JacketFlap connects you to the work of more than 200,000 authors, illustrators, publishers and other creators of books for Children and Young Adults. The site is updated daily with information about every book, author, illustrator, and publisher in the children's / young adult book industry. Members include published authors and illustrators, librarians, agents, editors, publicists, booksellers, publishers and fans. Join now (it's free).
Login or Register for free to create your own customized page of blog posts from your favorite blogs. You can also add blogs by clicking the "Add to MyJacketFlap" links next to the blog name in each post.
Viewing: Blog Posts Tagged with: Review, Most Recent at Top [Help]
Results 1 - 25 of 1,401
How to use this Page
You are viewing the most recent posts tagged with the words: Review in the JacketFlap blog reader. What is a tag? Think of a tag as a keyword or category label. Tags can both help you find posts on JacketFlap.com as well as provide an easy way for you to "remember" and classify posts for later recall. Try adding a tag yourself by clicking "Add a tag" below a post's header. Scroll down through the list of Recent Posts in the left column and click on a post title that sounds interesting. You can view all posts from a specific blog by clicking the Blog name in the right column, or you can click a 'More Posts from this Blog' link in any individual post.
I have been struggling with this review, and I don’t know why. I thoroughly enjoyed Sweet Cowboy Christmas, but I just can’t seem to put my thoughts down in any coherent manner, so I will instead give you my Top 5 reasons why you should read it
1. This romance will put you in the mood for the holidays. I read it last week, and afterwards, I was geeked for the holiday season. Christmas plays a big part in the story, because Chase lost his father on Christmas years ago. He’s still not over his loss, and he dreads the holidays, because he certainly doesn’t share in the holiday cheer that surrounds him. Faith loves Christmas and giving to others, so she wants to help Chase regain his love for the holidays
2. Both Chase and Faith are running unsuccessfully from their pasts. Chase can’t get over the loss of his father, and now he’s just had a health scare himself. He’s not sure who he is anymore, because he’s been told he has to give up his fast-paced, stressful life or he’s not going to be around much longer. Faith is still smarting from a romance gone bad. Her ex belittled her and she still hasn’t recovered her confidence after his contemptuous treatment of her.
3. Chase is a caring guy, who realizes a good thing when he sees it. When he learns that Faith’s confidence is still suffering from her past disastrous relationship, he isn’t shy about letting her know how special she is.
4. The interactions between Chase and Faith are humorous, sweet, and romantic. The ranch setting is the perfect backdrop for their budding romance. How can galloping across a field and then sharing a kiss not be romantic?
5. Sweet Cowboy Christmas is a novella, so you don’t have to invest a lot of time to reach the happy ending. This is a great choice if you have some free time in between your own holiday preparations. Who knows? It may even get you in the mood to put out some extra Christmas decorations.
Review copy provided by publisher
Mistletoe, holly, and cowboys, oh my! Christmas in Texas has never been sweeter.
Years ago, Chase Morgan traded in his dusty cowboy boots for the shimmering lights of New York City and a fast track up the corporate ladder. But when his shiny life is turned on end just in time for Christmas, Chase knows he needs to reevaluate—even if that means going home to Texas to endure his least favorite holiday.
When Mr. Tall, Dark, and Smoking-Hot walks through her door at the Magic Box Guest Ranch, Faith Walker sees just another handsome, rich exec looking to play cowboy for a week—at her expense. She’s sure the grumpy-but-sexy-as-hell Scrooge will put a crimp in her holly jolly plans. Until a sizzling kiss has her seeing him in a new light.
Chase is haunted by secrets, and even though it goes entirely against her “hands off the guests” rule, Faith is tempted to help him leave the past behind. As the magic of the season swirls around them, she is determined to succeed, because now she is certain one sweet cowboy Christmas will never be enough.
I was in the mood for a historical romance, so I fired up my Kindle and started reading Twice Tempted. I was hooked from the first page. I wasn’t sure what I was getting into, but a sweet romance, sprinkled with spicy interludes and a light spy thriller wasn’t it. I enjoyed as the mystery slowly revealed itself, as well as the secondary characters helping Alex and Fiona solve it. They actually made the read for me, because Chuffy and Mairead were so unique and their eccentricities were delightfully surprising.
Fiona isn’t having a good day. The man she has obsessed over for the last four years has just delivered the heartbreaking news that her older brother Ian has been killed. Worse, her cranky grandfather promptly throws Fiona and her twin sister Mairead out on the streets, because the honorable old man can’t abide the thought of Ian’s scandal rubbing off on his good name. His granddaughters were only tolerated because Ian was his heir. He can’t forgive them for the stain of growing up in the slums, and he can’t wait to be rid of them.
Alex, Ian’s friend, is dismayed to find Fiona and Mairead gone when he returns to inform the girls that Ian is still alive and the news of his demise was premature, as was the outrage he was accused of. Now Alex truly is a man of honor, and he is consumed with guilt for not being there to protect the girls. Four years ago he delivered Fiona to her grandfather’s estate, and after stealing a kiss from her, he thought that she was in good hands. Little did he know that Fiona was verbally abused by the marquess, and constantly made to feel unwelcome in her new home. Alex had only known love and support from his own family, so the thought that Fiona and Mairead would be treated so poorly never occurred to him. Now he’s determined to find her and give her the life she deserves.
When Alex locates the young women, they are not interested in his plans for their future. Both Fiona and Mairead are consumed with their intellectual pursuits, and they have no intention of giving up their mathematics and astronomy for a life of luxury. Fiona has serious trust issues stemming from her childhood in the slums, and she doesn’t believe Alex is capable of delivering on his promises. She fought to keep her and Mairead safe and fed, and it wasn’t always easy. I have to say that I don’t understand where Ian was during this time; after their mother died, why didn’t Ian do anything to see the girls in a safer environment? There was no excuse for him to have left them alone and defenseless for so long, regardless of his circumstances. Ugh.
I had a hard time putting Twice Tempted down, especially as Alex and Fiona became more enmeshed in the plot that threatened to destroy both of them. They both have trust issues due to their pasts, and secrets they are keeping from each other. I enjoyed the action, the romance, and how the diverse characters interacted, gaining strength and confidence from their new friendships. This was a fun read!
Review copy provided by publisher
Fiona Ferguson’s troubles began with a kiss . . .
It feels like a lifetime ago that Alex Knight saved Fiona from certain doom . . . and stole a soul-shattering kiss for good measure. Wanting nothing more than to keep her safe, he left her in the care of her grandfather, the Marquess of Dourne. But Fiona was hardly safe. As soon as he could, the marquess cast her and her sister out on the streets with only her wits to keep them alive.
Alex has never forgotten that long-ago kiss. Now the dashing spy is desperate to make up for failing his duty once before. This time he will protect Fiona once and for all, from a deadly foe bent on taking revenge on the Ferguson line-and anyone who stands in the way . . .
The first of two beautifully lavish books created to celebrate the distinctive designs behind the Adventure Time title cards. Combining sketches, works in progress, revisions and final title card art, the book will take readers on a visual guide of the title card development, with quotes from each episode and commentary from the artists – Pendleton Ward, Pat McHale, Nick Jennings, Phil Rynda, and Paul Linsley.
Title: The STORM WHALE Written and illustrated by: Benji Davies Published by: Henry Holt and Company, LLC., 2013 Themes/Topics: whales, loneliness, father/son relationships Suitable for ages: 3-7 Fiction, 32 pages Opening: Noi lived with his dad and six cats by … Continue reading →
Summary: Mortal Heart is the final book (SAD FACE) in Robin LaFevers' His Fair Assassin trilogy (Book 1 reviewed here; Book 2 reviewed here). The books take place in medieval Brittany and France, a setting which the author has obviously researched... Read the rest of this post
In the October 9th edition of the New York Review of Books, philosopher John Searle criticized Luciano Floridi’s The Fourth Revolution, noting that Floridi “sees himself as the successor to Copernicus, Darwin, and Freud, each of whom announced a revolution that transformed our self-conception into something more modest.” In the response below, Floridi disputes this claim and many others made by Searle in his review of The Fourth Revolution.
John Searle’s review of The Fourth Revolution – How the Infosphere is Reshaping Human Reality (OUP, 2014) is astonishingly shallow and misguided. The silver lining is that, if its factual errors and conceptual confusions are removed, the opportunity for an informed and insightful reading can still be enjoyed.
The review erroneously ascribes to me a fourth revolution in our self-understanding, which I explicitly attribute to Alan Turing. We are not at the center of the universe (Copernicus), of the biological kingdom (Darwin), or of the realm of rationality (Freud). After Turing, we are no longer at the center of the world of information either. We share the infosphere with smart technologies. These are not some unrealistic AI, as the review would have me suggest, but ordinary artefacts that outperform us in ever more tasks, despite being no cleverer than a toaster. Their abilities are humbling and make us revaluate our unique intelligence. Their successes largely depend on the fact that the world has become an IT-friendly environment, where technologies can replace us without having any understanding or semantic skills. We increasingly live onlife (think of apps tracking your location). The pressing problem is not whether our digital systems can think or know, for they cannot, but what our environments are gradually enabling them to achieve. Like Kant, I do not know whether the world in itself is informational, a view that the review erroneously claims I support. What I do know is that our conceptualization of the world is. The distinction is trivial and yet crucial: from DNA as code to force fields as the foundation of matter, from the mind-brain dualism as a software-hardware distinction to computational neuroscience, from network-based societies to digital economies and cyber conflicts, today we understand and deal with the world informationally. To be is to be interactable: this is our new “ontology”.
The review denounces dualisms yet uncritically endorses a dichotomy between relative (or subjective) vs. absolute (or objective) phenomena. This is no longer adequate because today we know that many phenomena are relational. For example, whether some stuff qualifies as food depends on the nature both of the substance and of the organism that is going to absorb it. Yet relativism is mistaken, because not any stuff can count as food, sand never does. Likewise, semantic information (e.g. a train timetable) is a relational phenomenon: it depends on the right kind of message and receiver. Insisting on mapping information as either relative or absolute is as naïve as pretending that a border between two nations must be located in one of them.
The world is getting more complex. We have never been so much in need of good philosophy to understand it and take care for it. But we need to upgrade philosophy into a philosophy of information of our age for our age if we wish it to be relevant. This is what the book is really about.
Feature image credit: Macro computer citrcuit board, by Randy Pertiet. CC-BY-2.0 via Flickr.
Kicking off the holiday reading season, I picked up Can’t Wait by Jennifer Ryan because I liked the cover and because it has one of my favorite tropes. I can’t get enough stories with the heroine falling for her brother’s best friend. The setting didn’t hurt either; all of the action takes place on a ranch in Montana. While Montana would not be my first choice if I were to ever relocate (the winters last forever!), the whole ranch thing is so appealing to me that it makes me giddy. Working with and around horses all day long seems so much better than herding IT professionals on a daily basis.
Summer has fallen so hard for her brother’s best friend that she’s had to move out of the main house and into the smaller cabin on the ranch by herself because being so close to him is driving her crazy. The flirting and longing looks she casts in Caleb’s direction should be clear for everyone to see. Everyone but Caleb, it seems. He’s not taking the bait, no matter how hard she casts her lures. She’s at her wits end and decides to take a different route; to heck with the subtle approach, she’s going to let him know exactly how she feels.
Caleb is far from indifferent to Summer, but because he owes so much to Jack, he can’t go after his best friend’s sister. Jack kept him sane and alive during his stint in the military, and now Caleb is helping Jack run his ranch. He has too much to lose if things don’t work out with Summer, but the temptation is driving him to distraction. But being a man of honor, he can’t allow himself to show his interest in her.
I really liked Summer because she is a woman who knows what she wants, and she’s not afraid to go after it. She knows that they would be good together, if Caleb would only give her a chance. Summer isn’t just working against Caleb’s sense of honor, she’s also battling his PTSD. Both Caleb and Jack saw and did terrible things while overseas, and they are both haunted by the experience. Caleb’s distress is so severe he can’t sleep at night, but once he opens his feelings to Summer, she gives him a sense of peace he had been lacking. She becomes his anchor, something that he desperately needed.
The story takes place in the run up to Christmas, and Summer’s holiday traditions are seamlessly incorporated into the action. Who wouldn’t want to go on a snowy trail ride in search of the perfect Christmas tree? The snowball fight I could have lived without, but only because of my aversion to being cold and wet. I was definitely in the holiday mood by the time I finished reading Can’t Wait.
Review copy provided by publisher
Originally appeared in the e-book anthology All I Want for Christmas Is a Cowboy.
Jennifer Ryan, author of the New York Times bestselling The Hunted Series and the upcoming Montana Men Series, takes us to the very beginning in this Christmas prequel about two people who finally receive the one thing they’ve always wanted … each other.
Though she is the woman of his dreams, Caleb Bowden knows his best friend’s sister, Summer Turner, is off-limits. He won’t cross that line. Summer shares a connection with Caleb she’s never felt with anyone else, but the stubborn man refuses to turn their flirtatious friendship into something more. Summer will have to take matters into her own hands if she wants her cowboy for Christmas.
The question is not whether it was appropriate for the Metropolitan Opera to stage this important and controversial piece, but rather, did they do it right? Did they mount it so that its poetic, dramatic and musical potential was well realized?
The challenge is great. Poet Alice Goodman’s libretto operates on multiple levels. Using poetic imagery, she not only explores the stories of the individual characters and some elements of the complex relationship between Jews and Palestinians but also larger human dilemmas. She sets the specifics in the context of the elements: earth (desert), water (ocean) and the sun (which effectively burns with fierce intensity throughout much of the second act of this production.)
The director, Tom Morris, has added the plant kingdom. Building on the Exiled Jews’ line, “the forest planted in memory,” he has the chorus bring on a small forest of young saplings – many of which are produced from large trunks. In so doing, he adds additional layers of meaning and memory – both that of the reforestation of Israel, but also that of the baggage of refugees everywhere, and specifically of the luggage lugged with false hopes to the camps.
It is at once a piece recalled in memory and an evocation of a present reality. As a memory piece Goodman does not need to tell the story sequentially and is free to present the events from multiple perspectives.
Here, too, Morris and his set designer, Tom Pye, have effectively amplified the libretto. By manipulating the set pieces they show us the killing of Klinghoffer first from the back and then from the front – vividly embodying different views. They also chose to portray the moment when Omar, a young terrorist, shoots – shifting our perspective in a different way. It effectively destroys any sympathy that we might have developed for him in his earlier aria/dance.
The success of this production stands on three pillars. One is the strong and subtle conducting of David Robertson. A second is the casting. The singing was uniformly excellent and the principals were believable. Leon and Marilyn Klinghoffer (Alan Opie & Michaela Martens) presented a particularly interesting casting challenge, since it is crucial that their voices are beautiful and yet have an appropriately mature timbre. Both these demands were satisfyingly met. The third pillar of the success lies in the decision to reject the more abstract and cerebral approach taken in the original productions and to ground the work in particular and recognizable locales with the performers costumed in character-appropriate clothes.
The production team also chose not to represent Leon and Marilyn with dance doubles as was originally done, which increased our ability to empathize with their suffering. The convention was, however, retained for Omar. His is a mute role but for one major aria in which the piece takes the irredeemable step from threat to murder. The aria was sung by a woman in a dark burqa. However, she was not alone with him. On a receding diagonal behind her stood a line of identically dressed women evoking generations of tradition handed from mother to son. As she sang, Omar went through painful convulsions–of indecision? of fear? After the aria, he began his fateful walk towards Klinghoffer, gun in hand.
The set established three different locales – the first two were fluid and sometimes simultaneous. One was a lecture hall (or theater) represented by a lectern stage left; the other was the cruise ship, Achille Lauro, represented by railing pieces, deck chairs and by two moveable double-level ship’s deck units. When the Captain lies to the authorities about the violence onboard, the lectern becomes integrated with the ship as a stand for the phone. This choice effectively forces him to move out of memory to re-living one of his most painful choices during the high-jacking.
The final scene, in which the Captain admits to Marilyn that the terrorists have killed her husband, has a setting all its own. Inexorably, two giant panels close in – reducing the stage to a triangular space empty but for a single chair. Are we in the ship’s hold? Are we in a truth chamber or one of horrors? We don’t know, but it is a formidable and unforgiving space. And, indeed, neither the Captain nor Marilyn can escape.
Over a period of two dozen years, the director Peter Sellars brought together the team of John Adams and Alice Goodman to co-create three vitally important works: Nixon in China (1987), The Death of Klinghoffer (1991) and Dr. Atomic (2005). All are based on recent events with profound implications for our times. All three are oratorio-like. The stories are dramatic but their form is static. And yet we are drawn to these pieces. Confronted by the issues they embody – as we are in our media, our wallets and in the political choices made by our leaders, do we cry out for a distanced format? Do we seek a cool presentation that gives us time to review and reflect? Surely. And yet, in these quasi-operas, I miss the visceral excitement generated by works in which conflicts between unique individuals are directly portrayed in singing and acting. For me, the success of the Met’s production of The Death of Klinghoffer is that it restores some of this urgency, vitality and feeling.
Headline image credit: Full House at the Metropolitan Opera. Public domain via Wikimedia Commons.
I love books about mermaids, and I enjoyed Debbie Herbert’s first novel, Siren’s Secret, so I was eager to dive into Siren’s Treasure (excuse the bad pun!). Jet is my least favorite character of the three Borsage mermaids, though, so it did take me a while to warm up to her. She made some terrible decisions in her past, and they are about to bite her in the butt. She has always felt like an outsider with the merfolk, and her mother’s emotional distance left her desperate for acceptance. She falls for the wrong man, giving her ex a powerful weapon to blackmail her with. Regretful that she’s given him so much power over her, Jet fears she will never be rid of him, and that she’s put her race in danger of discovery.
When FBI agent Landry Fields enters her life, Jet is at a low point in her life. Her shady ex has been released from prison and now he wants to go back into business with her, and he’s not taking no for an answer. She’s just won a tough competition at the mermaid games, but nobody is excited for her triumph. She wants to know why she’s treated so poorly by other mermaids, and why her mother insisted she spend so much time on land, but her mom’s not fessing up. Frustrated and lonely, Landry’s intrusion into her life takes her by surprise. She’s attracted to him, and even though they are at odds over his latest case, Landry can’t help but feel drawn to Jet as well.
I found the pacing of the story a little uneven, until Perry and his thug friends abduct Jet. They need her to salvage something for them, and the thought of the millions it will bring them has them desperate to do anything to earn her cooperation. Perry’s new acquaintances are dangerous, and they think everyone is disposable, even Perry. They won’t hesitate to use extreme force to get what they want, because they have even more dangerous clients waiting to bid on the salvage, and they won’t take kindly to being disappointed if Jet doesn’t find it. Failure is not an option!
The abduction/rescue sequence of events kept me rapidly turning the pages. I loved this part of the book. I liked how the other mermaids worked with Landry to rescue Jet, and I enjoyed getting to know Jet’s mother better. She’s a great character; even though she and Jet might have had their misunderstandings, nobody is going to stop Adriana from saving Jet from the unsavory criminals that have snatched her away. I also loved how, ultimately, it was Jet who saved Landry, and his complete faith in her that she would succeed at that endeavor.
Despite some bumps for me, I enjoyed Siren’s Treasure, and I’m really looking forward to Lily’s book.
Review copy provided by Author
Deep in the bayou, a strange and beautiful world of merfolk exists…
Mermaid Jet Borsage never fit in with her own kind. Her dark hair and eyes set her apart from the other merfolk. Which was why she fell for the wrong man, and why she is still paying the price. One that has made her unwilling to trust any man. Until she meets Landry Fields…
Agent Landry Fields is investigating Jet’s former boyfriend, but he knows Jet is hiding something, as well. At first he believed the beauty was involved in her ex-boyfriend’s dangerous undersea excavations. But when he realizes he is falling for a real-live mermaid, Landry’s by-the-book beliefs are rocked. Now can he save Jet and her clan from modern-day pirates to claim a future with the feisty beauty?
I have been reading a lot of manga, but I haven’t had enough to say about each volume to write up a full review, so here are some brief impressions, starting with a new imprint Manga Classics.
I haven’t read Pride and Prejudice, and somehow I have managed to not see the many film adaptions of this classic, so I was thrilled when this turned up in my mailbox. I was a little leery that it would be boring, as some other novel to comics have been, but I was pleasantly surprised with everything about it. The art is lovely, the script is engaging, and I spent an enjoyable hour savoring Udon’s well produced book, and I’m looking forward to reading more in their Manga Classics line.
Review copy provided by publisher
About the book:
Beloved by millions the world over, Pride & Prejudice is delightfully transformed in this bold, new manga adaptation. All of the joy, heartache, and romance of Jane Austen’s original, perfectly illuminated by the sumptuous art of manga-ka Po Tse, and faithfully adapted by Stacy E. King.
Now that the entire series has been released, I have a new goal – finish reading Vampire Knight. I love this series, but I have to admit that half of the time I don’t understand what the heck is going on. I read Volume 14 twice, and while I think I get it, the plot is still as clear as mud.
When Yuki obtains Kaname’s memories, she learns about the woman he cared for. She sacrificed herself to make weapons for the humans, so they could defend themselves against the vampires. Yuki and Kaname spend most of pages apart, and when they are together, there is an emotional chasm between them, and it doesn’t seem like it’s going to go away any time soon. Kaname is doing some horrible things, nobody understands what he’s thinking or why he’s acting this way, and poor Aido is going to pay the price for Kaname’s behavior.
Aido is one of my favorite characters, so it was rough reading the last few chapters. He has been a true friend to Kaname, and his repayment has been less than ideal. Why, why, why? I feel bad for Yuki, too. Things aren’t any easier for her now that her vampire nature has re-emerged, and she’s lost Zero’s friendship. Kaname isn’t offering up much support for her either.
Review copy provided by publisher
About the book:
The Vampire Hunter Society has imprisoned Aido in order to interrogate him about Kaname’s connection to Sara Shirabuki. Meanwhile, Yuki wants a fresh start with Kaname, but circumstances arise that may force them apart.
Food Wars is a fun manga. I didn’t think I’d like it at first, because Soma can be so abrasive, but that’s what I like about it now. He’s a super confident guy who has complete faith in his culinary skills. He’s under a lot of pressure at his exclusive cooking school, but he doesn’t even break a sweat at the thought of failing. He has earned the wrath of the entire student body by declaring his intention to graduate at the top of the class, and oh yeah, have fun eating his dust as he blows by the competition and takes over the spot as number one student. I love the cooking challenges; the food always looks so tasty, and the tension cranks up pretty high. Just when it seems like he doesn’t have a chance of passing, he brainstorms and viola! anything is possible, including beating the rich kids at their own game. I’m looking forward to the fourth volume.
Review copy provided by publisher
About the book:
The “teamwork and friendshipbuilding” camp from hell begins! While most students are already petrified by the threat of instant expulsion for low marks, the unveiling of the teachers responsible for judging their dishes ratchets their fear to a whole new level! Just which anxiety-inducing teachers hold the culinary futures of Soma and the rest of the Polaris crew in their hands this time? Includes the one-shot “Your and My Romance Counseling”!
As humongous and “earth shattering” as event comics can be they usually aren’t the endgame a publisher has in mind. The payoff usually lies in what comes after, whether it’s in the form of another event or a new series. Unfortunately for Marvel the pattern that’s developed is a stale event followed by a great series; one example that comes to mind was Dark Avengers coming after the Secret Invasion event. Marvel’s latest case, AXIS, while convoluted at times, has set the stage for Tom Taylor to play on the other side of the big two field with Superior Iron Man.
Taylor never did get to write a nice Superman for DC, and it appears that he won’t get a chance to pen stand-up Tony Stark either. That’s far from a bad thing. Superior Iron Man is about exploring an ultra narcissistic Tony Stark after his personality turn in the pages of AXIS. Stark’s new found god complex has him release a new version of Extremis on the population of San Francisco. This shell head isn’t out for philanthropy; instead he’s set to capitalize on the public’s newfound seduction with perfection. Once you see who Tony is put on a collision course with at the end of the book you’ll definitely want to keep this on your must read list. New readers worried about having missed Iron Man’s turn in the pages of AXIS have two paths about their dilemma. We’re told at the beginning of the book that Tony Stark’s personality was altered by the battle with Red Onslaught. If you can accept that fact at face value there’s no need to go back and read AXIS because it has very little to do with the progression in these pages. However, it’s easy to see why some will want to go back and see the events that led up to Stark’s turn.
Another face making his Marvel debut is artist Yildiray Cinar. He brings his hardline realism to the pages of the book just as poignantly as he did for DC. It’s minimalistic and guides the story to that strength by using a small number of panels on the pages that don’t feature Stark and then ramping up when Tony hits the scene. You won’t see tons of hyper detail found in Iron Man stories of this modern era, but Cinar manages to illustrate the unique dark tone of Superior Iron Man on a solid level.
Superior Iron Man is a fantastic start. Tom Taylor shows he’s a master at plotting a story and hooking readers from the get go. This series looks to explore a Tony Stark unbound by the chains of ethics. If you were worried this would be some kind of carbon copy of Superior Spider-Man’s narrative, rest assured it isn’t. Instead of a villains journey; we’re on a ride to explore the existential struggle of not Tony’s demons of insecurity but his super ego gone astray, which could prove to be more dangerous for everyone. In a week full of great comics, Superior Iron Man stands out as a must read.
Lies We Tell Ourselves is a brutally frank look at one of the most racially charged moments in the history of the United States. Sarah Dunbar is a teenager, and she’s one of the first black students to attend a traditionally white school in the south. Sarah is a bright girl with a promising academic future – until her parents enroll her Jefferson High School. She faces opposition every day, and the honor student’s schedule is full of remedial classes, because the school administrators don’t want these new, unwanted students holding back the rest of the class. The white students don’t want her there, their parents don’t want her there, and even the faculty looks the other way as she is tormented daily.
After reading this, all I can say is “Wow.” I don’t know where Sarah found the strength to endure the daily abuses she suffered at the hands of her white classmates. To say that she was constantly bullied understates her situation. She was taunted, called names, spit on, tripped, pelted with spitballs – the list goes on. There was no one at school for her to ask for assistance because the teachers practiced selective blindness when it was happening. Before even starting at Jefferson, Sarah and the small group of teens who were selected to attend with her were given training and strict instructions to never talk back, to always be polite, and to never fight back. I don’t think I could have done it. I know I wouldn’t have lasted more than a day or two if I had been in Sarah’s shoes.
Linda is one of Sarah’s white classmates. Her father is the editor for the local newspaper, and he is very outspoken in his thoughts on integration. He is totally against it and he’s still fighting it, tooth and nail, even after the court order paving the way for Sarah to attend the former all white school. Linda’s relationship with her father is contentious, but what she wants most in the world is his approval. Even a shred of attention is uplifting. To gain his approval, she parrots his views on the colored interlopers at her school, but as she gets to know Sarah, against her will, she starts to question her own poisonous views.
I enjoyed getting to know the girls so much. The story is told in alternating POV, and Sarah’s narrative made it difficult to put the book down. It took a while for me to warm up to Linda, because of the things she said and did. Every now and again she would do the right thing, then, in the next breath, she would do something to negate her selfless acts. Argh! She made me so frustrated!
I don’t want to give away too much of the plot. Lies We Tell Ourselves is a thought-provoking read that will make you angry, sad, and ultimately, hopeful. I loved the ending, and it left me reassured that both Sarah and Linda would find their place in the world, and they would meet each new challenge with courage and strength.
Review copy provided by publisher
In 1959 Virginia, the lives of two girls on opposite sides of the battle for civil rights will be changed forever.
Sarah Dunbar is one of the first black students to attend the previously all-white Jefferson High School. An honors student at her old school, she is put into remedial classes, spit on and tormented daily.
Linda Hairston is the daughter of one of the town’s most vocal opponents of school integration. She has been taught all her life that the races should be kept “separate but equal.”
Forced to work together on a school project, Sarah and Linda must confront harsh truths about race, power and how they really feel about one another.
Boldly realistic and emotionally compelling, Lies We Tell Ourselves is a brave and stunning novel about finding truth amid the lies, and finding your voice even when others are determined to silence it.
I’ve been a Veteran since August 1970, forty-four years since I walked away from Ft. Lewis Washington, discharge in hand but still in my Class A uniform. In a curious parallel, that was early in the predawn darkness, just like that January day in 1969 when my busload of inductees stood in the predawn fog of Ft. Ord.
Ever wonder what to say when you learn someone was once boots on the ground? Veterans of my era will spin you some memories to one or more of these conversation ice-breakers. I was Army, other services have similar answers. Kids from Bush and Obama’s Iraq and Afghan wars are likely to understand the questions--the answers are the cement that links a majority of Veterans with one another.
What was your MOS? Military jobs have code numbers, the Military Occupational Specialty, M.O.S. The best known is eleven-bravo, 11B, Infantry. Me, I was trained as an oh five bravo intermediate speed morse code radio operator, a defunct trade in military communications, even then. Assigned to a rugged anti-aircraft missile site guarding MiG Alley at the Korean DMZ, I worked an oh five charlie field wireman's job. Mid-tour I lucked out and took a job in the Colonel’s office, writing military propaganda as an acting 71Quebec Information Specialist.
Short and Shorter. Sedano 3d from right, with shades.
When did you DEROS? Short, short-timer. We counted the days until we would “get back to the world.” Upon arrival overseas, clerks calculate your Date Estimated Return from Overseas. If all goes as planned, you’ll be heading for the airport on your "dee-rhos" date. Not every Veteran served overseas. A stateside post meant serving the full two year hitch. Draftees doing one of the hardship tours—Vietnam and Korea—often put in a thirteenth month in order to earn discharge upon DEROS. I put in thirteen months, two weeks, three days, seventeen hours seven minutes and thirteen seconds in Korea, but who’s counting, que no?
RA or US? Did you sign up, or were you Drafted? Draftees were assigned US serial numbers, volunteer tipos were Regular Army. On the sidelines were ER and NG, Enlisted Reserve and National Guard. The latter pair did Basic Training then went home. Everyone in today’s military are RA, or in barracks vernacular, Lifers. For a long time I knew my serial number by reflex. It was stamped on the dog tags to identify our bodies. I've forgotten the number now, and that's a good thing.
Would you want to see your grandchildren in uniform? Not involuntarily.
Would you do it again? Gente I know, to a man and woman say, Yes. I told an Army recruiter friend that I would go if I could take the place of one of the kids he was signing up. No way in Hell would I volunteer for the Draft, but if they called me again, I'd go.
Veterans and active duty wearing a uniform get free chow at a number of chain restaurants today. A DD214 gets you fed, too. So there's that.
Veterans get to understand important yet amorphous concepts like Duty and Honor. I remember telling a friend about my cannon fodder post had the north invaded. The friend asked why I would hold my ground instead of running before it was too late? I told him it was my Duty. His eyes told me I was a fool. Así es.
Take This Man Grossly Captivating Memoir
Review: Brando Skyhorse. Take This Man. NY: Simon & Schuster, 2014.
Take This Man, along with its author Brando Skyhorse, occupy a unique spot along the continuum of U.S. ethnic literatures. These people, Brando and his mother, aren’t chicanos, but could have been. And they aren’t Indians, but they’re passing. His mother prefers fantasy history and invented Indianness, she becomes Running Deer Skyhorse, her son Brando Skyhorse, son of a chief. This is Identity run awry.
Take This Man revolves around Maria Skyhorse’s story, but at the memoir’s core lives a boy looking for a father in the men his mother regularly brings home. They all leave. Then she finds a replacement. Herein lies a challenge for readers: don't judge.
Maria’s acts gouge with such ferocity they steal the spotlight from Skyhorse’s more intimate explorations, overwhelming the author’s memories in his struggle to sort out identity and family and fatherness from his mishmash of an upbringing.
Skyhorse engrosses his reader with sordid details that make it tough to like that woman, Brando’s mother. While disgusted readers will grow furious at events, the author denies them an ally in their feelings. Skyhorse's tone is nearly emotionless, he refuses the reader's escape valve for the horror. The only release is turn the page, there's more.
It’s hard not to judge the people Skyhorse had in his life, not to want to spread chisme about those lowlife fathers, so consistently awful the child’s memory of fathering is a guy ferreting out hiding places, robbing piggy banks to buy a night’s drinking and gambling. Mother's not dumb but the easy way out is her route, such as her work-at-home telephone sex worker job. It brought in good cash and she didn't have to give up her food stamps. Marie laughed, ate well, and grew fat.
The little boy’s life is so gutwrenching I find myself wondering that people like this live among us, asking myself, he can’t be making up this stuff, can he? Skyhorse pulls off a tour de force voicing disarming neutrality. Animated wit and punch-line paragraphs add depth to the mostly fast-moving account. It’s a challenge separating the creative from the nonfiction. Just turn the page.
The crud just piles up for this boy. Five husbands, lots of boyfriends, flings on the road, Vegas, Reno, Tahoe, ritualized humiliations. One example suffices to illustrate the savagery of Brando’s mother, her insanity, and Skyhorse’s own neutrality as he recounts a time he couldn’t produce some coupons to pay for a bus.
The mother shouts, I’ll just leave you here! You’ve taken enough of my life from me! Mother’s fury and hatred for men finds at-hand Brando easy pickings, normally with her mouth. In this instance, however, Maria gets lethally physical.
My mother grabbed my throat. Then she pulled me across the trailer the way a girl would drag a lifeless doll up a flight of stairs. She threw me shivering onto the bathroom floor and then snatched one of Nakome’s leather knife holsters and stabbed at my neck with it…. My mother wrapped her hands around my neck again and pushed my face in the toilet water while I flailed my short arms trying to reach the flush handle.
After Maria locates the boxtops she explains to the son how his carelessness led to the bathroom incident. Skyhorse matter-of-factly clarifies her logic for the reader, Not being given the box tops wasn’t an excuse; I should have asked for them.
The slight bitter aftertaste here is among the few instances where the memoirist’s otherwise controlled voice deviates from its straightforward, low-affect style. This son does not judge his mother. The author, ever a good son, won’t have readers criticize her, either. That’s just the way she was, this is what is available to remember.
Which, of course, is not what happens. Brando Skyhorse, the writer, isn’t disingenuous in what he’s chosen to recall and detail. That mother so burdens his life it takes over the book. The son-writer runs out of room for his main goal, and only skims the surface of the boy’s understanding of fathering and his relations with his biological father and daughters. Then again, the author notes, he hasn’t got this worked out yet.
With Take This Man, Brando Skyhorse should have exorcised the demons of his mother and fathers. He said good things about most of the men. He was kind to his mother and in that way gets back at her. Now the author can rekindle the spark seen in Madonnas of Echo Park, and hinted at in the Bukowski homage of this memoir, to drop the "creative non-"and get on with it.
On-line Floricanto for November 11, 2014 Elizabeth Cazessús, Henry Howard, Ashley Garcia, Jackie Lopez, Iris De Anda
Los Rehenes, Elizabeth Cazessús Guilty of Being Brown (Showdown in Arizona), Henry Howard Illegal, Ashley Blessing for James' Place, Jackie Lopez #bringbackourgirls, Iris De Anda
Los Rehenes Por Elizabeth Cazessús
…el viento del crimen a la altura del delirio. Rodolfo Hasler
es la hora de escribir un poema acerca del mundo de diagnosticar las formas en que amedrenta con su odio y deslava el rostro de la sinrazón para justificar mil malabares políticos
es hora de escribir que estamos al acecho de ladrones, de gangsters, de la avaricia de la falta de libertad y la zozobra de la mezquina relación de las entelequias
es hora de callar lo escrito aquello que no tiene razón en la sobremesa congestionadas las entropías mediáticas ante verdades telúricas y tan llanas
es hora de nombrar en lo oscuro la íntima ejecución de los días la denuncia, el porvenir y la esperanza con un silencio atroz que no deje dudas
es hora de contar metrallas, muertos, a los que corren, de ver la película en las calles y al desnudo dilucidar acaso en la espesura de ciertas e inexplicables densidades
es hora de escribir un poema acerca del mundo de éste y no del otro repleto de metáforas ya no podemos escapar, no hay letras de salva Somos rehenes de la impunidad que nos cohabita.
(del libro Hijas de la Ira)
Guilty of Being Brown (Showdown in Arizona) By Henry Howard
I had a nightmare the other night. I dreamed I went to buy the morning paper, And the headline screamed For all the world to see, “SB1070 Declared Fully Legal!” And I cried, because I knew I was now legally unwelcome here.
My mother took the paper and milk from me With trembling hands, And told me in her soft Mexican voice That Papa had been arrested on his way to work. For the crime of driving without a Green Card, He was found Guilty of Being Brown.
We did not have time to kiss him goodbye, Or even make him a sandwich On his way back to a country he had not seen In twenty years.
I woke with my heart pounding, And my eyes full of tears. I slowly relaxed, Realizing it was just a dream.
Then I drove to the store in my first car, And the morning paper screamed For all the world to read, “SB1070 Declared Fully Legal!”
It was my 16th birthday, and now I, too, Had been found Guilty of Being Brown.
I am a Los Angeles activist and Peace Poet, whose literary focus has been on human rights since 2001. Published most notably as a featured writer on Quill and Parchment.com, and the legendary Sam Hamill's global anti-war poetry protest, Poets Against the War (beginning in February, 2002), my most recent work was published as a full-length compilation of peace and justice poetry called "Sing to Me of My Rights: Poems of Oppression and Resistance" (editor/publisher Mark Lipman, Vagabond Books 2014). Immigrant rights have been a focus of my street-level activism since 1980, when I learned in college of the murder of El Salvador Archbishop Oscar Romero--followed, of course, by the rape/murder of the four U.S. churchwomen that December. I was active in the Sanctuary Movement from 1984-98, and a member since 1986 of Refuse and Resist! and La Resistencia. I have never been to our Southern border, but it looms large in my consciousness. The horror of our country's involvement in the collective Central American slaughter, and the residual xenophobic policies towards immigrants, both documented and undocumented, reflected in legislation such as SB1070, haunts me to this day, and inspires me to take to the streets. I have one philosophy that sums up all my activism, including my writing: NO HUMAN BEING IS ILLEGAL!
Contact me about the poem or order my book. I am also available for readings at public and private events, and will travel to Arizona, Northern California or Nevada to share my work at open-mic events. EL PUEBLO UNIDO! JAMAS SERA VENCIDO!
Illegal By Ashley
You say I am illegal because of my flesh, Racism-pigmentocracy, Separation-marginalization, Apartheid, a race apart. Even after the laws change, Discrimination still exists Cradling fear and fight of flesh-hood Same flesh, different color. Illegal, So is it my flesh, my body, or my being?
You say I am illegal because of the land I stand on. I do not belong here. The land sits underneath the sky, Shall we fight over clouds? However, this is no different than the land I was born from. Migration to illegal immigration, I am, me, the im- in immigration, The prefixed knot in the rope, The prescribed not of ‘im’ and ‘il’ Illegal, So is it the land, my body, or my being?
You say I am illegal because of love, An endearing criminal at best, Same heart, different passion, Love is not a crime. What matters is within: not the shape of our skin 377: I went sleep in 2013 and woke up in 1860, Illegal, So is it my heart, my body, or my being?
You say the I of me, the me of I is- Illegal. The law versus: Land, love, and life, No! No being is illegal, Neither my body, flesh, nor heart, Not even my soul, It is time, To set my soul afire and let it free.
This poem was first published on Orinam on Dec 20, 2014 at http://orinam.net/illegal/ and is being republished with permission of the author
Ashley was born and raised in Southern California. Her parents are from Mexico. Ashley has been published both online and in-print. A poet, aspiring writer, and is currently learning classical dance. This poem "Illegal" was first published on Orinam on Dec 20, 2014 at http://orinam.net/illegal/ and is being republished with permission of the author
Blessing for James' Place By Jackie Lopez
James, I bless you from the tip of my hat to the bottom of your feet. James, never covet another’s house because your place is blessed for having feasted. I do believe you are entitled to a blessing. I do believe you become disjointed at the ends when I don’t come around. Don’t worry. I will come around every Thursday night at 7 in between meals. I happen to have happiness around. I happen to have a misnomer claiming that I am “mad,” but that is how it should be because I am quite the crazy little pajama party girl. The mockingbird is singing outside of your studio. The melancholy moon is twisting in her bed. She heard you have blasted fun. The pavement to your studio has been watered by daffodils. The encouragement of the nonchalant is ever present. There’s an artistic renaissance running around naked in your studio. There’s a show girl at your doorstep. There’s a criminal lurking around, but you know better, there is never a love that can be considered a crime. If you watch your watch words, you will find me misbehaving.
When I was lost and had no matrimony to offer, you took me in. When the painters, poets, musicians, prophets, dancers, and one-night-stands came by, you gave them an apple dessert to eat. It so happens that I have come a long way from my home, and I am able to salute you on a happening basis. When the ticket to the train I was going on fell through, I took to hiding in between the sheets. Now I have you to call friend. If ever you need a helping hand, if ever you are lonely and blue, call me telepathically. I shall send the angels to rescue you because you deserve it, James Watts-and you, too, Juan Pazos. Thursday night dinner is for dancing and being ludicrously in love. It is for harnessing a misbehavior and going about town. It is for the young at heart and for the philanthropists. I summon all the powers of the Universe Complete to bless your studio now and forevermore or for as long you endeavor to stay home. When I saw your rocket scientist artwork, I became a lucid woman. Simple things mean so much more when they are shared with friends. So, keep on trucking. I shall meet you on the other end of a transcendence.
Jackie Lopez is a poet and writer from San Diego. She was founding member of the Taco Shop Poets and has always pursued a study of history of which has influenced her writing. She has taught in San Diego City Schools and has been published in several literary journals. She has just finished her Magnum Opus titled “Telepathic Goodbye” described as a long poem of 25, 333 words. She is now looking for a publisher for this. You can catch her work on facebook under “Jackie Lopez Lopez” where she shares her work with a daily poem. She has a radio interview that will come out later this year. Her email: email@example.com
#bringbackourgirls By Iris De Anda
ruby rage shouts escape as our young girls disappear there is no sleep when night falls without them near days and days and days have passed can you remember their bright eyed brilliance forsaken flowers with petals that wither under boots of beatings and men with guns they are killing them softly raping them daily silencing their spirit every time one of them dies can you feel it in your body walk around so heavy carry unseen sadness on the bridge of our backs they are our future failing mountains crumbling deserts flooding stars extinguished after lightyears of shining blood moon tainting the night sky mothers wailing to the goddess bring back our schoolgirls bring back our daughters they are the martyrs of this modern plague where men get away with murdering women while the world looks away closed eyes to our girls plight makes the whole world blind you do not want to see what you would rather neglect because it’s not your daughter, sister, or niece you pretend to respect can you protect morning dew from the blazing sun the young woman from the older man a system that teaches a girls life is worth less than his pen there is no gentle here where our daughters cry only rivers of pain flowing back to the Niger years of disdain growing darker by the hour bring back our sisters bring back our feminine bring them back backdrop of africa blackout of femicide backbone of generations backyard of transgressions giveback our girls payback our pain paperback our stories comeback our angels we are waiting arms wide open feet tired from running with you and for you tongues chanting all the ways we could pray for you hearts broken night and days we wait for you bring back our girls bring back our girls bring back our girls
Iris De Anda is a writer, activist, and practitioner of the healing arts. A womyn of color of Mexican and Salvadorean descent. A native of Los Angeles she believes in the power of spoken word, poetry, storytelling, and dreams. She has been published in Mujeres de Maiz Zine, Loudmouth Zine: Cal State LA, OCCUPY SF poems from the movement, Seeds of Resistance, In the Words of Women, Twenty: In Memoriam, Revolutionary Poets Brigade Los Angeles Anthology, and online at La Bloga. She is an active contributor to Poets Responding to SB 1070. She performs at community venues and events throughout the Los Angeles area & Southern California. She hosted The Writers Underground Open Mic 2012 at Mazatlan Theatre and 100,000 Poets for Change 2012, 2013, and 2014 at the Eastside Cafe. She currently hosts The Writers Underground Open Mic every Third Thursday of the month at Eastside Cafe. Author of CODESWITCH: Fires From Mi Corazon. www.irisdeanda.comAdd a Comment
I’ve read and enjoyed several of Shinn’s older books, so I was curious to see if I’d still like her writing style now. I haven’t read any of the other books in the Shifting Circle series, and I didn’t feel that I was missing anything by not reading them. The Turning Season stood well on it’s own, though now that I’ve read it, I would like to read the other books in the series.
Karadel is a shape-shifter and she hates it. She hates the unpredictability and the disruption to her life, and she yearns to be normal. She has a small group of close friends who help out with her animal menagerie when she’s unable to because she’s changed into something else. She experiments with the DNA of other shifters in an attempt to make her own change cycles more regulated. Living outside of a small town, she works as a vet, as well as offering shelter and medical care to other shifters in need.
The Turning Season reads like a day in the life of a reluctant shape-shifter, and though the pacing might be slow for some readers, I really enjoyed it. I liked how powerless Karadel felt about her shifts; she has no control over when or what she will change into. This makes it difficult to do many of the things that I take for granted. Planning a vacation, a date, or even holding a steady job outside of the house is nearly impossible for her. Going to school if you are a teenage shape-shifter is definitely not a good idea. Karadel has a contingency plan in place for when she does change, and her close friends make her chaotic life possible.
Her impulsive friend Celeste inadvertently turns Karadel’s life on end. After Celeste changes shape in public, Karadel’s got serious damage control to orchestra. Worse, Celeste’s life is in danger, and the small community of shape-shifters is in danger of being exposed. This is so not a good time to start having romantic feelings for a local guy. Worse, he’s normal. How can Karadel ever share her secret and be herself with him, when she’s having such a hard time accepting herself for who she is? Then, to make things really difficult, throw in a murder and make your ex the main suspect. Karadel’s quiet life goes from bad to worse, and she isn’t sure who she can trust with the truth.
I thought the love story was sweet, and that Joe was the perfect match for Karadel. I found all of the characters engaging, even the sly sheriff who always seemed to be sniffing around for the truth. All of the shifters had different challenges to deal with regarding their ability, and I found it interesting how they dealt with them. Overall, I enjoyed the world Shinn created for her shifters, and more importantly, I enjoyed getting to know all of them.
Review copy provided by publisher
In national bestselling author Sharon Shinn’s latest Shifting Circle novel, a woman must choose between hiding her nature—and risking her heart…
For Karadel, being a shape-shifter has always been a reality she couldn’t escape. Even though she’s built a safe life as a rural veterinarian, with a close-knit network of shifter and human friends who would do anything for her—and for each other—she can’t help but wish for a chance at being normal.
When she’s not dealing with her shifts or caring for her animal patients, she attempts to develop a drug that will help shifters control their changes—a drug that might even allow them to remain human forever.
But her comfortable life is threatened by two events: She meets an ordinary man who touches her heart, and her best friend is forced to shift publicly with deadly consequences.
Now Karadel must decide whom to trust: her old friends or her new love.
I took one look at Unleashed and was smitten. How could I resist that cute cover? It’s like the dog is forcing his human companions into close quarters, because he knows what’s best for them. I envy a dog’s view of the world; everything is better with company, there is never a time when play isn’t appropriate, and there is nothing to bring contentment like a cuddle and a hug. If humans acted more like dogs, methinks the world would be a much happier place.
Matt and Cara are both stuck in neutral. Cara, a cancer survivor, is waiting for the 10 year anniversary of her remission. Until she hits that milestone, she is afraid to live. She’s working as a nanny, as well as volunteering at the local animal shelter, just biding her time. She refuses to even consider a serious relationship, because what happens if her cancer comes back? She only fosters dogs, never adopting one permanently, because what would happen to it if she fell ill again?
Matt has made plans to sell his place and move back home to be with his mom. She’s not doing too well on her own, and he wants to help his younger brother take care of her. He doesn’t have time to look for romance, because he’ll be leaving town soon. But when his path collides with Cara’s, they both have some serious thinking to do. What if this is the love of their lives, but the timing is all wrong for falling in love?
I loved this book. Cara’s foster dogs play a huge part in the plot, and Matt is a great guy. After their initial misunderstanding, when he accuses her of fighting her dogs (they aren’t even pit bulls, and I was getting geared up to dislike Matt because he was acting like a self-righteous ass), they start to develop feelings for each other. They were attracted to each other immediately, but it was the shift from lust to like that resonated with me. There wasn’t much about Unleashed that didn’t work for me. Sure, there were little annoyances with Cara, but knowing her medical history and how fearful she was of falling ill again, her behavior made perfect sense to me. There is even a little mystery for Matt to solve; he’s a PI, and his latest case is causing him all kinds of grief.
Unleashed is a fun, refreshing read, and I’m so looking forward to the next book in the series.
Review copy provided by publisher
What happens when you find the right one at the wrong time? Cara Medlen has a serious case of animal attraction. And it’s not because of all the foster dogs she’s rescued. She’s got it bad for her incredibly sexy neighbor. Her one rule: Don’t get attached. It’s served her well with the dogs she’s given to good homes and the children she’s nannied. Yet the temptation of Matt’s sexy smile might just convince her that some rules are made to be broken.
Matt Dumont doesn’t need his skills as a private investigator to detect disaster on the horizon. Cara is everything he thought he’d never find-gorgeous, funny, and caring. But there’s no way he can start a relationship just as he’s about to move to another state. Talk about bad timing. As their attraction sizzles too hot to deny, they’ll have to make a decision: forget the consequences and let loose, or forget each other and let go…
Stranded with the Rancher caught my attention because the hero breeds thoroughbreds. I’ve already stated that I have a one track mind when it comes to romances; include a few animals or just dangle their presence out there and I’m all over it. The storm angle sounded interesting, too. I get very anxious when the weather turns violent, so the thought of huddling in a storm shelter while a storm rages outside had me intrigued.
The storm descriptions were kind of scary and oh-so hard to step away from. I know that I would not have handled being trapped in a small storm cellar with half the grace that Beth managed. I go all crankypants when the power goes out, and the thought of not being able to take a hot shower in the morning is enough to make me psychotic. So when Beth and Drew flee from a twister, I was hyperventilating just the slightest bit. When they were unable to open the storm shelter door, I was completely hooked on the story. Now what? I kept asking. How are they going to get out? What if there are bugs in their little bunker? What if they have to sleep on the cold, hard ground?
Thankfully, their rescue isn’t too far away, and the experience buried the animosity that had boiled between Beth and Drew. Beth had a hard life, and now that she’s purchased a small farm, she is determined to turn it into a thriving business so she never has to worry about making ends meet again. Her roadside vegetable stand has got Drew up in arms. He claims the constant traffic is scaring his million dollar horses, and the stand detracts from the beauty of his property. He’s been trying to get her to move or buy her out, but she steadfastly refuses. After the tornado, life has a different prospective for both of them. Drew and Beth can’t deny their attraction, and with her house damaged by the twister, Beth wonders if life wouldn’t be easier if she just sold to Drew.
I liked the pacing, and thought that the story flowed effortlessly after all of the excitement caused by the storm. The nearby town is in ruins, and both Drew and Beth pitch in with cleanup and humanitarian efforts. Beth’s brother, Audie, shows up to cause stress and chaos for her. Audie’s a reckless, selfish man, and his frequent run-ins with the law are a testament to how messed up his life is. Every time he needs money, he shows up at Beth’s. He has stolen from her, embarrassed her, and made it generally impossible for her to harbor loving feelings for him. It seems that all he’s good at is disrupting her life.
Drew was born with a silver spoon in his mouth, while Beth’s mother begged for money on the streets and sold everything of value for a few extra bucks. Beth scrabbled for everything she has, and if she’s honest, she is a bit jealous that Drew’s had everything handed to him. This resentment is what originally made their relationship so combative. Drew always gets what he wants, so Beth was determined to never give him her property. He wanted it to expand his pastures, using her land, and he was having a hard time taking “no” for an answer.
I loved how their relationship changed after the storm. Drew is a thoughtful, caring man, and once he’s gotten to know Beth better, all he wants to do is help her. His desire to help Beth causes a lot of conflict between them, because of Beth’s pride. Having lived on handouts as a child, she refuses to accept them now that she’s an adult. After helping with the relief efforts, though, she slowly realizes that relying on your friends isn’t a sign of weakness, but a sign of being part of strong community.
Stranded with the Rancher will appeal to both fans of small towns and cowboys. Being part of the Desire imprint, there’s some steam, but not too much. Overall, I found it a very entertaining read, and I’ll be tracking down Janice Maynard’s backlist.
Review copy provided by publisher
Enemies forced together just might become lovers in USA TODAY bestselling author Janice Maynard’s Texas Cattleman’s Club tale
For billionaire horse breeder Drew Farrell, the day starts with the usual argument with ornery neighbor Beth Andrews. But within minutes, he and the irritating beauty are huddled together in a storm cellar praying for their lives. They call a truce…and seal it with an unexpected kiss.
They emerge to a scene of utter devastation. Their passion to rebuild is only rivaled by the very personal passion they’ve just discovered…until Beth’s past catches up with her, and a very different type of storm erupts….
I didn’t have to think too hard when a review request for Juliet Marillier’s latest release hit my inbox. I didn’t even have to read the blurb; I was in the mood for something different, and lo-and-behold Dreamer’s Pool magically appeared. I haven’t read Juliet Marillier in a long, long time, so I was eager to see if I still enjoyed her writing. I do! This is an engrossing book, with only a few niggles to distract me from the story.
Blackthorn has been waiting to take her case before the midsummer council, suffering in jail to have a chance at her revenge. She’s been horribly abused by her jailors, but that bright, shining promise of her hearing has kept her going. When she discovers that Mathuin, the chieftain responsible for her imprisonment, has no intention of letting her live to face the council, she’s given a strange proposition. Conmael, one of the fey, promises to release her from her cell and save her from her cruel fate, if she will put her quest for revenge aside for seven years, and serve as the healer in Dalriada, far to the north. In addition, she must help anyone who asks for her assistance. If she doesn’t keep her word, she’ll be punished with another year of servitude added to her initial term of seven years.
The first person to ask for help is fellow prisoner Grim. His sun sets and rises on Blackthorn’s existence. Her presence in prison gave him a reason to survive, and now that they are free, he’s going to follow her wherever she leads him. He’s like a giant puppy, loyally trailing in her wake. Blackthorn is less than happy about her hulking traveling companion, but she’s afraid of the consequences if she sends him away. Seven years of waiting to go after Mathuin is a long time for her rage to simmer, and she doesn’t want to add anymore time to her period of service.
When the two arrive in Dalriada, they are both wary of the Dreamer’s Wood, which stands ominously next to the old wise woman’s hut. Something about the woods unsettles both of them. When Prince Oran’s fiancée has trouble in the woods, Blackthorn must rush to her aid. Lady Flidais’ maid, Ciar, tragically drowns in the Dreamer’s Pool, and Blackthorn is too late to save her. Giving the young woman what comfort she can, Blackthorn resigns herself to a houseful of loud, chattering women until Oran can fetch his intended.
Prince Oran is a dreamer and a romantic, and he’s fallen in love with Flidais after exchanging a series of letters with her. After she arrives, however, her behavior is nothing like he had expected. The things that she claimed to love mean nothing to her now, and her beloved dog, Bramble, becomes agitated and snappy whenever his mistress is near. As Oran’s misgivings mount, he desperately asks Blackthorn for help. Help that she can’t refuse to give. Can she solve the mystery of Flidais’ strange behavior before Oran is bonded to her in marriage?
I loved Blackthorn. She’s cranky, tough, and a survivor. After experiencing terrible, terrible things, she still finds the strength to keep going. Her time in prison would have destroyed someone with lesser resolve, but her fury helps her to survive from one day to the next. Her rage is a double-edged sword, though. While it ensured her survival in prison, it blinds her to the truth and makes her gullible once she’s serving as the wise woman in Dalriada. This drove me nuts at one point in the story; for such a clever woman, Blackthorn is taken for a ride by a few artfully told lies. I wanted to scream when it sent her for a tailspin, making her set aside her promises and act like a brash fool.
I wasn’t overly fond of Oran. He’s the opposite of Blackthorn. While he’s noble and kind, he’s also blinded by love. He’s fallen in love with the Flidais from the letters, and he’s so confused when the real Flidais fails to live up to the Flidais of his imagination. His uncertainty completely unbalances him, turning him into someone he’s not. He can’t figure out what to do, and he allows himself to be manipulated time and time again by Flidais. I was starting to fear for the future of his kingdom because he could be so dense!
Grim is a compelling character, too. He’s a man of few words, and he likes it that way. Not one for small talk, he and Blackthorn make a great team. He lives to serve Blackthorn, something that she’s not entirely comfortable with. She just wants to be left alone, but his blind devotion slowly begins to break through the shield she’s built around her heart. I enjoyed how their friendship grew, and how both of them learned to trust because of it.
There was one point in the story that I just wanted to knock Blackthorn and Oran’s heads together. They were being so stubborn and so naïve and all I wanted to do was beat some sense into them. Grim, on the other hand, steadfastly performed his duty to listen and observe those around him. He didn’t allow his emotions to color his thinking, he patiently pursued the truth for Blackthorn.
Dreamer’s Pool kept me entertained from the first page. Blackthorn and Grim took me on a long journey, and along the way, I got to know them, as well as like them. I’m looking forward to their next adventure, but in the meantime, Marillier has an extensive backlist that I need to explore.
Review copy provided by publisher
Award-winning author Juliet Marillier “weaves magic, mythology, and folklore into every sentence on the page” (The Book Smugglers). Now she begins an all-new and enchanting series that will transport readers to a magical vision of ancient Ireland….
In exchange for help escaping her long and wrongful imprisonment, embittered magical healer Blackthorn has vowed to set aside her bid for vengeance against the man who destroyed all that she once held dear. Followed by a former prison mate, a silent hulk of a man named Grim, she travels north to Dalriada. There she’ll live on the fringe of a mysterious forest, duty bound for seven years to assist anyone who asks for her help.
Oran, crown prince of Dalriada, has waited anxiously for the arrival of his future bride, Lady Flidais. He knows her only from a portrait and sweetly poetic correspondence that have convinced him Flidais is his destined true love. But Oran discovers letters can lie. For although his intended exactly resembles her portrait, her brutality upon arrival proves she is nothing like the sensitive woman of the letters.
With the strategic marriage imminent, Oran sees no way out of his dilemma. Word has spread that Blackthorn possesses a remarkable gift for solving knotty problems, so the prince asks her for help. To save Oran from his treacherous nuptials, Blackthorn and Grim will need all their resources: courage, ingenuity, leaps of deduction, and more than a little magic.
Let’s celebrate together with Los Gatos Black on Halloween written by Marisa Montes and gorgeously illustrated by Yuyi Morales. Montes’s vivid narrative has the power to delineate the beauty of Latin American culture page by page. The fusion of Spanish words in the story creates a smooth seasonal spirit. It’s like an invitation to a wonderful journey of pleasant emotions.
Everything is ready to rock under the full bright moon! Surrounded by spooky sounds, the pumpkins, mummies, wolfman, zombies, los gatos black, las brujas on their broomsticks, los muertos crawling out of their coffins, and los esqueletos with their white shiny bones arrive one by one to the colorful haunted mansion. The party is perfect until a loud rasp at the door. This unexpected twist gives the monsters a terrible problem. Monsters are scared of niños especially on Halloween night. What will happen next? A complementary glossary is available at the end of the book. Delightful pictures by Morales are the perfect complement for this breathtaking and mysterious story. BOO!
Visit your local library for more eerie and creepy tales. Reading gives you wings!
Enjoy the read-along Los Gatos Black on Halloween video:
The Christmas deluge begins! I decided to give A Princess by Christmas a read because I have enjoyed other Jennifer Faye titles, and how can you go wrong with a prince? Or a holiday themed romance? The story doesn’t stray outside of familiar tropes, making it a little predictable, but it’s still an entertaining time killer.
The only stumbling block for me was the set up. I still don’t understand why Alex had to leave his island home in order to throw the press off of his brother’s trail. He did all of his breadcrumb tossing from his laptop, so it didn’t really matter where he was. Regardless, Alex has left home without his security detail, to make sure that his brother’s indiscretion never makes it to the papers. There are subversive elements in his homeland, and they won’t hesitate to use Demetrius’ elopement against him. Who wants to be ruled by a reckless, impulsive king? Demetrius is next in line for the throne, and to save his family’s reputation, Alex plans to send the paparazzi on a wild goose chase.
When Alex arrives at Reese’s small inn, he’s dismayed to learn that there are no rooms available. Even though he’s already paid for his stay. Reese is stressed out as it is; there’s a wedding party renting the entire place out, and though that’s good news, with the bank is breathing down her neck, it’s got her running on all four cylinders. Her father left her and her mother saddled with an overwhelming load of debt, and she despairs at keeping all of her employees on the payroll through the holidays. Her mother remembers taking Alex’s reservation, but didn’t enter it into the computer. Instead, she ran Alex’s credit card, and just kind of forgot about their pre-paid guest. To make up for it, she suggests, much to Reese’s dismay, that he stay in their small apartment. Reese concedes that she has to make good on their promise to provide him with a room, though she’s not looking forward to giving up her room and sleeping on the couch until a room is freed up for Alex. The money finally persuades her; it will keep the bill collectors off her back for a while.
Both Reese and Alex are harboring poor opinions of love. Reese’s world fell apart when her father was killed in a car accident on Christmas Eve. The real kicker; he was abandoning them, and on his way to start a new life with his mistress. He left behind two broken hearted women and a massive wall of debt that he incurred preparing for that new life. Reese had to quit school and give up her dreams to take care of her devastated mother.
Alex is suffering from horrible guilt. He feels responsible for his mother’s death, as well as his father’s broken heart. He thinks that love leads to heart ache and makes you weak, and so he’s determined to never fall in love himself. Reese changes his mind, though it takes a long time for him to accept that true love is more worthwhile than blind devotion to duty.
A Princess by Christmas is an emotionally satisfying book that even manages to work Dr. Seuss in the storyline. Add to that a fantasy come true and a beautiful island kingdom, and you have a sweet read.
Review copy provided by author
A royal kiss under the mistletoe
Prince Alexandro Castanovo arrives in snowy New York intent on protecting his royal family from scandal. And when Reese Harding—down-to-earth and heart-stoppingly beautiful—finds room for him at her inn, it seems like the perfect twist of fate.
Not long ago Reese’s world came crumbling down, shaking her foundations. But this enigmatic stranger intrigues her! She’s learned to be wary of secrets…but when she discovers Alex’s true identity, might there be enough magic in the air to make this regular American girl a princess by Christmas…?
I enjoyed Alison Kemper’s Donna of the Dead, so when I saw Dead Over Heels on Netgalley, I was all over it. I was expecting a continuation of that story, but Dead Over Heels features different characters. It is set during the same time period, in the mountains of North Carolina. It’s not as campy as the previous book, but once again, I was hooked and couldn’t step away from the zombie apocalypse.
Ava’s parents purchased a vacation home in rural North Carolina, so she’s stuck in the cold mountains during Thanksgiving break, instead of prowling the mall with her friends in Florida. After her parents head to town, a 45 minute drive from their new digs, Ava’s world comes crashing to a halt. Cole, who has been doing yard work for her father, comes pounding up the porch steps with unbelievable news – the zombie flu has arrived from China, and a band of zombies are about to eat them both.
Ava doesn’t believe him at first, but a glance at the shambling corpses quickly convinces her. Grabbing her purse, which holds her live saving EpiPen, she races into the woods with Cole. She’s desperate to stay alive and find her parents. With zero wilderness survival skills, it’s a miracle that Cole was there to shepherd her away from the zombies. He is familiar with the woods, he has extensive camping experience, and he has hunted on the mountain his entire life. And oh, yeah, he’s drop dead gorgeous.
I am not a big fan of roughing it, so Ava’s extreme roughing it adventure was spellbinding. She and Cole have practically no supplies, and did I mention that she is allergic to everything? One insect bite and she goes into anaphylactic shock. She is toast without her EpiPen. She has spent her entire life avoiding the great out doors, and now she’s fleeing through the woods from zombies, trying to avoid wasps, bees, and every other stinging creature out there. The zombies are the least of her worries. While they are certainly a threat, she can outrun them. A bug is a death sentence.
Dead Over Heels is a frantic race through the woods, battling hunger, the weather, bears, and the walking dead. With all of the adrenalin pounding through their systems, Ava and Cole are constantly in a state of distress. They hit it off like oil and water at first, due to their very different backgrounds. Cole thinks of Ava as a Floridiot, and Ava rudely calls Cole a redneck. As they are forced to rely on each other, and as they save each other from death time and again, they begin to develop feelings for each other. Who could blame them? They have no idea if anyone else is still alive, or whether everyone on the planet is now a stinky zombie. It’s comforting that they have each other.
Told in alternating POV, I found both Cole and Ava likable and relatable. I charged through Dead Over Heels, and I can hardly wait to see what’s next.
Review copy provided by publisher
The end of the world just might be their perfect beginning…
Glenview, North Carolina. Also known—at least to sixteen-year-old Ava Pegg—as the Land of Incredibly Boring Vacations. What exactly were her parents thinking when they bought a summer home here? Then the cute-but-really-annoying boy next door shows up at her place in a panic…hollering something about flesh-eating zombies attacking the town.
At first, Ava’s certain that Cole spent a little too much time with his head in the moonshine barrel. But when someone—or something—rotted and terrifying emerges from behind the woodpile, Ava realizes this is no hooch hallucination. The undead are walking in Glenview, and they are hungry. Panicked, Ava and Cole flee into the national forest. No supplies, no weapons. Just two teenagers who don’t even like each other fighting for their lives. But that’s the funny thing about the Zombpocalypse. You never know when you’ll meet your undead end. Or when you’ll fall dead over heels for a boy…
Nature and its colors serve as an inspiration for writer Antonio Ramírez and acclaimed Oaxacan artist Domi to create Napí.Their creativity portrays the one-of-a-kind beauty and the heritage of the Mazatec region located in Oaxaca, Mexico. Simple words, filled with sentiment, are the ingredients that make Napí a priceless tale.
Napí is a mazatec girl who loves to dream. She enjoys listening to her grandfather’s stories while sitting near the river. As her náa or grandmother braids Napí’s hair, the stunning sunset covers the Mazatec region with bright orange, intense violet and dark green. A starry sky is the perfect blanket for Napí’s good night sleep. Napí dreams that she is a white and tall heron. By being a heron, Napí flies high in the sky and admires the gorgeous region as her wings flap in the air like if they were dancing with the wind. Napí wakes up each morning in her comfortable and cozy bed thinking about what the next dream will be about.
Visit your local library to check out more cheerful stories. Remember, reading gives you wings!
The Skeletons Outside The Closet Can Be The Most Dangerous
By David Nieves
Steve Niles has made a hell of a living in the horror genre. Having critical and commercial success can be a curse on any creator, but he’s constantly found new ways of invigorating humanizing takes on demons and monsters. His latest creation, IDW’s The October Faction, may be his weirdest story to date, and that’s far from a bad thing.
October Faction is the story of the Allan family. A faction falling apart at the seems from events in their past that are beginning to come full circle. Frederick (a retired monster hunter) has been more focused on teaching his lessons and lectures about things that go bump in the night rather than being a father. His wife Deloris is sneaking around doing something sketchy behind his back that could have serious consequences for all involved. His son and daughter; both of whom have interesting abilities when it comes to specters, are figuring out a way to get long overdue attention from their father. While there’s teases of witchcraft, demons, and everything black magic has to offer; the real story is the family itself. We see this nuclear family has nuclear sized issues. In a way it feels comparable to if the Adams family became a dysfunctional mess, it wouldn’t just be their problem it would be all of ours.
The majority of debut issues in the market limp on a similar crutch of over exposition. Writers try to convey an exorbitant amount of information that steals the mystery from the narrative and consequently from the enjoyment of the readers. Niles crafts this opening chapter in the polar opposite. We get these gripping teases of who the Allan family was without overburdening the audience. A good story knows the necessary moment to peel back the information and October Faction is shaping up to go in that direction. That’s not to say the book doesn’t suffer from some minor opening flaws. The issue could have focused on Fredrick and his wife without having to introduce the daughter until future chapters and it ends a bit abruptly. However, none of that drastically hindered the enjoyment found within these pages.
IDW’s non-licensed properties all have a somewhat uniform aesthetic feel. October Faction fits right in with co-creator Damien Worm on art duties. Each page is one impressionist gothic painting after another. It’s a risky style for general comics’ audiences, but one that’s right at home in this specific genre. With Worm’s art you either really love the Kelly Jones and Sam Keith influences or you really hate them, personally I found myself enjoying the art. Although one of the challenges of the series going forward will be balancing details of the action with heavy darkness the illustration needs in order to thrive. It seems as though the creators are up to the task.
The October Faction is not for everyone, but horror comic fans will find a new interesting world where monsters and legends will be presented in unique ways. Issue one had a few stumbles but its got enough hook for the audience to stick around see what the next few issues will bring. This is shaping up to be Steve Niles doing what he does best; figuring out his own demons and desires through storytelling which makes October Faction worthy of being on your radar.
I haven’t read anything by Emma Cane previously, so I was looking forward to checking out When the Rancher Came to Town. If I had to knock the story for anything, it would be for being so short. This is a novella, so the timeline is very compressed; the story takes place over a weekend. I love novellas because I can plow through them so quickly, but when I like them, I always wish they were longer! So, for me, the format is a double-edged sword.
Amanda Cramer is hiding out in Valentine Valley, a small town Colorado town. The former lawyer’s career came crashing down around her after she was harassed, so Amanda quit her job and fled back to the safety of her parents’ home. After a peaceful stay at a B&B, she decided to open one of her own, so now the former legal eagle is the owner of Connections Bed and Breakfast.
When Mason Lopez checks in for a weekend stay, the two are immediately drawn to each other. Mason is in town to try to secure financing to expand the family ranch, as well as to participate in the weekend rodeo. A series of poor decisions by his father have placed the business on shaky ground, and all Mason wants to do is set everything back to rights so he can continue to do what he loves best.
Amanda and Mason hit it off immediately, and they confide in each other about their pasts. Amanda has become reclusive, and she hates being in crowds. After the scandal broke and ruined her career, she developed an understandable reluctance to being out in public. Determined to overcome her new phobia, she is working hard at coming out of her shell and learning to trust again. It’s very hard for her, though, and even with professional help, she struggles at the thought of being around a large group of strangers. With Mason’s help, she begins to trust again.
As I mentioned earlier, the timeline for Mason and Amanda’s romance is very compressed, and while I enjoyed this story very much, I thought they moved from liking each other to the “L” word a little too fast to be believable. I loved how supportive and protective Mason was of Amanda, and I liked how he gently urged her to take her life back from her fears.
If you are looking for a quick read with relatable characters, I’d say give When the Rancher Came to Town a chance. The story clicks rapidly along, and I was never bored with it. I would have liked to spend more time at the rodeo Mason was participating in, and I wish the novella was just a little longer, but otherwise, I enjoyed the read and am looking forward to spending more time in Valentine Valley.
When the Rancher Came to Town
A Valentine Valley Novella
By: Emma Cane
Releasing September 23rd, 2014
Emma Cane returns to the amazing and romantic town for the latest installment in her sparkling series. When and ex-Rodeo star falls in love with the agoraphobic B&B owner, he must pull out all the stops to get her out of her shell.
Welcome to Valentine Valley!
The Silver Creek Rodeo is in full swing and everyone’s talking about the rancher who came to town…
Bed & Breakfast owner Amanda Cramer wants nothing more than a quiet, private life. Well, she wants guests too, but after her share of unwanted notoriety she’s gotten comfortable hiding out in her inn…perhaps a little too comfortable. When her newest guest arrives, tall, dark and breathtaking…Amanda begins to question her self-imposed exile.
Ex-rodeo star Mason Lopez knows all about the limelight. He’d avoid it if he could, but since one last ride could mean saving his family’s ranch, he’ll go all in. When he gets to Valentine Valley for the Silver Creek Rodeo, Mason checks into Connections B&B and finds himself immediately drawn to the beautiful, reserved woman who owns it.
Mason only has three days in town…can he convince Amanda to open her heart to him and welcome the world back in?
Emma Cane grew up reading and soon discovered that she liked to write passionate stories of teenagers in space. Her love of “passionate stories” has never gone away, although today she concentrates on the heartwarming characters of Valentine, her fictional small town in the Colorado Rockies.
Now that her three children are grown, Emma loves spending time crocheting and singing (although not necessarily at the same time), and hiking and snowshoeing alongside her husband Jim and two rambunctious dogs Apollo and Uma.
Día de los Muertos or Day of the Death is approaching. In preparation for this amazing festivity, reading Mi Familia Calaca/ My Skeleton Family by Cynthia Weill in collaboration with Oaxacan paper mache artisan Jesús Canseco Zárate is a great way to start the celebration.
Weill’s latest bilingual book gives a glance of the vast Mexican art. Anita is a young calacagirl, who introduces each member of her skeleton family. With short and catching sentences in English and Spanish, each character reveals its beauty to the young readers. Each page shows a colorful encounter starting with Anita’s brother Miguel (el travieso/the brat), followed by her cute baby brother Juanito, then her stylish mother, next her handsome father, as well as her adorable grandparents, and last but not least her cat and dog.
The astonishing art created by Canseco Zárate pops-out automatically like jack-in-the-box. The wonderful sculptures in paper mache are a pleasure for the senses.
Mi Familia Calaca/ My Skeleton Family is a must read for the season. Reading gives you wings. Visit your local library to check out more exciting stories.
For additional information about Cynthia Weill’s books and artisan Jesús Canseco Zárate’s calacas click on the following links:
Latino/a Rising is the first collection of U.S. Latino/a science fiction, fantasy, and other speculative genres.
There is a growing movement of people who are interested in the incredible U.S. Latino/a writers and artists who have turned to science fiction, fantasy, and other speculative genres. Latino/a Rising: An Anthology of U.S. Latino/a Speculative Fictionwill introduce the public to the work of these writers and artists.
With the exception of Edward James Olmos’ Bladerunner and Battlestar Galactica, positive U.S. Latino/a characters have been largely absent from mainstream speculative fiction novels and films. Films such as Men in Black and Alien Nation, and shows such as X-Files, express the anxiety that the mainstream has concerning Latinos/as and recent immigrants. Latino/a Rising will contest this trend, showing how Latino/a writers and artists are transforming the genres.
When Victoria James asked if I wanted to review her latest release, I had to think about it for all of about 2 seconds. I have read and enjoyed the other Red River books, so I was eager to jump into The Doctor’s Fake Fiancée. I’ll admit that I’m always nervous to accept requests from authors, because what if I don’t like their book? I’m happy to report that once I started this one, I wasn’t concerned about that any longer. While not every aspect of the story worked for me, most of it pushed all the right buttons.
Grace is a single mother struggling to raise her son without help from anyone. Her mother, her only source of support, passed away, leaving her with no one to rely on. Her ex walked out on her while she was pregnant, and even her father is a distant memory. He walked out on her, too, when she was a young girl, leaving her mother to raise her by herself. Grace has never had much, but she works hard and provides a loving home for her son.
The story begins with a terrible car accident; both Grace and Christopher are trapped in her car, with the fiery wreck of a truck threatening to blow at any moment. Thankfully, Dr. Evan Manning comes to their rescue, saving both mother and son. Evan and Christopher are injured during the ordeal, and Evan’s surgical career is over.
A year later, Grace has managed to locate Evan. She wants to thank him for saving her and Christopher. Evan is filling in at the clinic in his hometown of Red River, and he’s hating every minute of it. He longs for the fast-paced environment of the ER. The slow pace of the clinic, and the nosy patients, are driving him batty. He’s not much of a people person, and one of the things he missed least about his hometown is how everyone feels the need to know everyone else’s business. He’s even so grumpy that the clinic’s long-term receptionist quits and walks out on him.
When Grace and Christopher appear, he’s less than pleased. He doesn’t want to remember the accident that robbed him of his career. But then he realizes that maybe their timing is perfect. He needs a replacement receptionist, and Grace has worked in clinics previously. He offers Grace a job, as well as a temporary gig – all she has to do is pretend to be his fiancée. He’s applied for a job as the CEO of a chain of plastic surgery clinics. It’s not the high pressure excitement of the O.R., but it should be challenging and keep him from losing his mind to boredom. To cement the position, he needs a wife. Or a fiancée. The company is very family oriented, and he wants all the leverage he can get, so Grace’s sudden appearance is timely.
This was probably the weakest plot point for me. Grace is unemployed and has rent to pay and a young child to take care of, so I can see her being desperate enough to go along with Evan’s proposal. He offers her a place to stay, offers to pay the rent on her Toronto apartment, and will even spring for a new wardrobe, because his fiancée is expected to look sophisticated and fashionable. He’s a complete stranger, and yes, while he did save their lives a year ago, she doesn’t know him, and she can’t be sure that he’s trustworthy. While I do love the fairy tale simplicity of this set up, I am just too suspicious accept him at face value this early in the game.
What I enjoyed most about The Doctor’s Fake Fiancée was Evan’s growth from a self-absorbed man who put his career before everything else in his life, into a man who learned the importance of family, friends, and roots. Evan thought that all of the answers to his dissatisfaction with his life would be found in Toronto, as the CEO of Medcorp. Nothing else mattered to him but snagging that job. Not his brothers or their wives or their children, or the many people who tried to get him to open up to them and accept how important he was to the community. For such a smart guy, it takes him an awfully long time to realize what really mattered, and that a big fat paycheck and a lifetime of shuffling around papers wasn’t it. Evan’s life before he met Grace was so empty and devoid of emotion, it’s no wonder he had a hard time connecting with his own feelings. They had gone dormant, and it took the shock of a loving woman and a rambunctious boy to jolt them back to wakefulness.
The Doctor’s Fake Fiancée is a sweet, feel good read. I enjoyed the Red River series, and the author has become a favorite on my reading list. I’m looking forward to seeing what she comes up with next.
Review copy provided by author
Their marriage bargain is just what the doctor ordered…
Former surgeon and self-professed life-long bachelor Evan Manning has one thing on his mind—to reclaim the career that a car accident stole from him. But when he’s forced to return to his hometown of Red River, Evan comes face-to-face with the gorgeous woman who’s haunted his dreams for the last year—the woman he rescued from the burning car that injured his hand. Now Evan needs her help. In a month, he’ll have the job opportunity of a lifetime…he just needs a wife to get it.
Artist Grace Matheson is down on her luck again…until she walks into Evan Manning’s office. When her sexy former hero hears that she needs work, he offers her a job and a home—if she’ll pretend she’s his fiancée. Grace knows she shouldn’t fall for him. Once the month is up, Evan will be back to his old life. But the more time they spend together, the more real their feelings become—and the more likely heartbreak is.