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Viewing: Blog Posts Tagged with: computer, Most Recent at Top [Help]
Results 1 - 25 of 66
1. The philosophical computer store

Once again, searching for unconventional computing methods as well as for a neurocomputational theory of cognition requires knowing what does and does not count as computing. A question that may appear of purely philosophical interest — which physical systems perform which computations — shows up at the cutting edge of computer technology as well as neuroscience.

The post The philosophical computer store appeared first on OUPblog.

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2. all thumbs...

is how I feel when I'm playing around with my computer, but now the elephant's on a shirt...

Magic, sigh.
 

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3. The Flagellation of St.Fractalius

I ate some dodgy prawns and had a vision of St.Fractalius.
Click to enlarge.

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4. My Computer . . . what an amazing tool!

IMAG1842

2 1/2 years ago I bought my trusty little Apple laptop. The other day I was working on it and up came a window telling me I had about 100 GB of information on it!  This memory includes programs that I run, but most of it is ART!!  Fabric design, product concepts, children’s books and more. Peepsqueak and his friends, Newton my lamb and his friends, a friendly new elephant and monkey, some babies, some clowns, Lae Dee Bugg, Snofolk, and more!  Always more.  What great fun it has been to look back at the last 2 1/2 years!  It has me wondering just how much art will fill this computer by the end of 2013!  I have some ideas right now!!!!


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5. The Skype Ranter

It just occurred to me that I could draw the person I'm Skyping while they rant on unawares.
Pen and ink 15cm x 10cm. Click to enlarge.

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6. Steering by Nose

This image just popped into my head whilst reading in bed. Luckily I sleep with my iPad and caught it before dropping off.
Adobe Ideas on iPad.

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7. The Moose Hat

I've asked Father Christmas for a new antler hat.
Adobe Idea. Click to enlarge.

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8. Horsegirl

Another kid from the Almussafes series of child dreamers, this one is Maria Angeles. For a forthcoming book and exhibition of Spanish children's dreams collected by Roger Omar.
Adobe Ideas on iPad. Click to enlarge.

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9. Summing up Alan Turing

By Jack Copeland


Three words to sum up Alan Turing? Humour. He had an impish, irreverent and infectious sense of humour. Courage. Isolation. He loved to work alone. Reading his scientific papers, it is almost as though the rest of the world — the busy community of human minds working away on the same or related problems — simply did not exist. Turing was determined to do it his way. Three more words? A patriot. Unconventional — he was uncompromisingly unconventional, and he didn’t much care what other people thought about his unusual methods. A genius. Turing’s brilliant mind was sparsely furnished, though. He was a Spartan in all things, inner and outer, and had no time for pleasing décor, soft furnishings, superfluous embellishment, or unnecessary words. To him what mattered was the truth. Everything else was mere froth. He succeeded where a better furnished, wordier, more ornate mind might have failed. Alan Turing changed the world.

What would it have been like to meet him? Turing was tallish (5 feet 10 inches) and broadly built. He looked strong and fit. You might have mistaken his age, as he always seemed younger than he was. He was good looking, but strange. If you came across him at a party you would notice him all right. In fact you might turn round and say “Who on earth is that?” It wasn’t just his shabby clothes or dirty fingernails. It was the whole package. Part of it was the unusual noise he made. This has often been described as a stammer, but it wasn’t. It was his way of preventing people from interrupting him, while he thought out what he was trying to say. Ah – Ah – Ah – Ah – Ah. He did it loudly.

If you crossed the room to talk to him, you’d probably find him gauche and rather reserved. He was decidedly lah-di-dah, but the reserve wasn’t standoffishness. He was a man of few words, shy. Polite small talk did not come easily to him. He might if you were lucky smile engagingly, his blue eyes twinkling, and come out with something quirky that would make you laugh. If conversation developed you’d probably find him vivid and funny. He might ask you, in his rather high-pitched voice, whether you think a computer could ever enjoy strawberries and cream, or could make you fall in love with it. Or he might ask if you can say why a face is reversed left to right in a mirror but not top to bottom.

Once you got to know him Turing was fun — cheerful, lively, stimulating, comic, brimming with boyish enthusiasm. His raucous crow-like laugh pealed out boisterously. But he was also a loner. “Turing was always by himself,” said codebreaker Jerry Roberts: “He didn’t seem to talk to people a lot, although with his own circle he was sociable enough.” Like everyone else Turing craved affection and company, but he never seemed to quite fit in anywhere. He was bothered by his own social strangeness — although, like his hair, it was a force of nature he could do little about. Occasionally he could be very rude. If he thought that someone wasn’t listening to him with sufficient attention he would simply walk away. Turing was the sort of man who, usually unintentionally, ruffled people’s feathers — especially pompous people, people in authority, and scientific poseurs. He was moody too. His assistant at the National Physical Laboratory, Jim Wilkinson, recalled with amusement that there were days when it was best just to keep out of Turing’s way. Beneath the cranky, craggy, irreverent exterior there was an unworldly innocence though, as well as sensitivity and modesty.

Turing died at the age of only 41. His ideas lived on, however, and at the turn of the millennium Time magazine listed him among the twentieth century’s 100 greatest minds, alongside the Wright brothers, Albert Einstein, DNA busters Crick and Watson, and the discoverer of penicillin, Alexander Fleming. Turing’s achievements during his short life were legion. Best known as the man who broke some of Germany’s most secret codes during the war of 1939-45, Turing was also the father of the modern computer. Today, all who click, tap or touch to open are familiar with the impact of his ideas. To Turing we owe the brilliant innovation of storing applications, and all the other programs necessary for computers to do our bidding, inside the computer’s memory, ready to be opened when we wish. We take for granted that we use the same slab of hardware to shop, manage our finances, type our memoirs, play our favourite music and videos, and send instant messages across the street or around the world. Like many great ideas this one now seems as obvious as the wheel and the arch, but with this single invention — the stored-program universal computer — Turing changed the way we live. His universal machine caught on like wildfire; today personal computer sales hover around the million a day mark. In less than four decades, Turing’s ideas transported us from an era where ‘computer’ was the term for a human clerk who did the sums in the back office of an insurance company or science lab, into a world where many young people have never known life without the Internet.

B. Jack Copeland is the Director of the Turing Archive for the History of Computing, and author of Turing: Pioneer of the Information AgeAlan Turing’s Electronic Brain, and Colossus. He is the editor of The Essential Turing. Read the new revelations about Turing’s death after Copeland’s investigation into the inquest.

Visit the Turing hub on the Oxford University Press UK website for the latest news in theCentenary year. Read our previous posts on Alan Turing including: “Maurice Wilkes on Alan Turing” by Peter J. Bentley, “Turing : the irruption of Materialism into thought” by Paul Cockshott, “Alan Turing’s Cryptographic Legacy” by Keith M. Martin, and “Turing’s Grand Unification” by Cristopher Moore and Stephan Mertens, “Computers as authors and the Turing Test” by Kees van Deemter, and “Alan Turing, Code-Breaker” by Jack Copeland.

For more information about Turing’s codebreaking work, and to view digital facsimiles of declassified wartime ‘Ultra’ documents, visit The Turing Archive for the History of Computing. There is also an extensive photo gallery of Turing and his war at www.the-turing-web-book.com.

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10. iphone introspection

oddly, this accidental screenshot was taken when my screen was actually busted and looked totally nothing like this. iphone magic, i guess.


My iphone died today. I dropped it on a tile floor. I drop it all the time, but today I guess I dropped it in some extra-special way. All the stars aligned, and the screen totally went. I watched in horror as it happened—I actually felt like I was in a movie. I think that all speaks volumes to my iphone attachment, for better or for worse, and how, maybe (and I'm looking for the silver lining here, but just maybe) it's not a bad thing for me to view this whole debacle as an opportunity for a little self-examination.

For one thing, I do not NEED to use my phone as much as I do. Yes, it is an indispensable tool. Yes, it is the biggest technological revolution since the computer and the internet. Yes, I do need it—there is no getting around that— it's the swiss army knife of productivity for me.... BUT (you knew this was coming!) the iphone does not have a conscience. It does not have an opinion. It can't tell me what it thinks I should or shouldn't spend my time doing. (Kazoo, anyone? Flinstones?) It can only go where I tell it to go, do what I tell it to do. That, unfortunately, can sometimes add up to a fair amount of time goofing off. Time that would be much better spent with my sketchbook, or my notebook... or even just hanging out with my dog more. I'm certain of this. Sure, I mostly use it for productivity-laced activities. I read helpful e-books on it. I have so many tools on it that help me communicate with others, deliver files to people, and generally keep things running well. The phone itself even assists me with off-line creative work in several ways. And when I do play a game, it's often Draw Something, which I consider a casual but engaging creative exercise, not a waste of time.

But... 
my iphone can't tell me to knock it off when I take the off-ramp into junkdom (Hello, Us Weekly!).  It can't coach me to curb my Instagramming. (Hey I love Instagram, but I also love pie, and if I ate pie the way I Instagram..)  It doesn't set a timer when I'm making photo collages in PicFrame, my latest obsession. (Think they should make an app for that?)

So, I'm coming clean: On some level, my iphone addiction actually bothers me! Yes, It is an uber-productivity tool, but it's also an uber- time-suck-and-goof-off tool if one is not really careful about it. This is something I've been aware of. It's not a secret. But here I am, now, in this situation. And it's really a great, gifty opportunity to investigate my phone habits and take steps to revise them where needed. I'm not saying it's great that I dropped and accidentally killed my phone. But I am glad that I'm self-aware enough to see this as a chance to make some small changes that I think will add up, and eventually improve— ironically—my productivity. Definitely, when it comes to sketchi

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11. SCBWI - WA 2012 May talk video



SCBWI asked me to make a video about how I work so I made this short film about my studio and something that I did for the video.
Check it out.

-MC

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12. A Quantum of Dandruff

I built a functioning quantum computer inside a flake of dandruff. I'm still struggling with the decoherence though.
Pen and ink with watercolour. A3 size. Click to enlarge.

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13. Empty Threat

More musings....

  • An inspector inspecting an empty threat device
  • Melancholia - the spice of life
  • Let's face it, we're all clueless
  • At long last, the sequel to Vonnegut's classic
  • In this Olympics year, may I propose the standing still race?
  • I must get round to reading William James
Pen and ink with digital colour. A4 size. Click to enlarge

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14. Dotty




From today's discussion with Terry Ryan.

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15. Going Bug-Eyed: Creating Vignette Illustrations in Photoshop


I have been chained to the computer lately, finishing the artwork for my latest book Baby Can Bounce!. I normally like to keep weekends work-free, but last weekend I had my nose to the screen all day, both days.

When the scans of my illustrations come back from the repro-house, the characters are of course still on my pink pastel paper: 





The idea is to drop them on the same range of colours as Baby Goes Baaaaa!. Sarah, my designer at Egmont, tried out various possibilities, most of which I think worked really well. I made suggestions for a couple of changes, which she agreed: it's very much a team effort at this stage.

Once the colours had been decided, I then had the job of 'cutting out' the characters in Photoshop, to get rid of the pink paper. This little character is illustrating Baby can shake:




And that's not quite all: because the illustrations were drawn on pink, they don't necessarily 'sit' properly on the new colour straight away. So another job is to make any tonal or colour adjustments needed, so it looks as though I always intended it to be on that colour. This is always most obvious with the shadows at their feet.


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16. You might be a writer if...

It's  been a while since I've done one of these posts. Not that I haven't thought about what it means to be a writer every second of every minute of every day. It's an occupational hazard. However, this most recent revelation is just too defining to writerdom not to share.

You might be a writer if...you still carry a security blanket.

Don't get me wrong. We're not that obvious about it. We're writers. We've given them much better names, such as Mac, Notebook Pro, Laptop, or the classic, best disguise, Computer.

As if, you sneer. It's my computer. That's all.


I see. Let's run a little checklist, shall we?

1) Is "your computer" one of the last things you look at before you go to bed? And one of the first when you get up?
2) Do you lovingly clean its parts?
3) Do you start to feel nervous when you haven't spent time with "your computer"?
4) So do you take it with you everywhere you go?
5) Take it out of the car when it's cold or hot, just like a child?
6) Is it your ONE carry on, regardless?
7) Does your heart skip a beat when, say, your husband/child/insert name of person who clearly does not get how IMPORTANT this "computer" is accidentally unplugs your "computer" and the battery runs down and it won't fire up right away?
8) Do you plot revenge? 
9) When there's a tornado, earthquake (we've had our share here in Oklahoma this fine fall) or other possible natural disaster, do you have an exit strategy that includes all essentials, such as your children, your husband, the pets, and your "computer"?
10) Most importantly, does it feel like an organic extension of you?

If you've answered yes to three or more of these questions, you may want to sit down. I have news. Your computer isn't just a computer. It's a security blanket.

That's not a bag thing. I mean, our livelihoods depend on these computers, don't they? We find creative expression - and, if we're really lucky, a paycheck - through its magical electrical circuits (Is that a good story idea?) It's no wonder we carry them with us wherever we go.

What was telling for me is that I didn't always feel this way about my computer. The joined-at-the-hip feeling started somewhere in the middle of my dissertation, i.e. my first official written creation. When I was six months pregnant with my first child (actual, human child), I was knee deep in the dissertation. I had six of eight chapters almost complete. I got up, went through my usual morning routine, then sat down at my computer. I opened the dissertation file, which I had backed up on two different external drives, and in individual chapters just to make sure I didn't lose anything. Stories of other grads who'd lost whole dissertations due to lazy back up methods were more than urban myths in grad schools. They were nightmares.

One that became real for me. None of the files would open.

Panic. Major, major panic. The kind that was so intense my daughter didn't move for six hours.

To make a long, painful story somewhat less painful for those of you who can imagine what it's like to lose 40,000 well-crafted words, complete with illustrations, I ended up at the computer lab at UVA. Many techs later, I was at the IT guru's desk, the last resort, the nuclear option of technical difficulties. He tried everything. Nothing worked. Then he made a call. A friend of a friend had an experimental version of the latest Word program. There were no promises but...

In that moment, I understood Faust only too well.
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17. The Iowa Cow

Just finished the biography of Paul Erdős by Paul Hoffman. He quotes an old joke from the American Mathematical Society: "A Physicist and a mathematician are flying cross-country together. Each is keeping a diary of the trip. They fly over a white horse in Iowa, The physicist writes, 'There is a white horse in Iowa.' The mathematician writes, 'There exists, somewhere in the Midwest, a horse, white on top.' "
Artrage painting. Click to enlarge.

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18. The Art Repair Man


I went to the Pistoletto show at the Serpentine Gallery but found it rather disappointing and banal. In an attempt to take something positive from the show, I took a photo on my iPhone of my head reflected in one of the mirrors and processed it heavily to make this picture.
Apps used: PS Express, PhotoForge, Photostudio and DXP. Click to enlarge.

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19. iPhone Ukiyo-e

A fake woodcut made with the ukiyoe app for iPhone. As a confirmed woodcut nut, this tickles my "conceptual" buds. 

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20. Camouflage

Spot the hidden word.
Click to enlarge.

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21. Want to Write? Start with the Necessities



So, you think you want to be a writer?


It doesn't matter if you devote 24/7 to the writing life or work another job and squeeze in writing time when possible. You still need basic necessities that make writing an easier task.


First, you need a space. Virginia Wolff believed a woman needs a room of her own. And, she's right. A writer needs an office/spot at the dining room table/a booth at the local coffee shop that she can call her own. Granted, some places provide better work opportunities than others, but a writer needs a space to set up shop. When I started freelancing, I converted a former bedroom into my cramped office, but I made it comfortable by repainting the walls to a cheery tangerine, adding memorabilia that inspires me, and using the space for writing only. What is your ideal office set-up?


Second, you need supplies. Even though you'll submit the majority of your work online, you still need to stock up on basics, like envelopes, paper, and stamps. I also make sure I have plenty of ink cartridges on hand, as well as Post-It notes, notebooks, batteries, postage (it's a 17-mile trip to town) and pens. I keep a separate notebook in my office, kitchen, bedroom and car. You never know when inspiration will strike! If you will be conducting interviews on a regular basis, invest in a digital audio recorder. It's a time saver! What office supplies do you have available?


Third, you need a computer and accessories. When I began freelancing, I didn't have the latest, greatest computer. I had a five-year-old laptop that was slow as molasses. But, I could still produce articles and stories. After a couple successful (translate: lucrative) sales, I upgraded to a computer that fit my needs. This included a photo software program, since photos must accompany most articles I write, as well as digital movie making software, since more online publications are asking me for a video to accompany a story package. But you can't just think about what computer you need. Think internet connection and make sure it's reliable. You also need to consider a printer, camera, digital video recorder, and scanner, depending on what you write. What type of computer essentials do you rely on most?


Fourth, you need a phone. Plus, it needs to be reliable. Nothing is more frustrating than being in the middle of an interview while on a cell phone and the network cuts out! We do not have a landline in our home, so I rely on my Blackberry to connect with contacts. With its myriad features, I use it to schedule appointments, network, send Twitter updates, and even type a story if I am on deadline. Do you use a land line, cell phone, or both to connect with your contacts?

<

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22. Digitally Created Backgrounds


On Monday morning, despite the sunshine in the garden, I knuckled down and started the digital stage of Baby Goes Baaaaa!. Come Tuesday, I had to break off for my assessing work at the University, but today I have been hard at it again.


Each of my pastel illustrations for the book was created on my usual, pink paper but, as you can see from the mock-up above, created by Sarah, my designer at Egmont, the images are designed to sit on bright background colours, so the pink area around each drawing needs removing. 


I won't go into the boring details (yawn...) of how this is actually done in Photoshop (I can already hear your sighs of relief), but since I always have to do this bit, I thought I'd quickly explain the principle again, using the koalas as an example.

I get back a scan of each illustration that looks like the one above. In good old Photoshop, I then quickly knock out the pink, to get this instead:


This might look done, but the final image is going to sit on the pale yellow, so I create a temporary yellow layer beneath my koalas, so I can guage exactly what it's going to look like.

The first, obvious thing to adjust is the shadow.


The lilac shadow above looked right on the pink background I began with, but is way too strong on yellow, so this lo

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23. The most human computer?

By Dennis Baron

Each year there’s a contest at the University of Exeter to find the most human computer. Not the computer that looks most like you and me, or the computer that can beat all comers on Jeopardy, but the one that can convince you that you’re talking to another human being instead of a machine.

To be considered most human, the computer has to pass a Turing test, named after the British mathematician Alan Turing, who suggested that if someone talking to another person and to a computer couldn’t tell which was which, then that computer could be said to think. And thinking, in turn, is a sign of being human.

Contest judges don’t actually talk with the computers, they exchange chat messages with a computer and a volunteer, then try to identify which of the two is the human. A computer that convinces enough judges that it’s human wins the solid gold Loebner medal and the $100,000 prize that accompanies it, or at least its programmer does.

Here are some excerpts from the 2011 contest rules to show how the test works:

Judges will begin each round by making initial comments with the entities. Upon receiving an utterance from a judge, the entities will respond. Judges will continue interacting with the entities for 25 minutes. At the conclusion of the 25 minutes, each judge will declare one of the two entities to be the human.

At the completion of the contest, Judges will rank all participants on “humanness.”

If any entry fools two or more judges comparing two or more humans into thinking that the entry is the human, the $25,000 and Silver Medal will be awarded to the submitter(s) of the entry and the contest will move to the Audio Visual Input $100,000 Gold Medal level.

Notice that both the computer entrants and the human volunteers are referred to in these rules as “entities,” a word calculated to eliminate any pro-human bias among the judges, not that such a bias exists in the world of Artificial Intelligence. In addition, the computers are called “participants,” which actually gives a bump to the machines, since it’s a term that’s usually reserved for human contestants. Since the rules sound like they were written by a computer, not by a human, passing the Turing test should be a snap for any halfway decent programmer.

But even though these Turing competitions have been staged since 1991, when computer scientist Hugh Loebner first offered the Loebner medal for the most human computer, so far no computer has claimed the go

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24. Omar Jamarillo

A portrait of Omar Jamarillo, a Sicilian fella.
Artrage 3. Click to enlarge.

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25. When Disaster Strikes.... and why you always need a back up

Because my husband is a computer geek, guru, professional and more, I always have an able pro at my side when I have a disaster such as the one I had yesterday.

First of all he had convinced me to get a new extra external drive for back ups with loads of GBs.  I am glad he insisted.  Most of the time I remember to back up what I need as I work on a book or project.  I don't use automatic back up because I create so much in a day it would overload the external too quickly. I kinda like to pick and choose and try not to duplicate too much.

Yesterday was a lesson in being too lazy to do the normal back up.  Here's a clue...back up everything you think you will need before you do any UPDATES that your computer insists you need.


I was in the UPDATE mode when the computer told me to restart.  When I did, however, the computer would not start up. I did all the fixes that the Mac manual and professionals suggested and still ... nada.


When my husband started hearing the constant "chimes" from my mac as I tried all the book solutions and called my mac computer people... he came into the studio and began his magic.  He also asked why I didn't call on him first.  (Well that one was easy...he was repainting our guest bathroom.)

He was able to restart everything but he had to reinstall the operating system from scratch.  Here is the main reason for a substantial back up.... sometimes when you have to re install the OS on a mac you might lose all the data on your hard drive.  In this case my accomplished "geek in residence" was able to restore the OS without losing a bit of my work.  Had the work disappeared I would have lost the final images, the PDF and all the CMYK conversions I had just finished for a new book.

What did I learn.  Two things.
 1.) Back up is essential.  AND....
 2.) If you have an expert in the house, don't be afraid to ask for his help first.

5 Comments on When Disaster Strikes.... and why you always need a back up, last added: 11/22/2010
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