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51. AW15 - paperchase : notebooks

And we end the round-up of what we can expect from Paperchase next season with some of their new notebook designs. I snapped these at their Autumn Winter 2015 press show a couple of weeks ago so apologies for some of the low light. Good things to look out for included colourful mice and sausage dogs, cute woodland characters, and a dark mystic rose.

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52. Picture Book Summit 2015

Picture Book Summit FB post

Have you heard? There’s a new online conference in town.

I’d pull up a chair with any of these three authors and illustrators, and so I expect this to be a rich day of learning and creating and basking in the beauty of picture books.

From the Picture Book Summit’s press release:

Three of today’s most beloved and honored picture book authors will headline the inaugural Picture Book Summit, an all-day online writing conference that will take place Saturday, October 3.

Peter Brown (Creepy Carrots, Mr. Tiger Goes Wild), Andrea Davis Pinkney (Martin & Mahalia: His Words, Her Songs, Sit-In: How Four Friends Stood Up By Sitting Down), and Mac Barnett (Sam and Dave Dig a Hole, Extra Yarn) will be the featured speakers at the virtual conference. The event is the result of a collaboration between longtime industry mainstays Children’s Book Insider, Just Write for Kids, 12 x 12 Picture Book Writing Challenge, and the Institute of Children’s Literature.

A portion of all proceeds will benefit the literary advocacy group We Need Diverse Books.

In addition to live presentations from the superstar picture book authors, Picture Book Summit will also include full, live sessions from four of children’s writing’s most respected educators:

Children’s author, editor, and educator Emma Walton Hamilton will lead Is Your Manuscript Truly Submission Ready? Emma will give attendees the tools to polish their manuscripts until they sparkle, empowering authors to submit (or self-publish) with confidence.

Children’s Book Insider publisher and longtime editor Laura Backes will teach How to Write the 500 Word Picture Book. Laura will show how to write a story in this hot market— complete with fully developed characters, a plot with a beginning, middle and end, and page- turning action — in 500 words.

Picture book author and 12 X 12 Picture Book Challenge founder Julie Hedlund will present Publishing Picture Books in the 21st Century. Julie will help attendees navigate the many publishing choices presented today, including traditional, indie, electronic and hybrid.

 Picture book author and creator of the #1 Amazon Bestseller How to Promote Your Children’s Book Katie Davis will lead How to Get Your First 1000 Followers. Katie will help Picture Book Summit attendees build an effective author platform that sells books.

Picture Book Summit attendees will also enjoy exclusive agent and editor interviews and learn about breaking opportunities in the picture book field.

“This is the biggest day in the history of picture book writing instruction,” said Jon Bard, Children’s Book Insider’s managing editor and emcee for the virtual event. “To have this much talent and knowledge presented in one day is simply mind-blowing. That writers can attend from the comfort of their own homes, with no travel, hotels or time away from family and writing, makes it even more remarkable.”

Picture Book Summit will take place October 3 from 11 am to 7 pm Eastern Time (8 am – 4 pm Pacific). The interactive event (question and answer opportunities will take place throughout the day) will be accessible from any computer, tablet or smart device. A full recording will be available to attendees immediately after the event.

Full details, including instant registration, are available at http://picturebooksummit.com.

And a note: Early Bird pricing ends on August 15th.

ch

PS: Sounds incredible, right? I’ll be back next week with your regularly scheduled picture-book-goodness. Thank you!

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53. Diner Portrait in Gouache

This guy eats his bacon at a diner table near me. 

Gouache, 4 x 5 inches
There's a soft light from the right, and a bright edge light from behind. He has a dark mustache, dark eyebrows, graying hair, no teeth. Maybe he's on his way home from the Hemingway Lookalike Contest.

Art Sperl Disposal: "You propose it, we dispose it."
I lean over my coffee and shoot a glance from under my hat brim. This is portrait painting in the wild. The guy never looks up. He doesn't notice me painting him.
----
Previously: Portrait Noir

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54. Harts Pass No. 260

It seems like my dog is constantly cleaning. Something that I usually associate with cats. Perhaps wolverines are a bit neat freakish as well (just guessing)... and I'm absolutely sure that they love ZZ Top. Anyway, I colored today's strip while waiting in a car dealership and watching some smooth sales dudes in action as well. Cheers!

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55. Ruth Sanderson's CASTLE FULL OF CATS - guest post!

I am thrilled, tickled, elated to have Ruth Sanderson, the Co-director of the MFA in Children's Book Writing and Illustrating Children's Books at Hollins University and also my boss and colleague, here today to talk about her latest picture book, CASTLE FULL OF CATS. Ruth is hands down one of the best illustrators in children's literature, so read and learn!!!

I’d love to share the process for creating the cover illustration of my new book A CASTLE FULL OF CATS, released by Random House this year.
As you can see from my initial storyboard sketch, I envisioned the cover as a view looking out a window with cats watching the outdoor activities from the inside of the castle.
At the next stage, I created a more detailed cover sketch to focus on the queen's "favorite" cat. I also depicted the cats and kittens in a much more active and playful role, indicating the queen and the king outside in the garden. And, I played with how the title of the book might fit on the cover illustration.
In the final cover sketch, I brought the queen's cat closer to the center and looking directly at the reader while still allowing the queen and king to be seen through the window.
In creating the finished illustration for the cover, I wanted the window to really stand out, so I created a maroon wall in the background, actually painting it in acrylic over the watercolor painting to get a really solid effect, and because a dark, even color is so hard to create in watercolor! When I submitted the illustration, the editor and art director felt that it was too dark...
and suggested I make the wall pink…Here is the revised cover, with the pink wall painted in acrylic on top of the maroon color. Yes, it was very time-consuming to paint around all those details. But we are not done yet! After giving the art to the designer, problems arose.
      A note—The marketing folks asked that the title be changed. I coined the word "Castleful," to indicate there were a ton of cats in the castle, and am very proud of it, but apparently anyone searching for a book with "castle" in the title would not find my book, so we had to split my word to "Castle Full." Inside the book it is still "castleful," read as one word, like "spoonful."
The designer was having a very hard time making the type stand out against the background. The art directer even photoshopped the curtains to make it simpler, shown here, but it just looked too busy. In addition, she felt that the pink wall was too bright. When she and the editor approached me about making yet more changes, and major ones, to the artwork, I agreed. The cover was simply too busy, as you can see. I had to fix it! And I decided on a blue for the wall to make it recede more and focus interest on the bright center of the illustration.
I started with the full size digital image of the cover, because changing to a blue wall would not be easy. I really did not want to put a third coat of acrylic paint on that wall! SO, I started in Photoshop with my pink cover image. I duplicated the image as another layer and changed the whole picture to blue, and then painstakingly worked to combine the two layers into one.
I painted a new window with a single sheer curtain in watercolor on a separate piece of watercolor paper, no king and queen, then scanned and Photoshopped it in so the type would hopefully read nicely on top of it.
Above is the final image with the blue wall. I was a bit sad that the king and queen can't be seen outside, but feel the title reading well was the most important concern. And the cats are the stars of the book.
A week later....here was the (almost) final cover design. I loved the new typeface the art director chose. Note the kitten kicking the word "of" in the title! The type color was still under discussion, but this was VERY close to perfect! After some discussion, it was decided that the word “cats” would stand out more in a shade of red that matched the couch, and that was the color chosen for the final design. [See the very top image.] My art director Nicole de las Heras from Random House did such a marvelous job on this, and was so patient and easy to work with, through all these changes. It really helps to have a great team to work with at a publisher, to make a successful cover design.

Thanks so much for stopping by, Ruth! To see more of Ruth's amazing work, check out her blog!

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56. Retro Inspired Illustrations by Jennifer Dionisio

judy-garland-A3-jennifer-dionisio-illustration_670

fruit-dove-jungle-revised-low-res_670 Jennifer-Dionisio-High-res-One-Thing-I-Know-copy-illustration Ann-Francis-Jennifer-Dionisio-2015_670 Tomorrowland-Jennifer-Dionisio-Low-res_670

Jennifero Dionisio Website >>

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57. It's Tough to Lose Your Balloon Book Trailer


Here is the book trailer for It's Tough to Lose Your Balloon! 
Kids' problems can sometimes feel trivial to us, but when we get down to their level and watch that balloon float away...man, it is indeed tough. 
It's Tough to Lose Your Balloon will be on bookshelves everywhere on September 8th!

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58. Ottawa 2015 Selections Announced

Seventy-nine animated films were selected for competition at Ottawa this year.

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59. #TBT in B&W






































Maggie meets her grandmother, and Oliver gets a scolding. (From MAGGIE & OLIVER OR A BONE OF ONE'S OWN.)

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60. Oculus TD Max Planck: “We Want to Inspire the Virtual Reality ‘Citizen Kane’”

Challenges and lessons learned from interactive animation storytelling.

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61. Stora kornö flee market

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62. Through The Green Rez to Flagstaff
















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63. Peanut Butter and Jellyfish Audiobook


Did you know that I recorded an audiobook of Peanut Butter and Jellyfish? Weston Woods & Scholastic Audio also made a spiffy animated adaptation. 
I just received my first review for my voiceover work. I'm used to getting taken to task for my words and pictures, but it was so surreal to read a review of my "acting." It was a really nice review!

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64. Patrick Osborne, Director of ‘Feast,’ Will Direct ‘Battling Boy’

It's the second high-profile feature directing gig for Patrick Osborne this year.

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65. FREE Webinar: Creative Playgrounds

webinar-ad-newnewnew

While making notes for Salli’s upcoming class – BUILD A FREELANCE ILLUSTRATION BUSINESS – she realized that one topic was worthy of it’s own session: Creative Playgrounds, which Salli and her brother/business partner Nate Padavick believe can energize your career. What IS a Creative Playground and why are they so important? Join us for the FREE webinar August 10th at 4:00 EST (or watch any time after the live class).

Take it from Albert Einstein “Play is the highest form of research.”

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66. Sunday Sermon Series: Prodigal Son July 26, 2015

Howdy folks. Today's illustration is another in my Sunday Sermon Series, from this week's sermon at Hockinson Community Church. The sermon was about the prodigal son parable Jesus told and is found in Luke 15:11-32.

I have read this piece of scripture many times, and have heard at least two sermons that I recall on it. Pastor Andy's sermon had a little bit different take(as usual) than the other sermons I had heard. Andy has a terrific knowledge of life/society during Jesus times. I always knew that when the prodigal son asked for his inheritance and the freedom to leave that it was a slap in the face to his father. What I hadn't ever heard before was that it was so much more than that. In those times, and that society it would have been perfectly acceptable for the father to kill his son for the disgrace he had heaped upon him. So, his sin could have, should have, cost the prodigal son his life. But the father saw him coming and ran to him, forgave him, sacrificed the fatted calf for him, welcomed him back with open arms with no questions asked. "For this son of mine was dead, and is alive again; he was lost and is found." (Luke 15:24)

We suffer the same when we try to shake God off, and live for this world. But if we seek repentance God is always there, running towards us. The tag line sums up what I took from this sermon. I think we should routinely stop and look up from our busy, hectic routine. Assess our lives, our direction, what we are doing and saying(and why we are doing and saying it), and see if it aligns with God's will. It's easy to get off track in life, but it's also easy to get back on track. Just turn towards Him.

I did not have time to colorize the drawing this time. With the temperature back in the 90's this week I can spend very little time in my office. Also I have little time these days for work what with Angela, Stella and the boys and the house/chores needing my attention. I like the drawing itself, but am not one hundred percent happy with it. I was going for a more subtle expression of self realization/shock at his predicament for the prodigal son there. More of a "the fog is lifting "What the..." moment. As it is, he looks suspiciously like Marty Feldman if he stuck his finger in a light socket. That's fine because I always liked Mr. Feldman, but it wasn't what I was going for originally. But, with little to no time to rework things what you see is what you get around here these days.

As always I hope you enjoyed this drawing. I hope this post was informative to you and helps you in some way in your walk. Thank you for stopping by. God bless.--Ryan

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67. for Brian Tappin ~ joy and sparrows, seagulls and sky and hope and… ~ part one

Sometimes we’re lucky enough to fleetingly meet a someone who changes us, bursts heart open, adds three feet to your height and shows you where your forgotten wings are buried. And it’s mutual. The following (and the rest of the song which I need to illustrate) are for you Brian Tappin ~ roaring lion, gentle angel, boy I miss you right now, dude! xx

for brian - july 29 2015


Filed under: Brian Tappin, flying, journeys, love, sea, songs

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68. Lach scribble #1

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69. ‘Seer 5: Rise of Thunder’ Is Another Animated Feature from China

It's the fifth feature in a cartoon series that you probably haven't heard about in the West.

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70. Lach scribble #2





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71. Oculus Debuts ‘Henry,’ An Immersive Virtual Reality Short

Interactive, immersive animation experiences are now a reality.

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72. Charlotte Day

PlantHunters_Hooker

Blackbirds_Charlotte_Day_Illustration_Crop 

 1200_CharlotteDay_1

 A2_crop

 BC_5

Charlotte Day specialises in creating botanical inspired illustrations, she combines an historical interest in botany with the decorative arts. Charlottes work has featured on editorials and on products such as tents and teapots! Her clients include Random House, Penguin, Liberty and Anthropologie to name a few. 

To see more fantastic work from Charlotte Day visit her website 

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73. AW15 PREVIW - paperchase : vision

My final day for previewing Paperchase's Autumn Winter collections has arrived and we finish with a more grown up collection called 'Vision'. This sophisticated range featuring lots of gold has a Peacock with floral and birdcage motifs as it's main print and includes a peacock feather repeat for gift bags and boxes. Designed for more grown up gifting it features on more feminine products such

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74. More Rain...and a Frog


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75. Oculus Creative Director Saschka Unseld: “It Feels Like We’re in Film School Again”

After directing Pixar's "Blue Umbrella," Saschka Unseld has moved into the world of VR filmmaking.

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