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Results 9,076 - 9,100 of 155,073
9076. Window-shading

This small oil study by James Perry Wilson was left unfinished, allowing us to see how he did it. After a careful line drawing, he painted from background to foreground, completing each area before moving on to the next.

This photo shows J. P. Wilson at work on an outdoor study, with two panels side by side in a special frame so that he could paint a panorama. This one also seems to be completed area by area. 

The method is sometimes called "window-shading," because it resembles unrolling the final canvas like pulling down a window shade. It was a common practice for painting museum dioramas, for which Wilson is best known.
Francis Lee Jaques painting the Peabody Museum's Alaskan Brown Bear diorama,
Courtesy Peabody Museum of Natural History and Michael Anderson
According to Michael Anderson of Yale's Peabody Museum, Wilson would have seen the practice used by his colleagues, such as Francis Lee Jaques: "From the horizon, Jaques would typically paint down and from left to right, though not always. Sometimes he would skip around painting an area to completion and then going to another area, painting it to completion and so on. Jaques typically painted the birds first and painted the background around them later."

Both artists would have done a tight color comprehensive of the overall scene first, and used that as a guide.

Frederic Church painted this study of the view from his home Olana in winter. I would bet that he painted it area-by-area from background to foreground. 

Window-shading is a fast way to work, and it can yield almost photographic results. It's a good way to paint fast under challenging conditions, such as winter landscapes or sunsets. 

Ilya Repin used a similar method in this study from costumed models. Over a preliminary line drawing, he applied the paint to achieve a finished effect area by area, like a coloring book or paint-by-number. There's no block-in.

There are several advantages to this method. In oil, especially with an oil-primed board, you can make use of the white of the board for small highlights that show through thin textures of paint.  
Previously on GurneyJourney: Area-by-Area Painting

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9077. I don't want to be a frog

Here's a cute book trailer and song by the author of I DON'T WANT TO BE A FROG, Dev Petty (illustrated by Mike Boldt), Random House/Doublday - click the image to go see on Youtube:

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9078. It is The Year of the Goat

Happy Chinese New Year a day late! Although this is from the goats I saw in Greece on a tiny island off of Aegina called Moni Eginas.

It was cute and covered in goats and peacocks.

My friend brought bread to feed them and got head butted by an aggressive male when she tried to pet him. She said she should have known better and had giant bruises to prove it!
They had glorious horns!

Moni Eginas; magical land of goats and peacocks

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9079. My Epic Mom

 This is my mom.  {You've met her before.}  She's pretty epic.

She doesn't like being called epic, though.

One time we went river rafting.  The raft guide was like:

And mom was like:

And he was like:

And what do you know.

How does she do that??

When my fiance broke off the wedding, my mom felt really bad for me.

So we went to Disneyland!

This is a picture of me in front of the Jolly Holiday Bakery.  This is my favorite place in the park, because it's themed Mary Poppins.  <3 <3 <3 <3

Let's zoom in and take a look at that gorgeous stained glass penguin.

 I'm watching you.

Adorable, right?  

But wait...zoom in even closer--

...And you can see my friend Renee, taking the picture!

And if you zoom in even closer--

Can you see it?  No?

Okay, let's zoom in a little more.

THERE it is!

It's Mickey Mouse, beating a kid with a baseball bat.  And who says Disneyland isn't the happiest place on Earth??

Anyway, back to the stained glass penguin.

My mom couldn't help notice how much I loved that stained glass penguin {I might've been licking the glass} and she decided to make it for me.  My mom is pretty marvelous with stained glass.

She started by having me make a pattern of it.

I changed it a little from the original window to make it a little closer to the cartoon penguins in the movie.

Mom took the pattern and did her magic.

It turned out beautiful.

Thanks, mom :) :)

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9080. Proof That Oscar Voters Are Clueless About Animation

What if the animation Oscars were chosen by people who knew nothing about animation?

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9081. Drawing while travelling

Travelling! I love it. Being on the move, on your way to a place to explore. Even if the drive or flight is long - I enjoy it. Especially of course because I always bring a sketchbook.
After security control, the waiting area for the gate fills up with people. They sit, and read and hang around and have no place to go untuil the gate opens. A great moment to skjetch people who are minding their own businesses.

Plane seats give you a numb butt after a while. You don't have much leg space, nor privacy. If you're lucky, you sit next to someone who isn't too big and doesn't smell or make a lot of noise. Inspite of the tiny space tyou have, there's always room for a sketchbook on your lap.

Who cares if the boat rocks? Draw anyway! Once at the destination, you can get more into details again.

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9082. Collapsing and Expanding Time, Part One

via Temple of the Seven Golden Camels http://ift.tt/1FatrlM

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We just wrapped up our last class for "Illustrating Children's Books" at SVS! We covered a lot of ground in our 13 class sessions which started in January 2015. If you missed our LIVE class you can still get the videos of our class and see every lesson and presentation. You'll see all aspects of what it takes to illustrate artwork for all kinds of children's books. The art of visual storytelling is complex but anyone with the passion and dedication can master it with the right information. We do not have plans for our next LIVE session for this class but you can always check our site for new classes. 

We are giving free critiques to any group of ten people who buy this class and join together. Critiques for groups are held using GoToMeeting software online. We provide the forum and will draw over your work and tell you exactly what you need to do to move forward. If you have a group of 10 people interested in this class email us at svslearninfo@gmail.com to schedule your critique session. 

The price for this class will increase after we launch our new website in a month or two - stay on top of all our progress on our facebook page https://www.facebook.com/schoolofvisualstorytelling You can also sign up for our email list from the facebook page.

- HD video recordings from each class
- 100 Page PDF download for Part 1
- 100 Page PDF download for Part 2
- 20 assignment workbook PDF
- Children's Book Art Checklist PDF
- Assignment Checklist 

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9084. Adobe's Photoshop turns 25...

I graduated from Art School the year Photoshop came on the market....hum, talk about bad timing. When I was in college the new technology was not in the Art Department, it was in the computer labs with the word processors and printers, only a few odd ducks had desk top computers of their own and
I do remember the cold lonely, food and drink free labs late a night when a paper was due the next day.
In the Art Department, we were still being taught layout with graph paper, rulers, T squares and those rub off letters. In the dark rooms? Well, I still have a really cool black and white photo of my roommate standing in a cereal box, a masking matte cut out of card stock to block the light. It all took a little luck, or a lot of paper to get it right.
Back then the debate of computer generated art was much of a discussion, or the evilness of it and the cheating of it. How wrong we got that should be a reminder not to predict the future because most of us are really bad at it. I do think paper and pencil, figure drawing and learning observation are still the foundation of any art program, digital or not...

I graduated in 1990 with a BA in Art and an emphasis in Child Development, going into college intent on getting an Art Therapy degree and then meandering to Tennessee to get my masters. I left college in love and followed a boy to Denver where he was attending law school.
We were married his second year at Denver University and I taught preschool. I could have continued in my studies, checked into the Colorado Institute of Art where I am sure everyone was becoming very much aware of what exactly Photoshop was and good do, but I didn't. I wanted one thing, to get my husband through law school, move back to the West Slope and start having babies...

Which we did and all the while I was developing my craft, alone, no internet, no social media and ignorant of what was happening in the digital world of Adobe and computer generated art and was blissfully happy...

My girls got older and I found my voice as an artist in fabric collage illustration and what do you do as a freelancer to get your name and your services out to art director? Well according to my schooling, that would be sourcebooks, yeah I know. I really knew then too, but so remembered my instructor holding up a copy of The Black Book and it becoming in my mind a testament to truly making it as an illustrator.
So in 2008, I laid out a few thousand dollars to advertise not in the Black Book, way way out of my price range, but in the Graphic Artist's Guilds Directory of Illustration...

The same time, I also shucked out a couple more thousand dollars to go to the Society of Children's Books Writers and Illustrator's LA conference....

Yup, 2008, the year most would say was the start of the "economic down turn." It sounded that way, sitting in the grand ballroom of the Hyatt Regency Century Plaza Hotel, listening to the publishers from New York try to put a good face on the layoff and restructuring the New York power houses were going through at the same time poo poo this new idea of independent publishing.
Yeah...late to the party again.

But I took the jump. I was a decent photographer and had already made the switch to digital, but had never edited a photograph and  had no way to lay it out and design an ad. So I called the people at the directory who kindly told me they could do it, for almost the price of buying Photoshop. I bought Photoshop and had a month to learn how to use it and make a decent ad, the deadline looming...
Luckily an artist friend told me about lynda.com...

Lynda, well actually Deke McClelland became my best bud, me intently watching and listening to his CS3 One -on One class, over and over again.
Good or bad, I got it done...

putting ads in #26 and #27 the following years and at least once in PictureBook, more for nostalgia.
What did I get for a whole heck of a lot of money spent? Well, definitely did not make my cost back by the dollar. It is hard to say if it was the source books, my website or postcards, but National Public Radio found me...

As did Cricket Magazine Group...

Plus an art director in New York whose firm only worked for Broadway. I was considered by a few publishers and art reps, all intrigued but in the end not all interested enough or with not a firm enough idea what to do with me, I pretty much invented or brought to illustration a new medium, as I like to say, putting a new spin on the traditional art form of applique and needlework. One art buyer I chatted with said it was not unusual for those of us with very unique styles to not get a lot of work, but the work we do get is big and that has definitely been my experience.
And through it all, I kept learning Photoshop, mostly by discovery new ways to do things in the process and I kept using the CS3 version, it more than enough to meet my needs of photo editing and simple layout. Until...
Until, I decided to take my destiny in my own hands, instead of finding someone else to give it to and started a publishing company...

Read here, to find out about my days writing a novel as well, in those quiet years of being a stay at home mom.
Now,  I've going back to Adobe again, knowing I would be needing its software and this time subscribed to the Creative Cloud and not only updated my Photoshop, but download Illustrator and InDesign as well.
And I went back to my old friend, lynda.com to learn what I need to and again, not with all the time on my hands, but with deadlines looming of bookcover design and such..

This time I think I managed to be on the front wave of something new, the new era of publishing where those of us looking out on canyons and isolated roads...

can compete with the best of them in the skyscrapers of New York and LA...

or at least tell our stories, the one they are not interested in, just as well.

So Happy Birthday Photoshop...
and thank you Adobe, for invented something that has allowed me to live where I want...

and do what I love...

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9085. pumpkin painting....

©the enchanted easel 2015
in February.

that's what on the easel this weekend! :)

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9086. Animals Playing Instruments – #kidlitart's Twenty-Eight Day Challenge

The folks over at #kidlitart* wanted to help illustrators find their voices as illustrators, so they set up this challenge.

The idea is to draw something every day for the month of February featuring a theme, creature, idea, character, etc. that you LOVE. 'To illustrate things that you are ALL ABOUT – not just as an artist. As a person. What tickles your fancy? What do you geek out about? What stories would you tell if you just had the chance?'

I've had this idea for a while to illustrate the alphabet with animals playing instruments, since I love art, animals and music. I started out innocently enough, then I got to researching both animals and instruments I've never heard of, and it starts to get really exotic! I am having a lot of fun with this!

Here are the first batch:










* #kidlitart is an hour-long Twitter chat on Thursday nights at 8 pm Central, where children's illustrators talk about anything to do with kidlit art.

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9087. PRINCE PODOEE STRUGGLES! New "King Bronty"!

King Bronty and Prince Podokesaurus are still trapped on the "Scurvy Shark" pirate vessel and they will be for some time for there are many pirates to fight and much swordplay to be executed skillfully!

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9088. Animals Playing Instruments – #kidlitart's Twenty-Eight Day Challenge Part 2

Second batch:










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9089. Long time...Long and prosper.

It is been a long time sine I have put a post here. So it is time to be active again.
Here ir is. Some fan art I did recently. Hope you like it. Best wishes.

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9090. Soft Preztel Roll

Soft Pretzel Roll  8" x 10"  colored pencils on Strathmore bristol

Not a lot of art to talk about this week. I was drawn (pun intended) to this soft pretzel roll in the store for some reason. I like the pattern of the 'cuts' on top, and the rich color of the crust. I'd never eaten one of these before, or even seen them I don't think. Its nice and bready and pretzely, and I liked it.

There's something so comforting about nice bread, especially at this time of year. Although here in California we're having Spring already, with sun and lawns being mowed and yard chores in full swing. Everywhere else people are snowed in, its crazy.

One other thing I'll mention with this piece is that I've gone back to Strathmore bristol, just because I have a lot of it, in pads, laying around. One day I thought "why did I stop using this?" and so did a piece on it and was happy with the result. I don't know. Somewhere along the line, when I decided to get 'serious' about my colored pencil work, I started exploring other papers, thinking the key to doing a good piece lay in the paper choice. I'm glad I discovered Stonehenge and Fabriano Artistico, and will still use them when there's something particular I want to do that requires one of their special characteristics. But for now, I'm perfectly happy with this Strathmore bristol - 300 Series.

I put prints of this in the shop, in different sizes.

I'm also working on more cat drawings. { meow }

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9091. Starting on my homework. #sketch

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9092. Disney Sweeps! ‘Big Hero 6′ and ‘Feast’ Win Oscars

Disney's 'Big Hero 6' and 'Feast' both won Oscars tonight.

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9093. Day 22: Lucille Clifton

“Poetry is a matter of life, not just a matter of language”

- Lucille Clifton

Every year, people create lists of classic children’s titles. A celebrated poet who wrote more than 20 books for kids, Lucille Clifton’s work should be included. Her eight book Everett Anderson picture book series broke ground for its portrayal of an African-American boy in the city sharing memorable moments like the arrival of Christmas and the birth of a sibling to coping with tough problems like the death of a parent and trying to help a hurting friend. Clifton’s Everett, kind, authentic and sensitive, was a reflection of kids around the country who didn’t see themselves in books until him.

“Mom wrote children’s books to fill an obvious void,” wrote her daughters Sidney, Gillian and Alexia Clifton. “Prior to the publishing of Some of the Days of Everett Anderson, there were very few children’s books depicting the lives of black and other children of color.  And of those few; even fewer were written by black or ethnic authors. Creating characters whose lives, language and experience were a mirror to the lives, languages and experiences of thousands of underserved children across the country was important to her, and her pioneering contributions lit the way for the many prolific authors and illustrators of color whose works endure in the marketplace today.”

Clifton’s writing journey began in the adult world of poetry.  Her early work was published in the anthology The Poetry of the Negro 1746-1970 edited by Langton Hughes and Arna Bontemps. She released her first book of verse, Good Times, in 1969. It was named one of the 10 best books of the year by the New York Times.

Just a short time later, in 1970, Clifton made her children’s book debut.  Horn Book described Some of the Days of Everett Anderson (illustrated by Evaline Ness) like this: “The simple, short verses…celebrate the boy’s joie de vivre….Excellent for reading aloud as well as for viewing.” And so a new children’s book star began to fill homes and schools with her light.

Her acclaimed release, Everett Anderson’s Goodbye (illustrated by Ann Grifalconi), won the 1984 Coretta Scott King Author Award and was a Reading Rainbow title. Along with her beloved Everett titles, Clifton wrote gems including All of Us Come ‘Cross the Water (illustrated by John Steptoe), Three Wishes (illustrated by Stephanie Douglas) and The Lucky Stone (illustrated by Dale Payson). The Poetry Foundation wrote: “Her books for children were designed to help them understand their world and facilitate an understanding of black heritage specifically, which in turn fosters an important link with the past.”

Clifton, mother of six children, made writing part of daily life.


(L to R): Gillian, Fredrica (deceased 2000), Lucille (deceased 2010), Alexia, Sidney, Channing (deceased 2004), Graham. Shared with permission of the Clifton family.

“As children, we watched our mother type on her old-fashioned typewriter at the dining room table.  For us, this is what mothers did; and where they did it; create worlds, play games, and share meals in the same place.  Her creating space was her sanctuary, and ours.  So it is with her every word.”

– Sidney, Gillian, and Alexia Clifton

She drew from the past and the triumphs and trials she saw around her every day and gave that back to us. A National Book Award winner, Pulitzer Prize nominee and the first black woman to win the distinguished Ruth Lilly Poetry Prize, Lucille Clifton deserves a place of honor and remembrance for her children’s books too. Her stories, woven with the love of black culture and history and filled with the magical stuff of life, are lyrical tributes to children whose experiences she wanted the world to see. Clifton died in 2010, but her beautiful work lives on.

Her website-in-development, http://www.lucilleclifton.com, has wonderful photos and book covers of some of her treasured titles. Bookmark it and check back for the official launch.

Special thanks to Sidney, Gillian and Alexia Clifton for providing quotes and a family photo and to author Miranda Paul for connecting The Brown Bookshelf with the Clifton family.

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9094. My mind - My mind in Photoshop

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9095. sketch of part of a sculpture

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via ILLUSTRATION ART http://ift.tt/1vUBIVK

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9097. Chappie...

I do not know what it is, but I like robots. A lot.

Cheers everybody.


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9098. a strange dust lands on your hands

This week my class, at Sketchbook Skool, has come around again. The course is called 'Seeing' and is about, well, seeing. Really looking at your subject and perhaps seeing all those details that, if you weren't drawing, you'd never notice. I try to demonstrate this through one of my collection drawings.
Here are a couple of my drawings of one collection - my friend's collection of keys to be precise. They belonged to her father who had all sorts of collections. Most of these, I believe, were from model railways and clocks. I love keys. I love the symbolism of them and all the stories they could tell and doors the could unlock. I'm particularly happy with the drawing below. Don't know why. I just like it.
If you're interested, you can find out more about becoming a student at Sketchbook Skool HERE.

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9099. Lauren Tamaki: vibrant illustration & spot-on design

Post by Heather Ryerson

Lauren Tamaki

Lauren Tamaki

Lauren Tamaki

Lauren Tamaki

Lauren Tamaki

Lauren Tamaki is an illustrator, designer, and art director who keeps a vibrant and dynamic online sketchbook. Her design work often incorporates her fun, frenetic illustration style—a style that’s captivated the fashion, lifestyle, and travel industries as well as top publications. Her clients include Kate Spade, Armani Exchange, Martha Stewart Living, The Wall Street Journal, Random House, and New York Magazine. Tamaki lives in Brooklyn, New York.

Check out her design and illustration portfolios—and don’t forget her sketchbook!

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9100. Highlights Hidden Pictures

Fun mail. A copy of "Highlights High Five" came in with one of my hidden pictures inside. Many of these horses pictured are similar to ones I played with as a child. Olivia and I had fun doing the puzzles in this magazine together today!

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