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AHH, I've been so busy working up my Work in Progress for a new Easy Reader Series. Yes, it is coming along so well. And since I've fallen in love with my characters, I've decided to get them out of my head and onto my sketch pad. The dummys are almost done.
So please be patient with me as I finish up. Here are a few tips I ran across from The Editor's Blog to help me with this project. Lots of great tips.
DC/Vertigo’s long running title Fables has been a showcase for some of the top illustrators working in comics, today. One of the shining stars to contribute covers to the series(as well as a recent interior story) is artist Nimit Malavia. His dynamic yet delicate illustrations portray a strong sense of mood/color existing in a deep field of depth. While looking at them, you literally feel like you could fall into the page(or screen, if you prefer digital)!
Nimit’s work graces the walls of Shopify’s offices(as pictured above), and he’s done commercial work for high profile clients like 20th Century Fox, DC, and Marvel Comics, just to name a few.
Iam8bit in Los Angeles, CA is currently featuring Nimit’s art, along with 39 other artists, for a show called Sequel, where artists create movie poster art for imaginary sequels(Cowboy Bebop:The Movie was Nimit’s contribution).
You can explore more of Nimit Malavia’s art, and keep up with the latest news on his website here.
For more comics related art, you can follow me on my websitecomicstavern.com- Andy Yates
*I saw Murder on the Homefront the other night and it ain't half bad. Granted the plot's a little thin, but oh goodness, the costumes. Seriously. Hats, wraps, teetering heels, even down to the acid yellow knit vest Lennox Collins sports, it's all a visual treat.
*I'm on pie duty again this year, which begs the very important question: what's your go to Thanksgiving dessert?
Leeza Hernandez is an award-winning illustrator and children’s book author, hails from the south of England, but has been living in New Jersey since 1999. In 2004 she switched from newspaper and magazine design to children’s books, and hasn’t looked back. With a few books now under her belt, she’s currently working on three new projects: a follow up to Dog Gone! called Cat Napped; a sequel to Eat Your Math Homework called Eat Your Science Homework, other released this year. In 2013 she illustrated a picture book written by acclaimed actor and author John Lithgow. Follow Leeza on Twitter @leezaworks. She also took over my place as the Regional Advisor for the New Jersey SCBWI chapter and is doing a great job.
Below is Leeza at six years old with her cat Minnie Weasle!
Here is Leeza explaining her process:
The cover of Never Play Music Right Next to the Zoo took a fair amount of working out—between not giving too much away and showing to little that it looked too vague. The images show a handful of the different covers that were sketched up, then the progression of the final color cover.
These are the thumbnail sketches for the book layout.
Because there were so many animals in Never Play Music Right Next to the Zoo, I keptall my research pictures organized in a jumbo ring binder.
But, no matter how hard I looked, I just couldn’t find an image of a yak playing a sax so had to use some creative license!
Below you can see the process of the cover art.
Below is an up close look at the final cover.
What caused you to move from the UK to the US?
Work. I took an art director position at a newspaper in the late 90s which was the field I worked in back then.
When did you decide you wanted to illustrate for children?
It wasn’t a conscious decision really, but in the early 2000s I discovered Illustration Friday (www.illustrationfriday.com)—a great source of inspiration but also a way to help you create illustrations for yourself based upon a weekly word prompt. Browsing through the site, one link led to another and I eventually landed at SCBWI (www.scbwi.org) and that was that!
This image was created for the Illustration Friday prompt “Wisdom” and received an American Illustration selection back in the early 2000s. I added it to my portfolio among a handful of painted images and it was what art directors responded to the most. I was encouraged to create more!
What was the first picture book that you illustrated? And how did that contract come your way?
Eat Your Math Homework was the first trade picture book I was hired to illustrate, which came about after attending a Rutgers One-on-One Plus conference (ruccl.org). I met an editor at the luncheon who took my promo postcard away with her and about six months later the designer reached out to my agent asking if I was available-yay!
How did you connect with John Lithgow to illustrate his book, Never Play Music Right Next to the Zoo ?
I was asked to do some samples (along with some other illustrators) for a book written by a ‘high-profile’ author but I didn’t know who it was until I found out I was picked for the project. It was all very mysterious and exciting!
Have you met John Lithgow?
Yes, he’s lovely. We launched the book together in New York, it was so much fun. He sang his songs. I spared the audience and did not sing!
How long did you have to illustrate Never Play Music Right Next to the Zoo?
This was one of the quickest turnaround books I have worked on and it was 40 pages. From initial sketches, through revisions and to final art was a little less than eight months total.
I see you illustrated a second book with Ann McCallum this year, titled Eat Your Science Homework. Did you sign a two-book deal when you illustrated Eat Your Math Homework in 2011?
No two-book deal. It was simply an organic progression. Ann had an idea and submitted her proposal for the science book and a few months after they acquired the manuscript, Charlesbridge asked if I’d
Will there be a third book with Ann?
Yes! Eat Your U.S. History Homework is due to release in late 2015.
I am assuming that Cat Napped! published by G. P. Putnam’s Sons came about due to the previous book you wrote and illustrated titled, Dog Gone! Can you tell us the story behind these two books?
Back in 2009 I won the Tomie de Paola portfolio award at the New York SCBWI conference—which was amazing. As a result, I was invited in to the Penguin offices to meet with an editor, publisher and art director and they looked at my work as well as a sample and manuscript for Dog Gone! and they took it. I was beyond thrilled and so, so grateful for the opportunity.
During the time I worked on Dog Gone! I had this idea that I wanted to create a cat book in the same vein and I already had the title Cat Napped! noodling around in my head, but it took a while to flesh out the story. I remember having submitted the story along with a couple of other ideas to the editor and right after Dog Gone! released they took it.
Have any of the books you worked on won any awards?
Eat Your Science Homework was awarded a 2014 Junior Library Guild selection—awesomesauce!
Do you have plans to write and illustrate another book?
Hahaha, yes of course! I hope I never stop.
What do you consider your first big success?
Wow, that’s a tough question. I’m not sure I can measure one big success that easily. Having a book published is amazing, but I also consider the ever-evolving process as a series of successful stepping-
stones and I do a little happy dance each time I move to the next one—because they all teach me something about myself and/or my work. Creative folks are such sensitive creatures and it can be
intimidating to put our work out there in front of people, so each time we are brave and face our fears head on, that’s a success. Actually, when I attended a SCBWI conference for the first time, I was so overwhelmed I almost didn’t go back the next day—so I’d say not giving up right off the bat was my first big success!
For pencil work, I use 2H, HB, 2B and 5 or 6B pencils on Arches hotpress 140lb paper.
What is on the drawing board now?
My schedule has been a little nuts lately so I am taking a rest-of-the-year break and finally getting around to updating my website, which has been somewhat neglected.
Do you ever use Corel Painter or Photoshop when illustrating?
I ‘collage’ in Photoshop. I take all the pieces that I create by hand, scan them in, then slice ‘n’ dice them into a final illustration. I think of Photoshop as my digital scissors and glue, but I don’t actually illustrate with Photoshop if that makes sense, like, I’m not drawing or painting digitally using brushes and filters.
Do you own a graphic tablet?
No. If you mean a Cintiq or Wacom, that is. I’ve seen them in action though, wow!
Is there one thing that you did or happened that you feel really pushed your career to the next level?
I joined SCBWI. So far, this has been an amazing journey of education, connections, opportunities, projects and rewards, but it all started with this incredible organization that continues to play a role—LOVE SCBWI!
Do you take pictures or other research before you start a project?
Before and during—yes. Having reference material gives me a much better understanding of what I am drawing than simply imagining. I like to begin by drawing realistically before I think about characterizing for a book because it gives me an accurate sense of anatomy, behavior, body language, etc., even though they’re very loose drawings. There were a number of animals in Never Play Music Right Next to the Zoo that I hadn’t drawn before, so I filled a ring binder with reference just for that project.
The original pick-up truck for Cat Napped! was a struggle, but after sharing with my editor, we realized it was too square and modern, so I went back and researched vintage trucks from the 40s and 50s. The end result was a bit of a hybrid but its softer, curvier edges suited the tone of the book far better than the angular truck I had originally drawn.
The internet is a powerful tool—National Geographic (nationalgeographic.com), Nat Geo Kids (kids.nationalgeographic.com), NASA (nasa.gov), and Pinterest (pinterest.com) are some of my favorites but discipline is key. The amount of research I do depends upon the project but I have to be careful with the amount of time I spend researching versus creating the art.
I use a timer to stay on top of it. And even if I am not researching for a particular project, I carry a sketchbook with me and either have my phone or camera for taking any pictures. Inspiration strikes when I least expect it so I like to be as prepared as possible.
Have you found most art directors and editors give you a lot of freedom when illustrating a book? Do they want to be involved all the way through the process?
Once, I was given very specific art notes for an educational book but the turnaround time was tight, so the notes were helpful for me to jump right in. I’ve received minimal notes for nonfiction projects if there was a point that needed to be demonstrated visually for some specific text. For example: the Homework books sometimes have charts.
For the fictional projects, I’m pretty much left to it for the first round of sketches, then the art director and/or editor and I discuss together. Sometimes, I’ll offer up additional sketch options for a handful of spreads if I have lots of ideas and can’t decide which direction to go. There can be a lot of back and forth on the cover, though.
What is the one thing in your studio that you could not live without?
My art materials—pencils, brushes, paper, inks, sketchbooks—I’d be kinda lost without them!
Do you try to spend a specific amount of time working on your craft?
Yes, even if it’s only for ten minutes, that’s my rule.
Do you have any career dreams that you want to fulfill?
To travel, keep making art, and continue creating books for young readers—that would be lovely!
Thank you Leeza haring your journey and process with us. Can’t wait to see your career go forward. You can visit Leeza at her website: http://www.leezaworks.com to see more of her work.
If you have a moment I am sure Leeza would love to read your comments. I enjoy them too. Thanks!
It's getting colder in Rhode Island and each day seems to pass in the blink of an eye. I've been keeping busy in my free time, spending it either reading books (currently Bill Nye's newest), comics (Bravest Warriors is a new fun favorite), or watching documentaries and educational programing via PBS, Netflix, Hulu, and YouTube while I work on new doodle paintings.
I have one more small craft show coming up on December 6th (Blackstone River Theatre's Holiday Fair). It's the last show I have lined up at the moment so it seems a nice time to wrap up the doodles for a while so I can dive back into developing (and perhaps writing) my story idea.
Generally, during the cold months I tend to go into a hibernation mode, wanting very little to leave the house after sundown except for occasional trips to the movies. I've seen Interstellar [twice], and Big Hero Six---both excellent. Interstellar was just about everything I imagined and hoped it would be, namely epic and beautiful and emotionally moving and ambitious and mind bending, while at the same time different (enough) in plot from my own. There are many components of the story that overlap but thankfully there's still enough unexplored in my idea that continues to push me forward conceiving my own epic space odyssey.
I certainly haven't been able to get enough of space related stuff since I began this project a year and a half ago and I'm fairly certain the obsession won't let up any time soon. I'm also fairly confident that there's room for yet another space exploration story in the world...
Anyway, as I mentioned, I don't want to leave the house when it's cold which has a nice bi-product of increased productivity. Staying in = working longer = getting more done. I'm quite content to "work" until late each night since there isn't much else happening to distract me. This has resulted in several new doodles in progress, including this one just finished this evening.
I really do love the doodle painting process, and while it will always be part of me, I suspect I'm using it now more as a diversion from tackling the things that scare me most---and that truly matter to me and my ambitions. I don't so much miss illustrating but I miss the idea of actively pursuing a career I want. When I close my eyes and imagine my dream job, it's working in a studio writing and illustrating my own picture books. So why is it that I'm not working towards this every day?
Perhaps it's time to really consider my priorities and find a way to tend to all the branches of my creative tree---including pruning those that aren't what and where I truly want to be growing...
All in all, I am extremely grateful to be in a position where I have the luxury of contemplating what I want to be when I grow up. I just don't want to miss my chance to make something of myself.
No better day than today, no better time than now. The winter light is fading. Better get to work.
We’re excited to announce this week’s topic, but first please enjoy the illustration above by Stephanie Dalton Cowan, our Pick of the Week for last week’s topic of ‘PAPER’. Thanks to everyone else for participating. We hope it was inspiring!
You can also see a gallery of all the other entries here.
And of course, you can now participate in this week’s topic:
Step 1: Illustrate your interpretation of the current week’s topic (always viewable on the homepage).
Step 2: Post your image onto your blog / flickr / facebook, etc.
Step 3: Come back to Illustration Friday and submit your illustration (see big “Submit your illustration” button on the homepage).
Step 4: Your illustration will then be added to the participant gallery where it will be viewable along with everyone else’s from the IF community!
I have a surprise for you today - an adult book, MRS. POE by my dear friend Lynn Cullen. Lynn has also written books for the younger set, like I AM REMBRANDT'S DAUGHTER and MOI AND MARIE ANTOINETTE. So, I'm thrilled to have Lynn on today to help promote her latest book, although it's been selling gang-busters. Lynn shares a touching story with us about reading to her children. Take it away Lynn!
I’m all about books. I read them every spare moment I have, which these days is generally only when I’m not writing them. I got my affliction from my dad, who so loved reading that he always kept a Reader’s Digest in the glove-box of the car, on the toilet, and in his coat-pocket, so he would never be caught without a story to peruse. My favorite activity as a kid was to ride my bike a couple miles to the library and load a paper grocery sack—the big size—with fictionalized biographies of Abe Lincoln, Helen Keller, and Daniel Boone, as well as every last book in the Little House on the Prairie series. I’m one of those people who cannot sleep without a nightcap of turning the pages of a novel before bed. Whenever I pass a bookstore, be it in an airport, shopping center, or strip mall, I look longingly at all the lovely spines and wonder what I’m missing. I’ll willingly sacrifice gazing at the scenery for reading while riding in a car. But as addicted as I am to consuming the written word, for a few short years there was time when reading was not quite a complete and utter pleasure. There was a time when I dreaded it almost as much as changing a tire: the years when my kids were small. Granted, this brief anathema to reading came only at their bedtime. And it increased with the ratio of kids to mom, especially after throwing the birth of three kids in four years into the equation. But after doling out three home-cooked meals a day, plodding along under the weight of kids and their bags of gear to the park, a museum, or the library, and then scrubbing three wiggling, chattering monkeys and pinning them down to brush their teeth, I was the one who was cooked. A photo of Lynn in one of her fave writing spots and with her dog, Rosie.
Yet I never considered the possibility of NOT reading to them. It was almost as if I thought their vulnerable brains might melt without a dose of nutritious reading each day. I knew how important infusing their minds with story construction and ideas and laughter had to be for them. What I didn’t know was how good reading to them would be for me. Now that my girls are grown, when I look back over their childhoods, what comes back to me most vividly is reading with them each night. I can still smell their damp hair, soap-scented skin, and young breath as they lie in the crook of my arm. I can still feel the delicate wings of their shoulders and the rise and fall of their narrow chests. I can hear their baby voices and the funny construction of phrases unique to each as we talked about the stories. More than the trips, the meals, the baths or anything else, I remember the bond with and the awe for each of these wondrous souls as we turned the pages together. Now when I read to my grandchildren, I notice my daughters hovering nearby, relieved to give up their duty for a switch but also not quite comfortable with resigning from their usual place behind the book. I understand. These precious moments are finite in their number. But little do my children know that even as I am delighting in their babies, I am savoring, oh, I am savoring, the sweet memory of cradling them.
Lynn Cullen's newest novel, Mrs. Poe, examines the fall of Edgar Allan Poe through the eyes of his lover, poet Francis Osgood. A National Bestseller, Mrs. Poe has been named a Target Book Club Pick, a NPR 2013 Great Read, an Oprah.com "Books That Make Time Stand Still," an Editor's Pick at The Historical Novels Review, an Atlanta Magazine Best Books 2013, and an Indie Next Pick. Lynn is also the author of The Creation of Eve, named among the best fiction books of 2010 by The Atlanta Journal-Constitution and as an April 2010 Indie Next selection. She has written numerous award-winning books for children, including the young adult novel I Am Rembrandt’s Daughter, which was a 2007 Barnes & Noble “Discover Great New Writers” selection, and an ALA Best Book of 2008. Her novel, Reign of Madness, about Juana the Mad, daughter of the Spanish Monarchs Isabella and Ferdinand, was chosen as a 2011 Best of the South selection by the Atlanta Journal Constitution and was a 2012 Townsend Prize finalist" and was just chosen as a "Book That All Georgians Should Read" by the Georgia Center for the Book. Her newest picture book for children, "Dear Mr. Washington" will be released by Dial/Penguin Books for Young Readers in early 2015 and is a Library Guild Selection. She is currently working on a novel about the women in the life of Mark Twain."
GIVEAWAY! Simon and Schuster has generously offered to send a free copy of MRS. POE to one of my lucky followers. Must live in the US to win - enter below:
I am excited to share with you that Sketchbook Skool klasses will begin again in January — and that you can sign up today! When Danny and I founded Sketchbook Skool about a year ago, our basic goal was to inspire people. To ignite them into a habit of sketchbook keeping that they never want to miss again in their lives.
Are we succeeding, you may wonder? Well, I'm not going to bore you with a success story, or with an epic story about the ups and downs of the life of an entrepreneur, about following artistic paths, finding the way to keep creative habits, and balancing work, art, life... Let's skip that whole bit. Because I am so passionate about it, and I want the whole world to know about it, I could talk for hours about Sketchbook Skool. But I won't. Why not just simply show you what Sketchbook Skool Students have been up to lately?
So without further ado... Here's a bunch of examples of happy Sketchbookers!
Lesley Hilson Bergen created a video about the homework she did in Danny's "Storytelling" klass:
Helen Leigh-Phippard, Student in "Beginnings" blogged:
"So it’s the last week of “Beginnings”, my first Sketchbook Skool kourse. I’ve done my homework and posted it in the klassroom, I’ve given my feedback on the last week of skool and I’m feeling kind of sad that it’s over. But I’m looking forward to having some time to build on everything I’ve learned (and that’s a HUGE amount) and practice, practice, practice and develop some of those skills over the the next months or so. And I’m also excited about moving on to doing another kourse in the new year – because one thing I do know is that now I’ve started I have no plans on stopping. I hope to be in Sketchbook Skool until I’m 100 or dead, which ever comes first!" Find her blog here
Sketchbook Skool student Cathy turned her homework in "Storytelling" into an illustration job, it's published here
You can read about Liz's experiences in "Beginnings", in her wonderful Blogposts, Here.
Below, one of the sketches she made of her Greyhound Tanzi, after taking Roz Stendahl's klass in 'Beginnings'
A Sketchmeet in New York City on a sunny Sunday in October:
Joseph stood on the ship’s deck where he’d served for the last three years and stared at the miniature painting his wife had sent. The picture showed his smiling two-year-old son in a sailor’s outfit.
“I show him your portrait and tell him about you every day. We are very excited you will be home soon,” her most recent letter had read.
Joseph smiled. The shortcut through the pass would allow them to be home in a few short weeks. He would see his wife and meet his son. Best of all he could now retire from the navy. The crew had made a fortune on this voyage. His percent plus the money he’d saved from his pay was enough to buy a small house.
The ship’s bell tolled and someone yelled, “Amar Pass ahead! Make yourself ready.”
Joseph stuffed the letter and miniature in his pocket as he ran toward the helm. Sailing through the pass required strict protocol. Every sailor must have their ears plugged and be tied to the ship. One man steered the ship with his hands tied to the helm. The pass’s smooth water held few hidden rocks, despite the high hills on either side. The pass itself was safe. Any danger came from the creatures who lived there.
Commander Weldmen would steer the ship, and Joseph’s assignment was to help him prepare. When Joseph arrived Weldmen handed him some rope. “Get on with things Midshipman. We don’t have long.”
“Yes sir.” Joseph took the rope and waited while Commander Weldmen plugged his ears with wads of cloth. Then he tied the Commander’s hands to the wheel. Weldmen nodded and Joseph ran to the main deck.
The pass was in view. The sight filled him with dread no matter how many times he’d seen it before. He took some rope from Billy, another Midshipmen, and tied himself to the railing. He double checked its tightness around his waist, and stuffed his ears with cotton cloth.
The only sound Joseph could hear as they entered the pass was the breathing inside his head. Huge boulders jutted up out of the water on either side of them. He looked toward the shoreline where the sirens sat.
They were ugly. They looked like women but green and blue scales covered their skin. Instead of legs they had long tails, which flopped in the water like a dying fish. When the ship steered close enough they bit at the sailors with their sharp teeth.
All the while they sang a song Joseph couldn’t hear. The song enchanted men to drown themselves. Stories told of only one man who heard the song and survived. His shipmates kept him from jumping overboard and he lived out the rest of his days in an asylum. Joseph shuttered when he thought about it.
The movement loosed the cotton in his left ear and it fell into the water. Horrified he watched it fall into the water, and the beauty of the song wrapped around his heart.
Joseph reached up and pulled the other plug from his ear. Waves of song flowed through him. The water, clouds, and rocks dazzled before his eyes. He looked at the singing women and sighed. Such beautiful women! His heart leaped in his chest when one smiled at him. Her teeth shined like pearls and her scales glistened in the sun. She waved him over. He waved back. He thought about feeling her cold skin and wet tail. He imagined putting his arm around her tiny waist and pulling her close. Would she let him give her a kiss?
He tried to jump over the railing but a rope tied around his waist stopped him. He remembered tying the rope but couldn’t understand the reason. There was no danger here. He grabbed at the knot with his fingers. It wouldn’t budge. Curse his knot tying skill. He pulled a knife from his pocket and sawed at his prison.
Someone grabbed his arm. Joseph looked up. Billy shook his head and reached for the knife. Joseph scowled and jerked it away. Wasn’t Billy his friend? Now, when he thought back, he remembered all the times Billy had betrayed him. Why hadn’t he seen it before?
Billy reached for the knife again. Joseph hit him with its handle. Billy’s nose started to bleed.
Joseph smiled. Serves him right. He finished sawing and jumped into the water.
Cold engulfed his whole body and a current pulled at his legs. The sensations invigorated his body. He’d never felt so alive. He kicked to the surface and looked around. The ship had passed him. He waved at the men who watched him from the poop deck. Silly fools, they would regret not taking this chance. He turned to the shore and spotted the flirt who smiled at him before. He grinned and swam toward her.
He ignored the current pulling at his legs, and imagined running his fingers through her long clammy hair. His muscles grew colder but rainbows danced off her scales as the sunlight hit them. He smiled again. His eyes had never beheld such a feast. He had never heard such a song. He ignored his body’s protests and swam closer. His whole purpose in life was to make this beautiful creature happy.
She was so close now. She smiled at him again with her beautiful arrow-like teeth. Inviting teeth. Oh, to kiss her mouth!
The current pulled at his legs again, he fought it, but his cold muscles protested. His head went under water. He kicked hard and resurfaced. He reached for her. She sang her song. He relaxed and sunk again. He looked up through the clear water. She grinned at him. Water filled his mouth. He didn’t fight. Water filled his nose. He breathed it in. He could still see her smile. He had made her happy. Now he knew every event in his life, good and bad, had happened to lead him to this blessed moment.
November 6, 1895
My Dear Mrs. Hansen,
I understand you have heard the news of your husband’s death. I write to offer you my deepest condolences. I served with your husband on the Greenfly for the last three years. He talked of you often, and was very proud of his son. He showed me the miniature you sent. He looks like a strong healthy boy who takes after his father. I was with him as he went overboard and I know he thought of you ‘til the last. Your husband was a good man, and a good friend. It was an honour to serve with him.
I’d been meaning to get out my scissors & create shadow box type stuff, next chance I got. Turns, out, this was a great chance. ReNeux clothing boutique in Taos, always puts on a compelling holiday show each year, and so of course, needs a poster design to match!
A ship sales toward home. Joseph is excited to see his wife again and meet his 3 year-old-son. They will arrive in three weeks thanks to the shortcut through the Amar Pass. The water in the pass is easy to navigate but the creatures that live there are deadly.
The first of two beautifully lavish books created to celebrate the distinctive designs behind the Adventure Time title cards. Combining sketches, works in progress, revisions and final title card art, the book will take readers on a visual guide of the title card development, with quotes from each episode and commentary from the artists – Pendleton Ward, Pat McHale, Nick Jennings, Phil Rynda, and Paul Linsley.
These are the art journal pages I did in Clermont-Ferrand last weekend:
The flight took about 1.5 hour, so I had a nice pocket of time to draw my surroundings. I felt the guy next to me eying the pages curiously, but he didn't dare saying anything. I wonder if he would have, if I had also added colour, pulling out waterbrush and mini watercolor kit... The flight was a bit bumpy at some points, so here and there the lines are a bit wobbly, which, in my eyes, adds character to this drawing.
Haven't worn any other shoes since buying these - I totally love them!
What a treasure, this small tea shop around the corner of the Cathedral! I came back the next day again to warm up after spending several hours outside, and chatted with the owner and her daughter. I Showed them my sketchbook and talked about the event 'Rendez-vous du carnet de Voyage', which I was there for.
Stopped for a quick coffee here and drew the people. When I left, I discovered the bar was called 'Bar Des Beaux Arts': Bar Of Fine Arts. Perfect for this weekend full of inspiration and art.
A quick drawing I did while waiting for my lunch. I used one of those multicoloured pencils, I found at a museum shop when I was in Madrid this spring.
I just had to stop to draw this cute cafe in the middle of Jardin Lecoq from the 1930s. There were so many bright reds there, that contrasted wonderfully with the green window frames. I limited myself to a red, green and blue pencil.
I hardly ever do this: take a photo of a building, view or street, and then draw from that for reference. But now I did. I had a lovely walk around town and took some pictures on my way. Then it started to get dark and wanted to enjoy a relaxed last evening in my hotel room. There, I used the photos for reference, and really enjoyed the different way of looking at shapes and shadows, then when drawing 'live'. I added the drawing of the door the next morning, in the train. Again, it was a bit of a bumpy flight, and it came out way wobblier than I intended.
...and a drawing on the flight back home to Amsterdam on Monday morning, where a pile of work was waiting for me!