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Ella Enchanted by Gail Carson Levine is a creative retelling of Cinderella. As a baby, Ella was cursed by a fairy to obey any orders that were given to her, no matter what they were. So when her mother dies and her father remarries, Ella must live with her stepsisters, Hattie and Olive. Quickly, Hattie discovers that Ella will obey her and uses that knowledge to her advantage. Instead of being treated as an equal, Ella is forced to be her stepfamily's servant.
Ella meets Prince Char. Together, they have exciting adventures. Slowly, they fall in love, but she knows that if she marries him, an enemy of the throne could command her to do something awful to him. She struggles to protect him and break the curse, but it seems impossible with such a burden as hers. Will she ever gain the freedom required to be with her true love?
Sometimes, it takes a little while for things to change from what they were to something different. Imagine a new seedling nudging its head up through the earth for the first time, no longer a seed, not yet a tree. This miraculous transformation of being represents the way I felt reading Martine Murray’s new mid-grade […]
Oh, twitter. Sometimes you are a wonderful thing! Last July I was at my daughters' swim lesson reading away, and I shared a shot of the book I was reading online. Barbara, it turns out, was reading the same book and we began somewhat of a back and forth as you are want to do when you find out someone besides yourself is smitten. We decided we would co-blog closer to the publishing date, and here are our thoughts!
Barbara: Gracie Lockwood's voice immediately drew me into the story. She keeps a careful record of the family's journey in a diary, a gift from her mother. It is lovingly inscribed with these words, To Gracie, May this diary be big enough to contain your restless heart. Gracie is a girl with strong opinions, stating from the outset that her purpose in keeping a written record is to "prove that I knew it first." Her friend Oliver's observation, "You're kind of fiery" is an understatement. In addition to Gracie's fire, readers witness her gradually evolving realization that the world is much more complex than she initially imagined it to be. She begins to temper her original strong judgments. "I've realized I may have been completely wrong about my dad." "I wondered about the word 'beast.' I wondered if sometimes, the way everything looks - who's the beast and who isn't - depends on where you're standing." I love this statement of self-realization: "Every year I realize how dumb I was the year before."
One of this book’s striking aspects is the comparisons I made to Homer’s The Odyssey. The book’s 416 pages is itself a reading odyssey. It requires an investment of time, attention to storyline, and a commitment to the characters. Reading Gracie's diary becomes a personal journey for the reader.
The travelogue aspect is certainly an integral part of this family's epic saga. We follow Gracie and her family on an extended journey to known and unknown places, several described in vivid detail. The mode of travel is symbolic. The family first travels via Winnebago, a name reflecting a Native American Tribe who excel in oral storytelling. Later they board the Weeping Alexa. Alexa is a reference to Alexander the Great, the “protector”. These modes of transportation give added meaning to the family’s quest.
The major characters read like the cast from a Greek drama.
We meet good guys, bad guys, both real and mythical. Sea monsters and mermaids inhabit the waters. Dragons and unicorns take flight through the skies.
Homer’s motifs take the form of the individuals the family encounters on their journey: an oracle (Grandma), sirens (Luck City), Penelope’s suitors (Captain Bill).
Not since the Coen brothers’ O Brother, Where Art Thou? have I encountered such an imaginative homage to Homer’s epic classic.
Without question, the theme which resonated with me and continues to haunt my thinking is the concept of fate. This also reflects the Greek concept of The Fates: goddesses who controlled the life of every mortal from birth to death and watched that the fate assigned to every being proceeded without obstruction.
Stacy: I read quite a few books. Especially during the summer when I am fortunate enough to be lakeside and poolside depending on the day. So it’s not everyday that a story really makes me sit up and notice it. In the first few pages of MDFTEOTW I found myself looking up from the pages and grinning. Reading bits aloud. And then tweeting this to my friend Barbara -
“@moonb2 thanks for the spotlight on this book, Barbara. I'm only on page 7 and I'm already delighted!”
By page 7 we know this: Cliffden Maine isn’t the Maine that we know in 2015. It is a Maine where there are the expected things like McDonald’s, Taco Bell and Wendy’s, schools and houses. But people in town are scuttering around because the dragons are on their way to hibernate and they’ve been quite destructive this year. Protagonist Gracie is out at her favorite spot (where she’s not supposed to be) on top of the hill overlooking town and writing in the journal her mom gave her for her 12th birthday.
Dragons aren’t the only odd things in the sky in Maine. There are also Dark Clouds. These are not the storm clouds we know that release the likes of lightning and rain. Rather they come to town and take away the people who are meant to die. And now a Dark Cloud is settling right in Gracie’s yard. Gracie is worried about her little brother Sam, who is often ill. Complicating family matters is the fact that Gracie’s dad’s crackpot theories about the Extraordinary World have just ousted him from his job. So when Gracie comes home one day to see a Winnebago in the front yard, she’s not too surprised that her dad means to pack up her mom, sister, brother and Gracie and head out of town.
Obviously this is a story about a journey, but it wasn’t until I had back channeled a bunch with Barbara that I could see the Odyssey’s tracks. For me, the Lockwood family was running from crisis and desperately grasping at possibility.
Gracie truly makes this books shine. Whether it’s seeing her witchy grandmother’s house through her eyes, feeling her affections for Sam, seeing her longing to have a relationship with older sister Millie, or having those moments of embarrassment followed by yearning to believe in her father, if Gracie’s voice was less Gracie, the story wouldn’t work half as well.
The other high point for me was Anderson’s world building. The magical mixing with the mundane is presented so matter of fact, that readers simply have to buy it. The journey has them landing in places like Luck City, Big Tex’s Circus, The Crow’s Nest, a broken down L.A. and even Cliffden itself and of the places contain different magic, but the magic follows the same rules.
And then there’s the idea of hope. Inextricable hope tangled up with fate. Which one rules the day?
What a pleasure it was to virtually read My Diary from the Edge of the World with Barbara across geography and time. Clearly, both Barbara and I love this book, and though we both approached it differently, it worked for us. I can’t wait to share this with a big cross section of readers. It works on so many levels that I am sure it will be a crowd pleaser!
A big note of thanks to Barbara Moon for co-blogging with me this time. Barbara is a retired librarian who reads up a storm! Member of 2009-2011 Great Graphic Novels for Teens selection committee, 2012 Odyssey Award committee, 2014 Margaret A. Edwards Award committee. Currently servicing on the 2016 YALSA Excellence in Nonfiction Award committee. You can find Barbara blogging at Reading Style.
Christopher Nuttall was born in Edinburgh, studied in Manchester, married in Malaysia and currently living in Scotland, United Kingdom, with his wife and baby son. He is the author of 20 novels from various publishers and thirty-nine self-published novels. More than 100,000 ebooks in the Schooled in Magic series have sold since March 2014.
Congratulations on the release of your latest book, Trial By Fire, Book 7 in your Schooled in Magic series. When did you start writing and what got you into fantasy?
Well, I started writing seriously around 2004-2005 and … well, I write the sort of books I like to read. I began with a military thriller, then went through alternate history and alien invasion before starting to experiment with fantasy. Frankly, I’m still fond of all four genres, although military science-fiction is probably my favorite.
What is your book about?
Oh, a hard question.
The Schooled in Magic series follows the adventures of Emily, a teenage girl from our world who is accidentally kidnapped by a necromancer and swept into an alternate world where magic is real, dragons fly through the sky and young magicians are sent to boarding schools to learn magic. But it’s also a series about the introduction of new ideas into a static society and just what happens when those ideas are developed, then start to mutate.
Trial By Fire follows Emily as the repercussions of her actions in earlier books finally come back to haunt her, putting her at the center of a deadly plot that will force her to fight for her life – or die at the hands of a relentless enemy.
What type of challenges did you face while writing this book?
Making it convincing, alas.
Ok, that sounds absurd; fantasy is not, by definition, convincing. A world where someone can be turned into a toad with a snap of a witch’s fingers isn’t our world. However, it does have to follow its own logic – and, if that logic is violated, people tend to protest. (They also protest if humans don’t act like humans, although creatures like Elves get a free pass – they’re not human.)
One very notable example comes from Harry Potter (I use this because most of my readers will probably be familiar with the series.) In Goblet of Fire, Harry is forced to compete in a deadly contest that could easily leave him dead … apparently because having his name put in the titular Goblet creates a magically-binding contract that enforces participation. But we know Harrydidn’t put his name in the Goblet … which raises questions about how the contract was binding in the first place. (And why, if you can create a contract binding someone, they don’t use it on the Dark Lord.)
(Personally, I tend to think that Dumbledore was the one under contract; he’d sworn to make sure anyone whose name came out of the Goblet had to compete, which would have included Harry as well as the other guy. And it would be perfectly in character for Dumbledore to keep mum about this and push Harry forward.)
In Trial By Fire, I worked hard to put together a trap for Emily that wouldn’thave a thinking fan banging his head off the wall. I hope I succeeded.
What do you hope readers will get from your book?
Well, I hope they will have an enjoyable story.
Let’s be honest here. I’m not trying to write something that will echo down the ages, something with the staying power of the Foundation series. I’m writing so my readers will have fun reading the books. If they learn something about the importance of technology, the spread of ideas and just what can happen when whole new approaches are explored … well, that’s a bonus.
Did your book require a lot of research?
The series absorbed a great deal of research . I actually spent years reading about the Middle Ages, just to flavor my work. The Allied Lands themselves have a great deal in common with Europe, particularly in the Reformation era. I studied how those societies worked, what drove them, how their people thought and what weakened them in the face of stronger enemies.
Of course, there are differences – the presence of functional magic, for a start.
Many writers experience a vague anxiety before they sit down to right. Can you relate to this?
Sometimes. Oddly, I feel it while crafting the next installment in a successful series.
Trial By Fire was originally intended to serve as the end of the first arc of novels set within the Schooled in Magicuniverse. I knew it had to be spectacular, the moment when Emily steps up and takes firm control of her life, and so I was nervous about actually having her do it. I hope it lives up to its purpose.
Do you have a writing schedule? Are you disciplined?
Very disciplined. Truthfully, you don’t get anywhere in writing unless you’re disciplined.
I get up, eat breakfast and drink coffee, then get to work. I set myself a goal of three chapters a day, except for the first day; that generally takes around five hours. Then there’s the task of checking the beta reader comments and editing the manuscript. Between drafts, I generally try to move to something different or edit completed manuscripts.
How do you define success?
Success comes in the form of people buying my books and writing good (and thoughtful reviews). I know; I probably won’t win any major awards. (I did win the Wishing Shelf Independent Book Awards for Bookworm.) However, I’m happy with being paid and being told I did a good job.
What do you love most about the writer’s life?
I get to work from home, set my own hours and generally be my own boss. And then there’s the fact I get to meet fans, even if I am a little shy.
Do you have a website or blog where readers can find out more about your work?
I have a website, a blog, a mailing list and a Facebook fan page.
The website contains free samples – I try to give away at least a couple of chapters, sometimes as many as ten – and a number of older books that are completely free. They’re really ones I wrote during my first period as a writer; not good enough to be published, perhaps, but people liked them. A couple have even been rewritten for later publication.
The blog and Facebook page cover everything from my musings to fan comments and suchlike, allowing a degree of fan participation. All are welcome. The mailing list, however, is only for new releases – I believe in trying to avoid spamming people where possible.
Where is your book available?
The ebook version of Trial By Fire is available for purchase from Amazon Kindle, Apple iBookstore, BN Nook, Kobo Books, OmniLit, etc.
The print version of Trial By Fire will be available from Amazon, Barnes and Noble Bookstores, Brodart, Coutts, Davis-Kidd Booksellers, Emery-Pratt, Follett, Ingram, The Book Despository, The Book House, etc.
I think I’ve said this before, time and time again, but the best advice I can give is work hard, work hard and work hard. Writing is 10% inspiration and 90% hard work. It is very rare to get a first novel published, unless you have VERY strong connections with the publishing industry or a name you can exploit (and those books tend to be terrible). Eric Flint said you really need to write at least a million words before you have something worth reading and I tend to think he was right.
Once you have a manuscript, get a few readers to look at it and give you honest feedback. If they said “this sucks, because [insert reason here]” listen to them. They may be wrong, which is possible, or you may have failed to explain something properly. Either way, they should make you think about it … which is better than having a review that boils down to “this author is an idiot.”
And grow a thick skin. You’ll need it.
Anything else you’d like to tell my readers?
I offer cameos for anyone who reads a book and reports an error to me. All (again) welcome.
Scrap City Written by D. S. Thornton Capstone Young Readers 10/01/2015 978-1-62370-297-7 352 pages Age 10—14 “Beneath a small Texan town lies s city unlike any other . . . “Eleven-year-old Jerome Barnes isn’t expecting to find anything interesting in crazy Wild Willy’s junkyard. But then he discovers Arkie. Arkie …
When some one says to you "that's just a fairy tale," it generally means that what you have just said is untrue or unreal. It is a polite but deprecating way of saying that your words form a lie or gossip. Your story is make-believe and unreliable. It has nothing to do with reality and experience. Fairy tale is thus turned into some kind of trivial story.
Littleton Opera House, Littleton, NH c.1900, a location in the story
I have a new story — my first (but not last) of this year — now available on the Conjunctions website— "The Last Vanishing Man".
This one's a bit of a departure for me, in that it is a serious story that will not, I'm told, make you want to kill yourself after you read it. In fact, one of my primary goals when writing it was to write something not entirely nihilistic. Various people have, over the years, gently suggested that perhaps I might try writing a ... well ... a nice story now and then.
So "The Last Vanishing Man" is a story that has an (at least somewhat) uplifting ending, and the good people triumph, or at least survive, and the bad person is punished, or at least ... well, I won't go into details...
Here's the first paragraph, to whet your appetite:
I saw The Great Omega perform three or four times, including that final, strange show. I was ten years old then. It was the summer of the Sacco and Vanzetti trial, a time when vaudeville and touring acts were quickly fading behind the glittering light of motion pictures and the crackling squawk of radios. What I remember of the performance is vivid, but I am wary of its vividness, as I suspect that vividness derives not from the original moment, but from how much effort I’ve put into remembering it. What is memory, what is reconstruction, what is misdirection?
I’m thrilled to be part of The Girl Who Could Fly blog tour! In celebration of the upcoming release of The Boy Who Knew Everything, I have a copy of The Girl Who Could Fly up for grabs, and the publisher asked bloggers to answer this question:
If you could have one superpower, what would it be and why?
With all of the health issues in my family right now, I would want the the ability to heal. First, I’d fix my hip, so I would be ready to hit the road and get my mom squared away, too. I’d stop by the barn and give some pain relief to all of the older horses, because they, unfortunately, develop arthritis and life-altering illnesses, too. Then off I’d go, healing anyone or anything in pain or suffering from an illness.
Which superpower would you choose?
About the books:
You just can’t keep a good girl down . . . unless you use the proper methods.
Piper McCloud can fly. Just like that. Easy as pie.
Sure, she hasn’t mastered reverse propulsion and her turns are kind of sloppy, but she’s real good at loop-the-loops.
Problem is, the good folk of Lowland County are afraid of Piper. And her ma’s at her wit’s end. So it seems only fitting that she leave her parents’ farm to attend a top-secret, maximum-security school for kids with exceptional abilities.
School is great at first with a bunch of new friends whose skills range from super-strength to super-genius. (Plus all the homemade apple pie she can eat!) But Piper is special, even among the special. And there are consequences.
Consequences too dire to talk about. Too crazy to consider. And too dangerous to ignore.
At turns exhilarating and terrifying, Victoria Forester’s debut novel has been praised by Stephenie Meyer, author of the Twilight saga, as “the oddest/sweetest mix of Little House on the Prairie and X-Men…Prepare to have your heart warmed.” The Girl Who Could Fly is an unforgettable story of defiance and courage about an irrepressible heroine who can, who will, who must . . . fly.
There is a prophecy.
It speaks of a girl who can fly and a boy who knows everything. The prophecy says that they have the power to bring about great change . . . .
The boy is Conrad Harrington III. The girl is Piper McCloud. They need their talents now, more than ever, if they are to save the world-and themselves.
I figured, since I live with you real live tweens, it is high time that I have them write some of the book recommendations that appear on this blog. Tween 2 read The Imaginary before school was out, and she loved it! The following is what she has to say about it!
I had just finished a book, and as always, I was looking for a new one. Just like most kids, I like it when a book sticks to me. Sometimes I read the first two chapters of one book and I do not like it and then same with the next, and so on. As usual I asked my mom/librarian for a suggestion. She usually gives me like 8 books and I don’t like any of them, so it is usually hard for her to give me suggestions. This time she gave me this book, and it hooked me right from the introduction. I checked it out and just read it.
The one thing that keeps Amanda happy is her imaginary friend Rudger. After all, she is an only child. There is just him and her. They are best friends. But Amanda’s mother thinks there is something wrong with Amanda. Amanda loves to imagine. Rudger and Amanda always go on adventures in the backyard. Then one day Mr. Bunting comes to the door.
Mr. Bunting hunts Imaginaries. Rumor has it that he eats them! He sniffs them out and this time he has sniffed out Rudger. With Mr. Bunting’s (well let’s say) “assistant” he has almost got Rudger in his clutches! With Amanda unconscious in the hospital, Rudger is alone with nobody believing in him. He is starting to fade away with Amanda not being able to imagine him. All at once he is trying to get to Amanda, escape from Mr. Bunting, and not fade before it is all done. On his way he meets some other imaginaries that help him. But can he make it before fading?
A.F. Harrold has created humor, with scary moments and magic all in one plot. This book was super amazing! Emily Gravett has so many great and detailed pictures. The illustrations and the book work in harmony together. This is a must read book! Ten out of ten stars! **********
Some reviewers of the first episodes of the current BBC1 adaptation have dismissed it is over-blown fantasy, even childish, yet Clarke’s characters are only once removed from the very real magical world of early nineteenth-century England. What few readers or viewers realise is that there were magicians similar to Strange and Norrell at the time: there really were 'Friends of English Magic', to whom the novel’s Mr Segundus appealed in a letter to The Times.
I was in the mood for something different, and when I saw Elantris mentioned on a list of zombie books, I decided to give it a shot. While there aren’t zombies in the traditional sense, Prince Raoden, is technically dead, with no heartbeat, no real need to eat, and wounds that never heal. When he becomes the victim of a curse that makes him one of the living dead, his father sends him to the deteriorating city of Elantris, which was once the shining beacon of Arelon. Now its magnificent buildings crumble and its streets are coated in slime. The other cursed residents of Elantris suffer from an all-consuming hunger, and every little wound causes unending suffering. Those that have succumbed to the pain lie huddled in the streets, muttering and no longer aware of their surroundings.
At over 500 pages, Elantris is a bit longer than novels that I usually read. This isn’t a conscious decision on my part, but most of the books that I read clock in at around 350 pages. I don’t know if that’s because publishers are so focused on series now and the pressure to produce books on a steady time table has put a dent in page count. Or maybe reader attention span has forced shorter books to prevail. Regardless, when I see a longer book, I do sometimes think twice about picking it up because they can take so long to read. A thousand pages can be off putting. Five hundred pages – that’s doable in a few days for me, so I clicked the Borrow button and settled down with my first Sanderson read.
I really liked the characters, and there are a lot of them. Sarene was my favorite, with Raoden running a close second. They were engaged to be married, until Raoden’s untimely “death.” When Princess Sarene arrives from Toed, she’s dismayed to discover that she’s now a widow. The terms of the marriage contract between Toed and Arelon stipulated that should Raoden die, the marriage instantly becomes binding. Toed and Arelon are the last two countries holding out against the religious fanatics from Fjordell. The marriage between Sarene and Raoden was meant to cement their countries together and make them allies against the priests of Shu Dereth. With a convert or die policy, countries have fallen like dominoes under the might of Fjordell. Sarene is committed to resisting conversion to Shu Dereth, and she and Hrathen, a high priest who has been sent to convert Arelon, battle to sway the populace of Kae, Arelon’s capital. Sarene fears that if Arelon falls to Shu Dereth, Teod won’t be far behind.
Sarene learns that Raoden had gathered together followers to oppose his father, King Iadon. Iadon is a poor ruler and has weakened the country considerably since he took control ten years ago, just after the collapse of Elantris. Iadon instituted a policy that rewarded the wealthy, and made virtual slaves of the poor. The injustice is so great that Raoden and his father constantly butted heads over Iadon’s policies. Sarene wishes to infiltrate Raoden’s group and persuade them to continue their opposition to Iadon, as well as to fight against Hrathen and his efforts to convert the citizens of Arelon to Shu Dereth.
More than anything, Elantris is about politics. Arelon is seething with political cesspools, from the threat of forced conversion to Shu Dereth, to the possibility of rebellion from a group of nobles. With Raoden in the decayed city of Elantris, struggling to understand the power behind the Aons that once created the magic and wonders that held Fjordell at bay, there’s yet another threat that few are even aware of. Everyone thinks that Raoden is dead, and Iadon hasn’t done anything to enlighten them. A petty man ill suited to leadership, Iadon believes that wealth is an indicator of the right to rule. With his repressive laws, the poor suffer and seethe at the injustices shown to them. It’s a huge powder keg just waiting for a spark to ignite. Sarene turns out to be that spark, but has she brought greater ruin down on the her new country?
I really enjoyed this book. It’s a nice blend of political intrigue and mystery, with a light romance thrown into the mix. I wanted to know what happened to the gods of Elantris, those mighty beings that once ruled Arelon. Why didn’t the magic work anymore, and why were those taken by the Shaod now cursed, powerless shells instead of the once powerful gods that the transformation turned them into? While I liked Sarene, I was dying to find out the secrets behind the fall of Elantris. And what was the deal behind the monasteries of Shu Dereth? The momentum flagged a bit with the chapters featuring Hrathen, but I found him, at the beginning at least, to be humorless and void of a personality. No wonder he was having trouble winning over the masses during his quest to convert the citizens to his religion!
Review copy obtained from my local library
Elantris was the capital of Arelon: gigantic, beautiful, literally radiant, filled with benevolent beings who used their powerful magical abilities for the benefit of all. Yet each of these demigods was once an ordinary person until touched by the mysterious transforming power of the Shaod. Ten years ago, without warning, the magic failed. Elantrians became wizened, leper-like, powerless creatures, and Elantris itself dark, filthy, and crumbling.
Arelon’s new capital, Kae, crouches in the shadow of Elantris. Princess Sarene of Teod arrives for a marriage of state with Crown Prince Raoden, hoping — based on their correspondence — to also find love. She finds instead that Raoden has died and she is considered his widow. Both Teod and Arelon are under threat as the last remaining holdouts against the imperial ambitions of the ruthless religious fanatics of Fjordell. So Sarene decides to use her new status to counter the machinations of Hrathen, a Fjordell high priest who has come to Kae to convert Arelon and claim it for his emperor and his god.
But neither Sarene nor Hrathen suspect the truth about Prince Raoden. Stricken by the same curse that ruined Elantris, Raoden was secretly exiled by his father to the dark city. His struggle to help the wretches trapped there begins a series of events that will bring hope to Arelon, and perhaps reveal the secret of Elantris itself.
A rare epic fantasy that doesn’t recycle the classics and that is a complete and satisfying story in one volume, Elantris is fleet and fun, full of surprises and characters to care about. It’s also the wonderful debut of a welcome new star in the constellation of fantasy.
Archie Greene and the Magician’s Secret by D. D. Everest takes you into a world where bookshelves are enchanted, librarians have magical powers, and spells aren’t just something to read about in dusty tomes. It’s ideal for kids around the age of 10 who perhaps enjoyed the magic of Harry Potter, but it can also can be enjoyed as a family read with younger children who’ll be excited by mysterious apparitions and strange goings-on.
Various Archie Green covers – from L-R: UK paperback, UK hardback, US
Archie Greene receives a curious birthday present; an old wooden box containing a book written in a language he can’t read, along with the command to return this book to its rightful place on the shelves in the Secret Library. This is the first step on Archie’s journey to meet the family he never knew he had and a band of people dedicated to finding and saving magic books.
Atmospheric and exciting, I enjoyed this book so much I’ve since recommended it to several children in my 8-12 bookgroup. With a paperback edition hitting bookshelves early in June I took the opportunity to interview D.D. Everest about this book.
Playing by the book: Archie Greene and the Magician’s Secret is a wonderful fantasy novel. What is it about fantasy as a genre that appeals to you? I’m especially curious because of your background as a journalist and non-fiction writer, both of which seem to be about as distant as you can get from fantasy… which is maybe part of the answer?
D. D. Everest
D. D. Everest: You’re right. One of the (many) reasons I love the fantasy genre is that it is so far removed from my other work as a journalist. When you deal with dry facts all day it is such a treat to escape to another world of magic and adventure.
But I have always loved magical fantasy. My favourite books growing up were the Hobbit and Lord of the Rings. What I love most about those books is the depth and detail that Tolkien gives to the world he creates, the layering of the stories and the myths and the cultures that he describes.
Playing by the book: I love books where true facts coincide with the story and this very much happens in Archie Greene and the Magician’s Secret; John Dee really did exist and was Elizabeth 1’s adviser, and there was indeed a Library of Alexandria which was destroyed by fire. What other truths have you smuggled in to your story? (What other truths did you discover during your research which you would like to have included in your story)
D. D. Everest: I think including real facts and places grounds a story. It connects it to the real world so it feels like you can almost touch it. It’s something I really wanted to do with the Archie books. Using history is a great way to give the story some of that depth that I mentioned before.
John Dee, who is in the first Archie book, was a real person. He was described as Queen Elizabeth I’s court magician. He really did collect books about magic and he did think he could talk to angels. The Great Library of Alexandria is also historically accurate, although the part about Alexander the Great’s magical book collection being kept there is just wishful thinking!
Another historical detail I included in the book is the Great Fire of London. In Archie’s world, the fire was started by a magical experiment that went wrong. That plays a big part in the second book Archie Greene and the Alchemists’ Secret.
Playing by the book: With another hat on you’ve written several non-fiction books. How has writing fiction compared? What’s been more difficult about writing fiction? And what has been more enjoyable? Do you still write non-fiction?
D. D. Everest: Writing fiction is much harder, especially fantasy because you are creating a whole world from your imagination. That world has to be plausible enough for people to believe in it and exciting enough for them to want to read about it.
Writing children’s books is the most challenging of all. Having said that, I don’t write for children as such. I write what I’d like to read. But I hope children will enjoy it.
The best thing about writing for children is that they have such rich imaginations that you have lots of licence to be creative. So, you have a big canvas. But the other side of that is they have very high expectations. They question everything in a way that adults don’t, which means they could get ahead of the plot or find holes in the logic. So you have to work really hard at that.
Playing by the book: Can you share a little of the research you did for Archie Greene and the Magician’s Secret – I imagine you spent time exploring the back streets of Oxford and visiting atmospheric libraries, perhaps even learning some bookbinding skills?
D. D. Everest: Luckily, I was doing some work at the university when I was writing the first book so I was in Oxford quite a lot. I wandered around at night taking lots of photos with my phone. I sometimes show the pictures when I do school events. Again, it grounds the story and makes it feel real.
For example, there is a description of when Archie first goes to the magical bookshop and he crosses a cobbled square and goes into some narrow lanes. If you go to Oxford it is very easy to find that cobbled square!
Playing by the book: Libraries play an important role in Archie Greene and the Magician’s Secret. Can you share a memory/experience of libraries and the role they’ve played in your life?
D. D. Everest: Most of my memories of libraries are of being told to be quiet because I was talking too loudly! That’s probably why I wanted the Museum of Magical Miscellany to be a noisy place, full of children laughing. Books should be exciting and fun. And magical books should be even more exciting and fun, so that’s how I imagined the Museum.
I have been lucky to see some famous libraries like the British Library, which are fabulous places. I’ve always wanted to have my own library – with revolving bookcases and secret passages. Perhaps I will one day!
Playing by the book: Did you always want to be a writer? If you weren’t a writer, would you rather be? (A professional football coach, perhaps?)
D. D. Everest: I have always wanted to be a writer ever since I was very young. I didn’t really know it at the time but looking back I can see it now. I was the kid who wrote pages and pages when the teacher asked us to write a story. My stories were always too long and complicated to finish in the lesson time. I still do that!
When I’m not writing I manage a junior football team. Most of them have been with me since they were about six – they are now 17. They are a great bunch. I’m not sure how good a manager I would be but I do enjoy it, especially on match days.
Playing by the book: What’s the most magical (in any sense) book you’ve read recently?
D. D. Everest: I really enjoyed Rooftoppers by Katherine Rundell. It is very imaginative and beautifully written. The Graveyard Book, by Neil Gaiman, is so original. The other really clever book I’ve just read is Lockwood & Co. The Screaming Staircase by Jonathan Stroud. He’s a great writer – I loved his Bartimaeus series.
One of many interior illustrations by James de la Rue ffor the hardback edition of Archie Greene and the Magician’s Secret
Playing by the book: What magic trick would you most like to be able to perform?
D. D. Everest: I’d like to be able to vanish, so I could avoid people I don’t want to talk to. I’d love to have a permission wall around my study, too, like the one that protects the Museum of Magical Miscellany so that only people with the secret mark could come in. But best of all I’d love to be able to talk to magical books like Archie!
Playing by the book: Oh, yes I’m with you on that one! Here’s keeping our fingers crossed that such magic comes our way!
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Series: The Luck Uglies (#2) Written by Paul Durham Illustrated by Pétur Antonsson HarperCollins Children’s Books 3/17/2015 978-0-06-227153-2 416 pages Age 9—14 X X “It’s not easy being the daughter of the High Chieftain of the Luck Uglies. Now an insidious new lawman in Drowning has declared Rye an outlaw from her own village, and she’s been exiled to the strange and remote Isle of Pest. But the island quickly feels much less remote when the battle to control the future of the Luck Uglies moves to its shores. To defeat the Luck Uglies’ bitterest rivals, Rye must defy a deranged earl, survive a test meant to judge the grit of the fiercest of men—and uncover some long-buried family secrets. And when Rye leads the charge to defend t island, she and her friends will meet an eerily familiar enemy . . . “ [book jacket]
Review In The Luck Uglies, Rye O’Chanter came to realize her family had been lying to her all her life. Nothing has changed. Rye learns there are many more family secrets. Rye also learned in The Luck Uglies that those she lives with, and around, are not who they appear to be. This, too, continues as new people enter Rye’s life. And the classic theme of good versus evil continues with a slight variation. This time, it’s good versus evil and evil versus evil, making the lines blurrier than ever.
The Luck Uglies
At the start of Fork-Tongue Charmers, Rye and her friends are anxiously awaiting Silvermas, and anticipating shoes overflowing with candy. On the eve of Silvermas, three strange, masked men knock on the O’Chanter door with a message: Harmless wants Rye to join him posthaste. Soon, the magical Silvermas Mud Sleigh arrives for Rye, but something is amiss. Meanwhile, Earl Longchance hires a new constable, Valant, who has a violent, vindictive reputation and fears no one. He immediately implements new rules and laws. Villagers who seemingly violate Valant’s strict and often unfair laws receive public humiliation and severe punishment at the Shaming Pole. Abby and Lottie move out of their home (and into the notorious Dead Fish Inn), after Valant burns down the Willow’s Wares. Once the Mud Sleigh is ravaged on Silvermas—with Rye aboard—Valant posts a new decree.
“PROCLAMATION OF EARL MORNINGWIG LONGCHANCE! Generous Rewards Offered for the Capture of Abigail O’Chanter and her Two Offspring! Wanted for Crimes Against the Shale!”
Once more, the relatively peaceful lives of Abby, Rye, and Lottie O’Chanter are disrupted as they, Folly, and Quinn are thrust into situations few could survive. Sent to the Isle of Pest—Abby’s childhood home—via the Slumgullion, a rickety pirating vessel navigated by an over-the-top Captain Dent, calm returns but questions continue. Refusing to cease when so close to victory, Earl Longchance follows the Slumgullion to Pest, and wages a surprise war against a group of peaceful people.
Where is Harmless? How far will Valant and Earl Longchance push the people of Drowning? What new secrets will Rye uncover? Will she ever get off the small Isle of Grit? OH, I’ve forgotten one important thing, who are the Fork-Tongue Charmers? These men are easy to identify, if they will open their mouths. They have willingly split their tongues like a snake. Slinister, the group’s aptly named leader, seeks revenge against Harmless, having no qualms about using a child in his scheme. One last piece of vital information; these Fork-Tongue Charmers are Luck Uglies.
Rye Crossing Barnacle-Covered Rocks
Durham’s second novel will lull you on a nice countryside filled with sheep and eccentric personalities. He gets you all snug and cozy then, just as you are enjoying the oddness, BAM, the worlds of Drowning and Pest collide, tossing you like the sea back into an adventurous fantasy only Durham could handle with such precision. The Fork-Tongue Charmers are not so charming, but Dunham’s story will keep you glued, wondering whom these men really are and what Slinister really wants. He (Slinister), abandons Rye, alone, on the Isle of Grit, in the open sea, doomed. The final chapter gripped me tight as I waited for the impossible to occur. But can all end well that starts badly?
Dunham’s writing has improved. Pushing the envelope in children’s literature while taking kids—and adults—into an unforgiving medieval world, where princes dress like commoners and heroes are villains, each book of The Luck Uglies series amazingly can stand on its own. Fork-Tongue Charmers belts readers into the first car of a roller-coaster ride with intriguing, often eccentric, characters with unlikely stories belted in behind them. The lure of impressive and imaginative writing made me a loyal fan who believes in Dunham’s brilliant creativity. If his writing continues to improve, as I suspect it will, book 3 (as yet un-named), will shoot readers into the stratosphere of kidlit, glad to remain there as long as Dunham will have us.
Written by K. E. Ormsbee Illustrated by Elsa Mora Chronicle Books 4/14/2015 978-1-4521-1386-9 440 pages Age 10—14 x x “For as long as Lottie can remember, the only people who seem to care about her have been her best friend, Eliot, and the mysterious letter-writer who sends her birthday gifts. But now strange things and people are arriving on the island Lottie calls home, and Eliot’s getting sicker, with a disease the doctors have given up trying to cure. Lottie is helpless, useless, powerless.
And then a door opens in the apple tree.
Follow Lottie down through the apple roots to another world—a world of magic both treacherous and beautiful—in pursuit of the impossible: a cure for the incurable, a use for the useless, and protection against the pain of loss.” [book jacket]
Review The beginning of The Water and the Wild draws the reader in with the sharp writing and imaginative descriptions. We meet 12-year-old Lottie, an orphan, who lives in a New Kemble Island boardinghouse with a reluctant Mrs. Yates, whom the author describes as dour with a dislike of children.
“In her opinion, children belonged to a noxious class of furless, yippy house pets that did nothing but make noise at inconvenient times and crash into her potted gardenias.”
Lottie has only two things she cares about: the apple tree, where she hides her keepsakes in a copper box she found hidden in its roots, and her best friend Eliot. Each year, Lottie placed a wish in her keepsake copper box and returned it to the roots of the apple tree. Each year, on her birthday, an unknown writer sent Lottie her wish.
Eliot is ill with an unknown incurable disease, and nearing the end of his young life. Lottie decides to ask for a cure for the incurable. Soon after, her life changes course when Adelaide, a sprite, urgently whisks Lottie to safety down the roots of the apple tree to Limn, a mysterious place that exists under New Kemble Island. Here, Lottie meets Mr. Wilfer, a sprite healer, Adelaide and Oliver’s father, and Lottie’s benefactor. Mr. Wilfer has been working on an “Otherwise Incurable” potion. Problem is, this is supposed to be for the king, not Eliot, and when it does not arrive as expected, the king arrests Mr. Wilfer. With the cure in hand, Adelaide, Oliver, Oliver’s half-sprite, half-wisp friend Fife, and Lottie take off for the castle to save Mr. Wilfer.
I enjoyed The Water and the Wild but the journey to the castle felt like it would never end, though there are many bright spots along the way that I loved and will intrigue readers. The three kids travel through strange lands filled with danger. Along the way, Lottie learns she is half human-half sprite—a Halfling—and the Heir of Fiske making her heir apparent to the throne and a target of the current, rather cruel, king. The worlds of both New Kemble Island and Limn are easy to visualize.
Oliver speaks in the words of poets, all of which the author annotates after the story. This can make Oliver’s speech confusing at times for both Lottie and the reader, but is an unusual and imaginative way to introduce kids to classic poetry. Lottie, the odd-girl-out in both worlds, is an easy character to cheer on and kids in similar situations will easily identify with Lottie’s loneliness and the cruel, bullying students she encounters at home.
I wish I knew how the story ended. Maybe there is a sequel in the works, but as it is now, Lottie is somewhere in Limn doing something and, as the author writes,
“This is better.”
I do recommend The Water and the Wild to advanced middle grade readers and adults who enjoy a good story filled with suspense, unusual beings, adventure, and a little magic. The illustrations at the head of each chapter are made from cut paper. See Elsa Mora’s website for more examples of this incredible artform. The Water and the Wild is K. E. Ormsbee’s debut novel.
NOTE: There is a sequel planned for Fall 2016, as yet un-titled.
I’d been meaning to get to this series all of 2014. After being totally amazed by both The Girl With All The Gifts and The First Fifteen Lives of Harry August I asked the person the Australian publisher who had recommended them both what I could checkout next. And this was the series they said. […]
Talia Aikens-Nuñez, author Alicja Ignaczak, illustrator Central Avenue Publishing/Pinwheel Books 8/06/2014 978-1-77168-025-7 148 pages Age 7+ x x
“April Appleton is s annoyed at her older brother that she searches the Internet for a spell to turn him into a dog. When it works, April realizes she has more power than she ever dreamed of! Now she has to figure out how to turn him back to normal before her parents find out.”
About the Story
April turns her older brother Austin into a little soft, poofy dog when he harasses her on the school bus. Yep, she is wearing huge red glasses and braces, but that does not give Austin the right to tease her. Now realizing she cannot keep Austin cute and cuddly forever—lest mom and dad will be unhappy—April tries in vain to turn Austin back into an annoying brother.
Things do not go well for April, who is getting better at opening and closing doors at will, but could not get the reversing spell to work. With the help of help best friend Grace and new friend Eve (her grand-mere is a witch doctor), April must perform some nasty tasks before the undo-spell might work. The Old Magic Book’s paper-thin pages are so dusty, reading might be difficult—and it is in French!
First, I am not a fan of texting “terms” used in a story, and most definitely not in the title. I also do not like the double sign (?!), and because of this, think the title needs polished. The back cover preview (above), contains a sentence ending in a proposition. A few more are in the story. The expertly drawn black and white line drawings, at the onset of each chapter, help mark each new beginning, but do not add anything to the story.
With that out of the way, OMG . . . Am I a Witch is a cute story with energized dialogue. Read in one sitting, I found the story entertaining and it held my attention throughout. Most of April’s magic occurs as she thinks of what she would like, such as thinking her doggy-brother looks white and billowy as the clouds above, then he begins floating upward. April does a lot of thinking and worrying. The humor is light, which suits the urgency of the story.
“Austin is fluffy like those clouds. Ha ha. I could just imagine him floating off like a cloud . . . I just made him float. He floated like a cloud in my daydream. I am a witch. Wow. I am . . . a . . . witch.”
Girls will especially love the main character and her female sidekicks. OMG . . . Am I a Witch is a short 148 pages that can be read one chapter at a time or entirely in one sitting, making this a good story for younger middle grade kids. I believe this is Ms. Aikens-Nuñez’s first MG book. She has written a fine first foray into writing for the late elementary and middle grades. I would love to find out how April uses her newfound magic and how her friends will influence her choices. I loved all the characters. I think OMG . . . Am I a Witch would make a fine series, especially if April ages along the way.
In a gorgeously remastered classic tale, just in time for Easter, is a story about the magic of love; The Velveteen Rabbit. With the original story (first published in 1922) by Margery Williams Bianco being untouched, this current version has an exquisite sense of charm about it thanks to its’ talented illustrator, Helene Magisson. […]
This story may or may not be a fairy tale, though there are certainly fairies in it. However, unlike any of his Victorian forebears or most of his contemporaries, Machen manages to achieve, only a few years before the comfortably kitsch flower fairies of Cicely Mary Barker, the singular feat of rendering fairies terrifying. With James Hogg’s 'Confessions of a Justified Sinner', Robert Louis Stevenson’s ‘Thrawn Janet’ and several of M. R. James’s marvellous ghost stories, ‘The White People’ is one of only a handful of literary texts that have genuinely unnerved me.
It’s the 26th of February, and the time is 7.00pm, the usual time for all my telephone interviews with Alan Moore, since the first one we did, back in March 2008. This is something like the eighth time I’ve interviewed him 1, but I still get nervous. There’s the usual fumbling around with a voice recorder, and making sure I know how to put the phone on speaker – I’m totally technically incompetent, so Deirdre, my wife, has to come and oversee all this, to make sure I don’t do something stupid.
Pádraig Ó Méalóid: I’m going to get stuck into this thing because I’ve a long list of questions, at least some of which we’ll get to. OK, I was going to ask you about Steve. Obviously Steve Moore’s death must have been an enormous blow to you. 2
Alan Moore: Well, yeah, obviously, and it – it was a period of massive shock, and of course a few marvels in there. There was an ethereal period. We managed to follow Steve’s instructions, and scattered his ashes on the burial mound in Shrewsbury Lane by the light of, not only a full moon, but of a Supermoon, which is when the Moon is full at its perigee, which is apparently its closest approach to Earth, and it was just at the tail end of Hurricane Bertha so we didn’t think that we were going to be able to really do it successfully, but as it happened, the hurricane had blown all the clouds out of the sky by the time we got down to Shooters Hill, and it was a – a rather magical night in its way, even though I managed to end up wearing at least a small portion of Steve, when we had a difficulty transferring him to the scattering tube. Funnily enough, I’d said on the way down there that I hope this doesn’t end up like The Big Lebowski, with me kind of going on inappropriately about Steve’s service in Vietnam, while getting ashes all over me, but apart from me going on inappropriately about Steve’s service in Vietnam, that was pretty much what happened. But otherwise it was a great night and, yeah, I suppose that after Steve’s death I kind of hurled myself into a great deal of creative work – it’s just my way of dealing with things, you know? Or perhaps my way of not dealing with things, I don’t know. But, yeah, it still goes on, like at the moment I’m, I just went down last weekend to Steve’s place to talk with Bob Rickard3.
I went to the burial mound – it’s been padlocked since we did the scattering there, which – I don’t think it was in response to our scattering, probably more in response to some of the empty cider bottles that I’d noticed around the site, but I suppose in its way it’s fortuitous – if Steve had died a year later it probably wouldn’t have been anywhere near as – convenient? – to honour his final wishes, but – no, he’s still an immense presence in my life. I’m still, I’m wrapping up dealing with his estate – and I shall be dealing with that for a number of years, I’m sure. But, yeah, we’ve still got the Book of Magic to come out, which is very very much a joint venture, even if – even if one of the members of The Moon and Serpent is now only active upon the Inner Plane, it’s still going to be both of us on the cover, there. It’s going OK, Pádraig.
PÓM: Good, I’m glad. As you mentioned the book, The Moon and Serpent Bumper Book of Magic, is there any kind of a timescale for that?
AM: Well, at the moment I have just finished the final article, the big concluding essay that me and Steve had been working on for about six months before last March and that leaves me one episode of The Soul4 to do, and then I’ve got to go back and tinker with the Tarot Card, and the Kabala Boardgame, and some of the other, more art-centred things, and less text-centred – most of the text-centred stuff is completed. As to when that will come out – we would like to get it out in 2016, but that is not a promise, that is an aspiration5.
AM: I’m sure that – yeah, you know what that means – we’ve been living under a coalition for some several years now, so we will know what we mean by promises and aspirations.
PÓM: Somebody was suggesting – are you likely to do a performance related to that when it’s finally finished?
AM: Don’t know. Don’t know – I hadn’t been thinking of a performance related to it. Eh, don’t know, is the answer to that, it is nothing that I’d actually considered. These things tend to come in seasons. There was a period when I was closer to TimPerkins – Tim moved to Oxford – me and Tim still communicate, and we still talk about possible projects together, but it doesn’t feel like the time at the moment when performance stuff is probably at the forefront. I had a very very nice offer from Paul Smith of Blast First records, talking about the possibility of getting some satellite time for something live, but, quite honestly, it would be filling three hours of live – no. It’s not like I – my urges at the moment are not really towards live performance. That said, tomorrow night I shall be going down to the local café, and me and Robin Ince and Grace Petrie will be doing another one of our, just impromptu little events6 which Robin is – we’re recording them all, Joe Brown is doing all of the mixing and everything, and they will eventually be released as podcasts. But that’s pretty much the extent of my public appearances at the moment.
PÓM: I met Tim Perkins for the first time in August. Worldcon – that’s the World Science Fiction Convention – was on in London, and myself and himself and Gary Lloyd ended up doing a panel about your musical output.7
AM: Aw, brilliant! And how is Tim? I haven’t spoken to him for ages.
PÓM: Tim was good! I was delighted to meet him, because I have a lot of his work, but I’ve one question I was asking him that I had always been interested in, which was, in all the musical work that you did, did you play a musical instrument at all?
AM: Oh, no. No, I never played a musical instrument. I am – yeah, I know I’m a fairly multi-competent kind of individual, but no, no. Playing a musical instrument has always been beyond me, and I have nothing but the greatest of respect for those that can, and I tend to – even if I could play a musical instrument, I’ve known such brilliant musicians that it would have been foolish not to leave that side of things to them, and to play to my strengths.
PÓM: Yeah, I know. He did say something about your playing – was it with one hand, was it Twinkle Twinkle Little Star, something like that, on a piano?
AM: Oh, I can actually – because when I was a child, I had a Sooty Xylophone, with numbered keys, and the actual score to Twinkle Twinkle Little Star, with numbered keys on xylophone, is 1155665 – it’s been a long time since I played it, but I could remember it all the way through, on my Sooty Xylophone. So, yes, I suppose technically, if there is ever any need for a kind of Twinkle Twinkle Little Star refrain on xylophone, then you’ve got my number.8
PÓM: Fair enough. I always wanted to clear that one up.
AM: Well, it’s an important point, Pádraig. No, I’m surprised that Tim remembered that.
PÓM: Yes. Well, it obviously made an impression.
AM: Yeah, obviously, obviously.
PÓM: Tell me about The Show. What’s happening?
AM: The Show. Well, The Show is the name of the project that follows on from the Jimmy’s End films – which, surely to Christ, should be out soon. It should be very very soon – I’ve been kicking up a fuss, Mitch [Jenkins] has been kicking up a fuss…9
PÓM: This is the stuff from Lex Records?
AM: Apparently there’s been unavoidable delays on the packaging side. I don’t know!
PÓM: Yeah, I know, I know. It’s bad enough having to always wait for your comics to come out, but really…!
AM: It’s this film business, it’s – and I am kind of limited in what I can actually do. And it’s the same with the comics business, I suppose. Anyway, that should be out soon, and I have written a screenplay for a feature film, called The Show, which is designed to follow on from that. We have been talking with various parties about maybe making that screenplay into the first two episodes of a serial, which – we could probably have done it, but that doesn’t seem to be – that’s not technically gonna happen. At the moment we’re talking about maybe doing what we had originally intended to do, which is to bring out The Show as a feature film, and then to launch The Show as a television series, so at the moment, that’s all up in the air, and in my experience of these things, some things just remain up in the air forever, in defiance of gravity. So, who knows? But there are talks going on, it’s looking quite promising, and I’m sure that one way or another there’ll be – we’re asking for so little, to do this film, at least in terms of money. We’re asking for complete control, and complete ownership. But financially we’re asking for very little. It would be a very good film – it’d need me writing a few more songs, and it would be very differently paced to the five short films, because short films, they can be as long as you want them to be, and you can linger, whereas a feature film, that’s got to have – I’m not saying that it’s gonna be kind of action/thriller paced, but certainly a lot more conventionally paced for a feature film, put it like that.
PÓM: Yeah, of course.
AM: Yeah, that’s all going on as we speak – there might be more news – I’m sure if there is any more news, that’ll be in a couple of – in a couple of months we might know more.
PÓM: OK, fair enough. Emmm, what was I gonna ask? The League. The next – the third part of the Janni Nemo trilogy is coming out soon…?10
AM: River of Ghosts. I’ve just looked in the box that I got from Knockabout the other day, and I’ve got – yes, very soon, I’ve got my copies already. We are very pleased with it. It’s funny – when me and Kevin O’Neill first got our complimentary copies, we both looked through it, skimmed through it, independently, and when we were talking on the phone later I was – he was saying that he’d been – he’d felt that his art really, it was a bit tired-looking, and I was saying, ‘Yeah,’ I said, ‘I thought your art was great,’ I said, ‘but I don’t know with my script – I’m not sure that the ending’s not rushed, or something.’ Like, all these little things. And then, after that, I was still a bit despondent, but I sat down, and picked up the copy again, and started reading it. And I got to the end, and I went and phoned Kevin and left an answer phone message saying, ‘Actually, Kevin, I should go back and having another look at River of Ghosts, I think that it might be about the best run of the League since the first couple of volumes.’ And I got a phone call back from Kevin about ten minutes later, saying ‘Actually, I was going to call you and say the same thing! ’ It’s just that, when your expectations are up, and you first see the thing in print – I should know by now that very often my first reaction is disappointment. But then, you read it again and, yes, this is – it’s a bit of a corker. I think, beautifully rounds off the Nemo trilogy, and I hope will put the other two books into perspective, ‘cause I did hear a couple of comments saying, ‘Oh well, we’ve read Heart of Ice, good story and all that, but it does seem a bit – a bit slender, a bit thin, a bit inconsequential, compared to other graphic novels.’ It’s forty-eight pages, it’s like two issues of a comic and, really, it’s not until the River of Ghosts that we get to the end of the story – yes, they are all self-contained episodes, but there is an over-all story that’s going on, which I think we tie up quite nicely in River of Ghosts.
The story opens upon Lincoln Island in 1975, so this is six years after we saw Janni in League volume three in 1969. She’s now – what? – around eighty, and it’s been very interesting – I’ve always wanted, since I started writing Halo Jones, I always intended to have that conclude with Halo Jones as a very old woman, and I – I don’t know, I think that there is something magnificent about old women, and I’ve always wanted to do one with a very old woman in the main role. So, with River of Ghosts I think I’ve accomplished that.
There’s – we see a couple of old characters. There’s a couple of interesting new characters, one of whom might be of interest to you. Kevin found an American newspaper strip from, I think, 1902, that was entitled Hugo Hercules, and this is a very very big, very very strong man. I think it lasted for six or seven episodes – it wasn’t very long-lived. But, yeah, the first American superhero, I think, pretty much. I can’t imagine any earlier than that. Certainly earlier than Hugo Danner in Gladiator, a long while earlier than Superman.
So, yeah, I had a look at some of these early strips, which generally don’t have much in the way of dialogue balloons, but put most of the dialogue into captions under the panels, and from that, in the transcriptions of whatever the accent was supposed to be that Hugo Hercules was speaking in, I finally figured out that it was probably a racist and ill-informed transliteration of an Irish accent. It could just as easily have been Polish, or possibly Trinidadian, but I think probably it was meant to be Irish. So, we’ve kind of worked out, yeah, all right, if this Hugo Hercules, so-called, was Irish, what might be his backstory. Me and Kevin are very pleased with him as a character, and he plays quite a major part in River of Ghosts – which deals with, as you might expect from the first two volumes, it deals with a conclusion to the Ayesha question. Just kind of tying it all up in a neat and somewhat blood-stained bow.
The River of Ghosts in question is the Amazon, which means that we get to – as we did with Heart of Ice, less so, perhaps, with Roses of Berlin – but with Heart of Ice we were very much depending upon the New Travellers’ Almanac, and its gazetteer of fictional sights, and we’ve fallen back upon that quite a bit for this exploration of the Amazon. So, if that gives you any hints as to what sort of things we might be running into…
PÓM: It does! I actually find, I go back and I reread the New Travellers’ Almanac and the Black Dossier quite a bit, because I think that there’s a huge amount more information, a huge amount more stuff, about various adventures that’s coded into those than you’re probably ever going to put down on the comics page.
AM: Well, that’s true. And also, because we were very specific – I think back in the New Travellers’ Almanac there’s already bits talking about Jenny Diver…?
PÓM: Yes, yes.
AM: And we did have this fairly fully planned out, right from the start. One of the things that I’ve thought about is the possibility at some point in the future, of an actual integrated volume of the League of Extraordinary Gentlemen, in chronological order, to see how that reads? I don’t know. This is nothing I’ve discussed with anybody else, so I’m going off the menu here, a little bit. But…
PÓM: I know – from all the stuff, there’s all sorts of bits and pieces, and there’s dates, and it is possible to build up quite a detailed chronology of – particularly from the beginning of the Victorian League, and Mina Murray and all of that, upwards. It’s remarkable how much little bits and pieces fit in. Like the current volumes, the Janni Diver stuff, is filling in more little odds – and you go back and look at something and say, ‘Ah, that was there all along.’
AM: This is it, this is what we’re trying to do. And, actually, having said that it would be nice to put it all in chronological order, there is a lot to be said for the way that we’re doing it, where we’re jumping back and forth a little bit. Jack Nemo, whom we glimpse at the end of volume three, and in River of Ghosts, it’s almost like an origin story. Jack Nemo features in it – he’s a very small boy, a couple of years older than when we saw him as a five- or six-year-old running around on the Nautilus in 1969. We’re stitching all of this together, and we’re doing it all for a reason. One thing that might be of note is that this will be the last piece of work that me and Kevin will be doing on the League for a little while. We – this is largely because – me and Kevin have both been doing the League for fifteen years now. I know it doesn’t seem like it, but it actually is.
PÓM: I know. It’s 1999, wasn’t it?
AM: Something like that. Fifteen or sixteen years? And during that time I’ve been doing quite a bit of other work, but Kevin, the League has been pretty much the only thing that he’s been doing, so it’s more like – it’s a long-term sentence. And although me and Kevin are both in love with what we’re doing on the League, I could see that, it was a bit of an unfair strain upon Kevin, because the League might not be the only thing he wanted to do with the rest of his life. So, anyway, I can’t tell you very much about what we’re doing – in fact, I can barely tell you anything at all, except that me and Kevin are going to be doing something new for about eighteen months, summat like that.
PÓM: OK. In a comic form, I presume, is it?
AM: In a comic form. It’ll be an episodic thing. It will be a million miles away from the League. And we’re both very excited about it, we think we’re actually breaking new ground in term of the effects that comics can achieve. Which is, again, ‘cause I know that Kevin’s always had a hankering to experiment, and we’ve done as much as we can of that in the League – the League is limitless in some ways, but in other ways there are certain stories that perhaps wouldn’t fit quite so easily into it, and with this, yeah, we’re a long way away from the League. What we’re thinking is, we’re going to do this, as a break for Kevin, for the next eighteen months, or something, and then we will probably be going back to do book four of the League, but this is a long way in the future, but we have got a lot of good ideas that would – in some ways I’d like to do a book four that wouldn’t be the last book of the League, but could be. And if it was the last book of the League, then everything would be tied up. All of the strands and insinuations and implications in the Black Dossier, all of the tiny little threads, going right the way back to issue one of the first volume, I can see a way that all of this could be tied up splendidly into a fantastic story – but that will have to wait until me and Kevin have had our little vacation. We’re about four months into this eighteen months sabbatical anyway, so hopefully it won’t seem as long as that in the outside world.
PÓM: Before we leave it, can you tell us anything about what’s going to be in volume four?
AM: Other than, like I say, a tying up of ends, it would probably be set not long after 2009 and it would be tying up threads from all three volumes of the League, from the Black Dossier, and from the Nemo trilogy. It would be a – it’s a kind of story that I’ve been thinking of for a few years, but, yeah, after we’ve taken this sabbatical, both me and Kevin thing that, when we do go back to the League, we’ll go back refreshed, and capable of giving – not that we aren’t incredibly pleased with River of Ghosts. Like I say, that seems to have some of the energy – I wouldn’t want to deny the energy of any of the volumes of the League, but it’s undeniable that, say, the first two volumes are paced and structured very very differently to Century. And there were some people who thought that Century was a bit slow, or a bit over-complex, but that was just what we wanted to do with the characters. We wanted to show that it didn’t always have to be a fast-paced Victorian romp, that there was plenty of interesting stuff in this world that could do with lingering over. But, when we finished Century we thought, all right, let’s take a break from that stuff, and do the Nemo trilogy, something very fast paced, where we’re paying a lot of attention to spectacle, where that is a big part of the story development, and that gives Kevin an opportunity to really show what he can do on some nice spreads, and things like that, of which there are a couple of – some of the best pages of art by Kevin I’ve ever seen, in this upcoming issue. Some very memorable little images there.
2In case you all think I was being hideously impolite by launching directly into talking about Steve Moore, I should point out that there was a certain amount of small-talk in there beforehand, which none of you need to know anything more about. However, if you wish to read my interview with Steve, called The Hermit of Shooters Hill, you’ll find them all (six parts so far) here on The Beat, under the tag HERMIT.
3Bob Rickard is the founder of the Fortean Times: The Journal of Strange Phenomena (Originally called The News, which both Alan Moore and Steve Moore contributed to over the years. He is also one of the two people Steve described to me as being his best friends. The identity of the other one should not be hard to grasp…
4The Soul is a strip, written by AM and drawn by John Coulthart, that was to appear in America’s Best Comics’ Tomorrow Stories, but is now going to be in The Moon & Serpent Bumper Book of Magic.
5A favourite saying of British politicians.
6 Another of these events, Alan, Grace and Robin’s Blooming Confusion is in the NN Café in Northampton on the 31st of March 2015, and there are still tickets available, here. Robin Ince is a comedian, and Grace Petrie is a singer.
7Tim Perkins is AM’s main musical collaborator, with five CD releases thus far between them. He has a hopelessly out-of-date website, here. Gary Lloyd is another of AM’s musical collaborators, having worked with him on the audio version of Brought to Light. The interview with Tim and Gary is slowly being transcribed, and will doubtless turn up on the ‘net eventully.
8Before anyone writes into to point out that the Sooty Xylophone isn’t actually a xylophone, not being made of wood, we’ve already got that covered. All I can do is report what is said!
9This is in reference to Lex Projects’ Kickstarter for Alan Moore and Mitch Jenkins’s His Heavy Heart short film, which those of us who backed it are still waiting to see make its way into our hands. It’s by no means the only Kickstarter project I’ve backed that I’m still waiting for, mind you.
10There was some confusion about the actual publication date of this book. It first made landfall on the shelves of GOSH! Comics in London on Tuesday the 3rd of March, and should have been available elsewhere – not just in the UK, but also in the US – that same week. However a labour dispute at American west coast ports meant that containers remained in the docks, rather than being shipped onward, with the result that copies weren’t available until about a week and a half later on the 12th of March.
11Why all the footnotes? I’ve been reading through the works of Flann O’Brien, and bits of it have rubbed off on me. It’s even slightly relevant to the subject of this interview, as it was largely his fault that I went back to them in the first place. Further enlightenment, at least of a sort, here.
Every now and again a book comes along that renders me smitten. In this case, the book was unexpected. It showed up on my front porch, which is something that doesn't happen so often these days. I was intrigued by both the cover and the title and since it was a weekend, I settled in.
There is not much that makes Lottie Fiske happy. She is stuck living in the boarding house with Mrs. Hester Yates after her intended guardian passes away in his porridge. Mrs. Yates is not much like her husband who was always doing things that were kind. She finds Lottie a bother who doesn't help with the chores, and is more likely found cavorting in the garden with her imagination.
Two things do make Lottie happy, and they are the apple tree in her yard, and her best friend Eliot. She has been putting her wishes in that tree for ages now and each year on her birthday she receives the trinkets she asks for. So when Eliot's health takes a turn for the worse, Lottie knows she needs to use her birthday wish for something more important than hair bows.
An apple tree gateway, a magical legacy, political intrigue and plenty of double crossing do not deter Lottie from trying to get what she needs in order to help Eliot. The problem is, Eliot's not the only one who needs what Lottie has come for.
Ormshee has written one heck of a charming story that had me right from the beginning. Setting, character, story and world building all come together in a way where readers do not see the strings. The writing itself is a pleasure to read, and I am planning on reading this aloud this summer to my own daughters. The book comes blissfully map free, but I find myself wanting to draw not only Lottie's journey, but the characters she meets along the way. From her apple tree, to Iris Gate and especially the Wisps...I have them in my mind's eye, but want to put pencil to paper and give them more shape and look upon them. While this book doesn't scream sequel (and you all know how much I adore the stand alone), I find myself wanting more of these characters. For fans of the faery, friendship, poetry and a well spun yarn.
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