Jennifero Dionisio Website >>

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 As I may have already mentioned, I've been cleaning up my house recently. It fell into disrepair due to neglect (by me) and now I'm giving it some much needed attention. I've put a deadline on getting it done too; August. I have decided to do an Open House then, to show off all my hard work - decorating and drawing - and you're all invited. I need to, not only paint the whole place, but, get my work together to frame and hang. I came across this radio drawing whilst sorting through stuff. I made it, about six years ago, whilst in Italy. It was on that trip that I met lapin for the first time too. I also drew his hat. But that hangs in his home.
 Anyway, I decided I'd like this drawing to be at my Open House exhibition, so last night I played around with it a little. I upcycled this old radio, if you like. There were practical reasons for doing it; the brown pens I used back then (my beloved Pilot G-tec) are just not light fast, and so, as I wanted this radio hanging on my wall, in August, it too needed a little attention. I went over it all in brown light fast fine liners and added a little colour pencil. An improvement on the original? I don't know. That's all subjective.
Now, I haven't got time for all this. I've got walls to paint. AUGUST?! The whole house by August

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Desert scene in a minimalistic pixel art style, for a Talk Retro site redesign.

Available as a high quality art print.

More images: MetinSeven.com.

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After playing some street fighter at an arcade recently, I just had to recreate this guy! I love Dhalsim! 

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The electronic musician — pixel artwork in a minimalistic style.

Available as a high-quality art print.

More images: MetinSeven.com.

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Post by Heather Ryerson

Montreal illustrator Janice Nadeau has won three Governor General’s Awards for her poetic, evocative illustration. She uses watercolor and pencil (and sometimes charcoal and ink) to create her sophisticated color palettes and detailed characters and scenes. Nadeau has illustrated three books including Harvey, a long-form graphic picturebook that appeals to both children and adults for its honest portrayal of loss. Nadeau is now working on an animated short.

To see more of her work visit her website and read her blog.

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By Caitlin Tyler-Richards

Over the past few months, the Oral History Review has become rather demanding. In February, we asked readers to experiment with the short form article. A few weeks ago, our upcoming interim editor Dr. Stephanie Gilmore sent out a call for papers for our special Winter/Spring 2016 issue, “Listening to and for LGBTQ Lives.” Now, we’d like you to also take over our OUPBlog posting duties.

Well, “take over” might be a hyperbole. However, we have always hoped to use this and our other social media platforms to encourage discussion within the oral history discipline, and to spark exchanges with those working with oral histories outside the field. We like to imagine that through our podcasts, interviews and book reviews, we have brought about some conversations or inspired new ways to approach oral history. However, we can do better.

Towards that end, we are putting out a “call for blog posts” for this summer. These posts should fall in line with the aforementioned goal to promote the engagement between and beyond those in oral history field. Like our hardcopy counterpart, we are especially interested in posts that explore oral history in the digital age. As you might have gathered, we thrive on puns and the occasional, outdated pop culture reference. These are even more appreciated when coupled with clean and thoughtful insights into oral history work.

We are currently looking for posts between 500-800 words and 15-20 minutes of audio or video. Though, because we operate on the wonderful worldwide web, we are open to negotiation in terms of media and format. We should also stress that while we welcome posts that showcase a particular project, we do not want to serve as landing page for anyone’s kickstarter.

Please direct any additional questions, pitches or submissions to the social media coordinator, Caitlin Tyler-Richards, at ohreview[at]gmail[dot]com. You may also message us on Twitter (@oralhistreview) or Facebook.

We can’t wait to see what you all have to say.

Caitlin Tyler-Richards is the editorial/media assistant at the Oral History Review. When not sharing profound witticisms at @OralHistReview, Caitlin pursues a PhD in African History at the University of Wisconsin-Madison. Her research revolves around the intersection of West African history, literature and identity construction, as well as a fledgling interest in digital humanities. Before coming to Madison, Caitlin worked for the Lannan Center for Poetics and Social Practice at Georgetown University.

The Oral History Review, published by the Oral History Association, is the U.S. journal of record for the theory and practice of oral history. Its primary mission is to explore the nature and significance of oral history and advance understanding of the field among scholars, educators, practitioners, and the general public. Follow them on Twitter at @oralhistreview, like them on Facebook, add them to your circles on Google Plus, follow them on Tumblr, listen to them on Soundcloud, or follow the latest OUPblog posts via email or RSS to preview, learn, connect, discover, and study oral history.

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Image credit: Retro Microphone. © Kohlerphoto via iStockphoto.

The post A call for oral history bloggers appeared first on OUPblog.

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By Ross E. Cheit

It was the longest criminal trial in American history and it ended without a single conviction. Five people were charged with child sexual abuse based on extremely flimsy evidence. Some parents came to believe outlandish stories about ritual abuse and tunnels underneath the preschool. It is no wonder that the McMartin Preschool case, once labeled the largest “mass molestation” case in history, has come to be called a witch-hunt. In a commentary to a Retro Report in the New York Times earlier this month, Clyde Haberman, former Times reporter, repeated the view that the McMartin case was a witch-hunt that spawned a wave of other cases of “dubious provenance.” But does that description do justice to the facts?

A careful examination of court records reveals that the witch-hunt narrative about the McMartin case is a powerful but not entirely accurate story. For starters, critics have obscured the facts surrounding the origins of the case. Richard Beck, quoted as an expert in the Retro Report story, recently asserted that the McMartin case began when Judy Johnson “went to the police” to allege that her child had been molested. Debbie Nathan, the other writer quoted by Retro Report, went even further, asserting that “everyone overlooked the fact that Judy Johnson was psychotic.”

Both of these claims are false.

Judy Johnson did not bring her suspicions to the police; she brought them to her family doctor who, after examining the boy, referred him to an Emergency Room. That doctor recommended that the boy be examined by a child-abuse specialist. The pediatric specialist is the one who reported to the Manhattan Beach Police Department that “the victim’s anus was forcibly entered several days ago.”

Although Judy Johnson died of alcohol poisoning in 1986, making her an easy target for those promoting the witch-hunt narrative, there is no evidence that she was “psychotic” three years earlier. A profile in the now-defunct Los Angeles Herald-Examiner, published after Johnson died, made it clear that she was “strong and healthy” in 1983 and that she “jogged constantly and ate health food.” The case did not begin with a mythical crazy woman.

Retro Report also disposed of the extensive medical evidence in the McMartin case with a single claim that there was no “definitive” evidence. But defense lawyer Danny Davis allowed that the genital injuries on one girl were “serious and convincing.” (His primary argument to the jury was that much of the time that this girl attended McMartin was outside the statute of limitations.) The vaginal injuries on another girl, one of the three involved in both McMartin trials, were described by a pediatrician as proving sexual abuse “to a medical certainty.” Were the reporter and fact-checkers for Retro Report aware of this evidence?

None of this is to defend the charges against five (possibly six) teachers in the case. Nor is it an endorsement of claims, made by some parents, that scores of children had been ritually abused. Rather, it is a plea to treat the case as something that unfolded over time and the children as individuals, not as an undifferentiated mass. As it turns out, there are credible reasons that jurors in both trials voted in favor of a guilty verdict on some counts. Those facts do not fit the witch-hunt narrative. Instead, they portray the reality of a complicated case.

When the story of prosecutorial excess overshadows all of the evidence in a child sexual abuse case, children are the ones sold short by the media. That is precisely what Retro Report did earlier this month. The injustices in the McMartin case were significant, most of them were to defendants, and the story has been told many times. But there was also an array of credible evidence of abuse that should not be ignored or written out of history just because it gets in the way of a good story.

The witch-hunt narrative has replaced any complicated truths about the McMartin case, and Retro Report, whose mission is to bust media myths, just came down solidly on the side of the myth. It wasn’t all a witch-hunt.

Ross E. Cheit is professor of political science and public policy at Brown University. He is an inactive member of the California bar and chair of the Rhode Island Ethics Commission. His forthcoming book, The Witch-Hunt Narrative: Politics, Psychology, and the Sexual Abuse of Children (OUP 2014), includes a 70-page chapter on the McMartin case.

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Image credit: “Face In The Shadow” by George Hodan c/o PublicDomainPictures. Public domain via pixabay.

The post Unlearned lessons from the McMartin Preschool case appeared first on OUPblog.

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eBoy (“Godfathers of Pixel“) is a pixel art group founded in 1997 by Kai Vermehr, Steffen Sauerteig and Svend Smital.

Their complex illustrations have been made into posters, shirts, souvenirs, and displayed in gallery exhibitions.^[1] They were founded on May 2, 1997. “We started working with pixels because we loved the idea of making pictures only for the screen. It’s the best way to get really sharp and clean looking results. Also, handling pixels is fun and you are forced to simplify and abstract things, which is a big advantage of this technique.” ^[1] eBoy is based in Berlin (Germany) and Vancouver (Canada).

Their influences come from: “Pop culture… shopping, supermarkets, TV, toy commercials, LEGO, computer games, the news, magazines…”^[2] Kai grew up with Nintendo to inspire him, the rest of the eBoys lived in East Germany where video games did not exist.^[3] Their work makes intense use of popular culture and commercial icons, and their style is presented in three-dimensional isometric illustrations filled with robots, cars, guns and girls. Now, most of their designs are printed and not used solely for computer screens, allowing images to get more complex with details.^[1]“If we don’t work on other projects at the same time it takes about six to eight weeks to finish a very detailed cityscape, three eBoy’s working on it, nearly full time. But, if we have to do it in our spare time, which happens often, it could take years to finish a picture since we can’t spend so much time on it.”^[1] Their style has gained them a cult following among graphic designers worldwide,^[1] as well as a long list of commercial clients. Their latest project are plastic Peecol toys with Kidrobot, and a line of wooden toys are to be produced under their own label.

Source: Wikipedia

Visit Eboy’s web site here.

Check out Amazon for Eboy Posters

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Sketch of the day: Jem!

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Over at his blog, Sonny Liew’s been posting some lettered pages from his as yet untitled upcoming book with Gene Yang for First Second, and it looks pretty great, particularly that 50′s inspired pulpy cover. As a fan of Liew’s work, I’ve been keeping up with this project for a while, (although aware of Yang  -as the author of American Born Chinese and Level Up- I’ve yet to get round to reading any of his books), so I knew it was a retro superhero book, but that’ s about it. Here’s an exclusive, and intriguing, little synopsis from Liew:

‘It’s basically a origins story of a character created back in the 40s – his distinction being that he was meant to be Asian American. Gene has been exploring identity issues with his comics, of course, so this is another angle.

One of the interesting things about the comic was that the artist and creator (Chu Hing) has to go out of his way never to show his face in the comic – which apparently was due to his publishers or editors not wanting to reveal too  clearly that he was, in fact, Asian! We did try to incorporate those elements into the book.’

Chu Hing is credited for working on 29 issues in the 40′s and 50′s, 4 of which were on a title called Blazing Comics (the book Liew’s homaged in the cover above). These books featured the character Yang and Liew are reviving: Green Turtle- ‘the first Asian superhero’, a ‘mysterious individual who almost never let anyone see his face (the reader included). Armed only with his wits, combats skills, a remarkable light aircraft (the Turtle Plane,) and a mystic jade dagger, he and Burma Boy, a youngster he saved from the Japanese, flew across Asia battling the Imperial Japanese Army. While having no obvious powers granted by his jade dagger, he did seem to cast a shadow that had a bright pair of eyes and face.’ (via Comic Vine)

No projected release date for this yet, but another title to add to your list of ‘books to keep an eye on.’

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Ty Mattson created a series of designs to celebrate Homeland by designing 12 vintage-styled record covers inspired by the TV series - with some very nice results. (via Homeland Vintage Jazz Record Covers « Mattson Creative)

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So many wonderful animal illustrations at the Animalarium!

(via Daniel Savage’s twooter)

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Millennials are growing up in a time of uncertainty. They aren’t sure when (or if) they’ll find a job after high school or college, how they’ll pay their bills, or where they’ll be in five years. Looking to the future is scary, so instead,... Read the rest of this post

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Hey fellow SFGers!

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http://danbobthompson.blogspot.com/

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