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1. Valiant shows off Doug Braithwaite’s Incredible Pages from Imperium

a65adc45 3ed7 49f0 987c 38ea171ca2bc 668x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium

By: Alexander Jones

Imperium is coming. After getting briefed from Joshua Dysart on mission orders, check out these brand new pages from the fantastical Doug Braithwaite in a press release sent straight from the Valiant Entertainment headquarters in New York City. Imperium is Valiant’s spiritual successor to Harbinger, a title that carried the company into greatness, and also introduced Toyo Harada, one of the most interesting villains in the Valiant world. Toyo is a decrepid old man, with intense psiot powers, enabling him to hide his appearance and true nature. Until, the events of Harbinger changed his path forever. Now, everyone knows the deranged actions of Harada. To combat his loss of power, the dictator is now seeking an army to help him operate in the shadows, enter Imperium, Harada’s band of merry misfits. These aliens, robots, and psiots may not bring holiday cheer.

Imperium #1 ships February 4th, and features covers from Doug Braithwaite, Raul Allen, and Trevor Hairsine with Tom Muller.

0fc6b36d e2b8 4864 b338 de15ccf2ba58 658x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 8a219fda 1e1d 4454 ba04 c005b0768098 668x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium

In our very own interview with Joshua Dysart, the author had this to say of what’s left of Toyo Harada’s empire before Imperium:

The current situation with the Harbinger foundation that was sort of the secret organization buried within Harada Conglomerates, is that Harada’s conglomerate has dissolved. However, Harada still has thousands of secret accounts located all over the world. These things are actively being tracked down all over the planet. It’s difficult for him to track all of them down, but they exist. The Harbinger Foundation itself is now whatever technologies he has found and pilfered. It’s now predominantly found within the U.S.S. Bush – Harada has stolen one of the largest nuclear aircraft carriers in the United States, and they are also taking the Somalia itself. But that’s all that’s left of Harada’s empire. It’s like if he were a musician, at one time he was in the biggest stadium band in history, but now he’s back to playing garages.

1 709x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 2 717x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 3 715x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 4 711x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 5 723x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 6 723x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 7 723x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium 8 723x1028 Valiant shows off Doug Braithwaites Incredible Pages from Imperium

 

2 Comments on Valiant shows off Doug Braithwaite’s Incredible Pages from Imperium, last added: 12/18/2014
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2. DC Slaughters Over 10 Titles

jeffstahler DC Slaughters Over 10 Titles

Text By: Alexander Jones – Image By: Jeff Stahler

All hell broke loose today as DC Comics quickly tried to sweep a host of cancellations under the rug. The upcoming Convergence event taking place in April and May seems to be pulling some big change in the house of Batman and Superman. The news came from CBR, who announced the solicitations for March 2015. However, it’s hard not to miss some of these books, especially when realizing that some of the titles have been with the publisher since the launch of the New 52 in 2011, including Swamp Thing, Batwoman, Green Lantern: New Guardians and Red Lanterns. It also seems likely that Batman Eternal was planned to end at #52 this week, seeing as how that is now the magic number for DC Comics.

Here are the titles on the chopping block:

  • Aquaman and the Others #11
  • Arkham Manor #6
  • Batman Eternal #52
  • Batwoman #40
  • Green Lantern: New Guardians #40
  • Infinity Man and the Forever People #9
  • Injustice: Gods Among Us – Year Three #12
  • Klarion #6
  • Red Lanterns #40
  • Secret Origins #11
  • Star-Spangled War Stories Featuring G.I. Zombie #8
  • Swamp Thing #40
  • Trinity of Sin #6
  • World’s Finest #32

Some of these books are downright shocking when considering new these launches are, ongoings like Trinity of Sin, Star-Spangled War Stories Featuring G.I. Zombie, Klarion and Arkam Manner barely got a chance to launch before being outright cancelled. Perhaps DC has something else in store?

Rumors have been flying around the internet, hinting at a possible relaunch for the company in June. With so much of their superhero line in limbo, this now seems like it is a must for DC.

 

15 Comments on DC Slaughters Over 10 Titles, last added: 12/16/2014
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3. “Venditti’s cooked up a good one” in Valiant’s Dead Hand

a237b6e6 a4fa 4afa 8161 a21b563a3708 1000x759 Vendittis cooked up a good one in Valiants Dead Hand

By: Alexander Jones

“Venditti’s cooked up a good one”

In 2015, Valiant Entertainment is gearing up to send Aric of Dacia, the greatest, most butt-kicking 15th century Visigothic that was ever placed out of time in a brand new storyline entitled Dead Hand. The creative team features the usually spectacular talent of Robert Venditti and Diego Bernard, and kicks off after Enter: Armorines concludes. The story begins in March’s X-O Manowar #34 in 2015.

Author Robert Venditti himself chimed in via a press release from Valiant on what he has been brewing for the series:

DEAD HAND is going to take the mythology surrounding the X-O Manowar armor, and the entire Valiant Universe, in a direction not seen before,” said Venditti “As formidable as the adversaries in the series have been to date, none of them measure up to this single-minded, doomsday threat. X-O Manowar has made a habit of taking what readers expect and turning it on its head. We’ve challenged ourselves to do that again.”

After exploring space for a little, the Visigoth seems to have gone too far into the unknown. He accidentally stumbles across a squad of bloodthirsty robots known as the Dead Hand, whose creators have been proclaimed long dead (pun intended). Aric has activated these robots in the storyline who have been created to combat an unknown enemy.

Valiant’s Editor-in-Chief Warren Simons had the following to say about Aric’s predicament:

“Last summer, X-O Manowar went up against the Armor Hunters for a full-metal throwdown between Earth and alien life. Well, we won the battle, but that doesn’t mean we’ve won the war,” said Simons. “Somewhere out there, something colder, grimmer, and more calculating is about to come online. And it won’t concede that war, even in death. An extinct world has saved a nasty treat for the Valiant U – something insanely effective that could only exist in the wake of their failure – a dead hand. Venditti’s cooked up a good one, folks.”

The first issue hits finer comic book shops in March with covers from both Lewis Larosa, and Jorge Molina. Take a look at the solicitation copy from Valiant:unnamed 668x1028 Vendittis cooked up a good one in Valiants Dead Hand

X-O MANOWAR #34 (NEW ARC! “DEAD HAND” – PART 1)

Written by ROBERT VENDITTI

Art by DIEGO BERNARD

Cover A (Overlay Wrap) by LEWIS LAROSA

Cover B (Wraparound) by JORGE MOLINA

Variant Cover by DAS PASTORAS

Dead Hand Design Variant by JORGE MOLINA

Artist Variant by BUTCH GUICE

$3.99 | 32 pgs. | T+ | On sale MARCH 4 (FOC – 2/9/15)

1 Comments on “Venditti’s cooked up a good one” in Valiant’s Dead Hand, last added: 12/15/2014
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4. Scarletta Press Submissions

ScarlettaLogo380SCARLETTA PRESS accept submissions ONLY during their reading period (September 1 to June 1).

SUBMISSIONS ARE CURRENTLY OPEN.

They use Submittable.

While they seek to publish new voices missing from the literary world, they also want to make sure your manuscript will fit their genre community. The books they choose to publish are intellectually stimulating, adding relevant knowledge to readers’ minds. Their Junior Readers and Kids imprints focus on literature and picture books with educational twists, exciting illustrations, and engaging plots.

Genres they focus on include:

  • Children’s Fiction
  • Middle-grade Fiction
  • Educational Fiction/Nonfiction
  • Picture Books

They do not publish plays, screenplays, short story collections, or poetry.

With your cover letter, please submit a synopsis of your book and one or two chapters, no more than 30 pages. They accept both agented and unagented manuscripts.

Illustrators: Don’t forget that picture book publishers need you, too.

You may submit electronic submissions through Submittable. If you are including images–no more than one total file–please make sure to save and upload them in a .pdf format.

You may send your hard copy submission to:
Editor
Scarletta
1201 Currie Avenue
Minneapolis, MN 55403
Please include a self-addressed stamped envelope (SASE) with any hard copy submissions to receive our response.

Special Instructions from Scarletta Publishers
*Please do not send submissions directly to any of our staff members.
**Note that due to the number of submissions we receive, we do not have the ability to notify authors of having received their submissions. While we understand that you may be anxiously awaiting a response to your submission, we ask that you do not send your manuscript more than once or send multiple inquiries about your submission’s status.

Talk tomorrow,

Kathy


Filed under: Artist opportunity, authors and illustrators, chapter books, Middle Grade Novels, need to know, opportunity, picture books, Places to Submit, publishers, submissions Tagged: Scarletta Press

3 Comments on Scarletta Press Submissions, last added: 12/15/2014
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5. Interview: Joshua Dysart on the “Largest Robber Baron” in The Valiant Universe [Imperium]

IMPERIUM 002 COVER A ALLEN 668x1028 Interview: Joshua Dysart on the Largest Robber Baron in The Valiant Universe [Imperium]

By: Alexander Jones

“He’s definitely the largest robber baron in the history of the human species,”

said author Joshua Dysart of Toyo Harada, the main character in his newest ongoing series Imperium.

Valiant Entertainment could have just published another volume of their fan-favorite Harbinger title which Dysart also wrote and called it a day; but instead the company is striving for something different with their upcoming Imperium title. Toyo Harada, one of the most heinous villains of the Valiant Universe is the star of the upcoming series. Dysart shared some new information on the new project, spilling the secrets on the new Vine soldier joining the team, giving more insight into Toyo Harada’s motivations, and checking on the brand new status quo of Peter Stanchek. Witness how Dysart and artist Doug Braithwaite are taking advantage of Harbinger creators Jim Shooter and David Lapham’s groundwork to spin something wholly original:

IMPERIUM 002 COVER B BRAITHWAITE 196x300 Interview: Joshua Dysart on the Largest Robber Baron in The Valiant Universe [Imperium]Comics Beat: Let’s start with the obvious: why Imperium? After Harbinger was such a rousing creative success, why take this insane risk?

Joshua Dysart: It’s for exactly that reason. I’m not super interested in going right back into the same thing. I feel like we pulled something off with Harbinger completely by accident. The last thing you wanna do is go in and keep meddling with it. Obviously we will eventually get back to that story. It’s just more interesting to do something new and different. The whole point of being a creative person is to not constantly repeat yourself.

CB: Is there a trend coming now with Valiant’s renewed interest in melding brand new characters and additions to the lore that were not present during the initial run of the company?

JD: Absolutely, I think that it’s in their best interest, and I think that’s what I am trying to do in Imperium, which is a book about almost all new characters. That’s a big part of what Valiant is looking to do next.

CB: While Imperium begins, are Peter’s stories going to be pushed to the side?

JD: Yeah, I think what’s happening with the Renegades and what’s happening with Toyo are on two divergent paths for the time being. I mean basically what’s happened here is Peter and his crew won, but in winning they sort of destroyed themselves. In Harada’s losing it sort of entrenched him and reinforced his ideals to himself so we have a situation where the winners have really lost and the loser has ultimately won, which I think says something interesting about the nature of conflict. That’s what I think where we are at. The Renegades are not even capable of fighting Harada, and is that even interesting to that even more. One of them lost their life and the rest of them gave all their efforts to this conflict for so long, and to what end? They just reinforced him and entrenched him. I don’t even know if that’s something they are interested in anymore.

CB:  How large is the scope of Imperium? Will Imperium affect the greater Valiant publishing line?

JD: It’s being designed to interact with the larger Valiant Universe in a way that Harbinger wasn’t. You know Harbinger was a sort of insular thing that was about these young people, and I sorta moaned and groaned every time the larger Valiant Universe came crashing into my little bubble. This is a much bigger conflict. This is ultimately a conflict for the world so we would have to imagine the whole Valiant U will come up against Harada and his plans. The whole thing is built to embrace that absolutely.

IMPERIUM 001 VARIANT BRAITHWAITE 196x300 Interview: Joshua Dysart on the Largest Robber Baron in The Valiant Universe [Imperium]CB: Now that you are opening up the Valiant Universe more with your upcoming project, is there any correlation between penciller Doug Braithwaite’s art and what you are trying to do to sort of open this book up wider?

JD: I think thematically yeah, absolutely. You know I really love Doug’s work. I love that he can handle density and that he can handle these big moments but then I started talking about the series, but then I wanted him to do work that was really human and very concerned with the minutia of the moment, so Doug automatically became the perfect person for this book. He can go big, but instead he’s going small. He can have an epic moment, based around human drama that will lead to a better comic. I think he’s an incredible asset to the book.

CB: With an interest in HBO shows where we’re exploring a lot of anti-heroes, how do you walk that line between following some people who are sort of making some questionable decisions, but still making it so we can identify with them in the book?

JD: That’s hard to talk about, because it’s the kind of thing you do when you’re writing. It’s just really important to make sure they feel complicated and human. Once a person feels as complicated as you can make them as a character, then that person can actually become really interesting. Apart from that there’s no real secret trick or anything you just try to humanize them as much as possible.

CB: After reading Robert Venditti’s work with X-O Manowar, I saw that the Vine was painted as these dehumanized killers that entrapped Aric’s group of Visigoth. Whereas during the Planet Death Arc, we see a different side of the Vine. With the new Vine character integrated into the Imperium team are you going to explore that side that Robert opened up in Planet Death?

JD: Yeah absolutely, I think the complexity of the Vine is going to be revealed eventually, maybe not in the first arc, but eventually. Lord Vine 99 is less of a product of conscious free-will vine, and more of a clone that the Vine has created. He doesn’t represent exactly the Vine mindset. I don’t think we can share a story about Toyo trying to take over the planet and not have the Vine be intimately involved in this. The fact is that the Vine took over the planet and won a long time ago. Now we are going to share Harada’s history with the Vine that goes back to the 50’s, 60’s, and 70’s. It’s all going to be woven in pretty tightly into the narrative.

CB:  What will the antagonists look like in the title? I heard something about robots, aliens, and poets?

IMPERIUM 002 COVER C GUICE 196x300 Interview: Joshua Dysart on the Largest Robber Baron in The Valiant Universe [Imperium]JD: Harada has his basic psiot that survived the collapse of his first post civilization in first crew. He basically has a fully functional robot which is a version of his med-bots that he kind of amped up. The A.I. was a total accident, and now he has an A.I. shackle. He is incapable of entering any network. He is extremely limited in how his intelligence can grow and what he can affect. This is Harada’s basic check to not having a singularity happen overnight. It’s only a matter of time before artificial intelligence is affected all across the internet. He’s a really interesting tragic character for me. He’s capable of so much, yet he can’t intellectually grow but he knows that. We also have mad scientists!

CB: While the Harbinger Foundation was in control of an incredible amount of corruption, Harada surely cannot employ telekinesis on the entire planet. With limited power, does Toyo Harada have any chance of clearing his name?

JD: The current situation with Harbinger foundation that was sort of the secret organization buried within Harada Conglomerates, but Harada’s conglomerate has dissolved. However, Harada still has thousands of secret accounts located all over the world. These things are actively being tracked down all over the planet. That exists, so there is money and revenue. It’s difficult for him to track all of them down, but they exist. The Harbinger Foundation itself is now whatever technologies he has found and pilfered. And it’s now predominantly found within the U.S.S. Bush – Harada has stolen one of the largest nuclear aircraft carriers in the United States, and they are also taking the Somalia itself. But that’s all that’s left of Harada’s empire. He has money, but it’s tricky for him to use the money without being seen and he has a lot of his old tech, but he doesn’t have it all. For instance, he can’t activate psiots right now. It’s like if he were a musician, at one time he was in the biggest stadium band in history, but now he’s back to playing garages.

CB: Is Harada interested in clearing his name?

JD: He has done everything he is accused of doing; he’s definitely the largest robber baron in the history of the human species.

I don’t think that Harada believes that he has done anything wrong. I think he believes that the narrow shortsightedness of the species and their inability to see all that he gave them in return for the few things that he had to only reinforces him to see what others can’t see. It would have been easier if he keeps his global institution in place it would be easier for him to operate things within the shadows. Instead of having every government and every corporation pitted against him. He has no desire to clear his name.

IMPERIUM 001 003 715x1028 Interview: Joshua Dysart on the Largest Robber Baron in The Valiant Universe [Imperium]CB: Was Unity Toyo’s failed attempt at building a team like the one featured in this comic?

JD: What’s really interesting about Unity is that their initial inception was to keep Aric [X-O Manowar] from taking over Romania. Harada has done exactly the thing that Aric did, in that he put together this team to fight him which is a real vine of hubris and hypocrisy.

CB: What has Peter learned from the first volume of Harbinger to now?

JD: For a while, we’re not gonna know what’s going on with them. The last time we saw Peter he was contemplating that the only true heroism is doing nothing at all. I don’t know that they were ever ready to play at the level they played Harada at all. They are just kids, they are kids with a lot of power and they took on a really big task, and I don’t think they knew what it entailed. I think they are pretty heartbroken and beaten down from the battle.

1 Comments on Interview: Joshua Dysart on the “Largest Robber Baron” in The Valiant Universe [Imperium], last added: 12/16/2014
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6. WRITE YOUR STORY…WITH FIRST LINE.

2015 marks the 17th year of The First Line.  This online publication gives writers an opportunity to see one of their stories in print using the format of the same first line.

Here are the new first lines for 2015.

Spring 2015: Fairy tales hardly ever come true for quiet girls.   (Submissions due February 1, 2015.)

Summer 2015: Laura liked to think she was honest with herself; it was everyone else she lied to.   (Submissions due May 1, 2015.)

 Fall 2015: The old neighborhood was nearly unrecognizable.   (Submissions due August 1, 2015.)

 Winter 2015: George pressed the call button and said, “Mrs. Whitfield, you have a visitor.”(Submissions due November 1, 2015.)

The First Line is available on Kindle: http://www.amazon.com/gp/product/B006XGLLSU


1 Comments on WRITE YOUR STORY…WITH FIRST LINE., last added: 12/8/2014
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7. H.M. Ward Says Kindle Unlimited Crushed Her Book Sales

2014HMWARDHOLLY-thumbAmazon’s real-time experiment with the livelihoods they have provided to their exclusive self-published KDP authors through Kindle Unlimited (KU) continues to draw concern on online forums. The most recent scrutiny stems from a post by bestselling author Holly (H.M.) Ward on Kindle Boards from the Friday after Thanksgiving, which continues to draw follow-up remarks.

Ward said that her Amazon income dropped substantially when she participated in Kindle Unlimited: “[I] had my serials in it for 60 days and lost approx 75% of my income [from KDP]. Thats counting borrows and bonuses. My sales dropped like a stone. The number of borrows was higher than sales. They didn’t compliment each other, as expected.” She added, “I planned on giving it 90 days, but I have a kid in the hospital for long term care and I noticed my spending was going to exceed my income–by a lot. I couldn’t wait and watch thing plummet further. I pulled my books. That was on Nov 1, & since then my net revenue has gone up. I’m now at 50% of where I was pre-KU. During the time I was in KU, I had 2 new releases. Neither performed vastly different than before. They actually earned far less (including borrows).”

Perhaps more resonant for self-published authors broadly, she wrote, “This model needs to be changed for it to work. Authors shouldn’t be paid lottery style.” (In the current system, Amazon decides, retroactively, how much money to allocate to authors for each KU borrow. The amount paid per borrow has been dropping since the program launched in late July.)

In follow-up comments, Ward added, “That’s why I posted this info. I assumed I was the only one. I thought I was too stupid to make KU work, but both months I was an ‘All Star’ so something just doesn’t work. Plus other heavy hitters starting talking, telling me a similar story. The model itself is flawed….I have 60+ books, lots of new titles, and if I’m at the top of the KU list for the entire 60 days I was enrolled and lost a LOT of money, then something is wrong with the model.” (By our own data, Ward has had 12 works appears on bestseller lists during 2014.) She also indicated the KU experience affected all of her titles at Amazon, even the ones that were not part of the subscription service, “because buyers changed into borrowers, who in turn did not spend money on my other titles.” And “Ditto on audio sales. They’ve vanished.”

A number of other authors joining the forum tell stories similar to Ward’s, though there are also authors who say that KU has increased their net earnings. One common belief is that the current KU economics favor short works — “KU has allowed for shorter works to steal marketshare from longer works, pushing them out of sales rankings, search result rankings, also boughts, top 100 lists, and overall visibility. You think I’m wrong? Go read any of the popular erotica forums, those writers are cleaning up like it’s 2012 again.”

Self Published authors. We need to keep our eyes open for more info on this subject.

Talk tomorrow,

Kathy


Filed under: need to know, publishers, Publishing Industry Tagged: Amazon Kindle Unlimited, H. M. Ward, Self-Publishing

2 Comments on H.M. Ward Says Kindle Unlimited Crushed Her Book Sales, last added: 12/10/2014
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8. Publisher Call For Submissions

hp_follow

ANNOUNCING NEW INSPIRATIONAL/FAMILY LINE!

HIGHLAND PRESS PUBLISHING
Actively seeking Inspirational and/or Sweet themed manuscripts. Think Hallmark Hall of Fame, Janette Oke, Little House on the Prairie, etc. Accepting full manuscripts for adults or young adult lines.

Submission Guidelines

If you are interested in submitting your manuscript to Highland Press Publishing, please take a few minutes to review the following and acquaint yourself with our guidelines:

Highland Press is at the present particularly interested in expanding our Christian/Inspirational/family line—both historical and contemporary stories.

We’re looking for outstanding manuscripts of all genres and timeframes—with the exception of erotica. (Absolutely no graphic sex scenes, please!) We want love and romance. A HEA. Emotion. Not just sex.

While some swearing is understood, it is preferable that you use swear words as little as possible. One thing we are firm on is not using the Lord’s name in vain.

We want historicals similar to what many of us grew up with and fell in love with. This does NOT mean we want manuscripts with history dumps! Please ensure the history is sprinkled throughout your manuscript. Also, it is imperative that your historical facts are accurate. Please research your facts at multiple sites, not just one.

While we have predominantly focused on historical novels to date, this doesn’t mean we’re not willing to consider well written stories of every time period. We look forward to receiving them. We have released several Young Adult books, including our first Young Adult inspirational. We have a few non-fiction books, including a reference book we believe every author will want to have. Use it to help your creativity come to life.

Each manuscript e-query packet must include the following:

~ Cover letter with total word count, brief synopsis, and information about yourself (publishing credits, writing memberships, etc.)

~ Make your cover letter interesting; tell us why we’ll love your manuscript

~ Be sure to let us know what marketing strategy you plan for your book

~ First three chapters of your manuscript (in standard manuscript format)

~ Do NOT staple chapters; use standard binder clips

Each full e-manuscript submission packet (when requested) must include the following items:

~Cover letter with total word count, brief synopsis, and applicable publishing credits

~Include a one to two page outline of your specific marketing strategy

~One e-copy of the full manuscript in Word – in standard format

~ Since we write notes and see how much editing will be required while we’re using the e-copy, the version you send us will not be returned if the story is not accepted.

Do not send your full manuscript if we have not requested it.

Standard Manuscript Format:

~8 1/2 x 11 document

~Times New Roman 12pt font/black ink

~1-inch margin on all sides

~25 lines per page

~Align text left, do not justify

~Header containing author name, manuscript title, word count, and page number

Capital letters at the beginning of sentences and proper nouns

~Show new paragraphs by indenting first line of new paragraph to .3 (not .5)

~Do not add blank line between paragraphs

~Show scene breaks with ~ * ~ centered in the appropriate line between paragraphs

All correspondence must include:

~Name (and pseudonym if applicable)

~Mailing address

~Phone number

~E-mail address

~Web address (if available)

Due to overwhelming number of submissions, response time for manuscript submissions cannot be guaranteed at this time. We will do our best to get to your manuscript as expeditiously as possible.

Please note: We do not accept email submissions without prior arrangement. We must request the full document from you before you send it. Unsolicited submissions sent via email will not be considered.

Please direct all email queries in the body of an email (no unsolicited attachments) to: Submissions.hp@gmail.com

General questions about Highland Press Publishing should be addressed to: The.Highland.Press@gmail.com

If you wish to send a partial query via regular mail, please send the necessary cover letter, brief synopsis, marketing plan, and the first three chapters to:

Highland Press Publishing
Submissions Department
PO Box 2292
High Springs, FL 32655

Full submissions of your print document, when requested, should be sent to the same address.

Thank you for your interest in Highland Press Publishing. We look forward to hearing from you.

Submissions that do not adhere to these guidelines will be discarded.

Talk tomorrow,

Kathy


Filed under: opportunity, Places to Submit, publishers, Young Adult Novel Tagged: Call of Submissions, Christian Stories, Highland Press Publishing, historical and contemporary stories, Inspirational Novels, New Inspirational Family Line of Books

2 Comments on Publisher Call For Submissions, last added: 11/25/2014
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9. University Presses

Some books are better served by a university press than a trade publisher. 

http://cynthialeitichsmith.blogspot.com/2014/10/guest-post-margo-sorenson-on-pleasures.html

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10. Little Pickle Press

In 2009 Rana DiOrio founded San Francisco-based Little Pickle Press, a 21st century publisher of high quality, high impact media for children.

Most of you know how I love reading journey stories, so when I noticed Emma Dryen’s great interview today with Rana on her blog, I thought you might like to read it too. It also made me want to check out Little Pickle Press. The first thing that impressed me was the quality of their website and books, so if they were to publish your book, you would not have to worry about placing your baby in their hands. I knew they were a small press publisher, but I thought they were only interested in picture books. I was wrong. They are open to receiving manuscripts all the way up to YA. And they are open to non-agented writers.

I am so glad I took the time to read Emma’s interview and visit Little Pickle Press because I would not be able to share the Submission Guidelines below and the opportunity to find a good home for your books.

little pickle press

If you’re going to aim high, you need the right launch pad. Does your goal involve writing the next great children’s book or YA novel? Little Pickle Press wants to know about it, and we’re working with Submittable to make it even easier to share your best ideas with us.

Step 1: Write!
We can’t read your mind, so get those fabulous ideas written down. Bear in mind that while there are scores of topics to choose from, the mission statement of Little Pickle Press is your best guide to the sort of manuscripts that we’re seeking. These include (in no particular order and not exclusively):

Inspiration

  • Altruism (and other anti-narcissism, anti-entitlement themes)
  • Dare To Be Different
  • Tolerance/Acceptance
  • Non-traditional family structures
  • Choices: It’s Not All Black And White; Most of Life is Gray
  • Anti-Princess Themes
  • Strong, female protagonists
  • Creativity—the importance of it, fostering it, etc.
  • Divergent (vs. Convergent) Thinking
  • Systems Thinking
  • Self-Sufficiency/Taking Care of Yourself and Your Community/Planting the Seeds of Being a Locavore
  • Water as a precious, global resource
  • Creativity: the importance of it, fostering it, etc.
  • Forgiveness
  • Gratitude
  • What is a conscience? How do we foster it? Use it?
  • Leadership and/or Entrepreneurship

We’re growing with our readers, so don’t think you have to create a picture book if you have a novel rattling around in your brain. We’re seeking picture books for 5 to 8 year olds, chapter books for 9 to 12 year olds, and middle grade novels for 10 to 14 year olds. In addition, we’re now accepting manuscripts in the young adult novel category for readers ages 15 and up. We are open to the literary vehicle employed to convey the story—fiction, historical fiction, fantasy, science fiction, creative nonfiction, etc.

Step 2: Get it ready!
Okay, so you’ve written your book. You’ve shared it with friends, family, and that neighbor down the street who’s known for disliking pretty much everything. They all agree that your book is the best thing since sliced bread. Now what?
Now you or your agent can send it to us! We’ve got a few uniformity guidelines to keep all submissions easy to read, and here they are:

  • As an MS Word document
  • Double-spaced
  • With Times New Roman font 12-pt
  • With your suggested title and name at the top as well as a word count
  • With pages numbered
  • Without illustrations

Relatively painless, wouldn’t you say? That’s because we’ve been saving the hard part for last. Everybody has a creative spark, and following instructions is a snap. Now for the really tough step.

fireflies2

Step 3: Send it in!
Sending your carefully-wrought manuscript off to a real, live publishing company is one of the most exciting and stressful things that you can do. But don’t worry. We don’t bite. Follow the submissions link, take a deep breath, and click!

Step 4: Sit back, but don’t relax just yet.
We have lots of manuscripts to consider, so it will take up to 8  weeks before we get back to you. While you’re waiting, why not see what other great story ideas you’ve got? Children need and deserve books. Whether it’s an imaginative tale that encourages creativity, or an engaging story that fosters responsibility and social awareness, Little Pickle Press seeks to offer the very best in children’s literature. Will you help us?

Hope this information helps push you closer to finding a home for your book.

Talk tomorrow,

Kathy


Filed under: Middle Grade Novels, opportunity, picture books, Places to Submit, publishers, Young Adult Novel Tagged: Emma D Dryden, Little Pickle Press, Rana DiOrio, submission guidelines

7 Comments on Little Pickle Press, last added: 11/19/2014
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11. Lee & Low Books Picture Books Contest

Lee & Low Books New Voices Award

Cash prize of $1,000 and a publishing contract.

— No Entry Fee
Prize: $1,000.00.
Entry fee: $0.00.

Deadline: 09-30-2014

WRITING CONTEST WEBSITE

To recognize the talents of children’s picture book authors, Lee & Low Books (est. 2000) is inviting U.S.-based authors of color to submit manuscripts (up to 1500 words) to its 15th Annual New Voices Award for a chance to win a cash prize of $1,000 and a publishing contract with the company.

A second-place winner will receive $500.

The judges accept unagented, original, unpublished children’s stories only. Categories include fiction, poetry, and non-fiction appropriate for kids, ages 5-12.

Submissions should focus on the necessities of children of color and engage young readers with relatable stories. You can submit up to two entries per application.

Talk tomorrow,

Kathy


Filed under: children writing, Contest, picture books, Places to sumit, publishers Tagged: Lee and Low Books, New Voices Award, Picture book authors

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12. No Fee: Real Simple Life Lessons Essay Contest

Real Simple’s Life Lessons Essay Contest

Prize: $3,000.00.
Entry fee: $0.00.
Deadline: 09-18-2014.

WRITING CONTEST WEBSITE

Real Simple magazine is seeking entries for its annual Life Lessons Essay Contest, which awards $3,000 to the writer who has written the best essay of non-fiction. Second-place wins $750, and third-place wins a $500 cash prize.

The theme is on sharing a “Eureka!” moment–a powerful thought that made you suddenly realize that something or someone had contributed to the happiness and/or success in your life.

To enter, submit online a nonfiction essays of no more than 1,500 words. The editors of Real Simple will judge all entries according to the these rules: novelty, creativeness, writing style, and relevance of theme.

Talk tomorrow,

Kathy


Filed under: Contest, opportunity, Places to sumit, publishers, Win, writing Tagged: A Eureka Moment, No fee Contest, Non-fiction, Real Simple Essay Contest

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13. The Jane Lumley Prize – Poems

janelumley

The first annual Jane Lumley Prize For Emerging Writers is open for submissions till November 30th 2014!

The Jane Lumley Prize is awarded annually to a writer who has yet not published a full length book of poetry or prose. The prize alternates each year between prose and poetry, and the inaugural year will seek to recognize the brilliance of an exceptional piece of poetry.

ELIGIBILITY: 

The Jane Lumley Prize will only be awarded to writers who have not published a full length book. However, they may have published a chapbook, and/or found a home for their works in other literary journals. We also invite unpublished writers to submit their poems for consideration.

If you know the editor and/or any staff member of Hermeneutic Chaos Literary Journal, you must not submit your work. If such a relationship is identified, your entry would be disqualified.

GUIDELINES :

You may submit a maximum of six poems for consideration in a single word document. The poems must be original and previously unpublished.We welcome submissions of all forms of poetry, including prose poetry.Each poem should not exceed 2 pages.​Please remove all identifying information from the poems themselves, for all the entries will be read anonymously. However, you may include a brief third person bio in the cover letter.We encourage simultaneous submissions, but we request you to withdraw your work in case it finds an acceptance elsewhere by clicking on the withdraw link on Submittable.

You must create an account https://hermeneuticchaos.submittable.com/submit/34128
Enter your information to create a new account below.

If you already have a Submittable account, please .

Talk tomorrow,

Kathy


Filed under: Contest, opportunity, Places to sumit, Poems, poetry, publishers Tagged: Emerging Writers, Hermeneutic Chaos Literary Journal, Jane Lumley Prize, This year's Contest - Poetry, Unpublished writers

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14. “A Cosmic Fairytale” – D.J. Kirkbride incites The Bigger Bang [Interview]

biggerbang Author D.J. Kirkbride has been an important force in the comics’ industry for years now spearheading projects like Amelia Cole for Monkey Brain Comics with Co-Author Adam Knave and artist Nick Brokenshire. As Amelia Cole continued to grow larger, the author then shifted gears along with Adam Knave to work on Never Ending, a book about an immortal superhero. Now the author is going solo, and launching a new title from IDW Comics entitled The Bigger Bang, a story about a second of the fabled Big Bang events spawning a Superhuman golden age type hero. Through the unique vision of artist Vassilis Gogtzilas, the two are likely going to craft a superhero tale unlike any other with The Bigger Bang. Author Kirkbride shared some further insight into the project:

Where did your interest in Superheroes stem from, and what do they mean to you?

There is nary a memory from a time in my life where, if I were being honest, I didn’t wish I was wearing a cape. SUPERMAN: THE MOVIE came out when I was still very new to the world (yeah, I’m old), and it is the basis of my entire outlook on everything somehow. I love heroes, and super ones are, you know, even better. The idea of bigger than life characters helping the regular folk, having epic struggles and battles… what’s not to love?DJ_Pic

After NEVER ENDING, why continue to deconstruct the modern Superhero? Is this going to be a better deconstruction of the superhero than WATCHMEN (no pressure or anything)?

THE BIGGER BANG has nothing to do with WATCHMEN. It is as far from “what if superheroes were real?” as a comic could get. In my notebook, I one time wrote “THE BIGGER BANG: A Cosmic Fairy Tale”. That’s what it really is. It is not a deconstruction of anything. I don’t really like taking things I love apart, to be honest. Superheroes are great. I don’t want to pick at them. People much smarter than me already have.

How did the creative team come together?

Vassilis and I met on some anthologies I was editing. We worked together on a short story for an anthology called TITMOUSE MOOK Vol. 2, along with my co-writer pal Adam P. Knave. It was a lot of fun, and we tried to get some other things going that never worked out for whatever reason. After a while of doing our own things, Vass sent us a picture of a big, amazingly over muscled superhero guy floating in space and asked if we wanted to do a cosmic superhero book with him. Adam and I were (and still are) writing AMELIA COLE together, but he was (and still is) also co-writing a series called ARTFUL DAGGERS, plus who knows how many novels and stories and… the guy’s way more prolific than me. So, he didn’t feel he had time. I had plenty and was hungry to try something new, without the crutch of writing with someone way smarter than me, so I went for it. Vass is obviously very involved in the story piecing and development, visually and thematically, plus our IDW editor Justin Eisinger has helped me a great deal, being a sounding board and a source of ideas. And mainly saying, “LESS WORDS, MAN!” which has worked out well, I think.

Is the group worried about the series possibly touching on religious implications, or is the team instead looking at the incident from an alternate history touchstone?

We do go along with the Big Bang origin of life, but I’d be surprised if there was any controversy or anything. This is a crazy science fantasy adventure with far out ideas and drama so I personally find it pretty funny, but we don’t talk about religion at all, actually.

This is D.J. Kirkbride’s first solo writing effort for a while isn’t it? What was it like to tackle a project with fewer collaborators?

Vass and Justin have really helped guide the story with me, and our letterer, Frank Cvetkovic, has helped keep the words and the art together, the glue, honestly. But, to be perfectly frank, it’s been scary. Aside from a few anthology shorts, I’ve co-written all of my comics’ work with Adam. Doing this without him was a challenge I really felt I needed though. He has read different edits of the first issue, because his feedback means a lot to me, but, yeah, I wrote the words without him. It freaked me out and is still freaking me out. The wacky part is that Adam is far better versed in big cosmic comics than I am, and this kind of huge space opera madness is right up his alley, whereas I tend to lean toward smaller, more personal and dialog-heavy writing. tumblr_static_984bbxonto8wg0k0ck8g8ocsk_1280_v2 How did the team decide that IDW was the right home for the project?

Vass has worked with IDW on a great mini-series called THE ADVENTURES OF AUGUSTA WIND, written by none other than J.M. DeMatteis, one of the best comic writers of all time — no pressure to be his next writer, right? I also work with them on the AMELIA COLE print collections, so it seemed like a good fit. They put out good books, but it wouldn’t have happened without Justin Eisinger. Something about the core of our pitch, the basic idea of this character’s birth causing so much destruction with pseudo-science and fantasy spoke to him, I guess. He championed us, and this book wouldn’t be happening with out that fella.

What does the supporting cast for the book look like?

It’s a diverse group. The lead character, Cosmos, is the only one that looks traditionally human — at least an amazingly muscular human. There’s a kinda heavy, tentacled, green monster in a crown called King Thulu who kind of runs this sector of the multi-verse. His best warrior pilot is a three-eyed darker green lady named Wyan. She’s the character that has maybe the most interesting arc to me, and it grew very organically. There are many other aliens of various shapes and sizes, some of which started with brief descriptions from me, many just visualized from Vass’s amazing mind.

Is it difficult to compress a story into a limited space of pages in four issues after working on the AMELIA COLE series from Monkey Brain?

Actually, AMELIA COLE is the first ongoing series I’ve ever worked on, so that was the challenge at first. Before that, I’d gotten very used to writing really short stories for anthologies. I like stories with endings, even AMELIA COLE will have one someday (hopefully far, FAAAAAAR off into the future), so that’s how we designed and pitched THE BIGGER BANG. We had a story with a beginning, middle, and end. If possible, I’d love to do more one day, but if not, these four issues compose a complete story that I think folks will enjoy. neverending Is Vassilis Gogtzilas’ work completely painted in the title?

No, he is doing pencils, inks, and digital colors for the interiors. The painted covers were his idea, and I love them. It’ll be great seeing it in print and looking at it up close, because he is not a careful, timid painter. You can see the chunks and textures of the paint. It’s really cool. I love all the covers and can’t wait to be able to share them. I think they get better with each issue.

Does his work and style alter from the different projects he draws?

Oh yeah, Vass is eclectic. His style can vary within a project–from page to page. It’s not random. He’s a very emotional artist, and he’s more concerned with how the art FEELS than realism. It’s been an interesting challenge writing for him sometimes because his mind moves so differently than mine. It’s amazing, and I would have never come up with something like this on my own. It is a true collaboration.

When can fans dash out to their local comic book shops to pick up THE BIGGER BANG #1?

Issue 1 is out November 19, 2014. If anyone out there is interested, please pre-order it with item code SEP140487. Pre-orders are way too important, but that’s the way it is. There is a lot of competition for comic shop shelf space, so an indie book like this can use all the pre-help it can get. I’m really excited to see what the reaction will be. We’ve put together something really interesting and fun. I’m happy to get to be a part of it.

Thanks for your time!

Thank YOU, good sir!

0 Comments on “A Cosmic Fairytale” – D.J. Kirkbride incites The Bigger Bang [Interview] as of 9/2/2014 3:54:00 PM
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15. Digital New Adult Publishers to Check Out

entangled

PLEASE NOTE: The deals listed are only the deals reported to Publishers Marketplace between June 2013 and June 2014. Not all deals are reported.

Talk tomorrow,

Kathy


Filed under: Book Contracts, opportunity, Places to sumit, publishers, Publishing Industry, reference Tagged: Digital New Adult Deals, e-publishers to check out, ebooks, New Adult Publishers

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16. The strange things children’s writers do – Lari Don

Yesterday, I helped dress a dragon in a car park.

The dragonmobile, at Pirniehall Primary in Edinburgh

But it’s not the strangest thing I’ve done as a children’s writer.

I've recce'd a castle, going in undercover as a tourist, to discover the best way to steal their most famous artefact.

I've interviewed a vet about how to heal a fairy’s dislocated wing, and a boat builder about how to fit a centaur on a rowing boat.

I've lost half a dozen journalists in a maze. (I guided them out again eventually. Most of them.)

I've told Celtic legends on an iron age hillfort, fairytales in an inner city woodland, and Viking myths in a cave.

And all of these things have been an integral part of my job as a children’s writer. Because writing is not just sitting at a keyboard and tapping out chapters.

The research (chatting to vets about fairy injuries and sneaking about castles) is often as much fun as the writing. And the promotion (dragon dressing and outdoor storytelling) is almost as important as the sitting at my desk imagining.

I suspect that as a children’s writer, you have to be just as imaginative in your research methods and your promotion ideas as you do in your cliffhangers and your characterisations.

But I can’t take credit for the dragon in the carpark. I did create a shiny friendly blue dragon, as one of the main characters in my Fabled Beast series. However, I had moved onto creating other characters in other stories, when my publishers decided to give the Fabled Beasts Chronicles new covers, and announced that they were going to promote the covers with a dragonflight tour.


Then the very talented marketing executive at Floris Books designed a dragon costume for her own car. And she’ll be spending most of the next fortnight driving me round beautiful bits of Scotland and the north of England (yesterday Edinburgh, today Perth, then Aberdeenshire and Penrith, as we get more confident and stretch our wings!) in a car which we dress up as a dragon in the carpark of various primary schools, then invite the children out to ooh and aah at our shiny blue dragon and her shimmering flames, before I go inside to chat with the pupils about cliff-hangers and quests.

So, this week, I’ve already learnt how to put a dragon’s jaws on at speed. And I’ve discovered that if the engine hasn’t cooled down yet, those flames coming down from the bonnet are actually warm!
Very brave Forthview Primary pupils sitting on dragon's flames!

So, yes, I do strange things. But I have fun! And I hope that my enjoyment comes across in my books, and in my author events.

I don’t think the adventures I create would be nearly as interesting without the odd conversations I have while I’m researching them, or the weird things I do to promote them.

So – what do you think? Should I just be sensible and stay indoors writing? Or is a little bit of weird now and then an effective way to make books, reading and writing more exciting for children?
 

Lari Don is the award-winning author of 22 books for all ages, including a teen thriller, fantasy novels for 8 – 12s, picture books, retellings of traditional tales and novellas for reluctant readers. 

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17. Kindergarten Story Contest

KG-Story-contest-header

Warm up your computer and write a 150-word Kindergarten story and win $500.00!

The winning stories in this Kindergarten Story Contest will be published in the January eNews newsletter.

In addition, we will publish the winning entries our website.

Win one of five cash prizes

The contest offers five cash prizes: $500 for the winner, $250 for second place, and $100 for third, fourth, and fifth places. These alone are a lot of good reasons to write and enter.

To enter our Kindergarten Story Contest, submit a fiction or nonfiction story about family, friends, life, play, or school—really anything—for ages 5 to 6, up to 150 words. The story should be appropriate for kindergarteners who are just learning to read on their own. It should be fun, use appropriate vocabulary and syntax, and be interesting to youngest readers.

Please take care to not write too high for this age group. Know what a five- or six-year-old can and cannot read. Originality and the overall quality of writing will be important. Publishability is the ultimate criterion.

Entries must be received by November 7, 2014

Entries must be received by November 7, 2014. All entries pay a reading fee of $15, which includes a six-month subscription to Children’s Book Insider newsletter and a six-month membership in the writer’s community CBI Clubhouse. Winners will be announced in the January eNews newsletter. Prizes: $500 for first place, $250 for second place, and $100 for third, fourth, and fifth places.

Obtain Official Entry Form or make online submission

You may submit your entry either online or by regular mail.

If you choose to enter online, you’ll need to first save your manuscript to a file on your computer and submit it through our safe and secure entry page. Please make sure to submit your entry and reading fee at the same time.

Your online entry is encouraged. Please click here to continue to the submission page.

You will be directed to the section requiring the pre-payment of a $15 reading fee.

For Mail-in Entries:
To submit manuscript entries through the mail, please click here to obtain an entry form.

Contest Rules

Submission Requirements: Any original, unpublished piece not accepted by any publisher at the time of submission is eligible.
  • Entries must be accompanied by a reading fee of $15 (credit card, check or money order accepted).  Please add GST for entries from Canada.
  • The fee will also entitle you to a six month subscription to Children’s Book Insider plus six months access to the CBI Clubhouse website, an interesting and active community for writers.
  • We encourage entries to be submitted online, however, you may submit your entries either online or by mail. Please be sure to read and follow the directions carefully for the method you select.
  • We cannot return submissions, please retain a copy of your manuscript.
  • All manuscript submissions must meet the entry deadline outlined in each contest
Manuscripts should be typed double-spaced. Please put your name and address on the first page of your manuscript, and your name on all following pages.To see an example of how to format your contest entry, please click here.

No entries containing violence or derogatory, racist, or sexist language or situations will be accepted, at the sole discretion of the judges. No employees or relatives of employees or former employees of the Institute or its divisions are eligible.

Obtain Official Entry Form or Make Online Submission You may submit your entry either online, using our safe and secure entry page, or by regular mail. If you choose to submit online, you’ll need to complete your manuscript and save it to a file on your computer. You will be directed to the payment section first, then to the online entry page.For Online Submissions: Please click here to continue.

You will be directed to the section requiring the pre-payment of a $15 reading fee.

For Mail-in Entries: To submit manuscript entries through the mail, please click here to obtain an entry form.

Word Count:  Kindergarten Story Contest: 150 words.

Judges: All entries will be read by faculty and editorial staff members of the Institute. Winners will be notified by mail approximately 105 days after the close of the contest. Once the winners are announced, all entries are released for submission elsewhere.

Winners: The winners will be announced in the January eNews newsletter, which receives first rights to the prize-winning manuscripts, after which all rights revert to the authors.

Good Luck!

Talk tomorrow,

Kathy


Filed under: children writing, Contest, magazine, opportunity, Picture Book, Places to sumit, publishers, Win Tagged: Children's Book Insider, Institute of Chidlren's Literature, Kindergarten Story Contest

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18. NYCC’14: Baby Groot Officially ‘Grooting’ to a Store Near You!

Screen Shot 2014 10 10 at 7.35.46 PM 300x130 NYCC14: Baby Groot Officially Grooting to a Store Near You!

By Alexander Jones

There has been a lot of hullabaloo on Marvel Studios not capitalizing on the ‘Grooting’ phenomena that has been sweeping the internet. This is in reference to the Guardians of the Galaxy character Groot dancing behind Drax the Destroyer a.k.a. actor Dave Batista’s back during the end credits of the film. In the meantime, the seedy underbelly of the arts & crafts internet websites, such as Etsy, have been taking advantage of the merchandising hole left by the lack of an official Marvel figure. Even internet videos containing cast members of the film like Michael Rooker (Yondu) and Dave Batista can be viewed reenacting the ‘Grooting’ moment. The figure was made by Marvel Entertainment and KIDdesigns, and the news broke via Mashable. Included with the figure, is a tiny speaker which allows fans listen to an alternate version of Jackson 5‘s I Want you Back, in order to get the full ‘Grooting’ experience. Each toy will set your wallet back by a light $14.99. Look for the figure on store shelves Christmas day, and be slightly angry that the toy’s arms don’t move! Also, make sure you keep this toy away from any talking Raccoons, in fear they might strike up an unlikely friendship!

Check out this video featuring Groot ‘Grooting': http://bcove.me/6p15csky

0 Comments on NYCC’14: Baby Groot Officially ‘Grooting’ to a Store Near You! as of 10/11/2014 4:25:00 AM
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19. NYCC’14: Marvel’s Cup O’ Joe Panel Reveals a Black Vortex, Peggy Carter, and Star Wars Galore

 

 

BzrmhibCEAAUqDq e1413049072780 NYCC14: Marvels Cup O Joe Panel Reveals a Black Vortex, Peggy Carter, and Star Wars Galore

 

by Alexander Jones

Marvel Comics just unveiled a ton of new information regarding their publishing line, and even announced some brand new female-led titles. The news broke at Marvel’s Cup O’ Joe Panel, where Marvel’s Chief Creative Officer, Joe Quesada, announced a brand new crossover with the Guardians of the Galaxy, Captain Marvel, the All-New X-Men, Star-Lord, Cyclops and Nova. The crossover is entitled The Black Vortex and begins in February 2015. The Black Vortex is said to be an ancient artifact, that sort of functions like the cosmic cube, it unlocks the hidden potential within an individual. It also seems like this crossover is going to be more focused on the cosmic side of the publisher’s massive world. The Black Vortex has an Alpha special drawn by Ed McGuinness that launches the story, followed by an Omega special also drawn by Ed McGuinness that ends the story.

BzrnajkIAAMYQZD 300x225 NYCC14: Marvels Cup O Joe Panel Reveals a Black Vortex, Peggy Carter, and Star Wars Galore

The Star Wars titles are all confirmed to be coming in February including Star Wars #1, Darth Vader #1, and Princess Leia #1. Another Star Wars title was announced as Star Wars – Kanan: The Last Padawan by Greg Weisman and Pepe Larraz which is coming in April of 2015.

Captain America #1 and Avengers & X-Men: AXIS Act II Inversion both kick off in November.

Marvel’s Editor-in-Chief Axel Alonso chimed in with this amusing quote:

“Wolverine is dead next Wednesday, Rocket Racoon is arguably one of the most popular superheroes in the world, Thor is a woman, Captain America is African-American – did you ever think that you would see that?”Bzrp0TlIAAAEtOz 300x225 NYCC14: Marvels Cup O Joe Panel Reveals a Black Vortex, Peggy Carter, and Star Wars Galore

Speaking of their most beloved new female characters, Marvel has just announced Operation S.I.N. utilizing Peggy Carter of the upcoming television series. Some of the other S.H.I.E.L.D. architects like Howard Stark are also going to make an appearance in the story. The event has the same trade dress as Original Sin, and is said to spin out of that story. It’s written by Kathryn Immonen with art from Rich Ellis.

James Patterson’s Maximum Ride is coming to Marvel in graphic novel form. The first five issues of the book will launch in Spring 2015. The adaptation is written by Marguerite Bennett and Alex Sanchez.

Whew, that was quite a few announcements!

 

4 Comments on NYCC’14: Marvel’s Cup O’ Joe Panel Reveals a Black Vortex, Peggy Carter, and Star Wars Galore, last added: 10/12/2014
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20. NYCC’14: Check out Marvel’s Daredevil Promotional Images

Netflix Daredevil NYCC14: Check out Marvels Daredevil Promotional Images

Marvel Studios new Daredevil television show debuted some new footage and promotional material at their panel during New York Comic-Con.

Included in the panel were cast members Charlie Cox (Daredevil), Toby Moore (Wesley), Bob Gunton (Leland Owlsley), Ayelet Zurer (Vanessa), Vondie Curtis-Hall (Ben Urich), Elden Henson (Foggy Nelson), Deborah Ann Woll (Karen Page), and Vincent D’Onofrio (Wilson Fisk.) Steven S. DeKnight, the showrunner of Daredevil was also in attendance. Rosario Dawson’s mystery character has been revealed as Claire Temple, who has ties to Goliath, and Luke Cage.

Take a look at this new shot of Charlie Cox as Matt Murdock:

5439aaea946a5 NYCC14: Check out Marvels Daredevil Promotional Images

Marvel’s Chief Creative Officer, Joe Quesada showed off his concept art for the show.

 

daredevil concept art NYCC14: Check out Marvels Daredevil Promotional Images

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21. NYCC ’14: Marvel finally confirms their Fantastic Four Cancellation: WWBGD?

garx NYCC 14: Marvel finally confirms their Fantastic Four Cancellation: WWBGD?by Alexander Jones

What would Ben Grimm do?

After a few months of truly bizarre speculation across the internet, and denial from the publisher, Marvel confirmed this morning at their Axel-In-Charge panel at New York Comic-Con that they are indeed canceling their main Fantastic Four title. The publisher seems like they are planning something new for their roster of Fantastic Four characters, but this is mere speculation at this point. The comic is ending in 2015. CBR ran a quote from the panel that featured current author of the title James Robinson speaking on the surprise cancellation of the comic.

“That’s the thing — everyone’s upset now because the book is going away,” Robinson said. “Are they buying the book? I don’t know if they are. A lot of it is just people like to get online and moan and complain. I guarantee you if you kill of any character, the most obscure character, you’ll get one angry person that claims it was their favorite character. Jack Frost, golden age character, they’ve done something to him. Where’s the razor blades, I’m slashing my wrists. People do that on the internet, so you have to take that with a grain of salt.”

The author deserves some massive props for talking about his run on the title so honestly. Hopefully this coming change for the Fantastic Four will be what is necessary to get the book boosted into the top 50 of the Diamond Sales charts. Marvel’s first family deserves it after all.

 

16 Comments on NYCC ’14: Marvel finally confirms their Fantastic Four Cancellation: WWBGD?, last added: 10/13/2014
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22. Polis Books Actively Seeking Submissions

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Polis Books is an independent digital publishing company actively seeking new and established authors for our growing list. We are currently acquiring titles in the following genres. Submissions in the following genres should be to submissions@polisbooks.com.

We are currently acquiring:

• Mystery

• Thriller

• Suspense

• Procedural

• Traditional crime (i.e. ‘cozies’)

• Science Fiction

• Fantasy

• Horror

• Supernatural

• Urban Fantasy

• Romance

• Erotica

• Commercial Women’s Fiction

• New Adult

• Young Adult

• Humor/Essays

We are not currently acquiring:

• Children’s Picture books

• Graphic novels

• Short stories or stand-alone novellas

• Religion

Submission Requirements:

• Query Letter

• Three Sample Chapters

• Author Biography (include information about personal blogs, Twitter handle, or other social media outlets you feel we should be aware of)

Query letter and sample chapters should be emailed as attachments (not in body of email) to:

submissions@polisbooks.com

They will reply requesting more information on a submission-by-submission basis. 

They give a small advance and 40% royalties.

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Book Contracts, need to know, opportunity, Places to sumit, publishers, Publishing Industry, Royalties Tagged: Acquiring new and established authors, Digital Publishing Company, Polis Books

0 Comments on Polis Books Actively Seeking Submissions as of 10/20/2014 12:22:00 AM
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23. Polis Books Actively Seeking Submissions

PBlogo

Polis Books is an independent digital publishing company actively seeking new and established authors for our growing list. We are currently acquiring titles in the following genres. Submissions in the following genres should be to submissions@polisbooks.com.

We are currently acquiring:

• Mystery

• Thriller

• Suspense

• Procedural

• Traditional crime (i.e. ‘cozies’)

• Science Fiction

• Fantasy

• Horror

• Supernatural

• Urban Fantasy

• Romance

• Erotica

• Commercial Women’s Fiction

• New Adult

• Young Adult

• Humor/Essays

We are not currently acquiring:

• Children’s Picture books

• Graphic novels

• Short stories or stand-alone novellas

• Religion

Submission Requirements:

• Query Letter

• Three Sample Chapters

• Author Biography (include information about personal blogs, Twitter handle, or other social media outlets you feel we should be aware of)

Query letter and sample chapters should be emailed as attachments (not in body of email) to:

submissions@polisbooks.com

They will reply requesting more information on a submission-by-submission basis. 

They give a small advance and 40% royalties.

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Book Contracts, need to know, opportunity, Places to sumit, publishers, Publishing Industry, Royalties Tagged: Acquiring new and established authors, Digital Publishing Company, Polis Books

0 Comments on Polis Books Actively Seeking Submissions as of 10/20/2014 5:34:00 PM
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24. Free Fall Friday – Book-Give-a-Way: Karen Romagna

Here is your chance to win a copy of Karen Romagna’s new book, VOYAGE. All you have to do is leave a comment and be willing to write a short review of the book if you win. The review can be on your blog, Amazon, Barnes and Noble, Facebook, or Goodreads. (See more at bottom of this post.)

Voyage Covercropped

Karen Romagna has just finished illustrating her first picture book. Voyage launched at The National Book Festival in Washington, DC on August 30, 2014 and is available in bookstores October 1, 2014. Written by former US Poet Laureate, Billy Collins, Voyage is the tale of a young boy setting off for an adventure on the open sea. Karen used the softness of watercolor in illustrating this wonderful dreamlike tale.

Romagna, Karen Headshot cropped

Karen is a traditional painter. Her illustrations are primarily done in watercolor However, she also loves painting in oil.

Karen grew up surrounded by art, music, brothers, sisters and parents that always supplied paint, paper, and the freedom to try new things. She lives in rural New Jersey where she and her husband, John, raised two sons, Matt and Tim, in a house filled with music and art… and hopefully a spirit that has allowed her sons to try new things too.

For those of you who are not a member of the New Jersey SCBWI, Karen is the Illustrator Coordinator for the New Jersey Chapter of the Society of Children’s Book Writers and Illustrators.

Romagna_Boy reading book

I asked Karen if she would share the story behind Voyage and it’s beginning. Here is what she told me:

“Voyage” had an interesting beginning. Billy Collins wrote the poem back in 2003 in celebration of John Cole’s 25 years as Director of the Center of the Book in the Library of Congress. As John Cole wrote at the beginning of Voyage, “The creation and presentation of “Voyage” was wholly in the spirit of the Center of the Book, which was created to stimulate pubilc interest in books, reading and literacy.”

In 2013 Bunker Hill Publishing approached me wondering if I might be interested in “a collaboration with the poet Billy Collins!”  Well…, of course!  The publisher had seen a copy of the poem hanging on the wall in John Cole’s office and approached Billy with the idea of making it a picture book.

Billy Collins likes to pick the illustrators for his books and went surfing the net. He came across a painting of mine that made him think I should illustrate this poem. He asked the publisher to get in touch to see if I might be interested in this project. Well… “Of course!” Bunker Hill had an illustrator in mind for the book as well and asked me to submit a sample illustration along with a thumbnail dummy. Wanting to make sure I was giving myself the best shot, I asked the publisher if he wouldn’t mind telling me exactly which illustration Billy Collins had seen that made him feel I was the right artist for his book. “Of course!” he said “It’s the one of the boy in a boat.”

Well, my heart melted… that was not one of my illustrations… it was a portrait of my younger son, Tim. There was always something magical about my second child. He would find himself in a great adventure with a piece of rope that he’d found.

In the end I was chosen to illustrate “Voyage”. …so Tim will carry on this great adventure for a long time.

You might be interested in watching this video of Billy Collins and Karen Romagna talking about the book at the National Book Festival where she launched her book in Washington, DC. I laughed when Karen said she almost threw out the email from the publisher she received asking if she had any interest in illustrating the book thinking it was junky mail. Thank goodness she didn’t. Congratulations, Karen!

 

If you would like more changes to win you will get additional entries when you Tweet, reblog, or talk about Voyager on Facebook (Must check back and let me know what you did, so I can enter the right amount of tickets with you name on it.

DEADLINE: November 3rd. Winner announce November 4th.

Check back next Friday to read the four first page critiques.

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Book, illustrating, inspiration, Picture Book, Process, publishers Tagged: karen Romagna, NJSCBWI Illustrator Coordinator, Voyage

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25. Highlights Fiction Contest

Highlights Fiction Contest

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HIGHLIGHTS 2015 FICTION CONTEST GUIDELINES

CATEGORY:

Mystery stories

PRIZES:

Three prizes of $1,000 or tuition for any Highlights Foundation Founders Workshop. (For a complete list of workshops, visit http://www.highlightsfoundation.org)

ENTRY DATES:

All entries must be postmarked between January 1 and January 31, 2015.

RULES:

No entry form or fee is required.

Entrants must be at least 16 years old at the time of submission.

We welcome work from both published and unpublished authors. All submissions must be previously unpublished and not found online.

Stories may be any length up to 750 words. Indicate the word count in the upper right-hand corner of the first page of your manuscript.

No crime, violence, or derogatory humor.

Entries not accompanied by a self-addressed, stamped envelope will not be returned.

Manuscripts or envelopes should be clearly marked FICTION CONTEST. Those not marked in this way will be considered as regular submissions to Highlights.

SEND ENTRIES TO: 

FICTION CONTEST
Highlights for Children
803 Church Street
Honesdale, PA 18431

WINNERS:

The three winning entries will be purchased by Highlights and announced on Highlights.com in June 2015. All other entries will be considered for purchase by Highlights. For details about our purchase policies, please see our contributor guidelines: https://www.highlights.com/contributor-guidelines

Highlights for Children Fiction Contest Winners for 2014:

“Harold’s Hat” by Mike Allegra
“Easter with Baba Lena” by Vila Gingerich
“Heart Surprises” by Clare Mishica

Talk tomorrow,

Kathy


Filed under: authors and illustrators, children writing, Contest, opportunity, Places to sumit, publishers, writing Tagged: 2014 Highlights Fiction Contest Winners, Highlights Fiction Contest

6 Comments on Highlights Fiction Contest, last added: 11/18/2014
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