On this Saturday instead of doing laundry, running errands I wsih to live inside here...
wake up to bedroom walls that look like this...
shower here...

Confession time: I love to do research. I love to surf the web--or even better: check out a big stack of books at the library. There's just nothing better. I'm geeky that way.
For
Double Vision, I must've read a dozen books on Leonardo da Vinci. I combed travel guides on Paris, learned about its awesome catacombs. I dove into the fascinating history of codes and ciphers.
So you'd think the book is full of facts and history, right? Not really. I think that out of all that research, maybe one percent makes it into the book.
I could save myself a lot of time by just looking for what I need and getting back to writing. Maybe research is just avoidance, hmmm...
How 'bout you, writer friends? Do you like research, and where do you go to get your data?
I talk some more about research at Sleuths, Spies and Alibis.
I'm a little nuts: I love packing and planning for trips. Our recent family trip to Paris was no exception. Here are five little investments I'm so glad I bought and brought:
1. My red Merrell Lorelei shoes. Half sneaker, half sports shoe, all cute, these were SO comfortable. The red, surprisingly, went with almost everything. Or at least I thought I did, so that's what matters! There I am, at left, posing as if for a Merrell shoe commercial...!
2. The Rick Steves Paris guidebook. Not only are there great tips about transportation, how to order food in French, and travelling with kids, but there are FANTASTIC walking tours. We used the Historic Paris, Left Bank and Monmartre tours. I felt like I was getting an insider's view of Paris. And I left feeling like I hadn't missed any of the essentials in those areas. You can actually preview some of those tours on his website, and also download free audio tours of Paris and Versailles. I didn't even try those--since we had kids riding along it didn't seem realistic to pop earbuds in for an hour-long tour. But I bet they're as awesome as the book.
3. My PacSafe TourSafe Travel tote. At a steep (at least for me) $100, I was reluctant. But I wanted a biggish zipping tote with theft protection--and one that was at least a little cute. This more than delivered. It has ant-slashing fabric and handles, plus zippers that are tough for someone to open without you noticing (say, on the Metro). The side outside pockets were especially awesome--big enough for a large Vittell bottle or a decent-sized umbrella. Here is a shot of me descending the Sacre Coeur dome steps, carrying that tote... and even managing a smile. The straps were so comfy that I barely noticed I was dragging around my thick guidebook and all that random mommy stuff like...
4. Wet Ones Wipes in 20-sheet travel packs. I thought I was done with these things since my kid is nearly a second grader, but I brought them along and I was so glad I did. Public bathrooms were frequently lacking soap, and we also made a lot of meals out of ice cream and crepes purchased from streetside vendors. I felt like a champion mama everytime I broke one of these babies out for the kids.
5. At the risk of being a PacSafe shill, I also loved my Toursafe Petite handbag, which was basically a reddish mini version of the travel tote. I scored mine on deep discount (about $30) from eBags. It had the same antitheft features as my tote, but this one converts from a shoulder bag to a crossbody. It was also small enough to pass the "small bag" requirement of some places in France, including Versailles. The tote would have been too big. Here, at left, I am at a pond in Versailles, with my purse (and those red shoes!) I have no idea what thing I am contentedly gazing at. That is pretty much the happy look I had on my face the entire time at Versailles, which was one of my very favorite spots we explored!
Coming soon: 5 spots around Paris where your kid WILL be glad they came...

My favourite art museum has to be Rodin’s.
The gardens are spectacular and the statues powerful.
I’d say he was depressed with the human condition – man’s capacity for sin, suffering, thinking … but then there is philosophy with his masterpiece – The Thinker and …..the KISS.
Love, passion, the embrace – ahhhhhh!
From the sublime to the ridiculous – Rodin to The Pompadou Cetre for Contempory Art.
The Centre is a modern masterpiece of tubes and contemporary design. Inside is the obligatory white space and terrible installations. But then there was a Warhol and views to die for of Paris.



Paris is definitely a grand city with palaces, bridges, Arc de Triomphe Les Invalides … memorials to Napoleon and heroes of the past.
By:
andrea joseph,
on 10/1/2012
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You know, I do this every single year; I think 'hmmm, I'm sure it's my blog's birthday soon' and then find out it was last week some time. Yep, six years of blogging. It's been an amazing six years for me. I've got nothing but love my blog but I often wonder whether blogging is still relevant. Do you know what I mean? With the rise and rise of social networking, and so many places to post ones work, I sometimes wonder whether blogging is a thing of the past. Anyway, while people still continue to visit, I'll keep on going.
I also always intend to do some birthday related drawing but that never happens either. Here is a new drawing, though. Like the last post, this one is also from my
graphic novel idea. I'm really getting into (obsessing over) this idea, and story, again. It's hard to give time to these projects, with everything else going on, so I long for the day that a publisher agrees that this book needs to go to print and I get to give it the time it really deserves.
If you'd like to read the letter to Edward then click on the drawing.
And, if you'd like to see the rest of the book (so far) click
HERE.
Finally, Happy belated sixth Birthday to my blog. I loves ya.
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5 Stars Geronimo Stilton #11: We'll Always Have Paris Lewis Trondheim Nanette McGuinness Papercutz 56 Pages Ages: 7 and up .......................... .................................... Back Cover: Geronimo Stilton is the editor of the Rodent’s Gazette, the most famous paper on Mouse Island. In his free time he loves to tell fun, happy stories. In this adventure, Geronimo [...]
Public Domaine, a skateboard art and culture show currently on display at Gaite Lyrique in Paris, features an installation of classic board designs brought to life. The animated was created by skate legend Natas Kaupas.
(via Mike Geiger’s Twitter)
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So, there’s this really wonderful book that I found at the New York Public Library a few weeks ago. I mean, I don’t even know how to describe how special it is.
The Dull Miss Archinard is not that book. But I probably never would have come accross it on my own.
The book is called Toward a feminist tradition: an annotated bibliography of novels in English by women, 1891-1920, by Diva Daims and Janet Grimes, and it is a list of books by women that have a bit of a feminist bent (or an older-than-average heroine, or a heroine with a career), with blurbs compiled from contemporary reviews. It is the reading list of my dreams. I mean, aside from all the descriptions of books about how having children out of wedlock will inevitably lead to everyone involved dying the most miserable deaths possible, whether for moral reasons or because of the state of society, depending on the political inclinations of the author. But the books that delight in wretchedness seem to be counteracted by books about women founding salons, or farming coconuts. It’s pretty great.
Anyway, I noted down many titles, and The Dull Miss Archinard, by Anne Douglas Sedgwick, was the first one I sought out. It’s about a guy named Peter Odd, whose estate neighbors on that of the Archinards: a spendthrift father, an invalid mother, and two young girls. Katherine, fourteen-ish, is courageous, scientifically inclined, and very smart. Hilda, maybe twelve, is timid, emotional, and intense. Odd makes friends with Hilda, who quotes Chaucer at him, and it flatteringly fond of his company, but when Odd’s wife dies, he leaves England and doesn’t encounter any of the Archinards for another ten years.
Then he encounters Katherine in Paris. He’s impressed by her wit, her manner, and her velvet gown, but mostly he’s eager to see Hilda again. Hilda, though, is kind of hard to track down. Odd spends increasing amounts of time with Katherine and her parents, but Hilda, if she appears at all, only pops in to say high between coming home from the studio where she paints and going to bed. Eventually Odd finds out what’s going on: Hilda is working herself to the bone in order to support her family in the lifestyle to which they insist on remaining accustomed. And also he realizes that he’s in love with her, which is awkward, because by that point he’s gone and gotten himself engaged to Katherine.
All of this should be significantly more fun than it actually is. I mean, it’s okay. I sort of liked most of the characters. Getting to be indignant about the way the Archinards treat Hilda was pretty enjoyable. The section towards the end where Hilda, Katherine, and Peter Odd all repeatedly accuse each other of being base was as unintentionally hilarious as it was irritating. But it could have been much better. Especially if Sedgwick’s editor had forbidden the use of the word ‘base.’
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Two things stand out about this architectural mapping piece by Paris-based 1024 Architecture which debuted in Lyon, France last year:
1.) The building deformations were audience-controlled via a microphone and an audio analysis algorithm.
2.) Unlike most architectural mapping projects that use abstract imagery, they turned this building into an identifiable character, kind of like a real-life Monster House.
(via BB)
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Playful colourful work from Emmanuel Kerner.

One thing you can depend on for a writer is that if you ask them what they're thinking , whatever they reply you can be pretty certain that at least a part of their mind is thinking about a story. It might be no more than a slight itch at the back of the mind, but it'll be there.
So, being a writer, it is hardly surprising that when I was in Paris in the Spring stories were taking up a corner of my mind. After all, even a desert can be fertile ground for a story, which makes ideas for fiction seep out at every turn in Paris.
Fortunately, the friend I was staying with understood, and on the last day of my trip came up with something for me to take home. It was a quote in the frontispiece of a novel by Mathias Enard called Parle-leur de batailles, de rois et d'elephants.
Puisque ce sont des enfants, parle-leur de batailles et de rois, de chevaux, de diables, d'elephants et d'anges, mais n'omets pas de leur parler d'amour et de choses semblables.
Here's a translation:- Because they are children, tell them about battles and kings, horses, devils, elephants and angels, but don't neglect to tell them about love and things like that.
Not being able to find an attribution I assumed the author must be Mathias Enard, but I wished that I knew for sure.
I loved the quote. It seemed to sum up exactly what I thought was important. Yes, of course a fast moving plot is paramount, especially in the sort of fiction for the 8-12's that I usually write. But, and I think this is particularly important for boys; love, and things like that is also vital. Girls tend to be better at talking about feelings, while some boys, I think, can find it harder. Of course, both boys and girls can feel pretty lonely at times, when what they're feeling is muddled and difficult. I believe that one of the best ways of understanding that you're not alone in your feelings is through a good story. So the quote resonated with me, whoever had written it. But the story doesn't end here.
Some while later, a review from an American newspaper fell into my inbox. It was a glowing review of a new novel that had been in the final selection for the Prix Goncourt in France. It was
Damn, it's good to be working in a Moleskine again. Most of my Moleys are in the display cabinets at my exhibition, but I kept a couple aside. I knew that I couldn't go three months without feeling that gorgeous cream paper, smelling those covers and (oh yeah) drawing in them.
This is another spread from the graphic novel idea that I'm working on. I have the story and now I'm just trying to bring those ideas to life through drawings. I'm most excited about this idea (I can't think of another word for 'idea'), hopefully, one day a publisher will be too. There's a couple more drawings from this story HERE.
By:
Elizabeth Varadan,
on 7/26/2011
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While getting ready for my surgery, I started accumulating books over the past few months, some from used book stores and some from Borders. (Alas, I won't be doing the latter anymore.) Some were adult books, and some were children's books. I started on the adult stack first, and was I ever surprised: Apparently my week in Paris a couple of summers ago burned its imprint into my unconscious; five of the books take place either partially or entirely in Paris. They are too many to review, so consider this post a thumbnail sharing of each.
I'll start with my least favorite first,
Gourmet Rhapsody, by Muriel Barbery. I'm sorry to put it that way, too, because my purchase was motivated by how charmed I had been by Barbery's first book,
The Elegance of the Hedgehog. In
Hedgehog, a young girl has given herself a date on which she'll commit suicide unless she can find enough reasons not to. I know that sounds like a morbid story, but the book captures small, luminous moments of beauty that make life truly worth living. So I was expecting to be deeply moved again in
Gourmet. Nope: A food critic lies on his deathbed, hoping to capture a favorite flavor that he can't quite identify in memory. Acquaintances and family each have a turn at sharing what they recall about this thoroughly unlikeable man. That's it, folks. some exquisite writing, because this author cannot turn out a bad line, but for me, the plot was . . . missing in action (pun intended).
But, next I read Cara Black's
Murder in the Bastille. Black is one of my favorite mystery writers. Her series stars Aimée Leduc, a private eye for white collar techie matters who keeps getting dragged into murder cases instead. To read any one in the series is to get a free trip to Paris. Black knows that city inside and out and places each new mystery in a different neighborhood. Because Aimée grew up in Paris, naturally she has little snippets of memory about buildings she passes or bridges or streets she traverses, and so in a completely non-intrusive way, the reader picks up scraps of French history and art history while Aimée chases or runs from the bad guys. Black's website is equally interesting: Press
here and go take a peek.
Then I read
The Girl at the Lion d'Or by Sebastian Faulks. This is a carefully sculpted story of a young girl cast adrift following World War I. It takes place in a small village outside of Paris where Anne has taken employment as a waitress in the Hotel Lion D'Or of the title. Her story unfolds by degrees: Her father was falsely accused of cowardice at Verdun and shot. Because of accusations, Anne and her mother were hounded out of their village and went to Paris. With no one to turn to after her mother dies, Anne hopes to find a new life at the Lion D'Or. Sh
By: David Elzey,
on 8/1/2011
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by Johanna Wright
Neal Porter Books / Roaring Brook Press
2009
Only the mice know, and they aren't telling...
In Paris there is a circus, a very secret circus, a very tiny circus, that only the mice know about. They ride a hot air balloon to a merry-go-round long after the people have gone to bed and find their way to the circus where they snack on left-behind snacks and enjoy the show.
By: *daisy,
on 9/6/2011
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Hey fellow SFGers!
I am SUPER thrilled to be a part of this fantastic show in Paris! If any of you are in the area (lucky!) be sure to check it out! If not, then at least check out the works online : D
Thursday, September 15 · 7:00pm - 10:00pm
LA FLAQ GALLERY
36 rue Quincampoix ( 75004 )
Paris, France
Facebook Event Invite
http://www.facebook.com/event.php?eid=260287763981520
By: Chogrin,
on 9/15/2011
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From Super Mario Bros to Pac-man,
8-BIT CHAMPIONS offers a wide variety of all your old school arcade / home console systems with the elegance and variety of art that
the Autumn Society has to offer and is known for. Magnificent french artists like
McBess (
www.mcbess.com) and others will be joining us as well!
LA FLAQ GALLERY36 rue Quincampoix ( 75004 )
Paris, France
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Novelizations of plays/movies really don’t work for me. I don’t know why. I find it upsetting when I’m watching a movie and think, “This would be an awesome book!” and then I read the book and it’s horrible.
Clarification: I wasn’t referring to movies that were adapted FROM books.
Isn’t it weird how there’s sort of a double standard there? Like, while I’m skeptical of movie adaptations of books, I’m not against them on principle, but book adaptations of movies just seem like a bad idea.
Also, for what it’s worth, the first Tom Slade book was an adaptation of a movie, which is why it’s subtitled “Boy Scout of the Moving Pictures.”