Review by Meghann Title: Nil Unlocked Series: Nil #2Author: Lynne MatsonPublisher: Henry Holt and Co., an imprint of MacmillanGenre: Young Adult Fiction - Science Fiction, DystopianRelease Date: May 12, 2015Source: ARC provided by the publisher, opinions are honest and my own. On the island of Nil, the rules are set. You have exactly 365 days to escape—or you die. Rives is now theAdd a Comment
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Blog: Reading Teen (Login to Add to MyJacketFlap)
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From Becca THE MEMORY KEYby Liana LiuHardcover: 368 pagesPublisher: HarperTeen (March 3, 2015)Language: EnglishGoodreads | Amazon Lora Mint is determined not to forget. Though her mother's been dead for five years, Lora struggles to remember every detail about her—most important, the specific events that occurred the night she sped off in her car, never to return. But in a world ravaged byAdd a Comment
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by Andye TRACKEDby Jenny MartinAge Range: 12 and up Grade Level: 7 and upHardcover: 400 pagesPublisher: Dial Books (May 5, 2015)Goodreads | Amazon The Fast and the Furious gets a futuristic twist in this action-packed debut! On corporately controlled Castra, rally racing is a high-stakes game that seventeen-year-old Phoebe Van Zant knows all too well. Phee’s legendary racer fatherAdd a Comment
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Reviews by Andye RED QUEENRed Queen #1by Victoria AveyardHardcover: 400 pagesPublisher: HarperTeen (February 10, 2015)Language: EnglishGoodreads | Amazon Mare Barrow's world is divided by blood—those with common, Red blood serve the Silver- blooded elite, who are gifted with superhuman abilities. Mare is a Red, scraping by as a thief in a poor, rural village, until a twist of fate throws herAdd a Comment
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Folklore from Germany, Fairy Tales for the World
It was an era that began with the turmoil of the Napoleonic wars. The years that followed were marked by internal conflict and political disagreement.
Life was hard. Wealthy land owners and nobility controlled nearly all of the land. Most people were farmers, living in rural areas. Books were few and few people could read them. Serfdom kept many people poor.
This was the time of the cumbersome German Confederation, created by German princes to retain their control in a time of growing upheaval and conflict.
The shifting sands of power lay in 37 principalities and four cities. Uncertainty reigned.
Folklore and folk tales were an integral part of people's awareness. Forests played a major role in these stories. The forests were deep and often dangerous.
We know that stories -- folk tales -- were often told by country women when several
gathered together in a neighbor's farm home while sewing, weaving and cooking.This was their social life. Perhaps men told these stories in markets, or taverns, or around a campfire.
The stories that were told were collected by the Brothers Grimm and remain today the foundation of our children's fairy tale literature.
Next month, on February 24, we will see the publication in English of over 70 tales collected in Bavaria by a contempoary of the Grimm Brothers, Franz Xaver von Schönwerth. The Grimm's admired Schönwerth and his work.
The collection is now entitled The Turnip Princess, The book has been translated by Maria Tatar, author of many books on children's literature, blogger (Breezes from Wonderland), and chair of the Program on Folklore and Mythology at Harvard.
The painting is by Jean- Francois Millet. The bookcover is by Walter Crane; the translation from German is by Lucy Crane.
The Stories Never End
“It has generally been assumed that fairy tales were first created for children and are largely the domain of children. But nothing could be further from the truth.
From the very beginning, thousands of years ago, when tales were told to create communal bonds in face of the inexplicable forces of nature, to the present, when fairy tales are written and told to provide hope in a world seemingly on the brink of catastrophe, mature men and women have been the creators and cultivators of the fairy tale tradition...."
Inevitably they find their way into the forest. It is there that they lose and find themselves. It is there that they gain a sense of what is to be done. The forest is always large, immense, great and mysterious. No one ever gains power over the forest, but the forest posses the power to change lives and alter destinies....”
The illustration is by Arthur Rackham
The above quotations are by Jack Zipes, the author of many books on myths, folklore, and children's literature including The Brothers Grimm, From Enchanted Forests to the Modern World.
Recognized as a pioneer in the field of children's literature, Zipes latest publication is a translation of the first edition (1812-1815) of the The Original Folk and Fairy Tales of the Brothers Grimm (see the Guardian article below). The first edition (Volumes One and Two), of 156 tales, had previously never before been translated into English. By the time of the Grimm's final edition in 1857, "immense changes had taken place".
The original edition of the Grimm's fairy tales incorporated oral tales, legends, myths, fables and pagan beliefs. The book was intended for adult readers. This edition is illustratrd by Andrea Dezso.
Writer for the Guardian create leading edge articles on fairy tales, folklore, and children's literature. Philip Oltermann recently wrote about von Schoenwerth, The Turnip Princess and Maria Tartar. Alison Flood wrote about Jack Zipe's translation of the first edition of the Brothers Grimm fairy tales: The Original Folk and Fairy Tales of the Brothers Grimm.
Both of these books are major events in the world of folklore, fairy tales, and children's literature..
Illustration by Alexander Zwick
Here is an excerpt from Oltermann's article:Forgotten Fairytales Slay the Cinderella Stereotype...
The stash of stories compiled by the 19th-century folklorist Franz Xaver von Schönwerth – recently rediscovered in an archive in Regensburg and now to be published in English for the first time this spring – challenges preconceptions about many of the most commonly known fairytales...
Harvard academic Maria Tatar argues that they reveal the extent to which the most influential collectors of fairytales, the Brothers Grimm, often purged their stories of surreal and risque elements to make them more palatable for children.
“Here at last is a transformation that promises real change in our understanding of fairytale magic,” says Tatar, who has translated Schönwerth’s stories for a new Penguin edition called The Turnip Princess. “Suddenly we discover that the divide between passive princesses and dragon-slaying heroes may be little more than a figment of the Grimm imagination.”
Here is the headline from Alison Flood's article: Grimm Brothers’ Fairy Tales Have Blood and Horror Restored in New Translation....
The original stories, according to the academic (Zipes), are closer to the oral tradition, as well as being “more brusque, dynamic, and scintillating”. In his introduction to The Original Folk and Fairy Tales of the Brothers Grimm, in which Marina Warner says he has “redrawn the map we thought we knew”, and made the Grimms’ tales “wonderfully strange again”, Zipes writes that the originals “retain the pungent and naive flavour of the oral tradition”, and that they are “stunning narratives precisely because they are so blunt and unpretentious”, with the Grimms yet to add their “sentimental Christianity and puritanical ideology”.
The Frog King or Iron Henry...an Excerpt from the new Jack Zipes translation of the Brothers Grimm...
"The princess became terrified when she heard this, for she was afraid of the cold frog. She didn't dare to touch him, and now he was to lie in her bed next to her. She began to weep and didn't want to comply with his wishes at all. But the king became angry and ordered her to do what she had promised, or she'd be held in disgrace. Nothing helped. She had to do what her father wanted, but she was bitterly angry in her heart. So she picked up the frog with two fingers, carried him upstairs into her room, lay down in her bed, and instead of setting him down next to her, she threw him crash! against the wall. "Now you'll leave me in peace, you nasty frog!"
"The fairy tale is in a perpetual state of becoming and alteration. To keep to one version or one translation alone is to put a robin redbreast in a cage. A fairy tale is not a text..."- Author Phillip Pullman
Wonder Tale...An alternative term for “fairytale” is “wonder tale”, from the Germanwundermärchen, which catches a quality of the genre more eloquently than “fairytale” or “folk tale” because it acknowledges the defining activity of magic in the stories. The suspension of natural physical laws produces a heightened and impossible state of reality, which leads to wonder, astonishment, the ’ajaib(astonishing things) sought in Arabic literary ideas of fairytale... An excerpt from How Fairy Tales Grew Up, by Marina Warner, author, critic, in the Guardian
"31% of New York City youth are living in poverty - often facing challenges of inadequate housing, under-performing schools, violence and fractured families. Many kids see few possibilities for the future...
A Fair Shake for Youth partners with schools and community organizations to bring therapy dog teams to disadvantaged and vulnerable middle school-aged youth...The kids discover (the) social tools and build a view of themselves that enables them to envision greater possibilities for their lives...
Hands On and a Curriculum that Resonates
The Fair Shake program can be integrated into the school day, after school, weekend or summer camp programming. The ten-week curriculum includes hands-on work with the dogs and dog-related topics covered by speakers, demonstrations"...read more about this excellent, results-oriented program at Fair Shake
Video: See Fair Shake in action when Isabella and Samantha, two young girls, tell us, in their own words, of their experiences with the dogs and the Fair Shake for Youth program.
A Fair Shake for Youth has been the recipient of a grant from the Planet Dog Foundation
The following is by librarian Liz Burns, excerpted from her outstanding blog, A Chair, A Fireplace and a Tea Cozy
"I read for fun. Not for enlightenment, not to be a better person, not to learn about the universal human experience. I read to get scared, I read to fall in love, I read to feel less alone, I read for adventure, I read for so many reasons that all fall under.... because I want to.
And if that's why I read, why shouldn't that be OK for teens and kids?
Oh, I get that just like I have things to read with a purpose for work, they have things they have to read with a purpose for school.
But that's not the only way or reason to read. And, especially outside the school environment, reading for fun, rather than reading "because", should be championed.
It shouldn't be a guilty pleasure.
It should just be ... a pleasure."
A Chair, A Fireplace & A Tea Cozy was founded on April 2, 2005 with a welcome post that set forth a mission statement: to write about "story. Because it's all about story: the stories we tell, the ones we believe, the ones we read, the ones we watch. The ones we want to believe in; the ones we're afraid of. The stories we tell because we're afraid. While the majority of my posts are about children's and young adult books, I also write about television and film, sometimes adult books, as well as publishing and library news." - Liz Burns
In the photo by Susan Purser, Chase reads with his friend, therapy dog Rose
Aesop's Fables Never End
"No author has been so intimately and extensively associated with children's literature as Aesop. His fables have been accepted as the core of childhood reading and instruction since Plato, and they have found their place in political and social satire and moral teaching throughout medieval, Renaissance, and modern cultures...
...Fables have long ago escaped the confines of the nursery and the schoolroom. Their readerships have included parents as well as children, masters as well as slaves. rulers as well as subjects..."
Seth Lerer writing on Aesop's Fables and Their Afterlives in his book, Children's Literature, A Reader's History From Aesop to Harry Potter
Ann Staub, a former vet tech, caring person, mother, and blogger on Pawsitively Pets (dedicated to all things animal), wrote a touching account of finding a lost dog, and the sad aftermath. Here is an excertpt and link:
My hopes and dreams of a spectacular reunion were destroyed with what I learned next. The family member I was helping didn't want the dog back. He "wanted his friends to adopt her from where ever she was at"...
There would be no reunion between loyal dog and not-so-loyal owner. And I find it both depressing and infuriating.
I'm not an emotional person. I don't get teary-eyed over things that most people do. Perhaps this is one of the "strengths" that allowed me to become a good veterinary technician. This, however, made me cry.
This dog was adopted from the animal shelter about 3 years ago. After about a year, those people no longer wanted her so my family member took her in. Now, he no longer wants her so someone else will take her. How many more times will she face this same situation? Will she be thrown out like trash again when she's old and sick?...This is a good dog and she deserves so much better than this.
So I guess it's up to the people who know better to educate those who don't. If you have a friend or family member that wants to get a new pet, tell them that pets are a lifelong commitment. Ask them if they are prepared to care for that animal during the entire duration of their life.
Here is a link to read the entire article and see photos...Ann Staub
Stories Never End -- If You Can Read
World Read Aloud Day is coming this year on March 5, 2015
LitWorld celebrated World Read Aloud Day with disadvantaged children in over 75 countries last year..." motivating children, teens, and adults worldwide to celebrate the power of words and creating communities of readers...showing the world that the right to literacy belongs to all people."
The photo was taken in Suriname.
"Some of the best books being published today are children’s and young adult titles, well-written and engaging books that capture the imagination. Many of us can enjoy them as adults, but more importantly, can pass along our appreciation for books to the next generation by helping parents, teachers, librarians and others to find wonderful books, promote lifelong reading, and present literacy ideas." Here is a link to Kidlitosphere.
The illustration from Planet Of The Dogs is by Stella Mustanoja-McCarty
Our story begins long, long ago, before there were dogs on Planet Earth.
There was plenty of space in those days for people to settle and grow things. Many of the places where people lived were very beautiful. There were clear lakes and cool streams with lots of fish. There were fields and woods with game to hunt. And there were rolling hills and open plains with plants growing everywhere. Many people settled in these places of abundance and prospered.
And then, invaders came. Where once there had been harmony and friendship, there was now fear, anger, and unhappiness. Something had to be done -- but what could anybody do? No one knew it at that time, but help would come from the Planet of the Dogs.
Read Sample Chapters of the Planet Of The Dogs Series.
Librarians, teachers, bookstores...Order Planet Of The Dogs, Castle In The Mist, and Snow Valley Heroes, A Christmas Tale, through Ingram with a full professional discount.
Therapy reading dog owners, librarians and teachers with therapy reading dog programs -- you can write us at firstname.lastname@example.org and we will send you free reader copies from the Planet of the Dogs Series...Read Dog Books to Dogs...
The map of Green Vally and the illustration of Stone City are by Stella Mustanoja-McCarty
"Any one of these books would make for a delightful—and one would assume cherished—gift for any child. All three would be an amazing reading adventure." Darlene Arden, educator, dog expert, and author of Small Dogs Big Hearts.
A Master of Childhood Dreams...His Stories never End Miyazaki Wins Again, After 11 Animated Features
What makes his films so memorable — from the great ones, like “Spirited Away,” which is a coming-of-age tale, and the ecological fables “Princess Mononoke” and “Nausicaa of the Valley of the Wind,” to less profound but still captivating works like“Kiki’s Delivery Service” and the mesmerizing “My Neighbor Totoro” — is something that’s harder to label. You know it when you feel it: the mastery of tone and emotion, embodied in every gesture, expression, movement and setting, that give the films a watchfulness, a thoughtfulness, an unaffected gravity. To watch a Miyazaki movie is to remember what it was like to be a smart and curious child..."
The Hunger Games-Mockingjay Part One
This third episode of Hunger Games is relevant to disturbing real world events. Like like the to
earlier films it is entertaining . However, this episode has more substance as Andrew Lapin writes in his excellent and thoughtful review for NPR, "all of these images have resonance in real events of this year." The film has grossed over $700 million worldwide thus far and still drawing audiences. Here is an excerpt from his Andrew Lapin's review:
"When producers were laying track for the Hunger Games series years ago, they couldn't have foreseen how discomforting author Suzanne Collins' descriptions of a war-torn authoritarian state would look on the big screen in 2014. In The Hunger Games: Mockingjay - Part One, Jennifer Lawrence witnesses and/or learns of: towns reduced to rubble, refugee camps next to mass graves, public executions of innocents with burlap sacks over their heads, law enforcement gunning down protesters in the street, and a military bombing a hospital filled with civilians. All of these images have resonance in real events of this year, generations before Collins predicted civilization would devolve into a regime that maintains control over its citizens with televised death matches..."
Here is a link to this insightful review:Andrew Lapin's review for NPR
Into The Woods:
Fairy tales are combined in this Walt Disney adaptation of Stephen Sondheim's broadway musical hit...71% of the critics (Rotten Tomatoes) wrote favorable reviews. However, there were often reservations in the reviewer's responses.
Here is an insightful excerpt from Jerry Griswold's article on Maria Tartar's Breezes from Wonderland blog:
"It is rated PG. But kids watching the film in my local theater seemed dampened by the mopey second half. They laughed at the cleverness of the first act, as well known storybook characters crossed into each other’s stories and interacted; still, it should be said that when it comes to clever fairy-tale mash-ups, “Shrek” does it better. But as for the second act’s dreary sharing of existential facts (regarding mortality, adultery, etc.), all in the name of growing-up and becoming undeceived, well, kids aren’t big on Weltschmerz. And that’s because, as James Barrie complained in “Peter Pan,” the young are gay and heartless."
Here is a link to the trailer:Into The Woods
The Hobbit: Battle of the Five Armies
Peter Jackson has had enormous box office success with films inspired by Tolkien's Middle Earth books. It seems, however, that Tolkien's ideas have again been overcome by Jackson's computer generated violence. Here is the opening of Andrew O'Hehir's review in Salon...
"Presumably everyone now understands that Peter Jackson’s bloated “Hobbit” trilogy has only an arm’s-length, tangential relationship with the classic children’s novel that J.R.R. Tolkien first published in 1937, essentially launching the epic fantasy genre that now dominates so much of popular culture...
And here is an excerpt from Nicolas Rapold's review in the New York Times....
"What this adaptation of “The Hobbit” can’t avoid by its final installment is its predictability and hollow foundations. It’s been said before, but Mr. Jackson himself is still haunted by the past: For all the craft, there’s nothing here like the unity and force of “The Lord of the Rings,” which is positively steeped in mythology and features (wonder of wonders) rounder characterization than the scheduled revelations on display here..."
Here is a link to the trailer: Five Armies
Nancy Houser, has several posts on her Way Cool Dogs blog about puppies, from "Taming Puppy Aggresion" to "Wonderful Small Puppies for Children". Here is an excerpt and link from : 6 Incredible Reasons to Get a Rescue Puppy
"When you save a rescue puppy, you are saving its life. Many shelters have to put dogs to sleep because they can’t afford to keep them. When you decide to take a rescue animal home with you, you are giving it a second chance in life. Many rescue dogs used to have owners, but their owners treated them poorly or abandoned them. Pets deserve better than that. You have a chance to make a real difference to an animal’s life, and so you should take it..."
Read more: http://www.waycooldogs.com#ixzz3OW6latfA
I haven't seen The Giver (released in theaters last year) nor read Lois Lowry's YA book, The Giver (1993). However, it was favorably cited by Jerry Griswold, Director of the National Center for the Study of Children's Literature, and author of Feeling Like a Kid, Childhood and Children's Literature. Therefore, I did some research...
I found enough information on the internet to be intrigued. The Giver is a different take on a dystopian future; relying more on concept than violence. The trailer and descriptions/synopsis provide a provocative look at a different approach to dystopia, quite at variance from the strife ridden simplicity of YA films like Divergent and the Labyrinth.
The book of The Giver was well received as a young adult book, winning a Newberry Award in 1994 as well as awards from the ALA, the NEA, and the School Library Journal. It has sold over 10,000 copies. The film, however, didn't fare well at the box office and has already been released as a DVD. Here is the Film Critics Consensus according to Rotten Tomatoes: "Phillip Noyce directs The Giver with visual grace, but the movie doesn't dig deep enough into the classic source material's thought-provoking ideas."
Here is the trailer forThe Giver...
Empowerment for Animal Advocates in C.A. Wulff's Book
How to Change the World in Thirty Seconds, is empowering...it's the internet
made easy, the internet as a tool, the internet as a dog's best friend... a book and a way to make a difference... for dog lovers, animal advocates and anyone who wants to make the world a better place.
Here is an unedited Amazon review excerpt by Johanna:"This is probably the best "how-to" book I have ever seen. It is written in a very conversational manner while being extremely educational. Along with giving step-by-step instructions on how to use each advocacy tool, Cayr gives some background on each website, organization, and group, and explains how each is set up and how the different helping processes work. She walks you through the necessary steps and gives tips...
Rocket Boy, the dog in the photo by C.A. Wulff, one of her pack of rescued dogs.
YA Book Preview of The Motherless Child Project by Janie McQeen and Robin Karr.
I don't often discuss YA books. However, I have long admired Janie McQueen's previous Magic Bookshelf books and I am currently reading (report coming in my next blog) her poignant new book The Motherless Child Project.
Meanwhile, I am posting an excerpt from Midwest Book Review:
Jingles...a book, a toy, and dog rescue
The Story of Jingles is the first book in the newly launched Operation ResCUTE series. Each Book comes with a Stuffed Animal Set. And each purchase helps to rescue a dog!
Here's the review by C.A. Wulff in the Examiner...
"The book, authored by Jingles, is 24 pages long, with full color illustrations. It comes adorably packaged in a window box with a stuffed animal of Jingles and an “I am a ResCuter!” Operation ResCute sticker for the child. The second book in the series will feature a rescue dog named Tanner. Operation ResCute has a contest underway to find a third dog and his/her story.
Kids will love the book and the toy, and parents will love the message. Giving this as a gift will make you feel great, too, because 100% of the proceeds go directly to animal rescues."
The Hugging Bears (from the Guardian)
"Inspired by the delightful statue of two bears on display in Kensington Gardens in London, "The Hugging Bears" is the story of two bear cubs, Ruggley and Teddi, who live with their mother in the wintry wilderness. A sudden and violent encounter with humankind changes the cubs' lives forever.
Told with great simplicity and much heart by Carol Butcher, and featuring charming colour illustrations by Sue Turner, "The Hugging Bears" will be enjoyed by young children everywhere. The book also has a useful message about human's often unkind treatment of wild animals."
The profits from this book will go to the charity Happy Child International, which supports the street children of Brazil.
"Fences for Fido is a group of volunteers who get together to build fences for dogs in Oregon who are currently living out their lives on a chain. They do fundraisers and accept donations in order to make this work possible. On their facebook page, Fences for Fido share many inspirational photos and videos of the building process, and especially the happy dogs taking their first off-chain run in their brand new yard- always great! I love how this organization focuses on the positive aspects of what they are doing, and come from a non-judgmental approach. I believe these two things are the key to their success so far..."
The above information is from She Speaks Bark, Kaitlin Jenkins dog-loving blog. Kaitlin wrote about this being National Unchain a Dog month; as part of the article, she wrote about Fences for Fido. I, too, much admire the work they do, having previously written about them in this blog. Here is the link to read more of her excellent post about the wonderful work of Fences For Fido: KaitlinJenkins
When Library Time Means Screen Time
Blog: Reading Teen (Login to Add to MyJacketFlap)
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by Andye The Walled City UNABRIDGED By Ryan Graudin Narrated By Eugene Kim, Kim Mai Guest, Janet Song Length: 10 hrs and 28 mins Release Date: 11-04-14 Publisher: Hachette Audio Goodreads | Audible | Amazon 730. That's how many days I've been trapped.18. That's how many days I have left to find a way out. DAI, trying to escape a haunting past, traffics drugs for the most ruthless kingpinAdd a Comment
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by Becca THE JEWELby Amy EwingSeries: Jewel (Book 1)Hardcover: 368 pagesPublisher: HarperTeen (September 2, 2014)Goodreads | Amazon The Jewel means wealth, the Jewel means beauty—but for Violet, the Jewel means servitude. Born and raised in the Marsh, Violet finds herself living in the Jewel as a servant at the estate of the Duchess of the Lake. Addressed only by her number—#197—Violet isAdd a Comment
Blog: Becky's Book Reviews (Login to Add to MyJacketFlap)
JacketFlap tags: 2013, books reread in 2014, books reviewed in 2014, dystopia, review copy, YA Science Fiction, Add a tag
Why reread The 5th Wave? Well, I wanted to reread The 5th Wave before beginning the second book in the series, The Infinite Sea. Also, it made sense to reread it for the Sci-Fi Experience!!!
If you're considering reading it for yourself in the near future, you might want to skip this review. Not because I'm planning on including spoilers. I'm not. But because some books should just be experienced as they are--no expectations, no hype.
So what is it about? Alien invasion. Humanity's fight to survive. It's a sci-fi thriller. It's intense and action-packed. Yet not without heart and soul and substance. It's action-packed and emotional. (Not always easy to balance the two to every reader's satisfaction.)
What else should you expect? Well. It's told through multiple narrators. Cassie, "Zombie," and "Nugget" to name a few. Normally this tends to irritate me. But I actually really enjoyed it in The 5th Wave. Yes, it was a bit disconcerting the first transition or two. But overall, it adds to the suspense and tension. The novel is better because of it.
Choices. To trust or not to trust. That is what The 5th Wave is about. Human survivors forced into difficult situations. Should they trust any survivor they come across? Should they assume the worst, and kill before they can be killed. Kill without question, without thinking, no exceptions. Or should they risk their own lives by clinging to hope that their are other survivors out there--survivors that are very much still human? Misplaced trust could prove deadly after all. But becoming a killer robs you of who you were.
This is what the Others have done to us. You can't band together to fight without trust. And without trust, there was no hope. How do you rid the Earth of humans? Rid the humans of their humanity.© 2014 Becky Laney of Becky's Book Reviews Add a Comment
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JacketFlap tags: Planet of the Dogs, Puppy, Seth Lerer, Snow Valley Heroes, Sunbear Squad, Therapy dogs, Tolkien, Way Cool Dogs, Yelodoggie, Books, Children, Dogs, Film, Kids, A Christmas Carol, A Visit from St. Nicholas, Ann Staub, Beagle Freedom Project, Big Hero 6, Book of Life, CA Wulff, Castle in the Mist, Catching Fire, Childlitunjournal, Christmas, Circling the Waggins, Clement Clarke Moore, Disney, Divergent, Dog books, dystopia, Finding Fido, Frozen, Hobbit, Holiday, How to Change the World in 30 Seconds, Jerry Griswold, Kalevala, KidLitosphere, Kids Books, Kids Books Pawsitively Pets, Kids dog books, Kwanza, Library, Lit world, LitWorld, Malificent, Maria Tatar, Mockingjay1, NYPL, Paddington, PAL, Pet Partners, Planet Dog Foundation, Add a tag
Best Wishes To All
Holiday Dogs, Biscuit and Gravy, are courtesy of Richard Bradley's website, A Rock In My SHoe
Holiday Turning Point...
It was Charles Dicken's A Christmas Carol that transformed Christmas, first in Victorian England as the industrial age was barreling ahead, and then throughout Europe. Dicken's notion that the true Christmas spirit embodied caring and generouisity -- especially for those less fortunate -- influenced the thinking of multitudes and transformed the holiday.
The ancient orgins of Christmas and of Santa Claus have been traced to many cultures including Scandanavian (especially Danish), Germanic, Dutch and British.
The legend of Santa Claus, himself, was greatly enhanced by the poem A Visit from St Nicholas, written for his children, by the American, Clement Clarke Moore, in 1823.
Images by some of the great illustrators have deeply influenced perceptions of Santa and Chistmas. This is especially true for children. However, significant impressions in the minds of adults were also made by the Dicken's illustrations of John Leech (and later by Arthur Rackham) in Great Britain, and the yearly illustrations by Thomas Nast of A Visit From St Nicholas in the USA.
With the passing of time, the spirit of Christmas has changed. The idea of gifts for children, and then others, has evolved with stories, TV, films, merchants, and ceaseless marketing into an often overwhelming distortion of the original spirit of A Christmas Carol. But the spirit does live on.
A Christmas Carol
"Few works in the history of popular culture have had as much pronounced effect as Charles Dickens’s A Christmas Carol, first published in 1843. While Christmas Day had always been a sacred, solemn feast day within the Christian faith (just as the Winter Solstice had been in many pagan cultures before it), it wasn’t until the middle part of the 1800s that many began to see it less as a site of religious devotion than as a holiday to be celebrated, and to be celebrated most specifically through the act of giving. While A Christmas Carol didn’t spawn this tradition itself, it, more than any other force, popularized it throughout the western world. Through its powerful, secular story of redemption through charity and love, Dickens imparted to all that Christmas was a time to celebrate all that was worthwhile about the human race, most specifically our love for one another, and our compassion for those less fortunate."...
To read the rest of this excellent article by Jonathan Morris, the Antiscribe, follow this link It will take you to his comprehensive and instghtful article on the significance and lasting
impact of Charles Dicken's and A Christmas Carol. Morris also provides, in this article, informed reviews of multiple film and TV versions of A Christmas Carol through the years; he includes photos and video links.
This link will enable you to download/read the original version of A Christmas Carol by Charles Dickens"
This link will take you to the 1971 Annimated version of A Christmas Carol produced by Chuck Jones, directed by Richard Williams, and with the voice of Alister Sim as Ebeneezer Scrooge. This is a classic and a favorite of Jonathan Morris: Annimated Christmas Carol
The top two illustrations on the left are by John leech. The illustration, on the right, is by Thomas Nast. The illustrator of the bottom left Christmas scene is unknown.
"I don't know what to do.' cried Scrooge, laughing and crying in the same breath; and making a perfect Laocoon of himself with his stockings. `I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody. A happy New Year to all the world. Hallo here. Whoop. Hallo.' "--
A Christmas Carol, Charles Dickens
A Foxwoods Holiday Celebration
This wonderful illustration is by Brian Fox-Patterson for a series of children's books by Brian and his wife, Cynthia. To see more of his delightful illustrations, visit Foxwood Tales Illustrations.
"Their first story was published in 1985, and seven more followed. Since then the series of eight children's books have become modern classics. Over 1.3 million copies have been sold across 18 countries." (Wikipedia)
For summaries of six of the books, visit loveReading4Kids. A compilation of four of the Tales can be found in the book, A Foxwood Treasury.
I discovered the Foxwood Tales through the illustrations. I haven't read the books, but I wanted to share the superb illustrations.
Kwanzaa- A Holiday Celebration
"The year 2014 will see the 48th annual Kwanzaa, the African American holiday celebrated from December 26 to January 1. It is estimated that some 18 million African Americans take part in Kwanzaa.
Kwanzaa is not a religious holiday, nor is it meant to replace Christmas. It was created by Dr. Maulana "Ron" Karenga, a professor of Black Studies, in 1966. At this time of great social change for African Americans, Karenga sought to design a celebration that would honor the values of ancient African cultures and inspire African Americans who were working for progress.
Kwanzaa is based on the year-end harvest festivals that have taken place throughout Africa for thousands of years."...Kwanzaa ends with a feast and gift giving... Holidays are forever
“One can never have enough socks," said Dumbledore. "Another Christmas has come and gone and I didn't get a single pair. People will insist on giving me books.”
― J.K. Rowling, Harry Potter and the Sorcerer's Stone
The Spirit of Christmas Embodied in a Therapy Dog
This is about Susan and Rose. That's Rose in the photos. It is also about the thousands of therapy dogs bringing unconditional love to young and old. Susan Purser is a retired teacher and has been working for several years with Rose in schools , hospitals, nursing homes and hospices. These are Susan's comments about working with Rose.
“I consider myself a facilitator…if my dog could drive, she would not need me. Rose seems to enjoy seeing people multiple times and developing a relationship with the people… She is a working dog by nature and she just loves these jobs. I am constantly amazed at the doors that Rose opens…she goes to places I could never get without her…reaches beyond my reach, touches a person deeper than my touch. The restless or agitated patient who is calmed by Rose’s touch...the child in the classroom who won’t settle down and get to work but when Rose sits by them, they quiet right down and the hyperactivity seems to dissipate. The child getting excited about reading to Rose every week; they wouldn’t do that for me, but they do it for Rose...
It is their touch or look that gives people that inner peace when their world is shrinking or spinning so fast they have lost control. When doors begin the final closing, there is that one last smile, nod, a hand that reaches for a dog that allows some of them to say good bye and close their eyes in peace.”
The photos of Rose are courtesy of Susan Purser.
Here is a joyous video from Litworld, celebrating the joy of reading, the joy of being somebody, the joy of hope. LitWorld gives the gift of reading to disadvantaged and at-risk children around the world...and they do this not only during the Christmas season, but throughout the year!
LitWorld supports hopes, possibilities and lives in fourteen countries around the world! This link will take you to an interactive map of where Litworld works, from Columbia to India and from Kosovo to California. Interactive Map.
Interview With Santa
Interviewer: Thanks for taking the time to answer our questions and clarifying things.
Santa: I’m happy that the story is finally coming out.
Interviewer: Is it a true story?
Interviewer: Why haven’t we known about it before?
Santa: I think it was lost in the mists of time…It took place hundreds and hundreds of years ago.
Santa: I’m sorry to say that it’s true. Until the dogs arrived.
Interviewer: The dogs?
Santa: It was a surprise to all of us in Santa Claus village. None of us, and that includes all the elves,had even heard of dogs.
Interviewer: Is that because you were so far North and rather isolated?
Santa: Well, that and the fact that dogs has just started arriving on planet earth. Prior to that time, there had been no dogs on Earth.
Interviewer: Really! Where did they come from? And how did they find you?
Santa: They had started coming down from their own planet – the Planet of the Dogs. They came down to help people. Somehow, they had heard we were in trouble, and one day, there they were, just like that...
To read all of the Interview With Santa, click this link: Interview with Santa
The illustrations from Snow Valley Heroes, A Christmas Tale, are by Stella Mustanoja McCarty
Free copies of Snow Valley Heroes, a Christmas Tale; Planet Of The Dogs; and Castle In The Mist are available for therapy dog owners and organizations, as well as librarians and teachers with therapy reading dog programs. Simply email us at email@example.com with your postal address.
All of the Planet Of The Dogs series of books are available through your favorite independent bookstore and online through Barnes&Noble, Amazon, and many other sources.
Here is a link to sample chapters of Snow Valley Heroes
We're on Holiday...The Beagle Freedom Project found us a new home after life in a cage as a test animal....wow!
"The Beagle Freedom Project is a mission to rescue beagles used in animal experimentation in research laboratories and give them a chance at life in a loving forever home."
This wonderful organization has several excellent, touching, videos and clear, basic information: The Beagle Freedom project
"Then the Grinch thought of something he hadn't before! What if Christmas, he thought, doesn't come from a store. What if Christmas...perhaps...means a little bit more!"
―Dr Seuss, How The Grinch Stole Christmas
"Finding Fido is a book that we believe each and every PetParent should not only read, but own. Finding Fido is a PetParent’s guide to: preventing the loss of their pets in the first place & also serves as a guide to PetParents for essential steps to recovering their pets if they ever are lost. If you’re a first time Pet Parent or a long time, seasoned Pet Parent, there are tips and tricks in here that will be helpful to you!...
As great as this book truly is, we’ve got one detail to share that completely sweetens the pot…the cherry on top if you will. All proceeds from the sale of Finding Fido are donated toward the Beagle Freedom Project " Kaitlin Jenkins- PetParent The cover design and content are by author and dog advocate C.A. Wulff
Holiday Season at the Movies
Fun stories.fantasy and imaginative annimation characterize the holiday movies for children...while dystopia, conflict and bloodshed continue to pour out of YA films.
My hope is that children will see the films intended for them, and stay away from the violence of current YA movies, designed, as Christopher Tolkien says below, as action movies for young people 15 to 25.
JRR Tolkien's son, Christopher, believes that the quest for commercial success by Peter Jackson and the movie industry has destoyed the essence of what his father wrote about the world of Middle Earth in the Hobbit books. Here are excerpts from a post regarding Christopher Tolkien's deep disappointment that appeared on Worldcrunch. The quotes by Tolkien are from an interview he gave to le Monde.
"Invited to meet Peter Jackson, the Tolkien family preferred not to. Why? 'They eviscerated the book by making it an action movie for young people aged 15 to 25,' Christopher says regretfully. 'And it seems that The Hobbit will be the same kind of film.'..
This divorce has been systematically driven by the logic of Hollywood. 'Tolkien has become a monster, devoured by his own popularity and absorbed into the absurdity of our time,' Christopher Tolkien observes sadly. 'The chasm between the beauty and seriousness of the work, and what it has become, has overwhelmed me. The commercialization has reduced the aesthetic and philosophical impact of the creation to nothing' "....
Read the full article on Worldcrunch: My Father's "Eviscerated" Work - Son Of Hobbit Scribe J.R.R. Tolkien Finally Speaks Out
The illustration,"Bilbo comes to the Huts of the Raftelves, is by JRR Tolkien.
The Hobbit, Battle of the Five Armies, opens Dec 17. Here is a link to the trailer: Five Armies:
The Hunger Games: Mockingjay1
The story of the Hunger Games continues through the Holiday Season and beyond, with Mockingjay 1. It opened in late November and is off to becoming another huge financial success. Audiences seem to like the film despite the fact that many critics were dissapointed.
Here is an excerpt from the review in the Atlantic by Christopher Orr entitled, Hunger Games: Mockingjay1, Darker, More Relentles than Ever.
"Is the film a bit baggy in places? Sure. Might it have been better if they’d squeezed the whole book into one movie? Probably. Nonetheless, Mockingjay Part 1 is a fine entertainment, shot through with moments of surprising emotional impact."
Here is a link to the Mockingjay1 trailer.
The Dystopian Formula
The dystopian story appears to be a theme for success in today's YA film market. In reviewing The Maze Runner, Jack Cole wrote that The Maze Runner doesn't separate itself from its YA dystopian bretheren. Here is the headline and an excerpt from Cole's insightful review:In 'The Maze Runner,' the maze itself is a letdown and the film presents boring explanations to the plot's mysteries. By Jake Coyle, Associated Press.
Has a cottage industry ever sprung up as fast as the YA land rush brought on by "Twilight" and "The Hunger Games"? I'd like to use a mortal instrument to put an ender to this game. Please, giver me a break.
But to be fair, there isn't anything inherently wrong with "The Maze Runner," directed by special effects-veteran Wes Ball. It's just that it does so little to find its own path separate from its dystopia brethren. All of the recent young-adult formulas are adhered to here: the teenage rebellion against tradition, the coming-of-age metaphors, the heavy sequel-baiting.
Here is a link to the trailer for The Maze Runner. The film has grossed over one hundred million dollars and continues to play. It was not expensive to produce. There will be a sequel.
Movie Violence and Children...
I believe that films with relentless violence, surround sound, fearful images and often in 3-D, will disturb children. How many children, twelve and under, are seeing the current crop of violent dyustopian films?
I presume the producers of these films, and to a lesser extent, the writers of the book series on which they are based, see violence as an important aspect of marketing and audience appeal.
Perhaps, many young adult viewers, after watching the Hunger Games, are more appreciative of the world they live in and of the fact that they are not one of the 25 million refugee children across the world.
After reading Jerry Griswold's enthusiastic comments about The Giver in the Unjournal of Children's Literature, I decided to research the movie and write about it. The film was based on a controversial, but well received book by Lois Lowry.The book was published in 1993 and the movie was released in July, 2014. The Giver had a different take on dystopia and the use of violence.
I have now decided to see the movie before writing further about The Giver. To be continued...
Into The Woods
Into the Woods, which seems to be a Disney family film for children, YA, and parents, is now opening on Christmas Day, 2014. The film's slogan, "Be careful what you wish for", relates to the witch, a central character, played by Meryl Streep. Music by Stephen Sondheim, adds to the story, as it did in the original long running Broadway production.
In the story, the witch uses her magical powers to teach lessons in living to Little Red Riding Hood, Cinderella, Rapunzel and Jack and the Beanstalk. The original production was a big hit with audiences.
Here is a link to the trailer for Into the Woods.
Opens Dec 18... Annie, a family movie, is based on the hit Broadway musical. The cast includes Jamie Fox, Quvenzhane Wallis and Cameron Diaz...Here is a summary from IMDB where you will also find more information, photos and trailers.
Annie looks joyous and entertaining in the trailer preview.
"Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change..."
Holiday Children's Movies Galore
Here are three more kid's films that look good in their trailers and have been generally well received by reviewers. I have previously posted good notices for the following recently opened movies: Box Trolls, Book of Life, and Hero of Color City --
Big Hero 6
Critics Consensus from Rotten Tomatoes : "Agreeably entertaining and brilliantly animated, Big Hero 6 is briskly-paced, action-packed, and often touching." In 3D. Now Playing. Box office: 200 million thus far. Here is the trailer for Big Hero 6 ...Looks like fun.
A Holiday treat, and a wonder to behold, the moving lights are on hundreds of sheep, running in the darkness, guided by sheepdogs...this is a classic video...Moving Lights
From Rescue to Reading...A Holiday Salute
Through the years, they have given over one million dollars; in 2014, alone, they have given over one hundred thousand dollars.
For more information, here is a link to the Planet Dog website
The photo is from Brigadoon Youth and Service Dog Programs in Bellingham,WA
Circling The Waggins at Christmas
Here is an an excerpt from the doglover's book, Circling the Waggins, by CA Wulff. The dogs seen in the ebook cover (below) are the current residents of the cabin in the woods wherein this saga of a life with rescued dogs takes place.
"I feel like we are haunted by the ghost dog of Christmas past. The season brings a million reminders of our Troll, a dog who had loved Christmas more than any other time of year. He would get excited at the first signs of holiday decorations, and his eyes would shine with a child’s wonder. On Christmas morning, he would race to be the first dog under the tree, to tear at the packages full of biscuits and rawhides. Each of the dogs would tear at a package, but Troll unwrapped with such gusto and fervor, that they would all abandon their presents to stand back and watch him, and then make off with whatever treats he had revealed."
CA Wullf also created the cover for her book.
Way Cool Dogs On Finding a Puppy That's Good for Kids
Choosing the right puppy is a critical decision...here is an excerpt from a helpful article on Way Cool Dogs.
"How do you choose a puppy that is good for your children? It is a question every parent should ask before deciding to adopt one of the small puppy breeds for their child. Toy puppies can make great companions for kids if they are chosen properly, and the child is trained to handle small puppies properly. And to be fair, a child is the only one who can keep up with the boost of energy that puppies seem to be born with!
The good news is that you have a variety of small puppy breeds to choose from: mini Yorkies, Maltese, Havanese, Cavalier King Charles Spaniel and many others. Smaller dogs seem to be less intimidating around children. If the puppies are small, it doesn’t mean that they can’t be aggressive with children. You just need to be careful when choosing a perfect small puppy for your home...
The illustration, from Planet Of The Dogs, is by Stella Mustanoja McCarty
Sunbear Squad guides good hearted people like those who sent Sunbear this post....
Are you ready for a sweet Christmas story about a little lost doggy? We were walking our two dogs a few days ago and saw a little scared pup that looked like a Shitzu/Llasa Apso mix. He was limping, his hair was shaved, he had no collar. We scooped the little guy up and brought him home with us. We drove to Petco and Petsmart to ask if they recognized him. No one did. So we had him scanned to see if he was microchipped. He wasn't. So we listed the little fella on Craigslist and a lost and found pup website also. No luck. We called around to a few vet clinics in our area ... to no avail. So we took care of this little lost boy in our home for a few days.
We named the little guy Buddy. He was so sweet. He stayed with us and my two little dogs who played and slept and ate along with him. He seemed to limp a little less as the days went by. We wondered how his life was before he met us. We wondered if he was limping because he may have been a caged dog used for breeding because he was not neutered. We wondered if he came from a loving home or an abusive home. We were getting worried after our fourth day of loving on the little guy...
Here is the link to read the complete post on Sunbear Christmas Rescue.
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Blog: Reading Teen (Login to Add to MyJacketFlap)
JacketFlap tags: 4 Pieces, Becca's Reviews, Dystopia, Historical Fiction, YA, Add a tag
by Becca THE WALLED CITYby Ryan GraudinHardcover: 448 pagesPublisher: Little, Brown Books for Young Readers (November 4, 2014)Language: EnglishGoodreads | Amazon 730. That's how many days I've been trapped.18. That's how many days I have left to find a way out. DAI, trying to escape a haunting past, traffics drugs for the most ruthless kingpin in the Walled City. But in order to find the keyAdd a Comment
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Review by Becca CAPTIVEby Aimee Carter Series: The Blackcoat Rebellion (Book 2)Hardcover: 304 pagesPublisher: Harlequin HQN (November 25, 2014)Language: EnglishGoodreads | Amazon The truth can set her free For the past two months, Kitty Doe's life has been a lie. Forced to impersonate Lila Hart, the Prime Minister's niece, in a hostile meritocracy on the verge of revolution, Kitty seesAdd a Comment
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Review by Andye THE BOOK OF IVYThe Book of Ivy #1by Amy EngelAge Range: 12 - 18 yearsGrade Level: 7 - 12 Audiobook Publisher: Random House AudioPublisher: Entangled: Teen (November 11, 2014) Goodreads | Amazon | Audiobook What would you kill for? After a brutal nuclear war, the United States was left decimated. A small group of survivors eventually banded together, but only after moreAdd a Comment
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HOW TO WRITE A DYSTOPIAN YOUNG ADULT NOVEL (or short story)
- Strive to know nothing about the real lives and histories of Native peoples. Knowing is counterproductive and can be used against you if you accidentally let something real slip in. Do not do any research at all.That way, your tribe will be a genuine object of your invention, and no one will be able to accuse you of cultural appropriation.
- Invent a tribe. Give it a name that sounds kind of sort of like an Indian word. Or forget it—don’t give your tribe an actual name. Rather, refer to your tribe in a way that relates to a well-known stereotype. “People of Chance,” as an example, works well, because it will remind readers of casinos and how wealthy Indian people are. If you’re a little unsure, feel free to work in a backstory about gaming and skilled tribal lawyers.
- Write as though your invented tribe is just like any other transplanted culture with the exception of periodic decorative localized mythology. There should be no long memory stories of things that have happened where your tribe lives. Rather, for instance, you might go on and on about your tribe’s ostentatious show of material wealth—curbs that “gleam with gold,” an abundance of luxury cars, “gold plaques embedded in the adobe walls” and everyone wearing business suits “finer than the best designer fashions.”
- Assign at least some of your tribal characters names that sound vaguely “Indian.” To do that, make sure that the names contain lots of vowels; something like “Chowilawu” might be a good example. Don’t worry that someone might think the names of your Indian characters mean something. They don’t have to—they’re Indian.
- Describe your tribal characters as having small but important Indian mannerisms. For example, make sure that at least one of your Indian characters sits cross-legged on an animal skin. That will remind readers of the good times in kindergarten when they were instructed to sit “Indian style” for long periods of time.
- Make sure that the main character (preferably white and male) bonds with a member of your invented culture. Your Indian character need not be developed in any sense, because his only purpose is to teach your main character a major life lesson, after which he expires or goes back to whatever mystical land he comes from. Feel free to use this Native mentor in the style of any of the old tropes: Black nanny, Asian martial arts master, or supernaturally animated Indian doll who lives in a cupboard.
- Create new racial slurs to take the place of discredited old ones. “Redskins,” for instance, would be totally last century for a dystopian story. Try something like “slot monger,” or something else that you can make sound vaguely sexual, yet have a backstory that creates deniability.
- Put the power in the hands of your invented culture. Make sure that some of the members of your tribe express xenophobic opinions, such as referring to other tribes as “Low-Rez.” This will make the point that xenophobia is logical when it exists in empowered communities.
- Because there is no cultural attribution, feel free to use whatever stereotype or debunked expectation you may envision. It’s totally appropriate in this case to evoke offensively weird stories as long as you don’t name your tribe. For instance, you can have characters in your tribe hunting for a male mountain lion in order to transplant his heart into a dying Native elder for whom this animal is his “spirit guide.”
- Make sure to work in tropes that are pseudo-spiritual-cultural givens for your tribe: spirit animals and vision quests, for instance. And, above all, make sure that your main Native character, despite—or because of—his otherworldly psychic gifts, gets killed off.
- Now, take out your checklist. Invented tribe—check. No real reference to land, language, culture, community–check. No history or memory stories—check. No Indigenous meaning to names or anything else—check. Stereotypical mannerisms—check. Trope-type mentor—check. New racial slur to replace old ones—check. Xenophobic power—check. Offensively weird rituals—check. More tropes—check. Main Native character gets killed off—check.
- Done! Now sit back and collect your starred reviews for creating a multicultural dystopian novel with mystical Indian characters whose only raison d’etre is to interact with a white hero in a mentor role worthy of inclusion in a 1950s flick.
- On the off chance that you are criticized for inaccuracy, cultural appropriation, racism, or just plain abysmal writing, make sure to respond immediately—preferably with a vague reference to political correctness, reverse racism and/or the humorless nature of the critic. Mention how sensitive you tried to be. Use the phrase “considered carefully” to insure that everyone understands how hard you worked at appropriate representation. You can always fall back on the fact that you invented your tribe and therefore are immune to criticism, but it is worth trying to put the reviewer on the defensive—especially if the reviewer happens to be Native and has worked in the area of American Indians in children’s literature for many years.
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Is Middle Earth the past?
Is Panem modeled after ruthless dictatorships of the past?
Is the harsh world of the Grimm's more than a reflection of the past?
Does children's literature, in books and movies, bring the past into the present?
Can childhood stories open the doors of the mind to the present -- and the future?
High Stakes of YA Dystopia.
In earlier eras, there were adult works of literature set in dystopian milieus... they includeThe Trial, Brave New World, Animal Farm, 1984, Childhood's End, The Quiet Ameriican, The Naked and the Dead, A Rumor of War, The Unbearable Lightness of Being, Farenheit 451, All Quiet On the Western Front, The Spy Who Came In From The Cold and many more.
To one degree or another, these books are classics. And like children's and young adult (YA) books of our current era, many were reinvented as theatre and movies.
Today, we seem to have a run of dystopian-centered books and films for young adults (YA). Many are in the form of a series and are followed by films -- also in series. The books, although some may be well written, do not pretend to be literature. Rather, the books, like the films, seem primarily designed to be popular and succeed in the marketplace.
Crossover. I don't know if the term YA, and the definition (12-18 year olds) came from marketeers or librarians, or both. I do know that the lines have been blurred, with children and adults both crossing over into the realm of YA.
I doubt that there will be clear lines in the future. The finacial stakes are too high. YA books and movies are a multi -billion dollar business.
Personally, I don't care if adults read YA books. Hopefully, they do so with discernment.
I do care about the amount of over-the-top violence that children are subjected to in YA movies.
For any child, there is a huge difference in the impact found in the brief mention of Gretel pushing the murderous witch into the oven, when compared to the long, unrelenting, realistic, hardcore violence (supported by thunderous sound and music) of the Ring movies.
Hopefully, Alice In Wonderland, Winnie-the-Pooh, Snow White, His Dark Materials, Tales from the Brothers Grimm, and other classics -- themselves often fraught with danger, fear, and violent events -- will continue as the main source for bringing the past -- or the future -- into Children's minds.
Dystopia and the Grimms
The world of the Grimm's fairy tales is filled with fearful events, dark forests, curses by evil witches, and cruelty -- dystopia, but always relieved by magic, marvels, courage, beauty and happy endings...
"The unsparing savegry of stories like the Robber Bridegroom is a sharp reminder that fairy tales belong to the childhood of culture as much as the culture of childhood...they capture anxieties and fantasies that have deep roots in childhood experience"- Maria Tatar,The Grimm Reader: Classic Tales of the Brothers Grimm.
"It is worth noting that the lives of all people in the land of the Grimm's was in was in constant turmoil and change during the time that the Grimm's collected, wrote, and published their books." - Seth Lerer, Children's Literature, A Reader's History from Aesop to Harry Potter.
The illustration from The Robber Bridegroom is by John B. Gruelle
"'Well, dear little children. How in the world did you get here? Just come right in, and you can stay with me. You will come to no harm in my house.' She took them by the hand and led them into her house...The old woman had only pretended to be kind." - Hansel and Gretel meet the Wicked Witch
"For children in their most impressionable years, there is in fantasy, the highest of stimulating and educational powers." -Arthur Rackham
Kaitlin Jenkin's has two blogs, She Speaks Bark and Pet Parent. Kaitlin has a background of working in many dog related jobs, including foster care and 7 years as a shelter worker. She has two adopted dogs (seen on the left), Bear and Scooter. She recently wrote an excellent and informative review of C.A. Wulff and A.A. Weddle's book for dog owners, Finding Fido. Here are excerpts...
"The thought of Bear or Scooter going missing, or being stolen is one that I don’t let my mind entertain. To say I’d be devastated doesn’t even begin to cover it, and I know you all feel the same about your pets! Would you know what to do if your pet suddenly went missing? Where to begin? What to do first?
Finding Fido is essentially a Pet Parent’s guide to preventing the loss of a pet, as well as a guide on
exactly what steps to take should that awful moment ever happen to you. Authors C.A Wulff and A.A. Weddle are the administrators of the Lost & Found Ohio Pets service and they collaborated on this helpful guide in order to address the sad reality of so many lost pets in America....
If our pets were to become lost, it would be absolutely devastating. We may not even be able to think logically in order to act effectively to work towards their return. That’s why this book is great- it’s literally a step by step guide to finding your lost pet. Full of resources for Pet Parents to utilize, and all at the turn of a page.
... I think that Finding Fido is a great read for all Pet Parents and pet lovers. If you’re a first time Pet Parent or a long time, seasoned Pet Parent, there are tips and tricks in here that will be helpful to you! Everyone should read the sections entitled ‘Before You Lose A Pet‘" ...
Adults Continue to Cross the Borders of Imagination Into Y.A.
As part of a post that I wrote in our September blog about the trend of adults reading Y.A. books, I quoted journalist (Atlantic, Wall Street Journal, Boston Globe) Ruth Graham's article in Slate with this headline: "Read whatever you want. But you should be embarrassed when what you're reading was written for children."
Graham's article provoked substantial controversy including a very thoughtful rebuttal, in Hairpin, by journalist and author(Save The Date ) Jen Doll: The Trouble With Reader-Shaming: A Y.A.Book List
Here are excerpts from Jen Doll's rebuttal:
"The great debate over whether grownups should read young adult literature—and further, what the nature of reading should be—has come up again, thanks to a piece in Slate telling adults they should feel ashamed about reading books for kids...
"What the piece itself rails against—that Y.A. offers pat, easy or at the very least "satisfying" solutions aimed at kids and doesn’t make adults think—could be said for the very type of internet writing it embodies. Here, precisely, is how you should feel, it says. Here are the answers, tied up in a bow: You be embarrassed for wasting your time reading Y.A., because Y.A. is not for adults, and you should be reading something appropriate to your age. It is easy and not challenging. You should not be "substituting maudlin teen dramas for the complexity of great adult literature." This is an argument that speaks from a place of truth and rightness, or at least, intends to; there is little room for nuance.
Yet, nuance persists. There are many, many factors that go into what makes something complex, great, or "appropriate to one's age," and most of all this depends on who is reading it—not based in age, because age categorizations do not always match prescribed reading levels; just ask any kid sneaking illicit tomes off her parents' bookshelf because all "her" books have already been devoured—but based in who that person is, what they want, and what they bring to the table..."
Update: Jen Doll is now writing a column of YA book reviews for the venerable New York Times: "Y.A. Crossover". The Times they are a changing. Congratulations, Jen Doll.
The Photo is of Ms Doll. The two books pictured are from Ms Doll's Y.A. Book List.
KidLitosphere is the best source that I have found for locating children's literature blogs. KidLitosphere has helped many readers find their way to these pages. Here is an excerpt form their home page..."Some of the best books being published today are children’s and young adult titles, well-written and engaging books that capture the imagination. Many of us can enjoy them as adults, but more importantly, can pass along our appreciation for books to the next generation by helping parents, teachers, librarians and others to find wonderful books, promote lifelong reading, and present literacy ideas."
Geno is retiring. An 8 year old German Shepherd, Geno is highly regarded by the Kane County Sheriff's Office for his loyalty, courage and intelligence. Here are excerpts from his bio as posted by the Sheriff's Office:
"Geno has served with the KCSO since 2009. Deputy Bill Gatske, Geno’s handler, has served with the KCSO for 15 years and Geno will continue to live with Gatske and his family in retirement. Over his career, Geno has... performed numerous dignitary and presidential protective sweeps and participated in sweeps before games at Soldier Field in Chicago along with conducting countless explosive detection searches, suspect apprehensions and missing person searches.
Geno may be most remembered, though, for his appearances with local area children where he taught the value of policing and reinforced the fact that law enforcement officers exists to serve their community"...
The cost of replacing Gino with his special skills in explosives detection, tracking, missing person searches, and more is very expensive. Once again, Planet Dog Foundation is providing support for a service dog. They have come together with the Spirit of Blue Foundation to award the Kane County Sherrif’s Office a $12,500 grant to acquire and train a new explosives detection K9 to replace the very special Geno.
The Planet Dog Foundation has awarded over a million dollars in funding to support dogs helping people in need.
“We dogs are happy and help each other because love is the most important part of our lives. When you give love,” she said, “You bring out love in others. If we come to Planet Earth, and people spend time with us, there will be fewer lonely people and more happy people.”
- Miss Merrie, Queen of the Dogs
“But Mole stood still a moment, held in thought. As one wakened suddenly from a beautiful dream, who struggles to recall it, but can recapture nothing but a dim sense of the beauty in it, the beauty! Till that, too, fades away in its turn, and the dreamer bitterly accepts the hard, cold waking and all its penalties.” -- Kenneth Grahame, The Wind in the Willows Illustration by E.H. Shepherd
Snow Valley Heroes, A Christmas Tale at the Independent Publishers of New England Exhibits (IPNE)
If you are a New England librarian and headed to Boxborough, MA, for the NELA Convention (October19-21), we invite you to visit the Independent Publishers of New England (IPNE) exhibit where you will find Snow Valley Heroes, A Christmas Tale.
If you are a New England book lover and are headed to the Boston Book Festival (BFF) 0n October 25, we invite you to the Independent Publishers of New England (IPNE) exhibit where you will also find Snow Valley Heroes, A Christmas Tale.
Saturday, November 1, 2014, 2PM, Stephen A. Schwarzman Building, South Court Auditorium...Speaker: Howard Scherry...Hosted by Elizabeth Bird
Margaret Wise Brown & Antoine de Saint-Exupery: Parallels in Their Life, Comparison in Their Literature...free admission
The Past is Always Present
UPDATE: Y.A. Distopian Movies Keep Coming -- And Making Money...Variations and Reinterpretations of Books of the Past by Movies are Omnipresent ...
No one is safe...not family, nor friends, nor any of the good folks in Katniss' "hometown" -- District 12. Empire. Oppression, and teen warriors again prevail as the Hunger Games story of resistance and survival continues.
Dystopia will mean box office dollars when this third episode (there will be one more) of the Hunger Games, Mockingjay-Part1, opens in theaters worldwide, starting on November 19 -- November 21 in the USA.
Here is a trailer for Mockingjay Part 1
For some perspective on the Hunger Games series, take a look at this review from Salon by Andrew O'Hehir "Whose Revolution Is It It?"
"Much of the genius of the “Hunger Games” franchise lies in its portrayal of a dystopian future society that lacks any specific ideological character. Panem, the deep-future dictatorship that has apparently replaced present-day America after an unspecified combination of civil war, social meltdown and ecological catastrophe, has the semiotic appearance of fascism – white-helmeted storm troopers and barbed-wire walls – but is really more like an old-fashioned feudal society, concerned entirely with maintaining its internal order. In reviewing the first “Hunger Games” movie, I observed that the relentless media onslaught of the Information Age has been rolled back, in author Suzanne Collins’ fictional universe, to one TV network and one reality show. Politics has been stripped down too: There is nothing except Empire and Resistance."
The Hunger Games Films have thus far grossed over 1.5 billion dollars
The critics were generally hard on Divergent, but the Box office has been excellent - over 288 million dollars thus far - and two sequels will follow. Based on a very popular Y.A. series by Veronica Roth. Here is an excerpt from a review by Brad Keefe in ColumbusAlive.
... “Divergent” is an adaptation of a popular young adult fiction trilogy featuring a smart, underdog heroine who fights against a corrupt power system in a dystopian future.
If you haven’t read the books, you’ll see “Divergent” as a convoluted “Hunger Games” knock-off. If you have, you’ll find the production values and performances are solid. But the movie is still convoluted.
In the crumbling ruins of a near-future Chicago, a post-war society has established peace by creating five “factions” of the population based on character traits (brains, brawn, compassion, etc.). Teens are tested for their aptitude in these fields, but they can choose their own faction (as long as they don’t mind leaving their family).
It’s like society based on a high-school clique system, so it resonates with teens (along with themes of non-conformity). And our heroine Tris (Shailene Woodley) embodies that moment of 'what do I do with my life' confusion."
Earlier this Fall, we had The Maze Runner, another YA movie set in a YA Dystopia. In less than a month, the Maze Runner has grossed over 83 Million dollars.
Also based on a successful book series (by James Dasher), it was described by Ben Kienigsberg in the International New York Times as a "perfectly serviceable entry in the young-adult dystopian sweepstakes. It combines elements of “Lord of the Flies” with the Minotaur and Orpheus myths, but it plays as something closer to “The Hunger Games” experienced through a dissociative fog. Much suspense comes from wondering which favored Hollywood twist the movie will employ...."
Even if one adjusted the figures for inflation etc, I doubt if the combined monies made by the books of Anderson, Dodson, St. Exuprey, the Brothers Grimm et al could compare with the box office receipts of these Y.A. movies.
More violence arrives in time for Christmas. The Hobbit, Battle of the 5 Armies opens on December 17. Here is a link to the trailer: Battle
If you've had enough of YA Dystopian Violence there is good news for children's films...
Boxtrolls is doing well and the Tale of Princess Kaguya, from Ghibli Studios is coming. Advance reports on Princess Kaguya suggest another outstanding film from the studio that gave us Howl's Moving Castle and Spirited Away.
Building Blocks in the past...Minecraft today and tomorrow
In case you were unaware of the scope of Minecraft, here is the opening of the excellent and comprehensive article by Stuart Dredge in the Guardian. The article is entitled: Minecraft movie will be 'large-budget' but unlikely to arrive before 2017. The article also contains videos that will take you into the digital world of Minecraft.
"What is Minecraft? It’s a game, obviously: one that its developer Mojang has sold nearly 54m copies of across computers, consoles and mobile devices so far.
It’s a series of books published by Egmont that sold more than 1.3m copies in the UK alone in the first eight months of 2014. It’s a range of Lego kits that have been selling out rapidly, as well as the source for a line of plush toys, hoodies and other products sold from Mojang’s online store.
But Minecraft is also an educational tool in schools through the MinecraftEduinitiative, and the driver for Block by Block, a partnership with the United Nations Human Settlements Programme to get young people involved in planning public urban spaces, starting with a pilot in Kenya.
Minecraft is also one of YouTube’s most popular video categories – right up there with music – fuelling hugely popular channels..."
Read it all: Stuart Dredge
Power, money, books, writers and control are all involved as this battlle continues...Here are excerpts from a New York Times article by David Streitfeld.
"Amazon is at war with Hachette, and it sometimes seems as if it has always been that way.
As a negotiating tool in the battle, which is over the price of e-books, Amazon is discouraging its customers from buying the publisher’s printed books. After six months of being largely cut off from what is by far the largest bookstore in the country, many Hachette writers are fearful and angry. So...they are trying a new tactic to get the
ir work unshackled.
Authors United, a group of Hachette writers and their allies, is appealing directly to Amazon’s board. It is warning the board that the reputation of the retailer, and of the directors themselves, is at risk.
'Efforts to impede or block the sale of books have a long and ugly history,' reads a letter being posted to the group’s website on Monday morning. 'Do you, personally, want to be associated with this?'
The letter warns the directors that the discontent might spread...'if this is how Amazon continues to treat the literary community, how long will the company’s fine reputation last?'”
Here is the Link to read it all: New York Times
UPDATE...This battle has expanded to include many prominent writers who are not published by Hachette. David Streifeld continues his coverage in what has become a series in the New York Times.
Here is an updated excerpt...
"Now, hundreds of other writers, including some of the world’s most distinguished, are joining the coalition. Few if any are published by Hachette. And they have goals far broader than freeing up the Hachette titles. They want the Justice Department to investigate Amazon for illegal monopoly tactics..."
This film opened in early October to mediocre reviews, but very young kids seem to like it.You be the judge. Here is the trailer: Hero of Color City
Complimentary Holiday Dog Books for Therapy Reading Dogs…
Christmas is coming and Barking Planet Productions is sending complimentary reader copies of our holiday book, Snow Valley Heroes, A Christmas Tale, Volume 3 in the Planet of the Dogs series, to libraries and teachers participating in therapy reading dog programs and to therapy reading dogs owners and organizations.
To receive your copy, email us at firstname.lastname@example.org
Snow Valley Heroes, A Christmas Tale, is an illustrated first chapter fantasy-adventure book for children 6-12 and dog lovers of all ages.
Long, long ago, there were no dogs on planet Earth. It was during that time that two of Santa’s reindeer went missing and there could be no Christmas.
Far out in space is the Planet of the Dogs. Dogs have always lived there in peace and happiness.
When the dogs learned that there would be no more Christmas, they came down to planet earth to challenge the King of the North, free the reindeer from the Ice Castle, and save Christmas for children everywhere.
To read sample chapters, visit: www.planetofthedogs.net.
Insights on Visual Storytelling
Ms. Burns is also a dedicated Librarian and Author (Pop Goes the Library).
She usually reviews YA books and strongly supports those she likes. I'm interested in younger readers, however, I find her YA reviews to be insightful and very lively reading.
I have excerpted comments on her emotional response to the Y.A. book and movie, If I Stay, and her insights into visual storytelling...
"Here is the thing. I cried at the trailers for this film. I cried when I read the book. I knew all the plot points. There were no surprises. And yet...I cries through the whole film.
Because sometimes, it's not what happens. It's the emotional journey. And no matter how many times you go on that journey, it remains heart wrenching...
One thing I like about visual storytelling is it can show me things, reveal things, that I may not have picked up in the book. And yes, sometimes this is because of changes in the adaptation, but i t's often about staying true to the spirit of the book if not the text. So, for me, the movie made me understand more how Mia viewed her father leaving his band to pursue a job that was more stable as something he did because of her younger brother, Teddy -- never realizing it was also for her.
The movie is true to the book, but something happened at one point where I both feared and hoped that a change had been made and I said to myself, please please please even though there was no way, no way, and it was just like in the book BUT STILL MY FOOLISH HEART, IT HOPED...."
Here the link to her review/article of If I Stay. When she isn't blogging, Elizabeth Burns is the Youth Services Librarian for the New Jersey State Library Talking Book and Braille Center. Here is a link to her blog.
Here is a Link to the If I Stay movie trailer.
Nancy Houser has another excellent article that solves questions about feeding dogs and taking into account breed, age, health condition -- and she's not selling dog food, not pushing a brand. Here is an excerpt and a link:Add a Comment
Blog: Reading Teen (Login to Add to MyJacketFlap)
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The Maze Runner (Book 1) Age Range: 12 and up Grade Level: 7 and up Series: The Maze Runner Series (Book 1) Paperback: 375 pages Publisher: Delacorte Press; Reprint edition (August 24, 2010) If you ain’t scared, you ain’t human. When Thomas wakes up in the lift, the only thing he can remember is his name. He’s surrounded by strangers—boys whose memories are also gone. Nice to meet ya,Add a Comment
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JacketFlap tags: Book News, Cover Design, New Releases, Tu Books, black hills, cover reveal, dystopia, family, first love, friendship, genetic engineering, healer, healing, Joseph Bruchac, Killer of Enemies, lakota, medicine woman, mining, native americans, novella, rose eagle, science fiction, south dakota, steampunk, Add a tag
Last fall, Tu Books released Killer of Enemies, a post-apocalyptic steampunk adventure by Joseph Bruchac. Readers were introduced to seventeen-year-old Apache hunter Lozen, a kick-butt warrior who kills monsters to ensure the safety of her family.
Set to be released next month, Joseph Bruchac has written an e-novella that’s a prequel to Killer of Enemies, titled Rose Eagle.
Rose Eagle is set in the Black Hills of South Dakota, where readers are introduced to seventeen-year-old Rose Eagle of the Lakota tribe who is trying to find her place in a post-apocalyptic world.
Before the Silver Cloud, the Lakota were forced to work in the Deeps, mining for ore so that the Ones, the overlords, could continue their wars. But when the Cloud came and enveloped Earth, all electronics were shut off. Some miners were trapped in the deepest Deeps and suffocated, but the Lakota were warned to escape, and the upper Deeps became a place of refuge for them in a post-Cloud world.
In the midst of this chaos, Rose Eagle’s aunt has a dream: Rose will become a medicine woman, a healer. She sends Rose into the Black Hills on a quest to find healing for their people.
Gangly and soft-spoken, Rose is no warrior. She seeks medicine, not danger. Nevertheless, danger finds her, but love and healing soon follow. When Rose Eagle completes her quest, she may return with more than she ever thought she was looking for.
We can’t wait to hear what you think of the cover!
Filed under: Book News, Cover Design, New Releases, Tu Books Tagged: black hills, cover reveal, dystopia, family, first love, friendship, genetic engineering, healer, healing, Joseph Bruchac, Killer of Enemies, lakota, medicine woman, mining, native americans, novella, rose eagle, science fiction, south dakota, steampunk Add a Comment
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The following is an extract from ‘Europe’s Hunger Games: Income Distribution, Cost Competitiveness and Crisis‘, published in the Cambridge Journal of Economics. In this section, Servaas Storm and C.W.M. Naastepad are comparing The Hunger Games to Eurozone economies:
Dystopias are trending in contemporary popular culture. Novels and movies abound that deal with fictional societies within which humans, individually and collectively, have to cope with repressive, technologically powerful states that do not usually care for the well-being or safety of their citizens, but instead focus on their control and extortion. The latest resounding dystopian success is The Hunger Games—a box-office hit located in a nation known as Panem, which consists of 12 poor districts, starved for resources, under the absolute control of a wealthy centre called the Capitol. In the story, competitive struggle is carried to its brutal extreme, as poor young adults in a reality TV show must fight to death in an outdoor arena controlled by an authoritarian Gamemaker, until only one individual remains. The poverty and starvation, combined with terror, create an atmosphere of fear and helplessness that pre-empts any resistance based on hope for a better world.
We fear that part of the popularity of this science fiction action-drama, in Europe at least, lies in the fact that it has a real-life analogue: the Spectacle—in Debord’s (1967) meaning of the term—of the current ‘competitiveness game’ in which the Eurozone economies are fighting for their survival. Its Gamemaker is the European Central Bank (ECB), which—completely stuck to Berlin’s hard line that fiscal profligacy in combination with rigid, over-regulated labour markets has created a deep crisis of labour cost competitiveness—has been keeping the pressure on Eurozone countries so as to let them pay for their alleged fiscal sins. The ECB insists that there will be ‘no gain without pain’ and that the more one is prepared to suffer, the more one is expected to prosper later on.
The contestants in the game are the Eurozone members—each one trying to bootstrap its economy out of the throes of the most severe crisis in living memory. The audience judging each country’s performance is not made up of reality TV watchers but of financial (bond) markets and credit rating agencies, whose supposedly rational views can make or break any economy. The name of the game is boosting cost-competitiveness and exports—and its rules are carved into stone in March 2011 in a Euro Plus ‘Competitiveness Pact’ (Gros, 2011).
Raising competitiveness here means reducing costs, and more specifically cutting labour costs, which means lowering the wage share by means of reducing employment protection, lowering minimum wages, raising retirement ages, lowering pensions and, last but not least, cutting real wages. Economic inequality, poverty and social exclusion will all initially increase, but don’t worry: structural reforms hurt in the beginning, but their negative effects will be offset over time by changes in ‘confidence,’ boosting spending and exports. But it will not work, and the damage done by austerity and structural reforms is enormous; sadly, most of it was and is avoidable. The wrong policies follow from ‘design faults’ built into the Euro project right from the start—the creation of an ‘independent’ European Central Bank being the biggest ‘fault’, as it precluded the necessary co-ordination of fiscal and monetary policy and disabled the central banking system from providing support to national governments (Arestis and Sawyer, 2011). But as Palma (2009) reminds us, it is wrong to think about these ‘faults’ as being caused by perpetual incompetence—the monetarist Euro project should instead be read as a purposeful ‘technology of power’ to transform capitalism into a rentiers’ paradise. This way, one can understand why policy makers persist in abandoning the unemployed.Add a Comment
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One thing I can definitely say about all three books in this series is that they are all super-quick reads. Once I start reading, I don't want to stop. That being said, I can't say that I actually think about the books or the characters or the story after I'm done. I don't forget the story or the characters mind you. I've always liked that I can pick up the next book without any worries or confusion. That could be because the books aren't all that complex though.
In the third book, readers spend time with Prince Maxon and America Singer. She's one of four young ladies still in the running to be the next princess. The others are Celeste, Kriss, and Elise. Prince Maxon and America have always, always argued with one another. He brings out the fight in her. And he can't get enough of her honestly. Perhaps because she is so very different than his mother?
America (finally) admits to herself that she is really, truly not-kidding-around in LOVE with Maxon. Does she tell him? Are you kidding? She wouldn't dream of actually communicating with him. She'd rather nag, nag, nag him for keeping the other girls around. His excuse? You never, ever show me how you feel about me, you just yell at me. He has a point. But I suppose she does as well.
Communication is something that America fails at, I have to say. Even though America knows that she doesn't love Aspen anymore in that way, she is not telling him that. And she's not telling Maxon that she loves him. And then she realizes that sooner or later, Maxon may need to be told that at one point in her past, Aspen was a love interest.
The trilogy is definitely predictable and a bit silly. But it's almost an irresistible silly.
© 2014 Becky Laney of Becky's Book Reviews Add a Comment
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Enders is the sequel to Lissa Price's Starters. I enjoy reading dystopia, and I like that Starters and Enders offers a unique story to readers. I also appreciate that there isn't a love triangle. Callie, our heroine, and her brother, Tyler, have been "saved." They now have a home. They now have a legal guardian. But life isn't really much easier for Callie because she is still hearing voices in her head. She is still hearing via the neurochip from THE OLD MAN. He is still a threat to be reckoned with, and Callie, while not helpless, doesn't know how to take him down for once and for all.
I felt there was a LOT of action in Enders. The battle, if battle is the right word, has begun. Callie is not alone in facing The Old Man. She is not alone in her battle for justice for starters, for young people. New characters are introduced in Enders. Callie teams up with the good guys, and she places her trust in her new friends. And a BIG SHOWDOWN does happen in a way. But the twists and turns in this one reveal just how strange this war may prove to be.
I liked this one fine. But I didn't LOVE it.
© 2014 Becky Laney of Becky's Book Reviews Add a Comment
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You'll Like It Here (Everybody Does) makes a great, quick, entertaining read. If you enjoy classic twilight zone episodes, you'll likely enjoy this middle grade science fiction novel. Meggie Blue, and her brother, David, narrate this one. Though readers spend time with the characters before the move to FASHION CITY, most of this one takes place in Fashion City. (To be clear from the start, Fashion City is located in an alternate/parallel universe.) I think the details surrounding Fashion City and the Fathers is best left to the reader to discover. Some of the details about WHO is living in this parallel world is intriguing. For example, Elvis is contemporary with L. Frank Baum who is contemporary with Abraham Lincoln who is contemporary with Grandma Moses who is contemporary with Martin Luther King Jr. I imagine it was very fun for the author to fit these people into her alternate universe and play around with the facts of history. (In this parallel world, Walt Disney was killed as a teenager in war, as was Laura Ingalls.) The character of Gramps is very, very fun! The book is odd and quirky. But. I found it entertaining.
© 2014 Becky Laney of Becky's Book Reviews Add a Comment
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Book: In the After
Author: Demitria Lunetta
Age Range: 13 and up
In the After is the first of a two-book series by Demitria Lunetta (the second book was just released, though I haven't read it yet). In the After is set in the wake of a world-wide apocalypse caused by an invasion of predatory, man-eating creatures. 17-year-old Amy has lived for three years in hiding, alone except for the company of Baby, a young girl she rescued from a grocery store. Amy and Baby live in silence, for fear of drawing Them. They use sign language to speak, and have never even heard one another's voices.
They actually have things pretty good, all things considered. Amy's mother held an important government position, and their house is surrounded by an electric fence that keeps the monsters out. Her dad was an environmentalist who kept their home as off the grid as possible. Amy and Baby have electricity and water. But they do have to venture out among the creatures to scavenge for food. An encounter with other survivors on one of their trips starts a process that changes Amy and Baby's lives forever.
In the After is a compelling read, one that will keep the reader guessing. The first part of the book takes place in and around Amy and Baby's home in Chicago. Without giving too much away, I'll say that the second part of the book takes place elsewhere, among other people. This is where Lunetta's storytelling really starts making the reader think. In brief, italicized scenes, Amy is in a mental ward. The rest of the story is told in intermittent flashbacks, as a mentally foggy Amy tries to pieces together how she got there. Because of Amy's fragile state, the reader isn't always sure how to interpret the flashbacks, which makes the story even more thought-provoking.
The characters apart from Amy are distinct, though not always highly nuanced. Basically, we get to know Amy very well, and the other characters not so well. But Amy is great. Here are a few snippets, to give you a feel for her voice:
"I only go out at night.
I walk along the empty street and pause, my muscles tense and ready. The breeze rustles the overgrown grass and I tilt my head slightly. I'm listening for them." (Page 1)
"So much of who I used to be was about being good in school and having friends who were also good in school. We were, to put it simply, arrogant little know-it-alls. But I miss that." (Page 78)
"The arts were probably pointless now that everyone was focused on survival. I thought back to all my time alone, reading, as the world crumbled around me. It was the only thing that gave me solace and hope." (Page 191)
In addition to keeping the reader wondering about plot points, Lunetta is good at creating atmosphere. She makes the reader feel the creepiness of walking down a dark street where silent monsters might be a only few feet, and the helplessness of being trapped in a mental ward.
In the After grabs the reader from the first page, and doesn't let go. Recommend for fans of YA dystopias, particularly of the alien invasion variety. Particularly recommended for those who enjoyed Rick Yancey's The Fifth Wave. Readers who have read many dystopian/post-apocalyptic stories will notice certain universal themes, but I don't think this takes away enjoyment of the story. I think that In the After is a book that will especially appeal to adult readers, actually, though I would expect teens to enjoy it, too. Highly recommended.
Publisher: HarperTeen (@HarperChildrens)
Publication Date: June 25, 2013
Source of Book: Bought it on Kindle
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My second attempt at reading Dualed went much better than my first. The second time I picked it up, it was an easy read. Easy meaning that I read almost all of it in one sitting. The content itself, well, easy doesn't really describe the world Chapman created in her novel.
West, the heroine, has known her whole life that she'll have to kill or be killed in order to take a place in the community. That's just how things are now. Every person has an alt--a genetic clone of sorts. Every alt poses a threat. When an assignment goes active, both know it's kill or be killed. And both also know that timing is key. They have exactly one month to complete their assignment or both will be killed. West is the only one left in her family. It's a dangerous world, a violent world. Many people are PK's peripheral kills--being killed "accidentally" during the fight between two alts. No street or neighborhood is really safe because of it. There will always be teens who have gone active and are in survival mode. Though West does not have any family in her life--readers do briefly meet Luc, her brother--she is not truly alone. Her brother's friend, Chord, cares about her a great deal. The book opens with Chord receiving his assignment; readers get a brief glimpse of what the book will be like. His assignment is completed very quickly and dramatically. Though some of the drama is lost since readers barely know the characters and haven't come to care yet. Effective for letting readers know that death, violent death, is what this book is all about perhaps.
West. I didn't like or dislike her really. I had a hard time understanding her, why, she would be completely fine being an assassin and murdering others on almost a daily or at least weekly basis. Yet be so anxious about facing her own alt. After all, the risks to her own life are the same. The fact that she was an assassin meant that she was capable of killing. It also meant that she was not afraid to put her own life in danger. Every job she took, there was risk that she could die if it went bad. Yet West does the opposite of what you'd expect: she hides and waits and hides and waits and hides and waits and mopes a bit.
Chord was a good guy, well, as good a guy as you're going to get in this crazy society where all adults have committed murder at least once. I did get the sense that he cared about West and wanted a relationship with her that was based more on them and less on Luc.
Overall, Dualed is a not-for-me book. Others may enjoy it more, of course.
© 2014 Becky Laney of Becky's Book Reviews Add a Comment
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"Review My Books" Review by Emily DROWNED Drowned #1 by Nichola Reilly Series: A Drowned Novel (Book 1) Hardcover: 304 pages Publisher: Harlequin Teen (June 24, 2014) Goodreads | Amazon Coe is one of the few remaining teenagers on the island of Tides. Deformed and weak, she is constantly reminded that in a world where dry land dwindles at every high tide, she is not welcome. The only brightAdd a Comment
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Daniel José Older has an interesting take on Snowpiercer, particularly its ending, likening it to Children of Men:
|Children of Men|
But both Children of Men and Snowpiercer come crashing down to almost identical final moments. When the smoke clears and the countless bodies are carted off, what we’re left with is the same take-away: Bearded white dude saves humanity, in both cases represented by a woman and a child of color, both helpless and in need of saving, at the cost of his own life.Basically, Older says, Snowpiercer and Children of Men are white savior movies. He proposes an alternative: "Imagine if the desperate rebels paused and elevated Tanya to leadership instead of Curtis. Snowpiercer would’ve become something truly subversive, a story some of us have been trying to tell for a very long time."
I think Snowpiercer is already pretty darn subversive, so I would replace the "truly" there with "even more", and I wouldn't call Yona in Snowpiercer helpless, really (she's smart and even seems to have some super powers). But yes, Snowpiercer could have offered an alternative to white supremacy (both the structural white supremacy of the train and the apparently internalized and patriarchal white supremacy of the rebels) instead of something closer to a satire of white supremacy ending in its own destruction — a futile destruction if you consider the likelihood of Yona and Tim's survival or the likelihood that some disease would kill off their ancestors. (For more along this line, and for thoughts on the implications of the film's take on revolutionary politics, and much else, see Aaron Bady's "Snowpiercer Thinkpiece".) It could have been a more deeply subversive, even utopian movie. It is not.
But as a savior, Curtis is pretty crappy. He's wrong about the revolution, most of the tailenders he's trying to liberate end up dead, and though he may have sacrificed his life for a woman and boy, the woman and boy are in all likelihood only going to outlive him by a day or two at most. And it's not like he set out to sacrifice his life for them. Nam and Yona caused the explosion. He just chose, along with Wilford, to see if his body might shield Yona and Tim's bodies from the blast. If you're going to die, you might as well make your death a potentially useful one, and that's what he does.
I've already proposed one way of thinking about the racial politics of the ending, and this is at least somewhat at odds with Older's reading, but I like texts that can be interpreted richly, and it's entirely likely that soon I'll think my first take was wrong. I like thinking about the lineage of white savior movies, because when I do, they give me a little bit more hope for progress than the ending of Snowpiercer does, because if we can see such stories as white supremacy talking about itself, then it's having a crisis of confidence and thinks it's going to die pretty soon.
(Obviously, it is the nature of white supremacy to make itself the center of conversation, and I am perpetuating that here. White supremacy's representations interest me. But I entirely agree with Older that we need additional storylines. Please please please somebody give Danny Glover the money to make his Toussaint L'Ouverture movie, for instance!)
There are some noticeable differences between the ending of Snowpiercer and the ending of Children of Men, but before getting to those, I want to bring up one other white savior movie, Clint Eastwood's Gran Torino, which I once called "a white savior movie that questions the whole idea of a white savior movie, or, at least, that wants to put an end to itself."
One of the things that I think is important to consider when viewing a white savior movie is its desired emotional effect. Where does it want the audience's sympathies to fall? What does the film seem to want us to feel, and how? In a classic white savior movie — think Dances with Wolves or The Blind Side or [insert your own title here] — the white savior becomes ennobled through their encounter with the non-white supporting character(s). They learn to be more caring, less bigoted, etc. (Yay, white people can be better! Hooray for White Guy 2.0!) The journey is fundamentally that of the white protagonist, and the audience's greatest interest should be in the white character. (This is one of the things I thought was so excellent about 12 Years a Slave, which is in the end, yes, literally a white savior movie — without Bass [Brad Pitt], Solomon Northup might never have been freed — but not at all about the redemption of white people. But that's tangential to this discussion...)
Though Gran Torino is at least partly about the end of the old white savior, it nonetheless sticks with the redemption narrative. The future is given to nonwhite characters, and those characters are shown to be the closest to a traditional (conservative) sense of American values, but grumpy old racist Walt ends up not just learning to care deeply for people he'd previously spurned, but sacrificing himself for them. And not just any sacrifice. He lands on the ground with his arms outstretched like Jesus on the cross. Like Snowpiercer, Gran Torino proposes that the future will not be white, but in Gran Torino the white savior is still pretty awesome, even if he's a relic.
In Children of Men, Theo is much less heroic than Walt. He's pointedly unheroic in his presentation. But his character arc is toward heroism — through helping Kee, he discovers something to live for, something to fight for, and he becomes somebody worth shedding a tear for when he dies. For me, it's not as big a tear as Gran Torino seems to want us to shed for Walt, but that's partly because it's not hard to imagine Theo going back to being a cynical or apathetic drunk even if he lived. Walt's death feels momentous, like a tremendous (if necessary) loss; Theo's death is sad for a moment, poignant more than devastating.
With Children of Men, Alfonso Cuarón did make interesting changes to counter the whiteness of the source material (a P.D. James novel), but the character we follow from beginning to end is, indeed, a white guy who saves a pregnant black woman and her child. Here, though, Kee is, like Thao and Sue in Gran Torino, a kind of representative of the future — if humanity is to survive, it's surviving because of a black woman, and the white savior is gone from the picture. (Although everyone we see on the Tomorrow ship that picks her up looks white, so who knows what will happen later...)
Snowpiercer also kills off the white savior(s) and proposes that the future of humanity does not lie with white people, but here the journey of the white savior is even less heroic than that of Walt or Theo. At least Walt and Theo are successful saviors.
Curtis's journey is in many ways the opposite of Walt's and Theo's. Walt and Theo begin cynical (or worse) and come to see the value in being a savior. We end up feeling good about them, and proud of them for their sacrifices. Curtis starts out at 2nd in command of the revolution (though Gilliam repeatedly suggests that Curtis is really in charge, even if Curtis doesn't want to face that fact) and ends up finding out that the revolution was a sham and that his actions all served to help Wilford's overall goals. Curtis has helped lead everyone he most cares into death for an illusion. Oops.
Do we shed a tear for Curtis?
I don't know about you, but I certainly didn't. Sure, there was the monologue toward the end where he talks about how he became a savage and then couldn't cut his arm off, etc., but it's important to remember what comes next: Nam's deflating reaction — Curtis clearly thought he was sharing his deepest, darkest secret, and Nam's response was little more than, "Uh huh." He's not bowing down to this white savior, not giving in to his emotional tug.
Curtis was interesting as a protagonist, as a figure to carry the force of the action, but my own emotional commitment was far more toward Nam, Tanya, Yona, and then Tim. (Tanya's death was, for me, the most affecting.) Curtis just isn't a very interesting character; he's a foil for the other characters and a device to get the story out. The relatively bland main character is an old tradition in narrative, and it serves a similar function to a straight man in comedy. So Curtis's death is not a moment that is, for me at least, more powerful than the deaths of so many other people on the train. It's easy for my plot interest to shift to Yona and Tim because that's where my affectual interest has been all along.
Gran Torino gives us the white savior who wants to end all white saviors, but it wants to us to pause and feel real sorrow for his death. Children of Men gives us an unheroic white savior who finds some shreds of heroism and dies to save the (at-least-partially) nonwhite future; we end up sort of sad for him, but the stronger emotion is likely happiness that Kee and her child lived. Snowpiercer gives us a white savior seeking the wrong revolution, ending up a savior as much by accident as intent, and the movie drains much of the emotional power from the savior figure, while proposing that if humanity has any future (unlikely), its future isn't one with white people in it.
The white savior is in trouble.
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