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Viewing: Blog Posts Tagged with: violin, Most Recent at Top [Help]
Results 1 - 21 of 21
1. Fiddle parts and sound: how objects tell stories

Biography chooses us when there is alchemy between biographer and subject—a perfect fit of interlocking puzzle pieces. In my case, a lifelong fascination with objects and the craftsmen who make them led me to the story of a pioneering violinmaker—American Luthier: Carleen Hutchins—the Art and Science of the Violin.

The post Fiddle parts and sound: how objects tell stories appeared first on OUPblog.

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2. The wooden box strung with taut wire and scraped with horse-hair tied to a stick

After a recent performance, a member of the audience came up to tell me that he'd enjoyed my playing. "I always think," he said, as if he were being original, "that the violin is the instrument that most closely resembles the human voice." Outwardly I nodded assent and smiled; inwardly I groaned. If you happen to be a violinist, then you'll be only too familiar with this particular cliché.

The post The wooden box strung with taut wire and scraped with horse-hair tied to a stick appeared first on OUPblog.

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3. My Mandolin & I

The first time I held a mandolin was at a rehearsal for Mozart’s opera Don Giovanni. In the second act, the Don is trying to seduce the maid Zerlina by singing a serenade under her mistress’ window (the canzonetta “Deh, vieni alla finestra”).

The post My Mandolin & I appeared first on OUPblog.

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4. Ten fun facts about the Irish Fiddle

Even though the harp is Ireland’s national symbol, the fiddle is the most commonly played instrument in traditional Irish music. Its ornamental melodies are more relaxed than the classical violin and improvisation is encouraged. The fiddle has survived generational changes from its start as a low-class instrument popular among the poor.

The post Ten fun facts about the Irish Fiddle appeared first on OUPblog.

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5. Soon from Twilight Times Books: The Luthier's Apprentice (YA dark fantasy)

I'm thrilled to announce that my latest book, The Luthier's Apprentice, featuring 16-year-old violin student/luthier/amateur sleuth Emma Braun, will be out in May 15th (ebook) and August 15th (print).

Niccolò Paganini (1782-1840), one of the greatest violinists who ever lived and rumored to have made a pact with the devil, has somehow transferred unique powers to another…

When violinists around the world mysteriously vanish, 16-year-old Emma Braun takes notice.  But when her beloved violin teacher disappears… Emma takes charge. With Sherlock Holmes fanatic, not to mention gorgeous Corey Fletcher, Emma discovers a parallel world ruled by an ex-violinist turned evil sorceress who wants to rule the music world on her own terms.

But why are only men violinists captured and not women? What is the connection between Emma’s family, the sorceress, and the infamous Niccolò Paganini?


Emma must unravel the mystery in order to save her teacher from the fatal destiny that awaits him. And undo the curse that torments her family—before evil wins and she becomes the next luthier’s apprentice…

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6. violin coming from somewhere up there

violin1violin2violin3


Filed under: children's illustration, flying, journeys, songs

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7. The lark ascends for the Last Night

By Robyn Elton


On Saturday 7 September 2013, lovers of classical music will gather together once again for the final performance in this year’s momentous Proms season. Alongside the traditional pomp and celebration of the Last Night, with Rule, Britannia!, Jerusalem, and the like, we are promised a number of more substantial works, including Bernstein’s Chichester Psalms and the overture to Wagner’s The Mastersingers of Nuremberg. I suspect the crowning glory for many listeners, however, will be Ralph Vaughan Williams’s The Lark Ascending, performed by Nigel Kennedy—one-time enfant terrible of the violin world.

Perhaps not surprisingly, Kennedy’s earlier performance in this year’s Proms season could hardly have been less conventional. His late-night Prom with the Palestine Strings and members of the Orchestra of Life revisited Vivaldi’s The Four Seasons—the work he recorded to great acclaim nearly 25 years ago—but with a twist: this time the musicians added improvised links between the sections, fusing the Italian Baroque with jazz and microtonal Arabic riffs. Given this precedent, along with Kennedy’s reputation, I can’t help wondering what he has planned for his Last Night performance.

There’s certainly a lot of scope for personal interpretation within The Lark Ascending. Although Vaughan Williams is specific about his requirements on the page, the solo writing is calling out for a violinist to breathe life into it—to make the lark ascend, as it were. It must sound natural, almost as if it was improvised (as the lark’s song), leaving the door open for all kinds of interpretive inventiveness. In fact, I’d say that this is one of the main challenges for the performer, because to play this music ‘straight’ would be to completely take away its character. The composer makes his intentions in this area clear from the outset, with the opening cadenza notated entirely freely, without barlines and with senza misura marked not once but twice.

violin-small

When I was 16, and again a few years later, I was lucky enough to have the opportunity to perform The Lark Ascending with orchestra—a rare chance for a young performer, and an experience I haven’t since repeated. The freedom of the work’s opening was exhilarating, yet in my case somewhat terrifying. You really are left hanging, when the already sparse orchestral accompaniment (just a held chord in the strings) drops out, leaving the soloist stranded at the extreme end of the violin’s upper range. With no orchestral support, there really is nowhere to hide, but on the other hand, you know you can take your time and everyone will just have to wait. For me, there was no way to practise exactly how that part would turn out on the night—no point in counting imaginary beats or planning the precise amount of bow to save. It’s all in the moment, and you can decide what you want to do at that very point in time, depending on how the mood takes you, the atmosphere in the hall, or even what your fingers feel like doing: it’s as if time is suspended. I can imagine that’s something that appeals to Nigel Kennedy, and I’m sure he’s on the exhilarated rather than terrified end of the spectrum.

After that initial cadenza, I almost felt like my work was done: I could relax and enjoy the sumptuous melodies to come (Vaughan Williams was especially kind in his first main melody—nothing too tricky there). Even the double stopping at the Largamente, the alternating parallel fifths, and the seemingly never-ending runs and twiddles, seem relatively harmless once you’ve conquered the opening. Of course, the cadenza returns at the end of the work (as well as briefly in the middle), and the soloist is once again left to wrap things up on their own. I just hope the excitable Last Night audience will be able to hold that moment of silence for long enough before bursting into rapturous applause.

Robyn Elton is Senior Editor in the printed music department at Oxford University Press and an active local violinist.

In the fifty years since his death, Vaughan Williams has come to be regarded as one of the finest British composers of the 20th century. He has a particularly wide-ranging catalogue of works, including choral works, symphonies, concerti, and opera. His searching and visionary imagination, combined with a flexibility in writing for all levels of music-making, has meant that his music is as popular today as it ever has been.

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Oxford Sheet Music is distributed in the USA by Peters Edition.
Image credit: Violin via Shutterstock.

The post The lark ascends for the Last Night appeared first on OUPblog.

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8. New Children's Book Invites Children into the World of the Arts


Dare to follow your dreams!

Dare to be yourself!

Dare to be free!

This is the premise of Liesel Soley's inspiring children's picture book, Can You Be an Artist?

Freddie, Honey and Bae are so different culturally speaking, yet they're so alike at the same time. They all have one thing in common: they have a big dream and they believe in making that dream a reality. Freddie wants to become a violinist. He sees himself playing in a string quartet and starts practicing everyday. Honey wants to become a painter. She sees her paintings in other people's homes and begins to experiement with colored pencils and oil paints. Bae wants to become a dancer. He sees himself dancing in his home country and starts taking dance lessons. As they channel their creative energies, their behavior and work at school begin to excel.

Can You Be an Artist? is a celebration of dreams and the arts. Using an engaging, simple prose and without preaching, the author presents snapshots of Freddie's, Honey's and Bae's lives to encourage young minds to have dreams and goals and to take the steps to make those dreams come true. The book is an invitation into the world of the arts. The adorable illustrations, done in colored pencils, are filled with detail and depict beautiful scenes both indoors and outdoors. I especially loved the illustrations of flowers, gardens, animals, trees and the seasons.

This is a wonderful book that introduces children to the arts and unleashes their creativity. Especially if your child already has expressed an interest in playing an instrument, painting or dancing, this book will give them an invaluable proactive message: dreams don't become a reality by themselves; it's vital to work and practice in order to grow as an artist.

Liesel Soley is a professional violinist, a music instructor, and also an artist. You can check out her website at www.lieselsoley.com. This is her first children's book.


Soley will be signing copies of her book at Barnes and Noble in Clearwater on Sat. Aug 6 from 10 until noon. The address is: 23654 US 19 North, Clearwater FL 33765.

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9. Latest news!


Hi all,


I'm thrilled to announce that my children's picture book, Frederico, the Mouse Violinist, is an Award-Winning Finalist in the "Children's Picture Book: Hardcover Fiction" category of the 2011 International Book Awards! Yeepie!!!

Also, I'll be going on a virtual blog tour with Pump Up Your Book this June to promote it.


Here is a list of the blogs I'll be visiting:

Monday, June 6

Interviewed at Blogcritics

Tuesday, June 7

Book reviewed at

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10. Check out my latest book trailer!

1 Comments on Check out my latest book trailer!, last added: 3/19/2011
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11. Frederico, the Mouse Violinist - a Review

Title: Frederico, the Mouse Violinist
Author: Mayra Calvani
Illustrations: K.C. Snider
Publisher: Guardian Angel Publishing Inc.
ISBN: 978-1-61633-114-6; 1616331143 Paperback
eBook ISBN: 13: 978-1-61633-125-2; 1616331259
Reviewed by: Karen Cioffi

Frederico, the Mouse Violinist is an absolutely wonderful children’s picture book. Through a delightful story, the author teaches about the world’s most famous violin maker, Antonio Stradivari, along with various parts of the violin.

But, what has a mouse to do with Stradivari and violins? Well, Calvani cleverly weaved a story that has Frederico living in the home where Stradivari creates his masterpieces.

Loving the violin, the mouse wished he could play. At night while the master slept, Frederico would play among the violins and move the bow across the strings, making sweet sounds. Hearing the music and seeing Frederico’s appreciation for the violin, Stradivari created a special tiny violin for the mouse.

Adding dimension to the story are full page illustrations that are vibrant and fanciful, making Frederico, the Mouse Violinist an engaging, kids-will-love-it picture book. The book also provides information on Stradivari; a glossary for words related to the violin, such as bridge, peg, and scroll; and two activity pages. It is an enjoyable and fun tool that parents and teachers can use to introduce the violin to young children.

I happen to love the sound of the violin, cello, and other stringed instruments. My appreciation for music came from my musical family, as well as school music education programs. In 7th and 8th grades my school offered violin instruction which I happily accepted.

Research from the 1950s through to today, demonstrates the benefits music has for children and even societies. Here are some of the benefits children can reap from music education:

  • Increases memorization capacity
  • Improves reasoning capacity and comprehension
  • Helps children learn and/or improve time management and organizational skills
  • Helps develop team skills, as well as math skills
  • Helps improve coordination and concentration
  • Is a universal language and encourages self-expression

Aside from the above mentioned benefits, you never know what will spark a child’s appreciation and love for music, it could be hearing a song, seeing musicians play, or learning about various instruments and their creation.

~~~~~~~~~~~~~~~~~~~~~~
Other Reviews You May Find of Interest:

Horatio Humble Beats the Big "D"
The Lucky Baseball
The Power of the Penny
World's Easiest Astronomy Book
What is Electricity and Magnetism

~~~~~~~~~~~~~~~~~~~~~~
If you haven’t yet, be sure to sign up for my FREE monthly newsletter, A Writers World, and get TWO FREE eBooks:

The Self-Publisher’s Guide, 2nd Edition
The Blogger’s Checklist
(The books offered may change periodically)

In fact, check out the sidebar f

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12. So what do we think? The Shadow of the Bear

Review: The Shadow of the Bear: A fairy tale retold

 Doman, Regina.  (2008) The Shadow of the Bear: a fairy tale retold.  Front Royal, VA: Chesterton Press. ISBN #978-0-981-93180-7.  Author recommended age 14+. Litland.com recommends age 14+.  See author website for parent guide to aid you in deciding acceptability for younger readers.  http://www.fairytalenovels.com/docs/Picky%20Parent’s%20guide%20to%20Shadow.pdf

 Our thoughts:

 Modeled after the original Brothers Grimm fairy tale Snow White and Red Rose, this isn’t your Disney princess spoof. Anyone familiar with the real fairy tales of old know they spin morals and virtues contrasted with evil throughout the tapestry of the story. Doman’s book includes the best of this feature without some of the hideous and difficult storyline that traditional fairy tales are known for. 

It is a tale of two sisters named…you’ve got it, Blanche and Rose! The teenagers live with their widowed mother in New York City. Not a simple whodunit at all, the reader is led with suspense through the dark streets, halls and buildings; parties and conversations with the popular kids you know are setting them up for a fall; envy, jealousy, almost-despair, uncertainty. Fear. The description and self-dialogue realistically portray true inner emotions of the two sisters as they face ridicule, bathroom bullying, and school authorities. School-age readers can relate entirely; adult readers are glad to not be in high school anymore.

 Far from the typical one-dimensional view of teen angst given to us in entertainment today, this story is enriched by the affinities and intelligence of its characters. In addition to an occasional Chesterton or Tennyson quote, the description wrapped around their interactions is culturally-rich; thought-provoking wisdom is their normal discourse. Rose’s emotional melt-down in the park, playing her violin in the rushing wind with an impending storm at bay is dramatically told. We can feel her lift “her bow from the strings in the silence of the rushing winds…” after playing that “distant, bold note flying high as a bird to the clouds”.

 Not all is as it appears.

 Good and evil subtly mirror one another throughout the tale. It can be a rough exterior compared to a gentle personality. The rumored drug dealer’s virtuous behaviour compared to the popular, good looking guy using and manipulating all around him. Self-discipline and self-denial vs. hedonism and selfishness. White martyrs and red martyr vs. evildoers.

 A 200-page book should be a quick read. I usually slide right through one. Some books, however, just have more to say. And this book is one of those. Without a word wasted, Doman has given sufficiently rich detail in both the physical and emotional settings that we can feel we are there. We see in our mind solitary Rose playing an ominous tune on her violin in the middle of the park with the same fervor as the wind. From the beginning, the girls imagine that the human exterior merely covers up for a magical interior, and we are then swept through a fast-paced story full of emotion and suspense. Litland.com highly recommends this story for teens and adults. While its content is “clean”, parents should decide if a story line with drug dealers, beer parties, and murder are acceptable for their younger gifted reader. Grade for these schoolgirls? A++!

 (Follow the movie at http://theshadowofthebear.blogspot.com/ ! )

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13. Samples: August ’10 Issue of Highlights Magazine

Below are samples of a spread I did for Highlights magazine a few months back for their current issue. “The Right Note”, written by David Hill, is a story about a violin student who, during a recital at her teacher’s home, is able to help her teacher locate her “lost in the house somewhere” cat when she plays a high C, which makes the cat meow. The story is much better than my short synopsis of it, of course.

So below, I have the August cover (sweetly illustrated by Melanie Hall) and the content page (showing a pull-out of one my spots):

Then, below, is the final spread. I wasn’t privy to what the background color would be, but I would make some color changes to accommodate, I believe.

And for those who like to see roughs, etc., I have the layout with my sketches inserted. For the most part the sketches were accepted, with just a change or two. A wall was added on the 3rd spot in the upper right so you get an idea of the location of the cat.

copyright (c) Highlights for Children

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14. Kids’ Summer Reading Lists: Early-Fluent to Fluent Readers / Ages 6-10

The following books represent a few of the many different genres available for young, independent readers. I'm positive that they will be enjoyed by many.

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15. Violin Artwork For Sale

Up for sale is my cut paper artwork Violin On Red. It's on a way cool wood frame I made. It's a nice chunky piece with lots of paint, dye ink and paper goodness.


It's listed in my Etsy shop

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16. Interlude


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17. Interlude

100% digital

Zoom:

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18. Illustration Friday - Strings

Vivaldi - The Four Seasons - L'autunno (Autumn) II, adagio for strings
played by Goldilocks and Baby Bear..

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19. Mayra Calvani: The Magic Violin







My guest today is versatile author, Mayra Calvani.

Puerto Rican author Mayra Calvani has been writing since the age of twelve. She has a Bachelor's Degree in Literature/Creative Writing from the University of Bridgeport, CT. Her stories, articles, and book reviews have appeared in many online and print publications in the States, England and Puerto Rico. She is co-editor of "Voice in the Dark" ezine, where she writes a monthly column. After having lived in several countries, she is now settled in Brussels, Belgium with her husband, two children, and a variety of pets.

Welcome, Mayra. I'm impressed that you write in so many genres! Do you have a favorite?

I love to write in many genres, but I have to admit my weakness is speculative/supernatural fiction.

The Magic Violin has such an intriguing title. Would you tell us how you came up with the title and the idea for this children's picture book?

My young daughter and I both started playing the violin about five years ago, so I know very well how difficult it can be at times, especially when learning a new piece. The violin is a very difficult instrument to master, requiring lots of discipline, perseverance and commitment, and this can be hard for a child at times. My love for the violin and watching my daughter play were my inspiration for the story. I wanted to create a tale which would be fun and magical, yet one which would encourage children and teach them about self esteem at the same time.

The title is simple yet has a nice ring to it, plus children love magic, right? In the story there is a part where Melina, the little protagonist, suddenly begins to play amazingly well--is it because of her hard work or because the violin has turned magical? That is one of the questions the reader must think about.

I noticed that you became a "paid" author at an early age. Did you have a mentor? Someone who has inspired your writing?

My mother, who writes beautiful poetry, has always been a great supporter of my writing. Because of her, our house was full of books and she instilled in my mind the importance of reading and being intellectually smart. But besides her, my inspiration was the books themselves, the great stories of mystery and romance I read at an early age. I think by the time I was fifiteen I had read all of Agatha Christie's mysteries. Conan Doyle was another powerful inspiration in my writing. During my teens I also loved the historical romances of Barbara Cartland. I loved being transported to her Victorian world of black carriages, alluring counts and lords, lace and bows, and all the elegance of that era.

You are also editor of "The Fountain Pen" newsletter and co-editor of "Voice in the Dark" Ezine. Keep two blogs and write book reviews for various print and online publications. In addition, you teach a book review writing course at the Long Story Short School of Writing. My question: How do you find time to write?

Good question! I guess my first answer would be doing my best to keep myself organized. For starters, I live and breathe with my large agenda/calendar, the kind where I can see the whole week in front of my eyes. For other projects, I keep a monthly calendar. It's very important for me to visualize what I'll be doing on a weekly and monthly basis. It keeps my thoughts and time structured. Otherwise I would forget everything! I only work on my newsletters towards the end of the month and it actually takes me a while to read and review a book. In spite of all the planning, though, I still have to struggle to write every weekday. The important thing to remember is that writing must come first. Book promotion is also extremely time consuming and emailing can become a little addictive, so many times I have to reel myself back like a fish and tell myself: 'Leave this for later; you have to write first.'

Do you have any specific writing rituals?

I love having music in the background while I write, and of course the music must match the tone of the story. Mostly I listen to violin music. Most of the times I write in the mornings when my mind is fresh and the house is quiet. If I feel particularly uninspired, I go on a walk with my dog or go to write at a cafe--these two things can be extremely effective to unleash your creativity. On occassions I may light a candle. I also have my violin at arm's reach and if I'm stuck in a scene I play for a while. Oddly, this has a calming effect and puts my annoying inner critic to sleep. :-)

What other project are in the works?

I'm very excited about a proposal I'm working on for Harper Collins. I'm also polishing a tween manuscript which I already completed. I have a work-in-progress I also need to finish. I took a break and will start on it again after the holidays. This one is a paranormal/werewolf suspense novel for Zumaya Publications.

Finally, is there something funny you can share about yourself that your readers might not know?

Hmm. I don't know if this is funny or not, but here it goes: This morning on our way to school my fifteen-year old asked me if I would give up reading for one whole year in exchange for one million dollars. I didn't have a quick answer for him so I told him I had to think about it (I really needed to think about it!). He thought I was completely nuts!

Mayra, would you tell my readers about the prize you're offering at the end of your book tour on Christmas day?

I’ll be giving away a $20 Amazon gift certificate to a lucky winner on Christmas day. To be eligible, all a person needs to do is leave a comment at the end of this post or any of my other tour stops. If the winner is from England, I’ll be giving away a £20 gift certificate from Amazon.co.uk. I will announce the winner on my blog Mayra's Secret Bookcase, on the 25th.

Mayra Calvani
Mayra's Secret Bookcase
Mayra's Secret Bookcase Blogspot

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20. Prejudice and Perfect Pitch: Across the Alley

Author: Richard Michelson (on JOMB) Illustrator: E. B. Lewis (on JOMB) Published: 2006 GP Putnam & Son ISBN: 0399239707 Chapters.ca Amazon.com Gorgeously illustrated and intimately told, this tale of friendship and understanding is an inspiring tribute to the distinctions and connections that define us. Tags:Across the Alley, baseball, childrens book, E.B.Lewis, music, Podcast, review, Richard Michelson, sport, violinAcross the Alley, baseball, childrens book, E.B.Lewis, music, Podcast, review, Richard Michelson, sport, violin

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21. A Father and Son Reunion: The Bat Boy and his Violin

The Bat Boy and his ViolinAuthor: Gavin Curtis
Illustrator: E. B. Lewis
Published: 2001 Simon & Schuster Children’s Publishing
ISBN: 0689841159 Chapters.ca Amazon.com

In this touching tale, a frustrated and distant father comes to see his son through new eyes. Mark loves this one.

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