Some people are compelled by a restlessness from within; others are shaped by the unwieldy forces around them. In Miriam Toews's poignant new novel following two sisters raised in a small Canadian Mennonite community, siblinghood is a bond strengthened by this dynamic. Elf is now a world-famous concert pianist with a happy marriage, while her [...]Add a Comment
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Blog: PowellsBooks.BLOG (Login to Add to MyJacketFlap)
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JacketFlap tags: *Featured, Audio & Podcasts, Biography, British, Literature, Online products, dylan thomas, Dylan Thomas centenary, odnb, oxford dictionary of national biography, philip carter, Poetry, Wales, Add a tag
Today, 27 October sees the centenary of the birth of the poet, Dylan Marlais Thomas. Born on Cwmdonkin Drive, Swansea, and brought up in the genteel district of Uplands, Thomas’s childhood was suburban and orthodox — his father an aspirational but disappointed English teacher at the local grammar school.
Swansea would remain a place for home comforts. But from the mid-1930s, Thomas began a wandering life that took in London’s Fitzrovia — and in particular its pubs, the Fitzroy Tavern and the Wheatsheaf — and then (as a dysfunctionally married man) the New Forest, squalid rooms in wartime London, New Quay on Cardigan Bay, Italy, Laugharne in Carmarthenshire, and from 1950 the United States where he gained a popular student following and where he died in Manhattan, aged thirty-nine.
For all his wanderings, few of Thomas’s poems were written outside Wales. Indeed, half of the published poems for which he is known were written, in some form, while he was living at home in Swansea between 1930 and 1934. As Paul Ferris, his Oxford DNB biographer writes, “commonplace scenes and characters from childhood recur in his writing: the park that adjoins Cwmdonkin Drive; the bay and sands that were visible from the windows; a maternal aunt he visited” — the latter giving rise to one of Thomas’s best-known poems, “Fern Hill.” In literary London, and in numerous bar rooms thereafter, Thomas’s “drinking and clowning were indispensable to him, but they were only half the story; ‘I am as domestic as a slipper’ he once observed, with some truth.”
In addition to its life of Dylan Thomas, the Oxford Dictionary of National Biography includes entries on his wife Caitlin Thomas (1903-1994) and David Archer (1907-1971), the London publisher who brought out Thomas’s first collection Eighteen Poems — as well as a guide to Thomas’s fellow bohemians who haunted the saloons, cafes, and bookshops of inter-war Fitzrovia.
The Oxford DNB’s life of Dylan Thomas is also available as an episode in the ODNB’s biography podcast.
Or download the podcast directly.
Headline image credit: Swansea Panorama by Sloman. Public domain via Wikimedia Commons.
Blog: The Nonfiction Detectives (Login to Add to MyJacketFlap)
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El Deafo Written and illustrated by Cece Bell Amulet Books; an imprint of Abrams. 2014 ISBN: 9781409710209 Grades 3-12 To write this review, I borrowed a copy of this book from my local public library. Everyone has a superpower. What is yours? In El Deafo, author-illustrator Cece Bell shares her experience growing up deaf. I was a regular little kid. I played with my mom’s stuff. IAdd a Comment
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JacketFlap tags: *Featured, Arts & Humanities, Biography, British, History, Literature, 1930s, aaniversary, birth, centenary, dylan thomas, dylan thomas festival, jon stallworthy, lit, oxford book of war poetry, poems, Poetry, Swansea, Wales, war poetry, Add a tag
On 27th October 1914 Dylan Thomas was born in Swansea, South Wales. He is widely regarded as one the most significant Welsh writers of the 20th century.Thomas’s popular reputation has continued to grow after his death on 9th November, 1953, despite some critics describing his work as too ‘florid‘. He wrote prolifically throughout his lifetime but is arguably best known for his poetry. His poem The hand that signed the paper is taken from Jon Stallworthy’s edited collection The Oxford Book of War Poetry, and can be found below:
The hand that signed the paper
The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.
The mighty hand leads to a sloping shoulder,
The finger joints are cramped with chalk;
A goose’s quill has put an end to murder
That put an end to talk.
The hand that signed the treaty bred a fever,
And famine grew, and locusts came;
Great is the hand that holds dominion over
Man by a scribbled name.
The five kings count the dead but do not soften
The crusted wound nor stroke the brow;
A hand rules pity as a hand rules heaven;
Hands have no tears to flow.
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When an old friend told me he had saved the former Edward Everett Hale house in Matunuck, Rhode Island from demolition and gifted it to a local historical society with an endowment fund for its restoration, I remembered there was a significant collection of E. E. Hale letters at the Library of Congress that might throw light on the house. How could I have guessed this would lead me to uncovering the revered minister’s decades-long love affair with a forgotten, much younger and truly remarkable woman named Harriet E. Freeman?
First I had to unlock the code the writers used in passages throughout some 3,000 surviving letters. As I transcribed the letters, I recognized the “code” as a defunct shorthand, which I traced to its inventor, Thomas Towndrow. Hale taught himself this shorthand while a student at Harvard, and Towndrow’s 1832 textbook became my “Rosetta Stone” to unlocking an intimate, sometimes passionate, and mutually supportive relationship — the nature of which was concealed by the two of them, their families, and generations of Hale biographers.
Hale’s public life and career are well documented, but who was this Harriet Freeman? As I discovered from reminiscences in the letters, Hale’s special relationship with Freeman had its origins in his close friendship with the wealthy Freeman family, his parishioners since her teenage years. In her early twenties, Freeman began working as a volunteer in Hale’s church, the South Congregational Church in Boston’s South End, just a block away from the Freeman’s town house. Soon, she became his favorite literary amanuensis, to whom he dictated more than half of his sermons and a significant number of his fifty books and countless articles. Their coded expressions of devotion to each other in the letters that begin in 1884, when Hale, married with six surviving children, was 62 and Freeman 37, often seem “over-the-top” in typical Victorian fashion, but the longhand portions of the letters are rich in evidence of their shared intellectual and activist interests and love of the outdoors. Quite simply, they were soul mates.
Far from being just an adjunct to an older man’s life, Freeman fashioned a full and useful life of her own. She had a passion for botany and geology, which she studied at the Teacher’s School of Science (a venture of the Boston Society of Natural History and Boston Tech, later MIT) and then as a special student at Boston Tech, when she participated in multiple field trips in North America. Active in leadership roles in a number of the women’s clubs and organizations that pursued philanthropy and reform in women’s higher education and human rights, she also became a member of the Appalachian Mountain Club once women were allowed to join in 1879. Spending her summers in the White Mountains of New Hampshire, where Hale joined her for the month of August and other shorter visits, she was an activist for preserving the severely threatened forests of the region, persuading Hale to lend his authority to the cause when he became chaplain to the US Senate in 1904.
The story of Harriet Freeman and Edward Hale is valuable for two reasons: it sheds new light on the already celebrated E. E. Hale and it comprehensively documents the life of a truly remarkable woman. I began by thinking that “Hattie” could only be overshadowed by the overpowering legend and charismatic personality of Edward Everett Hale. Instead, I found multiple reasons why he felt she transformed his life. At last, and 84 years after her death, the formerly obscure Harriet Freeman is recognized with a profile in American National Biography Online.
The post Coded letters reveal an illicit affair and a woman of substance appeared first on OUPblog.
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Decades ago--and now, too--I revel in the music of The Band. I was amongst those who went to see the film The Last Waltz. Of course, I bought CDs, too. At the time, I knew Robbie Robertson was Native, but didn't know much else about him. Today, I'm pleased as can be to share Rock and Roll Highway: The Robbie Robertson Story. Here's the cover:
Thanks to this book, I've had the opportunity to learn a lot more about Robertson. Released this year (2014) by Henry Holt, the biography is written by Sebastian Robertson (yeah, Robbie's son). The illustrations by Adam Gustavson are terrific.
Robertson is Mohawk.
The second page of Rock and Roll Highway is titled "We Are the People of the Longhouse." There, we learn that his given name is Jaime Royal Robertson. His mother is Mohawk; his father is Jewish.
Allow me to dwell on the title for that page... "We Are the People of the Longhouse." That is so cool... so very cool... Why? Because this book is published by a major publisher, which means lots of libraries are likely to get it, and lots of kids--Mohawk ones, too!--are going to read that title. And look at young Robbie on the cover. Sitting on a car. Wearing a tie. The potential for this book to push back on stereotypes of Native people is spectacular!
In the summers, Robertson and his mom went to the Six Nations Indian Reservation where his mom grew up (I'm guessing that "Indian Reservation" was added to Six Nations because the former is more familiar to US readers, but I see that decision as a missed opportunity to increase what kids know about First Nations). There were lots of relatives at Six Nations, and lots of gatherings, too, where elders told stories. The young Robbie liked those stories and told his mom that one day, he wanted to be a storyteller, too.
That life--as a storyteller who tells with music--is wonderfully presented in Rock and Roll Highway. Introduce students to Robertson using this bio and his music. Make sure you have the CDs specific to his Mohawk identity. The first one is Music for Native Americans. Ulali, one of my favorite groups, is part of that CD. Check out this video from 2010. In it, Robertson and Ulali are on stage together (Ulali's song, Mahk Jchi, is one of my all time favorites. It starts at the 4:39 mark in this video):
The second album is Contact from the Underworld of Redboy. Get it, too.
Back to the book: Ronnie Hawkins. Bob Dylan. They figure prominently in Robertson's life. The closing page has terrific photographs of Robertson as a young child, a teen, and a dad, too.
Teachers are gonna love the pages titled "An Interview with My Dad, Robbie Robertson" in which Sebastian tells readers to interview their own parents. That page shows a post card Robertson sent to his mother while he was on the road. Things like post cards carry a good deal of family history. I pore over the ones I have--that my parents and grandparents sent to each other.
Deeply satisfied with Rock and Roll Highway: The Robbie Robertson Story, I highly recommend it. Add a Comment
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I'm always sorry to finish a book, to let go of characters I love, people I've struggled to understand for years, people who evolve before me. Whether writing fiction or nonfiction, I've never had the sense I was "making up" a character. It feels more like watching people reveal themselves, ever more deeply, more intimately. [...]Add a Comment
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JacketFlap tags: *Featured, Biography, British, History, Online products, british biography, British history, harry patch, jim callaghan, malcolm mclaren, odnb, odnb at ten, oxford dictionary of national biography, oxford dnb, roy porter, ted heath, tom bingham, Add a tag
Autumn 2014 marked the tenth anniversary of the publication of the Oxford Dictionary of National Biography. In a series of blog posts, academics, researchers, and editors looked at aspects of the ODNB’s online evolution in the decade since 2004. In this final post of the series, Alex May—ODNB’s editor for the very recent past— considers the Dictionary as a record of contemporary history.
When it was first published in September 2004, the Oxford DNB included biographies of people who had died (all in the ODNB are deceased) on or before 31 December 2001. In the subsequent ten years we have continued to extend the Dictionary’s coverage into the twenty-first century—with regular updates recording those who have died since 2001. Of the 4300 people whose biographies have been added to the online ODNB in this decade, 2172 died between 1 January 2001 and 31 December 2010 (our current terminus)—i.e., about 220 per year of death. While this may sound a lot, the average number of deaths per year over the same period in the UK was just short of 500,000, indicating a roughly one in 2300 chance of entering the ODNB. This does not yet approach the levels of inclusion for people who died the late nineteenth century, let alone earlier periods: someone dying in England in the first decade of the seventeenth century, for example, had a nearly three-times greater chance of being included in the ODNB than someone who died in the first decade of the twenty-first century.
‘Competition’ for spaces at the modern end of the dictionary is therefore fierce. Some subjects are certainties—prime ministers such as Ted Heath or Jim Callaghan, or Nobel prize-winning scientists such as Francis Crick or Max Perutz. There are perhaps fifty or sixty potential subjects a year about whose inclusion no-one would quibble. But there are as many as 1500 people on our lists each year, and for perhaps five or six hundred of them a very good case could be made.
This is where our advisers come in. Over the last ten years we have relied heavily on the help of some 500 people, experts and leading figures in their fields whether as scholars or practitioners, who have given unstintingly of their time and support. Advisers are enjoined to consider all the aspects of notability, including achievement, influence, fame, and notoriety. Of course, their assessments can often vary, particularly in the creative fields, but even in those it is remarkable how often they coincide.
Our advisers have also in most cases been crucial in identifying the right contributor for each new biography, whether he or she be a practitioner from the same field (we often ask politicians to write on politicians—Ted Heath and Jim Callaghan are examples of this—lawyers on lawyers, doctors on doctors, and so on), or a scholar of the particular subject area. Sadly, a number of our advisers and contributors have themselves entered the dictionary in this decade, among them the judge Tom Bingham, the politician Roy Jenkins, the journalist Tony Howard, and the historian Roy Porter.
Just as the selection of subjects is made with an eye to an imaginary reader fifty or a hundred years’ hence (will that reader need or want to find out more about that person?), so the entries themselves are written with such a reader in view. ODNB biographies are not always the last word on a subject, but they are rarely the first. Most of the ‘recently deceased’ added to the Dictionary have received one or more newspaper obituary. ODNB biographies differ from newspaper obituaries in providing more, and more reliable, biographical information, as well as being written after a period of three to four years’ reflection between death and publication of the entry—allowing information to emerge and reputations to settle. In addition, ODNB lives attempt to provide an understanding of context, and a considered assessment (implicit or explicit) of someone’s significance: in short, they aim to narrate and evaluate a person’s life in the context of the history of modern Britain and the broad sweep of a work of historical reference.
The result, over the last ten years, has been an extraordinary collection of biographies offering insights into all corners of twentieth and early twenty-first century British life, from multiple angles. The subjects themselves have ranged from the soprano Elisabeth Schwarzkopf to the godfather of punk, Malcolm McLaren; the high tory Norman St John Stevas to the IRA leader Sean MacStiofáin; the campaigner Ludovic Kennedy to the jester Jeremy Beadle; and the turkey farmer Bernard Matthews to Julia Clements, founder of the National Association of Flower Arranging Societies. By birth date they run from the founder of the Royal Ballet, Dame Ninette de Valois (born in 1898, who died in 2001), to the ‘celebrity’ Jade Goody (born in 1981, who died in 2009). Mention of the latter reminds us of Leslie Stephen’s determination to represent the whole of human life in the pages of his original, Victorian DNB. Poignantly, in light of the 100th anniversary of the outbreak of the First World War, among the oldest subjects included in the dictionary are three of the ‘last veterans’, Harry Patch, Henry Allingham, and Bill Stone, who, as the entry on them makes clear, reacted very differently to the notion of commemoration and their own late fame.
The work of selecting from thousands of possible subjects, coupled with the writing and evaluation of the chosen biographies, builds up a contemporary picture of modern Britain as we record those who’ve shaped the very recent past. As we begin the ODNB’s second decade this work continues: in January 2015 we’ll publish biographies of 230 people who died in 2011 and we’re currently editing and planning those covering the years 2012 and 2013, including what will be a major article on the life, work, and legacy of Margaret Thatcher.
Links between biography and contemporary history are further evident online—creating opportunities to search across the ODNB by profession or education, and so reveal personal networks, associations, and encounters that have shaped modern national life. Online it’s also possible to make connections between people active in or shaped by national events. Searching for Dunkirk, or Suez, or the industrial disputes of the 1970s brings up interesting results. Searching for the ‘Festival of Britain’ identifies the biographies of 35 men and women who died between 2001-2010: not just the architects who worked on the structures or the sculptors and artists whose work was showcased, but journalists, film-makers, the crystallographer Helen Megaw (whose diagrams of crystal structures adorned tea sets used during the Festival), and the footballer Bobby Robson, who worked on the site as a trainee electrician. Separately, these new entries shed light not only on the individuals concerned but on the times in which they lived. Collectively, they amount to a substantial and varied slice of modern British national life.
Headline image credit: Harry Patch, 2007, by Jim Ross. CC-BY-SA-3.0 via Wikimedia Commons.
The post The Oxford DNB at 10: biography and contemporary history appeared first on OUPblog.
Blog: Becky's Book Reviews (Login to Add to MyJacketFlap)
JacketFlap tags: 1977, adult nonfiction, Agatha Christie, autobiography, biography, books reviewed in 2014, Add a tag
Agatha Christie's autobiography has been on my tbr pile for years now. I have looked forward to reading it for so long! I must admit the length had me a little intimidated. But once I started reading this one, I found myself completely absorbed in it. It is truly a fascinating read cover to cover. I think this one could prove appealing to a variety of readers.
Do you love history? I found Agatha Christie's Autobiography to be fascinating. This book is rich in details. Readers learn in great detail about her family and her growing up years. What Christie is describing is a way of life, and the way she saw the world around her. Her thoughts on her parents, grandparents, siblings, the family servants--the cook and the maids and nannies. You get a real sense of what it was to be a child (and teen) growing up in England in the 1890s and 1900s. She was "out" (ready to date) a year or two (or even three) before World War I began.
Are you interested in World War I? in World War II? Christie details what life was like during the war years. She was a nurse for a great part of World War I. She also assisted in dispensing drugs. She fell in love and got married during this time. During World War II she again did her part in the war effort. I believe volunteering in a hospital. She was in and around London during the War. She recalls how she rarely (if ever) took shelter during the raids because she was afraid of being buried alive under all the rubble. She had a grown daughter by that point. A daughter who fell in love, got married, and had a child during this time.
England was at war. It had come. I can hardly express the difference between our feelings then and now. Now we might be horrified, perhaps surprised, but not really astonished that war should come, because we are all conscious that war does come; that it has come in the past and that, at any moment, it might come again. But in 1914 there had been no war for--how long? Fifty years--more? True, there had been the "Great Boer War," and skirmishes on the Northwest frontier, but those had not been wars involving one's own country--they had been large army exercises, as it were; the maintenance of power in far places. This was different--we were at war with Germany. (257)Are you interested in archaeology? in world-traveling? She spends a good deal of time recalling her travels around the world. She accompanied her first husband on an extended trip--covering several continents. (She left her (quite young) daughter with her mother and sister.) After her divorce--he fell in love with another woman and blamed her for it--she traveled on her own. On one of her trips to the Middle East, she met the man who would become her second husband. He was an archaeologist. While she did not stay with him the duration of all of his digs, she accompanied him on some, and visited on others. Readers learn that Christie LOVED, LOVED, LOVED to travel.
Are you a rehab addict? Christie loved looking at houses, buying houses in need of repair, fixing them up, renting them out, and selling them. She owned many properties at various points in her life. I believe the book said she owned eight during World War II. The book talks about her remodeling and redesigning houses.
Are you interested in writing, in her writing life? You'll find plenty to delight you within her autobiography. She talks about different sides of her writing life. Her novels. Her mystery novels. Her plays. Her short stories. Her poems. She talks about her mistakes and successes. Readers learn about which books she liked best and which book she really, really hated!
It was while I was working in the dispensary that I first conceived the idea of writing a detective story. (289)
People never stop writing to me nowadays to suggest that Miss Marple and Hercule Poirot should meet--but why should they? I am sure the would not enjoy it at all. Hercule Poirot, the complete egoist, would not like being taught his business by an elderly spinster lady. He was a professional sleuth, he would not be at home all in Miss Marple's world. No, they are both stars, and they are stars in their own right. (502)Do you love to read? Christie shares her thoughts on her favorite writers and books!
I want to emphasize the fact that you do not have to love mysteries in order to find this autobiography of a mystery writer fascinating! I marked so many passages that I wanted to share with you. Too many to actually share. It would overwhelm any post. So just trust me, read this one!
I will choose a quote which happens to bring to mind a certain song from Frozen.
One of the first things that happens when you are attracted to a man and he is to you is that extraordinary illusion that you think exactly alike about everything, that you each say the things the other has been thinking. (228)
© 2014 Becky Laney of Becky's Book Reviews Add a Comment
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Be Neil Patrick Harris — the actor, magician, father, husband, son, and sandwich-shop employee — in his choose-you-own-adventure autobiography. Even if you don't know who Doogie Howser or Barney Stinson are (be honest, you do), you'll love NPH's entertaining and irreverent look at Hollywood, parenthood, and his own idiosyncratic fame. Books mentioned in this post [...]Add a Comment
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by Patricia Hruby Powell, pictures by Christian Robinson. Chronicle books, 2014. Review copy. This adorable 8" x 10" full color hardback book is a treasure trove of inspiration and information on the glorious life of Josephine Baker. Baker was born in a hard scrabble life in East St. Louis in 1906. Growing up with poverty, discrimination, race riots, and a family that loved ragtime music andAdd a Comment
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Autumn 2014 marks the tenth anniversary of the publication of the Oxford Dictionary of National Biography. In a series of blog posts, academics, researchers, and editors look at aspects of the ODNB’s online evolution in the decade since 2004. Here the ODNB’s publication editor, Philip Carter, considers how an ever-evolving Dictionary is being transformed by new opportunities in digital research.
When it was first published in September 2004, the Oxford DNB brought together the work of more than 10,000 humanities scholars charting the lives of nearly 55,000 historical individuals. Collectively it captured a generation’s understanding and perception of the British past and Britons’ reach worldwide. But if the Dictionary was a record of scholarship within a particular timeframe, it was also seen from the outset as a work in progress. This is most evident in the decision to include in the ODNB every person who had appeared in the original, Victorian DNB. Doing so defined the 2004 Dictionary (to quote the entry on Colin Matthew, its founding editor) as ‘a collective account of the attitudes of two centuries: the nineteenth as well as the twentieth, the one developing organically from the other.’
In the decade since 2004 this notion of the ODNB as an organic ‘work in progress’ has gone a step further. This is seen, in part, in the continued extension of biographical coverage, both of the ‘recently deceased’ and of newly documented lives from earlier periods—as discussed in other articles in this 10th anniversary series. But in addition to new content there’s also been the evolution—in the form of corrections, revisions, amplifications, and re-appraisals—of a sizeable share of the ODNB’s 55,000 existing biographies, as new scholarship comes to light.
The need to ‘keep-up’ with fresh research is not new. In 1908 the Victorian DNB was reprinted in an edition that collated the marginalia and correspondence born of several decades of reading. Thereafter, no further reprints were undertaken and later findings remained on file: information relating to the birthplace of the Quaker reformer Elizabeth Fry, for example—submitted by postcard in 1918—could not be address until the 2004 edition of the Dictionary. Such things are today unimaginable. Over the past ten years, and alongside the programme of new biographies, existing ODNB entries have been regularly updated online—with proposed amendments reviewed by the Dictionary’s academic editors in consultation with authors and reviewers. It’s worth remembering that today’s expectation of regular online updating is one that’s emerged in the lifetime of the published ODNB. Just 10 years ago, many saw online reference as a means of delivery not a new entity in its own right. The expectation that scholarly online reference could and should keep in step with new research and publications (and could be done while maintaining academic standards) is one pioneered, in part, by works like the ODNB.
One consequence is that Dictionary editors now focus on conservation (just as museum or gallery curators care for items in their collection) as well as on commissioning. In doing so we draw heavily on an ever-growing range of digitized records that have become available in the lifetime of the published Dictionary. This has been a truly remarkable development in humanities research in the past 5 to 10 years. For British history we’ve seen the digitization of (to name a few): the census returns for England and Wales (to 1911); indexes of civil registration in England and Wales (births, marriages, and deaths from 1838); Scottish parish registers from about 1500; early modern wills and probates; and 300 years’ worth of national and provincial newspapers. And this just scratches the surface.
In 2004 there were many people in the ODNB for whom the biographical trail ran cold. Access to paper records alone once meant that certain individuals simply disappeared from the historical record. Of course, some lives remain puzzles. But with these newly digitized sources we’re now able to address many of the previously unknown and untraceable episodes that were scattered across the 2004 edition. A decade on we’ve added details of nearly 3000 previously unknown births, marriages, and deaths for ODNB subjects. Access to newly digitized sources also prompts more wide-ranging revisions. Take, for example, the traveller Eliza Fay (1755/6-1816), known for her Original Letters from India, whose Dictionary entry has recently doubled in length owing to new genealogical research that minutely plots a troubled personal life that led Fay to travel to India and the business ventures she maintained there.
The case of Eliza Fay reminds us that this boom in digitized resources is particularly valuable for better understanding the lives of nineteenth and twentieth-century women. As a result of multiple marriages and/or multiple name changes many such biographies are prone to obscurity. There are also many occasions when women gave false information about their age, often for professional reasons. With digital resources, and a little detective work, it’s now possible to recover these stories. One example is Valerie, Lady Meux (1852-1910), who married into one of Britain’s wealthiest brewing families. To her contemporaries, and to generations of researchers, Lady Meux appeared the epitome of high society. But recent research uncovers a very different story: that of Susie Langton, the daughter of a Devon baker who—via multiple changes of birthdate and name—worked her way into the London elite. To Susie Langton (or Lady Meux), the discovery of her true past may not have been welcome, but for modern historians it becomes a key part of her story, and a fascinating case study of late-Victorian social mobility.
A good deal of this detective work is being done from the ODNB office. But much more comes in from thousands of researchers worldwide who are also making use of digitized resources. It’s our good fortune that the ODNB online is growing up with the Who Do You Think You Are? generation—a band of genealogists from whom we’ve benefited greatly thanks to their willingness to share new information. Such discoveries obviously enhance our understanding of the ODNB’s 60,000 main subjects, but they’re similarly adding much to the Dictionary’s 300,000 ‘other’ people: the parents, children, spouses, in-laws, patrons, teachers, business partners, and lovers who also populate these biographies. Looking ahead to our second decade, we anticipate that more will be made of these hundreds of thousands of ‘extras’ in creating a richer picture of the British past—as the ODNB continues to document and add to what we know.
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JacketFlap tags: *Featured, America, Biography, Books, Earth & Life Sciences, Literature, This Day in History, Diagnosing Giants, Edgar Allan Poe, Medical Mysteries, Philip A. Mackowiak, Thirteen Patients Who Changed the World, Add a tag
Edgar Allan Poe died 165 years ago today in the early morning of 7 October 1849. Only a few details of the illness that extinguished his “bright but unsteady light” are known because his physician, Dr. John Joseph Moran, used the illness to promote his own celebrity and in the process denied posterity an accurate clinical description. One of his later accounts, one summarized by Charles Scarlett, Jr. in the Maryland Historical Magazine (1978; 73: 360-75) came to my attention shortly after returning to Baltimore after 14 years at the Dallas VA Hospital in 1988. I was so taken by Moran’s fascinating and detailed description of Poe’s final days, I decided to use it as the subject of a clinical conference that has long been my favorite – the Clinical Pathologic Case Conference (CPC) Conference. This would prove to be the first of an ongoing series of historical CPCs devoted to the likes of Alexander, Columbus, Mozart and Lenin, stretching over two decades and spawning too-numerous-to-count articles in the international press, scores of manuscripts published in medical journals, and two books.
The clinicopathological conference is a standard medical conference designed to teach physicians and physicians-in-training basic medical concepts and clinical problem-solving techniques. It is a case-based exercise, in which the featured speaker and the audience struggle together to diagnose a particularly challenging illness of some patient using only the information included in a clinical summary prepared especially for the conference. That clinical summary, distributed well in advance of the conference, typically contains all of the medical information pertaining to the case in question, except for the definitive, diagnostic test result. That result, known only to the conference organizers, is revealed at the very end of the conference as a validation or repudiation of the presenter’s conclusions. To my knowledge, our “Poe Historical CPC” was the first to use an historical, rather than a current, patient as the subject of the conference.
In 1995, during this first Historical CPC at the University of Maryland, Dr. R. Michael Benitez concluded that Poe died of rabies resulting from an unrecorded and most likely unrecognized animal exposure prior to his hospitalization in Baltimore. His diagnosis became a media sensation covered in venues as diverse as Science magazine and the answer to the final Jeopardy question of the TV show of the same name. Benitez based his diagnosis on evidence of autonomic instability (dilating and contracting pupils and an irregular pulse which alternated between rapid and slow), fluctuating delirium, and hydrophobia (suggested by Poe’s adamant refusal of alcohol and difficulty swallowing water) included in Moran’s later descriptions of the terminal illness.
Rabies, in fact, has much in common with Moran’s later description of Poe’s final illness. It is a viral encephalitis (i.e., an infection of the brain) marked by acute onset of confusion, hallucinations, combativeness, muscle spasms and seizures, all of which tend to wax and wane during the course of the illness. Autonomic instability marked by alternating tachycardia (racing pulse) and bradycardia (slow pulse), profuse sweating, lacrymation, and salivation are also characteristic. The infection is virtually always fatal, with a median survival time after the onset of symptoms of four days. Poe died four days after being admitted to the hospital.
Moran gave no such indication of autonomic instability or hydrophobia in the letter he wrote to Mrs. Clemm a month after her son-in-law’s death. Only decades later, most likely relying on memory alone, does he mention a “very low pulse” and that his famous patient’s “pulse which had been as low as fifty was rising rapidly, though still feeble and variable.”
Many diagnoses have since been offered to explain Poe’s death. The earliest and most persistent has been that of alcohol-induced delirium tremens. Moran’s later case summary, one almost certainly written to satisfy his public’s appetite for ever more moving and ironic details of his patient’s final hours, has generated several more. These include homicide, carbon monoxide poisoning, suicide, syphilis, and mercury intoxication, reflecting more an unwillingness on the part of the proposers to accept an ordinary disease as the cause of Poe’s death than any convincing clinical evidence of such disorders.
Given numerous well-documented instances of Poe’s refractory alcohol abuse and its adverse effects on his physical and mental health prior to his departure from Richmond in late September of 1849, and the nature of the illness described by Moran in his letter of 15 November 1849 to Poe’s mother-in-law, one need look no further than delirium tremens as an explanation for his death. Whether his last bout with alcohol was the result of “cooping,” his own inability to control the craving that had for so many years driven him to drink, or a second (successful) attempt at suicide will never be known. However, if one ignores Moran’s later expanded description of Poe’s final illness, which deviates so spectacularly from his initial description in his letter to Maria Clemm a month after his patient’s death, neither rabies, homicide, mercury intoxication, nor, for that matter, any of the myriad other explanations proposed in the century and a half since Poe’s death, offers a better fit than delirium tremens.
Headline image credit: A photograph (taken by C.T. Tatman in 1904) of a daguerreotype (taken by Edwin H. Manchester in 1848) of Edgar Allan Poe. Public domain via Wikimedia Commons.
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September 2014 marked the tenth anniversary of the publication of the Oxford Dictionary of National Biography. Over the next month a series of blog posts explore aspects of the Dictionary’s online evolution in the decade since 2004. In this post, Sir David Cannadine describes his role as the new editor of the Oxford DNB.
Here at Princeton, the new academic year is very much upon us, and I shall soon begin teaching a junior seminar on ‘Winston Churchill, Anglo-America, and the “Special Relationship”’, which is always enormously enjoyable, not least because one of the essential books on the undergraduate reading list is Paul Addison’s marvellous brief biography, published by OUP, which he developed from the outstanding entry on Churchill that he wrote for the Oxford DNB. I’ve been away from the university for a year, on leave as a visiting professor at New York University, so there is a great deal of catching up to do. This month I also assume the editorial chair at the ODNB, as its fourth editor, in succession to the late-lamented Colin Matthew, to Brian Harrison, and to Lawrence Goldman.
As such, I shall be the first ODNB editor who is not resident in Britain, let alone living and working in Oxford, but this says more about our globalized and inter-connected world than it does about me. When I was contacted, several months ago, by a New York representative of OUP, asking me whether I might consider being the next editor, I gave my permanent residence in America as a compelling reason for not taking the job on. But he insisted that, far from being a disadvantage, this was in fact something of a recommendation. In following in the footsteps of my three predecessors (all, as it happens, personal friends) I am eager to do all I can to ensure that my occupancy of the editorial chair will not prove him (and OUP) to have been mistaken.
As must be true of any historian of Britain, the Oxford DNB and its predecessor have always been an essential part of my working life; and I can vividly recall the precise moment at which that relationship (rather inauspiciously) began. As a Cambridge undergraduate, I once mentioned to one of my supervisors that I greatly admired the zest, brio, and elan of J.H. Plumb’s brief life of the earl of Chatham, which I had been given a few years before as a school prize. ‘Oh’, he sniffily replied, ‘there’s no original research there; Plumb got it all from the DNB.’ Of course, I had heard of something called DNA; but what, I wondered, was this (presumably non-molecular) sequel called the DNB? Since I was clearly expected to know, I didn’t dare ask; but I soon found out, and so began a lifelong friendship.
During my remaining undergraduate days, as I worked away in the reading room of the Cambridge University Library, the DNB became a constant source of solace and relief: for when the weekly reading list seemed overwhelming, or the essay-writing was not going well, I furtively sought distraction by pulling a random volume of the DNB off the reference shelves. As a result, I cultivated what Leslie Stephen (founding editor of the Dictionary’s Victorian edition) called ‘the great art of skipping’ from one entry to another, and this remains one of the abiding pleasures provided by the DNB’s hard-copy successor. Once I started exploring the history of the modern British aristocracy, the DNB also became an invaluable research tool, bringing to life many a peer whose entry in Burke or Debrett was confined to the barest biographical outline.
Thus approached and appreciated, it was very easy to take the DNB for granted, and it was only when I wrote a lengthy essay on the volume covering the years 1961 to 1970, for the London Review of Books in 1981, that I first realized what an extraordinary enterprise it was and, indeed, had always been since the days when Leslie Stephen first founded it almost one hundred years before. I also came to appreciate how it had developed and evolved across the intervening decades, and I gained some understanding of its strengths—and of its weaknesses, too. So I was not altogether surprised when OUP bravely decided to redo the whole Dictionary, and the DNB was triumphantly reborn as the ODNB—first published almost exactly 10 years ago—to which I contributed the biographies on George Macaulay Trevelyan and Noel Annan.
Since 2004 the Oxford DNB has continued to expand its biographical coverage with three annual online updates, the most recent of which appeared last week. In September 2013 I wrote a collective entry on the Calthorpe family for an update exploring the history of Birmingham and the Black Country, and I am eager to remain an intermittent but enthusiastic contributor now that I am editor. As we rightly mark and celebrate the tenth anniversary of the publication of the ODNB, and its successful continuation across the intervening decade, it is clear that I take over an enterprise in good spirits and an organization (as the Americans would say) in good shape. Within the United Kingdom and, indeed, around the world, the ODNB boasts an unrivalled global audience and an outstanding array of global contributors; and I greatly look forward to keeping in touch, and to getting to know many of you better, in the months and years to come.
Headline image credit: ODNB, online. Image courtesy of the ODNB editorial team.
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Tomboy: a graphic memoir by Liz Prince Zest Books. 2014 ISBN: 9781936976553 Grades 8 thru 12 The publisher sent me a copy of this book. What defines who you are? Is it how you dress or is it who you are inside? Artist Liz Prince explores these questions in graphic memoir, Tomboy. Prince shares her personal experience growing up being a girl who preferred things traditionally meantAdd a Comment
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Little Melba and Her Big Trombone by Katheryn Russell-Brown illustrated by Frank Morrison Lee & Low Books, 2014 ISBN: 9781600608988 Grades K-5 The reviewer received a copy of the book from the publisher. "Spread the word! Little Melba Doretta Liston was something special." The first line of this picture book biography announces to readers that they are about to meet an amazing individual.Add a Comment
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September 2014 marks the tenth anniversary of the publication of the Oxford Dictionary of National Biography. Over the next month a series of blog posts explore aspects of the Dictionary’s online evolution in the decade since 2004. In this post, Henry Summerson considers how new research in medieval biography is reflected in ODNB updates.
Today’s publication of the Oxford Dictionary of National Biography’s September 2014 update—marking the Dictionary’s tenth anniversary—contains a chronological bombshell. The ODNB covers the history of Britons worldwide ‘from the earliest times’, a phrase which until now has meant since the fourth century BC, as represented by Pytheas, the Marseilles merchant whose account of the British Isles is the earliest known to survive. But a new ‘biography’ of the Red Lady of Paviland—whose incomplete skeleton was discovered in 1823 in Wales, and which today resides in Oxford’s Museum of Natural History—takes us back to distant prehistory. As the earliest known site of ceremonial human burial in western Europe, Paviland expands the Dictionary’s range by over 32,000 years.
The Red Lady’s is not the only ODNB biography pieced together from unidentified human remains (Lindow Man and the Sutton Hoo burial are others), while the new update also adds the fifteenth-century ‘Worcester Pilgrim’ whose skeleton and clothing are on display at the city’s cathedral. However, the Red Lady is the only one of these ‘historical bodies’ whose subject has changed sex—the bones having been found to be those of a pre-historical man, and not (as was thought when they were discovered), of a Roman woman.
The process of re-examination and re-interpretation which led to this discovery can serve as a paradigm for the development of the DNB, from its first edition (1885-1900) to its second (2004), and its ongoing programme of online updates. In the case of the Red Lady the moving force was in its broadest sense scientific. In this ‘he’ is not unique in the Dictionary. The bones of the East Frankish queen Eadgyth (d.946), discovered in 2008 provide another example of human remains giving rise to a recent biography. But changes in analysis have more often originated in more conventional forms of historical scholarship. Since 2004 these processes have extended the ODNB’s pre-1600 coverage by 300 men and women, so bringing the Dictionary’s complement for this period to more than 7000 individuals.
In part, these new biographies are an evolution of the Dictionary as it stood in 2004 as we broaden areas of coverage in the light of current scholarship. One example is the 100 new biographies of medieval bishops that, added to the ODNB’s existing selection, now provide a comprehensive survey of every member of the English episcopacy from the Conquest to the Reformation—a project further encouraged by the publication of new sources by the Canterbury and York Society and the Early English Episcopal Acta series.
Taken together these new biographies offer opportunities to explore the medieval church, with reference to incumbents’ background and education, the place of patronage networks, or the shifting influence of royal and papal authority. That William Alnwick (d.1449), ‘a peasant born of a low family’, could become bishop of Norwich and Lincoln is, for example, indicative of the growing complexity of later medieval episcopal administration and its need for talented men. A second ODNB project (still in progress) focuses on late-medieval monasticism. Again, some notable people have come to light, including the redoubtable Elizabeth Cressener, prioress of Dartford, who opposed even Thomas Cromwell with success.
Away from religious life, recent projects to augment the Dictionary’s medieval and early modern coverage have focused on new histories of philanthropy—with men like Thomas Alleyne, a Staffordshire clergyman whose name is preserved by three schools—and of royal courts and courtly life. Hence first-time biographies of Sir George Blage, whom Henry VIII used to address as ‘my pig’, and at a lower social level, John Skut, the tailor who made clothes for most of the king’s wives: ‘while Henry’s queens came and went, John Skut remained.’
Alongside these are many included for remarkable or interesting lives which illuminate the past in sometimes unexpected ways. At the lowest social level, such lives may have been very ordinary, but precisely because they were commonplace they were seldom recorded. Where a full biography is possible, figures of this kind are of considerable interest to historians. One such is Agnes Cowper, a Southwark ‘servant and vagrant’ in the years around 1600; attempts to discover who was responsible for her maintenance shed a fascinating light on a humble and precarious life, and an experience shared by thousands of late-Tudor Londoners. Such light falls only rarely, but the survival of sources, and the readiness of scholars to investigate them, have also led to recent biographies of the Roman officers and their wives at Vindolanda, based on the famous ‘tablets’ found at Chesterholm in Northumberland; the early fourteenth-century anchorite Christina Carpenter, who provoked outrage by leaving her cell (but later returned to it), and whose story has inspired a film, a play and a novel; and trumpeter John Blanke, whose fanfares enlivened the early Tudor court and whose portrait image is the only identifiable likeness of a black person in sixteenth-century British art.
While people like Blanke are included for their distinctiveness, most ODNB subjects can be related to the wider world of their contemporaries. A significant component of the Dictionary since 2004 has been an interest in recreating medieval and early modern networks and associations; they include the sixth-century bringers of Christianity to England, the companions of William I, and the enforcers of Magna Carta. Each establishes connections between historical figures, sets the latter in context, and charts how appreciations of these networks and their participants have developed over time—from the works of early chroniclers to contemporary historians. Indeed, in several instances, notably the Round Table knights or the ‘Merrie Men’, it is this (often imaginative) interpretation and recreation of Britain’s medieval past that is to the fore.
The importance of medieval afterlives returns us to the Red Lady of Paviland. His biography presents what can be known, or plausibly surmised, about its subject, alongside the ways in which his bodily remains (and the resulting life) have been interpreted by successive generations—each perceptibly influenced by the cultural as well as scholarly outlook of the day. Next year sees the 800th anniversary of the granting of Magna Carta, a centenary which can be confidently expected to bring further medieval subjects into Oxford Dictionary of National Biography. It is unlikely that the historians responsible will be unaffected by considerations of the long-term significance of the Charter. Nor, indeed, should they be—it is the interaction of past and present which does most to bring historical biography to life.
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Yes, I totally
picked it up for the title,
AND WHAT OF IT, EH?
Miss Emily by Burleigh Muten. Candlewick, 2014, 144 pages.
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BY AMY PARKER
“Write what you know,” the adage goes. But when my heart pulled me way outside my knowledge base to help Rwandan Frederick Ndabaramiye write his unbelievable story, I knew that I had a lot to learn.
Here are a few pointers based on what I did, what I didn’t do, and what you must do … from someone who now knows.
What I Did
I saturated myself in the culture—as much as a Tennessee girl can, anyway. I asked Frederick for photos, read Rwandan news and books set in Rwanda, and listened to Rwandan (Internet) radio. Much of that information never made it into the book, but it enriched my ability to feel the surroundings, see the scenes, and hear the voices that later would be woven into the story.
I went! None of the remote research will enhance your knowledge and sense of setting as much as seeing it for yourself. If I hadn’t, I would have never known that the whole country smells like a campfire or why—almost everyone cooks over an open fire. I would have never known the inexplicable warmth and kindness of the people, felt the breathlessness of climbing the steep Rwandan hills, or known the awe of looking into the eyes of a mountain gorilla.
You’ll learn things that the native people would never think to tell you, and you’ll discover answers to questions that you would never have known to ask. Sure, it can be costly, but it is worth every cent—or Rwandan Franc—you’ll spend.
I begged the advice of those gone before me. And I got answers about everything from car rentals and hotels to what kind of shoes and electrical adapters to take.
This proved to be invaluable, especially in hiring a driver. We tried to rationalize that particular piece of advice away (the per-day fee was as much as a weekly car rental in the States), but in the end, we caved and were greatly rewarded for our investment. Our guide Charles had actually fought with the RPF (the army that ended the genocide) and shared knowledge and experiences beyond what I could find in any book. And as for the driving, we honestly could have never navigated the steep, rutted roads ourselves.
What I Didn’t Do
Learn the language. Of course, I bought the book and practiced some phrases, but I had no working knowledge of the language. So when the Rwandan pastor said something from the front of the church that prompted the entire congregation to turn and look at us, I didn’t know whether to smile or hide. (Thankfully, he was welcoming us.) If you even think that you may be traveling to a foreign-language location, start practicing the language yesterday. I can’t imagine how much more I would have learned if I had.
Ask permission to take photos. Every. Single. Time. It’s a courtesy common to most cultures, and I asked most of the time. But the one time I didn’t—in the market, when I wasn’t really photographing a person, but a place—I greatly offended one lady. And I didn’t need to speak Kinyarwanda to know it.
What You Must Do
Keep a journal. I did this but wish I had done more, had noted more details, went more in-depth about daily experiences. Stay up for an extra thirty minutes each night and jot down every single detail you remember about your day. This will be a priceless gift to yourself, not to mention the much-needed descriptions it will provide for your story.
Try something new. I ate sambaza, best described as fried minnows. And it was delicious. I fell in love with African Tea (like a chai latte with a kick). I’m not an athlete—in any sense of the word—but I eagerly signed up for the mountain gorilla trek. I drank in the culture, and I am forever changed.
Share the experience. I quickly shared my photos on Facebook, but two years later, I have yet to compose the dozen blog ideas that I jotted down while riding in that bumpy SUV. (Okay, so I did write a book, but still.) Find the time—share your experiences.
After all, it is our duty to the world as writers. And in many cases, it’s the only way readers will experience another world for themselves—through your writing, now that you know.
Amy Parker has made her mark as an experienced and versatile writer and editor who has a particular enthusiasm for children’s books. She authored the bestselling A Night Night Prayer and has collaborated with authors ranging from a New York Times bestseller to her own son.Add a Comment
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September 2014 marks the tenth anniversary of the publication of the Oxford Dictionary of National Biography. Over the next month a series of blog posts consider aspects of the ODNB’s online evolution in the decade since 2004. Here the literary historian, David Hill Radcliffe, considers how the ODNB online is shaping new research in the humanities.
The publication of the Oxford Dictionary of National Biography in September 2004 was a milestone in the history of scholarship, not least for crossing from print to digital publication. Prior to this moment a small army of biographers, myself among them, had worked almost entirely from paper sources, including the stately volumes of the first, Victorian ‘DNB’ and its 20th-century print supplement volumes. But the Oxford DNB of 2004 was conceived from the outset as a database and published online as web pages, not paper pages reproduced in facsimile. In doing away with the page image as a means of structuring digital information, the online ODNB made an important step which scholarly monographs and articles might do well to emulate.
Database design has seen dramatic changes since 2004—shifting from the relational model of columns and rows, to semi-structured data used with XML technologies, to the unstructured forms used for linking data across repositories. The implications of these developments for the future of the ODNB remain to be seen, but there is every reason to believe that its content will be increasingly accessed in ways other than the format of the traditional biographical essay. Essays are not going away, of course. But they will be supplemented by the arrays of tables, charts, maps, and graphs made possible by linked data. Indeed, the ODNB has been moving in this direction since 2004 with the addition of thousands of curated links between individuals (recorded in biographical essays) and the social hierarchies and networks to which they belonged (presented in thematic list and group entries)—and then on to content by or about a person held in archives, museums or galleries worldwide.
Online the ODNB offers scholars the opportunity to select, group, and parse information not just at the level of the article, but also in more detailed ways—and this is where computational matters get interesting. I currently use the ODNB online as a resource for a digital prosopography attached to a collection of documents called ‘Lord Byron and his Times’, tracking relationships among more than 12,000 Byron-contemporaries mentioned in nineteenth-century letters and memoirs; of these people a remarkable 5000 have entries in the ODNB. The traditional object of prosopography was to collect small amounts of information about large numbers of persons, using patterns to draw inferences about slenderly documented lives. But when computation is involved, a prosopography can be used with linked data to parse large amounts of information about large numbers of persons. As a result, one can attend to particularities, treating individuals as members of a group or social network without reducing them to the uniformity of a class identity. Digital prosopography thus returns us to something like the nineteenth-century liberalism that inspired Sir Leslie Stephen’s original DNB (1885-1900).
The key to finding patterns in large collections of lives and documents, the evolution of technology suggests, is to atomize the data. As a writer of biographies I would select from documentary sources, collecting the facts of a life, and translating them into the form of an ODNB essay. Creating a record in a prosopography involves a similar kind of abstraction: working from (say) an ODNB entry, I abstract facts from the prose, encoding names and titles and dates in a semi-structured XML template that can then be used to query my archive, comprising data from previous ODNB abstractions and other sources. For instance: ‘find relationships among persons who corresponded with Byron (or Harrow School classmates, or persons born in Nottinghamshire, etc.) mentioned in the Quarterly Review.’ An XML prosopography is but a step towards recasting the information as flexible, concise, and extensible semantic data.
While human readers can easily distinguish the character-string ‘Oxford’ as referring to the place, the university, or the press, this is a challenge for computation—like distinguishing ‘Byron’ the poet from ‘Byron’ the admiral. One can attack this problem by using algorithms to compare adjacent strings, or one can encode strings by hand to disambiguate them, or use a combination of both. Digital ODNB essays are good candidates for semantic analysis since their structure is predictable and they are dense with significant names of persons, places, events, and relationships that can be used for data-linking. One translates character-strings into semantic references, groups the references into relationships, and expresses the relationships in machine-readable form.
A popular model for parsing semantic data is via ‘triples’: statements in the form subject / property / object, which describe a relationship between the subject and the object: the tree / is in / the quad. It is powerful because it can describe anything, and its statements can be yoked together to create new statements. For example: ‘Lord Byron wrote Childe Harold’, and ‘John Murray published Childe Harold’ are both triples. Once the three components are translated into semantically disambiguated machine-readable URIs (Uniquely Referring Identifiers), computation can infer that ‘John Murray published Lord Byron.’
Now imagine the contents of the ODNB expressed not as 60,000 biographical essays but as several billion such statements. In fact, this is far from unthinkable, given the nature of the material and progress being made in information technology. The result is a wonderful back-to-the-future moment with Leslie Stephen’s Victorian DNB wedded to Charles Babbage’s calculating machine: the simplicity of the triple and the power of finding relations embedded within them. Will the fantasies of positivist historians finally be realized? Not likely; while computation is good at questions of ‘who’, ‘what’, ‘where’, and ‘when’, it is not so good at ‘why’ and ‘how’. Biographers and historians are unlikely to find themselves out of a job anytime soon. On the contrary, once works like the ODNB are rendered machine-readable and cross-query-able, scholars will find more work on their hands than they know what to do with.
So the publication of the ODNB online in September 2004 will be fondly remembered as a liminal moment when humanities scholarship crossed from paper to digital. The labour of centuries of research was carried across that important threshold, recast in a medium enabling new kinds of investigation the likes of which—ten years on—we are only beginning to contemplate.
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The Roosevelts: Two exceptionally influential Presidents of the United States, 5th cousins from two different political parties, and key players in the United States’ involvement in both World Wars. Theodore Roosevelt negotiated an end to the Russo-Japanese War and won the 1906 Nobel Peace Prize. He also campaigned for America’s immersion in the First World War. Almost 25 years later, Franklin Delano Roosevelt came into office during the calamitous aftermath of the Great Depression, yet during his 12-year presidency he contributed to the drop in unemployment rates from 24% when he first took office, to a staggering mere 2% when he left office in 1945. Furthermore, the first lady Eleanor Roosevelt encouraged discussion and implementation of women’s rights, World War II refugees, and civil rights of Asian and African Americans even well-after her husband’s presidency and death. Witness the lives of these illustrious figures through this slideshow, and take a look at the first half of 20th century American history through the lives of the Roosevelts.
Headline image credit: The Roosevelt Family. Library of Congress.
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Most of what we hear and read about twelfth-century hottie Rosamund Clifford, aka “Fair Rosamund,” just wasn’t so. True, she was Henry II’s mistress. But that’s about it. Like so many other medieval myths, Rosamund’s legendary life and death are a later invention. Herewith, the best of (untrue) Rosamund:
Myth 1: She went to school at, lived at, had assignations with the king at, retired to, died at, or in any way hung out at Godstow Abbey.
Sadly, Rosamund never entered Godstow until she was a fair corpse. She died around the year 1176, in the midst of her affair with the king, and was buried at Godstow, probably because her mother was already buried there. Contrary to what you will read in various places, there is no evidence that the king paid for her tomb. Her tomb was placed in the front of the high altar, and the king did show particular favor to the monastery because of it. Fifteen years later, Bishop Hugh of Lincoln made the nuns move the tomb out of the church because it was inappropriate for a “whore” to be buried there.
Myth 2: She and Henry went drinking at the Trout. Or the Perch.
I read this about the pubs near Godstow in a student handbook when I was doing my postgraduate work at Oxford, and I wanted to believe it. So did visiting relatives. Alas, not true. See number 2 above: no hanging out at Godstow. But my visitors and I did enjoy some pleasant pints at both the aforementioned hostelries.
Myth 3: She lived in a maze at Woodstock.
Of course this is a later embellishment, related to the next two myths. But a fairly elaborate pleasure garden does seem to have been incorporated into the royal residence at Woodstock in this period, adjacent to a room that just a generation later was known as “Rosamund’s Chamber.” So the maze story may have evolved from a real trysting place in a complex garden.
Myth 4: The queen found her in the maze by means of a silken thread.
See previous myth. But there is, just barely, a silken thread in Rosamund’s true story. After her burial at Godstow, King Henry wanted a special relationship with her burial place, so the nunnery’s patron deeded his patronal rights in Godstow to the king. In the ceremony he used a silk cloth that was later described as “a silken thread.”
Myth 5: She was murdered by Queen Eleanor of Aquitaine.
The earliest version of this story, from the fourteenth century, has Eleanor stabbing Rosamund; in Renaissance versions the queen makes Rosamund choose between stabbing and poison. Interestingly, even the Victorians made a sympathetic victim of poor Rosamund (the fornicating mistress) and turned Eleanor (the wronged wife) into a murderous monster. Needless to say, there’s no truth to the murder stories, which arose long after Rosamund died.
Myth 6: She was the mother of Henry II’s illegitimate son Geoffrey Plantagenet, archbishop of York, and/or his illegitimate son William Longespee, earl of Salisbury.
Rosamund was too young to be Geoffrey’s mother, who was apparently a woman named Ikeni. William Longespee was the son of Ida de Tosny.
Myth 7: Latin bell inscriptions all over England make reference to her.
These inscriptions read, “I who am struck am called Maria [or Katherine], the rose of the world.” Rosamund was a rare, possibly unique, name for a woman in twelfth-century England, but the phrases rosa munda (pure rose) and rosa mundi (rose of the world) were epithets for the Virgin Mary. It’s likely that Rosamund Clifford was named (creatively and, as it turned out, ironically) in honor of the Virgin, and that the bell inscriptions came from the same general cultural source.
Myth 8: Roses were spread over her tomb.
No, just a silken pall and candles, as far as we know. It’s possible, however, that the Gallica rose ‘Rosa Mundi’ was named for her, as her legend grew in the later Middle Ages. Perhaps the rose, like the bells, was named for the Virgin Mary, but the name of the rose is one bit of Rosamund lore that seems plausible.
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The Family Romanov: Murder, Rebellion, and the Fall of Imperial Russia Candace Fleming
It opens with an imperial ball in 1903 to celebrate St. Petersburg’s 200th anniversary, the story then jumps back to the childhood of Nicholas II and Alexandra. It starts getting more in-depth once they are married, which is the same time that Nicholas II becomes Tsar. What follows is a horrific story of incompetence and willful ignorance and a population pushed to action in order to survive.
I knew Imperial Russia had problems, and I knew Nicholas II wasn’t the greatest ruler, but holy crap. Fleming paints a bleak picture that offers them very little redemption. Running parallel to the story of the Romanov family is an introduction to early 20th century Russian history, looking at what life was like for ordinary Russians and the causes and starts of the Revolution. The story seamlessly works in quotations pulled from journals and other primary source documents.
Despite covering so much, she keeps it very readable and it’s a great introduction to the subjects, but I think that readers who already know about the topics covered will get a lot out of it as well. It has two different inserts of photographs and frequently in the text is a pull-out box titled “Beyond the Palace Gates” which contains the words of someone else--a soldier, a factory worker, a reporter, a peasant--to add contrast and context to the main narrative.
The package wins further points with it'scomprehensive back matter--endnotes, bibliography, index-- and being a teen-friendly trim size. (I have very strong feelings on trim size for teen nonfiction. It's a surprisingly huge factor in appeal.)
Overall, it is fascinating and horrifying, and just really well-done and put together. I highly recommend it and keep an eye out for it come award season.
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Involved in a secret five-year relationship with her middle-school teacher, Ortiz focuses on the emotional toll experienced at the hands of "Mr. Ivers." It is pretty satisfying to watch as Ortiz slowly becomes aware of the inequalities of this relationship, yet at the same time, it's entirely heartbreaking to watch this child (because, let's be [...]Add a Comment
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Candace Fleming is a master at writing narrative nonfiction that is entertaining as well as informative, and her newest book on the tragic and doomed Romanovs is a worthy successor to her last foray into nonfiction, the highly acclaimed Amelia Lost.
Fleming expertly weaves together the intimate life of Russia's last czar and his family with the saga of the revolution brewing underneath their royal noses, beginning with workers' strikes in 1905 and leading up to Lenin's seizing power in 1917. Interspersed with her compelling narrative are original documents from the time that tell the stories of ordinary men and women swept up in the dramatic events in Russia.
Unlike many books for young people, which seem to romanticize the Romanovs, Fleming doesn't try to make the family into martyrs. Indeed, it is hard to have a lot of sympathy for the Russian royal family after reading Fleming's account. Fleming describes Nicholas as a young boy as "shy and gentle," unable to stand up to his "Russian bear of a father." His wife, the Empress Alexandra, a German princess raised to be a proper Englishwoman under the wing of Queen Victoria, never felt comfortable with the excesses of the bejeweled, partying Russian aristocracy, and encouraged her husband to retreat to Tsarskoe Selo, a park 15 miles and a world apart from St. Petersburg. Fleming brings us inside of their privileged--but also strangely spartan--life (for example the children were bathed with cold water in the mornings and slept on army cots in their palace!), one in which they had almost no contact with outsiders.
Fleming manages to integrate her narrative history of the Romanov family with the larger history of the turbulent times in Russia, as the czar is forced to resign and he and his family are exiled to Siberia, fleeing in a train disguised as a "Japanese Red Cross Mission" so that the royal family would not be captured by angry peasants. She skips back and forth from the family's saga to what is happening in the capital, with plenty of original documents such as an excerpt from journalist John Reed's first-hand account of the swarming of the Winter Palace as well as excerpts from many other diaries.
In my favorite quote in the book, Fleming discusses how Lenin nationalized the mansions and private homes throughout the country, while the owners were forced to live in the servants' quarters. She quotes one ex-servant as saying:
"I've spent all my life in the stables while they live in their beautiful flats and lie on soft couches playing with their poodles...no more of that, I say! It's my turn to play with poodles now."
Whatever one's feelings about the Romanovs, one cannot help but be moved by the account of their cruel assassination in the basement of their quarters in Siberia. Particularly ironic is the fate of the royal children, who did not die immediately because they were hiding the family jewels in their camisoles and other undergarments. This layer of jewels unwittingly created a bullet proof vest that protected them initially, until they were finally murdered with bayonets and then with gunshots. The bodies were immediately hidden in the woods, where the remains were not found until 1979 and then kept secret until the fall of communism in Russia. Ironically, the Romanovs have since been canonized by the Orthodox Church in Russia.
The book is abundantly illustrated with archival photographs. An extensive bibliography is included, as well as a discussion of primary and secondary sources. Fleming also includes suggestions of websites on the Romanovs, as well as source notes for each chapter and an index.
Highly recommended for middle school and high school students.
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