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It has been brought to my attention that we are approaching what would have been Roald Dahl's 100th birthday.
Yes, today I (and I'm guessing lots of other people in the UK) have been watching, and voting on,
Roald Dahl's Most Marvellous Book; a programme that has taken a look back at all of his greats
Well, ten of them. Ten of his children's books that is, as, of course he also wrote for adults (we all remember Tales of the Unexpected, right?).
Not only has the programme reminded me as to what an amazingly ridiculously phizz-whizzingly whoopsy-whiffling genius he was, but it also reminded me of these drawings I made a few years ago.
I made twelve drawings that were used as backdrops for a production of James and the Giant Peach at the Buxton Festival. And an extra one for the programme (top of post).
It was a really good excuse to re-read the book too. I find a lot of childhood favourites don't read quite as well (to say the least) when you're an adult. But Dahl's do. Try it.
As much as I love James and his Giant Peach it's not the most marvellous. That, of course, is Danny Champion of the World. Which is what I voted for, and which, incidentally, is also as good a read when you're grown up (ish).
(By the way, Matilda won the poll. But obviously everyone was wrong)
A while back I did this project for
Buxton Festival's production of James and the Giant Peach. I produced a number of drawings that were used as backdrops to the performance. It was a great experience all round, especially seeing the final production and my drawings so BIG.
For some time now I've sat drawing. And drawing. For around about seven years in fact. Since I picked up my pens, back then, I've never stopped. I've always felt that, because I haven't been drawing for a huge amount of time (relatively speaking), I need to squeeze as much of it into my day, into my life, as possible. This has meant that other areas in my life have suffered and been neglected whilst I just draw draw draw.
I've been thinking about this a lot lately. Drawing has become everything to me. It's taken over my life. I feel it might be time to think about redressing the balance. But just thinking about it has thrown me into a bit of a funk. Wondering how I do that - because I still love drawing so much. If anyone has all the answers please let me know. 'Cos, I'm struggling.
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By:
andrea joseph,
on 7/23/2012
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Saturday the 14th of July was International Sketchcrawl day and whilst most of the world's sketching population were in Santa Domingo some of us (Sketchcrawl North, specifically) were out on the mean, and equally exotic, streets of Tideswell.
Well,actually that's a bit of a fib.
No, we weren't on the streets at all. We were mainly in the church where some (amazing) musicians were practicing for a concert. So we spent most of our time there. I did, however, sneak this little drawing of some architecture. Just to prove that we did actually go out sketching on the big day.
The rest of the day we just spent in the cafe eating. Now, that's one thing Sketchcrawl North are VERY good at.
By:
andrea joseph,
on 7/16/2012
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For one reason or another I have found myself spending quite some time in various cafes and tea rooms over the last couple of weeks. It, of course, is no hardship. I am not complaining. In fact, it's passion of mine. I love food. Good quality food, that is. I just don't usually get enough of an opportunity to eat out being a poor artist.
I like to think I have high standards when it comes to these types of eateries. For me a good cafe, or tea room, must have good homemade fare, locally sourced ingredients (wherever possible), good coffee and a laid back vibe. These drawings are from a couple of the local cafes I've been hanging out in recently. As you can see, for one reason or another, some experiences have been better than others.
I've been a little distracted of late. By this amongst other things. Yes, this week saw the production of James and the Giant Peach at Buxton Festival. It was very sweet indeed. And, a real treat to see my drawings so BIG (they were the backdrops to the performance). I do hope I can get some photos of the event to show you but I'm not so sure - you know with all those rules and regs about photos of kids.
Anyway, lots of new drawings to post, including some from today's International Sketchcrawl Day. I'll be back in two shakes of a lamb's tail. But for now I need some sleep.
By:
andrea joseph,
on 6/13/2012
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I've finally finished the drawings for the production of James and the Giant Peach at Buxton Festival.
These two drawings depict the two stages of completing a deadline.
Above; panic = trying to get all the work in on time.
Below; bliss = all work in on time (ish).
There are three performances of the James production, in early July,so, if you are close to Buxton then bring your kids along. I can't wait for it, myself. It'll be a new experience to see my work as backdrops. How exciting. I hope to post some photos from the event.
You can get your tickets
HERE.
By:
andrea joseph,
on 6/9/2012
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And now for something completely different. Different from all the sketch crawl stuff that I've been posting of late anyway. Here's a couple more from the
James and Giant Peach project. These drawings will become the backdrops to the play. I find it quite difficult to not get sucked into all the details. After all, that's what I love to do.
The scene below is what goes on inside the peach on an average evening. As I was finishing it I was reminded of one of my favourite
Spike Milligan poems which goes like this;
'Today I saw a little worm wriggling on his belly,
perhaps he'd like to come inside and see what's on the telly.'
I bloody love that.
By:
andrea joseph,
on 5/21/2012
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Here's another of the backdrops I am illustrating for the Buxton Festival's production of James and the Giant Peach. I'm prettyy happy with this one and though I might still add a little background I also liked it against the white.
Lots more on it's way this week.
Here are another couple of drawings that I have been working on for
Buxton Festival's production of James and the Giant Peach. This has been an interesting project to work on. It's quite different to what I'd normally do in that usually my work is all about the detail. This brief is almost opposite to that. These images will be the backdrops to the production and therefore should not distract from everything that is going on on the stage. So, with that in mind, I've tried to create them through colour and atmosphere.
Anyone interested in attending the production can find the details here. I'll be there on for the
Monday afternoon (9th of July) performance and the original drawings will be displayed in the foyer throughout. I'll linger in that area before the show so come and say hello.
All the answers - some would be nice. I'll keep an eye on this post as I have no idea how to balance.
Love the backdrops - they look gorgeous!
Hi Andrea,
Take a look at why you want to 'redress the balance'. Are the reasons your reasons or other people's reasons? What else (besides drawing) is important to you?
Once you know the important stuff, you can make time for all of it, on your terms.
The thing that was a breakthrough for me is that I have a choice. There's really no such thing as "I can't" ('Oh, I can't do x, I have to do y'). You are actually choosing to spend your time on something every time a choice comes up. If you choose what feels right to you, and not what you think you 'should'('shoulds' tend to come from outside (family, friends, society)), then you won't feel pulled in two different directions. Sometimes your choices won't please everyone, but since you can't ever do that anyway, there's no point in trying! What you can do is choose your priorities, and then focus on those.
Cheers,
eSeN ([email protected])
Congratulations AJ. I'm so so glad for you.
Humans are put on this earth to find what it is that makes them passionately alive and to share that with the world.
If drawing is that for you, you're already in balance. Moreso than the rest of this crazy world, for sure.
Provided you're not hurting anyone, just live into what you're supposed to do. Draw, lady. Draw like it's your soul made visible.
Years ago I was deeply, obsessively into flying. It was on my mind pretty much every waking minute. I remember the panic I felt when imagining the day I didn't do it any more. It seemed like I would lose the core of who I was.
The answer was that whether I'm flying or not: once a pilot, always a pilot. The magic will wait for you if you have to take a break.
Maybe the answer lies in combining your love of drawing with other things in your life: more sketchcrawls, more sketching with others, teaching your skills to others, or including drawing in those parts of your life that you feel have been neglected.
I wish you the best in finding the elusive balance. May your search lighten your soul:)
they look amazing on that huge screen!
I am in the exact opposite position - an amateur artist who hasn't created regularly for many years. Your blog of wonderful drawings is one of several inspiring me to dust off the sketchbook & supplies. I'm starting my own journey back to regular drawing and blogging about it. Whatever you decide is the right balance for you, thanks for the inspiration and for sharing your talent!
eSeN, has the solution I think. The most difficult might be to put into practice maybe. But yes, I guess the only solution to be in peace with our everyday life, is to listen to ourselves as much as possible.
You draw a lot, maybe too much in the some peoples eyes, but you do it well, and you don't seem to loose a second of that time spend drawing. It really seams worth it, your work is beautiful Andrea!!
Thank you for your passionate dedication, it's a gift to all those who are lucky enough to see your drawings!
Helen
eSen raises a good point.
Death is certain and the time we have is not. What you do with your time is important. The fact that you are fully aware of what you love and that you prioritise it is incredible.
So few people know and love themselves enough to do what you do.
Even when you think you are drawing every minute, you still make time to do what needs to be done - go to work, clean the clothes, call your Mom, etc - so even though doing these things make you feel cheated of time, I don't think they are part of the balance issue. Balance for me is doing ART as much as I can until that dreadful time when the muse takes a vacation. Then I spend that time doing research and reading, preparing for her return, then, when she does, I do as much ART as I can. That's how I stay balanced.
I've been reading a book about visioning (which sounds daft, but actually just seems to mean working out what you want so you can go do it), and had a wee go at it myself.
Essentially, you're meant to picture your life in x number of years if everything went just how you always imagined it. Then (in the present tense) you describe in detail the way your spend your week, or how you interact with the people around you.
The amazing thing is that it really does make it easier to work out what to do now in order to get there (and it's not always what you think it's going to be).
I'm with Aggie, as another amateur artist, (and mother of four teenagers/young adults) I find it a struggle to carve out time each week, never mind each day (which is my goal) to find time to draw and be creative. Relax and enjoy this time you have because before you know it other things will creep in. Thank you for sharing your journey and your achievements, it is always inspirational.
eSen talks a great deal of sense - as long as you are not in danger of being evicted, starving to death or hurting anyone, I see no problem in spending your time drawing. It's what you are brilliant at and it is starting to pay dividends. I quit art completely in my early twenties after many setbacks and various people telling me I wasn't good enough. After 13 years, I came back to it and thought to hell with anyone else, I'm going to do what I love. It's been a long hard slog but I can finally call myself a professional artist. Now I feel I have to catch up with those lost years because let's face it, we're a long time dead!
Andrea,
From your perspective you have done 'nothing but draw'.
However from those of us who have followed you for these years there is more to it than that. There is inspiration (both to spur the artists among us to create more, as well as the sheer joy of seeing the beauty of the world through your eyes), excitement of watching your career develop, and the hope that with all this great work will come greater recognition for you. As I've posted before, your blog is the starting point for student projects in my university drawing classes, which undoubtedly has a ripple effect unforeseen.
Next things? More exhibitions, travel, a reality show? Whatever 'it' is will hopefully dovetail with what you do now so we (selfishly) won't lose you.
Best wishes.
Thank you SO much for the kind response to this post, folks.
I have read and reread through all of your comments and appreciate them more than you know. I, too, will respond (to your response!)by posting very shortly. Sorry, I haven't ot around to it sooner, I've just been a bit 'all over the place' recently.
For the first time, yesterday, I suddenly felt like drawing and had a deluge of ideas. This makes me happy.
A blog post will follow shortly. In the meantime, a HUGE thank you. I'm very touched.
I understand how you feel. Re-Adjusting your life when you have a strong passion for something isn't easy at all... If you sit down and really think this through I'm sure you could make an effort to balance out your passion of drawing with other things in your life!
I'm a new fan of your work!(btw) Whatever you do, just please don't stop drawing :)
andrea, i hope these amazing comments have helped lighten your mind
with so much wisdom i'm not sure i have much new to add.
looking forward to a "balanced" you and some sketches :)
Beautiful backdrops Andrea. I have no answers either. I am absolutely consumed with making marks. ??