Fans of Aleksandr Petrov (The Cow, The Old Man and the Sea) will appreciate this ad he created for Russian Railways using his trademark paint-on-glass technique. The spot celebrates the 175th anniversary of railways in Russia.
Fans of Aleksandr Petrov (The Cow, The Old Man and the Sea) will appreciate this ad he created for Russian Railways using his trademark paint-on-glass technique. The spot celebrates the 175th anniversary of railways in Russia.
There has rarely been a more interesting time to study secession. It is not just that the number of separatist movements appears to be growing, particularly in Europe, it is the fact that the international debate on the rights of people to determine their future, and pursue independence, seems to be on the verge of a many change. The calm debate over Scotland’s future, which builds on Canada’s approach towards Quebec, is a testament to the fact that a peaceful and democratic debate over separatism is possible. It may yet be the case that other European governments choose to adopt a similar approach; the most obvious cases being Spain and Belgium towards Catalonia and Flanders.
However, for the meanwhile, the British and Canadian examples remain very much the exception rather than the rule. In most cases, states still do everything possible to prevent parts of their territory from breaking away, often using force if necessary.
It is hardly surprising that most states have a deep aversion to secession. In part, this is driven by a sense of geographical and symbolic identity. A state has an image of itself, and the geographic boundaries of the state are seared onto the consciousness of the citizenry. For example, from an early age school pupils draw maps of their country. But the quest to preserve the borders of a country is rooted in a range of other factors. In some cases, the territory seeking to break away may hold mineral wealth, or historical and cultural riches. Sometimes secession is opposed because of fears that if one area is allowed to go its own way, other will follow.
For the most part, states are aided in their campaign to tackle separatism by international law and norms of international politics. While much has been made of the right to self-determination, the reality is that its application is extremely limited. Outside the context of decolonisation, this idea has almost always taken a backseat to the principle of the territorial integrity of states. This gives a country fighting a secessionist movement a massive advantage. Other countries rarely want to be seen to break ranks and recognise a state that has unilaterally seceded.
When a decision is taken to recognise unilateral declarations of independence, it is usually done by a state with close ethnic, political or strategic ties to the breakaway territory.Turkey’s recognition of the Turkish Republic of Northern Cyprus and Russia’s recognition of Abkhazia and South Ossetia are obvious examples. Even when other factors shape the decision, as happened in the case of Kosovo, which has been recognised by the United States and most of the European Union, considerable effort has been made by recognising states to present this as a unique case that should be seen as sitting outside of the accepted boundaries of established practice.
However, states facing a secessionist challenge cannot afford to be complacent. While there is a deep aversion to secession, there is always the danger that the passage of time will lead to the gradual acceptance of the situation on the ground. It is therefore important to wage a concerted campaign to reinforce a claim to sovereignty over the territory and prevent countries from recognising – or merely even unofficially engaging with – the breakaway territory.
At the same time, international organisations are also crucial battlegrounds. Membership of the United Nations, for example, has come to be seen as the ultimate proof that a state has been accepted by the wider international community. To a lesser extent, participation in other international and regional bodies, and even in sporting and cultural activities, can send the same message concerning international acceptance.
The British government’s decision to accept a referendum over Scotland’s future is still a rather unusual approach to the question of secession. Governments rarely accept the democratic right of a group of people living within its borders to pursue the creation of a new state. In most cases, the central authority seeks to keep the state together; and in doing so choosing to fight what can often be a prolonged campaign to prevent recognition or legitimisation by the wider international community.
James Ker-Lindsay is Eurobank EFG Senior Research Fellow on the Politics of South East Europe at the European Institute, London School of Economics and Political Science. He is the author of The Foreign Policy of Counter Secession: Preventing the Recognition of Contested States (2012) and The Cyprus Problem: What Everyone Needs to Know (2011), and a number of other books on conflict, peace and security in the Balkans and Eastern Mediterranean.
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Two strong influences stamped Alexander’s character. One was the autocratic personality and rule of his father; the other was his education, tinged with the principles of liberalism and romanticism. He ascended to the throne with Russia in a crisis, fighting the Crimean War against the Ottoman Empire, which had the support of Britain and France. The fighting continued for nearly a year, but Alexander had to sign a treaty making concession.
Russia’s defeat convinced him that he had to modernize the nation and spurred a program of industrialization and liberal reform. New railway lines were built, universities and courts were reformed, and there was even some steps made to reduce censorship. The signal achievement of Alexander’s reign was the emancipation of the serfs, as tens of millions of peasants were released from centuries-old feudal bonds and even given land allotments. The reform failed to produce a viable class of small farmers, however.
Another liberalization, with Russia lightening its grip on Poland, led to nationalist revolts there and the growth of radicalism both there and in Russia. Alexander responded by strengthening the secret police, which produced more unrest, further suppression, and several assassination attempts against the emperor. In 1881, he leaned once more toward liberalization, signing a decree on March 1 that would create a new constitution. That very day, he was wounded fatally in a terrorist attack, dying one day short of the anniversary of the day he took the throne.
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The journalist Masha Gessen discusses her new book about Vladimir Putin's rise to power and what he has done with it.
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Of the many monopolies once and future Russian president Vladimir Putin has held over the years — on violence, on the media, on the gas industry — one of the most powerful has been a monopoly on the expression of derision. Over the past decade, the state's stranglehold grip over television has kept public dissent [...]

For the second week in a row, DreamWorks’ Madagascar 3 remain atop the US box office. It earned an estimated $35.5 million last weekend, pushing its 10-day total to $120.5 million. It is currently pacing ahead of the first two entries in the Madagascar series. Madagascar 3 has also been the top film overseas for the past two weeks, and has added $157 million from 43 foreign markets. The film’s top market overseas is, of course, DreamWorks-obsessed Russia.
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This week Russian literary sensation Max Frei returns to the United States with the third installment in the internationally bestselling Labyrinths of Echo fantasy series, The Stranger's Magic. First published in Russia more than fifteen years ago, Frei's Labyrinths of Echo series has since become a bestselling international phenomena, infusing highly philosophical comic fantasy with
In Beyond the Grave, Irina Spasky's character becomes more developed, Dan and Amy have their first real "falling" out, the one-dimensional Holts are (thankfully) mostly absent, and Jude Watson does a fine job of highlighting the wondrous nature and historical significance of Ancient Egypt.
In The Black Circle, set in Russia, Dan and Amy find out more about their parents, the Madrigals role becomes somewhat more defined, and the Holts reappear as major characters (though thankfully, Hamilton Holt, at least, becomes more singularly identifiable). Also in book 5, Dan and Amy finally obtain a source of money and venture forth without au-pair, Nellie Gomez. Bonus material is available in the audio book version.
Summer is here, and tis’ the season for road trips! This illustration, created by Russian illustrator Iv Orlov, depicts some folks out for an evening drive along a line of colorful trees. Entitled “Night Rio,” this piece uses combines cool blues and greens with bright corals and yellows for a nice tropical feeling. Orlov uses some great shapes throughout this piece, evident in the various cars and leaves of the trees.
Orlov has a great collection of work that employs a lot of geometric shapes and fine textures. To see more of his work, check out his Flickr and his Behance.
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Here's a spread from my travel Moleskine. I know. I know what you are thinking. You don't spell recieved like that.
Well, hello dolly.
There certainly seems to be a theme running through my work at the moment. The drawing, above, was another that I really enjoyed doing. I love having so many different textures to tackle, and each of the dolls had a texture and character of it's own. I'm leaving them there, for now, though. I'm all dolled out.
While researching her debut novel about Russia’s 1939 invasion of Lithuania, author Ruta Sepetys interviewed survivors, isolated herself in a deportation train car, and endured a prisoner’s immersion experience.
We caught up with her to find out more about the research for Between Shades of Gray.
Q: How important is it for writers to ‘get their hands dirty’ during the research process?
A: I imagine it’s different for every writer. I personally love the immersion experience. If at all possible, I want to see it, hear it, smell it, touch it, and experience the emotions associated. That makes it easier for me to write about it. But I do have to say, I doubt I will ever go the lengths I did to research Between Shades of Gray. I damaged my back during research and spent two years in physical therapy. Next time I don’t need to get my hands that dirty.
New Career Opportunities Daily: The best jobs in media.
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For my money, cut-out animation is still one of the most charming animation techniques when done well. Take for instance The Red Heels (Les Talons Rouges) by Olesya Shchukina. The Russian-born animator produced the cut-out piece at the French animation school La Poudriere for an assignment to make a one-minute film from a child’s point of view. Watch The Red Heels on her website.
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By Daniel Byman and Charles King Three years ago this month, Russia and Georgia fought a brief and brutal war over an obscure slice of mountainous land called South Ossetia that had declared its independence from Georgia. Flouting international law, Russia stepped in to defend South Ossetia and later formally recognized the secessionists as a legitimate [...]
Face front, true believers!
I love the way Stan Lee addressed his readers with such an intimate and glorifying phrase. True believers! Sure, you were just reading a Spiderman comic book, but he implied that this act joined you with a like-minded group, and certified your character as loyal and faithful.
I poked around looking for an appropriate “Face front” image, and found this poster in the Soviet Museum‘s digital collections. If you have a bit of time, check out the collection of pro-Lenin fairy tales. I also found an associated grumpy thread on Metafilter, comparing the ubiquity of this style of propaganda art in Soviet Russia to something like garish ads for fast food and grocery store mailers.
Face front, true believers! Today is beautiful, and we will face it with the resolution to do good.
Related posts:
Drawn Animation for Chris Milk’s interactive video “Three Dreams of Black” by Anthony Schepperd (US)
Brainflow by Fiorella Pierini (UK)
Jumpman by Denis Borisovich (Russia)
Hawaï Fish by Laurent Clermont (Sweden)
Droppp by Hajime Nagatsuka (Japan)
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Recommended for ages 8-12.
The Apothecary
On February 8, 1904, just before midnight, Japanese destroyers entered the harbor of Port Arthur (now Lü-shun, China). Soon after, they unleashed torpedoes against Russian ships in a surprise attack that began the Russo-Japanese War.
The conflict grew over competition between Russia and Japan for territory in both Korea and Manchuria, in northern China. Japan had won Port Arthur, at the tip of the Liaotung Peninsula, from China in an 1894–1895 war. Russia joined with other European powers to force it to relinquish the port, however — and then three years later had compelled China to grant the city to it. These actions rankled Japan, as did Russia’s refusal to honor a promise to withdraw troops from Manchuria. Japan decided to go to war.
The attack on Port Arthur resumed in the late morning of February 9, when bigger Japanese ships began shelling the Russian fleet and nearby forts. The Russians put up more resistance than expected, however, and the Japanese ships withdrew.
The attack on Port Arthur was inconclusive, but the rest of the war went largely Japan’s way. The Japanese enjoyed several victories in 1904, seizing Korea in March, and defeating Russian forces twice in Manchuria during the summer. More success followed in 1905, with the surrender of Port Arthur in January, a victory over a large Russian army in Manchuria in March, and a decisive naval battle at Tsushima Strait in May that destroyed the Russian fleet. Russia’s government, facing unrest at home, was forced to seek peace.
The Russo-Japanese War marked the first victory of a non-European nation against a European one in modern times. It also contributed to unrest in Russia that would lead, more than a decade later, to the Russian Revolution.
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Going against my reserved Britishness, I did something that has left me glowing like a baboon's bum. I joined the SFWA a couple of months ago as an associate member (by current calculations I should hit active status about 2058 - yay 90 year old me) and today I discovered I can nominate short stories, novelettes etc for the Nebula Awards. I can't vote of course, but I can scream semi-loudly and hope someone agrees with me. Of course, I haven't a clue what to choose. Except of course Lisa Mantchev's Eyes Like Stars which blew me away.
Anyhow, why am I glowing like a baboons ass, or any ass in general, I put up a link to Trench Foot and downloaded The Sour Aftertaste of Olive Lemon in the 'Please consider this...'** section, alongside people who are like way-way-way (add several hundred more ways) better than me, but I figured what the heck, they can only laugh and point at me and with a face like a... Well, I'm used to it. :D
**I should add that the Please Consider this section is just someplace to put your work and not an actual nomination, I would never actually nominate myself... Just in case anyone is confused... Eek!
John Mueller is the Woody Hayes Chair of National Security Studies and Professor of Political Science, Ohio State University. His new book, Atomic Obsession: Nuclear Alarmism From Hiroshima To Al-Qaeda, argues that nuclear weapons have had little impact on history. Alt
hough they have inspired overwrought policies and distorted spending priorities, things generally would have turned out much the same if they had never been invented. In the original post below Mueller looks at why formal nuclear arms reduction agreements are unnecessary.
The popular notion that the path to nuclear arms reduction requires formal agreements of the sort recently signed by the United States and Russia needs reexamination. Instead of fabricating elaborate agreements about reducing arms, they should just to do it.
The cold war arms buildup, after all, was not accomplished through written agreement; instead, there was a sort of free market in which each side, keeping a wary eye on the other, sought security by purchasing varying amounts of weapons and troops. As requirements and perspectives changed, so did the force structure of each side.
The same process can work in reverse: as tensions decline, so can the arms that are their consequence. Reductions are more difficult when accomplished by formal treaties requiring that an exquisitely nuanced agreement must be worked out for every abandoned nut and bolt. A negative arms race is likely to be as chaotic, halting, ambiguous, self interested, and potentially reversible as a positive one, but arms reduction will proceed most expeditiously if each side feels free to reverse any reduction it later comes to regret.
Although the signing of formal disarmament agreements can have a useful atmospheric effect, the process itself tends to delay and clutter the process. The current agreement, for example, was slowed by the Russian effort to tie it into efforts to have the United States abandon missile defenses. The Russians held on to weapons they were apparently quite willing to give up only because the weapons could be used as bargaining chips in arms reduction negotiations. That is, there were more weapons around because a formal arms control negotiating apparatus existed.
With the demise of fears of another major war, many of the arms that struck such deep fear for so long are quietly being allowed—as the bumper sticker would have it—to rust in peace. Let it happen.
Typographics is where it’s at!
This illustration, designed for Computer Arts Projects, is by Moscow based artist Aske. Created for his personal art project titled Sicksystems, Aske playfully shows the various levels of typography…literally! He has a real knack for using interesting forms, bright colors, and celestial details in his work.
Sicksystems has evolved from initially being a graffiti crew to being the showcase of Aske’s graphic, illustration, and art work. To see more, check out his newly updated website.
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Sounds great. Even your synopsis has me on my toes. Sounds like a Historical Thriller indeed!!!
its a good story im reading it now its a very good book:D