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Viewing: Blog Posts Tagged with: Character Design, Most Recent at Top [Help]
Results 1 - 25 of 219
1. Madeline & Genevieve sharing some quiet time in the rain. I...



Madeline & Genevieve sharing some quiet time in the rain. I love Madeline, and always have- here’s my tribute to her.



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2. I visited a children’s book conference in the North of...















I visited a children’s book conference in the North of Michigan this past weekend and spent most of it sketching and listening. I’m not going to review the conference, but I’ve posted a few of the sketches I did (mostly of speakers but some audience members). You can also see the layout of my portfolio things which were on display during the weekend.

I really should mention though, that I did really enjoy painting in a butterfly garden (the watercolour & ink above) and getting to know a few really awesome people. 















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3. Hoist your flagons!

l_9781585368150_fc

Heave on your futtock-shrouds and don’t leave your swashes unbuckled! ‘Tis International Talk Like a Pirate Day!

Don’t forget: If you are anywhere near Latrobe, Pennsylvania, shape a course for The Art Center (819 Ligonier Street) where I’ll talk about illustrating pirates this evening from 6:30 – 8:30. If you miss it, I’ll be at The Art Center again tomorrow morning 10:00 – 11:00ish (we need to clear the decks before noon—when some poor lubber’s wedding takes place).

MoviePirates

As promised, here are the answers to yesterday’s M is for Movie Pirates Quiz:

First row: Johnny Depp as Captain Jack Sparrow in Pirates of the Carribean (2006). Second row: (left to right) Douglas Fairbanks in The Black Pirate (1926); Robert Newton as Long John Silver in Treasure Island (1950); Sherman the parrot; Errol Flynn as Captain Blood (1935). Third row: Charles Laughton as Captain Kidd (1945); (Charlton Heston as Long John Silver in Treasure Island (1990); Dustin Hoffman as Hook (1991); Walter Matthau as Captain Red in Pirates (1986). Fourth row: Maureen O’Hara as Prudence ‘Spitfire’ Stevens in Against All Flags (1952); Laird Cregar as Sir Henry Morgan in The Black Swan (1942); Kevin Kline as the Pirate King in The Pirates of Penzance (1983); Graham Chapman as Yellowbeard (1983).


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4. Davy Jones

More from P is for Pirate as we count down to Talk Like a Pirate Day, September 19th! I’ll be presenting a pirate program at Adams Memorial Library in Latrobe, PA, Friday & Saturday September 19th & 20th.

Here is D is for Davy Jones from sketch to final painting. Sorry about the color in my progress shots—must’ve been at night and I forgot to switch the flash on. You can see I based my version of Davy Jones on an 1892 ink drawing by John Tenniel from the British humor magazine, Punch. Tenniel is the guy who drew the famous illustrations for Alice In Wonderland.

Tight pencil sketch Ink drawing of Davy Jones from the British magazine Punch color sketch painting in progress… IMGP1680 IMGP1681 IMGP1682 Finished painting

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5. Captain Kidd’s ice bucket challenge

We’re still celebrating the release of P is for Pirate and the countdown to Talk Like A Pirate Day (September 19th).

Today I’ve got sketches and a few work-in-progress photos of Captain William Kidd. Kidd wasn’t a particularly good pirate—as Eve Bunting says: “Captain William Kidd spilled less blood and captured less booty than any other well-known pirate of his time”. Apparently he didn’t get along well with his crew. Our shot of Kidd shows the scene where he infamously brained the ship’s gunner with a bucket.

You’ll notice in the color sketch and early work on the painting the ship’s woodwork is a mustardy yellow. Once I was into the painting I found it too cheerful a color—it didn’t help convey the mood of the action at all. So I changed it to gray. Much better!

sketch color sketch early progress on the painting IMGP1620 IMGP1621 final painting

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6. Edward Teach

As a follow-up to my last post about Queen Anne’s Revenge, here is the man himself—the terrible Edward ‘Blackbeard’ Teach. I show him in close-up so you can see the slow-match fuses he used to weave into his whiskers and set alight before attacking a ship. You can find him in P is for Pirate, now available in bookstores—or drop me a line in the comments for an autographed copy.

Pirate captains were elected by their crews and could be voted out. To keep his crew in line, Blackbeard constantly showed himself to be more fierce, more outrageous than anyone else on board. Seated with his rogues during dinner, Blackbeard fired a pistol underneath the table and wounded one of the crew, just to remind them who he was.

Blackbeard had to be mindful of his crew’s appetite for liquor—for rum, an ardent spirit distilled from molasses. Without rum, a crew would mutiny, as this excerpt from Blackbeard’s log attests:

‘Such a Day, Rum all out: – Our Company somewhat sober: – A Damned Confusion amongst us! – Rogues a plotting; – great Talk of Separation. – So I looked sharp for a Prize; – such a Day took one, with a great deal of Liquor on Board, so kept the Company hot, damned hot, then all Things went well again.’

thumbnail sketch tight sketch color sketch IMGP1670 IMGP1671 IMGP1672 IMGP1673 IMGP1676 IMGP1676 IMGP1677 Teach

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7. Q is for Queen

Here is one of my favorites from P is for Pirate, the notorious Grace O’Malley—Irish queen & pirate captain. She was a contemporary of Queen Elizabeth I and reportedly had an interview with Gloriana (who, after all, had a soft spot for buccaneers).

Queen Grace has been the subject of songs, at least one play and even a musical. So far as I know the swashbuckling Maureen O’Hara never played her in a movie, but what perfect casting that would have been!

I show Queen Grace in an Errol Flynn pose with her ruffians behind her. In the sketch I thoughtlessly drew a baroque-looking ship like we’re used to seeing from piracy’s golden age. In the final painting I used the Mayflower—much closer in style to a ship from Queen Grace’s time—as reference. Same deal with the costumes: they’re Elizabethan. I first drew her in men’s clothes but thought she looks much cuter in a dress.

Thumbnail sketch Errol Flynn in Captain Blood Tight sketch—in a man's costume In a dress with skirts hiked up for ease of movement Color sketch IMGP1534 IMGP1535 IMGP1622 IMGP1623 IMGP1624 IMGP1625 IMGP1626 IMGP1627 IMGP1628 IMGP1629 IMGP1630 IMGP1632 IMGP1633 IMGP1634 IMGP1635 IMGP1636 Queen

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8. A is for Articles

Here is your Monday dose of P is for Pirate—available in bookstores everywhere by Eve Bunting from Sleeping Bear Press.

The Articles were the pirates’ ethical guidelines which set out rules for behavior & working conditions aboard ship. New crew members signed them before becoming part of the ship’s company. Did you know that the pirate captain was elected—and could be voted out if he didn’t meet the crew’s expectations?

Pirates who couldn’t read or write made an X at the bottom of the contract and a clerk would write next to it, “John Manders (or whatever the sailor’s name was), his mark.”

sketch color sketch Painting in progress… IMGP1532 IMGP1533 IMGP1610 IMGP1611 IMGP1612 IMGP1613 IMGP1614 IMGP1615 IMGP1616 IMGP1617 IMGP1618

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9. Ahoy, ye sea dogs!

l_9781585368150_fcP is for Pirate is here!

As long-time readers know, the subject of pirates is a favorite of mine. You can imagine how happy I was when Sleeping Bear Press asked me to illustrate Eve Bunting’s latest, P is for Pirate. 

Here’s how the jacket art came together. Some rough sketches, a tight sketch based on the approved rough, the painting in progress. I lost something in the tight sketch—the pirate doesn’t have the same aggressiveness & oomph—so I went back to the rough sketch to paint from. That’s my dear old African Grey, Sherman, sitting on his shoulder. How I miss him! I like this low-key palette, mostly blacks, greys and red. The talented Felicia Macheske was my art director on this project. I will show more images throughout the month.

piratecover.tn.A179 piratecover.tn.B181 piratecover.tn.C180 piratecover.sk IMGP1753 IMGP1754 IMGP1755 IMGP1756 IMGP1757 I'm using a palette knife to scrape red paint over the black background. IMGP1759 IMGP1760 IMGP1761 IMGP1762 IMGP1763 IMGP1764 IMGP1765 IMGP1766 IMGP1767

3 Comments on Ahoy, ye sea dogs!, last added: 8/8/2014
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10. Wild Things

Wild Things! is a new book coming out about the ‘behind-the-scenes’ stories of writing and illustrating picture books.

I contributed a story about Prancing, Dancing Lily—the cow who loved to dance—that didn’t make the cut for the book. However, you can read it on the book’s website here.

 


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11. Self-portrait


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12. Random character design



Exploring shapes for a random character design. She's a bit rough around the edges and scary when you first meet her but has a good heart.

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13. A wombat riding a bicycle


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14. Seen from a Cafe

321 copystarbucksII copy


Tagged: Allen Capoferri, America, Art, California, Illustration, people sketches, sketchbook, sketchbook drawing, USA

5 Comments on Seen from a Cafe, last added: 5/31/2014
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15. A Funny Thing Happened on the Road to Damascus

Once again I had the honor of being substitute preacher at Second Presbyterian Church in Oil City. While we’ve been without a pastor we elders have stepped up and taken turns at the pulpit. Our new pastor, Rev. Greg Gillispie, will take over in July.

This time around my subject was the stoning of Saint Stephen and the introduction of that one-man paramilitary wing of the Sanhedrin, Saul—found in Acts 7:55-60.

afunnything.title stephen saul characterarc dorothy mcqueen heisenberg unhorsed paul

My talk centered around storytelling—particularly visual storytelling. Here you can see character designs for Stephen and Saul; an explanation of character arc used Dorothy from Wizard of Oz, Lightning McQueen from Cars, and Walter White from Breaking Bad; Saul’s Road to Damascus moment; and Saint Paul who shaped the young Christian Church through his writings.

This was some of the best fun I’ve had speaking in front of a group. I am grateful for a supportive and forgiving congregation! Best wishes & welcome to Rev. Gillispie.


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16. The Picture of Oscar Wilde

Here is the third in a series of three images for the Pittsburgh Public Theater‘s season brochure—specifically for the world premiere of L’Hôtel, a new comedy by Ed Dixon. The cast is stars from the recent and distant past. I showed you Sarah Bernhardt. and Jim Morrison. Here now is Oscar Wilde.

By the way, this painting and the two others will be on display at the Art Institute of Pittsburgh Alumni Show which opens this evening and continues through July 20th.

wilde.gesture.1 wilde.sk IMGP1995 IMGP1996 IMGP1997 IMGP1998 IMGP1999 IMGP2000 Oscar 400

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17. Sailor Moon & Scouts, Comic con work!



Sailor Moon & Scouts, Comic con work!



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18. Jim Morrison

Here is the second in a series of three images for the Pittsburgh Public Theater‘s season brochure—specifically for the world premiere of L’Hôtel, a new comedy by Ed Dixon. The cast is stars from the recent and distant past. Yesterday I showed you Sarah Bernhardt. Here is Jim Morrison—sketches and final painting. I can’t seem to find work-in-progress photos for this one. I must have forgotten to take them. You’ll notice that instead of thumbnail sketches I’ve done gesture sketches of these characters. I was trying to capture their attitude as well as likeness.

By the way, this painting and the two others will be on display at the Art Institute of Pittsburgh Alumni Show which opens this Friday evening.

morrison.gesture.1 morrison.gesture.2 morrison.gesture.3 morrison.sk Jim 400

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19. I’ve been working on some comic con illustrations and took...



I’ve been working on some comic con illustrations and took a break to sketch out Zelda from link the past. 



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20. Learn character design from concept to completion with Character Mentor

You’ve researched your character extensively, tailored her to your audience, sketched hundreds of versions, and now you lean back content as you gaze at your final character model sheet. But now what? Whether you want to use her in an animated film, television show, video game, web comic, or children’s book, you’re going to have to make her perform. How a character looks and is costumed starts to tell her story, but her body language reveals even more. Character Mentor shows you how to pose your character, create emotion through facial expressions, and stage your character to create drama. Author Tom Bancroft addresses each topic with clear, concise prose, and then shows you what he really means through commenting on and redrawing artwork from a variety of student “apprentices.” His assignments allow you to join in and bring your drawing to the next level with concrete techniques, as well as more theoretical analysis. Character Mentor is an apprenticeship in a book.

Professional artists from a variety of media offer their experience through additional commentary. These include Marcus Hamilton (Dennis the Menace), Terry Dodson (X-Men), Bobby Rubio (Pixar), Sean “Cheeks” Galloway (Spiderman animated), and more. With a foreword by comicbook artist Adam Hughes, who has produced work for DC, Marvel Comics, Lucasfilm, Warner Bros. Pictures, and other companies.

Grab this book Character Mentor: Learn by Example to Use Expressions, Poses, and Staging to Bring Your Characters to Life on Amazon.

  • Paperback: 180 pages
  • Publisher: Focal Press; 1 edition (April 24, 2012)
  • Language: English
  • ISBN-10: 0240820711

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21. Yawn


Sometimes, when it's the end of the day and I realize I didn't have time to make a daily drawing or sketch in my drawing journal, I take it to bed with me. To do a little bedtime sketch. Yesterday, when I did so, I was yawning a lot because of the long day behind me. So I snapped a pic of myself and used it as a reference to make this self portrait sketch.
The funny thing is... each time I look at it, I start yawning again!

(ps. in my upcoming class on How To Design A Character, we'll be working on a lot of different facial expressions and how to draw them - this one has a lot of character already!)


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22. Just 2 more days....

Oh boy oh boy, I am so excited!

It's hard to believe that it's almost 'D-Day'! This Friday, Sketchbook Skool is opening its doors and there is an overwhelming amount of students about to burst in! In fact, I think there's actually some of them already in front of the doors in sleeping bags, waiting to get started.



We have worked really hard to get everything up and running and the past months have been kind of crazy, but this week, for the first time in a long time I haven't had the feeling of being a few steps behind of my schedule. While checking and double-checking all of the klass content, I am so amazed and excited about the videos the teachers made! It'll be awesome and Danny and I can be proud of what we have accomplished so far. Fact is, we just dove into this without knowing what exactly we were getting ourselves into. We've learned a lot, and now we can focus on getting in place for the second semester (the teachers we got together are again, awesome!), improve our website workflow and planning strategies.

So here's what we got in store for you this first semester, starting Friday April 4:

Danny Gregory on why we need to be creative and what happens if we suppress the urge. How to draw expressively and yet accurately. How to choose art supplies. And much more from L.A.!

Me on taming your inner critic. On drawing better with colored pencils and on braving the frigid outdoors. And a whole lot more from Amsterdam!

Prashant Miranda on 20 years of journaling, on travel, on watercoloring and on discovering your family history through your sketchbook. And much more from all around India!

Jane La Fazio on mixed media, on how to uncover beauty and on turning sketchbook pages into developed works of art. And much more from sunny Southern California!

Roz Stendahl on how to draw animals of any kind, alive or dead(!), and what are the best media to use and why. And loads more from snowy Minnesota!

Tommy Kane on how to turn mistakes into masterpieces, and how to combine ink, watercolors and colored pencil to make rich, beautiful journal pages. And heaps more from deep in Brooklyn.



I'm not sure if I will be able to sleep, because of the excitement! Will you?


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23. Irish Jack the Cat

What a wonderful little video clip! If you’ve read Catherine Friend’s The Perfect Nest, you’ll enjoy watching this Perfect Nest in Ireland

babies.model jack.model


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24. Some great ink!

Thank you, Claire Kirsch, for your fine reportage on my recent visit to Penns Manor Elementary and my collaboration with the students to create the horrible & dreadful Baby Pandasaurus Rex! Read all about it here.


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25. The Divine Sarah

This past January I had the pleasure of creating images for the Pittsburgh Public Theater‘s season brochure—this time for the world premiere of L’Hôtel, a new comedy by Ed Dixon. The cast of characters is 6 stars from the recent and distant past. Art Director Paul Schifino asked me to create stand-alone caricatures of 3 of them: Jim Morrison, Oscar Wilde and Sarah Bernhardt. Here are sketches, painting-in-progress and the finished art of the Divine Sarah.

By the way, this painting and two others will be on display at the Art Institute of Pittsburgh Alumni Show which opens this Friday evening.

bernhardt.gesture.1 bernhardt.gesture.3 bernhardt.gesture.2 bernhardt.sk IMGP1980 IMGP1981 IMGP1982 IMGP1983 IMGP1984 IMGP1985 IMGP1986 IMGP1987 IMGP1988 IMGP1989 IMGP1990 IMGP1991 IMGP1992 IMGP1993 IMGP1994 Sarah 400

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