents

Me, drawing, by Paul Gent
I'm very lucky to have met some really wonderful artists over the last few years. Artists from around the world. I've met them online, then met them in person. In many lovely parts of the world. Plus, as well as that, I regularly meet up with some brilliant artists closer to home.
Me, drawing, by Miriam Gent
These drawings, of me, were made by a couple of extremely talented friends, Miriam and Paul Gent. They were created, just a couple of weeks ago, on a local Sketchcrawl/Pubcrawl that we three planned (in the pub). It was so local it went through the streets we live on.
Me, drawing, by Paul Gent
It's amazing, when you look, what and who you'll find on your doorstep.
I couldn't love them more; the drawings and the Gents.
 

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18. take me up to the top of the city

So, it's nearly time to say goodbye to August, and summer, and Hello September. I like September. It feels like a month when changes can and will happen and I always welcome that. Plus, autumn is most definitely my favourite season. Even the word 'autumn' is lovely.

September, before it has begun, has a theme to it. I am paying three visits to our capital - which feels exciting and sounds expensive. At the end of the month I am going to see, and I can't quite believe I'm saying this, Kate Bush in concert. I know, how crazy is that? I hope she hasn't had a big strop by then and called the rest of the dates off. You wouldn't put it past her. And, I love her for that.

Mid month I am finally going to see my bookbench. It's been a long time coming, but at last, just days before it retires from the city, I'll get to see it, in situ, on the streets of London. Well, actually, in a churchyard in Greenwich. The photo, below, was taken by, and of, a couple of friends who recently visited.
Then there's next weekend and a rather fabulous opportunity that presented itself to me. You know, sometimes, a little gem of a 'job' pops up in your inbox? Sometimes, you don't even take it seriously because it sounds too good to be true? Yeah, that.

Next weekend, on Saturday 5th of September, I will be drawing for, and representing, MOLESKINE and URBAN SKETCHERS in COVENT GARDEN. It's true! Please come along. We're there all day for a big old sketchathon. Come! Draw! Plus, rumour has it, that there may just be free Moleskines. Oh yes. You'll need to get there early to catch one of those lovely worms.

Oh, oh, and I forgot to mention the rest of the Covent Garden sketching team. I'll only be sketching with, ahem, Urban Sketching correspondents Adebanji Alade, James Hobbs, Olha Pryymak. Eeeeek! I already feel like a fraud.

Full details of the event can be found HERE. Even though our Learning Sessions are sold out still come along. We'll all be hanging out, sketching, all day. Hope to see you there.

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19. guess i'll have another round

I seem to have been spending a lot of time sketching in pubs over the last few weeks. It's kind of become one of those unintentional themes. An enjoyable one. What could make a better subject matter than a lovely old pub? And, I've been visiting quite a few. On Sunday evening I attended Pubscrawl in Sheffield; ten pubs turned into art galleries, or exhibition spaces, for the evening, hosting ten different artists. Such a great idea. Great to view art in these great British institutions.

The drawing below is from a Pubcrawl Sketchcrawl that myself and a friend hosted, here, in the High Peak. That day we took in seven or eight different pubs, drawing inside and outside of them. I drew this in the beer garden of our final stop.

So yeah, there's a definite theme going on. One that I'm quite happy to continue.


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20. i wanna say, i wanna tell you

 On Saturday I got to be part of a lovely event in Covent Garden, which was brought about by Moleskine in collaboration with Urban Sketchers. I was absolutely stoked to be asked to contribute, to the event, in way of presenting a 'learning session' to anyone interested in Urban Sketching. I was surprised, to be asked, too, as I'm not normally recognised for that kind of sketching - although I am an active member of Urban Sketchers Yorkshire - I suspect I was invited because I am a prolific Moleskine user and fan.

And so, I found myself up at an ungodly hour and on the six o'clock train down to London.
Which is, of course, when I started drawing.

 My first stop, on arrival in the city, was a Timberyard café in Covent Garden, where I met the Moleskine team and the other three sketchers, Adebanji Alade, James Hobbs and Olha Pryymak, taking part in the event. This, too, was a privilege as I have admired these guys work, from afar, for years. Then we were joined by members of the press and bloggers to discuss all things Urban Sketching, before moving on to our venues.
James and I were based at the wonderful London Graphic Centre for the day. I'd never visited before, but it really is a must for pen/stationery/notebook geeks (you know who you are). If you're in London, and you are such a geek, don't miss this place. Three or four stories of awesomeness, I have no idea how I didn't spend a fortune. Well, I do; I was kept busy, drawing the day.

In the afternoon it was time for my Learning Session, in which I talked about my journey from being a secret private drawer to taking that leap, joining an Urban Sketchers group, and drawing outdoors and in public. I also discussed some of my coping strategies for making that move, how it has changed my drawing and how it's changed how I view the world (now EVERYTHING is a drawing opportunity). Then we took to the streets for some more sketching.

It was a perfect way to spend an afternoon. And, again, it is another reason I love 'sketchcrawling' - just getting in that zone with a bunch of people who are passionate about drawing, talking, not talking, but always sketching. There were sketchers of all ages, too. Above are a couple of my sketches of the youngest sketchers.

Now, I know what you're thinking, and, no, there aren't that many moose roaming the streets of London. This one was on the wall of a flower shop - the one that Emily is drawing above. I know it's not what you might expect of Urban Sketching, but that was part of my class; there are no rules when it comes to creating. Just get out and draw.

If you feel intimidated by the big picture, by drawing a whole scene or street or building, then start by drawing little bits of it. Just draw the signs, or the bins, or the windows, or the people. The rest will come. You can add the rest of the scene in later. If you want. But, if you are curious about drawing outside, stop putting things in your way. I speak from experience. I came up with so many excuses for not doing what I wanted to do, but finally letting go of that was the best thing.

I don't have all the drawings that I made, to share, here, as at the end of the day we tore them out of our books and hung them at the London Graphic Centre and the Moleskine shop. We didn't just tear up our sketchbooks though. No siree, we'd been drawing in Moleskine's new square Sketch Album which has perforated pages. Another great idea from Moleskine. Above are a couple of drawings by James and myself.

And, finally our day was finished. It was exhausting but exhilarating. There is nothing I enjoy more than talking about and sharing my love for drawing. I wish I could do this every day of the week. I guess I, kind of, do that online - which is great and all well and good - but, there is something about doing it with real live actual people!

As Adebanji finished his last sketch of the day, James and I went for a final coffee before I got my train home. But, as always with obsessive sketchers, a view from the window of Stanfords bookshop café proved to be too tempting. So, I squeezed one last drawing in before departing.

A big thanks to Moleskine and to Urban Sketchers for letting me be a part of this Moleskine Story, to the other artists and everyone who came along to sketch on the day. I enjoyed it immensely. Thanks y'all.

 Did, I say that was my last sketch of the day? I was lying. What else do you do on a train journey?

One observation I will have; if you are on the same train, in the same carriage, as a VERY drunk man then it's very comforting to be sat at the same table as a huge tattooed body builder. Even if he is wearing pink. Just saying.

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21. push it along push it along

If last month I was spending all of my time drawing in pubs, this month I seem to have been spending it all drawing on trains. I'll be honest, I'm not a fan of public transport. Firstly, I love driving, but, more than that, I don't like being stuck in a confined space with the general public. It's one of my 'things'.

But, necessity dictates and, as I've been back and fore to London and Sheffield all month, I've found myself being stuck in confined spaces with the general public. A lot.

It has, however, given me time to draw the general public. It's not the easiest way to draw. And, you have to hope they'll fall asleep - which they usually do - because they don't always tend to like being drawn. But there really is nothing else of interest, subject wise, on trains, I find. I've made a hundred, or more, sketches, over the last month. Mostly of people sleeping. I've actually enjoyed having that time, with nothing else to do but sketch.

Above, is a drawing of a friend who had no hang ups about being drawn. The two below are a couple of my favourite sketches out of a bunch of pretty bland stuff.
 


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22. every dune that we fell into left a mark upon us too

Where did June go? Did anyone see where it went? I'm sure it didn't happen this year. It must have been cancelled.
Guys, I'm currently slap bang in the middle of a couple of amazing projects that are happening NOW. Like, right now. Firstly, that fine figure of a man, above, is none other than Danny Gregory. One of my drawing heroes. The guy who created Everyday Matters - which is where I my drawing journey began way back when, eight or nine years ago. I'm rubbish at dates. But anyway, anyway, I can tell you it was quite a moment for me to be asked by Danny to become a teacher at Sketchbook Skool. It felt like coming home.
The new semester starts TODAY! You can see the fabulous new website, and get your place on the course, HERE. I'll see you in class. Make sure you're on your best behaviour!
Then, as if that isn't enough, as if that isn't crazy enough, a couple of days ago my bookbench hit the streets of London. Yes, she has left home, flown the nest, and gone to the big Smoke to try and make her fortune. I just hope she doesn't end up living on a park bench. Oh.
You can see another spanking new website with the whole story about this Books About London project HERE and read all about my bench HERE.
If anyone should visit my bench (it's in Greenwich from July-September) please take a photo of yourself at the bench and send it to me. I'd love to put a little album of them together.
I will be back with actual drawings soon. I do have new stuff to post. I just need the time.
June? Anyone?

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23. Ask Andrea

I am currently beavering away, creating my fourth zine in the 'How To Draw' series. This one is, again, about drawing with the ballpoint pen and I'll be taking a closer look at the colour ballpoint. For the first time, I'll also be including a 'problem page'!

So, if you have any questions about drawing with ballpoint pens please ask away. I'll choose a few that I'll endeavour to answer in the new zine - available at the beginning of August.

I'd better get my socks on!

Previous zines available HERE.

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24. i've been waiting for you

Okay, so these may not be the greatest sketchbook pages. They're not going to set the world alight, but, I just needed to shout about the fact that I went to see Neil Young on Sunday!!! Damn, I love that man. He's the most inspirational artist to me. So, we may work in very different fields but how he continues moving on and changing creatively is so very inspiring. I wish I were that brave.

 Above is the inner cover of the little Moleskine sketchbook that I took with me. I drew it as the arena was filling up. And, I drew it over the page where I created THIS VIDEO (the one that shows you how to write your name!). I cannot leave a blank space alone. I just can't stop fiddling.

 I'm often asked about what I do if a page in a sketchbook 'goes wrong'. My answer is usually 'collage', but it's also where a good quote or lyric comes in handy. The page above didn't so much 'go wrong' but the girl I was drawing moved away, just as I got my pens going, so I was left with just a few squiggles. You can see them behind these Neil Young lyrics; behind the top two lines on the right hand page.

 Anyway, you know what? Not every sketchbook page should set the world alight or be all singing and dancing. In my opinion. To me the unremarkable, quiet little pages act as a comma or a pause in a book. Some time for a brief reflection. A page to get your breathe back before you dive back in.

And, the lyrics and quotes; a great place to practice your handwriting. Or better still, make up a whole new kinda handwriting.

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25. cabbages! two for a pound!!

 Books for sale! Books for sale! Andrea's book for sale!!

Excuse me for peddling my wares, but you know, being a freelancer in the creative industry really is as reliable, financially, as it sounds and sometimes you just got to shout about what you do. Usually, when you've just got a couple of big bills in.

Anyway, you can get my book HERE. It is full of drawings, thoughts, sketchbook pages and what have you, from the last eight years of my obsessional drawing.

I'll shut up now. Fangyou very much.

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