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1. Free Fall Friday – Mish Mash

CALL FOR HOLIDAY ILLUSTRATIONS – Needs to be at least 500 pixels wide. Send to Kathy.temean (at) gmail.com.

I forgot to give you the date for when I will announce the two book give-a-ways from my post on November 14th. I will announce the two winners on Thanksgiving. Good news! You still can leave a comment on that post for your chance to win up until Wednesday at 6pm EST.

Authors: Did you know that I am repeating what we did with the Halloween Poems? Please send in your Thanksgiving Poems and I will post them on November 26th and the public will vote for their favorite. The winner will receive a chit for a future post about them and or a book they have coming out.

undertheneversky2The first book of the UNDER THE NEVER SKY trilogy by Veronica Rossi price has dropped to only $1.99 for the Kindle version on Amazon.

From a New York Times bestselling author comes a dystopian masterpiece called “inspired, offbeat, and mesmerizing” (Kirkus Reviews). Though from different worlds, Aria and Perry must depend on one another for survival. “You won’t be able to put this book down” (Seventeen).

Great Buy! One of my favorite trilogies, BTW. Here is the link on Amazon.

grave mercy
Grave Mercy: His Fair Assassin, Book I (His Fair Assassin Trilogy 1) by Robin LaFevers is $1.99 on the Kindle.

From a New York Times bestselling author comes an Amazon Best Book of the Month with over 300 five-star reviews. In medieval Europe, Ismae discovers her destiny as a handmaiden to Death. But can she kill the man she loves? “A page-turner — with grace” (Kirkus Reviews).

Here is the link on Amazon

 

VOTE NOW FOR THIS YEARS GOODREADS 2014 BEST BOOKS:

http://www.goodreads.com/choiceawards/best-books-2014?utm_campaign=final_round&utm_content=choice_vote_button&utm_medium=email&utm_source=GRCA_2014

 

From Publisher’s Lunch:

Children’s/YA Sales Drive Sales Again In August

The AAP released their monthly Stat Shot statistics from approximately 1,200 reporting publishers for August, with sales remaining true to the pattern from all of 2014: Strong children’s/YA sales — in all formats — continue to carry the trade, accounting for all of the gains and then some, as new release adult hardcovers (and thus companion ebooks) remain lackluster.

For August itself, adult sales of $415 million did rise slightly from $408 million a year ago, and children’s/YA sales of $170 million were up from $141 million last August. Adult hardcover sales were down again, though, and have been weak all year (down 7.2 percent for the first 8 months of 2014); adult ebook sales for August were $107 million, down 2 percent from $109 million a year ago. Adult ebook sales for the year are barely below flat, at $853 million.

Remember that the AAP is measuring net shipments to and from accounts, not consumer sell-through (except for ebooks); so the August numbers reflect stores bringing in inventory to prepare for the big holiday season — but the lack of adult breakout titles may show itself in monthly numbers later this year and early into 2015. Informally, publishing and retail executives have expressed concern over the past month or two over the lack of new, breakout hits pulling consumers’ attention in advance of those holiday sales.

But the smaller children’s/YA market tells a different story. Registering their best month so far in a strong year (children’s sales are up $225 million, or more than 20 percent), August children’s sales were $170 million. Children’s ebook sales gained $5 million, rising to $17.9 million, still leaving total ebook sales of $124.6 up slightly from $122 million a year ago. eBooks accounted for 21 percent of August’s sales.

At Little, Brown Children’s, Alvina Ling has been promoted to vp, editor-in-chief, overseeing the publishing program (excluding licensing). Pam Gruber moves up to senior editor; and Allison Moore is now associate editor.
wendymcleodmacknight100cropped
Last Friday, Wendy McLeod MacKnight was signed by the LKG Literary Agency in New York City for her children’s chapter book! Woo-hoo!

Check back next week for November’s First Page Critiques by agent Alex Slater from Trident Media Group.

Talk tomorrow,

Kathy


Filed under: Agent, Author, Book, children writing, inspiration, Kudos, Publishing Industry Tagged: 2014 Goodreads Best Book Voting, Children's YA drives Book Industry Sales, LKG Literary, Veronica Rossi's Under the Never Sky

1 Comments on Free Fall Friday – Mish Mash, last added: 11/21/2014
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2. Agent Looking to Build List

CSLOGO

Lana Popovic

lana-popovic-literary-agent

Lana Popovic

Lana Popovic holds a B.A. with honors from Yale University, a J.D. from the Boston University School of Law, where she focused on intellectual property, and an M.A. with highest honors from the Emerson College Publishing and Writing program. Prior to joining Chalberg & Sussman, Lana worked at Zachary Shuster Harmsworth, where she built a list of Young Adult and adult literary authors while managing foreign rights for the agency.

Lana’s clients include Leah Thomas (Because You’ll Never Meet Me, forthcoming from Bloomsbury), Rebecca Podos (The Mystery of Hollow Places, forthcoming from Balzer + Bray/HarperCollins), Michelle Smith (Play On, forthcoming from Spencer Hill Contemporary), and Marie Jaskulka (The Lost Marble Notebook of Forgotten Girl and Random Boy, forthcoming from Skyhorse).

With an abiding love for dark themes and shamelessly nerdy fare—Battlestar Galactica and Joss Whedon are two of her great loves—Lana is looking for a broad spectrum of Young Adult and Middle Grade projects, from contemporary realism to speculative fiction, fantasy, horror, and sci-fi. For the adult market, Lana is interested in literary thrillers, horror, fantasy, sophisticated erotica and romance, and select nonfiction. An avid traveler, she has a particular fondness for stories set in Eastern Europe, the Middle East, North Africa, and Asia, although she also loves reading about American subcultures.

Lana is accepting:

  1. Young Adult/Middle Grade Fiction: Contemporary/realistic, mysteries, thrillers, fantasy, historical, horror, sci-fi
  2. Adult Fiction: Literary thrillers, sci-fi, horror, romance, erotica, women’s literary fiction
  3. Adult Nonfiction: Pop culture, blog-to-book, literary memoir

Twitter at @LanaPopovicLit.

To query Lana, please email lana@chalbergsussman.com with the first ten pages of the manuscript included in the body of the email. Lana accepts queries by email only.

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, inspiration, opportunity, Places to Submit Tagged: Boston University School of Law, Chalberg & Sussman, Lana Popovic, Yale University

0 Comments on Agent Looking to Build List as of 11/20/2014 12:50:00 AM
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3. Free Fall Friday – Alex Slater & Book Winner

THE WINNER OF VOYAGE BY KAREN ROMAGNA IS ELLEN RAMSEY.

Alexander SlaterAlexander Slater from the Trident Media Group has agreed to be November’s Guest Critiquer.

He is looking to build his list. When asked how he became an agent at Trident, concentrating in the expanding children’s, middle grade and young adult businesses, Alex simply replies, “It was only natural.” While karma is not an established business concept,  it is clear that Alex’s career arc led him in this happy direction.

Start with Alex’s love of fiction, and in particular the stories that captivate the minds and imaginations of young people, from those so young that books are read to them, to young adults who get captivated by creative fiction. “I love to let myself go, and become the reader, whether the story is directed at a ten-year-old or a teenager,” says Alex.

Next is Alex’s experience at Trident, where he has been since 2010. He became a very successful agent representing the company’s children, middle grade and young adult authors in many licensing arrangements in the global marketplace for translation and in the English language in the U.K., having placed books with publishers in dozens of countries. Alex was Trident’s representative at the Bologna Children’s Book Fair in Italy, as well as the broader-based London and Frankfurt book fairs. His experience in representing fiction in these areas showed him what elements in stories work well, and how to maximize the value of what an author has created.

He is now building his list domestically at Trident, while keeping his focus on these areas.  As a Foreign Rights Agent, he sold international rights for authors such as R.J. Palacio, Louis Sachar, Jessica Sorensen, L.J. Smith, Rebecca Donovan, and many others.

Alex’s plan is to, “Look for stories that will rise above the rest with characters that will be remembered well past childhood, with the potential to cross over to other media and formats,” such as programming, games, motion pictures and merchandise. “Trident is the leader on taking advantage of the latest opportunities presented by changing technology,” says Alex, and, “I will be there to help make the latest innovations happen for my authors.”

“I believe that the most successful writers have a bit of the dreamer in them.” And Alex passionately believes that he can help turn their dreams into reality.

What Alex is looking for: Alexander is interested in children’s, middle grade, and young adult fiction and nonfiction, from new and established authors.  As he says, “I’m looking for projects that will rise above the rest…characters you’ll remember well past childhood…books that translate well to film because within them contain incredible stories, not because they’re the latest trend.”  He particularly loves authors like Frank Portman, Jim Shepard, Jenny Han, and Rainbow Rowell.

How to submit: Send a query letter, pasted in the body of the email, to aslater [at] TridentMediaGroup.com. Your query should include only a paragraph about yourself, a brief plot pitch, and your contact information. Please do not send a manuscript or proposal until you have been requested to do so.

Follow him on Twitter: @abuckslater.

The four winning first pages will be sent to Alex Slater from Trident Media for critique. PLEASE DO NOT SUBMIT IF YOU DO NOT WANT TO HAVE YOUR CRITIQUE POSTED.

Here are the guidelines for submitting a First Page in November:

In the subject line, please write “November First Page Critique” and paste the text in the email. Please make sure you include your name, the title of the piece, and whether it is as picture book, middle grade, or young adult, etc. at the top.

Plus attach your first page Word doc. to email. Format using one inch margins and 12 point New Times Roman font – double space – no more than 23 lines. First page should not be submitted with two pages. Send to: kathy(dot)temean(at)gmail(dot)com.

PLEASE FOLLOW THE GUIDELINES: Last month a number of submissions were taken out of the mix, due to not following the directions for both the pasted email and the attached Word doc.

DEADLINE: November 24th.

RESULTS: November 28th.

Ellen Ramsey please email me your name and address to receive your book.

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, Middle Grade Novels, New Adult, opportunity, Places to sumit, revisions, Young Adult Novel Tagged: Alex Slater, Trident Media, VOYAGER

2 Comments on Free Fall Friday – Alex Slater & Book Winner, last added: 11/7/2014
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4. Few Weeks Left For WeNeedDiverseBooks Campaign

WNDB_Infographic_square

You can help make a difference by making a donation.

 

There are lots of things you can receive by contributing to the cause. Example: AGENT critiques and EDITOR critiques from editors at Big 5 publishing houses.

An unforgettable opportunity to have a private dinner in NYC with incredible bestselling & award-winning authors Jacqueline Woodson AND Matt de la Peña

Coming soon – a limited number of discounted registrations for Fans of SCBWI – including a VIP critique at their annual LA conference in 2015! Many thanks to Lin Oliver, Sara Rutenberg and Kim Turrisi for offering this. Can’t wait to see how quickly they go!

Here’s the link to the WNDB campaign: http://igg.me/at/diversebooks Maybe even find something you could give as a holiday gift with your donation.

Talk tomorrow,

Kathy


Filed under: Agent, authors and illustrators, children writing, Editors, Events, need to know, opportunity, Publishing Industry Tagged: Agent and Editor Critiques, Matt de la Pena, Private Dinner in NYC Jacqueline Woodson, SCBWI Discounted Registrations, We Nee Diverse Books

2 Comments on Few Weeks Left For WeNeedDiverseBooks Campaign, last added: 11/10/2014
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5. New Agent Looking For Clients at Writers House

alec-shane-literary-agent-220x300Alec Shane has been promoted to agent at Writers House, which is one of the largest literary agencies in the world. It prides itself on providing an extraordinary amount of individual client attention combined with the full service benefits of foreign and sub rights departments, as well as a full accounting and royalty staff.

Alex began his career at Writers House as an intern in September of 2008 and simply refused to leave, so he was given the wonderful job of Assistant to Jodi Reamer. And while he continues to work under Jodi’s careful tutelage, he is now also in the process of actively building his own list and currently represent a fairly eclectic mix of Children’s and Adult fiction and nonfiction. He is eagerly looking for both.

On the fiction side, he loves mysteries, thrillers, bad-ass protagonists with a chip on their shoulders, beautifully told historical fiction (The Vietnam War, the Maccabees, and The American Revolution fascinate him in particular),well-researched adventure stories, and great horror. He says, “I haven’t been scared to turn off the light in far too long and something needs to be done about it.”

In terms of children’s books, getting boys to read again is especially important to him, and thus he’s particularly on the lookout for a fun middle-grade adventure series, ghost story, or anything else geared toward younger male readers.

On the nonfiction side, he’s attracted to odd, quirky histories, biographies of people he didn’t even know existed (but definitely should have), “guy” reads, humor, narrative nonfiction that sheds light on under-the-radar events and lifestyles, and all things sports. He is also currently up in the air as to whether or not he believes in ghosts, hauntings, and the supernatural, so if you have something that can convince me one way or the other, I’d love to see it.

Alex majored in English at Brown University, a degree he put to immediate use by moving to Los Angeles after graduation to become a professional stunt man. Realizing that he prefers books to breakaway glass, he moved to New York City in 2008 to pursue a career in publishing. Alec quickly found a home at Writers House Literary Agency, where he worked under Jodi Reamer and Amy Berkower on a large number of YA and Adult titles.

Twitter handle: @alecdshane.

He is looking for: Alec is now aggressively building his own list. “What I’m looking for in fiction: mystery, thriller, suspense, horror, historical fiction, literary fiction, and books geared toward young male readers (both YA and MG).

What he’s not looking for: Romance (paranormal or otherwise), straight sci-fi, high fantasy, picture books, self-help, women’s fiction, food, travel memoir.”

PROJECTS/SALES/BOOKS:

SHARK WARS, EJ Altbacker
THE BOOK OF BLOOD, HP Newquist
MONKEY TOWN, Ronald Kidd
HOW THE STATES GOT THEIR SHAPES, Mark Stein
SHARK WARS 6: THE LAST EMPREX, EJ Altbacker (Razorbill)
YOU MIGHT REMEMBER ME: THE LIFE AND TIMES OF PHIL HARTMAN, Mike Thomas (St. Martins)
SEEING AMERICA, Nancy Crocker (Medallion Press)

Submission guidelines: He accepts e-mail and snail-mail queries (although email is preferable), and will usually respond within 4-5 weeks. Please send the first 10 pages of your manuscript, along with your query letter, to ashane [at] writershouse.com with “Query for Alec Shane: TITLE” as your subject heading – no attachments please! If sending via regular mail, please include a SASE with proper postage.

Writers House
21 West 26th Street
New York, NY 10010
phone 212-685-2400

Talk tomorrow,

Kathy

 


Filed under: Agent, authors and illustrators, Editor & Agent Info, Middle Grade Novels, opportunity, Places to sumit, Publishers and Agencies, Young Adult Novel Tagged: Agent Looking for Clients, Alex Shane, Fiction and Non-fiction

1 Comments on New Agent Looking For Clients at Writers House, last added: 11/12/2014
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6. Free Fall Friday – Two Book-Give-a-Ways & Poem Winner

OPPORTUNITY: TWO BOOK-GIVE-A-WAYS

greaterthangoldGayle Aanensen’s new 88 page novella, GREATER THAN GOLD hit the book shelves this week. It is now available on Amazon and will appeal to anyone who celebrates Christmas.

Greater than Gold is the story of two troubled boys and their two Christmases—Oscar in the present day, and Omar way back in biblical time. A good description would be The Polar Express meets The Book of Luke. After all, if a magical train ride can restore a boy’s belief in Santa Claus, why can’t an angel time-travel Oscar back to Bethlehem, where he discovers the peace, joy (and danger!) of the very first Christmas. Twelve-year-old Oscar Olsen is missing his soldier Dad, and he wants nothing (repeat, nothing) to do with Christmas this year! He acts out his anger on his Mom, his friend, Melissa, and even the strange new kid in church, Albert. A young, inexperienced angel, still struggling to control her wings, appears in Oscar’s bedroom. She tells Oscar that her official alphanumerical name is too long, so he can call her Earth Angel 10. She whirls him back to 2,000 years ago, where he becomes Omar, an orphaned camel-boy, riding with the Magi. Omar is a brand-new person in the traditional nativity story. Young readers will be drawn into the boys’ two parallel stories, told in alternating chapters.

spaghetticove2r

Ten days ago, I featured Margo Sorensen new book, SPAGHETTI SMILES and forgot to offer everyone a chance to win a copy her wonderful book illustrated by David Harrington who was featured on Illustrator Saturday. So we are offering the book give-a-way this week.

So if you leave a comment to this post you will automatically have a chance to win GREATER THAN GOLD OR SPAGHETTI SMILES.

If you reblog, tweet, post on your facebook page you will get an extra ticket with your name paced in the hat. This will definitely up your chances for winning one of the books. You can comment now and then do the other things later, but please come back before the deadline and let me know how many things you did. Both will make a nice gift for the holidays. Good luck!

The Unusual Stew by Robert Zammarchi was voted as the best Halloween poem. His prize is a featured post right here on Writing and Illustrating. He can choose to use it right away or hold on to it for when he wants to talk about something special. Thank you to everyone who submitted poems and to everyone who voted.

I think everyone enjoyed this, so I am going to do the same thing for Thanksgiving. If you have a poem or an illustration inspired by the holiday, please email it to me at: Kathy(dot)temean(at)gmail.com – Please put THANKSGIVING POEM or THANKSGIVING ILLUSTRATION in the Subject Box.

Alexander Slater

Agent Alex Slater

Remember to submit your first pages for this month. It is the last one for this year.

The four winning first pages will be sent to Alex Slater from Trident Media for critique. PLEASE DO NOT SUBMIT IF YOU DO NOT WANT TO HAVE YOUR CRITIQUE POSTED.

Here are the guidelines for submitting a First Page in November:

In the subject line, please write “November First Page Critique” and paste the text in the email. Please make sure you include your name, the title of the piece, and whether it is as picture book, middle grade, or young adult, etc. at the top.

Plus attach your first page Word doc. to email. Format using one inch margins and 12 point New Times Roman font – double space – no more than 23 lines. First page should not be submitted with two pages. Send to: kathy(dot)temean(at)gmail(dot)com.

PLEASE FOLLOW THE GUIDELINES: Last month a number of submissions were taken out of the mix, due to not following the directions for both the pasted email and the attached Word doc.

DEADLINE: November 24th.

RESULTS: November 28th.

Talk tomorrow,

Kathy


Filed under: Agent, Contests, illustrating, inspiration, opportunity, Poems Tagged: Agent Alex Slater, November First Page Critiques, Thanksgiving Poems, Two Book Give-a-Ways, Winner of Halloween Poem Contest

10 Comments on Free Fall Friday – Two Book-Give-a-Ways & Poem Winner, last added: 11/14/2014
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7. Agent Looking to Build List

mllacropped

Patricia Nelson

Patricia Nelson joined the Marsal Lyon Literary Agency as assistant to Kevan Lyon in March 2014, and became an agent in September 2014. Previously, she interned at The Angela Rinaldi Literary Agency and in the children’s division at Running Press.

Patricia represents adult and young adult fiction, and is actively looking to build her list. On the adult side, she is interested in literary fiction and commercial fiction in the New Adult, women’s fiction, and romance genres. For YA, she is looking for contemporary/realistic fiction as well YA mystery/thriller, horror, magical realism, science fiction and fantasy. She is also interested in finding exciting multicultural and LGBTQ fiction, both YA and adult. In general, Patricia loves stories with complex characters that jump off the page and thoughtfully drawn, believable relationships – along with writing that makes her feel completely pulled into these characters’ lives and worlds.

Patricia received her bachelor’s degree from the College of William and Mary in 2008, and also holds a master’s degree in English Literature from the University of Southern California and a master’s degree in Gender Studies from the University of Texas at Austin. Before joining the world of publishing, she spent four years as a university-level instructor of literature and writing.

Follow Patricia on Twitter at @patricianels.

Send a query letter by email to: Patricia [at] MarsalLyonLiteraryAgency.com and write “QUERY” in the subject line of the email. Please note that the agency now accepts electronic submissions only. In all submissions, please include a contact phone number as well as your email address. “If we are interested in your work, we will call or email you. If not, we will respond via email. Our response time is generally 1-4 weeks for queries and 4-8 weeks for sample pages and manuscripts. We welcome unsolicited materials and look forward to reading your work.”

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, opportunity, Places to sumit, Publishers and Agencies, Young Adult Novel Tagged: Agent Building List, Marsal Lyon Literary Agency, Patricia Nelson, Running Press

1 Comments on Agent Looking to Build List, last added: 10/9/2014
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8. Free Fall Friday – October – Liza Fleissig

lizaimgsmallLiza Leissig of the Liza Royce Agency has agreed to be our First Page Guest Critiquer for October.

Liza Fleissig, with her partner Ginger Harris-Dontzin, opened the Liza Royce Agency (LRA) in early 2011. Prior to that she had represented a large number of adult based fiction and non-fiction writers.

I invited Liza and Ginger to the New Jersey SCBWI Conference and introduce many of the writers to her that year in June 2011. Liza took on a number of those writers and has successfully placed 31 children’s manuscripts with publishers since then. She has proven herself as a real go getter.

A graduate of the University of Pennsylvania’s Wharton School of Business with a BS in Finance, and the Benjamin N. Cadozo School of Law with a JD, Liza brings 20 years of litigation and negotiating experience to the field. On the children’s side of publishing, being a mother to a preschooler girl and a pre-teen boy, she is interested in everything from picture books to middle grade and young adult. She is open to anything that really speaks to her.

Liza Fleissig
Liza Royce Agency LLC
1049 Park Avenue
New York, NY 10028

The four winning first pages will be sent to Liza for her critique. PLEASE DO NOT SUBMIT IF YOU DO NOT WANT TO HAVE YOUR CRIQUE POSTED.

Here are the guidelines for submitting a First Page in October: In the subject line, please write “October First Page Critique” and paste the text in the email. Please make sure you include your name, the title of the piece, and whether it is as picture book, middle grade, or young adult, etc. at the top.

Plus attach your first page Word doc. to email. Format using one inch margins and 12 point New Times Roman font – double space – no more than 23 lines. Send to: kathy(dot)temean(at)gmail(dot)com. Guidelines must be followed. Four first page will be critiqued and the results posted.

DEADLINE: September 24th.

RESULTS: October 31st.

Talk tomorrow,

Kathy


Filed under: Agent, children writing, Contest, Editor & Agent Info, opportunity, Places to sumit Tagged: Free Fall Friday, Liza Fleissig, Liza Royce Agency, October First Page critiques

5 Comments on Free Fall Friday – October – Liza Fleissig, last added: 10/10/2014
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9. The Laura Dail Literary Agency, Inc

The Laura Dail Literary Agency, Inc

Incorporated in 1996, represents commercial and literary fiction and nonfiction. They are located in NYC.

They represent: Middle Grade, Young Adult, New Adult, Adult, Fiction, Non-fiction, Historical, Romance, Fantasy, Graphic Novels, Screenplays, and Poetry.

Two authors they represent that we all should know: Throne of Glass – Sarah J. Mass and Whatever After – Sarah Mlynowski, plus too many others to list here.

Laura Dail

laura

Laura Dail graduated from Duke University and received her Master’s degree in Spanish from Middlebury College. She has served on the board of the Association of Authors Representatives (AAR) and currently chairs the AAR Royalties Committee.

Over the years, the agency has represented just about every kind of book. We’ve sold hundreds of books and represented dozens of bestsellers. Laura’s now especially interested in historical and high-concept fiction, funny YA, humor, and serious non-fiction. She’s interested in totally escapist entertainment or important books about the things from which we’re trying to escape.

Laura also edited a gift book about adoption called TRULY YOURS.

None of us handles children’s picture books. No new age. We do not handle screenplays or poetry. We do not consider unsolicited Spanish-language material.

Tamar Rydzinski

TRTamar Rydzinski worked at Sanford J. Greenburger Associates prior to joining the Laura Dail Literary Agency. She graduated from Yeshiva University in 2003 with a major in literature and a minor in business.

Tamar is not interested in prescriptive or practical non-fiction, humor, coffee table books, or children’s books (meaning anything younger than middle grade). She is interested in everything else that is well-written and has great characters, including graphic novels. A fantastic query letter is essential – “you need to make me want to read your book, and be excited to read it,” she says, “with those first couple of paragraphs.”

Follow her on twitter @trydzinski

Tamra wants some really great series. Here are my top two:

  1. YA and/or MG fantasy. I want my fantasy to be epic. And while trilogies are great, I’d be even more excited by fantasy set in a world that can handle six, seven, or even more books.
  2. A YA and/or MG thriller series — a kid who has a plausible reason to be involved with crimes (parent in the FBI? Parent a Medical Examiner? He or she regularly hacks into the police computers?) and solves interesting cases. I want this series to be really smart, with twists and turns I don’t see coming.

As with everything I take on, I’m looking for a strong protagonist and a fabulous cast of supporting characters.

If this sounds like your manuscript, please send it my way!

Tamar’s Wish List:

I will tell you what I am ALWAYS looking for. I need strong, feisty,
smart female characters. I like protagonists who know their worth.

Relationships in which the members respect each other, whether they are
romantic or platonic relationships.

In women’s fiction, I want my heart to be pulled out of my chest, thrown
around for a bit, then put back whole and happy.

In fantasy, make sure your world is unique, interesting, and well
thought out. I want to be able to imagine living there.

In nonfiction, I am generally obsessed with medical breakthroughs. Like,
I love reading about a new drug that helps fight ___.

SUBMISSION GUIDELINES:

Please send a query letter — or email — telling us about your book and convincing us that we want to read more. If you would like, you may include a synopsis and no more than 10 pages. If you are mailing your query, please be sure to include a self-addressed, stamped envelope; without it, you may not hear back from us.

To save money, time and trees, we prefer queries by email. Please send your query or proposal to: queries@ldlainc.com

We get a lot of spam and are wary of computer viruses, so please use the word “query” in the subject line and include your detailed materials in the body of your message, not as an attachment.

350 Seventh Avenue, Suite 2003
New York, New York  10001
Tel:  212-239-7477

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, opportunity, Places to sumit, Publishers and Agencies Tagged: Agent Wish List, Sarah J. Maass, Tamar Rydzinski, The Laura Dail Literary Agency

2 Comments on The Laura Dail Literary Agency, Inc, last added: 10/18/2014
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10. Agent Kaylee Davis Looking for New Writers

kaylee-davis-literary-agentKaylee Davis, Dee Mura Literary

Kaylee is actively seeking to build her client list in the genres of sci-fi, fantasy, speculative fiction, and young adult; bonus points if there are elements of steampunk, coming-of-age, urban fantasy, espionage, social commentary, or counter culture. Kaylee is drawn to exciting, thought-provoking stories with a fresh perspective that explores what it means to be human. She is happy to work with new and emerging writers.”

She received a B.A. in English Literature and a B.A. in Sociology from Miami University, and she is certified in Copyediting from Emerson College. Recognized for her obsessive-compulsive attention to detail and crazy-fast reading ability, Kaylee joined the Dee Mura Literary team as a professional copyeditor/proofreader, talent scout, and administrative assistant.

MG: I really gravitate to the more mature middle grade that is voice-driven and deals with bigger issues. I also like diverse, unique protagonists who take charge and push the story forward.

YA: Especially in contemporary and scifi, I love anything where unlikely allies join forces or where reluctant heroes come into their own. I’m a sucker for the moment when the protagonist discovers their personal story bleeds into a larger narrative, and they choose to do something about it. I adore when opposites attract, and when the unexpected happens.

NA: Anything that is more than just “steamier YA.”

Adult: I’d love to see an epic scifi that has wonderfully flawed characters, especially if there are multiple POVs and it’s not clear who to trust. Actually, that would appeal to me in any genre! I like ambiguous morals and characters who have their own codes. A contemporary with a strong romance thread that is commercial but still feels fresh and new. Anything that explores the nuances and complexities of a society or lifestyle.

How to submit: Please send your query with the author’s name and project title in the subject heading. Address Kaylee in your letter’s salutation so they query reaches her. Include the following embedded in the body of the email:

  • Short description of the project
  • Brief author biography, even if you have no previous publications
  • Synopsis
  • Sample writing: for fiction, the first 25 pages; for nonfiction, an excerpt of the proposal

Twitter! Follow @Kaylee_Davis_

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, Middle Grade Novels, New Adult, opportunity, Places to sumit, Young Adult Novel Tagged: Agent Wish List, Dee Mura Literary, Kaylee Davis - Agent

0 Comments on Agent Kaylee Davis Looking for New Writers as of 10/23/2014 1:00:00 AM
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11. Call For Illustrations – Halloween Poems – Kudos

CALL FOR ILLUSTRATIONS: Please email to me any illustrations (at least 500 pixels wide) you think I could use with November and December posts. It is a nice way to keep your name out in the public. Please make sure you include a short blurb about yourself with your website link.

DO YOU HAVE A HALLOWEEN POEM? I will be posting an Halloween poem from Eileen Spinelli on Thursday this week and will post a few other Halloween poems that same day, if I receive any. I need them by 5 pm on Wednesday in order to post for Thursday.

HalleeandGayle

Hallee Adelman and Gayle Aanensen

Hallee Adelman is represented by Jill Corcorcan.

Gayle Aanensen has a new book coming out next month for the holidays.

proofofforever415

Lexa Hillyer reveals the cover of PROOF ABOUT FOREVER that is coming out June 2, 2015.

At Harper Children’s, Karen Chaplin has been promoted to senior editor, In addition, Alex Arnold has been promoted to assistant editor, Katherine Tegen Books.

At Carina Press, Kerri Buckley has been promoted to senior editor.

At HarperCollins Children’s, Christopher Hernandez and Stephanie Stein have been promoted to associate editor, while Alice Jerman moves up to assistant editor.

Talk tomorrow,

Kathy


Filed under: Agent, Book, Editors, Kudos, News Tagged: Gayle Aanensen, Hallee Alderman, HarperCollins Childrens, Lexa Hillyer, Proof of Forever, Senior Editor Karen Chaplin

7 Comments on Call For Illustrations – Halloween Poems – Kudos, last added: 10/26/2014
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12. Free Fall Friday – October Results

 illustrationppinsk

This illustration was sent in by Patricia Pinsk. She works primarily with water colour, ink, digital photography, coloured pencil and collage. Patricia holds a Bachelor of Fine Arts degree from Vancouver’s Emily Carr Institute of Art and Design (now called Emily Carr University of Art and Design), as well as a Certificate in New Media from Vancouver Film School. Web: www.patriciapinsk.com/ Facebook: www.facebook.com/patriciapinskillustration?ref=hl Twitter: @patriciapinsk

Here are the first page critiques brought to you this month by Liza Fleissig from the Liza Royce Agency.

The Tattletail’s Claw: A CreatureNet Chronicle by Jody Staton – Middle Grade Novel

“Be Careful What You Wish For”

“. . .and that, Clawdia,” says Hershey’s voice in my head, “is why you must never let two-leggers know what we are.”

I lick a paw, and swipe it across my whiskers. Curled up on his wide brown rump, warmed by his body heat, I’m lulled half to sleep.

Zzzzt! A huge horsefly dive-bombs us. Wide awake now, I swat with a paw, and miss. Hershey flicks his long black tail. Whipping horsehairs send the fly tumbling. It buzzes around his legs, he stomps a hoof. His rump becomes an earthquake. I leap to my feet, teetering because I dare not dig into his hide the few claws I have left. We are next to a water trough, and I jump over it to a split-rail fence.

“Sorry about that,” he says. He ducks his head—in apology, I think. No, he’s just rubbing his head against the edge of the trough, scratching the lump that mars his forehead. Then, stern, like the police horse he used to be, Hershey demands that I repeat what he just told me.

I blink. “About the interstellar ark?”

“Wrong. About how two-leggers wouldn’t understand. How can you teach these stories to other Listeners if you don’t know them well yourself?”

I twitch my question-mark tail. “Why? Yesterday you said how few of us—”

“Lunchtime, Clawdia.” A human voice cuts me off. From the back porch of the Schwartz Veterinary Clinic, across a gravel drive from Hershey’s farm, it’s a young voice. And familiar!

“Dookie! I knew she’d come again this summer.” Forget Hershey’s lectures—my favorite person is here! I leap from the fence, streak across the drive. Dookie jumps from the porch, falls over a small bush, picks herself up, and races toward me. We meet in a mess of legs and arms, fur and tight curls, purrings and kisses.

Here is what Liza had to say: 

Staton, The Tattletail’s Claw

The writing itself is nice, with many nice details (like “I lick a paw and swipe it over my whiskers” and “his rump becomes an earthquake”). But my first impression is one of confusion—there are a lot of elements that are unexplained, and it’s rather difficult to paint a picture or figure out what’s going on.

The very first sentence is a difficult and awkward way to begin a story—with dialogue in the midst of being spoken. Perhaps the writer is trying to created intrigue, but younger readers will be confused. For one, we do not yet know they are animals and two, “two-leggers” will be an unfamiliar term.

It takes quite a while to figure out what kind of animals these are, which also causes confusion—you don’t want readers to be wondering about this so much that it detracts from what’s happening in the story.

Other questions: The cat says, “I dare not dig into his hide the few claws I have left”—why is this? Is this a detail we need to know right now, on the first page? Then, the horse says, “How can you teach these stories to other Listeners if you don’t know them well yourself?” First of all, what stories? Secondly, who are the Listeners? Third, why does the cat not seem to care about the stories (and why does the horse)? Again, you want to create intrigue, but you don’t want to leave the reader with so little to work with, and here there are just too many unanswered questions.

If this is a story about talking animals, then it’s a story for young readers. The sentence structure is a bit too complex, and combined with the above questions, I think younger readers are going to feel lost (what is an “interstellar” ark, for example?) We need to have a simpler, cleaner and more appealing introduction to the story. The set-up needs to be such that young readers want to keep on reading. The detail with Dookie is very sweet—perhaps concentrate on this as an introduction—and maybe the fact that these animals can talk is enough of a mystery that the reader will be excited to find out more.

___________________________________________________________

Daddy, What’s a Redneck? by Erika Wassall Picture Book

Little Lainey squatted, tugged on the pant legs sticking out between the two tires and asked, “Daddy, what’s a Redneck?” (illus: Daddy is underneath a vehicle working on it.)

Daddy laughed. He opened his mouth to answer, but stopped short.

“Hand me that yellow screwdriver and I’ll tell you,” he said. “Your great-granddaddy was a Redneck. He worked out in the cotton fields all day, with the sun beating on the back of his NECK.” Daddy slid out from underneath the engine and smiled. “What happens to your nose and shoulders when you’re out in the sun all day?”

Little Lainey’s eyes lit up, “They get all RED!” she cried.

Daddy nodded. “Exactly! Back then, working in the fields meant you couldn’t go to school. Calling someone a Redneck could have been hurtful, meaning they weren’t very smart. People started to think that folks who worked with their hands all day were fools.”

Little Lainey stared at Daddy’s grease covered hands and sternly shook her head. “But Daddy! Your hands can fix everything! They’re the smartest hands I know.”

“Darn right!” said Daddy. “Folks often try to find ways to put others down. That doesn’t make them right. People all across the country are proud to be Rednecks.” (illus: Daddy’s leaning over so we can see his red neck)

“Why?” asked Little Lainey, as she watched the rainbows dance on the top of the oil pan.

Here is what Liza had to say:

Wassall, Daddy, What’s a Redneck?

Opening paragraph is sweet. I just don’t know how much this topic is going to interest readers. Does this make a story? What is the story here? Dad is answering a question, but what is the story? Why does the little girl ask this question in the first place?

My concern is that the title feels like a joke and it’s hard to take the story seriously upon first hearing what the title is. In fact, there may be a lot of people who take offense before they even have a chance to read the story.

Dad’s answers to the little girl’s question are nice, but there’s a lot that feels a bit too adult here and which young readers might have a hard time understanding: “Folks often try to find ways to put others down” etc.

General kid appeal: a little low. It’s hard to imagine a kid wanting to read this based on the first page (and keep going back to it). Feels a bit too earnest and “issue” driven. Combined with the title, I don’t think this would be something an editor would request over other things currently being shopped.

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JEREMY’S SLED By Sue Heavenrich – Picture Book

Jeremy pulled his new sled out of the car. He squeaked his boots on the fresh snow. “Sugarhouse Hill, here I come!”

“We still need noisemakers for our New Year’s party,” said Dad. “Stick to the small hill until I get back from the store.”

“Okay,” said Jeremy. He waved to Dad and then plodded up the hard-packed path. But instead of stopping where he should have, his feet took him up, up, up to the top of the highest hill in the whole park.

“Just one run,” Jeremy whispered. He climbed into his sled. It teetered, it tottered, it wibbled and wobbled, then –

WHOOSH! Off he flew down, down, down to the line of straw bales that stopped runaway sleds. Jeremy slipped through a gap…

…. and tangled the leash between a woman and her dog.

“Sorry!” Jeremy yelled as the dog flew into the air and landed in the sled. The sled sped across the slick road, down a slope and onto the pond.

“Sliding through!” Jeremy shouted. The sled knocked a puck into the net and flipped a hockey player into the sled.

“Hang on!” The sled slid through a flock of ducks, hit a bump and flew

through the air…

… scared a squirrel out of a tree, knocked a hat off a snowman,

and barely cleared the back fence of the zoo.

Here is what Liza had to say:

Heavenrich, Jeremy’s Sled

I like the fun of the sled ride gone out of control—readers will think this is super fun and entertaining. The beginning is slow, though. Why do we need the earnest, adult details of dad telling Jeremy that he’s going to the store and stick to the small hill? Why not just have Jeremy at the big hill pondering it “mom and dad always tell me to stick to the small hills, but just once I’d like to try the big one” or something like this.

The wild sled ride itself seems to need to be slowed down a bit, too much happens too quickly. The writer could have a lot of fun here by making each thing that winds up in the sled a more fun acquisition.

The title needs to be more interesting and compelling, something that reflects the fun that both Jeremy and the reader are in for. The language as well, while nice, is not really reflective in rhythm and language of a wild sled ride. Writer should look at some comparable picture books for examples.

___________________________________________________________

Rule Breaker by Angela Larson & Zander Mowat, Middle Grade Novel

Detective Derk’s Spy Manual for the Disgruntled made surveillance sound a lot easier than it was. Knelling on a bent knee, peering around a corner with a mirror, Aaron Adams switched the mirror from one hand to the other. This was just long enough for him to shake out his arm, which had started to go numb. He resumed his position, but his back and knee still ached. For the whole lunch period he’d been looking down the long hall that leads to the school’s cafeteria. He’d been on surveillance since Monday and now that it was Friday, he was losing hope that this would work. An internal debate started to brew in his mind, was it worth skipping lunch again, after the lack of success all week. Then, his target, his jerk older brother Roger Adams, turned the corner.

Roger strolled down the hall in his ‘I’m too important to walk any faster’ mode and pulled what appeared to be a coin from his pocket. Roger never has change, this doesn’t make sense, thought Aaron. Roger walked toward a row of old-fashioned vending machines. These ancient relics had been in the school forever, since a time when their Principle attended here as a kid. They were always full of candy bars, but no one carries change anymore except old people, like Aaron’s rusty teachers.

Aaron’s arm was starting to shake by the time Roger stopped in front of the vending machines. He took slow steady breaths; this was described in Detective Derk’s manual as something you should do if you ever need to steady yourself. He kept the mirror focused on his target.

Roger slid a quarter into a slot, pressed a button and the sound of the candy hitting the tray echoed down the hall. I KNOW he doesn’t carry money.

Aaron leaned so far forward the mirror started to fog from his breath. Before the image…

Here is what Liza had to say:

Larson & Mowat, Rule Breaker

Writing is a bit awkward and clunky—the very first paragraph is actually quite a mouthful to read aloud, and I worry that readers’ introduction to this story will not be as compelling as it needs to be in order to hook readers and get them interesting in reading further. Words like “disgruntled” and “knelling” (is this an error?? didn’t make sense) further confusing the narration.

Kids will find spying fun, but why is one brother spying on another? I think we need a better sense of this. And why is one brother spying on another brother at school (when he can spy on him at home)? In other words, I worry that this may come across as a plot that’s not so exciting (as opposed to having Aaron spy on someone more interesting, like a school enemy, for example).

Words are misspelled throughout (knelling rather than kneeling, Principle rather than Principal) and grammar is shaky. As an agent, this isn’t something I request to see further.

____________________________________________________________

Thank you Liza for sharing your time and expertise with all of us. It is much appreciated.

Hope everyone has a Happy Halloween.

Talk tomorrow,

Kathy

 


Filed under: Advice, Agent, inspiration, Process, revisions, Tips, writing Tagged: First Page Critiques, Free Fall Friday, Liza Fleissig, Liza Royce Agency

3 Comments on Free Fall Friday – October Results, last added: 10/31/2014
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13. Agent Looking to Build List

KirstenCarleton1_zpsa5dfff5eKirsten Carleton, Waxman Leavell Literary

As an agent, I get to be a champion for the author throughout the challenging publishing process. I love sharing an author’s vision for the book, working to help him or her uncover it, and finding a home for it with editors and readers who also feel that connection. Beyond the individual book, I want to develop satisfying and successful careers that celebrate great talent.

I’m currently seeking upmarket young adult, speculative, and literary fiction with strong characters I connect with and can’t wait to read what they will do next. Great writing is a must, but not enough to stand alone: I want plot, action, movement.and storytelling. I’m drawn to books that capture my attention early on with a dynamic plot, and innovative storytelling that blends or crosses genres.

I’m particularly interested in stories that bend and blur genres; literary takes on high concept world building; diverse characters in stories that are not just about diversity; antiheroes I find myself rooting for; characters with drive and passion; girls and women in STEM fields; settings outside the US/Europe; characters coping with mental illness; well-researched historical settings; YA noir/thriller/mystery; believable romance that doesn’t develop out of nowhere; a story that introduces me to a new subculture and makes me feel like a native.

Before joining Waxman Leavell in 2014, I worked at Sobel Weber Associates. I hold a B.A. in English with a Creative Writing concentration from Amherst College, and a Graduate Certificate in Publishing from the Columbia Publishing Course.

To submit a project, please send a query letter ONLY via email to one of the addresses below. Do not send attachments, though for fiction you may include 5-10 pages of your manuscript in the body of your email.

Please do not query more than one agent at our agency simultaneously. Due to the high volume of submissions, agents will reach out to you directly if interested. The typical time range for consideration is 6-8 weeks.

Kirsten Carleton kirstensubmit@waxmanleavell.com

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, opportunity, Places to sumit, Young Adult Novel Tagged: Agent Looking to Build List, Agent Personal Interests, Kirsten Carleton, Waxman Leavell Literary

0 Comments on Agent Looking to Build List as of 11/3/2014 1:51:00 AM
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14. Dealing with Rejection by Erika Wassall

erikaphoto-45Erika Wassall, the Jersey Farm Scribe here with…

FULL DISCLOSURE – Dealing with a Rejecting Critique

This past Friday the 31st, on Halloween, I had a fright like no ghost or goblin costume could compare to.

My first page critique of Daddy, What’s A Redneck! (see it here)

The full manuscript is a touching story of a father who finds himself surprisingly stumped on how to explain the history and pride of an important piece of his family’s culture. He explains the actual origin of the term, the ingenuity, fun-loving and family-oriented traditions that mean so much to him. Little Lainey’s excitement grows as she learns not only about a term and a family, but about herself.

Suffice it to say: Liza was not a fan.

My first response was the famous kneejerk: “I’m NEVER writing ANYthing EVER again,” supported by the ever-popular: “What’s the point??” and the sister thought: “What does SHE know anyway?”

To be honest, I clicked off the site, without even reading the critique in full. Said nothing to anyone. Ignored it. Told myself it didn’t matter.

But, I am proud to say that it wasn’t long before I took a deep breath and tried to take a more realistic look at what was happening.

Okay. So an agent had read my work, and not liked it.

Ummm…. that’s NOT new!!! I’ve had agents turn my work down before. Even successful authors get rejected.

I decided I would go back to Kathy’s site and read Liza’s comments in full, THREE TIMES before the NJ SCBWI event the next day.

The first time I read them, they made me angry. I disagreed with EVERY word, and rolled my eyes at LEAST half a dozen times.

“She just doesn’t GET it.”

A few hours passed.

The second read, I saw where she coming from with. I shrugged a few times where I had previously crinkled my nose and shook my head. I reminded myself that while my usual writing is exceedingly kid-centric, this manuscript in particular is not mainstream-minded.

I reminded myself of three things: (1) writing is an art, not a science (2) her critique was for MY benefit, she got nothing out of this (3) as a successful agent, she knows much more than I, (and that’s a fact, not an insult).

The next morning, I read it a third time. This time, I saw real value in her comments. She mentions a lack of motivation. WHY is the little girl asking the question in the first place?

Huh…. I guess that could set the stage a bit better….

She mentions the title not properly representing the story itself, that people may even be insulted and not read it.

My “darling” cried out to me to be saved…. But I LOVE the title… I crafted it with certain connotations, liking the idea of that it was counter-balanced by a story of love and honor.

But … um… HELLO??!!! They have to READ the story to know that. If they see the title and turn away, the power of the irony is useless.

By the time I left for the SCBWI event, I no longer felt that dejected combination of anger and self-doubt. After all, as I’ve said myself, rejections are PROOF that I’m a writer!

I’ll be completely honest that I still do not agree with all of her comments. And that’s okay too. It is an earnest somewhat “issue” driven story, which while not something everyone is looking for, can have its place.

But even the comments I may not fully agree with have given me insight into my writing. Some of them I found may even apply to other manuscripts or projects I’m working on.

This week, when I sat down to write my post, fueled by amazing speakers, and an afternoon of great workshops at the SCBWI craft day, including a chance to see my dream editor Amy Cloud (I just genuinely enjoy her personality), I wrote the opening paragraph to three different articles. None of them worked.

I looked over my notes from the workshops. Nothing felt right.

I looked at Kathy’s site, as I often do, and it hit me. I had a chance to write about dealing with critique in a very unique, painfully honest way.

So a big thank you to Kathy for the opportunity. And a genuinely GIANT thank you to Liza for helping me grow as a writer, and realistically, probably also as a person.

And to you… I give a heart-felt thanks for indulging me by reading my story. It has immeasurably solidified for me the importance of not only accepting but also truly embracing critique in order to allow for growth.

Because you know what? Our manuscripts are worth it.

Erika, what can I say other than thank you for giving us another great post. I think we all have experienced this, so I hope others will take note of how you dealt with the angst of a negative critique and benefit from your reaction and journey.

Talk tomorrow,

Kathy


Filed under: Advice, Agent, Author, demystify, inspiration, Process, rejection, revisions Tagged: Dealing with Rejection, Erika Wassall, First Page Critique, Guest Blogger

7 Comments on Dealing with Rejection by Erika Wassall, last added: 11/7/2014
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15. Free Fall Friday – Holly McGhee/Hallie Durand

Holly November 2013

A new book titled, CATCH THE COOKIE has hit the bookshelves written by Hallie Durand, a.k.a. Agent Holly McGhee and illustrated by David Small. I have the book and can truthfully say it is a very fun picture book. I scanned in a few interior shots and Holly sent a picture of the real Marshall to add to the interview questions. I also added a quick blurb to whet your appetite:

Marshall knows one thing for sure, despite what all the stories say: Gingerbread men cannot run. Cookies are for eating, and he can’t wait to eat his after spending all morning baking them with his class. But when it’s time to take the gingerbread men out of the oven . . . they’re gone! Now, to find those rogue cookies, Marshall and his class have to solve a series of rhyming clues. And Marshall just might have to rethink his stance on magic. Catch That Cookie! is an imaginative mystery, deliciously illustrated by Caldecott Medal winner David Small. It’s sure to inspire a new classroom tradition . . . and maybe even a few new believers!

I wanted to know more about the book and Holly, so below is the interview I had with her. If you want to read more about David Small and read about the process of creating the book cover for CATCH THE COOKIE, he was featured this past Saturday on Illustrator Saturday - definitely worth reading. Here’s Hallie/Holly:

Most people know you as Holly McGhee. Why did you decide to write under another name?

A: On that first submission especially, I needed to know whether my writing could speak for itself, in no way connected to me as an agent—could I get published just because an editor and publisher believed in my work? I’ve kept with a pen name to separate my writing from agenting, though at this point it’s not a secret that I’m Holly McGhee & Hallie Durand.

When did you start writing your latest book, Catch That Cookie!? 

A: I started Catch That Cookie! in earnest over the Christmas holidays of 2011. My son Marshall had been a preschool student of Mrs. Gray’s (the teacher in my book) in the fall of 2009, and he had gone on a gingerbread hunt at school. He’d come home with a recipe for gingerbread men, and he was obsessed with making the cookies. He kept nagging me, and so I finally borrowed the cookie cutters from Mrs. Gray and we made them for our class picnic in June of 2010, in ninety-degree heat. We put them in the van to bring to the picnic, and then Marshall started locking the van doors. I realized he thought the cookies would escape, ha ha ha ha! I knew there was a story there, and I wanted to know what Mrs. Gray had done in class to make Marshall believe those G-men could escape. So I interviewed Mrs. Gray and that inspired my picture book.

Marsh with his G-Man August 2014

How did it find a home at Dial?

A: When I finally had a draft that I liked, I shared it with my agent, Elena Giovinazzo, who sent it out to editors. Lauri Hornik and Kate Harrison at Dial made an offer.

Catch That Cookie!, with ribbon

Were you the one who chose David Small to illustrate the book?

A: No, that was my editor, Kate Harrison, and the art director Lily Malcom. I couldn’t be happier about the choice—not only is David my client but he is one of my very close friends. (I was nervous he would turn it down though, and thrilled that he liked it—he’s picky!)

cookieinterior74

How long did it take David to do the illustrations?

A: He started early in 2013 and finished that fall. I sent him a picture of Mrs. Gray to inspire him and also pictures of Marshall, Avery, and Henry, who all appear in the book (they were Marshall’s classmates).

cookieinterior75
Do you plan any book signings or other marketing things now that the book is sold?

A: Yes, David and I are doing a little mini tour to celebrate both the book and our friendship. I am going out to Kalamazoo, Michigan on September 10 and we are doing one appearance for adults at the Kalamazoo Library and one for kids at the Book Bug, and then he’s coming back with me to Maplewood, NJ. We’ll have a big gingerbread hunt with Mrs. Gray at the Maplewood Library on September 13, and an event for writers and artists (together with Anna Kang and Chris Weyant of You Are (Not) Small and Richard Morris of This Is a Moose) on the 14th. We’re going to talk about collaboration. Then we’ll have an appearance at our local bookstore on the 15th as well as a private event for the preschool four year olds (all at Words, Maplewood). David will share some of his drawing secrets. I’ll have more details for you soon.

When did you write your first book and what was the title?

A: In 2007 I wrote my first chapter book / novel, Dessert First, and I wrote two more books in that series. Dessert First was published in 2009, Just Desserts in 2010, and No Room for Dessert in 2011, all illustrated by the amazing French artist Christine Davenier.

dessertfirst

Were you an editor at that time?

A: Nope, I had been an agent for nine years already (though I’ve never stopped being an editor really—as an agent I’m often the first set of eyes on a manuscript, helping polish it enough to be acquired).

How did the idea come to you?

A: It started at a dinner with one of my best friends at the River Run Café in NYC. We ordered dessert to share, and as always I angled the plate so that the best part of the dessert “happened” to be directly in front of me. My friend had had enough of my bad behavior and she said, “WHY DO YOU ALWAYS TAKE THE BEST PART OF THE DESSERT?” And I, with nowhere to hide, said, “Because I thought I was getting away with it.” That honesty marked a turning point in our friendship. A few years later, we were sharing a slice of Iced Lemon Cake at lunch, reminiscing about our fateful evening at the River Run. And that very evening, on NJ Transit, Dessert Schneider barged into my life and wouldn’t be quiet till I wrote her story. I’d never experienced anything like that—she was really bossy!

How did that book get published?

A: It was multiply submitted, under my pen name, and was acquired in a two-book deal.

dessertsJust

It looks like most of your books have a food element. Is that because you like to bake?

A: Funny you bring this up, because it hasn’t been intentional. Food has been a continuing thread throughout my life, and as a kid I always went grocery shopping with my dad (we still like to go together when we can); we like to see what new products there are on the shelves and what’s on sale. I was the New York State 4-H Bread champion (not kidding!) as a seventeen year old—baking bread was something to do in an otherwise pretty boring summer in farm country, so I went for it, baking bread every day for the entire two months that school was out. Cooking and baking are relaxing for me like nothing else, and when I’m not writing, I’m usually in the kitchen. I even like chopping leeks, just as thin as I can get them without slicing off my thumb in the process . . .

Headless G-Man

Do you feel that writing your own books helps you relate better with your writer clients?

A: I think my writers and artists appreciate that I understand what they’re thinking and how they’re feeling in a way that you only know if you are a writer or artist yourself. We talk . . . a lot.

cookie riser

When I heard David Small and Kate DiCamillo speak at SCBWI conferences, it sounded like you were not only a great agent, but a great critique partner for them.

Over the years, there’s a trust that builds, and with David and Kate and most of my clients, I’m a gatekeeper; they can share work with me before anybody else sees it, and they know that if I’m willing to share it with the world, I believe in it.

cookieend

Why did you decide to leave HarperCollins to open a literary agency?

A: I’d been an executive editor for six years, and I had developed my own taste in books. I’d begun to believe that if I loved reading a book, maybe somebody else in the world would too. And so I was ready to set out of my own after a time, especially when some of the projects I tried to acquire were rejected by an acquisitions board. I wanted to succeed or fail based on my own taste.

What was your biggest success as a literary agent?

A: Biggest successes can run the gamut. There are the seven-figure deals with film rights and foreign licenses sold simultaneously, and there are the original books by new authors that become franchises, with television and live-stage deals coming along the way. But there are also the smaller deals that come with huge personal satisfaction, such as bringing a beloved book back into print decades after first publication, or placing that book I’ve always believed in, months after first submission. I think the biggest fun is finding an editor who loves a book, acquires it, and publishes it well, whether it’s snapped up in a pre-empt an hour after submission or acquired after months of waiting. They all matter.

On top of that, the feeling of comraderie I have with my colleagues is one I cherish–we root for each other and have a fabulous time together. That matters too.

Hallie, catching a cookie NYC August 2014

Do you have any words of wisdom for writers from an author’s point–of-view?

~Be discerning but don’t be precious about your work.

~Take your work as far as you can on your own before showing it; your agent only gets a first read once.

~Let your work speak for itself—no need to tell your agent how much your neighbors and other writer friends love it first; that can set unrealistic expectations before that first read.

~Go to your laptop or drawing board every day. It’s easier to stay with the story you’re trying to write or illustrate than it is to reintroduce yourself after an absence.

~Think about a problem you are having with your book right before you go to sleep, and keep a pencil and notepad by your bedside table; you might get an answer during the night or first thing in the morning (it happens!).

~Don’t worry about how many books you have published / are publishing; Robert McCloskey did seven in his lifetime.

~Don’t get obsessed with Amazon rankings, etc. The secret is that a bad ranking will make you feel worse and a good ranking or review won’t make you feel much better.

~As long as you can say to yourself, when you’re looking back at your work, I did the best I was capable of at that time in my life, you’ll be a bit more impervious to negative comments. But make sure you can say that before your book goes out into the world.

Would you answer differently with your agent’s hat on?

A: No, but some of these things I only know from being a writer, inside information J.

Holly, thanks for answering the interview questions. I will remind people when they might be able to see you in September. It was such great fun to share the picture of your son with everyone. It looks like David really captured his looks and personality.

Best of Luck with the book!

Talk tomorrow,

Kathy

PS: Remember to check back next Friday to read the four first pages critiqued by Holly.


Filed under: Advice, Agent, Book Tour, Editor & Agent Info, Interview, Picture Book Tagged: Agent Holly McGhee, Author Hallie Durand, Catch the Cookie, Illustrator David Small

9 Comments on Free Fall Friday – Holly McGhee/Hallie Durand, last added: 8/25/2014
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16. Agent Looking to Build List

siobhan-mcbride-literary-agentAbout Siobhan McBride at Serendipity Literary Agency:

Siobhan McBride grew up in the New York Hudson Valley and studied painting, drawing, and ceramics before receiving her Bachelor of Arts in English and Creative Writing from SUNY New Paltz.

She began her career in Publishing as an intern for the literary agency Objective Entertainment, and from there went on to work as a writer in the Editorial departments of various magazines including MovieMaker and Chronogram, before joining Serendipity Literary Agency in 2014.

Her passion for music and film led her to becoming the Music Editor of CriticalMob, eventually moving on to do freelance work with their parent company, Company Cue. Recently she has been tutoring young adults as a volunteer with 826NYC.

Siobhan looks forward to creating lasting relationships with her clients and wants to work closely with them to give life to the vision of their work. Holding positions on both sides of the editorial field gives her a strong grasp of what an audience is looking for and the knack to balance that with a writers’ artistic drive.

Siobhan is seeking voice driven narratives for Fiction, Memoir, or Non-Fiction. She has a strong interest in Literary and Gothic Fiction, Horror, Paranormal, Adult Dystopian, Mystery/Crime, Historical, daring Young Adult, Thrillers and narratives with philosophical undertones. She say she gives bonus points if your thriller has a psychological bent. 

For Memoir and Nonfiction titles, she seeks Investigative, True Crime, and dark/bizarre History. Siobhan enjoys the dark, macabre aspects of life where paranormal fiction and horror are viewed an under appreciated art forms deeply rooted in psychology, and looks for authors unafraid to delve into these inner workings of the human psyche.

How to submit: Visit the submissions page on Serendipity’s website: serendipitylit.com. You can direct your submission directly to Siobhan by requesting her in the body of the submission form. The average response time is 4-6 weeks.

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, Middle Grade Novels, opportunity, Places to sumit, Publishers and Agencies, Young Adult Novel Tagged: Agent Looking for Clients, Serendipity Literary Agency, Siobhan McBride

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17. Free Fall Friday – Critique Results – Holly McGhee

pippin

Cynthia Reeg                          FROM THE GRAVE             Middle Grade Fantasy

Monster Rule #9: A monster’s appearance should incite fear and significant revulsion to scare the socks off mere humans.

FRANK’S TALE

Shocktober 13, Year of the Scrull

Looking through the bus window, I tilted my nose up toward the sky’s “determined drear,” as Ms. Hagmire liked to call it. That was Uggarland—grim, gray, and delightfully desolate. From the bony skeleton trees, to the swampland grasses, to the lurking monsters. My itchy right palm brushed against my perfectly tucked shirt and my much too crisp pant leg. I should be an example of such determined drear, general disarray, and evil intent. Only I wasn’t.

“I saw a bat flying upside down last night,” said Oliver. My mummy friend sat next to me. His unwrapped, wrinkled brown finger skimmed down the page of the tattered book on his lap. “I’m trying to find out what that means.”

“That means trouble,” I muttered. The low rumble of voices from the other eccentric students on our bus seemed to echo the word. Trouble.

“Maybe its antennae were just damaged.” Oliver pointed to bold print on the right hand page.

I shook my head. “No. It means trouble.”

Our special Fiendful Fiends Academy Bus—otherwise referred to as OMO (Odd Monsters Only) bus—lurched to a stop in front of our school. We all climbed out, but as I tilted my nose upward again, I stopped in mid-step.

HERE’S HOLLY:

From the Grave, Middle-grade Fantasy, Cynthia Reeg

I was interested in Oliver and the first-person narrator, and I think it might be smart to start the story off with the dialogue about the bat. It’s important that the reader engage with the characters first, that we connect with them and care, before learning about the scenery of Uggarland. So I suggest moving the scenery further down in the story and pulling back on the detailed descriptions of clothing in order to laser-focus on the two kids. Hook us with them and then take us on a journey.

___________________________________________________________

Best Chocolate Cake and Other Dramatic Disasters by Julia Maranan – MG Novel 

Things I Am Good At

Field hockey

Music

Science

French

Chess

Baking?

Starting middle school on crutches had been about as bad as it sounds. While I was hobbling around trying to find all my classes after an “unfortunate accident” during field hockey tryouts, everyone else found all their friends and where they fit in. By the time I was back on my own two feet, I was pretty much invisible (except to Angie, who’d been my BFF since, well, forever). And it’s not like I hadn’t been trying things. I just hadn’t found the right thing. But today, that would finally change. I could feel it.

I took another look at the picture of the expertly frosted Best Chocolate Cake our home ec teacher, Mrs. Collins, had projected in the front of the classroom, and my mouth watered.

Baking is a good thing to excel in. I mean, who doesn’t love chocolate cake? People are going to ask me to bake them things all the time! Maybe I can even get extra credit if I bake something amazing. I’ll have to find out what my teachers like before midterm grades are due…

I read through the instructions one more time: grease and flour the pan, mix everything in a bowl, and pour the batter into the pan to bake. This is going to be awesome.

“Do you want to grease the pan, or should I?” I asked my partner, Kate Nichols, who was the second worst person in the room Mrs. Collins could have paired me with.

“I think maybe you should just make your own cake. Over there.” She motioned vaguely to the counter by the sink, purple nail polish sparkling under the fluorescent lights.

“But we’re supposed to work together,” I said.

“But I want my cake to be edible,” she said, and took her pan over to a table.

HERE’S HOLLY:

Best Chocolate Cake, Middle-grade novel, Julia Maranan

I like the idea that the main character wants to find something to make her visible. But those first days of school are not here—those days with her on crutches, left out of all the quick-forming friendships circles. I would like to see them. That way I would make a connection, and I’d be rooting for this girl and her baking skills. Show us the character in her darkest moment, all those friends pairing and bonding while she can’t keep up, that anxiety and pressure, and then you’ll be set up to tell the story. I did like the list at the top! As for baking and home ec, I’m not sure when the story takes place, but in our schools, they don’t offer home ec anymore, sad to say, so make it clear what year the story starts.

___________________________________________________________

DOGS ON STRIKE! By Rita D. Russell – Picture Book 

All night long, Rufus snored and sniggled in his sleep. He dreamed about his birthday and getting super-duper treats. But when Rufus woke up… he got nothing.

“Not even a birthday card?” asked Dugan.

“Or pupperoni cupcakes?” wondered Nugget.

“Nothing,” said Rufus. “Not even the Happy Birthday song.”

The three mutts mulled over the situation while burying bones in the backyard.

“What’s the world coming to,” they groused, “when a dog gets less love than a mouse?” [Art: Rufus, Dugan,and Nugget watch a man mowing the lawn with his pet mouse peeking from his shirt pocket.]

“No walking in the park.”

“No dancing in the dark.”

“No purple pupsicle treat.”

“No cruising in the front seat.”

Something had to be done.

STRIKE???   [Art: Dogs vote at a meeting of the neighborhood dogs association.]

Rufus strode to the podium and proudly proclaimed, “Today dogs are changing the rules of the game. Our smiles and affection are no longer free. We demand nicer treatment. So until families agree…”

[Art: Families are shocked to discover…]

“No greetings at the door?”

“No footrests on the floor?”

“No herding cows or sheep?”

“No guarding while we sleep?”

“DOGS ON STRIKE!”

The cool cats stayed back. (They were not impressed.)

HERE’S HOLLY:

Dogs on Strike, Picture book, Rita D. Russell

This is a cute concept and I like the idea of turning the dog-people relationship on its head. That said, I don’t know why this dog is surprised that he doesn’t have a birthday celebration. Has he had them in the past? What is the context? If you can figure that out and keep this very simple, with excellent dialogue, you might have a winner. Check out David Ezra Stein’s I’M MY OWN DOG, just published, for a fantastic example of role reversal.

___________________________________________________________

Carol Foote           FOREVER MAGIC                   Middle Grade

The hint of a whisper.

At first Elena thought it might be trees sighing or a faucet turned on somewhere else in the house. But the sound grew louder, as if coming at her through a long tunnel. She tilted her head to listen just as it burst out, filling the room.

El-e-naaaaaa…

Elena almost dropped the pickle jar she was preparing for a science experiment. Her knees wobbled, and she leaned against the kitchen counter.

El-e-naaaaaa…” The whisper swirled around her. Then it was gone.

She ran to the window and nudged aside the white lace curtains. Outside, her ten-year-old brother Connor was tossing a plastic bag in the air and attacking it with a stick.

“For the king!” Connor cried, slashing at his flimsy opponent. “Victory is ours!”

“Did you call me?” Elena shouted. Her voice sounded high and thin.

“No.” Connor impaled the bag and didn’t even look toward her.

“Did you hear that?”

“Hear what?”

Elena eyed the woods beyond the lawn. Not even a leaf rustled. Gram’s car wasn’t in its usual spot at the top of the long dirt drive. Elena crossed the kitchen and peered into the living room. The solid, stuffed chairs and dark, polished tables sat undisturbed. Only the steady ticking of the grandfather clock broke the stillness. Breathing in the familiar smell of old books and fireplace ashes, Elena forced her shoulders to relax. See? It was nothing.

She returned to her experiment where vapor rose from a tray of dry ice. Like a genie from a lamp. Her hands shook, and she spilled rubbing alcohol as she tried to pour just enough to saturate the black felt she’d glued inside the jar. Tightening the lid, she glanced around the room.

HERE’S HOLLY:

Forever Magic, Middle-grade novel, Carol Foote

I think this is a fantastic opening page! Keep going. I want to know more. But get a better title. Well done.

___________________________________________________________

Thank you Holly for sharing your time and expertise with us. It is a huge help to read you comments.

Talk tomorrow,

Kathy


Filed under: Advice, Agent, demystify, inspiration, Process, revisions Tagged: Agent Holly McGhee, First Page Critique, Pippin Properties, Writing feedback

0 Comments on Free Fall Friday – Critique Results – Holly McGhee as of 8/29/2014 2:35:00 AM
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18. Agent Looking to Build List + Call For Illustrations

Illustrators: If you have an illustration you would like to show off, please email it to me. All illustrations need to be at least 500 pixels wide. Thanks!

Rachel_Brooks_LPA_photo_17781343_std

Rachel Brooks – Junior Agent

Rachel is actively building her client list.

Before joining the L. Perkins Agency, Rachel worked as an agent apprentice to Louise Fury. In addition to her industry training, Rachel has a business degree and graduated summa cum laude with a BA in English from Texas A&M University-CC.

WHAT RACHEL LIKES: She is excited about representing all genres of young adult and new adult fiction, as well as adult romance. While she is looking for all sub-genres of romance, she is especially interested in romantic suspense and urban fantasy. She is also on the lookout for fun picture books.

She’s a fan of dual POVs, loves both print and ebooks, and has a soft spot for marketing savvy writers.

TO SUBMIT: Send a query letter (with an author bio in it) and the first 5 pages of the manuscript pasted into an email (no attachments) to rachel [at] lperkinsagency.com. Please only query one agent at this agency.

Email: rachel@lperkinsagency.com

Twitter: @RachMBrooks

REMEMBER:

  • Attachments will not be opened unless specifically requested.
  • We only accept email queries. We do not accept queries by snail mail, phone or social media. All snail mail queries will be discarded unopened
  • We will only consider one manuscript from one writer at a time to one agent at a time. If you have written more than one manuscript, choose the one you think is the most promising and pitch that to us. Do not pitch all of them.

Talk tomorrow,

Kathy


Filed under: Agent, authors and illustrators, Editor & Agent Info, opportunity, Places to sumit Tagged: Agent Looking to Build List, Call for Illustrations, L Perkins Agency, Rachel Brooks

0 Comments on Agent Looking to Build List + Call For Illustrations as of 9/4/2014 1:26:00 AM
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19. Free Fall Friday – First Page Guest Critiquer – Kudos

Below is a double page spread from A LOVE LETTER FROM GOD that Laura Watson illustrated.

LauraWatson_LoveLetter_beach_800

I received a wonderful update note from Laura Watson who was featured on Illustrator Saturday last year. http://kathytemean.wordpress.com/2013/08/10/illustrator-saturday-laura-watson/

Here’s what Laura wrote:

“I wanted to thank you again for the wonderful profile you did on me last fall. It led to at least one awesome job, that I know of, and tons of great exposure. Thank you so much!”

“I have a couple of recent projects that are now printed:

Farm Friends for I See Me! Inc. Personalized Children’s Books (http://www.iseeme.com/my-farm-friends-personalized-book.html#Tab-A-2 ) and A Love Letter from God by P.K. Hallinan (for Ideals Children’s Books.”

“I’ve also been working on projects for Capstone, Orca Books (in Canada) and a couple of self-publishing clients too. This has been my busiest year ever, so far. Just pausing to catch my breath and update my portfolio, etc. this week.”

Laura, congratulations on all your recent successes. I’m so happy I contributed to a good year.

cropped-creativity-cookbook-header-600dpi

Donna Taylor launch two blogs with week. Thought you might like to check them out. She has some give-a-ways on both blogs that you may like. They end Sunday night at midnight. 

http://writersideup.com and http://2creativitycookbook.com

Rachel_Brooks_LPA_photo_17781343_stdAgent Rachel Brooks from the L Perkins Agency has agreed to be September’s First Page Critiquer.

Before joining the L. Perkins Agency, Rachel worked as an agent apprentice to Louise Fury. In addition to her industry training, Rachel has a business degree and graduated summa cum laude with a BA in English from Texas A&M University-CC.

WHAT RACHEL LIKES: She is excited about representing all genres of young adult and new adult fiction, as well as adult romance. While she is looking for all sub-genres of romance, she is especially interested in romantic suspense and urban fantasy. She is also on the lookout for fun picture books.

She’s a fan of dual POVs, loves both print and ebooks, and has a soft spot for marketing savvy writers.

Below is the September picture prompt for anyone who is inspired to use it for their first page.

Anne_Belov_Ellie_and_edmond_and_pandas 100 r  copyThe above illustration was sent in by Anne Belov. She was featured on Illustrator Saturday http://kathytemean.wordpress.com/2012/06/23/illustrator-saturday-anne-belvo/ She works in oils, egg tempera, and works with printmaking.

Here are the submission guidelines for submitting a First Page in April: In the subject line, please write “September First Page Critique” or “September First Page Picture Prompt Critique” and paste the text in the email. Please make sure you include your name, the title of the piece, and whether it is as picture book, middle grade, or young adult, etc. at the top.

Plus attach your first page to the email. Please format using one inch margins and 12 point New Times Roman font – double spaced, no more than 23 lines. Send to: kathy(dot)temean(at)gmail(dot)com. Remember to also cut and paste it into the body of the e-mail, plus attach it in a Word document.

DEADLINE: September 19th.

RESULTS: September 26th.

You can only send in one first page each month. It can be the same first page each month or a different one, but if you sent it to me last month and it didn’t get chosen, you need to send it again for this month. Of course, it doesn’t have to be the same submission. It can be a first page from a work in process or you can use the picture prompt above.

Talk tomorrow,

Kathy


Filed under: Agent, authors and illustrators, inspiration, Kudos Tagged: Anne Belov, Donna Taylor, First Page Critique, Free Fall Friday, L Perkins Agency, Laura Watson, Rachel Brooks

2 Comments on Free Fall Friday – First Page Guest Critiquer – Kudos, last added: 9/12/2014
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20. Agent Building List

genevieveGenevieve Nine joined Andrea Hurst Literary Management as an intern in 2012. She has a background in professional editing and gets great satisfaction from developing authors. She’s a Creative Writing MFA candidate at the Northwest Institute of Literary Arts, holds a Certificate in Children’s Writing from the University of Washington, and graduated with honors and a B.A. from the USC School of Cinema & Television.

Genevieve loves books. Her tastes are eclectic, ranging from the classics to quirky. She’s drawn to the fantastic, the curious, and the unexpected. Genevieve is looking to represent authors who weave layered tales with well-developed worlds and characters who threaten to burst from the page. She appreciates smart and original plots with well-crafted twists. And no matter how zany or diabolical, every character should be undeniably human at heart.

When not reading or writing, Genevieve enjoys watching her Sherlock DVDs, planning future travels, and embarking on culinary adventures. She and her husband live in Seattle with their two naughty cats, Selkie and Napoleon.

Within young adult and middle grade, she’s looking to acquire:

Fantasy (open to all subgenres except game-related)
ŸScience Fiction
ŸMystery
ŸHistorical Fiction
ŸRetellings (classics, fairy/folk tale, myth)
ŸContemporary Realism (especially with elements of humor)

She also represents the following adult and new adult categories:

ŸMystery (detective/PI, amateur, cozy, historical, comic, caper)
ŸThriller (supernatural, historical, disaster, ecological)
ŸGothic/Hauntings/Quiet Horror
ŸHistorical Fiction
ŸRetellings (classics, fairy/folk tale, myth)
ŸRomantic Comedy
ŸMagical Realism
ŸFood Memoir
ŸTravelogue/Travel Memoir

She is not interested in the following:

ŸHard SF/Military SF/Space Opera
ŸGraphic Horror
ŸErotica
ŸReligious Fiction/Nonfiction
ŸShort Stories

Submission Guidelines: querygenevieve@andreahurst.com. Email queries only. ŸNo attachments. ŸInclude “Query: Book Title” in the email’s subject line. ŸPaste the first ten pages of manuscript below your query. ŸPlease state if manuscript has been previously self-published. ŸPlease state if query is a multiple submission and inform Genevieve if the project becomes no longer available for representation.

Follow Genevieve on Twitter (@GenevieveNine).

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, Middle Grade Novels, opportunity, Places to sumit, Publishers and Agencies, Young Adult Novel Tagged: Agent Building List, Andrea Hurst Literary Management, Genevieve Nine, Northwest Institute of Literary Arts

0 Comments on Agent Building List as of 9/17/2014 12:10:00 AM
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21. Free Fall Friday

IF metamorphosis final b

Dow Phumiruk is an aspiring children’s book illustrator.  She won the 2013 SCBWI On-the-Verge Emerging Voices Award that promotes diversity in children’s books.  Please visit her newly organized portfolio site at www.artbydow.blogspot.com.  The Emerging Voices Award 2014 opened for submission on September 15! Scroll to see Monday’s post about it.

ANNOUNCING THE WINNER OF DARLENE BECK-JACOBSON’S WHEELS OF CHANGE is: Drum roll please… Donna Taylor from Writer’s Side Up. Congratulations! Donna. Please send Darlene or me your email address so Darlene can send out your book.

Since I know so many in the audience love Eileen Spinelli, I thought you would want to read this interview Lora over at Words On A Limb had with Eileen. Here is the link:Eileen Spinelli Interview

joycebook

Joyce Wan just received her advance reader’s copy of her new picture book, THE WHALE IN MY SWIMMING POOL, which will hit book shelves in April 2015! A WHALE of a tale that is sure to evoke giggles from little guppies! ♥

At Running Press Kids, Lisa Cheng has been promoted to senior editor.

At Simon & Schuster Children’s, Jenica Nasworthy has been promoted to assistant managing editor.

Co-founder of start-up Ruckus Media and one-time president of Simon & Schuster Children’s Rick Richter is joining Zachary Schuster Harmsworth as an agent, working in their Boston office. Richter will represent children’s books as well as narrative nonfiction focused on history and military history.

Longtime editor Tom Miller will join Sanford J. Greenburger Associates as a literary agent on September 15. He will represent primarily nonfiction projects in the areas of diet and wellness, psychology and self-help, business, popular culture, spirituality, cooking, and narrative nonfiction. Most recently, he was an executive editor at McGraw-Hill.

Annie Nybo has been promoted to assistant editor at Margaret K. McElderry Books.

PLEASE DO NOT SUBMIT A FIRST PAGE FOR CRITIQUE IF YOU DO NOT WANT TO HAVE THE CRITIQUE POSTED. Thanks!

Rachel_Brooks_LPA_photo_17781343_stdAgent Rachel Brooks from the L Perkins Agency has agreed to be September’s First Page Critiquer.

Before joining the L. Perkins Agency, Rachel worked as an agent apprentice to Louise Fury. In addition to her industry training, Rachel has a business degree and graduated summa cum laude with a BA in English from Texas A&M University-CC.

WHAT RACHEL LIKES: She is excited about representing all genres of young adult and new adult fiction, as well as adult romance. While she is looking for all sub-genres of romance, she is especially interested in romantic suspense and urban fantasy. She is also on the lookout for fun picture books.

She’s a fan of dual POVs, loves both print and ebooks, and has a soft spot for marketing savvy writers.

Here are the submission guidelines for submitting a First Page in September: In the subject line, please write “September First Page Critique” or “September First Page Picture Prompt Critique” and paste the text in the email. Please make sure you include your name, the title of the piece, and whether it is as picture book, middle grade, or young adult, etc. at the top.

Plus attach your first page to the email. Please format using one inch margins and 12 point New Times Roman font – double spaced, no more than 23 lines. Send to: kathy(dot)temean(at)gmail(dot)com. Remember to also cut and paste it into the body of the e-mail, plus attach it in a Word document.

DEADLINE: September 19th.

RESULTS: September 26th.

You can only send in one first page each month. It can be the same first page each month or a different one, but if you sent it to me last month and it didn’t get chosen, you need to send it again for this month. Of course, it doesn’t have to be the same submission. It can be a first page from a work in process or you can use the picture prompt above.

Talk tomorrow,

Kathy


Filed under: Agent, Kudos, opportunity, Places to sumit Tagged: Agent at L. Perkins Agency, Dow Phumiruk, Editor Tom MIller joining Sanford J Greenbuger as Agent, Free Fall Friday, Publishing Industry promotions, Rachel Brooks, Simon & Schuster Children's

8 Comments on Free Fall Friday, last added: 9/19/2014
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22. Agent Looking to Build List

Rosh Hashanah Greetings‏ for the Start of Rosh Hashanah

Rosh Hashanah GreetingscroppedAmalia Hoffman sent in this illustration to mark the day. www.amaliahoffman.com

valerie1407901204Valerie Noble is an Associate Agent at Donaghy Literary Group, a Canadian based agency. While studying chemistry at California State University, Long Beach, Valerie mastered the art of doing proper research, particularly for technical writing. Her love of science and reading merged when she began penning her first novel in the midst of her studies. In true scientific fashion, Valerie researched all there was to know about publishing. She connected with agents, editors, and other writers, and interned for Jessica Sinsheimer of Sarah Jane Freymann Literary Agency.

An education is never finished and Valerie continues to cultivate relationships and hopes to use her knowledge and skills in finding fresh new voices for Donaghy Literary Group.

She is interested in: Young Adult, and New Adult — in the following areas:

• Science Fiction YA/NA
• Fantasy YA/NA
• Historical Fantasy YA/NA
• Historical Fiction YA/NA

Valerie loves YA/NA science fiction and fantasy (think Kristin Cashore and Suzanne Collins) but reads everything under the sun. For her, it’s more about the writing and less about the genre. In saying that, Valerie is generally not interested in romance or paranormal.

Submission Instructions: Electronic Submissions only. Send the query letter, 1-2 page synopsis and the first 10 pages of manuscript — all in body of email, no attachments. Send to query(at)donaghyliterary(dot)com.

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, opportunity, Places to sumit, Young Adult Novel Tagged: Agent Looking for Clients, Associate Agent, Donaghy Literary Group, Sci-Fi and Fantasy, Valerie Noble, YA and New Adult

1 Comments on Agent Looking to Build List, last added: 9/24/2014
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23. Free Fall Friday – Results

deniseholmes

Let’s all brew a cup of tea and join the characters having tea in this illustration by Denise Holmes. Seems like a great way to enjoy reading the critiques done by Agent Rachel Brooks for September’s first page winners.

Denise Holmes created the above illustration for a collective called The Happy Happy Art Collective. She is represented by Nicole Tugeau over at T2 IllustratorsHer first picture book was released in June 2014 – If I Wrote A Book About You by Stephany Aulenback! Here is Denise’s website: www.niseemade.com

____________________________________________________________________________________

Rachel_Brooks_LPA_photo_17781343_stdAgent Rachel Brooks from the L Perkins Agency critiqued the following first page winners. Hope you take the time to read. You can learn a lot from listening to what the experts have to say about a first page, even if it is written by someone else.

CODENAME FOX by Donna Maloy

PROLOGUE. London. September, 1800.

I was all of seven years old, but Noreen’s iron shovel looked to me as big as a Scots battle axe. It clanged on the stone floor, not an arm’s length from my head.

“Oh, please don’t hit her!” my brother cried, yanking on her skirts.

But the scullery maid was determined. Her shovel banged down again, this time against the hearth behind me. A piece of stone whizzed past my whiskers.

“Get out o’ me way,” she told Graham. “Nasty, dirty thing that is. Tracking flour all over me clean floor.”

With a yell like a savage pirate, four-year-old Graham chomped down on her arm. The shovel flew out of her hands, clattering to a stop—right in front of Papa’s black, spit-polished boots. He’d come to see what all the noise was about. Now I was in a different sort of trouble.

With a sob, Graham pulled at Papa’s leg. “Make Noreen stop trying to kill Celia!”

Papa’s head jerked up and he looked toward the corner where I crouched.

“Celia?”

I couldn’t see any point in lying. Shaking with fear, I looked up and nodded.

He stared at me. Of course I didn’t look much like an Ashleigh right then. I looked like a small, flour-speckled mouse.

“Come here,” he said, much too calmly. I could almost feel a spanking on the way.

“Miss Ce-Celia?” Noreen frowned. “But that’s only a dirty little mousie, idn’t it? What’s wrong with killin’ it?” She backed up against the chopping table, eyeing my father and me as if she didn’t know which of us worried her more.

“Get out,” Papa said quietly, speaking to the girl but never taking his eyes from me. Oh, I was in for it now. That was the voice Papa used with stable boys who played dice.

HERE IS RACHEL:

CODENAME FOX by Donna Maloy

This title is intriguing! Sounds like a story filled with fun adventure, although it doesn’t give me a 1800s London vibe, more sci-fi or spy.

I think this opening line could be stronger. It tells us the character’s age, rather than showing us how old the character is through how he talks, the story, etc. Also, the diction of this character doesn’t feel like a seven year old, but a much older character looking back and retelling the tale? If that’s the case, then the diction fits, but if he is in fact seven, the language needs reworked.

When the “stone whizzed past my whiskers” I thought it was a cat (or even fox as the title suggests) but it is actually a mouse. Maybe you can weave in some more clues that this is a mouse talking rather than telling us “I looked like a small, flour-speckled mouse” later down the page.

There’s quite a bit of repetition in this one page about the mouse/person being in trouble, being “in for it”, having a spanking on the way, etc. I don’t think we need to be told so much, since the shovel and yelling definitely tell us this isn’t going well.

Without knowing when chapter one starts in time and events, it’s hard to recommend whether you need this prologue or not. But the prologue camp is usually pretty divided on whether you should have one or cut it. It’s something for you to consider—do readers need this info for the rest of the story to make sense or is it setup that could be woven in throughout? If the answers is yes, readers do need it, then it’s good you have lots of action.

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A SPARROW IN THEHAND   MG by Darlene Beck Jacobson

Helen hurried down the dirt road, clutching her lunch sack in one hand.  She reached for  her sister Fran’s arm with her freehand, trying to get her to move faster.

Fran pulled away from Helen’s reach and continued to plod along. They were going to be late; why couldn’t Fran see that?

The sun poked out its head between two grey clouds just as they reached the schoolyard and the bell rang. Miss Thomson stood in the doorway of the one room building glaring at the sisters.

“I don’t tolerate tardiness.”

Helen stopped at the door, gasping. Her heart dropped like heavy stone as she struggled to steady her breathing. “I’m…sorry…Miss Thomson.” She took a deep breath, feeling calmer. “Ma needed our help this morning. It won’t happen again.”

Miss Thomson stared at Helen, lips pinched closed by an invisible clothespin.  “See that it doesn’t, Miss Wasekowski.” She looked at Fran.  “That goes for you too.”

“Yes, Miss Thomson,” Fran said, her plump cheeks flushed from hurrying.

Helen’s breathing finally settled as she smoothed her shoulder length hair from her face. Her eyes darted around the room, searching for her friend Mary. Why wasn’t she here?

Miss Thomson marched to the front of the room. Her stiff, proper skirt stood at attention. Helen bet her laced up shoes pinched her toes as tightly as the bun in her hair pulled at the corners of her cold, dark, eyes. She was nothing like Miss Norton, the teacher who left last year to get married. Miss Norton was like a willow tree, bending and flexible when the situation called for it. Helen doubted Miss Thomson liked teaching or children for that matter.

It was Miss Norton who had given Helen a thirst for learning that never seemed to be satisfied. She’d also ignited an ember that Helen kept buried deep in her soul. That ember was dormant. Waiting. It held Helen’s hope, dream, wish, to become a teacher one day.

No one – except her best friend Mary – knew of Helen’s deepest desire. Mary also held a secret desire of her own. To become a nurse. Both girls knew their dreams were like the wings of a bird – fragile and easily broken.

HERE’S RACHEL:

A SPARROW IN THE HAND by Darlene Beck Jacobson

The description of Miss Thomson is great with her pinched bun and skirt standing at attention. I can picture her for sure! But I’d like to see what Miss Thomson looks like sooner, while she glares out the doorway, rather than waiting until the kids are seated in class to describe her. It might make their tardiness feel more threatening.

Some of the language choices don’t feel MG-aged to me. For middle grade, I’m thinking Helen and Fran are somewhere between 10 to 14 ish? For example, I’m not sure “ignited an ember” or “a thirst for learning” are phrases that a kid of that age would use in that way. The author voice rather than the character’s voice is coming through here.

I’m also a bit confused about why the dreams of becoming a nurse and teacher are so fragile? These don’t seem like farfetched ambitions on the surface. I think I’m missing something here as far as setting that would reveal why these dreams are so fragile. It’s great to know their dreams early on, so the seeds are there, and just need a little nudge to get us to connect with why they’re at risk of being shattered.

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Michelle Kogan Early Chapter Book Through a Sunflower

Rhea wanted to grow a sunflower house more than anything in the world. But even more then that, she wanted to grow it all on her own. She was going to enter it in the Petalpath 10th anniversary magazine contest and try to win $100.00. Ever since her dad lost his job everyone in the family was helping out. Rhea wanted to show she was big enough to help too!

“Come on sunflower, stand up!” Rhea said.  “I’ve replanted you three times, ‘cause the squirrels ate the seeds.”

“Can I help?” called her mom.

“No, I want to do it myself!” said Rhea, “I’m growing my own sunflowers this year! I’ve been helping you for the last three years. This year you even said, I know enough to grow them all by myself!”

“You know sunflowers, you haven’t given me an easy time. This is the third time I’ve replanted your seeds, cause the squirrels kept on eating them. Now stop wiggling around so I can get you propped up!”

As Rhea wrangled with her sunflowers she noticed a caterpillar that was staring right at her. She slooowly moved closer bringing her eye-to-eye with the caterpillar, and stared right back. The next minute the caterpillar cocked it’s head and starred up, then back at Rhea, and then up again.

“Hey caterpillar, what’s going on up there?”

A goldfinch swooped down barely missing Rhea. It nosed right into her back pocket and plucked out her sketchbook. Her prize sketchbook where she had been keeping all her notes and

HERE’S RACHEL:

THROUGH A SUNFLOWER by Michelle Kogan

The idea of Rhea wanting to help out her family financially is great. It shows us how much she loves her parents, while being selfless in giving up the prize money.

Is a “sunflower house” a greenhouse for sunflowers? A house for one single special sunflower? I’m having trouble picturing this.

It switches between singular and plural for how many sunflowers Rhea’s growing, so whichever it is, don’t forget to be consistent. We need to be able to picture if she’s growing a flower or a whole bunch of them!

The transition from staring at the caterpillar to the goldfinch is a bit awkward. Why is the caterpillar important if the real action is the sketchbook getting stolen? The sketchbook list could be integrated in some way sooner too, so we know what is going on with the sunflower/contest from the start.

Integrating sunflower into the title is smart, but I think it could be tweaked, since it doesn’t sound as fun and grabbing for kids as it could be. It’s all about this awesome sunflower contest, so bouncing off of that could be cool.

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Alice Golin Normal – Young Adult Novel

The calendar on the wall stares at me. Stark diagonal lines drawn through bright blue numbers. Reaching under my pillow, I curl my fingers around the thick black crayon I use to mark each day. Each daty that Dad’s been missing. Twelve so far in September. Choking back tears, I put a slash through yesterday.

Leafing back through the months I come to the end of May. A red circle like an evil eye marks Memorial Day, the day we were told of Dad’s disappearance somewhere in Afghanistan. How? Why? We get no answers. Do they even know?

My phone rings. A real call. not a text. Ignoring it, I stare at the red circle desperately hoping for some message. some sign. But the numerals 31 tell me nothing. Unless choosing Memorial Day was some hidden code.

I shudder at the thought and let the pages slip through my fingers until I’m back to September. The box for today is fresh, unmarked.

“Please God,” I whisper, “let us hear today.” But unlike those early days, I have little hope.

My phone keeps ringing. Stops. Rings again. The caller has no mercy. Giving in, I grope around on the floor until I find the intruder.

“Get out of bed, Nikkia,” Micah says gently.  And then, more sharply, because he knows I don’t want to listen, “Now!”

I want to shout, ‘No, I won’t. Not until we hear from Dad.’ But Micah’s gone and besides there’s no point. If I don’t get up, Mom will come for me. And she’s got enough to deal with.

My phone rings again. I grip it tightly, tempted to throw it across the room. It’s Gillian. She and Micah must have planned this.

HERE’S RACHEL:

NORMAL by Alice Golin

It’s clear that your protagonist is in a lot of pain over missing her dad, and it’s great you let us in on this emotional connection from the first page.

It’s not clear why she isn’t answering the phone. This call seems important, but then she ignores it. Confused a bit here, since isn’t she desperately wanting to hear from her dad or any news about him? Wouldn’t she pounce on any call to see if it was news?

Micah appears, but where did he come from? It feels like the transition is a bit awkward from the phone to being told to get out of bed. Is he a friend, sibling? Was the door open, or did Micah have to open it, in which case wouldn’t she hear him coming in? I think the author is seeing this scene more clearly than I am.

This first page overall feels slower and more repetitive than it could be. The core information of her dad disappearing and not wanting to get up are there, but then the pacing and interest-level get dragged down some by talking about the calendar then searching for the ringing phone at-length. I’d rework this to keep the core info, but relay it in a more concise, emotion-heavy way. This will help us immediately feel for her that she wants to hear from her dad but hasn’t in so long.

Shorter titles can be good, but I think this one could be more grabbing. Maybe tweak it, possibly keeping NORMAL in it, but ramping up the grab-me-factor. Then we’ll be sucked in!

Thank you Rachel for sharing your time and expertise with us. It is truly appreciated.

Talk tomorrow,

Kathy


Filed under: Advice, Agent, authors and illustrators, illustrating, inspiration, revisions Tagged: Denise Holmes, Free Fall Friday - Results, L Perkins Agency, Rachel Brooks, T2 Illustrators

2 Comments on Free Fall Friday – Results, last added: 9/26/2014
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24. Literary vs. Commerical Fiction

Don’t be afraid of the difference between literary and commercial fiction like these Scaredy Scouts illustrated by B.L. Bachmann below. B.L. is a writer and illustrator living in Los Angeles. Her mission is to make people smile, and even giggle :) See more at http://www.blbachmann.com

scardeyscoutsI spent last week running two writer’s retreats in Avalon, NJ. The agents at the first retreat were Sarah LaPolla from Bradford Literary and Carly Watters from P.S. Literary. The agents at the second retreat were Ammi-Joan Paguette from Erin Murphy Agency and Heather Alexander from Pippin Properties. 

It was a gorgeous week. Everyone received a full manuscript critique with an agent and a full manuscript critique from everyone in their group. I have to say, I think both of the sessions were the best retreats I have put together. The agents were top notched and each writer  in each group took extreme care with their critiques, so we walked away with lots of ideas for revisions and with many doors open with the agents. On top of that, everyone meshed well and we had a tons of fun. Can’t think of anything that was missing. 

Sarah-Bradford-Lit-photoDuring the week the question came up about the difference between Literary Fiction and Commercial Fiction. Lucky for us, Sarah LaPolla had written an explanation  on her blog and gave me permission to post it on Writing and Illustrating.

Here is Sarah:

I don’t think writers should get too hung up on labels, but it’s important to know what genre you’re writing. You’re expected to give an agent an immediate sense of where they can sell your book, but even more than that you should be able to know who you’ll be next to on a bookshelf so that you can read your comparison titles accordingly.

Figuring out thriller vs. mystery vs. suspense or paranormal romance vs. urban fantasy vs. supernatural horror can be difficult, I know. In these cases, it’s best to just choose the closest and let a professional decide the best way they can sell it. But the line between literary and commercial isn’t as vague. You shouldn’t claim your book is literary fiction if it isn’t. For one, it’s rare you’ll find an agent who looks for literary fiction and genre fiction with the same fervor, if they take on both at all. You don’t want to get a rejection based on a mislabel. Secondly, literary fiction is quite different than genre fiction, and not learning the difference can reflect a lack of research on your part.

The common argument, however, is that all books are technically literary. Right? Well, yes and no. Saying all books are literary is like saying all Young Adult novels are about characters under 25. The genre labels can be misleading, which is why it’s important to know what they mean.

If you’re unsure about which you’ve written, here’s a quick definition of each:

Literary fiction: The focus is on character arc, themes (often existential), and the use of language. I like to compare literary fiction authors to runway designers. The general public isn’t mean to wear the clothes models display on the runway. They exist to impress the other designers and show the fashion industry what they can do. Literary writing is a lot like that, but on a more accessible level. Many dismiss literary fiction as “too artsy” and “books without a plot,” but this isn’t true. At least not most of the time. The plot is there; it’s just incidental. Literary fiction is meant to make the reader reflect, and the author will almost always prefer a clever turn of phrase over plot development.

Commercial fiction: For the purposes of this blog post, I’ve been using this interchangeably with genre fiction. Basically, all genre fiction is commercial, but not all commercial fiction is genre. There is also “upmarket” commercial fiction, which I’ll get to later. Unlike literary fiction, genre fiction is written with a wide audience in mind (aka “commercial”) and always focuses on plot. There is still character development in genre fiction, but it is not as necessary. Characters get idiosyncratic quirks, clever dialogue, and often learn something new about life or themselves by the end. The difference is that their traits are only skin deep. The reader stays with them in the present. Rarely do we see a character’s past unless there is something pertinent to the plot back there. Genre fiction has a Point A and a Point B, and very little stands in the way of telling that story.

Keep in mind that an agent or editor will rarely prefer you to play with these formats, especially if you’re a debut author trying to find (and build) your audience. If you’re writing a plot-driven genre novel that adheres to a sci-fi, romance, or thriller structure, don’t try to load it with literary devices and huge character back-stories that aren’t relevant to the plot. It won’t impress an agent if you have a super literary genre novel. It will more likely confuse us and make your book harder to sell.

“Upmarket” fiction is where things get tricky. Books like The Help, Water for Elephants, Eat, Pray, Love, and authors like Nick Hornby, Ann Patchet, and Tom Perrotta are considered “upmarket.” Their concept and use of language appeal to a wider audience, but they have a slightly more sophisticated style than genre fiction and touch on themes and emotions that go deeper than the plot.

With debut authors, I think the main source of uncertainty tends to come from what they set out to write vs. what they actually write. Genre fiction is written with a clear purpose. The author has an idea and writes a story to accomplish their goal. Literary fiction can be more accidental. A writer may start with an idea, and then discover along the way that they don’t want to write about that anymore. They’ve fallen for their character’s personal tale or the images they want to evoke within the reader. If the writing ends up falling somewhere in the middle, then it might be considered “upmarket.” Or, it could mean it needs more focus one way or the other.

What’s important to remember is that none of these types of fiction is better than the other. It’s all about personal preference, based on what you like to read and how you write. If an agent doesn’t represent a certain genre, it doesn’t mean he or she think it’s bad. It just means you’re better off with someone else. Be aware that a genre label can influence an agent, but be honest about what your genre is. It wastes everyone’s time – most importantly, yours – if you try to guess what you think agents want. We want books we can fall in love with that fall under in genres and styles we represent, whether they’re young adult, adult genre fiction, or literary to a Proustian degree. That’s all.

You should drop by and take a look at Sarah’s blog: http://glasscasesblog.blogspot.com/ Sarah has agreed to be a Guest Blogger in the near future on a different subject, but another enjoyable post that will broaden your knowledge.

Thanks Sarah for sharing.

Talk tomorrow,

Kathy


Filed under: Advice, Agent, article, demystify, need to know, reference Tagged: Bradford Literary, Commercial Fiction definition, Literary Fiction definition, Sarah LaPolla

2 Comments on Literary vs. Commerical Fiction, last added: 9/30/2014
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25. Agent Starting Out – Building List

brent-taylor-literary-agentUwe Stender, agent and owner of TriadaUS Literary Agency, Inc. located northwest of Pittsburgh recently hired Brent Taylor who recently completed an Internship at The Bent Agency.

According to Publishers Marketplace, owner Uwe Stender has sold six books so far this year. Here is an opportunity to get in on the ground floor with a new agent, Brent Taylor (pictured on left), at a fairly new agency.

Here is what Brent says he is looking for: “My tastes are eclectic, but all of my favorite novels are similar in that they have big commercial hooks and fantastic writing. I am seeking smart, fun, and exciting books for readers of middle grade, young adult, new adult, and select mystery/crime and women’s fiction.

Middle Grade: For younger readers I am on the hunt for a humorous, intelligent fantasy; a scare-the-pants-off-me ghost or haunting story; fast-paced literary writing similar in style to Jerry Spinelli and Cynthia Lord. I have soft spots for larger-than-life characters and atmospheric setting (creepy and/or quirky).

Young Adult: I’m always looking for genre-bending books that can be an exciting puzzlement when thinking about how precisely to market; specifically mystery and crime for teens, the grittier the better; high-concept contemporary stories with addicting romantic tension. I’m a sucker for themes of finding your place in the world, new beginnings, and summer-before-college stories.

New Adult: My tastes in New Adult tend to be more darkly skewed but I would love a well-executed story that shares the same excitement, wonder, and invigoration of books like LOSING IT. Although I appreciate any story that’s told well in great language, in New Adult I’m more concerned with being entertained and gripped by the edge of my seat than in being stimulated.

Adult: I would love a psychological suspense based on actual events, i.e. CARTWHEEL by Jennifer Dubois which fictionalized the Amanda Knox trial and hooked me from beginning to end. Alternatively, I’d love high-concept women’s fiction; either an exquisitely told story huge in size and scope, or a less ambitious novel that simply warms my heart.”

How to submit:  Send your query letter and first ten pages pasted in the body of the message to brent [at] triadaus.com. Or follow him on twitter: @NaughtyBrent

Talk tomorrow,

Kathy


Filed under: Agent, Editor & Agent Info, Middle Grade Novels, Places to sumit, Young Adult Novel Tagged: Accepting Query Letters, Agent Building List, Brent Taylor, New Agent, TriadaUS Literary Agency, Uwe Stender

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