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I missed Echo by Pam Muñoz Ryan when it came out in February of 2015. Scholastic is one of the few publishers I don't get review copies from and, working in a library instead of a bookstore now, I an not as up on what's new in the world of kid's books as I once was. I even missed the March, 2015 review of Echo in the New York Times Book Reivew, which I usually scour. Echo crossed my radar in January of this year when it won a Newbery Honor, along with two other superb books, The War that Saved My Life and Roller Girl. While I hate the fact that I didn't read Echo right when it came out, I am so, so glad that I knew absolutely NOTHING about it (save that it won an award) before I began listening/reading it. Having worked with and been an avid reader of children's literature for more than 20 years, I've kind of read it all. There aren't too many plots or characters that surprise me or feel really new and original. Echo surprised me - it's as if A. S. Byatt, an author of novels for adults that are magnificently crafted and often centered around a work of art - wrote a kid's book. If you want to be surprised by a story and you trust me and the librarians who hand out the Newbery awards, stop reading my review after the next sentence and go out and get your hands on a copy of Echo. Actually, I very, very strongly suggest LISTENING to the audio of this book (as well as buying it - you WILL want to own it) because - tiny spoiler alert - music is an integral part of Echo, and you get to hear it in the audio.
Stop reading HERE if you want to be surprised
I was definitely surprised when I started listening to Echo and there were music credits before the story began. I was especially surprised when harmonica music kicked in. Like several minor characters in the book, I, too, did not take the harmonica seriously - nor did I notice the drawing (wonderful artwork by Dinara Mirtalipova) of one on the cover and spine of Echo! Echo is a work of historical fiction wrapped in the cloak of a fairy tale that is ultimately a story about the power of music to, "pass along . . . strength and vision and knowledge," and even overcome fear, intolerance and hatred. The story visits three very different children at three different times, starting in 1933 and ending in 1942. The common thread that connects these three children is their passion for music, embodied, at that time, in the harmonicas that they own. Surrounding these stories is the tale of a boy that begins just before the start of the 20th century. From a Gypsy, who presses a mouth harp on him for free, he buys a book titled, The Thirteenth Harmonica of Otto Messenger. The book tells the story of three abandoned princesses with beautiful singing voices. Trapped in the woods under the spell of a witch, they need a messenger to take something out into the world for them, something that will break the spell. Becoming lost in the woods, Otto meets the three princesses from the book. Desperate to know the end of their story, they enchant the harmonica that the Gypsy gave him and he agrees to send it into the world where, if it can "save a soul from Death's dark door," the spell will break and the princesses can return home.
The stories of the three central children in Echo would have been a satisfying book on their own, but linking them with the fairy tale of the three sisters imbues Ryan's novel with a quality of hopefulness and beauty, much like the sound of a well played harmonica. Part one begins in 1933, in Tossingen, Germany, with young Friedrich, a gifted musician. Part two begins in Pennsylvania, 1935. The third and final part begins in 1942, just after Pearl Harbor, in California, a harmonica at the heart of each story. Friedrich has a port wine birthmark on his face and suffers from seizures. Hitler's persecution of physically disabled forces Friedrich and his family to make difficult choices and his story ends without closure, his life in danger. Part two, features orphan brothers, the eldest of whom is a gifted musician, with his only hope for survival hinging on his ability to make it into a renowned harmonica band. Mike and Frankie are adopted by a painfully grieving heiress who needs to produce an heir to keep her fortune, their story also ending in a moment of danger and uncertainty. Finally, Ryan turns to Ivy Maria Lopez, shining a light on xenophobia and racism.
It is Fresno, 1942, and Ivy is the child of migrant farm workers. Her brother, Fernando, has just enlisted and her father has just accepted a job running a farm in Orange County. When they arrive at the farm, the Lopez's discover that it belongs to a Japanese-American family that has been sent to an interment camp. Their oldest child, a son in the Marines, is coming home on leave to sign the running of the property over to Mr. Lopez, if he approves of him. Ivy, and her parents, struggle to understand how the Yamamoto family, with a father who fought in WWI and a son fighting in WWII could be treated this way, while at the same time Ivy experiences racism and segregation when she learns that she is not allowed to attend her neighborhood school, but must go to one that will "Americanize" children like her. Living in California and working with the children of immigrants, many of whom are also the children of migrant workers, this part of the story resonated most with me.
The last two parts of the novel tie together all three stories in a marvelous, deeply satisfying way that had me weeping. Ryan returns to the fairy tale, bookending Echo with the conclusion to the story of the three princesses as well as the story of Otto, now the messenger, and the enchanted harmonica that he must send out into the world and how it gets there. Echo is a big book, but as many reviewers have said, and as was my experience, you will soar through it, drawn along by the beauty if Ryan's writing, the craft of her story and the humanity of her characters.
Source: Purchased Book & Audio Book
I love books about books and I love mysteries. However, especially in the world of children's literature, it's very challenging to find a well written book of either genre, let alone both together. A solid, believable mystery often means character development is sacrificed. Or, as in two of my all-time favorites, The Westing Game and From the Mixed-Up Files of Mrs. Basil E. Frankweiler, superb character development overshadows the mystery that sets the plot in motion. As an eleven-year-old reader, Ellen Raskin's characters, from Turtle to Theo Theodorakis to Sydelle Pulaski, stuck in my memory well into adulthood. But, as a kid, I was also a little disappointed that the actual clue-gathering game in the book wasn't entirely solvable for readers. With Book Scavenger, Jennifer Chambliss Bertman has written a miraculous middle grade novel that almost perfectly balances character development with a solid, believable, puzzle filled mystery that readers can unravel themselves. Even better, the mystery revolves around books and book lovers! Add to this Sarah Watts's charming illustrations and you have an unforgettable book with character you will want to spend time with again. Book Scavenger is Bertman's debut novel and it is masterfully written, especially when considering the multitude of details she weaves into the plot and her characters, making it almost feel like three or four books in one. When she was a baby, Emily Crane's parents decided they wanted to live in all fifty states. Emily's mom even started a blog about their experiences called 50 Homes in 50 States. As Book Scavenger begins, the Cranes are moving from New Mexico to San Francisco. Emily is growing tired of not being able to set down roots, and Bertman writes poignantly of her growing frustration with this. However, as a dedicated Book Scavenger, she is thrilled to be moving to the home base of publisher, puzzle master, book lover and eccentric, Garrison Griswold. Like Chris Gabenstein's game creator, Mr. Lemoncello, Griswold is a bit of a Willy Wonka-type. However, Griswold's puzzles revolve around books, and his Book Scavenger website allows participants to hide books (you can even purchase clever book disguises from the website) and leave clues for other Book Scavengers to find it. Bertman's rules for book scavenging open Book Scavenger and are very well thought out and doable. So doable, in fact, that she created a low-key version of Griswold's game that you can play here! Emily has the good luck to meet James, upstairs neighbor and grandson of the owner of the building her family moves into. James is a puzzler, although not a Book Scavenger, and he helps Emily decode an especially difficult clue to a book. Emily, James and Matthew head down to the Ferry Building to look for the book and, on their way home discover an even better hidden book. Just the day before, as he was on his way to announce his newest literary-puzzle-scavenge-game, Griswold was attacked and left unconscious. Emily finds the book that was to start the games, an edition of Edgar Allan Poe's, "The Gold-Bug." In the short story, the protagonist cracks a cryptogram that he hopes will lead him to a buried treasure and Griswold has a similar mystery planned for his followers. Emily quickly realizes that the book she found is part of Griswold's new game and that she is being followed, possibly by Griswold's attackers. With James's help, along with Hollister, a dreadlocked bookstore owner who was best friends and partners with Griswold decades ago, they rush to uncover the mystery and find the treasure - if there is one. Bertman does a magnificent job weaving literary references and puzzles of all kinds into Book Scavenger. Set in San Francisco, the Beat writers, from Kerouac to Ginsberg to Ferlinghetti and his landmark City Lights Bookstore are part of the plot. In addition to the challenge of Griswold's new game, Emily struggles to be a good friend to James, mend her relationship with Matthew and ultimately tell her parents that she does not want to be part of their adventure anymore. Matthew is also a well developed character and his devotion to a band called Flush along with his homemade videos using their music, dovetail seamlessly with the mystery and adventure of Book Scavenger. As with all children's books, the bad guys can't be that bad. The villain in Book Scavenger is a sour sort with a sense of entitlement that drives him to drastic measures, but it is really the goons he hires to do his dirty work who commit the crime of shooting Griswold in the subway at the start of the novel.
Finally, Bertman works in references to Masquerade, the picture book written and illustrated by Kit Williams that was published in 1979 and promised clues to a buried treasure. I remember seeing Masquerade in a bookstore shortly after it was published and begin intrigued by the beautiful illustrations, not realizing that there was a treasure - and controversy - connected to this book. Masquerade, along with a family connection to Edgar Allan Poe, all of which are explained in Bertman's notes at the end of the book, inspire Griswold in his literary game creations.
Coming January, 2017!!!
Source: Purchased Book and Audio Book
for more reviews of books that are mysteries with puzzles, like these:
In the summer of 2013 I enthusiastically reviewed Escape from Mr. Lemoncello's Library by Chris Grabenstein. While there wasn't much of a set up for a sequel, I was equally excited to read Grabenstein's next book, again with superb cover art by Gilbert Ford, The Island of Dr. Libirs. Set on an island, and not in a library, The Island of Dr. Libris, is rich with literature, mystery and adventure. So, I am especially happy to be reading and reviewing Mr. Lemoncello's Library Olympics - especially since now I am a librarian and I can feel a sense of pride and connection with the outpouring of library and librarian love in Grabenstein's newest book. I have to say that I think that Mr. Lemoncello's Library Olympics is a stronger, more meaningful book that Escape from Mr. Lemoncello's Library, reminding me in many ways of a childhood favorite I continue to love as an adult, Ellen Raskin's, The Westing Game. There is a game, a mystery, and benevolent benefactor secretly hoping to bestow a fortune on a worthy youngster. Mr. Lemoncello's Library Olympics has everything that Escape from Mr. Lemoncello's Library has - puzzles, problems, competitions, cheating, action, adventure, excitement, and references to scads of great kid's - and more. At the start of this new book, kids from all over America are writing to Mr. Lemoncello asking for the chance to compete in a library competition just like Kyle and his crew, winners from the first book and minor celebrities, having starred in commercials for Mr. Lemoncello's newest games. Mr. Lemoncello agrees and conceives of the Library Olympics or the duodecimalthon - a decathlon, only with twelve games instead of ten. And, naturally, the Library Olympics are broadcast on "many PBS stations, the Book Network cable channel and NPR."
Children from all over the country compete for a spot on one of the teams representing seven regions who will compete at the library in Alexandriaville, Ohio. In addition to a solid knowledge of the Dewey Decimal System, shelving, kid's books, research and, of course, puzzles like pictograms and more. Grabenstein weaves in a plot thread of censorship, banned books and ideas about what makes a library a library, which I especially appreciated. In this digital age, libraries have to change from dusty book warehouses in order to stay relevant. Things like makerspaces, and creatorspaces are things that I research regularly and work to incorporate into my library, which almost always functions at a level of cheerful, low grade chaos. There is no shushing going on in my library. Grabenstein incorporates characters, both children and adults, who are shocked by the library that Mr. Lemoncello has created. Upon winning a spot on her regional team, Marjory Muldauer, a gangly seventh grader from Michigan with a passion for organizing, says of Mr. Lemoncello, "I don't think he loves libraries qua libraries . . . He thinks they need to be tricked out with gadgets and gizmos and holographic displays. That library in Ohio reminds me of Disneyland with a few books. I think Mr. Lemoncello is seriously immature. He probably still believes in three-nine-eight-point-two." 398.2 is the call number for fairy tales, folk tales and myths, my second favorite section after 745.1, graphic novels.
There is also Charles Chilington, expelled from the original games for cheating, and his mother who thinks that the library, the public library, needs a board of directors, one without the presence of Luigi Lemoncello. Add to this Andrew Peckleman, the boy that Charles bullied and pressured in the last games, ruining his love of libraries. Andrew is working at the Blue Jay Extended Stay Lodge, now known as Olympia Village for the duration of the competition. The contestants, who are competing to win a full college scholarship, are shuttled from Olympia Village to the library each day in a bookmobile. Finally, an Arthur Slugworth (the pseudo bad guy in Charlie and the Chocolate Factory who tries to woo away Golden Ticket winners to the dark side) type character rounds out the plot and ties up some threads - including stollen books and more cheating - in a very satisfying way. Grabenstein gets in some great quotes, such as Neil Gaiman's, "Google can bring you back one hundred thousand answers. A librarian an bring you back the right one." And, in a poke at the Patriot Act, a great plot twist where a culprit could be nabbed IF Mr. Lemoncello didn't "protect each library user's right to privacy and confidentiality with respect to information sought and received and resources consulted, borrowed, acquired or transmitted."
You don't have to have read Escape From Mr. Lemoncello's Library to enjoy Mr. Lemoncello's Library Olympics, but I hope you will read both. This is definitely a book that I will never forget and one that I plan to read a second time, something I rarely do. If you loved Grabenstein's books and are looking for more of the same, check out this label for book reviews on my blog: Mysteries with Puzzles
Source: Review Copy
I love it when I find a graphic novel that is as enjoyable as any by Raina Telgemeier, and Awkward by Svetlana Chmakova is right up there, along with Newbery Honor winner Roller Girl by Victoria Jamieson. Chmakova's illustration style is reminiscent of Japanese manga - her characters have exaggerated expressions that add to the humor and emotions of the story. And her color palette is pale yellows, pinks and blues with occasional pops of darker colors. The plot of Awkward shows good kids making bad choices and working hard to making things right. Above all else, the kids in Awkward are creators - they make, they build, they draw. Chmakova ends her wonderful story with these words, "Cardinal Rule #3 for Surviving School: Build. Build things. Build Friendships. Build yourself. Bit by little bit. It may feel like you're not adding that much . . . but in the end, it will add up to a lot."
But, before we get to those wise words, we need to go back about 200 pages to the beginning. Penelope Torres, known as Peppi, is new at Berrybrook Middle School. Not only does she suffer the humiliation of of tripping in the busy hallway and spilling all her books on her first day, overloaded and embarrassed, she makes a bad choice. Peppi's Cardinal Rule #1 for surviving school, "Don't get noticed by the mean kids."
When a friendly student stops to help Peppi, the mean kids start making fun of both of them and Peppi does the unthinkable. Without thinking, she pushes the nice kid and runs off, then regrets it almost every minute of every day afterward.
Struggling in science class, but happily making new friends in art class, Peppi gets caught up in school club drama. The art club and the science club have to compete for the last table at the Club Fair. In the middle of all this, Peppi finds herself trying to apologize to Jamie, the nice kid she pushed, who just happens to be in the Science Club.
Chmakova layers lots of great details and characters into Awkward. There is Maribella, the president of the Art Club, who listens to Peppi's ideas but makes a few bad choices of her own that leave Peppi in a tough spot. There is a great field trip scene at the Natural History Museum and a thread that involves geocaching. And, of course, there are the art and science projects and the teachers who lead these clubs - the harried, paper wasting art teacher, Mr. Ramirez and the super-cool science teacher, Miss Tobins. Best of all, Awkward is not a quick read, which means that you have more time to savor it before starting it all over again.
Source: Purchased Copy
Human Body Theater: A Non-Fiction Revue, the new graphic novel by Maris Wicks is a fantastic way to learn a vast amount of information in a very fun format. Wicks is the illustrator of one of my favorite non-fiction graphic novels, Primates: The Fearless Science of Jane Goodall, Dian Fossey and Birute Galdikas, written by Jim Ottaviani. In eleven acts, a skeleton takes readers through the main systems of the body, beginning with the skeletal system and working up at the excretory system just before intermission. After that, five more systems are visited, from the endocrine system to the reproductive, immune and nervous systems, ending with the five senses. And, as you can see, Wicks's illustrations are fantastic. Crisp and clear, with a bright color palette and images outlined in black, Human Body Theater is a treat to look at that you will find yourself poring over.
After a quick introduction to the hardworking stage hands, the cells, bones then muscles are explored. I'll be honest, I have vague memories of learning about the human body in my high school biology class and it was largely uninteresting and forgettable. However, Wicks's illustrations and presentation are so inviting that I genuinely enjoyed my trip through the human body! I guess giving faces and smiles to things like a cytoplasm, a Gogli body and atoms is just entertaining enough to keep my attention. To illustrate how the heart and the lungs work together to supply the body with oxygen, Wicks brings two, pink oxygen molecules in tutus on stage to dance readers through the process.
The Blood Bus takes readers through the cardiovascular system and a peanut butter and banana sandwich explains carbohydrates then, with a note of glee exclaims, "But what's really exciting is that I'm going to get eaten!" The scene ends with the natural conclusion. There is a splash in the toilet on stage and the skeleton thanking the sandwich for an "informative performance." There are also brief forays into heartburn, constipation and the fact that stomach aches, constipation, vomiting and diarrhea can be caused by the brain and the benefits of relaxing and removing stress for the whole body.
Human Body Theater very tactfully covers the reproductive system, starting with the endocrine system and hormones. Wicks very tactfully uses descriptions rather than depictions for this scene. While there is a sperm and an egg with faces that talk, along with anatomical images of the sex organs, many readers might not even realize what they are looking at. Menstruation and erections are covered along with other changes that puberty brings, like body odor, pimples, hair growth, voice changing and breast development. The scene ends with pregnancy, birth and infancy. After a romp through the five senses, the skeleton ends the show by putting on some skin, then quickly stepping behind the curtain for some clothes.
In an excellent move, Wicks includes a glossary, with the ASL sign for each letter starting off each section, then a bibliography and suggested reading section!
Besides being a first rate author and illustrator and graphic novelist, Maris Wicks has a background in oceanography and education, having worked at the New England Aquarium where she taught children about marine science. This month she can be found on the R/V Atlantis doing research for the Woods Hole Oceanographic Institution. This all makes perfect sense because Wicks's next graphic novel, coming later this month, can be seen below!
Source: Review Copy
As a two time Newbery Medal winner, Newbery Honor winner and National Ambassador for Young People's Literature, a new book from Kate Di Camillo is a big deal, especially one like Raymie Nightingale. DiCamillo's books span a range of reading levels, from easy readers like Bink & Gollie and Mercy Watson to more nuanced novels like The Tale of Despereaux and Because of Winn Dixie. Whatever the reading level or subject of a book, you can always count on Di Camillo's distinctive eccentricity, sort of a Southern Gothic for kids.
Raymie Nightingale is set in 1975 in a small town in Central Florida. Di Camillo creates a world you can almost feel and smell, where the searing summer sun heats the sidewalks so that they are still warm at five in the morning and a blinding glare comes off Lake Clara, named after a woman who may or may not have drowned herself there while waiting for her husband to return from the Civil War. A third person narrator lets us see into the mind and heart of ten year old Raymie Clark, who has just suffered a great tragedy. Two days before the story begins, her father "had run away from home with a woman who was a dental hygienist," leaving Raymie with a sharp pain shooting through her heart every time she considers it. I think my favorite thing about Raymie Nightingale and the character of Raymie herself is the way that she experiences and describes her emotions. As a child, I know I had no idea that the physical sensations I felt in my body might be connected to emotions I was experiencing, and have Raymie as a guide would have been invaluable. Di Camillo quickly switches from locating feelings in Raymie's heart to finding them in her soul. Sometimes she feels like her soul is shriveling, other times, it feels like it is "filling up - becoming larger, brighter, more certain," almost like a tent.
Raymie has a plan to get her father to notice her and return home. She is going to win the Little Miss Central Florida Tire competition and get her picture in the newspaper. But first, upon the advice of his secretary, she has to learn to twirl a baton from local champion, Miss Ida Nee. Beverly Tapinksi and Louisiana Elefante are also taking lessons from Miss Ida Nee in order to ensure a win in the Little Miss Florida Tire competition. Beverly wants to sabotage the contest for reasons of her own and Louisiana wants the $1,975 prize money so that she and her grandmother can stop stealing canned food from the Tag and Bag. While never learning to twirl, the three girls do find themselves forming a quick and close bond as they are thrown into, or walk into, a series of curious, quasi-dangerous events. From an attempt to do a good deed at a nursing home that ends with a hair raising fright, to jimmying a lock and stealing a baton from a room covered, floor, walls and ceiling, in green shag carpet, to a midnight rescue and a shopping cart ride that ends in a pond that once was a sinkhole, the girls each have the chance to come to the rescue in unexpected ways.
As an adult reading Raymie Nightingale, the true gift of this novel and Di Camillo's writing is her ability to concisely and gently convey that period of childhood when you start to take notice of the ways of the adults around you and also feel like you might have some amount of control over your own life and your ability to steer the ship. Like most kids, Raymie might be able to see the adult world but she doesn't really understand how it works or how to work with it. And, while her attempts might fall short or flat out fail, Raymie has Beverly and Louisiana by her side and they will always be the Three Rancheros.
Souce: Review Copy
My Crazy Inventions Sketchbook: 50 Awesome Drawing Activities for Young Inventors by Andrew Rae and Lisa Regan is GENIUS! Rae has worked for many clients worldwide in advertising, print, publishing and animation and Regan is an accomplished author of children's non-fiction with over 300 titles to her name. The beauty of My Crazy Inventions Sketchbook is that it is more than a doodle book that will appeal to kids who may have never even considered inventing or designing something. This book is so engaging and inviting that readers will step outside the box or be inspired to step even further out, if they are already creatively inclined. Regan and Rae detail and bring to life a wide array of inventions from hundreds of years ago, like Leonardo daVinci's 1485 design for wings for humans to 21st century craziness like the man in Brazil who built a machine that changes from a van to a robot and back again in about two minutes.
My Crazy Inventions Sketchbook is a great gift for a kid who is a tinkerer, doodler or both, but it is also a gentle guide for kids who might really feel a passion for invention. The "Getting Started" page takes this seriously and tells junior inventors to keep a notebook, always make sure you are not inventing something that already exists and to "learn to let go" when you are the only one who thinks your inventions is a winner.
My Crazy Invention Sketchbook introduces kids to actual inventions, from the useful to the life changing to the ridiculous then invites them to think up their own inventions along the same lines or principals or adapt and improve something that already exists. Inventors can invent something to help them practice their favorite sport, a faster method of long distance travel or ways to make a boat fly. They are invited to invent a toilet, a toy, a brand new candy and a better bed. They are also asked to customize a bike and accessorize a car. Leaning into the less than possible (but hey, who am I to say?) kids are also asked to design a shrinking machine and a device that would help you do your homework.
The final pages of My Crazy Invention Sketchbook introduces readers to the concept of patents and has a two page "Application for Patent of My Crazy Invention" that, while far from the real thing, is a great place for young inventors to organize their thoughts and get them on the page. Finally, a very cool certificate of patent makes up the last page of the book. My Crazy Invention Sketchbook is guaranteed to spark ideas and inspire creativity in any one, of any age, who opens the covers and starts turning pages!
Source: Review Copy
Binary code. Computer programming. New town and new school. Gene Luen Yang, graphic novelist extraordinaire, is great storyteller, whatever subject he focuses on. Yang moves with ease from literary historical fiction like Boxers & Saints, to superheroes, like The Shadow Hero, Avatar, the Last Airbender and Superman, and on to everyday life, like Level Up, American Born Chinese, and The Eternal Smile. As a former high school computer science teacher, who made comics at night, Yang is a big supporter of teacher kids to code at an early age and his newest graphic novel series, Secret Coders: Get With the Program!, created with Mike Holmes, bringing what Yang calls a "Saturday morning energy" to it, does just that.is designed to do just that. There is even an excellent website for the book filled with great instructional videos, coding activities, including a downloadable file that lets you create Little Guy, the robot from the book, on a 3D printer!
Stately Academy, the setting of Secret Coders: Get With the Program!, is a bit like Hogwarts. As Yang says, it's a secret school that "teaches coding instead of magic." And, as Yang points out, coding is even better than magic because you can do it at home! Hopper is new to the slightly creepy, sort of mysterious Stately Academy. She gets pudding chucked at her head, makes a fool of herself in Mandarin class and at lunch her earrings, shaped like the number 7, trigger a startling reaction in a weird bird.
Seeing this oddity, Eni, son of a software engineer, comes over to investigate. Besides having some mad skills on the basketball court, Eni has a solid grasp of binary numbers and explains the controlling binary code to Hopper with a cool demonstration using pennies and chalk. Once Hopper gets it, the two experiment on the bird and begin to understand why the number 9 appears all over the school. There seem to be secret codes everywhere at Stately Academy and as Eni, his buddy Josh and Hopper break them they travel deeper and deeper into the secrets of the school and the crusty old janitor, Mr. Bee.
Some secrets are exposed and even more are unearthed by the end of Secret Coders: Get With the Program!, which has a bit of a cliffhanger. Book 1 is a great set up, focusing on making sure that readers understand binary code (over more character and plot development) before moving on to the next book in the series, Secret Coders: Paths & Portals, which comes out in January of 2016!
Source: Review Copy
I can't ever imagine getting tired of Barry Deutsch's self-possessed, stubborn heroine or the slightly As one review
succinctly, perfectly signed off, "This consistently clever and thoughtful series has not lost a particle of momentum." One of my favorite little things that comes with each new book is the new tagline! For book three in this brilliant series, Hereville: How Mirka Caught a Fish, the it reads, "Yet Another 11-Year-Old Time Traveling Orthodox Jewish Babysitter." As always, Deutsch's books are a marvelous mash-up of a fairy-tale-fantasy world and an Orthodox Jewish community. With book three, we get a glimpse into the world of Fruma, Mirka's stepmother.
Just before leaving Mirka home alone to babysit her little sister Layele, her stepmother Fruma drops some cryptic comments about happenings in the woods near their home. Tasked with doing the Shabbos shopping at Hershel's Grocery, Mirka drags a frightened Layele into the woods first so that she can get help in finding out what Fruma meant. A very funny scene with the troll Mirka fought in the first book ends with a magic hair tie that affords Mirka and Layele to see Fruma as a teenager. A non-Orthodox teenager!
A magic fish, a wish made by teen-Fruma and a tricky second wish that traps the fish cause trouble for Mirka and Layele, who finds herself the vessel for the fish at one point. The fish is determined to exact revenge on Fruma and Mirka finds that she has to use her brain and her empathy instead of her sword to outwit the vindictive fish. Mirka is a compelling character both because of her flaws and her strengths. She is headstrong and determined and always breaking rules and disregarding her elders, and for this I love her. But what I love even more is watching Mirka think (and fight) her way to redemption and success.
Books 1 & 2 in the Hereville Series:
Source: Review Copy
A year ago saw the debut of The Terrible Two by Mac Barnett, Jory John and illustrator Kevin Cornell. A standout for being laugh out loud funny (not as common a trait in kid's books as you might expect), The Terrible Two began the story of Miles, new kid in Yawnee Valley and master prankster, and his nemesis, Niles, the rule-following, goody-two-shoes, sash-wearing School Helper. The Terrible Two took a terrific turn when (SPOILER ALERT) it turned out that the angelic Niles was actually the secret prankster challenging Miles's status. The two teamed up, repeated the prankster's oath and shared a secret handshake before going on to pull off the greatest prank at Yawnee Valley Science and Letters Academy ever against their favorite target, Principal Barkin. Niles, Miles, Principal Barry Barkin, and his entitled son Josh are back in The Terrible Two Get Worse, along with Principal Barkin's father, retired Principal Bertrand Barkin.
The new school year seems to be off to a great start for the Terrible Two, who begin by smearing Limburger cheese all over the undercarriage of Principal Barkin's yellow hatchback as he enjoys Sunday brunch with Josh at Danny's Diner. The pranks continue into the school year until Bertrand Barkin decides to put an end to it by forcing his son out of his job and returning to his old job. Even worse, Bertrand Barkin, who sets up a giant sign to show how many prank-free school days have passed, has the personal motto, "It is only a prank if we react." As Principal Barkin the elder continues to refuse to react to Niles and Miles's pranks, the Terrible Two begin to get desperate. Niles even has an existential crisis that causes him to vomit and retreat to his room for several days. But, the Terrible Two are not down for long, and they come up with a crazy plan to take down Bertrand Barkin that includes expanding the Terrible Two to Three...
As before, The Terrible Two Get Worse is hilarious and hard to put down. What I love about Barnett and John's series is that the humor is smart. What other kid's book can throw out concepts like Chekov's Gun and Occam's Razor? And, happily, the presence of two items that seem to be Chekov's guns (a spool of thread and the suspenders-belt combo worn by Bertrand Barkin) are explained by the end of the book. And, in a wry and kind of eerie scene, Ms. Shandy, the social studies teacher, unveils a lesson during which the class will be living in a totalitarian state for two days, divided into groups that will create propaganda and samizdat in the style of Alexei Khvostenko. Of course Miles, Niles and their pal Holly Rash, school body president and a character I hope we see A LOT more of in the next book, decide to create samizdat, that is, until Principal Bertrand Barkin shuts the project down. Also, Cornell's illustrations that show Barry Barkin as he ticks off items on his list of projects to complete while he is unemployed, which begins with, 1. Start a list of projects, 2. Discover who you truly are, through projects.
I can't wait to see what the next book in this fantastic series brings! Until then, I will thoroughly enjoy discussing the pranks of the Terrible Two with my students, who love these books!
Be sure not to miss the equally hilarious website , which you could spend a serious amount of time pouring - and laughing over. The shop, where you can buy the books, of course, also offers up the Brooklyn Bridge for purchase! There is also a "plog," a blog of pranks, a video of a commercial for the book in Greece and covers of the books in translation in many languages!
Source: Review Copy
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The War that Saved My Life by Kimberly Brubaker Bradley came out in January of 2015. In January of 2016 it won the Newbery Honor, the Schneider Family Book Award for the "artistic expression of the disability experience for child and adolescent audiences," and the Odyssey Award for best audio book, with narration by Jayne Entwistle. A couple of months back, Bradley's book came to my attention when I saw it on several end of the year "best of" lists and Newbery prediction lists. After fantasy, historical fiction a very close second favorite genre of mine and without a doubt, The War the Saved My Life is one of the best works of historical fiction I have ever read. In narrator Ada, Bradley has created powerful narrative voice, an unforgettable character and a deeply moving story of survival, both physical and emotional, during WWII England.
Ada is not sure how old she is. She has never been to school, in fact, she has not left the tiny apartment she shares with her mother and younger brother, Jamie, in ages. She is crippled by a club foot and a widowed mother who never wanted to be one. Deeply suspicious, ignorant and filled with anger and hatred, Ada's mother abuses her physically and emotionally, filling her with shame and fear. Ada's only pleasure comes from tending to her little brother Jamie. As he grows older and starts school, his independence leaves her feeling like she should get some of her own. Used to crawling on her hands and knees, Ada slowly, painfully teaches herself to walk. When she learns from Jamie that the children are being evacuated from the city - and that her mother has no intention of letting her go - she sneaks out of the house and joins the evacuees. Upon arriving in Kent, Ada and Jamie, filthy, louse ridden, sick with rickets and impetigo, find themselves unwanted once more. The iron faced Lady Thornton, head of the Women's Voluntary Service, packs the children into her car and takes them to the home of Susan Smith, who refuses to take them, saying she didn't even know there was a war on.
Susan is mourning the loss of her dear friend, Becky, and in her near catatonic state of grief she unthinkingly says that she never wanted children in front of Ada and Jamie. However, Ada catches sight of a pony in the field behind Susan's house and determines to stay. With Susan, Ada faces a new set of challenges, the biggest being trust. Even if she hadn't heard Susan say that she never wanted children, the task of being able to trust Susan would be overwhelming. And this is where Bradley's superior narrative skills shine. With Ada's voice, Bradley conveys the isolation, fear and ignorance that have been her life. So many of the words that Susan says to her mean nothing, from "soup," to "sheets," to "operate," the reader quickly gets a strong sense of disconnect with which Ada moves through the world. This disconnect is expressed most powerfully when Ada is in distress, when her foot hurts or when people are talking about her or touching her. When she was home with her Mam, Ada would retreat, mentally, when the agony of her physical situation - like being locked in a dank cabinet under the sink - was too much to bear. She relies on this relief with Susan, too, imagining herself with Butter, the pony she saw in the field that she teaches herself to ride.
While Ada is an incredible character, Susan Smith is also remarkable. Oxford educated, she herself is familiar with parental disapproval and rejection. Bradley never states it openly, but she weaves enough threads into the story to lead me to believe that Susan and Becky were in love and were ostracized for it. But, Susan exemplifies the motto from the morale boosting poster created during the war, "Keep calm and carry on." In fact, Bradley quotes another poster made by the Ministry of Information to boost morale in The War that Saved My Life. Seeing the poster in town, Susan reads to to Ada, "Your courage, your cheerfulness, your resolution will bring us victory." "That's stupid, it sounds like we're doing all the work," Ada replies, saying it should be, "Our courage, our cheerfulness, our resolution, will bring us victory." This is one of the first moments where Susan sees through Ada's defenses. Susan clothes, feeds and educates Jamie and Ada, persistently, but never forcefully. While she expresses frustration, and both children cringe or hide at times when they think they have truly angered her, she never hits them or raises her voice to them. Instead, she explains herself when called for and hugs them when words will not do. She somehow understands the depths of Ada's emotional wounds and is patient with her when she breaks down, wrapping her tightly in a blanket and hugging - or even sitting on her during their first air raid.
While Ada and Jamie's mother only appears in the first and last few pages of The War that Saved My Life, her presence is a constant throughout. Her abuse of Ada is sometimes horrific, but also sparsely and effectively employed by Bradley. Witnessing this abuse allows the reader to be patient with the often unlikable Ada and also helps the reader understand her decisions, like the choice not to learn how to read or write, and her reactions, like the catastrophic break down she has when, on Christmas Eve, Susan gives her a handmade, green velvet dress, telling her that she is beautiful when she tries it on. Her mother's words, "You ugly piece of rubbish! Filth and trash! No one wants you with that ugly foot!" run through Ada's head and her roaring screams and panic are more understandable. It is even almost understandable that, throughout most of the novel, Ada believes that all the new things she is learning, from walking to horseback riding to reading and writing, will prove her worth to her mother and make her love her. With this possibility always out there, letting herself get attached to Susan is almost impossible. Then, there is always the knowledge of what her mother has thought of her and how she has treated her. Halfway through the novel, Ada says, "I wanted Mam to be like Susan. I didn't really trust Susan not to be like Mam."
But, Ada does get attached and she does grow stronger, physically and emotionally, over the course of this very rich and detailed story. And, while at first it seems like the war is a far off thing, it does come to Kent in a shattering way. After the Battle of Dunkirk, Kent finds itself overwhelmed by injured and dying soldiers, Ada heading into the village to help where she can. There is even a triumphant moment where, following the government dictate to say something if you see something, Ada not only must assert herself, but also let a prejudiced, condescending adult know that her foot is very far away from her brain, something she has heard Susan say, in order to be taken seriously. As life grows more dangerous in Kent and Susan refuses to send Ada and Jamie away, Ada thinks to herself, "It was hard enough to cope with Susan. How would I ever cope without her?"
I was in tears and sobbing for the last half of The War that Saved My Life, especially the final pages. Bradley delivers a very satisfying ending to a deeply satisfying book, one that makes me want to turn around and read it all over again. I am so grateful that this book won a Newbery honor, among other well deserved awards, because it means that it's likely to fall into the hands of children over and over for decades to come. I can't wait to get a copy for my library - I usually donate books I buy for myself to read to my library, but I am keeping this one! - and see what my students think of it!
Mabel Jones and the Forbidden City is the second book in Will Mabbitt and by Ross Collins's superb new series and, if possible, it's even better than the first, The Unlikely Adventures of Mabel Jones. In the first book, Mabbitt introduced our hero who is conscripted into the life of a pirate because she was caught doing THE DEED (picking her nose and eating it) and allowed to stay (despite being a girl) because she can read. The Unlikely Adventures of Mabel Jones is a panoramic sweeping story packed with richly detailed and very imaginative characters and places. With Mabel Jones and the Forbidden City, the story becomes more personal and urgent for Mabel. When we see Mabel again, she is in her room, scratching her armpit and staring at a "funny-looking thing, all fat and helpless. Like a beetle grub. Kind of slimy, but kind of cute, too." It's Mabel's baby sister Maggie, and mere minutes after this sweet scene of sibling love, Maggie is taken out of her room by a nasty tasting, powerful creeping vine. Mabel grabs on to the last bit of the disappearing vine and finds herself in a wardrobe in another time and place - the Noo World, specifically, the City of Dreams, a sort of post-apocalyptic, dangerous civilization built upon the remains of New York City.
Mabel in in America - and once again having an adventure in her pajamas, and this time bunny slippers as well. Once she gets her bearings, she heads off to the dwelling of Mr. Habib, a beak-collecting fortune teller who might be able to tell her where to find Maggie. Mable almost gets her nose snipped off to add to the collection, but she does get a lead and soon she in afloat again. This time, she has secured a position on a little paddle steamer, the Brown Trout, upon which she will be cruising down the Great Murky River to the Forbidden City, rumored to be under the thrall of a wicked sorceress. This expedition is being headed (and funded) by Professor Carruthers Badger-Badger, Phd and Timothy Speke, an otter who enjoys sketching and loves his damson jam. They are journeying to the Forbidden City to find a diamond the size of a gorilla's fist, seen in a faded advertisement from a magazine.
Mabel Jones and the Forbidden City finds the return of old friends, some of whom are now enemies, a flock of zombified egrets under the sway of the Witch Queen, a sunken high school full of skeleton students and the Scuttling Death, rival adventurer Sir Gideon Scapegrace and an epic climactic scene that will have you on the very edge of your seat as Mable prepares to make a huge sacrifice.
Not to fear, there will be another book in the Mabel Jones series! Without giving too much away, Mabel Jones and the Forbidden City ends with her staring out over the vast wasteland that was once New York City, picking her nose and wondering what happened to all the "hoomans."
The Unlikely Adventures of Mabel Jones
A few of the many books by Ross Collins!
Source: Review Copy
I have had The Unlikely Adventures of Mabel Jones by Will Mabbitt with illustrations by Ross Collins on my To Be Read shelf for a year now. The impending publication of the second book in this series, Mabel Jones and the Forbidden City, combined with the possible chance to have author Will Mabbitt visit here lit a fire under me and got me reading. Once I started, I couldn't stop! The Unlikely Adventures of Mabel Jones is every bit as absurd and adventurous as the title, illustrations, blurbs and reviews promise. As one reviewer touted, Mabbitt's book is a bit like Monty Python meets Jack Sparrow. While this is definitely accurate, for me Mabel Jones and her crew call to mind the brilliant, equally creative but darker work of two of my favorites, Chris Riddell and Paul Stewart and their series, The Edge Chronicles. Mabbitt's story and Collins's illustrations are perfectly paired and the design of the book is fantastic. There is a great mix of fonts and font sizes and one fantastic spread where, in the midst of a massive storm at sea, the text slips and slides off the page! Mabel Jones's richly illustrated, patently hilarious adventures are an absolute MUST READ for everyone.
When an omniscient (and very talkative) third person narrator first introduces us to Mabel Jones, she is about to be bagged by the kidnapper Omynus Hussh. Hussh, a slow loris who was kidnapped by Captain Idryss Ebenezer Split at birth, is a "dastardly breed: quiet as a peanut and sneaky as a woodlouse in a jar of raisins." Even if you have no idea what a woodlouse in a jar full of raisins is, it SOUNDS funny! And the names of the all animal crew! Mabbitt is a master of names. Besides Hussh and Split, there is Split's boat, the Feroshus Maggot, a pipe smoking goat pirate named Pelf, a mole who is the "best shortsighted lookout ever to have mistaken a pirate ship for an optician's shop," McMasters, and Mr. Clunes, an orangutan who is the strong and silent type. Finally, there is Old Sawbones, a crocodile who has a certificate in Advanced Nautical Surgery from the Butcher's Guild.
And how does Omynus Hussh know that Mabel is good for bagging? She was observed doing THE DEED - the deed that shows she is a pirate in the making. And what is this deed? Well, Mabel was observed picking her nose and eating her booger. And thus she was bagged. But not without some distress. Mabel got a good chomp on Hussh's paw, causing it to go septic, necessitating an amputation by Old Sawbones. Being fresh out of hooks, Sawbones attaches a doorknob to Hussh's stump in what has to be one of the funniest and saddest moments ever in a kid's book. And boy was Hussh sad - so sad he kept is paw with him, cradling it and talking to it like a friend (and a bit like Gollum with his Precious) while also harboring an increasing grudge against Mabel.
Of course the crew is outraged by the presence of a girl on board and they promptly prepare for her to walk the "greasy pole of certain death." But, this wouldn't be a story without Mabel and she manages to become part of the crew once they learn that she can read! Mabel becomes the key to helping the crew find a buried treasure by reuniting the pieces of the X that marks the spot which just happen to be in the hands of a handful of pirates who were once marooned with Captain Split's father.
The mystery of the missing X is actually pretty mysterious with an edge of creepy, reminding me of Stewart and Riddell's books all the more. There is a Haunted Sea, a sunken city and an army of the dead to contend with before the very dramatic and a tiny bit sad ending that also includes time travel. Happily, I get to dive right in to the next book in the series . . .
Source: Review Copy
Although his is a prolific and much loved author, I had not read any of Dan Gutman's books until my son and I started reading The Genius Files together in 2014. We were both immediately hooked by Gutman's sense of humor and I was especially impressed with the amount of fascinating factual information he packed into his books. Taking a cross country trip from California to Washington D.C. in a motorhome with their parents, twins Coke and Pepsi (of course there is a funny, interesting story behind their names) see some of the stranger (real) sites in the U.S., like the Pez Museum, the world's largest ball of twin and the House on the Rock in Wisconsin. With his new series, Flashback Four, Gutman brings the same sense of humor and way with the fact to this story of four twelve-year-olds from Boston who get the chance to travel through time, with great cover art by Scott Brundage. For years I have wondered why no one has taken the formula of the Magic Tree House books and applied it to middle grade novels, which is what I think Gutman is brilliantly doing here.
Gutman begins Flashback Four: The Lincoln Project with and introduction that gives readers a peek at the climax of the book. It's Thursday, November 19, 1863 and Abraham Lincoln is delivering the Gettysburg Address. In the crowd, a boy holds a small device in his hand, "silvery and metallic, it's small enough to fit in one hand, but powerful enough to change every history book ever written." Chapter one introduces the four main characters, David, Luke, Isabel and Julia, each of whom receive a mysterious yellow envelope that contains an invitation to a meeting with the CEO of the Pasture Company and four crisp five dollar bills. Assembled in the office of Chris Zandergoth, the four are a bit surprised when the CEO turns out to be a woman. Gutman writes, "Although we've come a long way in the last fifty years, here in the twenty-first century, most of us still assume that any rich, powerful person is a man." And the assumption is an accurate one: as of this writing, there are only 23 women who are CEOs of Fortune 500 companies, making up a whopping 4.6%. But, that's pretty heavy for a kid's book. And hopefully Gutman and his very cool character Chris Zandergoth, a prodigy who dropped out of Stanford to start Findamate, helping people find their "love match" by hacking into the computers of the NSA, will inspire young readers to break through the glass ceiling.
Julia, Isabel, David and Luke learn all this about Zandergoth when they Google her while she is, strategically, in the bathroom. Returning, she tells the kids, "I figured that letting you kids do a little research would be a lot easier than telling you my own boring life story." She goes on to tell them that she has chosen them very carefully using her powerful software algorithms. This revelation is followed by my favorite scene in the book during which Gutman brilliantly uses his characters to directly address a somewhat cynical observation I had made. David somewhat sneeringly responds, "Two boys. Two girls. I guess you picked me because you needed a black kid?" Isabel chimes in with, "I suppose I'm the token Hispanic?" Luke caps it by saying, "What, no Asian? How do you expect to win Multicultural Humanitarian of the Year?" Miss Z laughs it off, telling the four that she matched them up for their, "compatibility, not your ethnicity." Diversity in kid's books is a front burner issue these days, especially with Matt de la Peña becoming the first Latino to win the Newbery Medal for his picture book Last Stop on Market Street. de la Peña has said that this book is representative of his new approach to featuring diverse characters in his books, where he strives to continue to feature diverse characters but "now I try to place them in stories that have nothing to do with diversity, not overtly anyway." Not only is that what Gutman is doing here, but he is also letting us know that he is doing it in a very funny way that I think is great.
Miss Z., who has a passion for photography, a love of history and a great collection of photos from important moments in time, has enlisted the four kids to travel back in time and take pictures of monumental moments using a very smart smartboard, known as the Board, that she and a team worked years to perfect. The first assignment for the Flasback Four, as they name themselves: travel back to the Gettysburg Address and take a picture of Lincoln as he delivers it. This is not as easy as it sounds since the speech lasted less than three minutes. And, understandably, David has some serious concerns as an African American, despite the fact that he will be traveling to the Free North, saying, "I saw that movie Twelve Years a Slave. That guy was in New York when he got kidnapped. I'm not about to get myself sold into slavery just to take a picture." Miss Z. reassures him and prepares the kids for their trip, giving them a list of expression from the era and, of course, clothes. She also gives them a Text Through Time device that looks a lot like a smartphone and allows the kids to communicate with Miss Z and a snazzy new Nikon camera. Everything should go swimmingly.
But it doesn't. Miss Z. makes a typo and sends the Flashback Four back in time a day early. Instead of spending a couple of hours in 1863 they now have to spend twenty-four. Then there is the problem of Julia, who seems to be a bit of a kleptomaniac who is obsessed with making money, even though her family is wealthy. She manages to sneak into the home of David Wills, the man responsible for creating a cemetery honoring Union soldiers who died in the Battle of Gettysburg, and the place where Lincoln spent the night before the address. Luke, David and Isabel stop her from stealing Lincoln's draft of the speech, but not before they encounter Tad Lincoln and his toy gun.
I learned quite a bit reading Flashback Four: The Lincoln Project, and not just boring stuff like dates and places. At one point, the kids end up in jail next to the town drunk who just happened to be one of the civilians who tried to bury the dead after the battle. He tells the kids of the gruesome facts of the battle, the amputations, and worse. Gutman includes a "Facts & Fictions" at the end of the book where he sheds more light on interesting aspects of the book and fesses up about some liberties he took. Does the Flashback Four get the picture? Do they make it back to Boston safely? And where are they headed next? I can't wait to find out!
Source: Review Copy
There are so many things I love and am fascinated by in Why'd They Wear That? Fashion as the Mirror of History by Sarah Albee! From the multitude of fascinating facts to the fantastic graphics, I am worried this review could go on endlessly. However, what I love most about Albee's book is what comes at the end, right before a timeline, author's notes, further reading and resources,
Jennifer Nielsen is the author of the widely praised Ascendance Trilogy, set in a kingdom on the verge of civil war. Neilsen is also the author of the Mark of the Thief trilogy set in Ancient Rome that combines history, fantasy and fast paced action. Nielsen's newest book, A Night Divided, is a stand-alone work of historical fiction set in a time and place that is rarely visited in
Baba Yaga's Assistant is the superlative new graphic novel written by Marika McCoola and illustrated by Emily Carroll, who brought us the eerily wonderful graphic Through the Woods. I am a HUGE fan of fairy tales (my secret dream is to get a PhD in fairy tales and write a killer dissertation...) and always excited to see a story that features one of the lesser known (to Americans) characters
In 2012 I reviewed Neversink, a superb, Watership Down-esque tale of animals living in the Arctic Circle by Barry Wolverton. I've been waiting three years to see what he does next and The Vanishing Island, the first book in the Chronicles of the Black Tulip series is every bit as exciting as Neversink and inventively set in the alternate past of 1599!
The town of Map is the "dirtiest,
I was nine when Judy Blume's only novel for kids set in the past was published. Starring Sally J. Freedman as Herself debuted in 1977, sandwiched between Blume's better known novels for older readers, Forever and Wifey. Being just the right age in the 70s, I read the core cannon of Blume's books - Blubber, Are You There God? It's Me, Margaret, Then Again, Maybe I Won't, Deenie and
George by Alex Gino is a groundbreaking, vitally important, perfectly written addition to the shelves of children's literature. George is the story of ten-year-old George Mitchell who knows she is a girl, in spite of physical appearances. Over the course of the story, George struggles with what she knows to be true and wanting to tell the people in her life this truth. I came to George,
In 2012 I reviewed Libby of High Hopes, written and illustrated by Elise Primavera, calling it a gem of a book. In the almost eleven-year-old Libby, Primavera created a character who, in her struggle to get what she newly discovers she wants most in the world, must also confront her own shortcomings and disappointment. Libby Thump is one of the most genuine literary girls I have
Books like The Marvels by Brian Selznick are why I read and books like The Marvels what keep me reading, in the hopes of recreating the magical experience of being completely immersed in another world, another time. If you have read The Invention of Hugo Cabret then you know the special gift and pleasure you are in for when you hold this gorgeous 672 page tome in your hands and prepare
The Doldrums by Nicholas Gannon is rich with promise. The pages of this beautiful book are thick and creamy. Gannon, a graduate of Parsons School of Design, illustrates The Doldrums with characters and a palette that are ethereal, eccentric and inviting. The hero of The Doldrums, which will be followed by a sequel, is Archer B. Helmsley, one of the thousands of children born every day who
The Stratford Zoo Midnight Review series by Ian Lendler and Zack Giallongo is going to do for Shakespeare what George O'Connor has done for Greek mythology with his Olympians series. Last year they debuted, The Stratford Zoo Midnight Review Presents: Macbeth, and now, as promised by the peacock at the end of Macbeth, The Stratford Zoo Midnight Review: Romeo and Juliet has arrived!
The Stratford Zoo Midnight Review Presents: Macbeth takes a pretty intense, adult play about a thirst for power, a prophecy and more than a few murders and, miraculously, makes it kid appropriate. As The Stratford Zoo Midnight Review Presents: Macbeth begins, there is a quick set up where readers see a pink, tentacle-y arm unlocking cages all over the zoo and the audience taking their seats while seagulls hawk "Peanuts! Earthworms! Ice cold bananas!" and, "Carrion, rotting carrion!" Panels, sometimes strategically placed, allow glimpses of the audience and their reactions as the play unfolds.
Macbeth, as played by the lion, is adored by all, plied with food and hungry for something new. He realizes that if he eats the king he will become the new king. It's not food Macbeth wants, it's power! Loads of ketchup and an elephant getting up out of his seat disguise the murders that Macbeth commits to become and stay king. Lady Macbeth, as played by a cheetah, realizes, most dramatically, that her spots just will NOT come out (and a key word in her famous speech about them is changed to "dumb.") MacDuff, as played by a stork, defeats Macbeth, fulfilling the prophecy because he wasn't born from a mother, but "delivered," and, happily, everyone that he has eaten in his quest for power pops out of his mouth! The actors take a bow, the audience leaves and, as the zoo opens we see kids wondering what the animals do all night, since they seem to sleep all day...
In The Stratford Zoo Midnight Review: Romeo and Juliet the animal actors return with another of Shakespeare's tragedies and a rooster and a bear in the titular roles. The same family of monkeys return for the play, and the little one quips and complains and tussles with a lamb, Lydia, but ultimately enjoy the play and find friendship after the curtain closes, echoing that action on the stage. The writing and casting of The Stratford Zoo Midnight Review: Romeo and Juliet is brilliant. Romeo and the Montagues are roosters (and chickens) and part of the Verona Petting Zoo and known as "Petters." The Capulets are Wilders, bears living in the wilderness. The two meet at a costume party where Romeo is wearing a bandit mask and Juliet is dressed as (a very cute) Abraham Lincoln. Lendler gets around the love, marriage and death aspects of the story by having Romeo and Juliet want to be best friends and Juliet deciding to enter into early hibernation.
Giallongo's illustrations are bright and colorful and hilarious. The plans for Juliet's party include juice boxes and a blow-up bounce house. The Stratford Zoo Midnight Review: Romeo and Juliet is a more brightly colored book, perhaps because of the roosters. Once again, the violence and death is tactfully handled by having an elephant in the audience - this time with a date in tow - stand up and block the stage. The story and art work together perfectly, once again, in this totally entertaining graphic novel. Kids don't need to know that they are reading a Shakespeare play to enjoy or understand the story - it works on its own. The bonus is, maybe 5 years down the road when they read the play in high school, they will already know the story! Once again, the zookeepers clean up after the play, baffled by a bottle of "Hibernation Juice" they discover amongst the trash. The next play/graphic novel promises to be a comedy and I can't wait to read it.
Source: Purchased (Macbeth) and Review Copy (Romeo & Juliet)
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With the recent movies from the Marvel Universe featuring Thor, along with Rick Riordan's new series Magnus Chase and the Gods of Asgard in which the titular character discovers he is the son of a Norse god (and why couldn't it have been Astrid Chase discovering she's the daughter of a Norse goddess, Rick?) Norse mythology is hot enough to melt a fjord right now. And, while the I love the D'Aulaires and their own collection of Norse mythology, it doesn't always grab the attention of readers. With Treasury of Norse Mythology: Stories of Intrigue, Trickery, Love and Revenge, children's book author Donna Jo Napoli brings the same wonderful storytelling skills to that she brought to the Treasury of Egyptian Mythology and the Treasury of Greek Mythology, all three of which are marvelously illustrated, with beautiful borders on every page, by Christina Balit.
Napoli's introduction is superb, providing insight into the nature of Norse mythology that will help young readers understand how and why it is different from Greek and Egyptian mythologies. She tells readers that the was rich tradition of storytelling by traveling poets in Scandanavia, especially during the long winter nights, along with a devotion to the Old Norse language despite the widespread use of Latin during the Middle Ages. Add to this the fierce weather and powerful forces of nature that exist in Scandinavia, along with the communal nature of the Norse gods who assembled for votes, reflecting the democratic society of Norway in which all men (not women or slaves) had a vote, and you being to understand why Thor is a comic book hero today.
Treasury of Norse Mythology: Stories of Intrigue, Trickery, Love and Revenge has back matter that includes a map of the ancient Norse world and a timeline of Norse history. There is also a cast of characters with the names and attributes of the deities, although no phonetic pronunciations, which I would have liked. I struggled with the consonant-filled names as I read. However, Napoli's introduction is followed by a note on Norse names that explains the Old Norse alphabet, the use of nominative case markers and her choice to anglicize the names. She also includes sites where readers can find more information about Old Norse as well as a video link that lets readers hear the language.
Another aspect of Treasury of Norse Mythology: Stories of Intrigue, Trickery, Love and Revenge that I especially like are the side notes that explain and add understanding to the stories in the book. The importance of the number nine in Norse mythology, the woes of beauty (women really don't fare well in Norse mythology...) and winter travel and more all get a paragraph or two and are fascinating. Napoli's afterword is fascinating and helped me make sense of the sometimes strange path of the stories. She notes the three main inconsistencies she encountered in the stories as she draws from various sources. Logical inconsistencies (like Loki's shape-shifting abilities not always coming into play) factual inconsistencies (like Odin starving for meat when he is supposed to live in wine alone) and inconsistencies of time. Interestingly, Napoli shares that she has found time inconsistencies in Greek and Egyptian myths as well, noting that this could be due to the many authors writing down the tales at different times. She ends on this interesting thought that reflects her knowledge and understanding of her subject matter, "Why can't time simply fold back on itself, especially in a world riddled with magic?"
Source: Review Copy