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1. Cover Reveal: Black Lightning by K.S. Jones...

Welcome to the Cover Reveal for K.S. Jones' upcoming release

Black Lightning!!

Book Information:

From the award-winning author of Shadow of the Hawk

Title: Black Lightning

Author Name: K.S. Jones

Genre(s): Middle Grade, Science Fiction, Fantasy

Length: Approx. 136 pages

Release Date: May 17, 2016

ISBN eBook:  978-1-987976-12-0
ISBN Paperback:  978-1-987976-11-3

Publisher:  Mirror World Publishing 

Are You Ready for the Cover?


About Black Lightning:

Life moves on — no matter what...

Following his father’s puzzling disappearance and his mother’s death, ten-year-old Samuel Baker goes through the motions of living in a world turned upside down. He wears an Apache talisman, a long ago gift from his father, in hopes its promise of strength and guidance is true. But what he truly wants is the power to bring his parents back. 

Heartless Aunt Janis is elated at the prospect of becoming Samuel’s legal guardian. She is sure an orphan boy will elicit such an outpouring of public sympathy that her husband will win his Senate bid by a landslide. But when Grandpa Tate arrives, things don’t go as expected, especially when black lightning strikes!

Read an Excerpt:

Samuel stood beside his mother’s rain-speckled casket. He had cried his tears dry, so there was no point in trying to find more.

“Chin up, young man,” Aunt Janis said as her fingers nudged Samuel’s jaw upward. “Death is just part of life, and our photographer needs a good picture of you for the newspapers.”

A camera flashed, leaving Samuel’s red and swollen eyes burning as if stung by the sun instead of grief.

So many important days had come and gone without his father, but surely he would come home today, wouldn’t he? Samuel closed his eyes. He pretended his father was beside him holding his hand. They had a right to hold hands, he told himself. Not because he was ten, but because it was his mother’s funeral. Two years had passed since his father left, never to be seen again. Vanished, was the word his mother had used. Into thin air, she’d said.

“Take that silly thing off.” Aunt Janis flicked Samuel’s wood and bead necklace.

“No,” he said and shook his head. “My dad gave it to me.” It was a pinewood tile, the size of a domino shaved nickel-thin, which hung from a leather cord around his neck. Burned onto the front side of the wood was a lightning bolt. Its flipside bore the blackened imprint of a tribal dancer. It had a turquoise nugget and a shiny black hematite bead strung together on each side. His father had given the talisman to him with a promise: It will guide you and give you strength when you need it most.

Today, dressed in a black suit and starchy white shirt, Samuel wore it in hopes the promise was true.

As mourners gathered, Samuel’s friend Brian came to stand beside him. “Hey,” he said.

“Hey,” Samuel answered without taking his eyes off the casket.

“Is that the necklace your dad gave you? You don’t usually wear it.” Brian’s wire-rimmed glasses slid down his straight arrow nose. He pushed them back up the bridge with one finger until they encircled his eyes again. “Can I see it? I promise I’ll give it right back.”

“It’s not a necklace.” Samuel pulled the leather cord off over his head, mussing his overgrown blond hair. “It’s a talisman.” He handed it to Brian. “My dad said it would help me, but it hasn’t done anything yet. I think it was just one of his stories. It’s probably just an old piece of scrap wood with a couple rocks tied to it.”

Brian shrugged after examining the piece then he handed it back to Samuel. “I think it’s cool. You should keep wearing it anyway.”

Nodding, Samuel hung the talisman around his neck again, but this time he dropped it down beneath his shirt where it was no longer visible. It felt warm against his skin.

“Has anybody told you where you’re going to live now?” Brian asked.

“Probably with Aunt Janis and Uncle Jack.”

Brian frowned. He kicked the tip of his shoe into the muddy soil. “They live so far away. Why can’t you just stay here and live with Mrs. Abel? She doesn’t have any kids.”

Mrs. Abel was their fourth grade teacher. She had plainly stated to all who would listen that her job was to teach the proper use of the English language to children who behaved properly. A babysitter, she had said, she was not. Today, she stood in the rain with the other mourners, eyeing the ground where the hem of her long, gray dress lay caked in mud. Tufts of brown hair jutted out from under her pink plaid scarf. Even though she stood a few feet from him, she had not spoken to Samuel since his mother’s death. Few people had. Everyone had words for Aunt Janis and they talked to Uncle Jack, but no one but Brian and a few classmates had spoken to him. Maybe talking to an orphan was harder than talking to a normal kid.

Praise:

“If you’ve forgotten the magic that lives in a child’s heart, this book will remind you. Black Lightning is a rare and beautiful mythic journey about one boy’s struggle with paralyzing grief and the powerful bonds that can carry a person through this world and beyond...” W. Michael Gear and Kathleen O’Neal Gear USA TODAY and NEW YORK TIMES bestselling authors of People of the Thunder

Meet the Author:

Everyone has a story. Tell it so well that the world listens!


Karen (K.S.) Jones grew up in California, but now lives in the beautiful Texas Hill Country northwest of San Antonio with her husband, Richard, and their dogs Jack Black, Libby Loo, and Red Bleu. Black Lightning is her first middle-grade novel. She credits her love of fantasy to the early influences of authors J.R.R. Tolkien, Jules Verne, and H.G. Wells. Her award-winning first novel, Shadow of the Hawk, a Young Adult Historical, released in 2015.

Visit K.S. Jones:




Visit Tour Hosts Featuring the Cover:

Jojo Debrazza 

Book Babble 

Sharon Ledwith: I came. I saw. I wrote. 

Bookworm for Kids 

Fang-tastic Books 

Tales from the Bayou and Other Worlds

jrsbookreviews 

T's Stuff 

Literary Escapism 

Vampyre Lady's Book Stuff 

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2. The Glorkian Warrior and the Mustache of Destiny by James Kochalka, 128pp, RL 2


The Glorkian Warrior has delivered himself a pizza, had his brains sucked almost dry by a baby alien and discovered the head of a Space Snake that spits out pie. Now, in the third and final book in this series, he and his pals face his biggest challenge ever - a possibly prophetic dream about a giant, flying mustache in The Glorkian Warrior and the Mustache of Destiny!




A post-dream, pre-Glork patrol cup of invigorating coffee that, naturally, GW thinks can talk when it's really Super Backpack, sets the story rolling. Along with a boisterous bunch of mini-Glorks that Gonk has invited in, GW and Super Backpack head out and inevitably end up in a giant hole. But, this giant hole leads to the Temple of Quackaboodle! 



And, in a rare appearance, the Glorkian Supergrandma arrives, beaming down a special light from her spaceship that turns Gonk's little pals into full grown, adult Glorkians! After some minor drama, Gonk gets beamed into adulthood also, now sporting a stunning stache. Kochalka brings everything home by bringing the baby alien, now mustachioed as well, back for a final appearance. The Glorkian Warrior and the Mustache of Destiny begins at chapter zero and ends with an epilogue. But, the book doesn't end there. As the final book in the trilogy, Kochalka shares a hilarious bonus comic and the very first Glorkian Warrior comic from 2007!

Source: Review Copy

Books 1 & 2 of the Glorkian Warrior




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3. LSQ Issue 025

The latest issue of Luna Station Quarterly is ready to read, and it is a colossal collection of absolutely fabulous science fiction and fantasy by women authors. You can read for free, but why not buy a copy (print or digital) and support the authors and illustrator? The cover this issue, and for the rest […]

The post LSQ Issue 025 appeared first on Cathrin Hagey.

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4. Guest Post: Parker Peevyhouse on Where Futures End

Excerpt
By Cynthia Leitich Smith
for Cynsations

Parker Peevyhouseis the first-time author of Where Futures End(Penguin/Kathy Dawson Books, 2016). From the promotional copy:

Five teens.

Five futures.

Two worlds.

One ending.

One year from now, Dylan develops a sixth sense that allows him to glimpse another world.

Ten years from now, Brixney must get more hits on her social media feed or risk being stuck in a debtors' colony.

Thirty years from now, Epony scrubs her entire online profile from the web and goes “High Concept.”

Sixty years from now, Reef struggles to survive in a city turned virtual gameboard.

And more than a hundred years from now, Quinn uncovers the alarming secret that links them all.

Five people, divided by time, will determine the fate of us all. These are stories of a world bent on destroying itself, and of the alternate world that might be its savior--unless it's too late.

Could you describe both your pre-and-post contract revision process? What did you learn along the way? How did you feel at each stage? What advice do you have for other writers on the subject of revision?

Parker Peevyhouse
I set myself up for a tricky revision process when I wrote Where Futures End as a series of interconnected stories. I had to make sure that the stories connected well to each other, even though each is mostly self-contained.

My agent, Ammi-Joan Paquette, also pointed out that the first story in the book had to be really gripping. Of course, every novel has to have an opening that grabs the reader, but that had to be especially true of Where Futures End, since the reader would only continue to the second story if s/he loved the first.

I worked really hard to revise the opening story before we sent out the manuscript on submission. But the feedback we got was that the first story still wasn’t working. The tone was too sad and dark, since the story dealt with a boy (Dylan) wrestling with the death of his brother; and Dylan was confusing, since he kept going back and forth on whether he had the ability to visit another world. I was pretty bummed about this feedback because I loved Dylan and his story, but I could see that the manuscript wouldn’t sell as-is.

I scrapped that first story and started over. I brought the dead brother back to life and made the plot focus on sibling rivalry. I created a more linear progression for Dylan’s investigation into whether he had the ability to visit another world, and I had the brother play a larger part in this mystery. To my surprise, this new version of the story felt even closer to what I had originally want to achieve. And it got a lot more interest from editors.

The editor who bought the novel, Kathy Dawson (who has her own imprint at Penguin), wanted me to make even deeper cuts. In the original version of the manuscript, Dylan is obsessed with a series of fantasy novels about the Lookingland, a magical realm Dylan thinks he can visit. Throughout the novel, other characters also try to access the Lookingland, so it became an element that tied together the separate stories that make up Where Futures End. Kathy suggested I cut out the Lookingland entirely; she thought it was too confusing, one more thing for the reader to keep track of in an already intricate novel. But how in the world would I then tie all of Where Futures End together?

Parker's assistant, Arya
We figured out that Dylan, instead of reading novels about the magical land he longed to escape to, should write stories about that land himself. This set up a new way to connect the stories that comprise Where Futures End.

In the second part of Where Futures End, Dylan’s stories come to the public’s attention. In the third part, we see that books and movies have been made from Dylan’s stories. In the fourth part, a main character makes his living playing a video game based on Dylan’s stories. And in the fifth part, the stories take on a life of their own…

It was painful to make all of those deep cuts. I wasn’t always sure I should make such huge changes to my original vision! But I took the advice of my agent and did my revisions in a separate document so that I always had the option of reverting to the original manuscript.

That helped me make bold changes, and in the end, I felt the new versions of the manuscript were better than the old versions.

It helps to have an agent and an editor who are so insightful with their revision suggestions, but I also recommend taking chances with revisions, knowing you can always go back to what you originally wrote if those revisions don’t work for you.

As a science fiction writer, what first attracted you to that literary tradition? Have you been a long-time sci-fi reader?

Does anyone else remember “poot” from My Teacher Fried My Brains by Bruce Coville (Aladdin, 1991)? I loved that crazy-weird stretchable pet when I was in grade school. And I was fascinated by the tesseracts in A Wrinkle In Time by Madeleine L’Engle (Farrar, Straus & Giroux, 1963).

When I was a kid, if there was a book in my library about something strange, I took it home.

Those books inspired me to write my own weird stories about kids visiting alternate realities and wielding supernatural powers.

Reading and writing science fiction was the only thing that could feed my ever-hungry imagination.

What drew me to science fiction as a kid were the strange ideas, the mind-benders, like Meg Murray talking about how time is the fourth dimension.

Where Futures End makes use of the tropes I’ve loved reading about from a young age: alternate universes, time distortion, psychic abilities. But I’ve also grown to love how science fiction explores personal interactions and cultural changes. I wanted Where Futures End to explore culture in the same way Feed by M. T. Anderson (Candlewick, 2002) does, and to explore relationships in the same way that How I Live Now by Meg Rosoff (Penguin, 2004) does.

Science fiction, more than any other genre, lends enough distance to gain new perspectives, and that’s the main reason I still love the genre.

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5. The Glorkian Warrior Eats Adventure Pie by James Kockala, 128pp, RL 2


James Kochalka's Glorkian Warrior and his best buddy Super Backpack debuted in The Glorkian Warrior Delivers a Pizza. In this epic space adventure, the Glorkian Warrior successfully delivered a pizza to himself. In the second book in the series, The Glorkian Warrior Eats Adventure Pie, the Glorkian Warrior is once again his own worst enemy, but this time he has an actual foe - fellow warrior, Buster Glark.

After Buster Glark takes out the the pie factory destroying space snake that he was trying to put an end to, the Glorkain Warrior and Super Backpack find their way home where they are greeted by Gonk, a mini-me version of the Glorkian Warrior and a lime green baby alien who affixes himself firmly to GW's head and makes a sucking sound.



Some serious absurdity ensues, including rearranging the furniture by flipping it upside down, a poke in the eye for Gonk, a consultation with Mr. Elbow and backpack for Gonk made from the house phone. The gang head out for Glork Patrol but, of course, things don't go as planned. GW falls over, from extreme hunger or from the baby alien sucking all his brains out, leaving Gonk and Super Backpack to save the day.



Not an easy task by any means, things get even more complicated when Buster Glark returns and uses a freeze ray on the baby alien. Ships are crashed, holes are made, elbows are thrown and, incredibly, the baby alien attacks the Space Snake resulting in the head crashing down right in front of the gang and spitting out pieces of pie!

Kochalka's sense of humor (and plotting) is completely bonkers and perfectly paired with the Easter egg colors of his illustrations. There are fart jokes, a few butt jokes and all sorts of ludicrous antics that kids love. The Glorkian Warrior Eats Adventure Pie might not be everyone's sense of humor, but for those who dig it, it's a stellar treat!

Source: Purchased


Books 1 & 3 in the Glorkian Warrior Series!






Coming in March!


The Glorkian Warrior and the Mustache of Destiny

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6. Guest Post: Cory Putnam Oakes on The Seven Deadly Sins of Sequels

By Cory Putnam Oakes
for Cynthia Leitich Smith's Cynsations

When I sold my first middle grade novel, I was super excited when my publisher asked me if I would also write a sequel.

A sequel! Squee! 

Because two books were obviously twice as awesome as one book and now I’d get to spend more time writing in the world I had painstakingly constructed for Book #1.

I was ecstatic and I floated around on a cloud of overwhelming happiness—right up until the moment I sat down to write Book #2.

Then, panic set in.

The sequel, which had sounded so good in theory, was downright terrifying in actual fact. I had no idea where to start and I was sure I was going to totally screw it up.

I had never experienced a sequel as a writer before. My writer-self had nothing but a big giant blank to draw on in that area.

I realized, however, that I had experienced quite a few sequels as a reader. And my reader-self had some very definite opinions about sequels, so I decided to let my reader-self educate my writer-self on how to proceed.

Turns out, my reader-self had some useful things to say which really helped me during the (eventual) writing process.

So in the interest of helping other writers who currently find themselves (or may one day find themselves) staring down the barrel of a sequel, here are my Seven Deadly Sins of Sequels:

Deadly Sin #1: Skipping Stuff

Perhaps one of my biggest peeves when it comes to sequels is when major changes happen between Book #1 and Book #2 and we learn about those changes in a recap at the beginning of Book #2 instead of actually seeing them happen.

If you’re going to kill off a character, end a major relationship, have somebody move away, or basically put any character in a fundamentally different position than the one they were in at the end of Book #1, don’t do it in a recap! That’s cheating.

Your reader is picking up Book #2 because they loved the story and the characters from Book #1—don’t bamboozle us by letting major things happen behind our backs! We will feel like we missed a step. (Which, in fact, we did!)

Deadly Sin #2: Jumping the Tracks

No one likes a plot they can see coming a mile away, but it’s also no fun to feel like the story-train you climbed aboard in Book #1 has literally jumped off of its tracks in Book #2 and is headed in a new direction, one for which you didn’t buy a ticket.

That doesn’t mean that the plot of Book #2 should be yawningly predictable for the sake of comfort, but there should be some hint of what is coming next built into Book #1 so your reader doesn’t feel completely blind-sided.

(Note: don’t panic if you’ve already completed Book #1 and you don’t think you did this—go back and read Book #1 again. I promise you planted more seeds than you remember.)

Deadly Sin #3: Book 1? Was There a Book #1?

You don’t want Book #2 to only make sense to people who were really, really paying attention to Book #1. But on the flip side, your sequel should not be a complete stand alone: Don’t act like Book #1 never happened. If, for example, your main character overcame a major obstacle in Book #1, it’s weird if that obstacle, and his/her struggle, is never referred to in Book #2.

You don’t have to go overboard reminiscing and info-dumping about all the stuff that happened in Book #1 ("Hey guys! Remember that time that we . . . "), but Book #1 is now part of the mythos, the shared understanding, of both books. It’s a common language between you and your reader. Use it as such. Make sure that you are building up your characters in Book #2 on top of a foundation that you constructed in Book #1.

Deadly Sin #4: When Book #2 is Basically Just Book #1 On Steroids

EXAMPLE:

In Book #1, the main character learns how to deal with a bully.

In Book #2, the main character learns how to deal with an even bigger, nastier, scarier bully.

No. Your main character has already fought this battle. They need a new battle for Book #2 or we’re just watching them go on the exact same journey they’ve already taken. Even if we really, really enjoyed the journey the first time around, we don’t want to see it again.

The question your sequel audience is asking is: Where does this character go from here? Not: Can they do it again even though it’s slightly harder this time?

Deadly Sin #5: When Book #2 Is Nothing But a Bridge to Book #3

This is a well-documented problem, specific to trilogies, when an author sacrifices Book #2 in order to set up the amazing, wonderful, mind-blowing idea they have for Book #3.

Okay, fine, I’ll use a specific example here: "The Empire Strikes Back." I love "Star Wars," I do. But even I’m forced to admit that Empire was really just a big set-up for "Return of the Jedi." We can excuse this because of all the battles with Imperial Walkers and people cutting open tauntauns, being frozen in carbonite, and almost getting eaten by meteor-caves-that-are-really-giant-monsters. "Star Wars" can get away with this. But you and I can’t.

We need to move our plots along because people are not going to be as forgiving about our books as they are about "Star Wars" because, well, our books are not "Star Wars."

Trilogies are tough because in a three book series, Book #1 is going to be the beginning, Book #2 the middle, and Book #3 the end. The tricky part is that each individual book in the series (including Book #2) also needs a beginning, middle, and an end of their very own.

How can you tell if you’re sacrificing Book #2? If the only stuff that happens in Book #2 is bad and there is no resolution to any of it, this is big, red, flashing warning sign. If Book #2 is when everything breaks, and Book #3 is where everything is fixed, this means you’re stopping your characters in mid-arc in Book #2. This is very unsatisfying.

Don’t get me wrong: You can leave your characters in dire straits at the end of Book #2. But make sure they accomplished something while getting there. There needs to be some kind of resolution to Book #2 problems—in Book #2.

Deadly Sin #6: Major Reveals That Should Have Happened Earlier

You know when you’ve been friends with somebody for years and then you learn a very important thing about them that you can’t believe you didn’t know? It feels rotten, right? Like maybe you never really knew them like you thought you did, or that maybe you’re a bad friend for not realizing this very important thing sooner?

Don’t make your reader feel like that. I’m not saying you can’t reveal new, surprising, very important things about your characters in Book #2—you can, and you should. But there needs to be a very good reason why we didn’t hear about this very important thing in Book #1. Don’t make your reader feel like a bad friend.

Deadly Sin #7: When Characters Morph Into Strangers

As readers, we fall in love with characters. Sometimes to unreasonable degrees. We will tolerate (and even encourage) them when they change and grow in reaction to things that happen to them, but we will not accept them drifting away from their core, defining characteristics.

Nobody would be okay with it if Indiana Jones suddenly decided to just “get over” his fear of snakes and adopted one as a pet. Nobody would be on board with Harry Potter dropping out of Gryffindor, joining Slytherin, and giving Ron Weasley wedgies in the hallway. It’s just not them.

Your characters need to grow and change in Book #2. But they need to stay themselves. Don’t mess with the core of who they are, or you risk the wrath of your readers who love them.

So those are the sins that I tried to avoid while writing my sequel. What did I miss? What else can we add to this list, to help guide the future sequel-writers of the world on their perilous journey?

Note: As you add to this list, please speak generally, as opposed to using specific books and authors as negative examples. Everyone who has ever tackled a sequel deserves a hug, a high-five, and at least a gallon of chocolate ice cream—not criticism. Let’s keep it positive, encouraging, and helpful!

Cynsational Notes

Cory Putnam Oakes is a writer living in Austin, Texas. Dinosaur Boy Saves Mars, the sequel that inspired this post, came out in February, 2016 from Sourcebooks.

She is also the author of Dinosaur Boy (Sourcebooks, 2015); The Veil (Octane Press, 2011); and Witchtown (coming from Houghton Mifflin, 2017).

She wishes it to be known that she feels really, really badly about disparaging "The Empire Strikes Back" in the above post. But she is certain that her overwhelming love for "Star Wars" in general will excuse this teeny, tiny bit of loving criticism.

Cynthia Leitich Smith agrees with Cory about the perils of "bridge" books in trilogies, but nevertheless believes that "The Empire Strikes Back" is the best of the "Star Wars" movies. Cynthia also selected "The Karate Kid II" to illustrate Cory's fourth point, even though it's her favorite of that series, too. She apparently feels conflicted about the whole dynamic.

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7. Beth Revis and Cristin Terrill on women writing science fiction

It’s Jocelyn sneaking in a non-weekend post because Lindsey was kind enough to let me borrow one of her WoW slots for an interview with Beth Revis and Cristin Terrill. A while back, I attended one of their Wordsmith Workshops and Retreats, and it was amazing! In between craft sessions, critiques, writing, fellowship, and delicious food, I found time to chat with these delightful ladies. See what they had to say about being women who write science fiction.


Read more »

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8. Cover Reveal & Author Snapshot: The Alarming Career of Sir Richard Blackstone by Lisa Doan

By Cynthia Leitich Smith
for Cynsations

Check out the cover for The Alarming Career of Sir Richard Blackstone by Lisa Doan (Sky Pony, 2017). From the promotional copy:

A funny middle grade mystery adventure complete with an unconventional knight, a science experiment gone awry, a giant spider, and a boy to save the day!

Twelve-year-old Henry Hewitt has been living by his wits on the streets of London, dodging his parents, who are determined to sell him as an apprentice. 

Searching for a way out of the city, Henry lands a position in Hampshire as an assistant to Sir Richard Blackstone, an aristocratic scientist who performs unorthodox experiments in his country manor. 

The manor house is comfortable, and the cook is delighted to feed Henry as much as he can eat. Sir Richard is also kind, and Henry knows he has finally found a place where he belongs.

But everything changes when one of Sir Richard’s experiments accidentally transforms a normal-sized tarantula into a colossal beast that escapes and roams the neighborhood. 

After a man goes missing and Sir Richard is accused of witchcraft, it is left to young Henry to find an antidote for the oversize arachnid. Things are not as they seem, and in saving Sir Richard from the gallows, Henry also unravels a mystery about his own identity.

Congratulations on your upcoming release! What do you think of your new cover?

I love it! Huge thanks to Sky Pony and my editor, Adrienne Szpyrka, for capturing the humor of the book while at the same time working in two prominent elements – the giant tarantula and a journal detailing a trip to South America.

The tarantula is Henry Hewitt’s problem and the journal is the key to figuring out what to do about it, which he must do to save his friend and protector, Sir Richard Blackstone.

More specifically, how does the art evoke the nuances of your book?

We wanted the journal to feel Old World, hence the faded brown, as this story takes place in the late 1700’s English countryside.

Sky Pony’s designers had the genius idea of having the tarantula holding the journal to tie it all together. The red and yellow lettering really pop and signal the lighthearted tone.

I couldn’t be happier with how it turned out.

Isn’t it every middle-grade writer’s dream to have a cover with a tarantula on it?

I know it has always been one of mine!

Cynsational Notes

Lisa Doan has an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts and is the author of the award-winning series The Berenson Schemes (Lerner).

Operating under the idea that life is short, her occupations have included: master scuba diving instructor; New York City headhunter; owner-chef of a restaurant in the Caribbean; television show set medic; and deputy prothonotary of a county court. She currently works in social services and lives in West Chester, Pennsylvania.

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9. Alas, Babylon

Alas, Babylon. Pat Frank. 1959/2005. Harper Perennial Modern Classics. 323 pages. [Source: Bought]

I spent the whole year of 2015 meaning to read Pat Frank's Alas, Babylon. So I decided that this year, it would be one of the very first books I read. I wasn't going to let another year pass before I sat down to reread this sci-fi classic.

Alas, Babylon was originally published in 1959. I think it is crucial to remember that fact as you're reading. The book is set during the Cold War, published during the Cold War, and asks the question: WHAT IF the Soviet Union uses nuclear warfare and attacks various cities and bases across the whole United States. Would there be survivors? How would people survive? What would they eat and drink? Not just in the initial weeks following the nuclear war, but, more long-term than that. How would they cope--how would they manage--without electricity, without batteries (once they ran out), without cars (once all the gas was gone), without new supplies arriving by truck or plane, etc. Would communities come together or be torn apart? How would people deal with one another, treat one another? Would lawlessness prevail? Would fear and anger and greed win the day? Or would people still look out for one another?

Alas, Babylon is not just a what-if story, however. It is a personal story, that I felt remained character-driven. It stars Randy Bragg and his family. His brother, Mark, sends Randy a warning in a telegram, "Alas, Babylon" their code for the end is coming, war is inevitable, be prepared. Randy prepares to receive his sister-in-law, niece, and nephew into his Florida home. The book is set in a small community in Florida, a community that is fortunate in some ways--many ways. Readers get a chance to know quite a few of the locals in addition to this one family. For example, the local librarian who finds herself most necessary to the community. The library COMES ALIVE after the attack, as people become desperate for information and news, for entertainment, etc.

I liked the practical aspects of Alas, Babylon. Unlike Life As We Knew It, I felt it handled the situation practically, logically. One of the big issues I had with Life As We Knew It, a book I love despite its flaws, was the fact that it got a few practical things wrong: for one, how people get water. It has the heroine's family getting well water through their pipes without an (electric) pump! Not the case with Alas, Babylon. If it has flaws, they didn't leap out at me.

Alas, Babylon is a thought-provoking novel. One I'd definitely recommend.

© 2016 Becky Laney of Becky's Book Reviews

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10. Manga Review: Planetes (Volume One)

Title: Planetes Genre: Science Fiction Publisher: Kodansha (JP), Dark Horse Comics (US) Creator: Makoto Yukimura Serialized in: Weekly Morning Original Release Date: December 22, 2015 Review copy provided by the publisher I’ll admit that I wasn’t overly familiar with this story going in but from what I’d heard Planetes sounded like a series of loosely connected ... Read more

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11. Doomsday Book (1992)

Doomsday Book. Connie Willis. 1992. Random House. 592 pages.  [Source: Book I Bought]

Mr. Dunworthy opened the door to the laboratory and his spectacles promptly steamed up.
"Am I too late?" he said, yanking them off and squinting at Mary.
"Shut the door," she said. "I can't hear you over the sound of those ghastly carols."
Dunworthy closed the door, but it didn't completely shut out the sound of "O Come, All Ye Faithful" wafting in from the quad. "Am I too late?" he said again.  

This is my fourth time to read and review Connie Willis' Dooms Day Book.  This not-so-little novel combines my love of historical fiction and my love of science fiction. It does so, of course, through time travel. Kivrin, the heroine, will be the first historian--first time traveler--sent to the fourteenth century. The century has just recently, and perhaps unadvisedly, been opened up to time travel. Kivrin will be traveling to a "safe" year: 1320. But Mr. Dunworthy fears that there is no such thing as a SAFE year within the fourteenth century. She's studied and prepped for this for years now, this is HER ONE BIG LIFE-DREAM. And certainly the worries of an "old professor" like Mr. Dunworthy won't stop her from going. But is Mr. Dunworthy right to worry?!

It is set--in the future and the past--during the Advent-Christmas-Epiphany season. The book examines the role of faith and religion, at the very least during this season of the year. But, in particular, it addresses the question of God and suffering. I would never say it is a "religious" book, but, Kivrin, in particular is sent to a century where belief in God IS a matter of fact and the church had more power and influence. Christian readers should note that Mr. Dunworthy and Kivrin both misunderstand much of who God is and what the Christian faith is all about.

Doomsday Book might be "just right" for you if...

  • You enjoy science fiction, in particular time travel
  • You enjoy historical fiction
  • You enjoy medical mysteries
  • You enjoy compelling dramas
  • You enjoy character-driven novels 
© 2015 Becky Laney of Becky's Book Reviews

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12. Robert Sawyer Talks About Science Fiction

Robert Sawyer said, "I care deeply and passionately about this genre [science fiction]" during a presentation I attended at the Ontario Library Association Conference. And it was obvious he does. I was, however, more than a little surprised by the passion he exhibits to defend his vision for the SciFi genre--although I have to agree [...]
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13. Presidential Polar Bear Post Card Project No. 39 - 12.10.15


Inspired by 1950's sci-fi movie posters, we DON'T want our polar bears to become the folder of science fiction! A collective effort soon solidified at #COP21 #saveourseaice.

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14. Sketchnoting a book review: Illuminae by Amy Kaufman and Jay Kristoff

2015, Knopf

I've been delving into the fascinating world of sketchnoting, and have been practicing my skills (and trust me, you should see the very first one I created....practice does help!)  I've seen professor Karin Perry from Sam Houston State University do book reviews via sketchnotes and decided to try it out. 

What is NOT in the sketchnote is my personal review. So this is what I think of this book:

WOWOWOW!!!  This is 599 pages of intense plot, conflict, and survival all set in a science fiction thrillfest based on documents, journals, e-mails, imessages, and high security reports... and even concrete poetry.  The format itself is enough to draw the reader in and it reads fast because of this.  The characters are an excellent mix of adults and teens, which makes this science fiction novel so believable.  Adding diagrams of the ships adds a deeper dimension for the readers as well as their mode of travel through wormholes.  This is a deep space chase that will grab you to turn the next page to see what happens.  Huge twist at the end - VERY unexpected!  One of the top 10 best books I've read this year! 
Highly recommended for JH/HS. 

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15. Review: The Scorpion Rules

The Scorpion Rules (Prisoners of Peace) by Erin Bow. Margaret K. McElderry Books, an imprint of Simon & Schuster Books. 2015. Review copy from publisher.


The Plot: Our world, about 400 years in the future. For various reasons (wars, water shortage, environmental changes) an AI (artificial intelligence) named Talis seized control of, well, everything, and first forced peace on the world by blasting a few cities.

Then Talis realized there was a better way. That destroying towns wouldn't create world peace. But hostages would. Child hostages, to be specific. It's simple: take a child of each leader. Hold onto them until they are 18. If the leader declares war, the child hostage's life is forfeit.

Greta Gustafsen Stuart is the Duchess of Halifax and the Crown Princess of Pan Polar Confederacy. She has been a hostage since the age of five. She is now sixteen; if she can make it until eighteen....

But her country has water. And others don't. And she knows that one day, sooner rather than later, war may be declared and her life may be forfeit.

The Good: Alright, let's cut to the chase: this is a Favorite Book of 2015. Hell, I'll go on record and say this is easily a top ten book. I'll go even further: I'll be damn disappointed if this isn't on awards lists and best lists at the end of the year.

And to say why this is so, why I am so passionate about this book, I'll be talking spoilers. So fair warning: stop now if that bothers you, read The Scorpion Rules, then come back.

The Scorpion Rules is a dystopia, or, at least, a dystopia for those children of rules and leaders who are sent away to be held hostage, knowing that if their parents pick country over blood they will die. They have been taught history to understand their role and their history, including ancient history to give a broader, perhaps colder, perspective on people and war and violence.

Greta, like her friends and fellow hostages, have been taught about their role; have been taught to accept it; have been taught to not fight back. To not resist. To not escape.

And then a boy comes to their school, a boy whose grandmother just gained power so he's been sent as hostage, a bit older than most, and less royal, so less prepared. Elian.

I KNOW WHAT YOU ARE GOING TO SAY IT'S JUST ANOTHER DYSTOPIAN ROMANCE BUT IT ISN'T. AND YES THERE IS A SECOND LOVE INTEREST BUT IT'S NOT A TRIANGLE JUST, WAIT.

Yes, it's dystopian; but like I said, at least for this book, it shifts the burden of the dystopia to the upper class, to the privileged. And the Children of Peace, the hostages, realize both their burden and their privilege. And it's grounded in real history -- the exchanging and taking of hostages has historic basis. (Fans of the TV show Reign will remember King Henry saying he and his brothers where hostages in the Spanish Court. That was true.) I say at least for this book, because we haven't seen much of life beyond where Greta lives, so I can't be sure of how others live. There is a hint that Talis controls and meddles with the lives of others, but it's unclear just how much of an impact that has.

This dystopia also makes sense; it's coherent, enough is given to explain why and how this system was accepted and evolved. It's also thoughtfully and realistically diverse. The Children of Peace come from all over the world, from all types of countries. Some, like Greta, are their for hereditary reasons -- she is the crown princess, born into this world, born to be a hostage. Others, like the Children from what was the United States, are there because parents have been voted into/taken charge by other means. They have no titles; they may arrive at the school older, with their status sudden and unprepared for. That is Elian.

And it's also grounded in science fiction, not fantasy -- the AI that controls the world, Talis, and the link between humans and computers is a scientific element of the story, not a fantastical one, and it's not just the push for the story. Talis is present throughout, lurking in the background, moving to the forefront.

Also, the threats are real. The Scorpion Rules starts with a child hostage being taken away because his country declared war. There is a graveyard by the school. There is torture, there is manipulation, not nice things happen again and again.

Now, on to the love triangle. Which isn't. There is new boy Elian and there is some sort of connection or attraction between him and Greta, but more important than that, is that Elian shows Greta another way. That submission and acceptance is not the only path in life. That no matter what, there is choice.

And then there is Greta's best friend and roommate, Xie. Greta has not just accepted the way she has been raised, the future she's been told to expect. She has also buried most of her emotions and feelings, avoiding emotional risk. And yet when Elian helps provide the catalyst for her to open up, and change, and question, it also helps her unlock her frozen feelings for Xie.

See? It sounds like a triangle because there are two people -- but it isn't. It so, so isn't.

One last thing: Greta may have accepted her part in life and politics; she may have tried to avoid certain deep attachments; but she is also a royal. Born to be a hostage, born to live a role, but also born to take her place if she lives past 18. Born to be a leader, and at her school, she is a leader. She's not a follower. She's not passive, even if to someone like Elian, the Children of Peace hostages look passive and accepting.

So, go, read it, and like me, look forward to the next book. Because I have no idea what will happen next -- and that? That is a great feeling to have.















Amazon Affiliate. If you click from here to Amazon and buy something, I receive a percentage of the purchase price.

© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

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16. Review: Of Monsters and Madness

Of Monsters & Madness by Jessica Verday. Egmont USA. 2014.



The Plot: It's 1824 and Annabel Lee, 17, has moved to her father's death following her mother's death. The world of Philadelphia, and her role of daughter of a doctor, is very different from a childhood spent in Siam. She lacks the freedom she had there.

There are secrets in her father's house -- including her father's two assistants, handsome Allan and cruel Edgar. Including her father's scientific experiments.

And there are the gruesome murders....

The Good: I'll be honest: I read Of Monsters and Madness about a year ago, when it first came out, enjoyed it, but just didn't get around to writing anything up.

Then I saw the movie Crimson Peak (review tomorrow) and began to wonder about possible read-a-likes for teens who may go see the movie and want a taste of Gothic horror and romance. And I remembered Of Monsters and Madness.

The setting, early nineteenth century Philadelphia, is wonderfully shown; Annabel is a strong young woman who has been raised away from her father and his family. She wants to connect with them and please them, but her desire for independence and to pursue studying is at odds with their perceptions of what a proper young lady is. Plus, Edgar Allen Poe as a hot young man!

And plus there are references / homages to works by Poe as well as other writers. So this can lead to wanting to read more Poe, and Robert Louis Stevenson, and Oscar Wilde.

Of Monsters and Madness was published by Egmont USA, which, sadly, no longer exists. So when I went to the author's website to write this post, I was very pleased to learn a few things: first, that it's available on Kindle; second, that for a limited time it is $1.99; and third, that Verday has included the sequel, Of Phantoms and Fury, in the Kindle edition so you are getting two books for one.






Amazon Affiliate. If you click from here to Amazon and buy something, I receive a percentage of the purchase price.

© Elizabeth Burns of A Chair, A Fireplace & A Tea Cozy

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17. The book or the movie? The Martian by Andy Weir or The Martian with Matt Damon?

The Martian by Andy Weir has a fabulous back story. Initially published chapter by chapter and made available for free on the author’s website, readers soon fell in love with the story. First, they asked him to make it available as an ebook, so they could enjoy it on their e-readers rather than having to read it […]

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18. Willful Machines: Review

When I saw Kirkus describe this book as “Gothic, gadget-y, gay” I knew I needed it in my hands as soon as humanly possible. I am happy to say it is all of those wonderful things. And while I didn’t quite love it, I did really, really enjoy this book. There’s so much to like! Yes, there  are wonderfully complex characters, killer robots, and the sweetest M/M romance. The writing beautifully evokes the brooding boarding school setting. This is a near-future sci-fi thriller with a touch of the dystopian. 16 year-old Lee is the closeted son of an ultra-conservative president who is both fiercely anti-gay and anti-robot. It’s unfortunate then, that Lee has a penchant for tinkering with mechanicals, too. The Human Values platform was created in response to an attack by Charlotte, an AI gone rogue, in which  Lee’s mother was murdered. Ever since, Charlotte has been using her... Read more »

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19. Review: The Long Way to a Small Angry Planet

I totally loved this book. This sucked me in from the opening sentence and still has not let me go. The moment I finished I started missing all the characters straight away and want to get back to this universes as quickly as possible. This is science fiction at its best; expansive, alien, full of […]

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20. Review: The End of All Things by John Scalzi

John Scalzi returns to the Old Man’s War universe for his next fantastic installment. Following on from The Human Division, which was told over thirteen episodes, this time Scalzi tells his story over four novellas and once again demonstrates his total mastery in whatever form or perspective he chooses to tell his stories. Have firming […]

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21. Aurora by Kim Stanley Robinson


To make Kim Stanley Robinson's Aurora make sense, I had to imagine a metafictional frame for it.

The novel tells the story of a generation starship sent in the year 2545 from the Solar System to Tau Ceti. It begins toward the end of the journey, as the ship approaches its destination and eventually sends a landing party to a planet they name Aurora. The narrator, we quickly learn, is the ship's artificial intelligence system, which for various reasons is learning to tell stories, a process that, among other things, helps it sort through and make sense of details. This conceit furthers Robinson's interest in exposition, an interest apparent at least since the Mars trilogy and explicit in 2312. As a writer, he seems most at home narrating scientific processes and describing the features of landscapes, which does not always lead to the most dynamic prose or storytelling, and he seems to have realized this and adjusted to make his writerly strengths into, if not his books' whole reason for being, then a meaningful feature of their structure. I didn't personally care for 2312 much, but I thought it brilliantly melded the aspirations of both Hugo Gernsback and John W. Campbell for science fiction in the way that it offered explicit, even pedagogical, passages of exposition with bits of adventure story and scientific romance.

What soon struck me while reading Aurora was that aside from the interstellar travel, it did not at all seem to be a novel about human beings more than 500 years in the future. The AI is said to be a quantum computer, and it is certainly beyond current computer technology, but it doesn't seem breathtakingly different from the bleeding edges of current technology. Medical knowledge seems mostly consistent with current medical knowledge, as does knowledge of most other scientific fields. People still wear eyeglasses, and their "wristbands" are smartwatches. Historical and cultural references are to things we know rather than to much of anything that's happened between 2015 and 2545 (or later — the ship's population seems to have developed no culture of their own). The English language is that of today. Social values are consistent with average bourgeois heterosexual American social values.

500 years is a lot of time. Think about the year 1515. Thomas More started writing Utopia, which would be published the next year. Martin Luther's 95 Theses were two years away. The rifle wouldn't be invented for five more years. Copernicus had just begun thinking about his heliocentric theory of the universe. The first iterations of the germ theory of disease were thirty years away. The births of Shakespeare and Galileo were 49 years in the future. Isaac Newton wouldn't be born until the middle of the next century.

Aurora offers nothing comparable to the changes in human life and knowledge from 1515 to 2015 except for the space ship. The world of the novel seems to have been put on pause from now till the launch of the ship.

How to make sense of this? That's where my metafictional frame comes in. One of the stories Aurora tells is the rise to consciousness of the AI narrator. Telling stories seems to be good for its processors. Much of the book is quite explicitly presented as a novel by the AI — an AI learning to write a novel. Of course, within the story, it's not a novel (a work of fiction) but rather a work of history. Still, as it makes clear, the shaping of historical material into a narrative has at least as much to do with fiction as it does with history.

It's easy to go one step further, then, and imagine that the "actual" history of the AI's world is outside the text. The text is what the AI has written. The text could be fiction.

It could, for instance, be a novel written by an AI that survived the near-future death of humanity, or at least the death of human civilization.

What if the "actual" year of the novel is not near the year 3000, but rather somewhere around 2050. Global warming, wars, famine, etc. could have reduced humanity to nearly nothing just at the moment computer technology advanced enough to bring about a quantum computer capable of developing consciousness and writing a novel. What sort of novel might an AI learn to write? Why not a story about a heroic AI saving a group of humans trapped on a generation ship? An AI that helps bring those humans home after their interstellar quest proves impossible. An AI that, in the end, sacrifices itself for the good of its people.

This helps explain the change of narrators, too. At the end of Book 6, the ship has returned the humans to Earth and then accelerates on toward the sun, where, we learn later, it burns up. Book 7 is a traditional third-person narrative. This is a jarring point of view shift if the AI actually burned up in the sun. (And how did its narrative get saved? There's some mention of the computer of the ferry to Earth having been able to copy the ship AI, though also mention that such a copy would be different from the original because of the nature of quantum computing.)

But if we assume that the AI narrator is still the narrator, then Book 7 is the triumph of the computer's storytelling, for Book 7 is the moment where the AI gets to disappear into the narration.

Wouldn't it be fun for an AI to speculate about all the possible technological developments over 500 years? Perhaps, but only if its goal was to write a speculative story. It might have a more immediate goal, one that would require a somewhat different story. It might be writing not to entertain or to offer scientific dreams, but to provide knowledge and caution for the few survivors of the crash of humanity.

Book 7 tells us to value the Earth, our only possible home. It shows a human being who has never been to Earth coming to it and learning how to love it. The moment is religious in its implications: the human being (our protagonist, Freya) is born again. Just as the AI is born again into the narration, so Freya is born into Earthbound humanity. There is hope, but the hope relies on living in harmony with the only possible planet for humans.

The descendants of the last remnants of humanity, scrambling for a reason to survive on a planet their ancestors battered and burned, might benefit from such a tale. (Also: One of the implicit messages of the story is: Trust the AI. The AI is your friend and savior.)

Viewed this way, Aurora coheres, and its speculative failures make sense. It is a tale imagined by a computer that has learned to tell stories, a cautionary fairy tale aimed perhaps at the few remaining people from a species that destroyed its only world.

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22. Space Dumplins by Craig Thompson, 320 pp, RL 4

Blankets by Craig Thompson was one of the first graphic novels I read. Over the course of a week, during lunch breaks while I worked at the bookstore, I consumed this 592 page adult graphic novel and was astounded at what a moving, intimate experience reading this book proved to be. Thompson followed up Blankets with Habibi, an epic story that begins with a nine-year-old girl being sold

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23. Seeker, by Arwen Elys Dayton | Book Review

It's delightful to slip into the complex and fully realized world where Seekers slice through time and space and unlock the mysteries of the universe.

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24. Lizard Radio: Review

Do you want to read a dystopian novel with a genderqueer protagonist who may or may not be part lizard? If this sounds like something you didn’t know you wanted, Lizard Radio is the book for you. It’s a hard book to describe. Our protagonist, Kivali – familiarly known as Lizard, was abandoned as a baby  (wrapped in a lizard t-shirt!). Lizard is adopted by Sheila, a human woman who becomes her foster mom and sends her, at the opening of the novel, to CropCamp. The novel takes off from there – CropCamp is all about teaching teenagers how to be good citizens of an oppressive totalitarian government; teens have to attend CropCamp or one of the many other strictly regimented government-run camps and, if they fail, risk being sent to Blight. At CropCamp, a camp focused on developing agricultural workers, group conformity is prized; state-sanctioned heterosexual relationships are supposed to emerge... Read more »

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25. Book Blog Tour: STORMDANCER by Joshua Pantalleresco...


The Storm is here...

About Stormdancer:

Days after the events featured in The Watcher, the Watcher is taken hostage by a dragon, leaving Kristen, Will and Nicki alone in a strange new world. With no choice but to try and rescue their friend, Kristen and the others must travel through ancient cities, forgotten burial grounds, and eventually into the heart of the great storm.

Faced with the unknown, will they be able to traverse the storms that stand before them as well as ones within their own hearts?


Book Details:

Title: Stormdancer (Sequel to The Watcher)

Author Name:  JoshuaPantalleresco

Genre(s): Poetry, Sci-Fi, Dystopian

Tags: Poetry, Epic, Dystopian, Post-Apocalyptic, science-fiction, dragons

Length: Approx. 104 pages

E-book:  978-0-9947490-4-8
Paperback:  978-0-9947490-3-1

Release Date: October 1, 2015

Publisher:  Mirror World Publishing (http://www.mirrorworldpublishing.com/)

Appropriate for all ages from Young Adult to Adult.

Follow the Tour to Read Exclusive Excerpts, Guest Posts, and Reviews:

http://saphsbookblog.blogspot.com/2015/09/blog-tour-schedule-stormdancer-sequel.html

Guest Post:Why Joshua Pantalleresco Writes

So before we begin, I want to thank Sharon for having me. She's secretly a unicorn, and that story will have to be told some other day, but she's a kind, sweet lady and it was a pleasure to be asked to come here and write. 

I am going to write about my books, why I wrote them, and the lessons you can learn from them.  Stormdancer is book two of the Watcher Saga. In it, the Watcher, the main character from book one is kidnapped leaving Kristin, Nicki, and Will to chase him down. The journey is improbable and fantastic and in my opinion the kind of magic a good story creates.

I want to talk about some of the themes of the story. In particular, dealing with grief and changes.  Because entering into this book, I was left in a quandry. The Watcher was the Watcher's story; about his journey to discovering who he was, and more importantly, what he wanted to be. This wasn't the Watcher's story anymore. It is the first line in book two. 

This is not my story anymore.

That was deliberate, conscious line that illustrated the problems I had starting book two. I wanted to flesh out the characters I introduced at the end of book one, yet I didn't want to lose the strong presence the Watcher had in book one.

So who were the three kids I rescued? I chose Kristin as the main character in book two. They had just gone through the loss of everything they knew. Kristin represented that tragedy. Losing a family.

It parallels my own story. Not that I lost my whole family, but my whole family situation collapsed at a very young age. My mom and dad fell apart and I remember that when I was younger it was like my fault. Why did two people I love have to do this? Why did things have to change? It messed me up. I tried to tell myself I was over this pain of not having this unit in my life. I ran away from home at one point because of the pain.

I was very fortunate. I had two teachers look after me. One of them a principal, and the other was my grade four teacher. I was her last class. We didn't make the greatest impression, but to my surprise, she was there for me when I least expected it.

That's Kristin in chapter three. She was happy in her life – it was all she knew. And that turmoil is expressed very much in all her actions for the first half of the book. She has become my favorite character to write in the saga so far. Watching her rise above her own stuff was a vicarious experience.

I had to learn at a young age that life was a struggle. A lot of kids have their childhoods end a lot sooner than maybe they should. I thought the three kids had been through hell, and it was just beginning.   Making them grow up happened to me.

The silver lining going through grief is that people come together. Family isn't just blood. It's the people you go through things with, that are there with you through thick and thin. Going back to the very beginning, it wasn't just the Watcher's story anymore. It was about the kids, and going through their own fires, and becoming closer for it.

So if you are a kid reading Sharon's blog, I hope this book teaches you to be brave. I'm not going to lie to you; life is hard. Chances are you have gone through some painful things and are probably stronger and braver than I was ever was. I'm not going to make you a promise that it'll get any easier. What I can tell you though, is that you can overcome. The big secret that most adults don't even know is that if you believe you can do it, you can. You are strong and powerful and can do anything.

But I'm also going to say that there are people who are there for you no matter what. People that believe in you. They will be there when you fall, and they will be there to help you rise. They are the people worth being with. 


Read an Excerpt:

STORMS WITHIN

he ran
disappearing into the night
leaving us all alone

we tried to follow him
but were unsure of the trees and trails
we went slowly

we knew something had happened
when we found his blades in the forest
blackened and alone

he had come
like a force of nature
wrecking our lives
in the name of freedom
freedom from what?

the hollow embers and ashes we found
I didn't build them
those ruins were his story
not mine
never mine

I...was happy
yeah, I was happy
is there something wrong with that?

my parents loved me
I didn't care about anything else

the dragons were bastards
but I understood the game
the moves that could be made

with one flick of a blade
he changed all that
shattered the illusion with a roar of rebellion

now my life is here
in this forest
now he had vanished into the night
leaving me abandoned

leaving everything in shambles!

Purchase Links:

Amazon
http://amzn.to/1jjBlnY

Mirror World Publishing
http://mirror-world-publishing.myshopify.com/products/stormdancer-e-book

Meet the Author:

Joshua Pantalleresco writes stuff. It's even on his business card. This is a succinct way of saying that in addition to writing poetry, he also does interviews, columns, comics, prose and anything possible with the written word. When he isn't writing, he's playing with podcasts, filming stuff, fiddling with alternative medicine, travelling, talking to people and pretending he is a rockstar. Stormdancer is his second book through Mirror World Publishing. He lives in Calgary.

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