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Another week, another round up!

Another week, another round up!

Join Kyle Pinion and Alex Lu as they dive into DETECTIVE COMICS #935!

The world has been reborn. Last week’s release of DC Universe: Rebirth #1 kicked off a new era of storytelling for the publisher.  The house that gave us Batman and Superman is looking to make up for the mistakes of the New 52 canonical reboot, reinstating old plot points that were erased from their timeline and even bringing back […]

It’s that time again! Just like last week, I picked up every issue DC Comics put out of their current “DC You” initiative, and I’m here to present my scattered and unorganized thoughts in a few sentences. Again, none of these should be construed as reviews really, it’s just a quick glimpse at one fan’s thoughts on the newly evolving line of comics from his long-time favorite publisher.

Also, just a point of clarification, I bought all of these with my own money. Not one comp copy was involved in the writing of this piece, if that sort of thing means anything to you.

Batman #41: I’m not fully sold on the Jim Gordon as Batman take yet, but this new arc continues the rather fun zaniness that’s been part and parcel of the Scott Snyder–Greg Capullo run since “Zero Year”, and Capullo continues to be one of the best artists at the Big Two. His work pops in a way that so few superhero illustrators can manage, and he just keeps getting better. I also can’t say enough about FCO Plascencia‘s colors. The new status quo is intriguing enough, and I look forward to seeing how it spills over into books like Batgirl, Grayson and Detective Comics (see below).

Verdict: Already on my pull and staying there

Batman/Superman #21: I love Greg Pak‘s work on Action Comics, so it vexes me a bit when I can’t seem to reconcile the great work he does there and the fairly pedestrian stuff he cranks out for this title. The new shift for Superman, which inevitably is the character this title has focused on in greater detail, hasn’t really done much to refresh a series that can’t escape a feeling of staleness and bland superheroics. Being envisioned by the house-stylings of Ardian Syaf doesn’t help either.

Verdict: Stopping here

Catwoman #41: I missed the boat on early issues of the critically acclaimed, but fairly under-read (and promoted), Genevieve Valentine Catwoman run. I think I may have assumed too much to think that I could just jump on-board here. It’s really well written, you can tell Valentine has a pretty elegant control of prose, but I’ll be damned if I knew what the heck was actually going on. I found it difficult to keep up with who each character was, and what purpose they served in Selina’s world, though in ensemble-based crime fiction, I sometimes bump into that barrier. I’m maybe intrigued enough to try again, with the hope that familiarity will breed some affection, but I can’t say I’d recommend it for the first timer.

Verdict: On the fence

Constantine: The Hellblazer #1: Riley Rossmo can do no wrong, and the Dante‘s Inferno-inspired spread found within is the kind of panel layout that will always grab my attention. This is a really fun reintroduction to the John Constantine that we used to see back in the Vertigo days, rather than the New 52 superhero that had populated books like Justice League Dark and the previous Constantine title. I like this more arrogant and amorous John, and the fact that DC is putting out a book that pushes their general boundaries of content within the main line is nice to see. It’s a bit over-written, with its themes hammering you over the head (especially in a secondary character’s denouement), but I’m mostly sold provided that one big flaw is rectified in subsequent months

Verdict: Going onto the pull-list

Detective Comics #41: I really like Francis Manapul and Brian Buccelatto as an art team, frankly as far as “cape comics” go, there are few better. As writers though, I’ve had more trouble with their output. Their angle on the Jim Gordon as Batman take is solid enough: a book about Harvey Bullock and Renee Montoya will always grab my attention in some form or fashion. But I’m not sure I found enough here to really hook me between a few iffy narrative conceits and some dialogue that didn’t quite land with me. Additionally, while I think Fernando Blanco does a decent enough Michael Lark, I’d be more excited about this title if Manapul was penciling it himself still.

Verdict: Stopping here

Earth 2: Society #1: I had hopes that perhaps with a fresh start, Daniel Wilson might be able to employ something worthwhile into the literal new world that the Earth 2 characters are now inhabiting. How wrong I was, as this was basically unreadable. I liked the Johnny Sorrow appearance at least, but it was basically negated by Terry Sloane sprouting mechanical wings.

Verdict: Stopping here

Gotham Academy #7: I can’t even begin to pretend like I’m not in the tank for this book. I love it, and even when it has fill-in artists like Mingjue Helen Chen, the title is able to uphold its cinematic qualities. Chen’s work here reminds me a good deal of Irish animator Tomm Moore, and her gorgeous cartooning provides a perfect spotlight for secondary character “Maps” and the meet cute that occurs between her and Damian Wayne. There are a couple of spatial hitches where I was bit disoriented as to what was happening in a panel or two, but otherwise, this is a pretty great all-ages adventure.

Verdict: Already on my pull and staying there

Harley Quinn #17: Maybe it’s The Naked Gun fan in me, but I always laugh at a good beaver joke, and this one had me guffawing a bit. I hadn’t read an issue of Amanda Conner and Jimmy Palmiotti‘s take on Harley since its debut issue and this month’s offering had me wondering why I hadn’t. It was humorous, zinged with energy, and Chad Hardin‘s art looked way more suited to the material than I remember it. I thought the Gang of Harleys was a pretty fun idea too.

Verdict: In for the next issue

Red Hood/Arsenal #1: The idea of a “buddy comedy” comic book isn’t a bad one, it works well for titles like Archer & Armstrong, and in theory Jason and Roy should be diametrically opposed enough that it should make for some solid hinjix. Unfortunately, with Scott Lobdell at the helm, you may as well dash those hopes. It’s funny, looking at Denis Medri‘s art, I could see a fairly effective intro tale being weaved here if someone else wrote the dialogue. But Lobdell’s attempts to give an edge to every character voice makes them all sound like the same person. It’s better than Earth 2: Society, because I could at least tell what’s going on, but it reads like a comic that Poochie from The Simpsons would write.

Verdict: Stopping here

All-Star Section Eight #1: Yeah, this was pretty awesome. I never read Hitman, I should probably get on that (it’s 99 cents a pop on Comixology right now after all), but I thought what Garth Ennis and John McCrea were up to here was hilarious. It’s a bit “inside baseball” in the way a good Ambush Bug comic might be, particularly in its shoutouts to the 90’s “Bloodline” event and the various iconic Batman poses being used to pretty great effect, but it’s all presented in a way that shouldn’t detract from a new-comers enjoyment much. I mean, who doesn’t find a Batman that’s too cheap to pay a $3 ATM fee endearing? Yeah, Hitman, I need to read it.

Verdict: Going onto the pull-list

Starfire #1: I think I may have liked this better than even Harley Quinn this week, perhaps because I was entering at ground zero, but I have some affection for well done “fish out of water” stories and this is a particularly good one. There’s a great deal of damage control that needed to be done with Kori in the New 52, and I’m confident Conner and Palmiotti are well on their way to rectifying those issues. It’s Starfire getting into hijinx in a trailer part in Key West. This is my kind of jam, and I’m really appreciating the story-telling corner that this team is building for themselves.

Verdict: Going onto the pull-list

New Suicide Squad #9 – It’s hard to separate the real world inspiration for this story from the potential of the narrative. On paper, the idea of a group of supervillains going undercover into a bigger hive of evil-doers to take them down is attention grabbing enough (and as a big fan of COPRA, I’m primed to love a Suicide Squad story), but the parallels between this League of Assassins splinter group and the real-world ISIS rubs me the wrong way, and fairly bland sub-Rags Morales like linework pretty much put my interest in this book out of its misery.

Verdict: Stopping here

This week’s must-reads: Batman, Constantine: The Hellblazer, Gotham Academy, All-Star Section Eight, Starfire

Next week: Sonny Liew draws Doctor Fate, Martian Manhunter gets a solo series, the Batgirl spin-off Black Canary takes flight, and I try to reconcile mentally why I’m buying anything from the current Wonder Woman run.

Forty-nine storage rooms.

One hundred ten buildings.

Six thousand, two hundred ninety-one trunks.

Millions of items, any of which could be worth millions.

In the 8/8/11 New Yorker, a Talk of the Town piece by Nick Paumgarten revealed that there are 6,291 unclaimed trunks of personal belongings in dank storage rooms below Stuyvesant Town and Peter Cooper Village, a large apartment compound in New York.

These trunks date back decades to the 1940s, when the buildings opened, and of course the reasons they’ve been abandoned vary; the owners of some have died, but most likely most of those reasons will remain as mysterious as the contents themselves.

That is because it does not seem that anyone plans to open them. Well, some have been opened and some have burst open, but the article doesn’t say if there will a systematic cataloguing of the rest of the mass of material.

Which is why I promptly called Rose Associates, the property manager cited in the article.

Thus far, most of what has spilled out of trunks seems worthless—old clothes, canceled checks, ‘70s LPs. But I’m willing to wager that at least one of those trunks, and quite possibly several, contains an original copy of Action Comics #1 (featuring the debut of Superman), Detective Comics #27 (debut of Batman), or any number of other ultra-rare, mega-valuable comics, not to mention other kinds of valuables.

The companies that own the residential complex have been tasked with finding a more profitable use for this storage space. Given the understandably skeeved attitude of the property manager quoted in the article (who describes the air in those rooms as “unsanitary” and who said “I hate to think about the stuff that would come running out” when trunks are moved, etc.), I figured it would be worth a shot to ask if a writer could do research there. For all I know (the article doesn’t say), they might be planning to pulp those trunks.

I didn’t hear back from Rose. I don’t seem have great luck when it comes to New York institutions.

(I proposed holding a signing for Bill the Boy Wonder: The Secret Co-Creator of Batman at the Bronx Zoo both because of the bat connection and because Bill [Finger] lived in the Bronx when he co-created Batman. They said no. More on this in a future post.)

No matter. I will likely try again. After all, in most cases, searching for an Action #1 is as futile as searching for a Bigfoot in your bathtub, but that doesn’t mean one will never be found; and this is a scenario where the odds seem way greater than most any other I can imagine.

The location is right. (New York was the capital of comics.)