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** Alex Haley's Roots,

as a kid, got me interested in my own family's ancestry. Although, it wasn't until about 10 years ago, around the time my son was born, that I finally started digging on my mother's side of the family tree. If you've ever done any digging yourself you know how exciting and time consuming it can be, but in a short amount of time I made decent progress.

Then a couple of years ago, my aunt gave me these two portraits of my great-grandparents.I'm guessing the photos are about 100 years old. 

Their daughter, my grandmother, Blanche, was born in either 1916 or 1917 so I estimate the photos were taken around then, give or take a few years. These portraits are a part of my family history. And until seeing them and delving into my family's ancestry online, it was a family history that I was not too sure actually existed let alone connected to a larger American history.

Part of what fuels my art (and illustration) is the desire to shine a light on those who have been forgotten by history, underrepresented or misrepresented. My goal is not to merely tell their stories but to reframe them and their lives. By reframing, I mean looking at people and events from a different vantage point and thereby changing the way we perceive them, reminding us that identity is perception and therefore malleable, not static. The first piece of work where I consciously used reframing was A Brief History of Sambo.


For me, the portraits of my great-grandparents suggest that they were people that mattered, even though their names may only be a small piece of a larger historical record. Often times African-American history is linked to the history of oppression, poverty, brutality and blight, as though they are all synonymous. In terms of success, names like CJ Walker, George Washington Carver and Frederick Douglas are important and familiar but by no means the whole story. There are countless people who we learn about during the 28 days of February, many  who were part of the Civil-Rights Movement but still that's just a portion of the picture. Industries such as law, medicine, art, invention, publishing, hospitality, real estate and apparel are all areas where numerous African-Americans made a name for themselves. People like Arthur Gaston, Jeremiah G. Hamilton, John Coburn and Chloe Spear are just a few names but their success defies the perceived norm and that success was not confined
to just one era but was a truth, for some, throughout the history of Blacks in America. Given the circumstances of how we arrived here, our presence in America today conveys a success that pervades all of American history.

Back to this week's piece. In the spirit of those industrious people who's stories remain untold (and the portraits of my great-grandparents), I created this week's piece-"Black Business 1890."

The portrait is of no one in particular and the date arbitrary but the objective of the piece is to emphasize my previous points. The print is 10x10" including 2" borders on all sides. Printed on heavyweight, ph-neutral, cold-press watercolor paper with archival inks. Just respond here or email me [email protected] with Weekly Painting #9 in the subject if you would like one.

I apologize to anyone who has been waiting for these updates. It's been awhile, I know. I have more to share so stay tuned!

Oh,one more thing. 

This Sunday, May 15th in Brooklyn, 


I will be at the 5th Ave Street Fair, 5th Ave between 1st and 2nd Street in the artist area. I may have one or two proofs left of the Black Business 1890 and a Brief History of Sambo. Hope to see you!

Sean


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Copyright © Sean Qualls 2016, All rights reserved.

I’m finally sifting through all my notes and experiences from my trip to New York. It was a cold weekend to be in the big apple, with temperatures outside hovering in the single digits. Despite the frigid weather we were warm and safe inside the hotel, surrounded by a star-studded faculty of kidlit experts. Here are just a few of the highlights:

From the sketchbook

Two-time Newberry Honor winner Gary Schmidt made everyone cry about five different times during his moving keynote about the importance of writing for kids. He emphasized that writing should be an expression of empathy and compassion: we must “show up” instead of leaving the reader behind. I can’t do Mr. Schmidt justice, so I’ll just encourage you to read all of his heartrending books and leave you with a quote:

“Writing should be an act of empathy in a broken world. What ails you? That is the question we ask.” – Gary Schmidt, author

If you’ve ever submitted a manuscript exactly one time and, upon receiving a rejection letter, decided to give up: William Joyce, Oscar winner and acclaimed writer and illustrator of dozens of books, received over 250 rejection letters at the beginning of his career. So maybe it wouldn’t hurt to keep revising and try again. He also offered this advice to illustrators on finding your voice:

“Find the artists you love, find out what you love about them, and then… steal.” -William Joyce, author/illustrator and filmmaker

William Joyce speaking at SCBWI NY 2016

Newberry Honor and Coretta Scott King award-winner Rita Williams-Garcia made everyone laugh during her keynote about the “Dos and Don’ts” of writing. Her witty anecdotes shed light on the hard-earned successes and naive missteps along the road to publication.

“Do live with gratitude. Do live in the plan. Do what you’re doing.” – Rita Williams-Garcia

The delightful Sophie Blackall inspired everyone with the story of how her personal project to illustrate the Missed Connections column on Craigslist helped to jump-started her career. She also shared stories and photos from her travels working with Save the Children and other humanitarian organizations, and gave us a fascinating behind-the-scenes look at all the research and love that went into this year’s Caldecott winner, Finding Winnie. She signed my copy of book and even drew a little sketch in it!

“Do that thing that’s just for yourself, because it’s almost always your best work.” -Sophie Blackall, author and illustrator

Getting my book signed.

The conference also featured several panels representing editors, art directors, publishers and agents who offered a broad perspective on the state of the industry. There was a lot of encouraging news about the health of children’s literature and plenty of sage advice for aspiring authors and illustrators. Here are a few quotes that stood out:

“You’re only as good as the people you work with.” – David Saylor, Creative Director at Scholastic

“Don’t take shortcuts. If you put everything you have in [your work], you can’t fail.” – Holly McGhee, Agent at Pippin Properties

“You have something that no one else has, and your job is to figure out what that is.” -Cecilia Yung, VP and Art Director at Penguin Random House

“Know your competition. […] Your competition is everything kids are doing other than reading books.” – Andrea Pappenheimer, Director of Sales at HarperCollins

I'm leaving tomorrow for the SCBWI Winter Conference! If you haven't yet registered, you're out of luck....the conference is sold out. However, you can follow along virtually via the #NY15SCBWI hashtag on Twitter as well as the SCBWI conference blog.

Here's my updated SCBWI Conference Advice post for first-timers (as well as a challenge for the many-timers):

If you're a conference newbie who is nervous, I encourage you to browse my SCBWI Conference Newbie comics. I created these when I was a nervous newbie as well! So many people think I'm an extrovert, but I'm actually very much an introvert and was terrified (to the point of sweating palms, pounding heart, hating the idea of having go up and introduce myself over and over) about attending my first regular SCBWI conference back in 2009.

(Edit re: above comic: I did end up meeting Jay at the conference and he was really nice! And he didn't mention his Amazon ranking EVEN ONCE! Heh.)

I've posted advice for first-timers before and will post it again at the end of this piece, but now that I've attended other SCBWI annual conferences (and had my career jumpstarted because of the 2010 SCBWI-LA Conference), here is some additional advice I have for those who have attended more than once:

Don't get offended or disheartened if people you've met before don't remember you.

This is something I've learned from both sides. As a 2nd- and 3rd-timer (and so on), I've sometimes gone up to a person or group I've met and had my confidence deflated when it becomes clear they don't remember me at ALL from the previous year. My inner reactions ranged from embarrassment, humiliation, irritation, frustration and even brief anger ("I guess I'm just NOT IMPORTANT enough for xxx to remember!! Hmph.").

Having attended many times now, I've learned the following:

- I'm terrible at remembering people unless I've had multiple conversations or interactions with the same person.

- Even then, especially if I'm tired or am in a noisy crowd (remember what I said earlier about being an introvert?) or have met many new people in a row just before, I may still forget having met someone before.

I still accidentally re-introduce myself to people whom I've met before, sometimes whom I've met EARLIER IN THE CONVENTION. I'm always horribly embarrassed when this happens. 

Make sure your name badge is easily visible.

Also, when I approach someone whom I've met before but with whom I don't have constant contact, I usually try saying something that will help remind them of our mutual context, or remind them of having met at xxx. Until I'm sure they actually do remember me, I try very hard NOT to put them on the spot (e.g. I don't say, "So, what did you think of my most recent post?" etc.).

When someone does this to me (subtly or unsubtly :-) setting the context and helping me remember), I immediately feel more at ease with them and am more likely to want to chat with them in the future.

Another tip: if someone DOES remember you, never assume that they're up-to-date on all your exciting news. I've had the occasional person react badly when they realize I'm not aware of their new book ("?? But I posted it all over Facebook!") I never assume anyone reads all my posts or keeps up with all my news. People have busy lives and different priorities.

Something else I've learned: even so-called Big Name authors and illustrators can be insecure. I am faaaar from being a Big Name, but having had a bit more experience at conference-going now, I also realize how some of the Big Name types who seemed standoffish to me actually weren't.

Be gracious, be forgiving and try very hard to assume the best about a person rather than the worst.

And I apologize ahead of time if I don't remember your name or re-introduce myself. :-\

And here some tips for first-timers who feel nervous about attending for the first time, or are normally very shy or introverted and dread the idea of having to meet a lot of new people:

1. Be brave and make the first move. You'd be surprised at how many other attendees feel exactly the same way as you do. Introduce yourself to people you sit beside, stand in line with, notice standing alone.

2. TAKE BUSINESS CARDS. Yes, even if you aren't published yet. We're all going to meet a lot of people over the weekend, and taking away a business card from an encounter or introduction will help the people you meet remember you. If you're an illustrator, take postcards or make sure a sample of illustration style is on your business card.

3. Have realistic expectations. Don't expect to be "discovered" at the conference.

4. In my experience, you're much more likely to meet new people if you're alone. If you're always chatting and hanging out with the same person or people, you're not as approachable. I'm not saying that you SHOULDN'T hang out with people you like, of course! Just keep in mind that as a group, you're probably not going to meet as many new people as someone who is by themselves.

5. If you're on Twitter, write your Twitter handle on your name badge somewhere.

But most of all: TRY TO HAVE FUN. 

***** A CHALLENGE TO THE "MANY-TIMERS" OUT THERE ****

Try to remember what it was like when you attended your very first event, or how insecure you felt in the beginning. Then make it a personal challenge to find at least one lost-looking or nervous conference newbie who is sitting or standing alone. Introduce yourself, chat with them, find out what they're working on, perhaps (if appropriate) offer some advice.

Give good karma and it WILL come back to you.

p.s. If you see my friend Kate, do say hi! :-)

Once Upon a time…

First Book travelled to the faraway land of Buffalo. Upon our arrival at the warehouse, we were astonished to find a field of presorted pallets, lined up in rows and labeled with fancy signs. They were the most beautiful pallets we had ever seen! 

Before we could blink an eye, we were escorted to a table of sweets and coffee. While choosing which donut to eat first, volunteers flocked around us, begging to be put to work.

Over the next three days, 300,000 books went to 65 local organizations and 333 nationwide, via 118 volunteers fed by about a million donuts. 

As the last books rode off into the sunset, in a poof of volunteer magic (aided by 5 brooms and 3 dustpans) all the evidence of the distribution disappeared. As we frolicked off, the only evidence of our adventure is now scattered throughout the land, as children receive books of their own and live happily ever after.

The End.

    There are very important factors when it comes to being any kind of writer. It covers a whole range of books. As everyone know putting together a children's book has many people involved. It is a team effort that takes many years to master and complete. For the next three days I will take you all on a journey into this event. It is a huge gathering of people in the children book industry and covers a very important idea that every author has to do. This is called networking and creating a platform. The post will be updated daily from 1-27-2012 to 1-29-2012. Each day I will give you guys an inside into this business. So get ready for a wild ride. I blog my experience on this journey enjoy.

Day 1 Writer's Intensive

     Today started just like an ordinary gray day, the rain tapped the roads and my journey had began. Strong winds and heavy rains very strange weather for New York State especially in the middle of winter. Only two snow storms so far and that it.
      I took the train in from my home town. New York was wonderful like usual. The rains were strong at first but as the day went on it all changed. I started the day psyched to finally have the SCBWI conference, I could not believe it came so fast. Where does this path called time really go? Does it just vanish in a puff of smoke or where does it end up?
     So back to business the day started with registration and breakfast not much of a filling one but it was good enough Coffee and Bagels the real New York local food. My nerves shaking and my hands gasping the 500 hundred words we were supposed to bring here. Hundreds of questions inside my hands? Who will I meet? What will the professional say? Is my manuscript good enough? At registration our tables were given to us? I got Table 17 and  18.
      When I was getting my food a strange thing happened the hot water was gone. I am usually a tea drinker, but I needed that jolt, I needed that caffeine. I wanted something hot but it was the bitter black stuff we call coffee. I guess many tea drinkers came here? Oh well I guess I had no choice. 
    I found my table, my mind moving and my body shaking, it was it, the moment I have been waiting for, another year had passed. The session started by a panel on voice. Three editors spoke. What is voice? Each of them had there own view. What I can tell you guys is it needs to be fresh. It needs to be authentic. It has to stand out from the crowd.
    The editor panel spoke about the kind of books they buy. Here is just a very quick summary: Characters have to have personality, you have to get into your character's mind, and the story has to stand out for the individual editor and always make sure to do you research. You have to be in the moment and write the best story you can. 
     Then the time began my table had eight writers at it and one professional. We each were given 12 minutes for our 500 words. The critique process is very important and it is great to have a group of your own. The setting here was much more family like. Every manuscript was discussed by everyone. I have to say I got a lot out of it and had many wonderful suggestions and commends from both critiques. There is no need for