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Results 51 - 75 of 147,802
51. Cartoon Brew Launches 2015 Animation Oscar Tracker

What animated shorts and features are contending for an Oscar this year?

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52. illustration friday~pet

slow and steady
11x14 acrylic on canvas
©the enchanted easel 2014
an adorable little sea turtle...the perfect pet for a beautiful pink haired mermaid.

{this piece, a commission for last year and one of my favorites to date. it's the pink hair...;)}


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53. Pack out your trash!

This box is full of trash, not crackers. True story.

This box is full of trash, not crackers. True story.

I’m going to make a movie reference. It’s a bad one. Ready?

In Star Trek VI, Kirk, Spock and Bones are camping in Yosemite on shore leave. In the morning, they’re called back to the ship suddenly, cutting their (weird) joint vacation short, and Kirk sighs, “Pack out your trash.”

Pack out your trash.

So now I not only just outed myself as a Trekkie, but as a person who gets geeked out at environmental catch phrases. Oh, shut up. You love that crying Indian.

I’m not embarrassed (well, maybe a little – I think only seventeen people have even seen that movie, much less quoted from it). As an environmentalist, I love this phrase. I was taught at an early age to take my trash with me, to throw it away in a bin instead of littering. Most people are, I believe. It was sandwiched between “Wash your hands before dinner” and “Stop licking the dog!”

But I also believe there’s more to it than just not littering. Not littering is admirable, but I believe we need to think further.

I like to think that when we visit a place, we should leave it better than we found it. Not just Yosemite or the beach, I mean places like airports, malls, Disneyland, Starbucks. Sure, people get paid to clean up our messes. That’s one way to think of it. “Let someone else take care of it,” we tell ourselves. After all, we’re busy, We are Important. We don’t get paid to pick up trash. I mean, aren’t there, like, workers for that?

There’s no immediate reward for this. It’s, just like, work, Dude. Yeah, I know. You’re thinking, Who needs more work? And who needs this kind of guilt? I already struggle with that whole should-I give-that-homeless-lady-a-dollar thing. Now this?

Well, poor you. So much to think about. You can’t keep up! Who will take over for Letterman? Does Khloe Kardashian wear Spanx? Does my Uber driver know I’m completely shit-faced?*

Get over yourself. Pick up some goddamn trash for a change. Get off your ass and make a difference for once. Not because it’s better for the planet and society. Do it because I said so.

*Yes, your driver can smell you.

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54. Comics Illustrator of the Week :: Enrique Alcatena













I was turned onto artist Enrique Alcatena’s work by my friend Jon Vinson(DUB Comics). Alcatena is well known in his native country of Argentina and has garnered international respect for his dark surrealist art. There are many comics by Alcatena still unpublished and untranslated here in the States. Hopefully some independent(or major) publisher picks up the slack soon and gives us some English language editions of his work.

In the meantime, you can still track down some of his earlier work in back issue bins, such as Predator vs. Judge Dredd and various Batman comics, including The Batman of Arkham Elseworlds Special with writer Alan Grant.

You can read more about the art of Enrique Alcatena in a recent article The Comics Exotic by the aforementioned Jon Vinson.

You can find Enrique Alcatena’s Art & Comics Facebook page here.

For more comics related art, you can follow me on my website comicstavern.com – Andy Yates

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55. Smile

Mona Lisa, Mona Lisa
Men have named you
You're so like the lady with the mystic smile
Is it only cause you're lonely
They have blamed you
For that Mona Lisa strangeness in your smile

Do you smile to tempt a lover, Mona Lisa
Or is this your way to hide a broken heart
Many dreams have been brought to your doorstep
They just lie there, and they die there
Are you warm, are you real, Mona Lisa
Or just a cold and lonely, lovely work of art

Nat King Cole //  Mona Lisa

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56. Urban Sketchers, Montreal

Yesterday we painted in Montreal's Chinatown with the Urban Sketchers group.

We met at Place Sun-Yat-Sen, facing the East Gate. I used gouache, dramatizing the lighting a little to spotlight just part of the face of the main building.

There were four of us painting next to each in one small cluster, and it was fun swapping sketching stories with each other and chatting with the people who were passing by. 

The photo is by Urban Sketcher correspondent Shari Blaukopf. Have a look at her painting on her daily sketchblog.

Afterward, we had a congenial supper together. Clockwise from left: Blue, Elise, Marc Holmes, his wife Laurel, Shari Blaukopf, Jeanette, Ubisoft art director Raphael Lacoste, and Chantalle.

Since we were all sketching at the table, we attracted the attention of a couple of very observant girls at the table next to us, so I invited them over to try out some water-soluble colored pencils and to watch a little demo on how to make something look 3D.

P.S. Yes, we saw the Benjamin-Constant exhibition! I'll post about it on Saturday.
Urban Sketchers Montreal will meet this Sunday. Anyone is welcome to join them, and here's information about their meet-up. 
Shari Blaukopf's sketch blog

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57. Brad Bird: ‘I Want to Do Another Hand-Drawn Animated Feature’

The "Iron Giant" director has revealed that he's not done yet with hand-drawn animation.

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58. Peter Adam Salomon - Guest Post

Guest Post by Peter Adam Salomon
After The First Draft: Attitude Is Everything

      Congratulations, you've finished the first draft of your novel! This calls for a celebration. Lots of people have thought "I should write a book" and never started, or started and never finished.
      You've finished!
      Tell your friends, tell your family. Now get back to work. Because the hard part begins now.
      This is important: just as there were times while writing the first draft when you wanted to give up, there will be those same moments as you edit. But, just as you celebrated finishing that first draft, you’ll finish the second as well. And the fourteenth, and more, before you’re ready to query.
      After signing with an agent? More edits. After the novel sells? Yes, that's right: still more.
      There are a number of books on editing so that information can be found elsewhere.
      I'd like to talk about 'Attitude.' Yes, attitude.
      Editing is hard. The book's done, isn’t it?
      No. Not even close.
      The celebration is over and you have two things to do. They are NOT query and sell the novel. That's the goal and despite all the obstacles still to overcome it's within reach now that you've finished the first draft. But not yet.

      1) Let it sit. Untouched. Unread. Some will tell you to let it sit for a certain number of weeks or months. Let it sit. Ignore it. This is great advice. Unfortunately, the manuscript will keep calling to you: "Read Me!" So, my advice isn't so much a time frame as it is more 'attitude.' Let it sit just a little longer than is comfortable. Long enough so the passion starts coming back, until you’re dying to get back into the story and, then:
      2) Revise. Revise again. Revise so many times you can't answer people when they ask 'which draft are you on?' It's not always a matter of each ‘draft' being a complete revision; sometimes you’ll read though only to fix one particular thing (how many times your main character shrugs or the forty-seven times the wind catches her hair just right).
      Finally, let’s talk the most important ‘attitude’ of all: LOVE the revision process. Embrace it. Always remember: anyone who takes the time to give you constructive criticism has only one goal in mind: helping YOU make YOUR manuscript better. They’re trying to help. Helping is good. Revising is good. No matter how long it takes or how many times you want to give up.
      Thank them. Thank them again.
      One day, you'll remember that first draft and realize how much work it needed, how much work you did, how much better the ‘final’ version is.
      It will all be worth it the first time an agent calls you. When you post that your book sold. Or Tweet the cover art.
      That’s the goal. Loving revision will help you get there. You will have to revise and edit no matter what attitude you go into the process with, so learn to love it. It will make it easier, it will make your agent and editor love working with you (always a good thing). And it will teach you so much about writing that when you sit down to write your next book you won't make the same errors (of course, there will always be new errors to make).
      And that calls for another celebration!

About Peter:
      Peter Adam Salomon is a member of the Society of Children’s Book Writers and Illustrators, the Horror Writers Association, the Science Fiction & Fantasy Writers of America, the Science Fiction Poetry Association, the International Thriller Writers, and The Authors Guild and is represented by the Erin Murphy Literary Agency. His debut novel, HENRY FRANKS, published by Flux in 2012, was named one of the ten ‘Books All Young Georgians Should Read’ by The Georgia Center For The Book in 2014. His second novel, ALL THOSE BROKEN ANGELS, was published in 2014 by Flux and has been nominated for the Bram Stoker Award in the Young Adult category.
     Here's peek at Peter's favorite writing spot:

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59. FABRICS - art gallery : playing pop

Art Gallery Fabrics have listed some of their forthcoming collections for 2015, and showcased them at the Quilt Fair this week. One of those that really appealed to me was Playing Pop. This lively collection was designed in house by the AGF Studio and features two different colour groups. Here's how AGF describe the collection "Bits and pieces of upbeat sounds get illustrated on the same page

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60. High-Res Scanning - Grappling a Monster

Yes, it's definitely a bit of a monster, scanning all the artwork which I have selected from my archive of sketchbooks. I haven't counted how many individual sketches I have picked out to go into my urban sketching people book, but it's quite enough to keep John and I busy.

Originally, we had thought that John would do all the scanning for me, but I am working on the computer so much at the moment that he's having trouble getting sufficient time on the scanner. 

So we tried a bit of teamwork this week, which really speeded things up. I found the low res version of each of the images on the computer, which was tagged with a reference number to remind me which sketchbook it was in, then John ferreted through the sketchbook piles to find the right book...

...then he flicked through the book to find the sketch. We had marked the possibles with post-its right back at the beginning of the project, so that helped too:

John held the sketchbook down flat on the scanner bed for me, while I set the scan parameters, then saved and filed the final file, while he was trying to find the next one in the sketchbook piles. All very dull, but it's got to be done (and over 400 times...).

Then of course, I still had to spend a while on each of the images later, correcting the tonal balance and touching up anomalies, like unwanted marks which had transferred from the opposite page or other sketches showing through from the reverse. I also have to get rid of unwanted text  - my publisher is keen to remove any text that is not essential, so it doesn't create problems with co-editions.

We've made a fair old hole in the job now and I feel much better for it. I was originally going to wait until all the layouts were back, so I would know for certain that all the sketches I have chosen are in fact going into the book. It's possible that, by doing the scanning early, we have scanned some artwork unnecessarily, but I was getting a bit concerned, as time is passing and the deadline is looming. It's one of those tasks - very hard to know if you've allowed enough time for it, because it's impossible to judge how long you'll need. At least this way, hopefully I won't get caught out!

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61. Ella Incognito

A warmup painting from this morning, before jumping into the thick of things.

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62. FABRICS - sarah campbell

Legendary designer Sarah Campbell has created a fabric collection called ‘Melodies’, produced with the US company Michael Miller. It features super colourful, painterly birds, leaves, florals, spots, dots, and geos. The collection features ten pattern designs in two colour groups will be available for shipping at the end of June.

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63. Harts Pass No. 250

Personally, I can never quite remember what snake it is that "looks" like a rattler. Bullsnake it is... but no matter what such thoughtful consideration of this particular situation isn't really necessary :)

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64. FABRICS - lewis & irene

For today's Friday eye candy we are taking at look at some of the lovely fabric prints available from UK company Lewis & Irene. Some of the designs are available right now, and others are due for release over the coming months.

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65. Creative Play

It is always so inspiring when I get to step out of the studio and work in the field with sketchbook in hand. My most recent painting trip was in France.


My goal was to gather ideas for a book I am just starting that is set in France, but even more importantly, to take some time away from the intense studio work and create an atmosphere of creative play and exploration. I want to see and record as much as I can when I am working in a sketchbook. But I also want to stretch myself as an artist, try new methods, experiment with new surfaces, tackle paintings I would never do in the studio, basically just climb out on a limb and PAINT. On this trip I painted in gardens and on street corners, I painted rooftops and sculptures, I even painted self portraits of myself because I wanted to record how happy I was while exploring. I worked in ink and watercolor, fountain pen and pencil. I had fun collecting bags from Paris shops and experimented with watercolor on toned surfaces. The warm brown paper bags made a wonderful surface to bounce the blue skies and dazzling light of Paris. Sketch trips are always a wonderful time to really push yourself to see new things and play with ideas on how to capture them in paint. I always feel thankful after painting trips and even a little reluctant to give up the freedom I find in the field as apposed to the studio. But journeys with sketchbooks always recharge me and fuel my ideas for stories. They make the work I create in the studio all the more meaningful because the work was started during such joyful adventures.

Here are a few of the sketches from this last trip.

Amboise 2015

Amboise, France

Amboise, France

Amboise, France

Amboise, France

Amboise, France

Degas bather, Musee d'Orsay

Degas bather, Musee d'Orsay

Gates of Hell, Musee d'Orsay

Rodin, Gates of Hell, Musee d'Orsay

Iranian pot, Louvre

Iranian pot, Louvre

Mesopotamian Stone, Louvre

Mesopotamian Stone, Louvre

Notre Dame, Paris

Notre Dame, Paris

Notre Dame, Paris

Notre Dame, Paris


Paris, night scene

Notre Dame, Paris

Notre Dame, Paris

The Burghers of Calais, Rodin Museum

The Burghers of Calais, Rodin Museum

Tours, France

Tours, France

Villandry, Loire

Villandry, Loire

Villandry, Loire

Villandry, Loire

The post Creative Play appeared first on Lita Judge.

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66. oso botánico

He sido un poco perezosa... pero ¡por fin estreno página!
Y para celebrarlo, sorteo este pequeño oso jardinero... Si os apetece participar, es en el siguiente enlace:
¡Estáis todos invitados! Groar...


Finally I decided to launch the facebook site!
Giveaway of an original illustration + my picture book "The Winter train". If you want to take part just leave a like and a comment in this photo.

Until 29th May. Thanks!

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67. White Hearts

White Hearts is part of my Daily Something series, meaning to do "something artful" daily. These little drawings help me think while I'm working on larger pieces, usually watercolor.

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68. Bunad Babe

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69. Pick of the Week for PET and This Week’s Topic


It’s Illustration Friday!

We’re excited to announce this week’s topic, but first please enjoy the illustration above by Oriol San Julián, our Pick of the Week for last week’s topic of PET. Thanks to everyone else for participating. We hope it was inspiring!

You can also see a gallery of all the other entries here.

And of course, you can now participate in this week’s topic:


Here’s how:

Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).

Step 2: Post your image onto your blog / flickr / facebook, etc.

Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).

Step 4: Your illustration will then be added to the participant gallery where it will be viewable along with everyone else’s from the IF community!

Also be sure to follow us on Facebook and Twitter and subscribe to our weekly email newsletter to keep up with our exciting community updates!


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70. Also....

Did some more on some ideas.....in sketchbooks.
Like this....
Cut off the secret bit so you are just left with a dragon-

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71. Illustration Friday: Pet

Herbert enjoys a day at the groomer's.

Speaking of groomers, someone's not going to be happy with the little trip we're taking tomorrow.  He looks a little suspicious.  Quick, pretend I didn't say anything.

King Cachilo tries to make his pet happy with shiny new baubles.

Did you hear about the little girl who receives gifts from crows in her backyard?  She feeds them and they, in turn, gift her with little shiny things.  True story!

Have a wonderful holiday weekend.  I shall have half a dozen squealing young girls here for a sleepover and a dog that spins endlessly in excitement.  But I'm prepared.  I have my headphones and hours of the Invisibilia podcast at the ready.  

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72. This is London

The Royal Horticultural Society's annual flower show held at the Royal Hospital Chelsea is almost over for another year. We didn't go this time, but we enjoyed the coverage on TV. Yesterday one of the presenters remarked on the huge numbers of visitors despite the inclement weather.  I had to smile because earlier in the day I was leafing through "This is London" by M. Sasek and come across this picture; 

This is London

But don't worry, most of the time it looks like this; 

The Tower of London

St. Paul's Cathedral 

The Houses of Parliament

The book features many other famous buildings, but my favourite illustrations are of the people - like this one of The Guards.

or this group of school children

City Gents

A Chelsea Pensioner

I also like the glimpses of 'old London'

like this famous shop ~

and these Elizabethan houses in High Holborn

Covent Garden Market

The New York Times Book Review, October 18, 1959, perfectly sums up this quirky book.

There are not many words in Miroslav Sasek's This is London, but those few are most memorable...

The colour is magnificent and uninhibited, the draughtsmanship brilliant but unobtrusive (one gradually realizes that these bold, stylized drawings are minutely accurate as well as true in general impression). The humour is characteristic and pervasive but always subordinate. The jokes are all pointed. Miroslav Sasek has drawn the visitor's London from foggy arrival to rainy departure. His book is a series of impressions, unrelated, one would think, but they add up to a remarkably complete picture of the modern city. The words and pictures are closely integrated; each has it terse style and humour.

M. Sasek ~ Universe Publishing ~ Originally Published in 1959 ~ New Updated Version 2004 

find it HERE

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73. Australian Studio Animal Logic Will Expand to Vancouver, Hire 300 People

The studio behind "The Lego Movie" is growing in a big way.

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74. Aspiring writers: Before worrying too much about networking/promo, FINISH WRITING YOUR BOOK.

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75. Whimsical Illustrated Prints and Products by Marc Johns

March Johns is both clever and prolific, and his well loved drawings are available in a wide variety of products in his online shop here.

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