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Results 51 - 75 of 142,671
51. WALLPAPER - mini moderns

'Feathers' is the third wallpaper design in the Mini Moderns 'Hinterland' collection. This is a result of a repeat collaboration between Mini Moderns and artist, Matt Sewell. The design is based on Matt's feather watercolours, which feature in the design for the end papers of his book 'Our Songbirds'. The wallpaper design fits perfectly with the spirit of the 'Hinterland' collection, which

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52. Coloring Page Tuesday - BAT!

     Scree! Scree! I think bats are so cool - don't you? And this one is all dressed up for Halloween. (Bats don't have to wear costumes - just scarves to keep warm!)
     CLICK HERE for more Halloween coloring pages!! And be sure to share your creations in my gallery so I can put them in my upcoming newsletters! (Cards, kids art, and crafts are welcome!)
     Sign up to receive alerts when a new coloring page is posted each week and... Please check out my books! Especially...


     Click the cover to learn about my Halloween picture book - Lula's Brew. She's a witch who would rather be a famous chef!






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53. The Young Man Who Wouldn’t Hoe Corn

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

by Eric von Schmidt (Houghton Mifflin Company Boston, 1964)

Okay. It’s time for a teensy bit of name dropping. I have this cousin who is a brilliant singer and songwriter and he’s racked up a few Grammys as well. (Do you say Grammies? I don’t think so.) If you are into good, old-fashioned bluegrass and Americana, check out Jim Lauderdale. Musicians are such great storytellers, don’t you think? Sometimes I wonder if I can pack the same amount of heart and soul into a 500-word picture book that he can in a 3-minute song.

That’s partly why I was so drawn to this book, The Young Man Who Wouldn’t Hoe Corn. And that was even before I realized that there were all kinds of connections to song. That title begs to be picked and strummed, right?

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

I purchased this book a while back from Elwood and Eloise on Etsy. The owner, Mallory, also runs an excellent illustration blog, My Vintage Book Collection (in blog form), which is an incredible archive of gorgeous out of print materials. Thank goodness she sells some of her collection, cause I’ve added some sparkle to my own thanks to her shop. (Also, the images in this post are courtesy of her post here.)

This is the story of Jeremy Sneeze. Where he fails as a farmer he succeeds at making children laugh. (Which is to say by wiggling his ears.) He replaces fallen birds nests and makes pictures and poems. And so, of course, the elders of his town denounce his slack and shifless ways. A town meeting. A crow. A spell is cast. A sneeze. A surprise.

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

This book’s design is reminiscent of a song. Here’s what I mean. That color—washes of analogous color in oranges and yellows and greens, those are the harmonies to the stark black’s melody. It’s steady and rhythmic like the downbeats of an upright bass. Unless they are splashed and chaotic like a mandolin’s intricacies.

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

On top of stellar bookmaking, the story itself is a sweeping epic wrapped up in the short pages of a picture book. Listen to some of its lines:

Just about then he would get to puzzling about other things like “How high is up?” or “Who plants the dandelions?” or “Where do the stars go during the day?”

And every year all Jeremy had to offer was a big weedy field filled with assorted brambles and unchopped briars, bounded by dirty broken boulders.

Flap-flap, past bats that watched with eyes like razors, past lizards, toads, and laughing spiders, down past rats and rattlesnakes and monkeys dreaming evil dreams of moons.

We have specials today on stars that dance or boiling oceans, and a bargain rate for setting mountains into motion.

He hurled himself at the brambles and flung himself at the weeds with such speed you couldn’t tell which was hoe and which was crow.

True enough he is a sorry farmer. But in his head dwell pictures and in his heart are poems.

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

The listen-ability, the meter, the storytelling grumble. It’s all here. What a gem.

P.S.—A bit of poking around online still left me slightly confused about the history of this book and the similar-ly titled song. Did the book inspire the song? Did the song know about the book? I think the song inspired the nitty-gritty backstory of the young man who wouldn’t hoe corn. I can’t really tell, so I’ll just be sitting here enjoying both. Hope you are too.

ch

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54. School Visits!

Please click on the image to enlarge.

schoolvisitsflat

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55. Rainy Day Friends


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56. Amid Wage Theft Scandal, ‘Wired’ Calls Ed Catmull A ‘Big Hero’

To accompany its fawning story on the success of Walt Disney Animation, "Wired" labeled John Lasseter and Ed Catmull as "big heroes" on its cover.

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57. ‘The Hidden Life of the Burrowing Owl’ by Mike Roush

Meet the Burrowing Owl. He has recently lost his mate to a large predator that is hunting in his treacherous natural habitat. How will he survive in this dangerous wilderness alone? This is a story of love lost… and survival.

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58. Ticking Clocks and Tracking Eyes

I'm excited to be visiting the Texas A&M. I did a couple of radio interviews in the morning, and then painted this 45-minute gouache sketch of the old clock in downtown Bryan. I used four colors: white, ultra blue, burnt sienna, and cad yellow.

I had lunch with professors Ann McNamara of Texas A&M and Donald House of Clemson University, both of whom share my fascination with eye tracking as it relates to artists.


I was thrilled to have a chance to try out the eye tracking tech setup at the Visualization Lab. Here, graduate student Laura Murphy is calibrating the system. She's checking alignment points on stereo images of my face as I look at a test screen.

Below the computer monitor are the two infrared sensors of the FaceLab 5 system. The sensors track both the exact direction of my eyes and the direction of my head so that the system can record exactly where I'm looking within the display monitor. 

The monitor has a photo of grocery store shelves crowded with products and overlaid info tags that pop up in response to where I'm looking, part of an augmented reality experiment they presented at Siggraph this year.
---
I'll be spending time with students of the Department of Visualization in their classes today and tomorrow, and I'll give a free digital slide lecture about picturemaking and worldbuilding in Dinotopia in the Geren Auditorium in the Langford Architecture Center, Building B, Thursday at 7 p.m.
-----
Previously on GurneyJourney:
Eyetracking and Composition, part 1
Eyetracking and Composition, part 2
Eyetracking and Composition part 3

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59. Blueberry Diapers

Here is a recent design that I sold to Blueberry Diapers. Check out their wonderful company and product line.





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60. When A Grandpa Says "I Love You"



  When A Grandpa Says "I Love You"! Out this fall from Simon And Schuster.







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61. the ghosts of night, the dreams of day

Had a lovely day yesterday, drawing for the love of drawing rather than for work. I always love catching up with Urban Sketchers Yorkshire, my sketchcrawling buddies, too. We spent the day at the National Emergency Vehicles Museum in Sheffield. It was right up my tree. Loved the subject matter. I could spend another day, or ten, there. And, maybe even a night; apparently there are many ghosts in this former police and fire station. If you believe in that sort of thing, of course. I don't but I'm willing to have my mind changed.

 There was a very specific colour scheme too. Reds, blacks and a little yellow were the colours of the day. I managed to not take seventeen pencils cases, which is an achievement for me, and narrowed it down to just the three sketchbooks. I always try to take some tools that I wouldn't normally draw with at home. I try and play a bit more on sketchcrawls. It feels like the right place to do that as you often encounter subject matter you wouldn't normally choose to draw. The red Bingo dabber was an inspired choice of pens.

 Here's something I've noticed during October, as I'm participating in Go Sober For October, I do a lot more with my weekends. It's much easier when you're not factoring in a 'big night' or a hangover. That's just another benefit to being sober; doing more stuff with your time. Just look at how my blogging has increased in the last month!

 The museum holds a vast range of fire service related memorabilia that had previously been sitting in attics and local fire stations all over the county and amongst the exhibits were prisoner files from the last century. I found these the most fascinating of all, and below are my drawings of some of the mugshots from around the 1940s. It's funny how just by drawing somebody, spending that time studying someone, you can feel a real connection with them. I don't just want to now more about the faces I drew, I feel an empathy, sympathy, for them. Protective towards them even, like I knew them. I guess what I'm trying to say was that I was touched by them. Maybe I do believe in ghosts.




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62. Mobile soundsystem


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63. "I want to stand as close to the edge as I can without going over. Out on the edge you see all kinds..."

“I want to stand as close to the edge as I can without going over. Out on the edge you see all... Read the rest of this post

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64. STATIONERY - rebecca stoner

We last saw designer Rebecca Stoner on P&P with her first licensed fabric collection Prairie for Dashwood Studio. Since then Rebecca has decided to open an Etsy shop and create patterns and illustrations on Cards, Notebooks, Calendars and Art Prints. Also just in a Christmas cards. As well as being busy with freelance work and setting up her Etsy Shop Rebecca has also started work on her second

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65. Editorial Submission :: Gerardo Suzán

Post by James

Editorial Submission :: Gerardo Suzán

Editorial Submission :: Gerardo Suzán

Editorial Submission :: Gerardo Suzán

Editorial Submission :: Gerardo Suzán

Gerardo Suzán is an illustrator working professionally since 1985. He focuses mainly on books for young people but his work also appears in advertising, posters, magazines and newspapers. He has won several prizes in Mexico, Japan and USA.

Migration has always been a central topic throughout Gerardo Suzán’s artistic career. The work shown above from one of his children’s books speaks of the importance of self-identity and cultural roots.

Suzán’s formal education includes graphic design at the National School of Visual Arts in México, as well as etching and drawing at the Centro dell’ Incisione with Gigi Pedroli and with Giuliana Consilvio in Milan. He attended the Illustration Seminar organized by the UNESCO and the ACCU (Asian Cultural Center for the UNESCO) taught by Dusan Kallay in Moravany, Slovakia.

You can see more of Gerardo’s work on his website.

 

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66. Comic: Watch Those Dangling Modifiers...

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67. Where Andy Nakatani Thinks Weekly Shonen Jump Is Heading

For a lot of reasons, I was only able to speak to most of the people I talked to at NYCC for a short period. Here’s another somewhat brief one that also happened unexpectedly: my interview with Editor-in-Chief of the English, or US version, of Weekly Shonen Jump, Andy Nakatani. Andy didn’t exactly know what ... Read more

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68. "Super Shapes:" Wonder Woman


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69. Essences Store Closing: Big Sale this week!!

store

As I streamline my biz, I realize I don’t have time for making the flower essences, so I am having a BIG SALE all this week. All essences are $5.00 each only this week. Tell your friends, grab a bunch before they are gone for good. All essences are formulated for the sensitive made with Apple Cider Vinegar instead of alcohol.

An introduction to Flower Essences: 

http://vimeo.com/71582764

What are flower essences teaching video from Designing Fairy Cinema on Vimeo.

Head on over to the the SHOP and BUY. Go here.


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70. "Super Shapes:" Superman


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71. CANSCAIP's Packaging Your Imagination Conference

Thanks so much to CANSCAIP for inviting me to be a speaker at the Packaging Your Imagination conference at Humber College this past weekend. I had a fantastic time and once again appreciated what a wonderful kidlit/YA community we have here in Canada.

I've posted some of my photos on Facebook and on Flickr.

Kate BlairThanks to Kate Blair for being my "shadow" during the event; Kate helped get me find the right rooms, introduced me at my workshop, made me feel welcome. Kate is a middle grade and YA writer, and placed 2nd in the 2010 Toronto Star Short Story Contest (out of 1800 entries!) as well as being longlisted for the CBC short story contest in both 2011 and 2012. You can find out more about Kate and her work at Kateblair.com.

Anyway, the subway was shut down between Eglinton and Bloor so I ended up taking a cab and arrived way early! The organizers were still setting up. I think I was one of the first to pick up my speaker badge:

Ran into my Torkidlit friend Karen Krossing, who helped distract me from my pre-talk jitters by walking around the venue with me, figuring out where the speaker coats could be stored, etc. Here are CANSCAIP Administrative Director Helena Aalto and PYI Co-Director Lorna Poplak, just before the conference officially opened:

I also had time to check out the art show. So much wonderful children's book art, and I also loved the process sketches that some people included. I'm new enough that I also got a thrill to see my own art up on display...and also very cool to see my sister's art right beside it:

Teresa Toten's opening keynote was inspiring! I've just started reading THE UNLIKELY HERO OF ROOM 13B, Teresa's novel that won the 2013 Governor General Literary Award For Children's Literature, and am loving it so far.

Teresa Toten, giving her inspiring opening keynote

After that were the first set of workshop sessions, including mine! Thanks SO much to the Humber AV crew, who did a fantastic job at PYI:

and the E-Learning team in my session, who helped the streaming portion run smoothly for virtual attendees:

The photo at the top (courtesy GABBY author Joyce Grant) is from the beginning of my session. Here's one from GRACE author/illustrator Kate Parkinson, who was a virtual attendee:

And here's her screen with the live video in the top left and my current slide on the right:

After the conference, I asked Kate how the streaming went and she reports it ran smoothly, thanks to the Humber College tech crew. You can also read Kate's report about being a virtual attendee at CANSCAIP's event on her blog. Kate's FIRST children's book (she's author/illustrator), GRACE, comes out from Holiday House Books early next year!

Back to PYI. My session seemed to go well, yay. I was still really nervous, but it was a bit easier than last time I gave a talk, plus the attendees were enthusiastic and asked interesting questions. After my session, I stayed in the room so I could hear Ashley Spires talk about her work:

Ashley Spires during her session at PYI

I so love Ashley's bubbly enthusiasm and energy! Ashley talked about the creation process for Binky The Space Cat series of junior graphic novels, which I found fascinating, entertaining and informative. Did you know that Ashley initially drew all her herringbone and other intricate textures by HAND? Wow. I think Ashley noticed the look of awe (ok, maybe more like horror :-)) on my face when she told us this. 

Anyway, finally getting to meet Ashley Spires in person was one of my personal highlights at PYI.

With my talk over, I could relax at lunchtime and just chat. Thanks to my lunchtime companions for some great kidlit/YA conversation (including my Torkidlit pal Nicole Winters in the bottom right):

I looked around for my MiGWriters critique partner, Andrea Mack, but missed seeing her! Happily, we ran into each other later in the conference. Here are Lana Button, Jan Dolby (so great to finally meet Jan in person!!) and Joyce Grant:

Lana Button, Jan Dolby and Joyce Grant at PYI 2014. Joyce and Jan are the creative team behind the GABBY series from Fitzhenry and Whiteside Publishers. Finally getting to meet Jan Dolby in person was another personal highlight during the conference. Lana's WILLOW FINDS A WAY was just nominated for a 2014 Blue Spruce Award, by the way!

In the afternoon, I was faced (again) with an impossible choice: I wanted to attend all the workshops! I ended up opting for the industry panel with Susan Rich (Editor-At-Large at Little, Brown) and Tara Walker (Editorial director at Tundra Books):

An excellent panel, so informative AND entertaining. :-D Teresa Toten was a fabulous moderator.

I stupidly missed getting a photo of Susin Nielsen, who gave a wonderful closing keynote (see audience above). We even got to see a clip of her acting role in the original Degrassi Junior High (she was a screenwriter)!

Plus LOOK, I won a prize in the raffle! I never win anything but thanks to CANSCAIP and the Vermont College Of Fine Arts, I won this bag of goodies:

Thanks to Lena Coakley for giving me a lift to a small gathering hosted by Sharon Jennings afterwards. Sadly, a bad headache prevented me from staying as long as I had wished but it was fun chatting with some of the others who came. Thank you, Sharon!

And again, THANK YOU so much to CANSCAIP and all the volunteers and organizers. Everything went so smoothly and I had so much fun, plus came away super-inspired.

If you're a Canadian children's book author, illustrator or performer, I strongly recommend you checking out CANSCAIP's website....and do consider attending next year's PYI event!

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72. DESIGNER - circus boy band

Circus boy Band is a multidisciplinary design studio based in Seoul, South Korea. The collaborative studio takes on commissions in graphic design, illustration, product design, and also have their own label with stationery, bags, homewares, etc. This woodland design caught my eye along with lots of other interesting bits and pieces, As spotted online at Circus Boy Band.

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73. Happy Birthday Studio Chicks!

Studio chicks turned 4 months old today. To celebrate, I let them out to 'free range' in the back yard for the first time.
They were hesitant to start with - 

- initially, they stayed in a tight little group as they tentatively explored.

Gradually, they began to spread out a teeny bit -

 - never far from their coop or the back fence.

They enjoyed their little outing. Now if we can get Toby-the-terror to leave them in peace, they'll be able to stay out at some length throughout the winter - helping to keep my weed and bug population down. Good chickens!

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74. My visual summary re. musings about Life. There’s a bit...



My visual summary re. musings about Life. There’s a bit that could be noted about tango dancing & eating sorbet, but this covers the basics.



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75. The Horatio Nelson Fiction Prize – No Fee

NO FEE WRITING CONTEST:  PRIZE: $5,000.00. 

DEADLINE: 10-31-2014.

horat

Black Balloon Publishing will accept submissions for the 2014 annual Horatio Nelson Fiction Prize between October 1st and October 31st, 2014. The winning author receives $5,000 and a Black Balloon book deal.* There is no reading fee.

WRITING CONTEST WEBSITE

Black Balloon Publishing invites entries of finished, unpublished and original fiction manuscripts of over 50K words to The Horatio Nelson Fiction Prize. The winning author receives a $5,000 cash prize and a book publishing deal with the company.Submit only unpublished fiction manuscripts (50,000 words and up) written in English. Short stories, previously published as collections, are still eligible. The initial entry process requires you to submit a partial manuscript of under 4,000 words.Black Balloon Publishing is a well-known author-friendly indie press based in New York, NY. The company publishes crossed genres of creative fiction, narrative, and nonfiction that showcase experimental forms of strong storytelling.

Black Balloon will announce a winner on Monday, February 2, 2015.**

Submission Guidelines:

  • Fiction manuscripts only, please (novels or short story collections)
  • Manuscripts must be complete, unpublished and original. Prior print or digital publication of individual stories from an unpublished collection is acceptable; please ensure your submission acknowledges all outlets in which individual stories have been previously published (if a work is discovered to have been posted or published elsewhere—and not openly acknowledged by the author in advance—we will remove the manuscript from consideration).
  • Self-published novels and story collections are ineligible, including work that has been published digitally.
  • Manuscripts must be over 50,000 words in length
  • International English-language submissions are welcome
  • Submissions must be received between October 1st and October 31st, 2014

DEADLINE: October 31, 2014

Use the link below to submit (scroll to the bottom of the page).

https://electricliterature.submittable.com/submit/35240

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Book Contracts, Competition, Contest, earn money, opportunity, Places to sumit Tagged: Black Balloon Publishing, Horatio Nelson Fiction Prize, No Fee Publishing Contract Contest

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