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Viewing: Blog Posts Tagged with: Japan, Most Recent at Top [Help]
Results 1 - 25 of 255
1. ‘The Tale of the Plump Bird’ by Saki Iyori

"The Tale of the Plump Bird" was directed, animated and edited by Saki Iyori

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2. Illustrator Interview – Akiko White

As all my blog followers know, I am a huge fan of the SCBWI and highly recommend children’s authors and illustrators to join and become involved in this society. I apply for and follow keenly their awards, and just as … Continue reading

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3. The Meditative and Mysterious Films of Tatsuhiro Ariyoshi

Born in 1984 in Aichi Prefecture Japan, Tatsuhiro Ariyoshi is an independent animator who lives and works in Tokyo. He graduated from the Musashino Art University (Department of Imaging Arts & Sciences) in 2009, followed by a graduate degree from the animation department at the Tokyo University of the Arts.

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4. Oswald the Lucky Rabbit Does First-Ever Disney Park Meet-&-Greet

Today in Japan, a new Oswald costumed character began doing meet-and-greets at Tokyo DisneySea.

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5. Masaaki Yuasa’s ‘Ping Pong’ Series Looks Incredible

Table tennis sounds like just about the last thing that needs an animated series, but leave it to the Japanese to make the sport as exciting as a superhero action-adventure series. This is our first extended look at "Ping Pong," a new 11-episode animated series by Japanese director Masaaki Yuasa ("Mind Game," "The Tatami Galaxy") that will debut April 10th on Fuji TV’s late-night noitaminA block.

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6. Graphic Novel Week: Pluto

Pluto by Naoki Urasawa, based on work by Osama Tezuka.

I'm going to review the entire 8-volume series as one, because that's how I think about it, because that's how we looked at it for inclusion on the Outstanding Books and College Bound list for Science and Technology.

Urasawa takes a story arc from Osama Tezuka's classic Astro Boy series and retells it for an older audience. The first volumes really focus on Gesicht, a top European detective who's looking into the horrible murders of some of the world's leading robots. It's soon evident that the serial killer is targeting the seven most powerful robots in the world. This troubles Gesicht for many professional reasons, but many personal ones as well--most of the seven are his friends, because he is one of them. This killer is unlike anything they've ever seen before--he's too fast to be captured on film, so he can't be human, but he doesn't show up on any robot sensors, so he can't be a robot.

As the mystery deepens, we meet the other robots, get backstories-- many are haunted by what they saw and did in the last great war and many live their lives today as a way to atone for their actions then. There are flickers of something at the edges of Gesicht's memory that he can't quite place, but he thinks it's important.

And through it all it raises questions of what it means to be human and where the line is between Artificial Intelligence and humanity--if we get too good at designing AI, will there be a line any more? Can there be one? What about an injured human with robotic parts? How much robot is too much robot? And through it all, it's just a damn good, engaging story that has many heartbreaking moments. An early one that stands out is the story of North, a robot who is known for the death and destruction he brought during the war. He's now a butler to a composer who loathes him because everyone knows robots can't feel. All North wants to do is make music, to play piano and bring beauty to the world, but the composer won't let him, because robots are emotionless and can't understand or play true music because of it. It perfectly sets up the prejudices many have against robots, while showing that many of these AI systems are so advanced that robots may not be that emotionless after all. It's a tender story that sets up a lot of the larger issues and dynamics in the series.

I love the world Tezuka and Urasawa have built, and it's eerie to realize that the geopolitics read as super-current, but were in the original text from the 60s. As someone whose never read Astro Boy, I'm not familiar with the source material, but that's ok. The story is amazing on its own, but I do like the touch that each volume has a bit of back matter--an essay, an interview, another comic-- from a variety of people--Tezuka's son, manga scholars, other artists-- that help give both works a context to each other and to the larger manga world. It was very interesting and helpful. (Plus, I just love that Japan takes drawn books so seriously that there are a lot of manga scholars out there.)

I highly recommend it.

Books Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

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7. Graphic Novel Week: Town of Evening Calm, Country of Cherry Blossoms

Town of Evening Calm, Country of Cherry Blossoms Fumiyo Kouno, translated from the Japanese by Naoko Amemiya and Andy Nakatani

This isn't currently in print, but many libraries still have it and it's seriously worth tracking down a copy. It's two stories, in one book. "Town of Evening Calm" deals with Minami, a young woman who, 10 years prior, survived the atomic bombing of Hiroshima. She's still haunted by that day, and has intense guilt about the fact she survived when so many didn't. (Including many members of her immediate family.) "Country of Cherry Blossoms" is in two parts and takes place in 1987, the second part in 2004, and on one hand is a story of changing friendships and aging parents, but on the other is a look at how the bombing still lingers in Japanese society and thought. They're connected, but I won't tell you how.

This is an Outstanding Book for the College Bound, on the History and Cultures list. I didn't read it when we were working on the list, because I was on different subcommittees, but hearing the History and Cultures people talk about it, it was on my list of ones to pick up immediately.

The author's note at the end explains why Kouno wrote the story. She's from Hiroshima, where they avoid the subject. When she moved to Tokyo she discovered that the rest of Japan (excepting Nagasaki) don't talk about it because they don't understand it. They don't the scars those cities still bear, and how they're different than the ones the rest of Japan has.

The result is beautifully drawn book. "Town of Evening Calm" is rather heartbreaking, but "Country of Cherry Blossoms" is often very funny. It's a fascinating look into a time and place and effects events still have decades down to the line.

Book Provided by... my local library

Links to Amazon are an affiliate link. You can help support Biblio File by purchasing any item (not just the one linked to!) through these links. Read my full disclosure statement.

0 Comments on Graphic Novel Week: Town of Evening Calm, Country of Cherry Blossoms as of 3/27/2014 11:55:00 AM
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8. Tom & Jerry Short Remade With CGI Anime Girls

This a fan-made experiment in which the 1956 Tom & Jerry short "Down Beat Bear" is remade in CGI with anime girls in the roles of Tom, Jerry, and the dancing bear. The characters don't appear to be random and likely represent some part of fandom of which I'm not aware. Even lacking that context, I still think it's a fascinating piece of work, not so much for its animation or technical merit as for its resurrection of (and reverence for) classic theatrical animation in a completely unexpected setting.

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9. Japan – Nippon

Japan Nippon via grainedit.com

Japanese graphic design is characterized by a unique aesthetic, oscillating between its own pictorial tradition and Western visual culture. In Lars Muller’s lastest release, Japan-Nippon they explore the Japanese poster and how it functions most notably as a highly aesthetic image advertisement, presupposing the designer as an artist.


Japan Nippon via grainedit.com


Japan Nippon via grainedit.com


Japan Nippon via grainedit.com


Japan Nippon via grainedit.com


Japan Nippon via grainedit.com



Also worth viewing:

Saul Bass Book
Design Books
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Thanks to Mister Retro: Machine Wash Deluxe for being this week's sponsor.

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10. Ryo Takemasa

Ryo Takemasa via #grainedit


Charming work from the talented Ryo Takemasa, a graduate of Musashino Art University and member of the Tokyo Illustrators Society.

Ryo Takemasa via #grainedit


Ryo Takemasa via #grainedit


Ryo Takemasa via #grainedit


Ryo Takemasa via #grainedit



Also worth viewing…
Kevin Dart Interview
Mitch Blunt
Thereza Rowe

Thanks to Mister Retro: Machine Wash Deluxe for being this week's sponsor.

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11. A masterwork by one of Australia’s best writers

Review- The Narrow Road to the Deep North by Richard Flanagan

9781741666700Richard Flanagan has been working on this novel for over 12 years, writing other novels in between. He’d gone through countless drafts, reworked the story, started completely over. The reason it troubled him so much was because central to the story are the Australian POWs who worked on the Thai-Burma death railway. An experience shared by his father. He didn’t just want to get the story right, he had to get the story right. And I believe, deep down in my guts, in my heart and with every fibre of my being that he has got the story right.

Richard Flanagan has written a tragic love story, a deconstruction of heroism and mateship, and captured a side of humanity I’ve never read before. Wars, according to our history books, have beginnings and ends but for those who take part in wars, who are swept up in it’s maelstrom, there is no beginning or end. There is only life. And the damage war causes must be endured by those lucky or unlucky enough to survive it.

Dorrigo Evans is a Weary Dunlop type character. Revered by his fellow soldiers/prisoners and mythologized by his country’s media, politicians and people. But Dorrigo’s experience of War and being a POW doesn’t equate to the image his men needed during their imprisonment nor the one thrust upon him later. He battled his role in the POW camp and tried to hide from the one at home. At the expense of family, friends and love. It is not that these images are based on lies, they just don’t ring true to himself. And after surviving the horror of internment he can no longer make sense of the emotions of the life he must now grapple with.

Flanagan structures this novel uniquely. I think he was trying to base his story on a Japanese style but am not 100% sure. We start with Dorrigo’s early years growing up in rural Tasmania and his journey to becoming a surgeon but in between we start to get snippets of his time in the POW camp. We jump to Dorrigo’s later years before jumping back to his time just before the war and an affair that will change Dorrigo irrevocably. When we get to his time at the POW camp the story is contracted around one day, one 24 hour period, but it doesn’t feel like just one day, it feels like many lifetimes. We barely follow Dorrigo through this day as we have already glimpsed bits and pieces and will re-live yet more. Instead we get everyone else’s story. The other prisoners, the guards, the Japanese officers in charge. Flanagan clearly shows us each characters’ motivations, desires, inner turmoil and demons. As the day unfolds we experience the terror, the devastation, the depredation, the hope, the loyalty, the betrayal, the choices of life on the Thai-Burma death railway.

But Flanagan’s novel is not just about what happened on the death railway but also what happened after. How it was explained and justified. How it was hidden and run away from. How justice can be escaped but is also used as revenge. And how it never really ended for anyone involved.

We often talk about the Anzac spirit in Australia but we rarely confront it. War is never altruistic, no matter which side you are on. Survival brings out the best and worst in people as does victory, as does love. Flanagan explores this warts and all. Dorrigo is not a hero, nor is he a bad man, father, husband. He is all of theses things and he is neither. This is a masterwork by one of Australia’s best writers.

Buy the book here…

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12. The Room of Wonders in Japanese

Many thanks to Yumiko Fukumoto for the translation and the big help in getting The Room of Wonders published in the Land of the Rising Sun!

Here is the cover, with and without the typical band over the jacket.




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13. Watch A Video of Hayao Miyazaki Announcing His Retirement From Feature Animation

Earlier today in Tokyo, Japanese animation legend Hayao Miyazaki held a press conference attended by over 600 journalists to formally announce his retirement. He acknowledged that he has said he would quit before: “I’ve mentioned that I would retire many times in the past, so a lot of you must be thinking ‘Oh, not again.’ But this time I am quite serious.”

Miyazaki explained his reasons for why he no longer wants to direct animated features:

I’m not sure you all know exactly what an animation director does. And even if you say ‘animation director’ everyone has their own way of working. I started as an animator, so I have to draw. If I don’t draw, I can’t express myself.

So what happens is, I have to take my glasses off and draw like this. I would have to do that forever. No matter how physically fit and healthy you are, it’s a fact that year after year the amount of time you’re able to concentrate on that decreases. I have experienced this personally, so I know. So, for example I leave my desk 30 minutes earlier compared to during Ponyo. Next I guess it’ll be one hour earlier than that.

Those physical issues that occur with age, there’s nothing you can do about them, and hating them doesn’t make a difference. There’s the opinion that i should just do things a different way, but if I could do that I would have already done a long time ago, so I can’t. Therefore, all I can do is persist in doing things on my terms, and I made the call that feature films would be impossible.

Miyazaki is leaving feature animation on a high note. His new film Kaze Tachinu (The Wind Rises) is Japan’s top-grossing film of 2013. At the conference, Miyazaki said that he will continue going into the studio “as long as I can drive and commute back and forth between my home and the studio.” He expects to work for at least another ten years on projects of his choosing, but refused to divulge what those might be, other than hinting that he would become more involved with organizing exhibitions at the Ghibli Museum.

In a self-effacing moment, one of many during the conference, he related what happened when he told his wife that he was retiring:

So, this is the way the conversation about my retirement with my wife went—I said, “Please keep making my bento,” and she said, “Hmph…at your age it’s unheard of to have someone still making your lunch everyday.” So I said, “I am terribly sorry, but I’ll still leave it to you.” I don’t know if I said it that politely.

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14. “A Gum Boy” by Masaki Okuda

A Gum Boy (Kuchao) by Masaki Okuda is a 2010 student film produced at the Tokyo University of the Arts. The film addresses difficult subject matter—adolescent ostracism—through a creative and non-literal use of animation that marries the fluid grace of a watercolor style with frenzied use of camera and cutting. Okuda’s mastery of film technique, narrative and visual style elevates Gum Boy beyond the average student film, and for that matter, the average professional short film as well.

Direction, Animation and Editing: Masaki Okuda
Music: Daisuke Matsuoka
Song: Yushiro Kuramochi
Sound Design: Kyohei Takahashi
Samisen: Kohdai Minoda
Sound Design: Kyohei Takahashi
Mixing Engineer: Yoshito Morita
Music Mixing Engineer: Shinpei Kusaka

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15. Weekend Groove: Music Videos from Japan, US and UK

“Cirrus” directed by Cyriak (UK)

“Yamasuki Yamazaki” directed by Shishi Yamazaki (Japan)

“Tourniquet” directed by Jordan Bruner (US)

Music Video for Hem. Animated by Greg Lytle and Jordan Bruner.

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16. Hokkaido, Japan

I've been to Japan once before for the Sakura Festival. Next on my list was the Sapporo Snow Festival in Sapporo, Hokkaido, Japan. Boy was it cold but beauuuuutiful (and delicious!).
The snow festival in Sapporo is well known, but there's also one in Asahikawa, the second largest city in Hokkaido. We got to see the ice artists in action chiseling, sawing, and brushing away the blocks of ice into gorgeous, tremendously detailed sculptures.
This Transformer tripled as a sculpture, a performance stage and, to the right, a gigantic slide! You sit your bum down on a piece of laminated newspaper with a loop of nylon rope and slide down 150 feet of ice into a pile of snow. So. Much. Fun.
Miso ramen from the original Santouka in Asahikawa. They have locations in CA, and even in the Philippines!
A piping hot bowl of broth and scallops for 400 yen. Yes please.
8am breakfast at Donburi Chaya in Sapporo.
Cheesy ramen at Karin in Furano.  
 Blue & brick building is Otaru Brewery. I had a "smoked" beer. Delicious. Worth a visit.
Genghis Khan lamb dinner at the Sapporo Biergarten (we already ate the lamb).
Kita No Ice Cream in Otaru. Left, uni & taro. Right, sake and squid ink. All very good.

Hokkaido is known for their dairy so if you do visit, please have cheese, caramels, hot milk & sake, and most importantly, vanilla soft serve ice cream. It is so very much unlike anything you'll ever taste (my favorite ice cream in the world), you will eat it walking through the snow, in 20 degree weather. It is that good. At least Kevin and I thought so :)

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17. Temples & Totoro in Japan

In Kyoto, Kevin took me to Kanga-an Temple, a temple with a hidden bar once the sun goes down. 
We sipped on Japanese whiskey (finally!!).
“The pace is slow here so it calms you down,” says Yamada [the bartender]. “It’s not the drinks, it’s the garden that relaxes you” (from the Japan Times).

After Kyoto, Kevin & I stayed in Eko-in Temple in Koyasan. The train ride was so pretty.
Best tofu ever.
The view! It was nice to wander the halls and find random rooms and studies. The best parts were the fire ceremony in the morning, relaxing in the onsen, and the table in the room with an electric blanket as the tablecloth. Glorious. We basically lived under the table.

And then there was Totoro! I happened upon him many times before actually saying hello at the Ghibli Museum.

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18. More silliness in Japan (mostly food)

The greatest hamburger-themed stickers Disney has ever produced.
 Delicious izakaya in Tokyo with Merrick, Leo & KB. My favorite dishes were the kimchi udon pasta & the tofu cheesecake. YUM.
 Gion Kitana, as recommended by Tara (formerly) of Sweet Breams. Make sure you get the dekitate, their fresh ice cream. So good.
 Yakisoba at Mizuno, Osaka. Their okonomiyaki is out of this world. I discovered the restaurant by following two people in Osaka who seemed to be on a mission to eat. I do that when I travel. Not creepy.
 Sushidai in Tokyo.
Matcha green tea paste at Ippodo Tea, recommended by Yoko of Homako.
Kaboucha fried goodness.

Thanks to the lovely friends who sent suggestions and made our trip that much more delicious and delightful. Special shout to Merrick for housing KB & me, and teaching us some key Japanese words. Good host. Arigatou gozaimasu.

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19. Two Years Later: Japan 11 March

11 March 2011 the Tohoku earthquake and subsequent tsunami struck Japan.

The country is still rebuilding from the natural and nuclear disaster that resulted from the quake.

Books are beginning to appear to help students understand this tragedy.

11 TomoCover2

Click for Interview with Contributors Leza Lowitz and Shogo Oketani.

The Great East Japan Earthquake of March 11, 2011, resulted in a massive tsunami that caused the loss of life and livelihood for thousands of people in the northern Tohoku region of Japan. So many teens in Tohoku have lost parents, siblings, relatives, friends, homes, schools, and huge swaths of their cities, towns and villages. Their teen worlds have been upended.

Tomo was published on March 10, 2012. Proceeds from the sales of Tomo will go to organizations that assist teens in the quake and tsunami hit areas. Tomo, which means friend in Japanese, aims to bring Japan stories to young adult readers worldwide, and in so doing, help support teens in Tohoku.




Click to find out how you may be able to obtain a free copy

In just over a week, a group of unpaid professional and citizen journalists who met on Twitter created a book to raise money for Japanese Red Cross earthquake and tsunami relief efforts. In addition to essays, artwork and photographs submitted by people around the world, including people who endured the disaster and journalists who covered it, 2:46: Aftershocks: Stories from the Japan Earthquake contains a piece by Yoko Ono, and work created specifically for the book by authors William Gibson, Barry Eisler and Jake Adelstein. “The primary goal,” says the book’s editor, a British resident of Japan, “is to record the moment, and in doing so raise money for the Japanese Red Cross Society to help the thousands of homeless, hungry and cold survivors of the earthquake and tsunami. The biggest frustration for many of us was being unable to help these victims. I don’t have any medical skills, and I’m not a helicopter pilot, but I can edit. A few tweets pulled together nearly everything – all the participants, all the expertise – and in just over a week we had created a book including stories from an 80-year-old grandfather in Sendai, a couple in Canada waiting to hear if their relatives were okay, and a Japanese family who left their home, telling their young son they might never be able to return.” ONE HUNDRED PERCENT of the price you pay (net of VAT, sales and other taxes) goes to the Japanese Red Cross Society to aid the victims of the March 11 earthquake and tsunami. If you’d like to donate more, please visit the Japanese Red Cross Society website


The oldest bird in the world, documented with banding, is Wisdom, the Midway Albatross. She was on Midway when the Japanese Tsunami hit and this is her amazing story of survival of manmade and natural disasters for over 60 years. She has survived the dangers of living wild, plastic pollution, longline fishing, lead poisoning, and the Japanese earthquake. At 60, she’s still laying eggs and hatching chicks. It’s a story of survival and hope amidst the difficulties of life.




This title examines an important historic event – the March 11, 2011, earthquake that spawned a devastating tsunami in Japan. Easy-to-read, compelling text explores the dual disaster that resulted in thousands of deaths and left many people homeless. This book also details the damaged Fukushima nuclear power plant near Japan’s northeast coast and the recovery efforts following the disasters.

Filed under: Causes Tagged: 11 March, japan, tsunami

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20. “Kou Kou” Is Fantastic Abstract Animation from Japan

Within 15 seconds of hitting the play button on Kou Kou by Takashi Ohashi, I did something I rarely do when watching films on my laptop: I turned off the lights at my workspace to create a dark theater environment. Good abstract animation, like a good song, demands the audience’s full attention, and I sensed this was going to be something special.

Takashi Ohashi, who has been featured on our Animated Fragments feature, has created a masterful piece of abstract animation with Kou Kou. Ohashi does something rare for abstract filmmakers, which is to organize his visual ideas with the clarity, pacing and dynamism of a more traditionally narrative storyteller. The second ‘movement’ that begins around the 4-minute mark packs a real punch. The competing red and blue offsets create tension and instability in the imagery, which serves to heighten the visual excitement.

To a non-Japanese speaker, the film is a beautiful visual experience, but the Japanese speaker will enjoy an additional layer of depth. Ohashi sent Cartoon Brew the following explanation of the film:

Kou Kou is a visual work based on an abstract animation synchronized with a song comprising the unique syllabic sounds of the Japanese language, without actually using any full words.

It is in the elements of sounds from which words are made that we find syllabic sounds. In the case of the Japanese language, the linguistic roots, or ‘Yamato Kotoba,’ each individual sound possesses a unique meaning. For example, words containing ‘su’ exhibit a frictional characteristic and hence are used to represent a linear or direct movement. In modern-day Japanese, ‘sasu’ or ‘susumu’ represent a concrete, tangible action.

Furthermore, words with fewer syllables are used to express simple onomatopeia-like words, whereas the more syllables a word contains, the more concrete it becomes.

However, although a given syllabic combination may not be understood despite its constituent syllables possessing their own meanings, there are particular instances where we are able to discover meaning from a meaningless word.

This is what I feel is most interesting about the Japanese language and why I’ve thought to express myself by combining just how good the combination of vowels and consonants unique to Japanese resonates with music synched to abstract animation.

This musical composition was made by recording 6 natural voice vocal tracks from singer Luschka and selecting lyrics with Japanese syllabic combinations which afforded expression. The track comprises words which themselves are meaningless, but carefully combining syllables and their respective unique resonances ensured highly musical peaks and troughs.

Director: Takashi Ohashi
Composer: Yuri Habuka
Mixing: Masumi Takino
Vocal: Luschka
Drums: Kyojun Tanaka (from DCPRG)

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21. Japanese Filmmaker Mirai Mizue Needs Your Help To Complete “Wonder 365 Animation Project”

As most Cartoon Brew readers are aware by now, we’ve had a “no crowdfunding” policy in place for a long time. But times change, and as more animation filmmakers incorporate crowdfunding into their production plans, we feel that it’s necessary to provide a platform for noteworthy projects that need funding. Starting today, we’re going to try something new by featuring a curated selection of crowdfunded animation projects on Fridays. We especially aim to give exposure to promising animation that may slip through the cracks due to a lack of exposure in mainstream media.

For starters, I’d like to highlight WONDER 365 Animation Project by Japanese filmmaker Mirai Mizue. Mizue creates his abstract films the old-school way by drawing and painting onto paper, but he uses digital compositing techniques to fantastic effect:

If you follow Mizue on Vimeo, you know that he’s been working diligently on WONDER 365 for the past 365 days in a row. Mizue received a grant from the Agency for Cultural Affairs in Japan, which allowed him to hire over 150 painters to help color the film, but he’s still looking for funding to complete the music recording and post production.

The Wonder 365 crowdfunding effort continues through April 30. The project is currently 22% funded. Here is the film’s trailer:

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22. Japanese Beverage Drinkers Can Create Disney Animation with Their Bottles

A Japanese beverage company is encouraging its drinkers to animate their drink bottles after they’ve finished drinking its contents. They are printing a series of Disney characters on the sides of their tea-drink packaging. Each drawing is numbered, like this:

After someone has collected all the bottles in a series, they can photograph the draiwngs to create an animation sequence:

More details (in Japanese) HERE.

(Thanks, JL, via Cartoon Brew’s Reader Submission Forum)

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23. “Night Stroll” by Tao Tajima

Japanese filmmaker Tao Tajima filmed the footage for Night Stroll around his Tokyo home. Then, with the aid of motion tracking, he added motion graphics and particle reflections to complete the piece. It’s always a treat to see someone use digital tools with restraint and thoughtfulness. The live-action backgrounds are somewhat superfluous; Tajima’s sense of mo-graph design is so strong that I’d venture the piece would be just as effective against a stark black background. Either way, it’s solid work.

(Thanks, Matt Jones)

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24. Maggie Welcomes Thousands of Visitors Worldwide

Maggie Steele, the storybook heroine who vaults over the moon, has been attracting thousands of visitors from around the world. So many visitors, in fact, that she’s using a time zone map to keep track of them all.* People are … Continue reading

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25. Animated Fragments #24

Interesting animation is being produced everywhere you look nowadays. This evening, we’re delighted to present animated fragments from six different countries: Chile, Iran, UK, US, Japan and Spain. For more, visit the Animated Fragments archive.

“Lollypop Man—The Escape” (work-in-progress) by Estudio Pintamonos (Chile)

“Bazar” by Mehdi Alibeygi (Iran)

“Time” by Max Halley (UK)

Hand-drawn development animation for Wreck-It Ralph to “explore animation possibilities before [Gene's] model and rig were finalised” by Sarah Airriess (US)

“Rithm loops” for an iPhone/iPad app by AllaKinda (Spain)

“Against” by Yukie Nakauchi (Japan)

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