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Results 51 - 75 of 148,565
51. Build a Freelance Illustration Business with This 3-Day Workshop

Screen Shot 2015-06-30 at 3.31.50 PM

Are you a designer, illustrator or creative doodler? Have you ever wondered how you could turn your talents into a business? This three-day workshop will help you create a plan for leveraging your creativity into a successful freelance business.

Run by Sally S. Swindell and Nate Padavick (illustrators and co-founders of They Draw and Cook) this course will give you an inside look at how two artists have built a successful design & illustration studio by fostering a community of artists that empower each other to grow their businesses.

Join Salli and Nate for (3) hour-long sessions to learn how you can leverage community & online content to build a successful freelance business around your creative skills.

Click here for more info >>

 

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52. Return of the steel flowers


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53. Eleven Madison Park

Hello and Happy July 1st! Oh my gosh, the weather so far in NY has been delish! Let's hope it stays like this throughout July and August.

This month over at WLTI, we decided to create some fun recipes for the TDAC website. I chose one that my hubby introduced to me that is from the Eleven Madison Park restaurant in the city, the Eleven Madison Park Pistachio, Coconut & Cherry Granola. Doesn't the name alone sound amazing!? Anyway, I like granola, but this recipe takes it to a whole new level -- we can't seem to get enough of it lately. Enjoy!

Please click on the illustrated recipe to enlarge


Here's picture of the most recent batch that we made. The recipe it says to bake it for 30 - 40 minutes, we like it pretty toasty so we usually leave it in for the full 40.

xo,
J

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54. Meet the IF Team: Andy Yates

a3-1

Hi Illustration Friday community!

So many people play a role in keeping this site updated with inspiration to fuel your creativity, and we’d like to take a moment to highlight one of them today: Andy Yates.

You may be familiar with Andy’s incredibly popular Comics Illustrator of the Week Series (here’s the latest installment). We are so grateful that he helps us round out our content with comic art while giving much deserved attention to the artists involved.

Andy is a freelance illustrator, and animator. In 2013, he received his BS in Media Arts & Animation from the Art Institute of California – Orange County, and has worked creating 2d assets for the casual games industry, as well as working on various independent animation/illustration projects.

He spends his free-time consuming a plethora of good, and bad(but, oh so good..) TV, comics, movies, Cheez-its, Skittles, beer, and the occasional couch pretzel, after removing any hair of course. He writes about comics, and interviews the artists behind them on his website comicstavern.com. You can learn more about Andy, and see his art on his tumblr: plumdill.tumblr.com.

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55. Love Wins - Free Printable

 
I created this free printable, in honor of the historic decision by the Supreme Court to legalize same sex marriages in every state in the US. Love Wins! Yes, let people love who they want to love. When more people love and are loved, we all win. You can download a high quality print of it, right here.

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56. radio show: art in bars



Todd and Nancy are the charismatic duo behind the New Haven epicenter of the weird, wonderful and winsome Fashionista vintage clothing and costume store extrodinaire. They know the Haven underground art scene like no one else, and now they have a radio show about it on WPKN: New Haven Mavens. I was lucky enough to be invited on to the second episode about art in bars, to talk about puppets. It's a great show, not because of me, but the other guests who are all awesome friends: Dot Mitzvah, Craig Gilbert, Robin Banks, and Anatar Marmol-Gagne.

You can hear the entire show online, archived here.

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57. DESIGNER - jessie ford : sugar snap studio

The Sugar Snap Studio was launched in the Spring of 2012, to house the growing collection of children's illustration work by Jessie Ford. Liking nothing better than creating these fun, colourful characters; to date her work has included everything from advertising campaigns for Fairy Liquid, packaging commissions for Tesco and Mothercare, children's books for Abrams Books, as well as numerous

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58. Here’s What A ‘Samurai Jack’ CGI Film Could Look Like

There's no official "Samurai Jack" film coming anytime soon, but that's not stopping fans from creating their own work.

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59. a little morsel of sunshine....


©the enchanted easel 2015
on a stormy tuesday night! :)

{and wow, have the last few tuesday nights been quite wet! maybe i should be painting an ark....is it winter yet?!}

ok, i digress. back to this little guy....i'm currently working on a few small square canvases (6'x6" to be exact) of adorable little birds. i'm thinking 3...maybe 4, max. the original paintings will be FOR SALE individually and listed as soon as each are complete.

had to start with the "yellow" bird first, of course. 
{i swear Coldplay has nothing to do with this...;)}

©the enchanted easel 2015

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60. Netflix Shores Up Its Original Preschool Slate With 3 New Shows

Netflix's aggressive expansion into children's TV continues with the announcement of 3 new series.

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61. Boomerang Reboots With Original Bugs, Scooby, and Bunnicula

Time Warner is relaunching its archival animation showcase Boomerang with original content -- and commercials.

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62. TEXTILES - soda + stitch

Jemma Bell is a textile designer who has recently launched her own venture called Soda + Stitch specialising in selling hand block printed fabrics by the metre. Each fabric has been designed exclusively for Soda + Stitch and then carefully printed by the hands of block printing masters in Jaipur, India - a city Jemma now calls home. It is an incredible process that savours hand made textiles

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63. KIDS DESIGN - goosebumps

I came across the Goosebumps brand at online store Howkapow and wanted to find out a bit more. Founded in Australia in 2014 Goosebumps was created by Inga Rodd, a Melbourne based designer. Inga's prints are inspired by her own twin boys, childhood memories and quirky design. The Roar design with leopards, tigers and zebras caught my eye for its modern yet timeless feel. You can see more of

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64. Clipping Services

Before the Internet, press clipping services once provided a necessary service to anyone running a publicity campaign.

With teams of readers scattered across many geographical markets, they would monitor print media for specific keywords and then snip out the articles, mark the keywords in the margin, and mail the client binders with all the relevant clippings.

Clipping services also advertised in art magazines for illustrators who wanted to collect tearsheets of other artists or photos of certain cities or subjects.

Is it a case of Death by Google? Some of these companies have shifted to monitor digital media, or they've merged or gone the way of the dodo.

But there are still players in the print-clipping game because a lot of print media is hidden behind paywalls.


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65. Back to old tricks

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66. Magic of Disney Animation, R.I.P.

Disney is tearing down one of its last symbolic ties to the craft of hand-drawn animation.

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67. DANGER by Roxanne Bee

timthumb

Submitted by Roxanne Bee for the Illustration Friday topic DANGER.

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68. railhead ambassadors

Yesterday I got to be a RAILHEAD AMBASSADOR at a special early-preview event for Philip Reeve's upcoming novel, Railhead. (Look at me, being all railway and ambassadorial in gold braid and hat. Also slightly overheated.)



Funnily enough, I used to go to lots of ambassadorial events when I first met my husband, when he was working for the British Embassy in Moscow. Back then, I was very studenty and didn't really have any dress-up clothes, so I pretty much wore black jeans, a velvet shirt and Doc Martens everywhere. All the foreign service wives had perfect English-bought clothes for every occasion and I always felt a bit awkward and gauche. So it was nice to be going to an ambassador event when I'd stopped caring about not blending in and could look like a twit with the greatest of joy, ha ha.

Anyway, back to the book, and I'm really excited about this one. Here's a snapshot of one of the posters on display at the event:



'Gentlemen Take Polaroids' is definitely my favourite train name. And here are the other assembled Railhead Ambassadors! Some of them had won a competition to attend, and others were young reviewers for the Guardian Children's Books website.



Here are a few of the tweets from Philip's first Railhead reading:




After the reading and Philip's answers to some very well-thought-out questions from the audience, we had drinks upstairs with Darren Hartwell from BookZone, Caleb Woodbridge and Laura Heath of the aforementioned tweets.



Here's Guardian Chidren's Book website editor Emily Drabble (who, incidentally, commissioned our Seawigs Comics Jam, my How to draw a hungry T-Rex, How to Draw Jampires and How to Draw a Silly Unicorn.)



Then I got to meet some more of the ambassadors while Philip signed advance review copies for the guests. (This version isn't quite finished - there will be a few more tweaks and editions in the final version - but it's ready enough to show to reviewers, to give them an early jumpstart before the book comes out in the autumn.)



These guys made me laugh. They're like, 'REEVE? We are going to CRUSH HIS VERY BONES.'



I'll look forward to reading their reviews! And I'll post a review here nearer to the publication date. But I CAN say that Railhead is ace.







And here's a good showing from the Oxford University Press Railhead publicity team: Keo Baxendine, Liz Scott and Alesha Bonser. You can check out what people are saying over on the #RAILHEAD hash tag.



Funnily enough, on my way to meet Philip, I met a REAL train driver! In fact, I'd met James Bacon before at a comics convention, but I had no idea he drove the Heathrow Express. (How cool is that?)




One more thing: Railhead is Philip's solo book (I'm not a co-author), but there's been a lovely review of our joint book, Oliver and the Seawigs by Stephen Holland of the excellent Page 45 comics shop in Nottingham. Stephen's a legendary reviewer, so I was hugely flattered to see that he'd taken time to focus on Seawigs, which isn't even a comic! I love reading his reviews: they're so exuberant, and he comes up with the most original descriptions and observations. And it's wonderful to see a review that talks so much about the illustrations. Thanks, Stephen! You can read the whole review here (scroll down a bit).

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69. Artist of the Day: Sarah Mazzetti

Discover the work of Sarah Mazzetti, Cartoon Brew's Artist of the Day!

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70. ‘A More Perfect Union’ by The Rauch Brothers

When Theresa Burroughs came of voting age, she was ready to cast her ballot. But in the Jim Crow era, she had a long fight ahead of her.

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71. Martha Brockenbrough Summer Bulletin

As writers and illustrators of children’s books, we have the cutest fantasies. Who else dreams that their work will someday be decorated by a sticker?

And then there’s the conference fantasy, where the agent or editor of your dreams holds your manuscript overhead and says, “This is brilliant!” and she just happens to have a contract in her pocket, which you sign on the spot. It’s almost better than the sticker.

But here’s the thing. People are sometimes asked to send off stories or art, and there are similarly wonderful career-transforming moments. Usually, though, nothing quite so dramatic happens.

And yet… conferences are magic. Truly. Every picture book I’ve ever sold has come directly from my time at an SCBWI conference, specifically the one in Los Angeles. I’ve sold four picture books and have interest in a fifth; each one sprang from an idea or conversation I had at that summer conference, starting with my first one in 2008.

My future editor, Arthur A. Levine, had been in Seattle that spring for a conference, and through a happy accident of seating, we’d chatted through the evening, and he invited me to submit something to him someday. At the time, I was writing an epic novel about a pirate in part because I’d given up on picture books, and in part because, well, I can’t really remember why, which was ultimately the problem with that novel.

At our local spring conference, Arthur had offered sage advice from his then four-year-old son. “When in doubt, write about dinosaurs.” At the time, this didn’t strike me as anything other than adorable. (Who was I to write about dinosaurs, anyway? At the time, I was merely thirty-seven.)

When registration opened for the summer conference in Los Angeles, I really wanted to go. But I couldn’t. We had a family reunion that weekend. And what kind of jerk puts anything in front of family? As it turns out, I am that kind of jerk.

In Los Angeles, Arthur reassured us about the picture book market, which at the time was feeling kind of battered. On the flight home, I resolved to send him a thank-you note for being so encouraging. I looked out the window, and I thought about dinosaurs, and specifically their teeth, and even more fantastically, about who might love their teeth most of all.

Arthur ended up publishing the answer to that question—The Dinosaur Tooth Fairy—five years later. A year or two after I sold The DTF, I mentioned to Arthur at another Los Angeles conference a letter I’d written to my daughter when she asked for the truth about Santa. He said he thought it sounded like a picture book as well. A dear friend I’d met at the Los Angeles conference, Samantha Berger, gave me an idea for how it might be done. I wrote it. Arthur bought it.

Last summer, Samantha and I came up with an idea at the conference while we were eating pizza poolside. So far that has turned into a two picture book deal with Arthur.

These aren’t the sort of things you can predict when you’re thinking about going to a conference. The standard fantasy—that someone might love your work and buy it on the spot—pales in comparison to what really can happen. You go to these conferences and meet people who inspire you. You make friends. You hear words you didn’t know you needed to hear, things that make you laugh and cry, things that feed your mind in ways your everyday routine might not. All of this becomes the fuel of story.

I’d never thought to dream about what comes from inspiration and connection and friendship. And yet this combination is so much better than any contract, and why I’ll go to every SCBWI conference I can.

Fantasies are great and all. But real life? It’s better.

 

Martha Brockenbrough is the author of the YA novels The Game of Love and Death and Devine Intervention, and The Dinosaur Tooth Fairy, a picture book. Both are with Arthur A. Levine at Scholastic, as is her forthcoming picture book, Love, Santa, as well as two Bigfoot picture books written jointly with Samantha Berger. Martha also wrote the nonfiction middle grade Finding Bigfoot for Feiwel & Friends. In addition to her work on SCBWI's Team Blog, she is the founder of National Grammar Day and author of Things That Make Us [Sic]. Visit www.marthabrockenbrough.squarespace.com and on Twitter @mbrockenbrough.

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72. Artist of the Day: Greg Pizzoli

Discover the work of Greg Pizzoli, Cartoon Brew's Artist of the Day!

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73. Summer Fun recipe

 
Thought I'd pop in here and share a recipe I created for the awesome website, They Draw and Cook. You can see this, in a larger version, on there, along with other illustrated recipes I've created, on my artist's page.

http://www.theydrawandcook.com/artists/nina-seven

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74. Comic-Con 2015: Nine Animation Events We’re Excited About

Cut through the clutter with our handy guide to the must-see animation events happening in San Diego this year.

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75. Ghost Connection

Manelle Oliphant Illustration - Illustrator and Writer

Here is my latest Tales Fantastic Story. My brother volunteered to read the story and I think he did a great job. You can listen to it on the video or read it below. If you’d rather read it later on your kindle or ipad you can download this story free from smashwords.

 

Ghost Connection

A short story by Manelle Oliphant

I’ve been haunted by two things since I was born, my red hair, and a ghost. This is the story of how my sister Emily’s Halloween obsession helped me become uh… un-haunted.

Let’s start with the ghost. She’d been around from my earliest memories. She was white and glowy. She wore a flowing dress, had long hair, and looked a little old fashioned. She followed me around in a kind of smoke. Her presence brought a feeling of desperation. Like she wanted to be my friend and had to struggle every moment to make it happen.

As a kid, I talked about her all the time. I didn’t realize seeing a ghost wasn’t normal. I told everyone how she looked and things she did. My family called her my “imaginary ghost friend”. The only reason I stopped talking about her was because of my red hair.

I’m the only redhead in my whole family. No one, not even a cousin has a hint of it. When I was eight, my older brother Jake told me I didn’t fit in because I was adopted. Maybe I shouldn’t have believed him, but I did.

I asked my mom about it. She was doing laundry at the time and looked at me with her arms full of dirty sheets, “Of course your not adopted, Clayton. My mom had red hair just like yours.” That relieved me quite a bit, but when I asked more questions, Mom looked sad then shoved the sheets into the washer double quick. “She died around the time you were born. Please don’t ask me anymore about her”.

I was ok with that. I’d heard what I wanted. Triumphantly I told my brother about our dead grandma with red hair.

He laughed at me. “Have you ever seen a picture of her?”

“No.”

Jake smirked “Then how do you know it’s true? I think Mom made the whole thing up to make you feel better. You really were adopted. I remember when they brought you home so I would know.”

At this point, tears threatened at the corners of my eyes. “You were only three. How could you even remember?”

He smirked at me. “Oh, I remember. Trust me. You’re adopted.” Then he ruffled my hair like I was a cat. “Don’t worry little brother, I’m sure they won’t give you up. ‘Course if you keep going on about that imaginary ghost they’ll have to take you to an asylum. Probably the same one where your real mom lived when she had you.”

I kicked Jake’s shin. “It’s not true.”

He just smirked at me, “That’s why she had to give you up you know- because she thought she saw ghosts. Just like you.“

I tried to punch Jake in the arm, but he blocked it. So, I ran to my room and cried. My ghost appeared and tried to comfort me. The gesture didn’t help. Her desperate feelings always overpowered everything else. I felt so angry because the fact that I could see her made me feel crazy. I decided right then I wouldn’t talk about her ever again. I wouldn’t look at her. I would ignore her until she went away.

After that, Jake didn’t tease me as much, and my parents no longer looked at me with worried expressions. My ghost got more annoying than ever, though. The more I ignored her the angrier she got. Instead of gliding she dashed about from place to place. Sometimes she disappeared only to reappear right in front of my face. She made lights flicker, rooms colder, and did everything a ghost could do to get my attention. I ignored this constant ghosty tantrum like a pro. That’s how things stood with us for years. Then came my sister’s wedding.

Weddings are supposed to be fun, but they aren’t. Like I said, my sister Emily was obsessed with Halloween. She loved ghosts, wearing black, and found some guy to marry her who loved that stuff too. Since I actually saw a ghost all the time, I didn’t get what the big deal was but Emily was knee deep in it. As a consequence, she wanted her wedding to be on Halloween in a graveyard. Weird.

Emily couldn’t get permission to have the party in the actual cemetery, but she reserved the park next to it. So, while she “got ready” for her big day, me, Jake, Mom and Dad, and anyone else we could get, set up tables, hung old looking photos in the trees, and put up lights. Then we cleaned ourselves up just to sit through a wedding. By the time we got to the reception, which was supposed to be the fun part, I just wanted to fall asleep.

I found a bench away from everyone where I could be by myself. I slumped down, breathed in the crisp air and shut my eyes.

Ghost-Connection-fin-flat

When I opened them again, my ghost floated in front of me. Her dress billowed out in all directions. The air grew colder, and wisps of ghostly light reached toward me. She stared at me with empty black eyes and wailed. Her feelings of anger, hurt and desperation overwhelmed me. I think Halloween, or the graveyard, or both made her more powerful.

The thing of it is, even though I felt her presence stronger than ever, I was exhausted. I’d seen her throw so many ghosty fits this just felt like one more tactic to get attention. It didn’t work. I stood and walked back toward the party. She wailed louder and whirled around me so fast I felt a breeze. I pretended not to notice. I figured once people surrounded me again she would leave. But it didn’t work out that way. When I stepped into the lights of the party, the band stopped, and everyone looked at me. Then they all freaked because they could see her too!

I’m not sure what happened next. I got caught up in the chaos until I hid under a table with my cousin Ryan. He’d stolen some of the cake. People and a ghost screamed all around us, but I just sat there under the table and ate cake, no point of it going to waste.

Once things had quieted down I crawled out from under the table. Most of the guests had fled. My sister looked delighted by their unexpected wedding guest. Mom sat very still on one of the few upright chairs, and Dad directed anyone still there to start cleaning up.

I walked over to Mom. “Are you ok?”

She looked at me. She’d been crying. “Clayton, I saw a ghost.”

“Yeah, my ‘imaginary ghost friend.’”

“Oh…well, I know who she is.”

“Really?”

“Yeah, my mom. She died a week before you were born. Cancer. I’d hoped she’d at least meet you before she died. You are her first and only grandchild with hair as red as hers.”

She put her arm around my shoulders. “All these years I’ve tried not to think about how she missed out on meeting you and seeing all you kids grow up.”

I patted her on the back. “Well, she hasn’t actually missed out on all that much. My first memory of her is at my second birthday party.”

Mom smiled. “Really?”

“Yes. I’ve always wondered who she was.”

Mom squeezed my shoulders again. “Let’s get this mess cleaned up, and then I’ll tell you about her.”

When we got home, Mom pulled out some old photo albums. Dad and Jake joined us as Mom told us about Grandma. She showed us the wedding photos first.

I pointed at the first picture. “That’s the same dress.”

My mom smiled. “Yes, we buried her in her wedding dress.”

Seeing my ghost in full color was weird. She had the same dress like I said, the same face, and the reddest of red hair.

I smiled. “See Jake, not adopted.”

Jake just laughed.

Relief washed through me. I’d told myself many times Jake had been kidding about me being adopted, but I think I didn’t really believe it until I saw that photo.

We looked at pictures for a few hours while my mom told stories about growing up. By the time we went to bed I felt like I really knew my ghost, and Mom looked happier than she had in a long time.

I only saw the ghost once more after that, she appeared in my bedroom a day or so later.

I smiled at her. “I’m sorry for ignoring you.”

She nodded. The feelings of desperation were gone. I felt connected to her now, even though she was old and dead. I saw her mouth form the words “See you later.” Then she faded away. I don’t know if she meant she’d come back sometime, or if I just have to wait until I’m dead to see her again. I’m good either way, as long as I don’t die for a good long time.

The End

If you enjoyed this story I hope you’ll share it with your friends.

Learn how you can support the creation of more like it at www.patreon.com/manelleoliphant

Manelle Oliphant Patreon

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