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Viewing: Blog Posts Tagged with: authors and illustrators, Most Recent at Top [Help]
Results 1 - 25 of 408
1. Kudos

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Congratulations to everyone in this post. I am sure all of you are doing somersaults like Luther in this new illustration sent in my Amalia Hoffman. http://www.amaliahoffman.com

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Kirkus published a great review for Darlene Beck-Jacobson ‘s new book WHEELS OF CHANGE which is coming out in September. I read an advanced copy and wrote a review that is up on Goodreads.

Here are the links:

http://www.kirkusreviews.com/book-reviews/darlene-beck-jacobson/wheels-of-change-jacobson/

https://www.goodreads.com/review/show/1023025140vesperrodeen-announce

Vesper Stamper proves that winning a contest can get you noticed and sometimes that is all you need to make things happen. Vesper won the NJSCBWI Illustrator Showcase at the end of June and six weeks later, that win landed her representation with Lori Kilkelly at Rodeen agency.

Yvonne Ventresca was featured in the August NJSCBWI Author Spotlight. Here is the link: http://newjersey.scbwi.org/author-spotlight/author-spotlight-yvonne-ventresca/

carly-watters-p-s-literary-agencyAt P.S. Literary Agency, Carly Watters has been promoted to vp, senior literary agent.

Julia Maguire has joined Knopf Children’s as editor. Previously she was an associate editor at Simon & Schuster Children’s.

Orion Children’s Books editorial director Amber Caraveo is leaving the publisher to become an agent, creating Skylark Literary along with Joanna Moult, officially launching in November. The agency will focus on YA and children’s authors.

The Simon Pulse imprint has promoted Liesa Abrams to vp, editorial director of Simon Pulse and associate editorial director of Aladdin. Plus, Michael Strother is being promoted to associate editor of Simon Pulse.

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Editor & Agent Info, inspiration, Kudos, Publishers and Agencies, Publishing Industry Tagged: Amalia Hoffman, Carly Watters, Darlene Beck-Jacobson, Vesper Stamper

3 Comments on Kudos, last added: 8/28/2014
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2. Illustrator Saturday – Inés Hüni

inesphotoineInés Hüni was born in Mendoza (Argentina), the land that produces the finest Malbec wine grapes in the world.

She remembers that as a little girl, she always dreamed about having her “taller de arte” with lots of small “frasquitos”, colored pencils and brushes of all sizes.

She moved to Buenos Aires – the big city – when she was 11.

During high school, in her spare time, Inés was always involved in drawing and arts & crafts activities. She could not wait to finish high school in order to begin studying what she really loved: Arts.

She graduated from Fine Arts with major in drawing and engraving. Inés also studied humoristic drawing and animation with some of the finest professors in Argentina and USA.

Ines is a great observer of the world that surrounds her. She loves the challenge of interpreting every brush stroke of reality and capturing it in her artwork.

Already married and with two daughters, she moved to México. What was initially supposed to be a 3-year-experience, but it has now turned into an 8-years-one, tasting and living Mexican flavors and colors. The family has recently added a fifth member, her little Mexican daughter named Mora.

Inés is a versatile creative professional. She illustrated children magazines, scholastic manuals, worked for animated movie studios, developed characters to be used in murals and posters and has illustrated several children’s books from renowned Editorial Houses from many countries.

Some of her customers are: Animation: Heart of Texas Productions (Texas, USA) in films for Disney Studios, Warner Bros and Lyric Corporation – Illustration: Garcia Ferré, Infantil, El Gato de Hojalata, Guadal, Perfil and Quipu (Argentina), Richmond, Mac Millian, Cordillera, Trillas, and Bilineata (Mexico), Santillana (Puerto Rico & U.S.A)-   Everest (Spain).

Here is Ines explaining her process:

This is one of my illustrations in “Mymini moleskine.” Myninimoleskine is a little red sketchbook that I take everywhere, especially if I travel.

The idea is to draw women in different poses and moments of their lives, in one small space, that’s a challenge!

inesMyminimoleskine 1 blue prismacolor

I start the sketch with the blue pencil and on it I remark with black pencil.

Here we have a sketch of a woman who is a football (soccer) fan. She is celebrating a goal with all her soul. That’s an example of how I like to start with the blue PRISMACOLOR  col- erase pencil and then remark with black pencil.

ines1woman of cats sketch 1

Woman of the Cats: here you can see the hole process and my work space.

ines2 woman of cats sketch 2

After scanning I clean it up with Photoshop.

ines3 my desk

This is my workspace with my lightbox, I use this table to trace and transfer the illustration to a good paper. You can also see all my painting materials, including color inks and watercolors.

ines4 woman of cats

You can see how I start to paint the big areas and views of my desk and materials.

ines5 woman of cats

Continue to paint.

ines8 woman of cats

With the whole illustration painted, I begin adding details with color Prismalo Carandache pencils.

ines9 woman of cats

Illustration almost done.

ines10 woman of cats

Finished Illustration.

inessketch3

Character sketch.

inesKazurá color1

Finished illustration

inessketch5

Sketch

inesCover KZRa

Finished illustration.

inesKazurá

Finished Book.

inesChamula Chiapas The mayan sky2

Here are several drawings I made after a trip by the south of  Mexico, in Chiapas State.  I was delighted by this place, especially by a town called San Juan Chamula, it’s church, and it’s popular market.

ines18010bigger

How long have you been illustrating?

I always drew, but it has been 20 years since I started to illustrate.

inesChamula Chiapas The mayan sky

How did you go to school to study art?

I wanted to study Fine Arts since I was a little girl.

I finished school since I needed to, in order to pursue a University Degree in Arts.

When the time came to choose a career I had no doubts in my mind: Fine Arts. At the same time, I took a course in Humoristic Drawing in another school.

It was a lot of fun since I realized that everything that I was learning was really interesting to me.

ines50991
What made you move from Argentina to Mexico?

We moved to Mexico with my family due to my husband’s job. It was supposed to be a 3 year experience but it has been almost 9 years already!

ines79126

Do you think the culture of Argentina influenced your style?

Every experience a person has gone through contributes to defining you as an individual. Regarding specifically my illustration style, I think I have influence from many places, not only from my Argentinian background, but also from other places I have visited, books that I read, movies that I watched and also from some of my colleagues’ works.

ines79117

What was the first art related work that you did for money?

That is a tough question! I started out by doing Christmas Cards and painting T-Shirts with original designs. I guess my first customers were my parents and my family.

inesluna-naranja--traviesoWEB

ines50996

Did you start out doing freelance art or did you do other work to pay the bills?

It was really a mix. At the same time that I looked for free-lance jobs, I worked in a greeting cards editorial house (similar to Hallmark) and also worked in a company that made sticker albums.

ines50994

How did you get involved with animation with Heart of Texas Productions (Austin,Tx USA) in films for Disney Studios, Warner Bros and Lyrick Corporation?

Wow, that was one pretty chance! My husband and I had just moved to Austin, Texas to study a postgraduate and a neighbor of our condominium worked in that study of animation. When the person who rented us the apartment learnt that I was an illustrator, she made arrangements for me to visit the studios. After the tour, I asked if I could show my portfolio. I think that they had not finished telling me that I was already leaving my folder with them. A few days later I was called to sit for a test and then I was chosen. In Heart of Texas, we also worked for larger studios such as Disney, Warner and Lyric Corporation and that is how I ended being part of films like Aladdin, The Quest for Camelot and three children’s animations on St. Francis and his friendly world.

ines79118
Do you still do animation?

No. Animation was a great learning experience and I learned it well from the inside: I was trained while I worked in Heart of Texas. In addition to that, I attended College where I experienced going through the whole process of designing: from scratch, to filming my own short (very short) animated movie.

I soon found out that the process of making animation was like a very long, mechanical chain, where one is just a small link and the only way of applying your own creativity was by designing the characters, backgrounds or the story itself. So I turned completely to illustration, which is less mechanical and a greater challenge, because each job order demands my own imagination and creativity.

ines79145
What type of work did you do right after you graduated?

I worked doing typographies and some illustrations for greeting cards.

ines79124
When did you decide to get involved in children’s illustration?

Well, as I already said, while I was studying Arts, I attended another school for humorous drawing, where I learned the basics on how to create characters and move them from side to side, to explore and to draw different topics and to make comic strips… But while I was studying, I realized that it would be hard for me to come up with a joke every day to go with an illustration, like the comics in newspapers. That was when I said to myself: my thing is children’s illustration. I do come up with cute illustrations that can actually be funny but are still not the daily joke or comic strip.

ines50988
Have you ever illustrated a children’s book or book dummy?

Yes, I have several illustrated books:

inespalabrerio

The collection Palabrerio by Infantil.com

inesHadas

The collection Hadas Virtuosas – Editorial Guadal, El Gato de Hojalata

inesHadas Patitas - Edit. El gato de Hojalata Guadal.

Collection Hadas con patitas – Editorial Guadal, El Gato de Hojalata

inesSantillana USA

Several pedagogical publications with Santillana of Puerto Rico and the United States.

inesBiblia Everest

Historias maravillosas de la Biblia [Wonderful histories of the Bible] – Publishing Everest.

inesel deseo de mateo armado

Deseo of Mateo [Mateo’s wish] – For Kraft, Oreo

inesKazurá

Kazurá.Un manifiesto infantil – Editorial Quipu

 

inesKazurá color2

It looks like you have a friend who writes and you do the illustrations. Could you tell us about how the two of you connected and how many books have you done?

Yes, my friend Agustina, another coincidence in my life! One day in Mexico, I went to a birthday party where new comers had just arrived. I ended up sitting next to one of the new ones, and the host looked at us and said: “Inés, this is Agustina and she writes. Agustina, this is Inés and she illustrates. You must know each other!” Just a few days later, I was contacted by a publisher to make a Christmas Story for Kraft Foods about the Oreo cookie. They wanted it immediately but there was no story yet and they requested the cover and an inside page… I told them that I knew two writers and we could see if they already had something written to adapt into the project… So I contacted both writers. Agustina responded immediately with a story, thought and written especially for the project. It was called “El deseo de Mateo” [Mateo’s wish].

It ended up being a beautiful book, and the best part was discovering what a wonderful team we made together. Then, new projects came up and we continued working together.

Recently our book “Kazurá” was published. It is an illustrated children’s book that we presented in Buenos Aires Book Fair this past July and continue to promote here in Mexico.

ines18050
What do you consider is your first big success?

I believe that my biggest success is to be able to turn my passion into work, to let my imagination fly, to face challenges with each job order, which sometimes can be something completely new in my life. I sometimes worry but in the end, I always come up with something that I like, and that amuses me!

Each stage of my life had its own hit, like working for Disney and Warner Bross or winning a contest for and important hospital: My character became the Pediatrics’ mascot!

Success for me also meant travelling to the greatest Illustration Fair in the world (Bologna) and being contacted for different jobs after those interviews. And lately, success meant to materialize one of our projects with Agus: our book “Kazurá” recently published.

ines18177
How did that come about?

The most recent success was our book “Kazurá”, which we worked jointly with my friend Agustina, designing each word and each illustration so that each of us, in our own specialized language, would tell the same story without repeating each other. We made a very good presentation of the book, with a dummy, at the Book Fair of Guadalajara. This was an efficient way to introduce ourselves and the book to the different publishers. Not only did we make a good impression on them but we ended with more than one publishing offer for “Kazurá”.

inesleyenda+indios+bailan

How do you promote your work to get more business?

Mainly through Blogs and webpages. I am in Childrensillustrators.com and I have recently created a blog on Facebook called “Hüni la ilustratera”.

I also promote my work presenting dummies of books in fairs such as FIL de Guadalajara in Mexico (the greatest Spanish-speaking fair of the world ) to show a complete, well presented idea, something which publishers seem to look forward to seeing, lately.

inesmagic

The above is an illustration which represents everything that a book can contain, and how they can amaze us. In this illustration I used a photograph of a painted wall taken by me, as a background. Then I worked on creating the characters with several sketches. I transferred them into final lines in good paper, then I scanned them and once in the computer, I worked digitally on the color in Photoshop.

inesMEMORI~1

What materials do you use to paint your color illustrations?

I like to work with inks and watercolors, on good papers, and on those backgrounds I work on the details with coloured pencils. Finally, I finish up digitally in the computer. Lately, I have been applying textures and photos with digital collages.

How I work:

http://www.youtube.com/watch?v=sP0nLgk_PF8#t=196

Here is a link to a video of an e-book called “Al son the Rigoberto”, a story about frienship between a mosquito and an elephant. It is in Spanish, published by Editorial Bilineata. https://itunes.apple.com/us/book/al-son-de-rigoberto/id658854724?l=es&mt=11

inesBUHITOSdesvelados LOW
Do you do any black and white illustrations?

Yes, I do. Although I am a colour fan, I have studied and made many engravings in the past during my Fine Arts career. I also made several comics with ink and pens. It is a different type of exercise, to think in black and white, and I love it, especially in my sketchbooks.

inesWitch

Above and Below: Painted with inks and watercolors (usually I use Colorex by Pebeo) in a good watercolor paper (Strathmore cold press),  retouching the details with colored pencils (Prismalo by Carandache). Finally, after scanning it I worked digitally with Photoshop. The shells are a digital collage of my photographs.

inesSand Castle

Have you done illustrations for any children’s magazines?

Yes, in Argentina I worked for García Ferré’s magazine “Anteojito” and for women’s magazine called “Mia” by “Editorial Perfil”.

inesC Andersen2
Above and the four below are illustrations made for a collective exposition in honor to the Grimm brothers, the story I had to illustrate was “All-kinds-of-fur” (is that the translation in English for Bestia Peluda?) – 2012 Buenos Aires International Book Fair.

inesC Andersen1
Have you done any work for educational publishers?

Yes, I worked for many educational Publishers illustrating pedagogical texts.

inesdesplumando avesLOW

What is the one thing in your studio that you could not live without?

Uh, one? Just one? I cannot work without good light or without music. And, by all means, I am very careful to have the right and best materials to work… If I must choose just a single item, that is a good, well-sharpened pencil.

inesRey baile solLOW
Do you try to spend a specific amount of time working on your craft?

In theory, I try to… but in practice, I can´t always do so. I generally work at night. I like it when everyone at home is asleep. I do burn the midnight oil.

inesescapa del reyLOW
Do you have an agent?

I do not have an agent. And yes, I would love to have one that could make my work known worldwide and sell it for me.

ines79123

Do you take pictures or do any types of research before you start a project?

I am also a photographer. It is a great advantage that today we have easy access to document everything that we like or calls our attention. When I began to study humoristic drawing, the professors encouraged us to have a file with cut-outs and photos of things that helped us draw, for example: things from the field and from the city, examples of animals and of different leaves and plants. Today, everything is a click away and we must do research before we begin to draw.

ines79119
Do you think the Internet has opened doors for you?

Absolutely! Today, you can be reached from anywhere and everywhere in the world.

ines79121

Do you use Photoshop or Corel Painter with your illustrations?

I use both. They are the absolute key to my work.

ines79120

Do you own or have you used a Graphic Drawing Tablet in your illustrating?

A long time ago, I believe in 1998, I bought my first Wacom tablet. Today, I cannot work without it!

ines79144bigger

Do you have any career dreams that you want to fulfill?

Yes, indeed… there’s always a goal ahead.

ines79128
What are you working on now?

I am working on a new book and a complete project to take to FIL de Guadalajara, and on personalized illustrations that my clients have ordered.

ines50992bigger

Do you have any material type tips you can share with us? Example: Paint or paper that you love – the best place to buy – a new product that you’ve tried – A how to tip, etc.

In animation I learned to sketch with blue pencil, Prismacolor Col-Erase is the brand, which has become almost an addiction to me as I can no longer sketch without them. The idea is to make all the necessary lines and scribbles in blue and then clean up the definitive lines with a black pencil.

There are some drawings that I like better in their primary state of sketch, and sometimes I decide “not to remark them with pencil or ink” and even let them without paint.

ines18178

Any words of wisdom on how to become a successful writer or illustrator?

I really don’t know how to be a successful writer or illustrator, but I do know that a great part of our learning takes place as we observe, and perfection is reached through practice.

The more you feed your senses, the better you tell the story.

In reality, writers and illustrators are devoted to tell, to convey something. Nobody can do this successfully, unless they know it and feel it deeply from within. Last but not least, it is important to demand respect and value for our work so that our profession keeps growing strong.

ines51001

Thank you Ines for taking the time to share your process and journey with us. We look forward to hearing about your future successes.

To see more of Ines’ illustrations you can visit her at:

Website: http://ineshuni.blogspot.com/  

Please take a minute to leave a comment for Ines, I know she would love to heard from you and I always appreciate it. Thanks!

Talk tomorrow,

Kathy


Filed under: authors and illustrators, demystify, illustrating, Illustrator's Saturday, inspiration, Interview, Process Tagged: Agentina, Children's Illustrator, Inés Hüni

3 Comments on Illustrator Saturday – Inés Hüni, last added: 8/26/2014
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3. No Fee: Ordinary Guru Project Contest

guru

In the international bestseller, And Then I Met Margaret, real estate entrepreneur  and founder of Mind Adventure, Inc. Rob White recounts 21 stories of personal transformation brought about by his encounters with everyday, ordinary, unassuming gurus who crossed his path over seven decades of living. These stories chronicle how “everyday, ordinary gurus” surround us and come into our lives when we need them most. The overwhelming response from readers who were eager to share their own stories and personal shift of perspective for “guru spotting” inspired Rob to found the “Ordinary Guru Project.” Now Rob invites you to share your own story of personal transformation with a chance to win $5,000 and become a published author in a book tentatively titled The Ordinary Guru Project.

We’re looking for short stories, essays, memoirs, photo essays, graphic stories, cartoons, and poems about ordinary gurus. Ordinary gurus teach us what we  need to know in order to expand our view of ourselves and the world. These gurus aren’t just people— they can also be anything in nature that offers you an insight or life-lesson, perhaps a pet, a wild animal, or even a tree that helps you see yourself or life differently.

Whomever/whatever the ordinary guru, your story must embody a personal experience. Entries must be previously unpublished, no longer than 1,200 words, and can be as short as a few sentences. Your story must be an original creation. It can detail a recent encounter or it may be related to an ordinary guru from your past. Additionally, we will need a 50-100 word bio. If your entry is selected for inclusion in The Ordinary Guru Project, your bio will be positioned directly after your story, so as to allow for maximize exposure of your blog, website, or previous publications and works.

We welcome and look forward to reading your tales of transformation!

PRIZES:

  • First Prize: $5,000
  • Second Prize: $2,500
  • Third Prize: $1,500.

SUBMISSION FEE: There is NO fee to enter.

TIMING: The contest will run from 12:00 AM Eastern Time (“ET”) on April 1, 2014 to 11:59 p.m. ET on August 31, 2014.

JUDGING: The contest will be judged by the team members of Mind Adventure, Inc.  Winners and finalists will be announced on or about October 1, 2014. All contest entrants who enter will be notified by email of the judges’ decisions, which are final. (See the Official Rules for details of judging and other aspects of the contest.)

Submissions will be judged on the following criteria:

  • Authenticity & believability (33.3%)
  • Relevance to theme (33.3%)
  • Heartfelt feeling (33.3%)

CLICK HERE TO ENTER THE CONTEST!

Good Luck!

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Competition, Contest, earn money, opportunity, Places to sumit, Win, writing Tagged: No fee Writing Contest, The Ordinary Guru Project

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4. Agent Looking for Clients

Alexander SlaterAlexander Slater from the Trident Media Group is looking to build his client list.

When asked how he became an agent at Trident, concentrating in the expanding children’s, middle grade and young adult businesses, Alex simply replies, “It was only natural.” While karma is not an established business concept,  it is clear that Alex’s career arc led him in this happy direction.

Start with Alex’s love of fiction, and in particular the stories that captivate the minds and imaginations of young people, from those so young that books are read to them, to young adults who get captivated by creative fiction. “I love to let myself go, and become the reader, whether the story is directed at a ten-year-old or a teenager,” says Alex.

Next is Alex’s experience at Trident, where he has been since 2010. He became a very successful agent representing the company’s children, middle grade and young adult authors in many licensing arrangements in the global marketplace for translation and in the English language in the U.K., having placed books with publishers in dozens of countries. Alex was Trident’s representative at the Bologna Children’s Book Fair in Italy, as well as the broader-based London and Frankfurt book fairs. His experience in representing fiction in these areas showed him what elements in stories work well, and how to maximize the value of what an author has created.

He is now building his list domestically at Trident, while keeping his focus on these areas.  As a Foreign Rights Agent, he sold international rights for authors such as R.J. Palacio, Louis Sachar, Jessica Sorensen, L.J. Smith, Rebecca Donovan, and many others.

Alex’s plan is to, “Look for stories that will rise above the rest with characters that will be remembered well past childhood, with the potential to cross over to other media and formats,” such as programming, games, motion pictures and merchandise. “Trident is the leader on taking advantage of the latest opportunities presented by changing technology,” says Alex, and, “I will be there to help make the latest innovations happen for my authors.”

“I believe that the most successful writers have a bit of the dreamer in them.” And Alex passionately believes that he can help turn their dreams into reality.

What Alexander is looking for: Alexander is interested in children’s, middle grade, and young adult fiction and nonfiction, from new and established authors.  As he says, “I’m looking for projects that will rise above the rest…characters you’ll remember well past childhood…books that translate well to film because within them contain incredible stories, not because they’re the latest trend.”  He particularly loves authors like Frank Portman, Jim Shepard, Jenny Han, and Rainbow Rowell.

How to submit: Send a query letter, pasted in the body of the email, to aslater [at] TridentMediaGroup.com. Your query should include only a paragraph about yourself, a brief plot pitch, and your contact information. Please do not send a manuscript or proposal until you have been requested to do so.

Follow him on Twitter: @abuckslater.

Talk tomorrow,

Kathy


Filed under: Agent, authors and illustrators, Middle Grade Novels, opportunity, Places to sumit, Publishers and Agencies, Young Adult Novel Tagged: Alexander Slater, Trident Literary

2 Comments on Agent Looking for Clients, last added: 8/14/2014
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5. Rebel Light Canadian Publisher

REBELIGHT_LOGO_4C

Submission Guidelines

What we want:

  • Manuscripts for middle grade, young adult and new adult novels
  • Well written and edited stories of any genre with riveting plots, dynamic and developing protagonists and antagonists we love to hate.
  • Work from Canadian writers that appeals to a worldwide market.

 Emerging writers and experienced authors welcome! Published authors, feeling stuck writing in one genre for your publisher and want to try something new? We are all ears.

What we don’t want:

Holiday stories • Graphic novels • Poetry • Short stories • Illustrations • Picture books • Non-fiction • Erotica • Previously published work (including self-published works)

Some helpful hints:

  • Have your manuscript edited by a third party who has a strong understanding of writing for young people. Your mother does not count, unless her name is J.K. Rowling.
  • A couple helpful reads: Rivet Your Readers with Deep Point of View by Jill Elizabeth Nelson and  Writing Great Books For Young Adults by Regina L. Brooks.
  • Your work has a better chance of serious consideration if it is presented in a professional manner, so please follow our submission guidelines below.

Submission Guidelines:

  • Rebelight Publishing Inc. is environmentally friendly and accepts emailed submissions only. Mailed submissions will be shredded and not responded to, a waste of your money (& trees).

In the body of the email (for security reasons attachments will not be opened), your submission should include:

  1. A one-page query letter
  2. Your author CV
  3. A one-page synopsis
  4. The first three chapters of your manuscript.
  • The email subject line should read as follows: “Submission – Your First Name Your Last Name, Manuscript Title.”
  • Do not send more than one manuscript at a time.
  • Address all emails, “Dear Editor:” (Yes, this goes against most advice given to writers… it’s OK. If your manuscript is accepted you’ll be introduced to your editor.)
  • We accept simultaneous submissions, however, as a courtesy, please let us know if your manuscript has been accepted elsewhere.
  • Should we request a full manuscript, it must be submitted in standard 8.5 x 11” format, typed in Times Roman 12 pt font and double-spaced. Submit as a Microsoft Word file.

Submissions are usually processed within three (3) months. Please do not contact us any sooner about your submission. Due to the volume of submissions, we cannot provide editorial comments on manuscripts. Email submissions to: editor@rebelight.com You’ve worked hard and shown perseverance to get a manuscript ready for submission. We look forward to hearing from you.

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Middle Grade Novels, opportunity, Places to sumit, publishers, Young Adult Novel Tagged: Canadian writers, email sumissions, Rebel Light, submission guidelines

0 Comments on Rebel Light Canadian Publisher as of 8/20/2014 2:31:00 AM
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6. Writer’s & Illustrators: The L. Ron Hubbard Writers of the Future Contest

The L. Ron Hubbard Writers of the Future Contest

— No Entry Fee
Prize: $5,000.00. Entry fee: $0.00. Deadline: 09-30-2014
The L. Ron Hubbard Writers of the Future Contest runs four times during the year, each awarding a first-prize of $1,000 to a promising or experienced author of sci-fi, fantasy, or dark fantasy. Second-place winners receive $750, and third-place winners receive $500. At the end of the year the judges award a grand prize of $5,000 to the best overall author.

This contest is open to original, unpublished stories and novelettes, up to 17K words. Authors must not have had a novel, novelette, or more than three short stories commercially published in any medium.

Enter the Illustrator Contest

L. Ron Hubbard’s Illustrators of the Future Contest is an opportunity for new science fiction and fantasy artists worldwide. No entry fee is required. Entrants retain all publication rights. All judging by professional artists only. $1,500 in prizes each quarter. Quarterly winners compete for $5,000 additional annual prize! If you have not read the contest rules, please click here before submitting.


Filed under: authors and illustrators, Competition, Contest, opportunity, Places to sumit Tagged: $5000 Prize, No Fee Writer's Contest, Ron L Hubbard Illustrator Contest, Ron L Hubbard Writer's Contest, Unpublished stories, Up to 17K Words

1 Comments on Writer’s & Illustrators: The L. Ron Hubbard Writers of the Future Contest, last added: 8/21/2014
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7. Agent Looking for Clients

MarykAgent Mary Krienke: Mary joined Sterling Lord Literistic in 2006 after receiving her MFA in Fiction from Columbia University. She now lives in Brooklyn.

Mary works with Sterling Lord and represents literary fiction, creative nonfiction, and realistic YA that pays close attention to craft and voice. She is especially drawn to new and emerging writers who seek to push boundaries of form and content, and she responds most strongly to writing that reaches great emotional and psychological depths. She is equally interested in work that illuminates through humor or by playing with genre. Her other interests include psychology, art, and design.

How to submit: You can email Mary with your submissions. For fiction, please send a synopsis and the first three chapters or a 50 page sample. If submitting non-fiction, send a detailed proposal.

Queries should be sent to info @ sll.com with “Attn: Mary Krienke” in the email subject line. Cover letters should be in the body of the email but send the actual submission as a Word document attachment.

You can find Mary on Twitter: @MaryKrienke.

Talk tomorrow,

Kathy


Filed under: Agent, authors and illustrators, Editor & Agent Info, opportunity, Places to sumit, Publishers and Agencies, Young Adult Novel Tagged: Mary Krienke, Sterling Lord Literistic

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8. Links I Shared on Twitter this Week: August 1

TwitterLinksHere are highlights from the links that I shared on Twitter this week @JensBookPage. Topics this week include authors and illustrators, book lists, diversity, growing bookworms, events, summer reading, summer slide, literacy programs, kidlitcon, writing, movies, and schools.

Authors and Illustrators

Wild Things! Funky Buddha Parties to Children’s Books: Before They Were Authors + Illustrators http://ow.ly/zLu55 @SevenImp @FuseEight

Fun! Books the @growingbbb family's favorite Children's Authors Liked When They Were Kids http://ow.ly/zG4qs #kidlit

Book Lists

A timely list! 3 on a YA Theme: Summer Camp | @catagator @bookriot http://ow.ly/zB0pU #yalit

100 Children's Books to Read in a Lifetime from @Amazon is a pretty nice list http://ow.ly/zJ66c via @PWKidsBookshelf

A Tuesday Ten: SF-based Time Travel in #kidlit | Views From the Tesseract http://ow.ly/zLujJ #BookList

Books to Help Your Child With Common Kid Problems | @BookishHQ http://ow.ly/zL2xS #BookList #kidlit

From @CoffeeandCrayon | A List of Books About Starting Kindergarten http://ow.ly/zLtEQ #kidlit

New #BookList from Stacked: #YAlit involving Hacking, Gaming & Virtual Reality http://ow.ly/zIkwh

Picture Books for Young Writers | Lit For Kids Blog via @ChoiceLiteracy http://ow.ly/zGeOb #kidlit

A Top Ten Featuring the Coretta Scott King Book Awards by @medinger @NerdyBookClub http://ow.ly/zG9wo #kidlit

Nice list of Middle Grade titles for #WeNeedDiverseBooks from @girlsincapes http://ow.ly/zG8aO via @charlotteslib

Stacked: Censorship, Challenges, and Other Forms of Protest: A Reading List from @catagator http://ow.ly/zG6hd

Diversity

Congratulations to #WeNeedDiverseBooks for incorporating + having a great advisory board http://ow.ly/zOh8A @sljournal

Go Doc McStuffins! Race in Toyland: A Nonwhite Doll Crosses Over @NYTimes http://ow.ly/zJ5G6 via @PWKidsBookshelf

Sigh! Infographic: The Diversity Gap in Sci-Fi & Fantasy Films. @bkshelvesofdoom @leeandlow http://ow.ly/zJ5aI

Events, Programs, and Research

Very cool! School Librarian Fights Summer Slide with School Bus-Turned-Bookmobile | @sljournalhttp://ow.ly/zOh3J

FirstBookSummer_ReadingEncouraging news from @FirstBook blog: How Kansas City Kids Beat Summer Slide http://ow.ly/zAYTP #SummerReading

Neat idea! Richmond mom brings literacy to laundromats | @KALW in SF http://ow.ly/zJ6do via @PWKidsBookshelf

"This summer, the streets of London have been filled with 50 book-shaped benches, celebrating a range of books" http://ow.ly/zB11c

Mind the Gaps: Books for All Young Readers | @HornBook Colloquium sounds neat http://ow.ly/zOhGA #HBAS14 http://ow.ly/zOhP1

Press Release: A Conference on Censorship in #kidlit and a Call for Proposals @fuseeight http://ow.ly/zG5Nv @ArneNixonCenter

Learning To Read May Take Longer Than We Thought @NPR via @PWKidsBookshelf http://ow.ly/zJ5Xd #literacy

Growing Bookworms

This is awesome! I want one! Sneaking Books in at breakfast: toast racks as book storage | @playbythebook http://ow.ly/zOz5C

The Maze Runner: Hooking Teachers + Reluctant Readers Since 2009 – Review by @shkrajewski @NerdyBookClub http://ow.ly/zLtQZ

Keep calm + read to your child, @JGCanada advises parents worried about their kids not yet reading http://ow.ly/zLte8

Don't miss: Getting Boys Excited About Reading: Ideas & Resources from @TrevorHCairney http://ow.ly/zAZw0

Kidlitosphere

KidlitCon2014_cubeWendie Old has all the links you need to learn about this year's #KidLitCon http://ow.ly/zIkPb #kidlit #yalit

#KidLitCon 2014 Still Wants YOU! says co-organizer @aquafortis | She just registered. How about you? http://ow.ly/zGsup

Children's + YA BOOK blogging friends! This is the last week for Session Proposals for #KidLitCon14 http://ow.ly/zGczI

Lots of good stuff in this week's Fusenews, including a plug for #KidLitCon14 from @fuseeight http://ow.ly/zIfpG

A Little Shout-Out to #KidlitCon from co-organizer Tanita Davis: The more we talk about things like #diversity... http://ow.ly/zG9ec

"My best memories of #KidLitCon are getting to meet people in real life" | @LizB on why you should attend http://ow.ly/zG79Q

How I presented at #Kidlitcon, and how you can too! from this year's Program Organizer @charlotteslib http://ow.ly/zG6LI

What Do We Mean When We Talk About Diversity + How Can YOU Contribute to the Conversation at #KidLitCon http://ow.ly/zAWvU Tanita Davis

On Reading, Writing, Publishing

Middle Grade and YA: Where to Draw the Line? (+ where to shelve the books in the store) http://ow.ly/zJ5qf @PublishersWkly #kidlit

I feel like this too: Books as Traveling Companions through life by @AmericanClassrm @NerdyBookClub http://ow.ly/zG5op

"Read-alouds can sometimes be just as important to the teacher in the classroom" @rantryan @NerdyBookClub http://ow.ly/zG8GC

I collect bookmarks, too. Loved: Handmade Mini Bookmarks + Books About Reading from @momandkiddo http://ow.ly/zAZzz

Movies and Video

I am intrigued... The Famous Five are headed to the big screen, via @bkshelvesofdoom http://ow.ly/zIdfY

Wild Things! Tar Babies + Cannibals: Children’s Literature + Problematic Cinematic Adaptations http://ow.ly/zIkcm @FuseEight + @SevenImp

#KidLit Film Adaptations: The Good, The Bad, and the Traumatizing at Wild Things! http://ow.ly/zG63c @SevenImp @FuseEight

Who would have thought? 8 Reasons Why @momandkiddo Loves Pokémon http://ow.ly/zIean

Schools

At Literate Lives, suggestions from a dad to his daughter, a first-time first-grade teacher http://ow.ly/zLtmw

The plot to destroy education: Why technology could ruin American classrooms — by trying to fix them @salon http://ow.ly/zODY5

An idea for teachers: Battle of the Books by Sherry Gick @LibraryFanatic @NerdyBookClub http://ow.ly/zAZWV

Summer Reading

RT @ErinMargolin: SO GOOD! 10 Tips on How to Avoid the Summer Slide http://www.bonbonbreak.com/avoiding-summer-slide/ … via @bonbonbreak

National Book Foundation Launches New #SummerReading Program in NYC http://ow.ly/zODjU via @PWKidsBookshelf

#SummerReading Tip33 @aliposner | Have a lemonade stand…and, tie it to #literacy! | http://ow.ly/zG9DI

#SummerReading Tip35 from @aliposner | Parents, participate in a READING IN THE WILD scavenger hunt! | @donalynbooks http://ow.ly/zLvcE

Nancy Howe and Rosanne Macek: Keep our kids off the summer slide w/ #SummerReading programs @MercuryNews http://ow.ly/zAPIA

© 2014 by Jennifer Robinson of Jen Robinson's Book Page. All rights reserved. You can also follow me @JensBookPage or at my Growing Bookworms page on Facebook.

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9. Illustrator Saturday – Sharon Lane Holm

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Sharon Lane Holms is a published children’s book author/ illustrator with over 20 years of experience. She has illustrated over 65 children’s books; trade, mass market, board books, workbooks, school/library, craft books, fiction and non fiction, and recently released 2 Itunes Apps which she wrote and illustrated- “Kids Counting Kitties 10-1″, and “Kids Counting Kitties 1-10″ (available in English and Spanish). She wrote and illustrated “Zoe’s Hats” (a color concept book)- published by Boyds Mills Press.

Sharon graduated with honors from The Art Institute of Ft. Lauderdale with a degree in Visual Communication- ie: Advertising Design. She says, “I have always wanted to be an artist, I have always just wanted to spend my life drawing pictures. Advertising Design offered the most illustration classes at that time. Upon graduation I was offered a job at Hallmark but turned it down.”

sharoninterview 2She was an art director in S. Florida for 4 years winning several advertising awards for advertising design work. As much as she loved design work, Sharon still missed drawing pictures.

Sharon says, “With a move to Connecticut and a child on the way, it was perfect timing to transition into children’s illustration. I was fortunate to acquire a children’s artist representative my first time out.”

Her client roster includes but not limited to- Boyds Mills Press, High Five, Dutton, ABDO, Twin Sisters, Harcourt educational, Child’s World, Kids Can Press, Lerner, Flowerpot Press. She is also, a licensed artist of greeting cards, puzzles and calendars.

She teaches a literacy/art course for grades 3 through 5 for the local school system’s PTO and just earned/received a black belt in TaeKwonDo, martial arts.

Here is Sharon explaining her process:

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Initial concept or idea, very loosely sketched.

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Overlays of tracing paper refining, tweaking original concept.

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Refining the art till I have it to the degree of “tightness” I want to take the art to

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Transfered the sketch onto 140lb. Arches HP brite white watercolor paper. I traced the art using a #2 Ticondergo pencil for this piece. Sometimes I will outline with a pigma micron marker, for a more graphic approach. This time I wanted a softer pencil line.

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I sprayed workable fix over the pencil lines. And painted a light ochre wash over entire art. The ochre base color adds a slightly different “dimension” to the paint colors.

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Final painted piece. I paint using Golden fluid acrylics, gouache, even acrylic craft paint. I then add some highlights with Prisma color pencils.

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How long have you been illustrating?

Professionally for over 20 years. I have illustrated everything from trade books, mass market books, board books, educational books and readers, science/nature, craft books, workbooks , lift the flaps -even cloth and bath books! I have been drawing pictures all of my life, I won a Scholastic Art Award in High School. Drawing has always been the only thing I have ever wanted to do with my life.

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What made you choose to attend the Art Institute of Ft. Lauderdale?

I lived in South Florida at the time. Art school was a highly intense 2 yr. art program and college was 4 yrs, I was also in a bit of a hurry to get started in the art field.

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What made you choose to go for a degree in Visual Communication- ie: Advertising Design?

It offered the most drawing/design classes – while its very important to draw well, I feel it is equally important to know how to design the art to work on a page. Where will the art go, how well will it work with the type treatment, will my art tell the same story as the words?

sharonthanks

What were you favorite classes?

All the illustration courses, advertising design and hand lettering.

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Did the School help you get work?

Yes and no. They did not help with job placement, but I feel the education I received from the Art Institute helped me get to where I am today.

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What was the first painting or illustration that you did where someone paid you for your artwork?

In art school I did some illustrated logo designs for which I was paid.

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What type of job did you do right after you graduated?

Working in advertising agencies, started out doing paste up and mechanicals. I learned even more as to how to design a page. How to grab your attention. I went on to become an art director/creative director winning several awards for advertising design along the way.

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Do you think the classes you took in college influenced your style?

Maybe to a degree. I believe we all have our own sense of style which develops over the years. I have been told I have a bold graphic approach style of illustrating which may have evolved from the years of illustrating for advertisements, brochures, logos. I can look back at art school illustrations and see the same graphic like approach I have now. Only over time my illustrations have gotten much better!

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When did you do your the first illustration for children?

Aprox. 25 years ago. It was a baby wrapped in a quilt.

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How did that come about?

We moved from Southern Florida to Ct when my son was born. I interviewed with an art representative when he was 2 who wanted to take me on. But my comfort zone was still in advertising so I started my own advertising studio. I was fortunate that a few years later they called and asked if I might be ready at that time to get into children’s art. By then I was more than ready. I was with them for 13 years.

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When did you decide you wanted to illustrate books?

I have always wanted to illustrate books. The opportunity arose while doing educational artwork.

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What was the title of your first picture book that you illustrated?

Trucks all Around, Dutton and Playskool were the publishers.

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How did that contract come your way?

Through my agent.

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I see that you wrote and illustrated It’s Silly Time (Read and Sing Along). Did you do the singing, too, on the CD?

Unfortunately, I did not write Silly Time-that credit belongs to Kim Thompson of Twin Sisters. I did the illustrations. We are also fortunate that it wasn’t my singing either!

sharon22

How did you get the idea and contract with Twin Sisters Productions?

I got my contact with Twin Sisters Productions through my second agent. I have had the pleasure of working with Twin Sisters for many years, illustrating more than 7 board books, readers and puzzles.

In 2009 “Five Trick or Treaters”, which I illustrated, for Twin Sisters was awarded the National Parenting Seal of Approval.

sharon13 (1)

How and when did you get involved in licensed art?

I illustrated a “color pencil by numbers” for Dimensions crafts. I have done some greeting card designs on and off for few years. I recently did advent calendars for Vermont Christmas Company. I would love to do more licensing of my artwork.

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How many children’s books have you illustrated?

Over 65. That includes many educational readers, trade books, mass market books, board books, craft books ,workbooks.

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How many books have you written and illustrated?

I wrote and illustrated “Zoe’s Hats”- a color concept book, published by Boyds Mills Press.

In 2012 “Zoe’s Hats” was recognized by Libraries Unlimited ABC-CLIO as a Best Book to Enhance Content Area Curriculum for grades Pre K- 2. I also have two Apple/Itunes Apps which I wrote and illustrated that were released in 2013- “Kids Counting Kitties 10 to 1, and Kids Counting Kitties 1-10.”

sharon20

Did you always want to write?

Always. I still have my first book, written and illustrated in 3rd grade.

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How did you end up working with Boyd’s Mill Press? Did you attend Chautauqua? How many books have you done with them?

I did attend Chautauqua. That was quite a wonderful experience! I had met the president of Boyds Mills Press (at that time) at an adult education class-who insisted I submit something to them. I had taken the class to meet him and find out how I might be able to illustrate for Boyds Mills Press. I ended up getting a scholarship to Chautauqua and they accepted “Zoe’s Hats.”

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Have you worked with educational publishers?

many many many

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Have you done any illustrating for children’s magazines?

Yes, Highlights and Highlights High Five

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Do you have an artist rep.? If so, who? And how did you connect with them? If not, would you like to have one?

Right now I am networking myself on my own although I am being brokered by Janet De Carlo of StoryBookArts Inc. She was in a partnership with my last agency PortfolioSolutions. I left Portfolio Solutions a few years ago to be on my own .I often think a literary/art agent might be the way to go in the future.

sharon28 (1)

What types of things did you do to market your work?

I do postcard mailings on a regular basis. I have my own webpage-www.sharoholm.com, I have online portfolio pieces/pages on CBIG, PictureBookArtists,ThatsMyFolio and Jacketflap. I also have a blog that I wish I kept more current- sharonlaneholm.blogspot.com.

sharoncolor8

What is your favorite medium to use?

I’m still “old school”. I love the feel and touch of paper and pencil. I love the look of pencil on tracing paper. I still paint traditionally and send the art digitally. I paint with Goldens fluid acrylics, qouache, prismacolor colored pencils, pigma microns(for black line art), even craft project acrylics.

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Has that changed over time?

I like to think my style is evolving- I’m trying to draw looser, not so tight. The process of sending art has changed- now its scanned into Photoshop, clean it up, tweak it and out it goes.

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Do you have a studio in your house?

yes

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What is the one thing in your studio that you could not live without?

Mechanical pencil and tracing paper.

sharonJune illokathy temean art

Do you try to spend a specific amount of time working on your craft?

I try to create or work on art and/or writing every day.

sharoncolor5

Do you take pictures or do any types of research before you start a project?

Yes, my family have been posed as models numerous times. Google and Yahoo are a good way to find reference material.

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Do you think the Internet has opened doors for you?

Absolutely. Besides being able to digitally send art to my clients, its a great source for online portfolios, networking with other artists / illustrators, and writers. I met you, Kathy online and I would like to take the opportunity to thank you for your time and consideration in interviewing me.

sharoncake for relay

What do you feel was your biggest success?

Zoe’s Hats was a great success for me. It was the first book I ever submitted. But success to me is measured in many ways- my biggest success is having had the opportunity to have a successful career doing what I love the most. Drawing pictures and writing stories.

sharoncolor6

 

Do you use Photoshop with your illustrations?

I use Photoshop mostly at this point to scan, clean up and tweak my traditional paintings. I am taking Photoshop lessons at the moment. I can do art in Photoshop but feel much more comfortable with traditional paints, for right now.

sharonchristmas

Do you own or have you used a Graphic Drawing Tablet in your illustrating?

I do own a cintiq.

Do you have any career dreams that you want to fulfill?

I would love to have more of my own stories published. I have several stories/dummies in varying degrees of “ready” to submit. But I get the elephant in the closet syndrome, where I’ll submit to a few places , even get a positive rejection, and back in the drawer it goes.

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What are you working on now?

Currently I am illustrating religious craft book. I have 1 dummy circulating and several more stories/dummies started.

And I am continually trying to update my portfolio.

sharonlinework1

Do you have any material type tips you can share with us? Example: Paint or paper that you love – the best place to buy – a new product that you’ve tried – A how to tip, etc.

I love working on Arches 140 lb HP for painting. I order all my supplies through Dick Blick.One method I learned which I don’t use often enough- scan your tissues/tracings into Photoshop, and then print them out directly onto your WC paper. Saves you a step in transferring your art. You must run the paper through a printer that accommodates archival inks and the weight of WC paper. I have an older Epson Stylus photo printer which handles this.

sharonlinework5

Any words of wisdom on how to become a successful writer or illustrator?

Draw and try to create your art every chance you can. Don’t ever let anyone tell you that you cant be what you want to be. With patience, persistence and passion you can make your dreams come true. I did.

sharonms_-song-bd

Thank you Sharon for taking the time to share your process and journey with us. We look forward to hearing about your future successes.

To see more of Sharon’s illustrations you can visit her at: Website: http://www.sharonholm.com Blog: http://www.sharonlaneholm.blogspot.com

Please take a minute to leave a comment for Sharon, I know she would love to heard from you and I always appreciate it. Thanks!

Talk tomorrow,

Kathy


Filed under: authors and illustrators, illustrating, Illustrator's Saturday, inspiration, Interview, picture books, Process Tagged: Sharon Lane Holm, The Art Institute of Ft. Lauderdale, Zoe's Hats

3 Comments on Illustrator Saturday – Sharon Lane Holm, last added: 8/3/2014
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10. Amazon Strategies: Look Inside

amazonlook inside

blondeops

Let’s take a look at another feature that Amazon offers anyone who sells their books on their site.

Don’t miss out on using this feature. This is another reason why it is important to make sure your first chapter sings.

Personally for me to buy, I look over five things:

Price: I buy lots of ebooks that are offered at $1.99 or less, without having read anything about them.

Cover: I don’t buy books where I don’t like the cover, unless someone else said they were good. I guess I believe in first impressions.

Reviews: I read what book is about and a couple reviews. A few bad reviews don’t stop me from buying, since I’ve read many top-seller books that I thought were great that received a few terrible reviews.

Publisher: I check out who published the book. If it is from a well-known publisher, that could seal the deal right there.

Look inside: If I have not clicked the button to buy, I will “Look inside”. That’s when I put on my editor/agent hat and only give five minutes to the author to grab me before I make my decision. Sometimes the problem is that the book really grabs you and then you have to read the whole thing, even when the desk is piled with work and the kitchen needs to be clean. Many of those books have been self-published, so don’t stick your nose up at them or else you might missed something really good.

Here are some tips on using the “Look inside” feature.  

1. Keep front matter to a minimum. You want to make sure the reader can get to the meat of the story quickly. This is also important to do this with the full ebook.

2. Amazon Reviews. Work hard to get as many as you can when you launch the book. This will help raise your ranking and buyers who have read the first pages will look at this, especially if you are self-published.

3. At the end of your book you should ask the reader to write a review. Stats show that this helps you increase your sales numbers.

4. Hot New Releases List on Amazon should be in the forefront of your mind when planning a launch. Talk to your publisher to see if they have planned your novels launch based on other similar books coming out. If there are too many it will hurt your chances of making the list. The list is only good for the first 30 days of a books release.

5. Making sure your blog followers know about your book and doing book tours can help get the word out. It’s nice to get the buzz going, but you need to make sure you keep the big guns for the launch date.

Talk tomorrow,

Kathy


Filed under: Advice, article, authors and illustrators, Internet, Marketing a book, Process, Publishing Industry, Tips Tagged: Amazon Look Inside, Amazon Strategies, How to Sell More Books, How to Sell More Books Workshop

7 Comments on Amazon Strategies: Look Inside, last added: 8/7/2014
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11. Amazon Strategies: Sales Page

amazonsalespage

If your book is up on Amazon, you can have an Author Page. This is another opportunity for you, so use it. Here are a few tips:

1. Think of your book’s Amazon.com page as a ¼ page ad in a glossy magazine. You want to build excitement, hype, and the urge to buy rather than dutifully explaining your product.

2. Watch out for typos and grammar, so you put your best foot forward. Make sure what is written makes sense. If you can’t write a good Author Page, most people will think you can’t write a good novel, either.

3. Include review quotes. You want to draw someone into buying your book.

4. Put up book trailers, interviews, and videos on your Amazon page.

5. You can show recent blog posts and twitter entries.

6. List places your events and the dates.

7. Another thing you can do is to encourage a discussion with your fans on this page.

Let’s take a look at Yvonne Ventresca’s Author Page:

yvonneauthorpage

Yvonne has included a lot of the tips on the above list, but I’d like to see her add a few quotes from reviews of Pandemic, a book trailer, and to work on getting a video interview she can put up on the page. Adding these things will maximize the free space Amazon has given her and help increase the sales of her new book.

Good job, Yvonne!

Talk tomorrow,

Kathy


Filed under: Advice, authors and illustrators, Book, list, Marketing a book, Publishing Industry, Tips Tagged: Amazon Sales Page, Maximize Book Sales, Pandemic, Yvonne Ventresca

2 Comments on Amazon Strategies: Sales Page, last added: 8/6/2014
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12. Free Fall Friday – Holly McGhee

Holly_McGheeI am very happy to announce that Agent Holly McGhee has agreed to be our Guest Critiquer for August. Holly McGhee opened Pippin Properties in 1998, after being an executive editor at HarperCollins and has built one of the most prestigious Literary Agencies in the Children’s Book Industry.

Holly says, “At Pippin we embrace every artistic endeavor, from picture books to middle-grade novels, nonfiction, young adult, graphic novels. We don’t follow trends—we encourage our clients to follow their hearts. Our philosophy, the world owes you nothing, you owe the world your best work, hasn’t changed, but as an agency we have evolved to keep pace with our clients.”

Among Holly’s celebrated clients are Kate DiCamillo, David Small, Doreen Cronin, Jandy Nelson, Kathi Appelt, Harry Bliss, Peter H. Reynolds, Sujean Rim, Jon Agee, and Holly’s very own big sister, Alison McGhee. Holly lives with her husband and three children fifteen miles west of the Lincoln Tunnel, and she also writes under the pen name Hallie Durand.

Here are the submission guidelines for submitting a First Page in August:

Please “August First Page Critique” in the subject line. Please make sure you include your name, the title of the piece, and whether it is as picture book, middle grade, or young adult, etc. at the top.

Please attach your first page submission using one inch margins and 12 point font – double spaced, no more than 23 lines to an e-mail and send it to: kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail and then also attach it in a Word document to the email.

DEADLINE: August 21st.

RESULTS: August 29th.

Use inch margins – double space your text – 12 pt. New Times Roman font – no more than 23 lines – paste into body of the email

You can only send in one first page each month. It can be the same first page each month or a different one, but if you sent it to me last month and it didn’t get chosen, you need to send it again using the August’s directions. Of course, it doesn’t have to be the same submission.

Talk tomorrow,

Kathy


Filed under: Agent, authors and illustrators, Editor & Agent Info, opportunity, Publishers and Agencies, submissions Tagged: First Page Critique, Free Fall Friday, Holly McGhee, Pippin Properties

1 Comments on Free Fall Friday – Holly McGhee, last added: 8/11/2014
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13. Illustrator Saturday – Rebecca Caridad

I would like to introduce you to illustrator Rebecca Caridad. I think you will enjoy reading the interview I had with her and getting to know her through her playful artwork. Here is Rebecca:

rebeccapicFor me, illustration is the key to my secret garden, my golden ticket, my looking glass, my glass slipper. I draw and paint as a way to free my mind and escape into the many worlds of the written word. Whether it be for the pages of children’s books, greeting cards, gifts, or decor; I incorporate children, adults, animals, fantasy creatures, and landscapes in a unique and imaginative way in order to tell the story. I work digitally to bring my characters and environments to life and transport the viewer to a place of dreams.

Sep 2003 – Present, Whippany Park High School, Art Teacher

Sep 1997 – May 2001, University of Delaware, Bachelor of Fine Arts; concentration: Photography

Jan 2002 – May 2003, William Paterson University, Initial Certification Program; K-12 Teacher of Art

Jun 2010 – May 2014, Academy of Art University (AAU), Master of Fine Arts; Traditional Illustration Program: Children’s Book Illustration

2014 MFA Illustration Spring Show

Here is Rebecca discussing her process:

rebeccaSecretGarden_reference

I shot a reference photo for the girl (this is a picture of my cousin’s daughter) and used this to draw out the pose. I found other references for the animals using Pinterest.

rebeccaCaridad_Sketches

rebeccaSecret Garden_stage1

Then I began sketching. I had an idea of the composition, but I drew out my characters separately first so that I could scan them and make the arrangement and adjustments in PhotoShop.

rebeccaSecret Garden_stage2

I change my sketch layers to blending mode: multiply so that I can see through them and I start to build my layers of color. I start with my background color and a few background elements.

rebeccaSecret Garden_stage3

I then start to build up some of the surroundings – adding layers of textures.

rebeccaSecret Garden_stage4

In this particular image, I added the archway next, this provided the frame for the composition.

rebeccaSecret Garden_stage5

I painted in my characters with their basic colors and shapes.

rebeccaSecret Garden_stage6

I then turned off the visibility of the arch sketch and added in the detail and the layers of ivy.

rebeccaSecret Garden_stage7

I turn off the visibility of the sketch layers and put in highlights, shadows, and details of the characters.

rebeccaSecret Garden_stage8

Work to finish the highlights, shadows, and details.

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View of screen and layers in Photoshop.

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Final illustration.

How long have you been illustrating?

I haven’t been illustrating long. I just finished my MFA program in May and I have just started to promote myself as an illustrator.

rebeccacharlie

I see that you got your BA at the University of Delaware; concentration: Photography, what made you choose to get an MFA in Illustration from Academy of Art University in San Francisco?

I actually started as a painting major at the University of Delaware. I always knew that I wanted to do something that involved art, I just didn’t know what exactly.   It wasn’t until I took a photography class as one of my BFA requirements that I fell in love. I loved capturing an image and then watching it emerge on paper in the darkroom. I decided to pursue photography after that experience and was even able to do a study abroad trip to New Zealand during my time as an undergraduate. Soon after graduating I realized that I wanted to be able to share my passion for the arts, so I went back to school for my teacher’s certification. I have been teaching ever since. I truly love sharing through my artwork, and I thought what better way to do that then through illustration. I still remember the artwork and stories that I read as a child and how they shaped me. I wanted to be a part of that experience and help express the words of a written page into a world that any child could enjoy. I chose the Academy of Art University to pursue these dreams because of its excellent reputation and the convenience of taking my classes online while I continued to teach full time.

rebeccacharlotte

Since you live in New Jersey did you do most of your studies online? If so, can you tell us a little bit about that experience?

At first I was a bit hesitant about pursuing an art degree online, but the way that AAU runs its classes is pretty incredible. I didn’t miss trucking my supplies to different classrooms and I was able to enjoy being part of a University with peer feedback and discussions and professors that were extremely helpful and available! Artwork is submitted digitally, whether you work traditionally or not. If you are working on an oil painting, you shoot photographs of your work, if you are drawing, you can scan it, and if you are using Photoshop you just save it. Classmates and professors review your work and make comments. Many of the professors would mark up the files using what they called a “whiteboard” and even left audio files of their comments. Demonstrations could be viewed as videos, so that they could be reviewed whenever you wanted. I thought the experience was fantastic and I am so glad that I was able to do it.

rebeccacinderfloor

Does getting your MFA online, help to cut the cost of getting your degree?

The MFA program was not any less expensive then taking traditional classes. You still pay tuition and buy the supplies that are needed. What was better about the online degree was that I was able to attend a university across the country and work on my artwork and lessons when I had the time… evenings and weekends.

rebecca snow

Does the school promise to give you help in getting established with work?

They didn’t promise an established career, but they certainly prepared me to head out into the world. All of the professors were working professionals and their expectations for us during our classes were to prepare us for working in the industry.   Previous to graduation we were required to take a Professional Practices course that shared valuable resources and pushed us to do research that would get us started on our path to be recognized by art directors and agents. During that class I was able to create my first promotional postcard and business card, as well as a list of 50 contacts in order to start my promotional mailings.

rebeccadoctor

What was the first painting or illustration that you did where someone paid you for your artwork?

The very first artwork that earned me money was in high school. I painted a fantasy garden mural for a baby’s nursery that included a frog prince and fairies of my own design. I babysat for many years and it helped me pay for my teacher certification program after undergrad, but creating artwork for the families to decorate their children’s spaces helped me earn even more.

What type of work did you do after you graduated with your BA?

I have been teaching high school art, photography, and graphic design now for 11 years and in that time have designed, built, and painted the scenery for the dramas and musicals, designed t-shirts and posters for the school, and have even been the head yearbook adviser. I have continually found ways to share my artwork no matter what I was doing. I have even done event photography, event décor, and face painting for an event planning and rental company on the side.

rebeccaboydog

Do you think the classes you took in college influenced your style?

The classes that I have taken have definitely influenced my style. I feel that with each course I took I was able to learn more and develop more through the experiences and expertise of those that taught each class. At first I had a hard time keeping my characters consistent, but after taking a Character Design course with the Animation department I was able to start to develop set character traits that could be used in multiple poses and more dynamic gestures. And, of course my medium of choice changed as well… I was able to try everything from oil, to watercolor, markers, collage, and digital painting. After several classes where we were able to choose our medium, I really started to pick up digital painting and I thoroughly enjoy it now.

rebecca4

When did you do your the first illustration for children? 10. How did that come about?

My illustrations for children started back while I was babysitting. I was inspired by the kids that I saw everyday and I would draw and paint things that I knew they would enjoy. Not all of it was for profit, but it made me happy because it brought smiles to their faces.

rebecca2

When did you decide you wanted to illustrate books?

I decided I wanted to illustrate books during my years of teaching.   I have been an avid reader all of my life. I love all forms of books… the children’s book section is a place of wonder and inspiration, YA books are fun to read with the fantasy worlds they evoke, whether reality based or imagined, and I wanted to be a part of it! I have been teaching book cover design in my graphic design classes for years and it is one of my favorite units. I thought it would be incredible to be able to create books for real!

rebecca5

Have you worked with educational publishers?

I am just getting started as a professional illustrator and have not been published yet.

Have you done any illustrating for children’s magazines?

No, but I would like to.

rebeccadragon

Are you open to illustrating a self-published picture book for an author?

I am in the process of self-promotion so I am examining all options. I’d have to make sure that the author was serious about their venture, but I believe it would be an excellent opportunity for me.

rebeccaad

Do you have any desire to write and illustrate your own books?

I have tried writing in the past and although I want to illustrate picture books, my words and stories always seem more suitable to chapter books. After attending the NJSCBWI conference this past June, I was re-inspired to try it again. Maybe one day I’ll go for it, but in the meantime I would love to be able to illustrate for the stories of others.

rebeccabug

Do you have an artist rep.? If so, who? And how did you connect with them?

If not, would you like to have one?

I do not have an artist rep., but I think it’s an excellent idea to get one. It is one of my goals to try to connect with a rep. through my promotional mailings or even online.

PenguinLogo_line

What types of things did you do to market yourself and get your work seen?

So far, I have designed promotional cards, a business card, and updated my resume. I have a website, a Facebook page dedicated to my illustration, a Twitter account, a Behance portfolio account, and a Linked In profile. I have been submitting my work to contests and shows in hopes of getting recognized for my art. So far I was honored to be a part of the Academy of Art’s MFA Spring Show, an honorable mention from 3×3 The Magazine of Contemporary Illustration in their International Show (both for my Charlie and the Chocolate Factory cover design concept), and I am submitting work to Creative Quarterly’s competition this month.   I also think attending the recent NJSCBWI conference was a great start to the process of getting my work seen, because I took part in the Juried Art Show and the Portfolio display. I was also able to meet many new people in the industry that have been incredibly helpful and friendly!

rebeccapenquintwins

What is your favorite medium to use?

I love to dabble in just about everything, but my medium of choice is definitely digital.

Has that changed over time?

The reason I prefer digital painting is the easy clean up. There really isn’t any, plus it is safe, odor-free, and I am able to make corrections fairly easily without having to start over, like I might with watercolor paints. I was terrible at digital painting in the beginning, but I have grown and learned so much through my MFA courses and I think I have really developed a style through it.

rebeccadowntheshore

Do you have a studio in your house?

I have a room dedicated to my work and art. It has everything I need in it for my digital painting process. I have a drawing table, a light box, a bookshelf with inspirations and supplies, a computer, a scanner, a printer, and my wacom tablet.

rebeccatree

What is the one thing in your studio that you could not live without?

I could not live without my Wacom Drawing Tablet. I love to be able to paint using what feels like a brush or a pencil, instead of my laptop’s track pad mouse. It has controls right on it, so I can easily zoom in, or change my brush size, or even pick up new colors. Eventually I would love to trade up to a Wacom Cintiq tablet. That would allow me to “paint” on the actual surface of my artwork, instead of next to it. I think it would feel more like the natural painting process and I look forward to that – someday….

rebeccahappy

Do you try to spend a specific amount of time working on your craft?

I dedicate a bit of each day to my artwork. Sometimes it’s actually working on a painting and other times I am sketching ideas, either way it helps me realize my ideas.

Do you take pictures or do any types of research before you start a project?

I like to shoot references for my drawings/paintings, but if that opportunity isn’t available look at myself for expressions and poses, or use the Internet (google images or Pinterest).

rebeccastaurt

Do you think the Internet has opened doors for you?

The Internet has definitely opened doors for me after all I was able to earn an entire degree online. It is a great resource for references (although I prefer to shoot my own) or inspirations. Most of all, I think it has provided me with many opportunities to share my work with people that I may not ever have the chance to meet in person, or even know about. Social networking has brought about many more chances to network.

rebeccapenquinyellow

What do you feel was your biggest success?

So far my biggest success was earning my MFA. It has allowed me to realize my dreams and create a body of work that really reflects my style.

Do you use Photoshop and/or Painter with your illustrations?

I mostly use Adobe Photoshop, but sometimes I will bring my illustrations into Corel Painter to enhance some of the textures. Sometimes, I will even use Adobe Illustrator to draw or even refine my sketches.

rebecca8

Do you own or have you used a Graphic Drawing Tablet in your illustrating?

Yes, as I mentioned before, it has really made the painting process so much more natural. I love it!

rebecca1Do you have any career dreams that you want to fulfill?

I would love to illustrate a children’s picture book and have it published. I know that many of your reader’s have already achieved this goal, but I’m so excited and passionate about reaching it!

rebecca7

What are you working on now?

Right now my goal is to develop more portfolio pieces and character designs. Much of what I took away from the workshops at the NJSCBWI conference was that the ability to develop a strong character (and show him/her in multiple ways) could get you noticed by an art director or agent. Strong characters mean the possibilities for additional stories or even merchandise. So I am continuing to draw and paint, and of course trying to promote my work and get it seen.

rebeccapajama

Do you have any material type tips you can share with us? Example: Paint or paper that you love – the best place to buy – a new product that you’ve tried – A how to tip, etc.

I like to use Non-Photo Blue pencils as I begin to sketch. It allows me to rough out gestures and poses and make mistakes and corrections without interfering with the final result. The great thing about them is they will not copy. So, I can go over the lines I want to keep with a graphite pencil and only see them when copied. If I scan my drawings, I can easily remove the rough blue lines in Photoshop and just keep what I need to get started in my painting. I like the quality of line and movement that you get when you are first drawing a subject. If you have to trace the lines later, I often feel like they stiffen up.

rebeccamouse

Any words of wisdom on how to become a successful writer or illustrator?

Since I am just starting out I don’t feel like I can properly impart any words of wisdom, but I know one thing… enjoy what you do and never lose your passion. It is what has gotten me where I am so far and I’m hoping it leads me to fulfilling my dreams.

rebeccaoil

Above: One of Rebecca’s oil paintings.

Thank you Rebecca for taking the time to share your process and journey with us. We look forward to hearing about your future successes.

To see more of Rebecca’s illustrations you can visit her at:

Website: http://www.rebeccacaridad.crevado.com  

Please take a minute to leave a comment for Rebecca, I know she would love to heard from you and I always appreciate it. Thanks!

Talk tomorrow,

Kathy


Filed under: authors and illustrators, demystify, How to, illustrating, Illustrator's Saturday, inspiration, Interview, Process Tagged: MFA Children's Book Illustration, Rebecca Cardid

3 Comments on Illustrator Saturday – Rebecca Caridad, last added: 8/11/2014
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14. Agent Talk: 7 Ways To Make Yourself An Easy Author to Work With

carly-watters-p-s-literary-agencyA few weeks ago, Agent Carly Watters on her blog talked about after you write a great manuscript, how does an agent decide to work with someone after that? She has seven tips.

7 Ways To Make Yourself An Easy Author to Work With by Carly Watters:

1. Open to revisions

Right away, I know if an author is going to be a fit for me based on how they react to revision ideas. Agents are looking for writers that are open to feedback and collaboration. If I gave you an R&R did you connect with my notes? Did you ask questions that take my notes from suggestions to big picture changes that make the novel better?

2. Always wants to get better

A line I like to use is “trust your future self.” What that means to me is if you can write good novel, you can write many more. Getting defensive about your novel means you are holding on to it when really you should be willing to let it go and work on the next. Agents are looking to represent authors for the long term, so what we need is the faith that you want to be the best writer, every time you write a new book. We know there will be ups and downs, but it’s that drive to succeed that will separate many writers from the ones that don’t make it.

3. Treats assistants and senior industry members alike

From time to time we get people who respond to our query letter auto-response with condescending and mean emails. It doesn’t matter who is on the other end of those emails, our principal agent or our assistant, you have to be friendly to everyone–not just the people who influence your career. Those mean emails just reinforce our decision to pass without a second thought.

4. Asks questions

I love it when authors want to know more about the process. Don’t be shy about wanting to know how the business works. Whether it’s a Twitter #askagent session or when you’re on ‘The Call’ with an agent, make sure you ask the important questions that help your understanding.

5. Trusts us

The number one way to work with an agent for a long period of time is trust. I know this isn’t built over night, but you have to trust your agent to have your best interests at heart. This is one of the most important long-term author/agent relationship requirements. Only query agents that you see yourself working with and that you already trust (whether it’s a referral, their taste or client list).

6. Communication

This is part of trust, but authors have to be up-front with agents. Did you self publish before? Have you had an agent before? Can you share your sales numbers from your previous book? It’s the little things that add up when it comes to communication. We need to know everything if we’re going to represent you well.

7. Professional on social media

As easy as it is for authors to Google agents to see if we might be a fit for you, when we fall in love with a query or manuscript the first thing we do is Google you back. What agents love to see on social media is a personality (not just link blasts). You don’t have to have a ton of followers (but points if you do!) to get our attention. It’s all about the balance between promotion and personality. We love it when authors are part of writing communities and support other authors. That means, when the time comes, those other published writers will support you too.

You should check out Carly’s Blog: http://carlywatters.com/blog/

PS Literary is looking for an intern. Carly has information about working remotely for them. If you have any aspirations to become a literary Agent, this would be something to consider.

Talk tomorrow,

Kathy


Filed under: Advice, Agent, article, authors and illustrators, list, opportunity, Social Media, Tips Tagged: 7 Ways to Make Yourself an Easy Author to Work with, Carly Watters

3 Comments on Agent Talk: 7 Ways To Make Yourself An Easy Author to Work With, last added: 8/10/2014
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15. Schoolwide Submission & TeenSpeak Novel Workshop &

rebeccaCaridad_DownTheShore_web
The art show exhibit continues with this illustration created by Rebecca Caridad. Hope some of you get to enjoy the sun, sand, and fun by the ocean. Here is Rebecca’s link: rebeccacaridad.crevado.com

Back in April I had a post about Schoolwide, Inc.call for submissions: http://kathytemean.wordpress.com/2014/04/03/educational-publisher-looking-for-submissions/

Susan Tierney is the Acquisitions and Development Editor at Schoolwide, Inc. She contacted me saying they are still receiving submissions, but they have updated their policy and would like authors to submit their work to us via their submissions manager, at http://www.schoolwide.com/publishing. Authors should no longer email Susan directly with submissions. You need to use their our website. Manuscripts are uploaded directly into their database and enter the editorial review process from there.

Illustrators who wish to contact Susan may continue to do so, providing links to their portfolios, and an idea of their fees if possible, at Susan’s Schoolwide email address: stierney@schoolwide.com.

They are currently looking to build a network of illustrators for their new digital K-8 library, for everything from picture books and story art to spot illustrations, from project – based arrangements to royalties.
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I know many of you have teens who want to write and are encouraging them to do so. Here is a Novel Workshop on the West Coast whose purpose is to foster our future authors. Here is the information:

TeenSpeak Novel Workshop

Convenes October 17-19, 2014 in coastal Santa Cruz, CA.

 

TeenSpeak offers a rare opportunity for international teens to interact with top level East Coast editors and agents, and adults who write for the teen/tween market. Open to 10 teens in an intimate setting, the event dovetails with 20 supportive adults in a concurrent, partly overlapping workshop.

 

FACULTY: Core teen instructor is Helen Pyne, MFA (Vermont College of Fine Arts), a former Doubleday children’s/YA book editor. Along with adult enrollees, teens enjoy novelcrafting sessions with Knopf Associate Publishing Director Melanie Cecka (also an award-winning children’s book author) and agent Scott Treimel (former children’s book editor), president of Scott Treimel New York. 

 

CONTENT: TeenSpeak workshop focuses on craft through dramatic improv and other vehicles. Teens receive in-person, mini critiques with editor and agent—and full critiques from their own instructor, and volunteer adult enrollees.

 

In reciprocity, teens offer adults target-reader feedback. After teens edit selected adults’ partial and full novels, they hear our editor and agent critique the same manuscripts. Lively discussion follows, for the benefit of all: “I loved the teens’ insights at this workshop,” says ErinClarke, executive editor atKnopf Children’s Books. Well before the event, teens are offered tools to sharpen their critiquing skills, and may be paid for a job well done.

 

FEE: $549 covers up to three nights’ beachfront condo lodging with chaperone, kid-friendly meals, all critiques, and focus sessions.

 

TeenSpeak Scholarship Fund: This year’s donations will honor renowned children’s author, Elaine Marie Alphin. Teens (and adults) will apply exercises in her book, Creating Characters Kids Will Love. To contribute any amount to support a young person passionate about writing, contact us via the website, where you’ll find mixed testimonials from scholarship beneficiaries and other enthusiastic teens. (Alternately, ask about possible jobs for teens or parents, or split payments.) Teens appreciate your generous donation!

 

ENROLLING: Recommended enrollment date for maximum options: July 20. Details and contact: www.ChildrensWritersWorkshop.com(click FOR TEENS). TeenSpeak is an outgrowth of the Pacific Coast Children’s Writers Workshop, established 2003. Don’t delay; we fill fast!

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“At these two workshops, I learned to create realistic characters and got tips
on my college essays. It’s exciting to know there’s a job market out there
for something I love so much!”— Jacqueline, age 17 (now at Stanford)

 
Talk tomorrow,

Kathy


Filed under: authors and illustrators, Conferences and Workshops, Editor & Agent Info, opportunity, Places to sumit Tagged: Acquisitions and Development Editor, Rebecca Caridad, Schoolwide, Susan Tierney, Teen Writing Workshop

1 Comments on Schoolwide Submission & TeenSpeak Novel Workshop &, last added: 7/6/2014
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16. Smudge by Smudge Writing Comparison

SMUDGE BY SMUDGE BY Katia Rania

floydIMG_1417 (2)Writer illustrator Floyd Cooper awed the crowd of writers and visual artists at the SCBWI New Jersey conference on Saturday, when he stood before us all with an eraser in one hand. He had painted a flat rectangular surface with a thin layer of brown. He held that up before us, then proceeded to create right before our eyes.

A smudge of an eraser left a faint whitish dot at the top of the canvas. Another smudge created a thin path of lightness. Then, the artist’s hands moving faster and faster, a smudge here, a smudge there, and just like that, we all could see shapes lurking behind the brown shadows. With each new smudge the shapes grew fuller, bursting out of their flat confines.

“This little shape can become inspiration,” Floyd said. “It can lead to something, become a door.”

More smudges, and the shapes connected into a face of a man. More smudges, and the man sported a Native-American style feather atop his head.

The way Floyd worked reminded me of the famous quote attributed to Michelangelo, about how he would chip away at what wasn’t his statute, until he was left with what was. And whether you are a sculptor, a visual artist or a writer, if you have been through draft after draft after draft, then you might recognize this process in your own work.

After all, is this not what we do?

When we first approach our story-to-be, much of that fictional world is covered by darkness. We stand before it, blind. Some of us write character sketches, free write or outline, others plunge right into a draft, not daunted by not knowing. Either way, we grope toward the truths of our stories. Until – in this draft, in that passage, in this questionnaire, we stumble at a kernel of truth, a discovery that illuminates the darkness a little. Now going forward might be just a little easier. As we follow our smudges where they lead us, we can’t help but see new shapes.

We writers wield erasers too. As we kill our darlings and prune our weeds, we get rid of the false, the shallow, the surface, the un-true. And what we are suddenly left with – is our story.

Thank you, Floyd, for not only the sheer pleasure of watching you work, but also for the reminder to us all to keep doing what we’re doing, to keep searching, keep revising, keep on going, smudge by smudge.

katia Paramount building close-upAnd Thank you Katia for sharing your thoughts with us and making us think.

<Katia Raina came to this country from the former Soviet Union at the age of 15, and quickly fell in love with the English language. Once a newspaper reporter, now Katia is an intern for a literary agency, with plans to continue her career on that side of the publishing desk as well. In addition, Katia writes young adult novels and poetry. Enrolled in her final semester at the Vermont College of Fine Arts MFA program in Writing for Children and Young Adults, Katia loves sharing what she is learning with faithful readers and friends over at her blog, the Magic Mirror. You can find her there at http://katiaraina.wordpress.com

Talk tomorrow,

Kathy


Filed under: article, authors and illustrators, inspiration, Process Tagged: Floyd Cooper, Illustrating to Writing commparison, Katia Rainia, Smudge by Smudge

3 Comments on Smudge by Smudge Writing Comparison, last added: 7/9/2014
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17. NJSCBWI Conference Thoughts

amalia fish with girl

This fun and colorful illustration is what Amalia Hoffman entered in the NJSCBWI Art Show. Here is the link to her website: http://www.amaliahoffman.com

Amalia wrote the following about her time at the conference.

The last weekend of June, I attended the New Jersey SCBWI conference in Princeton, NJ.

This is really a great conference. So much to do and you get to pitch your idea to an agent, dine with the faculty, view the great illustrations and display your art if you are an illustrator.

But the best part is that you get to meet groovy super creative people, some of which could become your pals forever.

Of course, you can’t do it all. I had a hard time choosing where to go and what to do.

I can only say that going to this conference is like going to a great restaurant – wonderful creative menu but you can’t do it all.

On Saturday,I started with a first page appetizer with Susan Dobinick from FSG and Carter Hasegawa from Candelwick. Of course, I was eager to know what they thought of my first page but it was also very useful to hear what they said about other writer’s first pages.

For main course, I chose Kathy Temean who gave a great session on how to sell more books. She actually took the time to look at each participant’s web site and / or blog and gave suggestions and recommendations. She inspired all of us.

Carter Hasegawa gave a great presentation on narrative Nonfiction. It really helped me realize how to improve my non fiction manuscript. He brought lots of books with him and we teamed and made comments why these were fantastic books. Yes, he did mention that the book were heavy but it was well worth the schlepping.

For desert, Rachel Orr gave an informative presentation about plotting.

I had to miss some of the goodies because I had a very wonderful one on one critique with Emily Feinberg from Roaring Brook Press.

On Sunday, I had a wonderful first course treat as Kathy Temean delivered a very informative session on the state of the market. I don’t know how long it took her to prepare all this, we were lucky to have her put all the ingredients together.

The next course I tasted was Natalie Zaman’s session. Natalie reviewed each participant’s non fiction proposal. It was very helpful to hear her suggestions on how to write the kind of proposal that will get a publisher convinced that you could write and deliver.

Unfortunately, I missed some of Katie Davis’s presentation on how to use video to explode your career because I had an agent pitch but Katie gave a few links to websites and lots of information to a newbie like myself.

There was so much to whet my appetite and, oh, I forgot, the food was yummy too!

__________________________________________________________

Kathleen Bakos said, “I am quite happy to say I’ve attended my first NJ SCBWI conference. I left there in the midst of multiple epiphanies about how to change my stories for the better. There were so many ideas popping in my head while I drove home, I had to record them with Siri in my notes app on my phone so I wouldn’t forget them! Kudos and thanks to all the SCBWI organizers for featuring an awesome faculty and for a well organized conference. My favorite workshops were humor cells, great novel beginnings and endings, and the character development double session. I walked away with many a gold nugget to chew on! Write on!”

Talk tomorrow,

Kathy


Filed under: article, authors and illustrators, Conferences and Workshops, illustrating Tagged: 2014 NJSCBWI Conference, Agent Rachel Orr, Carter Hasegawa, Conference Thoughts, Emily Feinberg Roaring Brook Press, Susan Dobinick

1 Comments on NJSCBWI Conference Thoughts, last added: 7/9/2014
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18. The New Vision Award – Get Published

AiWS final

Another great illustration from the Artist Showcase at the NJSCBWI Conference. It was created by Lynnor Bontigao and is titled, “Alice’s Adventure in WonderShore”. You can visit Lynoor at: www.lynnorbontigao.com

Tu Books is accepting submissions for their second New Visions Second Annual New Vision Awards. The New Visions Award, established in 2012 by the Tu Books imprint of LEE & LOW BOOKS, is given to a middle grade or young adult fantasy, science fiction, or mystery novel by a writer of color. It’s a fantastic chance for new authors of color to break into the world of publishing for young readers.

Eligibility and Contest Submission

The New Visions contest is open to writers of color who are residents of the United States and who have not previously had a middle grade or young adult novel published.

The Award winner receives a cash prize of $1000 and our standard publication contract, including our basic advance and royalties for a first time author. An Honor Award winner will receive a cash prize of $500.

Manuscripts will be accepted through October 31st, 2014. See the full submissions guidelines here.

Spread the Word

Did you know that last year, books written by authors of color made up less than seven percent of the total number of books published (see these CCBC stats)?

Change requires more than just goodwill; it requires concrete action. We were heartened by First Book’s recent commitment to purchasing 10,000 copies of select books from “new and underrepresented voices” and the success of the passionate #weneeddiversebooks movement.

Likewise, the New Visions Award is a concrete step toward evening the playing field by seeking out talented new authors of color who might otherwise remain under the radar of mainstream publishing.

We hope you’ll help us spread the word by forwarding on this email; sharing the contest on Facebook, Twitter, or Tumblr; and of course, letting people know through good old word-of-mouth.

Talk tomorrow,

Kathy


Filed under: authors and illustrators, awards, Competition, Middle Grade Novels, opportunity, Places to sumit, Publishers and Agencies, Young Adult Novel Tagged: New Vision Award, Tor Books

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19. Free Fall Friday – Kudos

dorrisbeach_RGB

Here is another fabulous illustration from the NJSCBWI Artist Showcase done by Doris Ettlinger. Doris has illustrated over 25 picture books, you can visit her at: www.dorisettlinger.com, facebook/dorisettlingerstudio, and etsy/DorisEttlingerStudio

Anna Olswanger has opened her own agency. Olswanger Literary LLC. People can visit my page at: http://www.olswanger.com/agent.shtml

Illustrator Hazel Mitchel signed a contract to be represented by Literary Agent, Ginger Knowlton of Curtis Brown Ltd., New York City

Illustrator Michelle Kogan has Two Paintings on Exhibit at the United States Botanic Garden, DC through November 2014. They are Wildlife Comes to Lake Shore Drive and Rogers Park Dunes Restoration and Piping Plover, watercolor and watercolor pencil.

Amalia Hoffman won the 21st century Children’s Nonfiction Conference Illustration Award in June.

If you sent me a success story and I didn’t put it up, please send it again to me. The last month has been extremely busy and I feel like I missed someone.

________________________________________________________________

Remember, Agent Jenny Bent is doing four of our first page critiques this month. Below are the guidelines:

Here are the submission guidelines for submitting a First Page in July:

Please “July First Page Critique” in the subject line. Please make sure you include your name, the title of the piece, and whether it is as picture book, middle grade, or young adult, etc. at the top.

Please attach your first page submission using one inch margins and 12 point font – double spaced, no more than 23 lines to an e-mail and send it to: kathy(dot)temean(at)gmail(dot)com. Also cut and paste it into the body of the e-mail and then also attach it in a Word document to the email.

DEADLINE: July 24th.

RESULTS: August 1st.

Use inch margins – double space your text – 12 pt. New Times Roman font – no more than 23 lines – paste into body of the email

You can only send in one first page each month. It can be the same first page each month or a different one, but if you sent it to me last month and it didn’t get chosen, you need to send it again using the July’s directions. Of course, it doesn’t have to be the same submission.

Talk tomorrow,

Kathy


Filed under: authors and illustrators, awards, inspiration, Kudos Tagged: Amalia Hoffman, Anna Olswanger, Doris Ettlinger, Hazel Mitchell, Jenny Bent, Michelle Kogan

3 Comments on Free Fall Friday – Kudos, last added: 7/11/2014
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20. Illustrator Saturday – Andreja Peklar

andrejapicAndreja Peklar was born in Ljubljana, Slovenija.

After studying Art history and philosophy she graduated in painting at the Academy of Fine Arts in Ljubljana.

She devoted herself to illustrating for children and her work can be seen in several picture books, text books, popular science books and magazines.

She also designed and illustrated educational material for children for several museums in Slovenija.

Her work was exhibited at various exhibitions in Slovenija and abroad (Biennial of illustration Bratislava, Golden pen Belgrade, Bibliotheque nationale de France, Paris, Museum of American Illustration at the Society of Illustrators, New York).

Andreja Peklar has also received several Slovenian and foreign awards. Some of her books have been included in The White Ravens selection.

Recently she has been focusing on writing and illustrating her own books for children. She lives and works as freelance illustrator in Ljubljana.

Here is Andreja explaining her working process:

The theme of this illustration was POTTER – it was made for partly fiction partly educational book about ancient crafts.

I start with the research. I browse a lot on internet and in different books. In this case I have searched in some historic and archeological books.

andrejapotter1Then I put some different ideas on a paper. I draw rough sketches with the chalk or very soft pencil.

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From one idea to another …

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… and finally there is a sketch I will use for the illustration.  If the sketch is too small I photocopy it to the final size. I always draw illustration a little larger than it will be printed in a book.

Then I place a scetch (or a photocopy) on a light box and copy it to paper – usually Canson Montval 300gr aquarel paper. If I work out of studio I use “natural” light box – I tape a scetch on a window glass (this “tehnique” works only from dawn to dusk!)

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I tape the final drawing on a plexiglass board and begin with colouring. I usually work with Ferrario’s Tiepolo tempera. First I put very bright colours using quite wide brushes.

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Then I add some structures with painting knives searching for the right atmosphere…

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… finishing some details …

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… to the final illustration.

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And this is how the illustration has been placed in a book.

andrejaIs this gmajl

How long have you been illustrating?

I have been illustrating for about 20 years now.

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How did you decide to attend the Academy of Fine Arts in Ljubljana?

I studied philosophy and art history at first. But I have always wanted to draw. And way back in the primary school a few of us, teenagers have founded an “art group”. We were so keen that the municipality of our town has given us a nice studio in the attic of the town’s gallery (I am exhibiting my illustrations in that same gallery right now – how nostalgic!). I have spent so much of my teenage and student time there – painting, drawing, chatting about art … beautiful time … so switching to Academy of Fine Arts was somehow a logical continuation.

andrejababy

What were you favorite classes in college?

I have studied painting, not illustration and my favourite technique was graphics – engraving, lithography. I intend to incorporate more graphics into my illustration work right now – doing some monotypes already.

andrejaceremony

Did the School help you get work?

No, not really. We have not received “education” for living in real world. I had to learn it by myself. But on the other hand at the Academy we were taught a lot of different skills and techniques and given a lot of time to experiment. And this was a kind of help to begin living as an artist.

andrejahoundsandrabbit

What was the first painting or illustration that you did where someone paid you for your artwork?

My first illustrations were black and white drawings for my friend’s book of poems when I was in high school. They were done in the name of a friendship, of course. But the first artwork I was paid for was the illustration for an old Chinese board game called Jungle.

andrejamusiconknee

What type of job did you do right after you graduated?

Right after I graduated I did quite a lot of drawings for stained glass, I also painted glass, taught drawing classes for a while, designed, but quickly I began illustrating.

andrejarace

Do you think the classes you took in college influenced your style?

No, not directly. In my opinion you hold your expression within and the style emerges later while working.

andrejabattle

When did you do your first illustration for children?

Very soon after having graduated. It was an illustration for a series “Adventures of Goga The Millipede” for the children’s magazine Ciciban.

andrejadinner

How did that come about?

Well, it was quite funny. My husband’s daughter (she was 7 years at the time) came to me one evening and asked me to draw 6 elephants, 6 giraffes, 6 badgers, 6… and I drew and drew… Next morning she took these drawings to school and showed them to her teacher Majda Koren, who by chance was also the editor at our main children’s magazine (and a very good author too!). And I got the job!

andrejathequeen

When did you decide you wanted to illustrate a children’s book?

The very first time I thought to be an illustrator was when I was about 10 years old. I admired the Slovenian illustrator Marija Lucija Stupica very much and therefore decided to become one myself. Then I forgot this for a while and wanted to be an archeologist, a psychologist, a chemist … gradually I came back to illustrating. Sometimes things just come to you, you don’t have to interfere much …

andrejaknightandlady

How long did it take you to get your first picture book contract?

A few years after I started to illustrate, I suppose.

andrejaknighthand

What was your first book that you illustrated?

It was a book about old Romans.

andrejaholdingthemoon

How did you get the opportunity to exhibit at the Museum of American Illustration at the Society of Illustrators, New York?

I saw a call for entry to the 50th Annual Exhibition on internet and sent my illustration. I was very happy that it had been chosen for the Annual!

andrejaknightflags

Have you illustrated any books for the American Market?

No, I have not.

andrejapleading

Have you worked with educational publishers?

Yes, quite a lot. I’ve illustrated a lot of educational books about history for schools and museums.

andrejavenice

How many children’s books have you illustrated?

All together about 50.

andrejabath

Your bio says you are writing and illustrating your own books. Are any of them finished?

Yes, two of them have already been published. I have some new projects in my mind, they are actually in different stages.

andrejajewelry

Have you done any illustrating for children’s magazines?

Yes, from the very beginning I have been illustrating for different children’s and teenage magazines.

andrejalookingatmoon

Do you have an Artist Rep. to represent you? If so, who? If not, would you like to find one?

No, I don’t have an Artist Rep. I have been trying to find one from time to time but there are so many! And somehow I never have enough time to search among them to find one who will be just the right one!

andrejamoon

What types of things do you do to find illustration work?

At the very beginning of my career I visited some publishing houses to show them my portfolio. After a time they usually searched me when they wanted to engage me. I also sent some submissions and query letters from time to time. And I go to Bologna Book Fair every year. I have to admit – it is more for a pleasure of seeing all these beautiful books than for business.

andrejamoonbird

Do you think living in Slovenia causes you to work harder to find work?

Slovenia has a long tradition of printing way back to the 16th century albeit is a small country, which has a bright side as well as a darker one. Practically everything I do publishers can see and if they are interested they contact me. But on the other hand our market is small so there are not many publishing houses, less editions, less numbers of print runs etc. You have to work on a lot of different projects to survive. Still, I would like to be focused more on a specific kind of illustration work that I prefer.

andrejasleepingonroof

What is your favorite medium to use?

I love tempera, it is soft and not glossy. I also like black ink for drawing expressive wide strokes with brushes or delicate drawings with fine pen.

andrejawhiteandblue

Has that changed over time?

Yes, I like to experiment with different mediums to find a technique to go along with a particular atmosphere or feeling of a text I am illustrating.

andrejawithhen

Do you have a studio in your house?

I have a “room of my own” in our apartment, yes. But I am still dreaming of a laaaaarge studio with a very high ceiling…

andrejalightinhand

What is the one thing in your studio that you could not live without?

Some brushes with specific sizes and shapes and a music background.

andrejaatdoor

Do you try to spend a specific amount of time working on your craft?

Yes I do, but when it comes to deadlines – it is day and night.

andrejabear

Do you take pictures or do any types of research before you start a project?

I do research, for non-fiction or educational books a lot of research: from internet, books, magazines. I also have my “treasure box” in which I keep photographs, cuttings from papers, magazines, ideas, inspirations …

andrejarabbitscissors

Which illustrated book is your favorite?

If I think about my books it is “The boy with a little red hood”, which I have written and illustrated. If I talk about others there are so many, so different: “Die Nacht” by Wolf Erlbruch, “Stuck” by Oliver Jeffers, “This is not my hat” by Jon Klassen, “If I were a book” by Andre Letria, “I am not a little red riding hood” by Linda Wolfsgruber, “The three golden keys” by Peter Sis and many many more.

andrejagirl

Do you think the Internet has opened doors for you?

Yes, definitely. Sometimes I actually don’t understand how we have been working and communicating in those days before!

andrejaeatingwithfrog

Do you use Photoshop with your illustrations?

I use Photoshop for my work as well.

andrejacrying

Do you own or have you used a Graphic Drawing Tablet in your illustrating?

Yes, I have Intuos 5, love it!

andrejanightcapfrog2

Do you have any career dreams that you want to fulfill?

To make more of my own books (good ones, of course!)!

andrejarelaxingfrog

What are you working on now?

I am illustrating for a children’s magazine and preparing to continue working on my own book.

andrejamoomhair

Do you have any material type tips you can share with us? Example: Paint or paper that you love – the best place to buy – a new product that you’ve tried – A how to tip, etc.

Usually I am working with Canson Montval paper and Ferrario Tiepolo tempera. My favourite place to buy materials is Boesner in Austria. But you have to experiment and search for some new materials all the time!

andrejawindowlady

Any words of wisdom on how to become a successful writer or illustrator?

Work hard, be honest with your work and believe in it! And if you think you can’t find an inspiration, just sit at your working table and begin drawing … the inspiration will soon come …

andrejachickenleg

AWARDS

• The International Golden pen of Belgrade Award, 2007 (for the book Varuh)

• The most original Slovene picture book Award 2006 (for the book Fant z rdečo kapico)

• The most original Slovene picture book nomination 2006 (for the book Mojca Pokrajculja)

andrejabed2

andrejaTULIPA2

Thank you Andreja for taking the time to share your process and journey with us. We look forward to hearing about your future successes.

To see more of Andreja’s illustrations you can visit her at: http://www.andrejapeklar.si/home.html

Please take a minute to leave a comment for Andreja, I know she would love to heard from you and I always appreciate it. Thanks!

Talk tomorrow,

Kathy


Filed under: authors and illustrators, awards, bio, Illustrator's Saturday, inspiration, Interview, picture books Tagged: Academy of Fine Arts in Ljubljana., Andreja Peklar, Ljubljana, Slovenija

2 Comments on Illustrator Saturday – Andreja Peklar, last added: 7/12/2014
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21. Illustrator Saturday – Angela Padrón

angelapicAngela was born and raised in Freehold, NJ but moved to Florida in 2002. For over 15 years, Angela taught bilingual, ESL, Spanish, and Art in public schools before becoming a freelance writer and illustrator. She writes and illustrates board books, picture books, chapter books, and middle grade novels, and loves to include humor, characters of color and cultural themes in her stories. She’s a big fan of Bruce Coville, Mary Pope Osborne, Alma Flor Ada, Roald Dahl, Shel Silverstein, Mo Willems, Bob Shea, Mark Teague, Jarrett Krosoczka, David Shannon, Eric Carle, Leo Lionni, and Amy Bates, among others.

Angela also writes and edits content for educational publishers and works as an adjunct professor at the Art Institute of Fort Lauderdale. She holds five college degrees, including an MFA in Illustration from Academy of Art University in San Francisco. In addition, Angela has been a member of the Society of Children’s Book Writers and Illustrators SCBWI since 2004 and is one of the artists at Studio 18 in the Pines in South Florida.

HERE IS ANGELA explaining her process:

The idea that I had for “The Hero in You” (written by Ellis Paul) was to have the historical figures in the songs portrayed as children. So here’s how I completed the Jackie Robinson illustration for “The Hero in You”

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I wanted Jackie to be hitting the ball so I initially came up with this sketch.

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The art director liked the pose but wanted the uniform to look more of the time period of Jackie Robinson rather than a modern look. Also he wanted a crowd and stadium in the background and a more humble rather than determined look on the face. Here is the adjusted sketch.

angelaprocess3

Next I recopied each part of the sketch so the lines were clean –the stadium/crowd, the ball, Jackie, and the ump and catcher are all drawn separately so I can work with each component individually in the final illustration. I use vellum because I think it’s the best way to see through to your sketch. Also the pencil goes on real smooth and it’s easy to erase on.

I scan in each part, change the outline from black to brown, reconstruct the sketch in Photoshop and change each layer to multiply so I can see through them.

angelaprocess4
I like to fill my sketch with textured papers, either ones that I have painted with acrylic or gouache or printed papers from Michael’s scrapbooking section. I can scan a bunch of different colors or textures and adjust the colors in Photoshop which gives me flexibility when completing the illustration.

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I started with the background – the bricks of the stadium. I added the lines of the bricks and used a slight drop shadow to get the indentation in the bricks.

angelaprocess6

Then I worked on the stadium and the crowd, using textured papers to fill the areas rather than digital paint.

angelaprocess6a

I lightened the background so that it wouldn’t overpower Jackie.

angelaprocess8

Then I colored in baseball and added shadow, followed by Jackie, the ump, and the catcher.

angelaprocess8a

I added some shadows and highlights to the figures, texture to the bat, and rosy cheeks to finish the illustration.

angelaprocess9Final Illustration

angelabeachsketch

How long have you been illustrating?

First I want to say thank you, Kathy, for interviewing me for your blog. It’s my first blog interview and I’m super excited to share my background, work and ideas with you and your readers. I applaud you for having the blog and taking the time to showcase illustrators’ work.

So let’s get the interview started… Technically, I’ve been illustrating since I was about seven years old. Somewhere in storage there is a Snoopy book written and illustrated by me that I did in first grade! However, I started developing a serious interest in illustrating children’s books when I joined SCBWI in 2004.

Angela Padron NJ SCBWI art show FINAL

You bio says you have five college degrees, could you tell us about the four you worked for before you decided to go for your MFA?

I’ve always loved school. As a kid I couldn’t sleep the night before the first day of school because I was so excited to go. That passion for learning carried over after high school (if I could earn a living being a college student I would take that job in a heartbeat!) Even though I initially studied Art and Education, at some point I felt like taking music classes and earned an A.A. in Music. Then I finished my B.A. in Art and began teaching Art. Soon after I found an interest in English as a Second Language (ESL) Education and Bilingual Education. I received a grant to study at graduate school and earned a M.A. in Instruction and Curriculum with a focus on Bilingual/Bicultural Education. Although I loved teaching students English, I put Art on the back burner for almost 10 years to focus everything on my job. When I moved to Florida, I had in mind to become a Reading Specialist for ESL students, so I completed another graduate degree, an Ed.S. which is a Specialist’s Degree, in Reading Education. Although that goal didn’t work out, while studying Reading Education I fell in love with children’s books. It finally hit me that I could use my love for creative writing and art to write and illustrate books – I felt like it was a roundabout way to teach students. Finally I had found the right professional focus for my talents. So I took the plunge and enrolled in the online MFA program at Academy of Art University in San Francisco to study illustration.

Angela Padron illustrator intesive FINAL

What made you choose to get an MFA in Illustration from Academy of Art University in San Francisco?

When I finally knew children’s book writing and illustrating was where my true passion resided, I researched different ways to learn more about this field. I joined SCBWI and read lots of information online, read books, received critiques, etc. But since I am a nerdy student at heart, I knew that attending a class and having an instructor and classmates to provide insight, advice, and critique was the best thing for me. There were not many options when it came to studying illustration on the graduate level because I was married with two stepsons and a baby on the way. So the only option for me was to study online. Academy of Art University was the only school I could find with a legitimate MFA program in illustration. I enrolled in my first semester in 2007 and actually took a trip out to San Francisco to check out the campus. I fell in love and knew it was the right decision. I wish I could have studied there in person – maybe one day I’ll be able to live out there and take or teach a class. It took me four years to finish but it was worth every minute (and every penny that will take me 30 years to pay off!)

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What were you favorite classes?

One of my favorite classes in college was actually Physics of Exploration that I took as an undergraduate. We learned how the Space Shuttle and Hubble Telescope worked as well as some really cool stuff. But of course I loved my creative writing classes and illustration classes the most. I had a few courses just in Children’s Book Illustration and Narrative Illustration. Those two really helped me a lot with the storytelling aspect of illustration as well as the right steps to take when illustrating (from research to thumbnail to rough sketch, to final sketch, to value rough, to final art). I also took some Animation classes, which were fabulous for character development and storyboarding/sequencing illustrations.

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Did the School help you get work?

No, I was lucky enough to develop a freelance business doing writing and editing for educational publishers as well as teaching part time at some community colleges and elementary schools. Being an online student, AAU as well as most schools doesn’t really have career services for online students.

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What was the first painting or illustration that you did where someone paid you for your artwork?

In 2012 I received an email from TSI Graphics, a company that was hired by McGraw-Hill to find illustrators for some leveled readers in Spanish. I completed three illustrations for the first book and then eleven illustrations for a second book.

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What type of job did you do right after you graduated?

I was still teaching part time and working as a freelance writer and editor for educational publishers. I was lucky enough to get some freelance work in 2007 and it developed into more work throughout my studies and continues until today. I also continue to teach at the college level on a part time basis.

angelabenfranklin

Do you think the classes you took in college influenced your style?

I was very confused with “style” as a student. I knew the illustration styles of others that I liked but I didn’t want to copy anyone. It took me a while to develop a style that was a bit different and stood out over the traditional style of illustration. However, I’m now experimenting with some new techniques that are affecting/changing my style a bit. So I feel like I’m in between finding a signature style and one that can get me some work.

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When did you do your the first illustration for children?

After the McGraw-Hill job, I didn’t get any other work until 2013.

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How did that come about?

Right after graduating with my MFA in 2011, I prepared a TON of promo packages and sent them out to different Art Directors at publishing companies. It wasn’t until 2013 when I received two emails within a span of a month to illustrate from two different companies to illustrate books. They both told me they received my information in 2011 and held onto it for two years. Wow!

angelamartha

When did you decide you wanted to illustrate books?

After completing my degree in Reading Education in 2005, I fell in love with children’s books. It finally hit me that I could use my love for creative writing and art to write and illustrate books – I felt like it was a roundabout way to teach students.

angelamybody

Was MY BODY BELONGS TO ME the first picture book that you illustrated?

Yes, it was.

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How did that contract come your way?

One day in 2013 I received an email from the Art Director at Free Spirit Publishing asking if I were available to illustrate a book. I said “Absolutely!” That company was one of the companies to whom I sent promo material in 2011 and they finally contacted me two years later for a project.

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Congratulations in your new book THE HERO IN YOU coming out the 1st of September.

Thank you!I did love illustrating MY BODY BELONGS TO ME but I’m even more excited about THE HERO IN YOU, mainly because it’s about famous people in history and to this nerd learning about history –or pretty much anything – is my cup of tea!

Angelalicksbigger

How did you get the contract with Albert A. Whitman?

It happened the same as Free Spirit Publishing – out of the blue I got an email asking if I were available for the project. So I was working on it the same time I was illustrating MY BODY BELONGS TO ME. I actually had to make the tough decision to quit a teaching job in an elementary school in order to pursue these projects. I couldn’t pass up the opportunity to get my name on a book. I mean, two books!

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Have you worked with educational publishers?

Yes, as an illustrator, writer, and developmental editor.

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Do you have any desire to write and illustrate your own book?

Absolutely! I would love to be known as an author/illustrator. Besides picture books, I also write chapter books and middle grade novels. I hope to illustrate my chapter book if it ever gets published, as well as the cover for any middle grade novel. However, I do feel that my illustration style may not fit some of the stories I write. So I am open-minded to the idea of someone else illustrating my books if an editor/publisher felt strongly that another person’s style would suit the book better. Very much like David LaRochelle has done with some of his stories.

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Do you have an artist rep.? If so, who? And how did you connect with them?

At this time I don’t have an agent. However, I did have an agent in 2012. I can explain how I landed that contract… I subscribed to agent Jill Corcoran’s blog. At the time, she was working with Ronnie Herman at the Herman Agency. On her blog she posted that Ronnie was looking for an intern to help layout some books in Photoshop to make some book trailers. It was either in house or remote. I applied for it and didn’t get it but I asked Ronnie if I could submit my stories and portfolio to her and she said yes. At the time, I had an editor interested in one of my stories. Long story short, Ronnie liked my work and signed me for 18 months. I had never met Ronnie and only spoke with her one time on the phone during the 18 months. We got along fine, but for one reason or another, it didn’t work out with Ronnie and I chose not to renew the contract.

If not, would you like to have one? After already having had an agent, I learned that you can have a good rapport with your agent but he/she may not be the best fit professionally. So as much as I would like to have another agent in the future, right now I’m patiently taking the time to research agents more than I did before in order to find the one who is the perfect fit for my personality, interests, writing and illustration styles, and professional goals. In the meantime, I am sending out my stories to editors that I’ve met at conferences to try and get some interest. When looking for an agent, it can really help you if you can tell him/her that you have an editor interested in your work already.

AngelaPadron Little Nose2

What types of things did you do to market your work?

I have a website, a facebook page, and a blog. I’ll be preparing some promo packages again in the next few months with some tear sheets and postcards to mail out to art directors as well as editors – last time when I sent out packages I only targeted art directors, but this time I’ll be sending out to editors as well, especially those I’ve met at conferences.

angelatoes

What is your favorite medium to use?

Anything messy like charcoal and pastels are my favorite. I also love collage and have developed a “digital collage” style where I paint tissue paper or other textured paper with gouache or acrylic paint. (I’m a huge fan of Eric Carle and Leo Lionni and the textured papers they used.) I then scan those papers into the computer and use them to fill my sketches. In the past I’ve added drop shadows to make the pieces look like cut paper. That works well if you’re looking for a graphic style of illustration. For looser, freer work, I use watercolor, pastels and colored pencils combined with some digital collage. In addition, I love to create batiks (wax resist and dye on fabric) and am trying to figure out a way to be able to use a batik combined with Photoshop to create some illustrations. No matter what technique I use, though, my sketches are all done by hand in pencil and scanned in. I don’t like drawing with the tablet; I only use the tablet as my tool to fill in my sketches.

angelaig

Has that changed over time?

Definitely. Towards the end of my MFA, I had developed the cut-paper digital collage style with drop shadows and stayed with that for a while. Then I began using the textured collage papers with my outlined sketch just for a different (and quicker) spin on the technique. About a year ago, I was experimenting with watercolor and pastels on printmaking paper and found a softer look was better for some of my illustrations. That combined with using Photoshop to overlay my sketch and some textures gave a nice look that I’ve been using a lot more lately. It gives me the flexibility to use my favorite medium – pastels – with my second favorite medium – the computer (or as I often call it “the machine that helps me fix any errors much quicker than redoing the entire illustration over again.”)

angeladogboy

Do you have a studio in your house?

My dining room table is often my “house studio” these days. However, I do have a studio space near my house. It’s called Studio 18 in the Pines – it has about 20 studios for artists and a large gallery for exhibitions. I use it when my son is in school or camp as well as sometimes on the weekends.

angelasled

What is the one thing in your studio that you could not live without?

My laptop and Intuos tablet for sure. But also my Nu-Pastels by Prismacolor – love them! I have my studio space mainly to do my batiks, however. I can’t melt wax or hang dripping dyed fabric in my house that’s for sure!

angelashoe

Do you try to spend a specific amount of time working on your craft?

I write and illustrate whenever I can between my freelance projects and life. I’ve been trying to commit a certain number of hours per week for just writing and illustrating but something always comes up and reduces that time. Each Monday I try to restart the week with that thinking – I know one of these days I’ll figure out how to do it.

angelaball

Do you take pictures or do any types of research before you start a project?

Yes! I have people pose for me or I go to places like the beach or zoo to take pictures. I also do some research online for photos if I can’t take the photos myself; I copy and paste every relevant image I can find into a Word document, then narrow them down to the ones I think will be most beneficial and print them out. I refer to photos all the time when illustrating.

angeladancer

Do you think the Internet has opened doors for you?

It’s my best friend! Without it, I couldn’t have studied for my MFA at Academy of Art University. I wouldn’t be able to research photos or companies to send my illustration samples to, and I wouldn’t have email to get offers for projects. And of course reading fantastic blogs like yours helps inspire and teach me, too!

angelagirl

What do you feel was your biggest success?

Illustrating THE HERO IN YOU so far has been the best illustration experience of my career. I would love to work with the art director at Albert Whitman & Co. again – he was a real cheerleader when I got stuck on an idea or was struggling to get one of the illustrations done on time. He also gave me a lot of creative flexibility to come up with the idea for the illustrations. I really think the book is going to sell well because of the content, the songs, and the ability to relate the book to the Core Curriculum Content Standards in schools.

angelashutthedoor

Do you use Photoshop with your illustrations?

Photoshop is my lifesaver. I use it to touch up illustrations so I don’t have to redo anything. I also love to illustrate in pieces – meaning, I usually illustrate each character separate from each other and the background, then scan them all in and place them together in Photoshop like a puzzle. It allows me the flexibility to move things around and resize them if necessary.

angelakitchen

Do you own or have you used a Graphic Drawing Tablet in your illustrating?

Yes Intuos tablet – I’d be lost without it.

angelapuppyshirt

Do you have any career dreams that you want to fulfill?

I definitely want to have books published that I have written and illustrated in all types of genres – board book, picture book, chapter book and middle grade novel. That would be my dream.

angeladuck

What are you working on now?

The question really should be what am I NOT working on now – my SCBWI critique group members can attest that I am non-stop at trying to write a good story. I have a few book dummies to touch up and finalize to have ready to submit to agents and editors. I also am finishing to write my first chapter book and then would like to draw some black and white illustrations for that book. I actually came up with another picture book idea this morning while walking my puppy so I hope to get the idea down in writing this week.

angelalittle annie

Do you have any material type tips you can share with us? Example: Paint or paper that you love – the best place to buy – a new product that you’ve tried – A how to tip, etc.

I water down gouache and acrylics to paint on tissue paper – very carefully as to not rip it. Scan those into Photoshop and use them to fill your sketch – you get the same effects if you were to paint the textures right on your illustrations. I love to paint watercolor on Rives BFK paper – very heavyweight printmaking paper that absorbs the watercolor with a soft texture. I also love Arches hot pressed watercolor paper for more detailed work. Nu-Pastels by Prismacolor are so great – the feel like hard pastels but go on like soft pastels – they still smudge but not as much as very soft pastels. Prismacolor colored pencils are my favorite – love the soft leads. And finally Prismacolor Col-Erase pencils. They’re colored pencils that can be erased pretty well – they’re great for outlining or sketching. Some animators use the different colors to show the progression of their sketches.

angelacharacterb&W

Any words of wisdom on how to become a successful writer or illustrator?

You have to be a student of the business. Research research research – not just for photo reference but also look at the new books that are out. Go to the library and spend an hour or two a week just looking through books and studying others’ illustrations – their techniques as well as their compositions. See what types of stories are selling. Read lots of books – reading with my son is the biggest help when learning about books. Go to conferences and workshops. Take online classes. Join critique groups and embrace feedback and different points of view. Have a style but be flexible so you can get work if you’re just starting out, like me. Always be drawing and illustrating something to keep your skills and ideas fresh. And never stop dreaming!

angelaNEW monkey graphic small

Thank you Angela for taking the time to share your process and journey with us. We look forward to hearing about your future successes.

To see more of Angela’s illustrations you can visit her at: http://www.angelapadron.com/

Please take a minute to leave a comment for Angela, I know she would love to heard from you and I always appreciate it. Thanks!

Talk tomorrow,

Kathy


Filed under: Advice, authors and illustrators, Illustrator's Saturday, inspiration, Interview, picture books, Process Tagged: adjunct professor at the Art Institute of Fort Lauderdale, Angela Padron, Studio 18 in the Pines in South Florida.

10 Comments on Illustrator Saturday – Angela Padrón, last added: 7/19/2014
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22. Free Fall Friday – Possible Opening & Kudos

amal10_small
Another wonderful illustration by Amal Karzai. Thought it showed the feeling of this post. Website: http://www.amalillustration.com Blog: http://amalimages.blogspot.co.uk/

There might be a spot opening up at the Avalon Full Manuscript Critique Writer’s Retreat. If you are one of the people who have been kicking yourself for not getting in for this opportunity to get a critique with Agent Ammi-Joan Pacquette from Erin Murphy Agency or Agent Heather Alexander from Pippin Properties, send me an email and I will get back with you.

WOO HOO! It seems like a number of you jumped on the post where I told you about Schoolwide.com had a call out for submissions, because I’ve heard from a number of writers this week who have heard back from them. Most have received very nice letters showing interest in their manuscript and asking for revisions, which is great and could be a start of something big, but Sheila Fuller had her book ALL NIGHT SINGING accepted. Congratulations Sheila!

Christopher Behrens’ finished his book, found an illustrator whose work has been on The Today Show, used Jim Whiting and Writer’s Digest for editing, then self-published his book Savanna’s Treasure this past spring.

Kirkus gave him a good review in June and now The Community Life Newspaper wrote an article the book.  If you would like to read the article, here is the link: http://www.northjersey.com/arts-and-entertainment/books/longtime-dpw-employee-pens-first-children-s-book-1.1052358

Savanna’s Treasure is available everywhere online and in all formats, including the ebook.

Two of the comments from Kirkus:

“…story enriched by an inspiring animal alliance….a good fit for early readers.” —Kirkus Reviews

 

Good job Chris!

 

Check back next Friday for the First Page Results.

 

Talk tomorrow,

 

Kathy

Filed under: authors and illustrators, Conferences and Workshops, Illustrator Sites, Kudos, opportunity Tagged: Amal Karzai, Christopher Behrens, Free Fall Friday, Schoolwide.com, Sheila Fuller

6 Comments on Free Fall Friday – Possible Opening & Kudos, last added: 7/25/2014
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23. Illustrator Saturday – Colleen Kosinski

 

colleen_baby_cropped_300x300Colleen Rowan Kosinski has always been involved in creative projects. She is an alumna of Moore College of Art and graduated from Rutgers University with a BA in Visual Arts. While in college, Colleen worked with The Robert Wood Johnson Hospital as part of her curriculum. She developed, designed and constructed step-by-step instruction booklets to be used by nursing staff. After graduation, Colleen worked as a jewelry designer. While working as a designer she won a scholarship to the Gemological Institute of America and earned a certificate in Colored Stones. Colleen, having a great interest in science, volunteered at the Academy of Natural Sciences in Philadelphia, PA. She worked with Dr. John Gelhaus in the entomology department rendering illustrations of insects for scientific publications. She also worked at the Franklin Institute in Philadelphia, PA, were she designed illustrations for a cookbook featuring Ben Franklin’s favorite dishes.

After the birth of her first child, Colleen opened her studio and virtual gallery. She has been working as a visual artist, with clients all over the United States, for the past eighteen years. You can visit her site at http://www.myartsite.com. She specializes in pet portraiture and still life. Her mediums of choice are oil or pastel.

Colleen resides in Cherry Hill, NJ with her husband, three sons, doberman pinscher, rottweiler, and miniature dachshund and volunteers at the local animal shelter. During the summer you can usually find her nursing a sick squirrel or robin back to health.

Here is Colleen explaining her process:

This painting example was created for the NJSCBWI 2014 Conference. I knew I wanted a dreamy, fairytale-ish feel. I wanted the viewer to wonder what would happen next. I also wanted to include the theme of the Jersey shore.

First I researched elements I needed for this particular piece of work, ex. I needed to research old-fashioned bathing suit attire, seagulls, and Victorian style homes in Cape May for this piece.

Next, I drew (in pencil) each element that was to be included in the artwork. I scanned in the early sketches and placed everything in the space to see if worked. I’d drawn a lifeguard chair and the Cape May lifeguard boat but they didn’t fit in the composition, so they were cut.

Then, I went back and shadowed each drawing in pencil.

I scanned each shadowed piece into the computer and placed them on the page.

All the shadowed pieces were built as their own layers. I then painted in colors, using varying opacities and brushes.

colleenstep_1_pencil_sketch_cape may girlOriginal pencil sketch

colleeenstep_2_scan_and_cut_cape may girl

Scanned image, cut out, cleaned up and contrast adjusted.

colleenstep_3_color_layers_cape may girl

Colored layers built up.

colleenstep_4_highlights_shadows_cape may girl

Shadows and highlights are added last.

colleenseagull_pencil_sketch

colleenseagull_full_colorI brought the colored drawings back into the original composition.

colleencapemayflag sketch

colleencape may flag_full_colorI adjusted scale and brightness.

colleencape may houses_pencil_sketch

I then layer in shadows into the final composition and sometimes I add various textures into the composition.

colleencape may girl 3_head_tilt

Finally, when the painting looks finished to me, I put a bump map of a watercolor texture over the entire painting. This makes the work look less “computer-like”. Copyright ©artshow colleenscbwi entry 2_6

After critiques by my trusted artist friends, I add my finished piece to my portfolio. For example, they suggested her head should be tilted toward the bird so I made the adjustment as seen here.

colleendiving girl comp5

How long have you been illustrating?

I’ve been drawing forever. I participated in my first “show” when I was thirteen (and won first place.) I’ve been seriously working on illustrating for children for the past three years.

What made you choose to get your degree in visual Arts at Rutgers University?

I was originally granted a full scholarship to Moore College of Art when I happened upon a portfolio day after a Saturday class at the Philadelphia College of Art. I attended my freshman year, but then transferred to Rutgers to follow my boyfriend. I know. I know. But we’ve been married now for 27 years. : )

colleenbeach girls14

What were you favorite classes?

I loved figure drawing, creative writing, and anthropology. I’d always try to convince my professors to hold class outside on beautiful days. All except figure drawing. Naked models posing outside in the middle of campus would have been frowned upon—but would probably have drawn quite a crowd.

Did the School help you get work?

Actually, Moore College of Art helped me get my first internship as a scientific illustrator for the entomology department of the Academy of Natural Sciences in Philadelphia.

colleenriver of wishes9hair lowered a smidge3tdep5_6_14_3NO-WORDS

What was the first painting or illustration that you did where someone paid you for your artwork?

In high school the teachers would commission me for artwork.

What type of job did you do right after you graduated?

After college I worked in a jewelry store and did some jewelry design. I was fascinated with gemstones and won a scholarship to study colored stones with The Gemological Institute of America.

 

colleenmermaid comp 8Do you think the classes you took in college influenced your style?

The figure drawing classes may have helped a bit but my style has organically evolved over the years.

When did you do your first illustration for children?

I started working on children’s books illustrations about three years ago.

colleenswimming with the fish7

How did that come about?

I had worked as a fine artist for many years, but stopped drawing to seriously study writing. I’ve written screenplays, YA novels, and MG novels, along with picture books. NJSCBWI was holding their first illustrators showcase three years ago and I decided to participate and developed a character, which then became a story.

When did you decide you wanted to illustrate books?

After all the positive feedback at the NJSCBWI conference.

colleengoldilocks comp_v7

How did you get interested in writing novels and when did that happen?

I had a friend who worked in the SAG office in Philadelphia. I had an idea for a movie and asked her how I could try to sell my idea. She told me I’d need to write a screenplay. I bought books on the mechanics of writing screenplays and started networking with other screenwriters. I decided to try to convert one of my screenplays into a novel. Then I wrote bad novel after not as bad novel until I finally had one that I thought was good enough to submit. But it really wasn’t. So I kept writing more and more. I think my eighth book was the charm and is now being read by several editors.

Are you open to illustrating a picture book for a writer who would like to self-publish?

I think I’d rather work on my own books or be paired with an author from a traditional publisher.

colleenflying girl comp4

Have you worked on illustrating a book dummy to help market your illustrating skills?

Yes.

Since you already are writing novels, have you thought about writing and illustrating you own picture book?

I’ve written quite a few PBs and I have one finished dummy and one in process.

colleenbad luck boy new comp6

Do you have an artist rep.? If not, would you like to have one?

I’m presently not represented, but would love to work with an agent interested in an author/illustrator. I’m a hard worker and not afraid of revisions.

What types of things do you do to market your work?

I show at conferences, tweet, network on FB, display my work on the SCBWI illustrator showcase, and I have a website—ColleenRowanKosinski.com

colleenjaquar11What is your favorite medium to use?

I’m currently working with a combination of pencil sketching and digital painting. I also love oils, and soft pastel.

Has that changed over time?

Many years ago I worked primarily in pen and ink and watercolor. I did a lot of hand-numbing stippling with a rapidograph pen. I transitioned to pastel. Sold quite a few, then fell in love with oil painting. Oil painting is a long process because of the practice of building layers of colors and the drying times involved. That’s why I love digital so much now. I approach color the same way I did in my oil painting but have zero drying time!

colleentweed_composition_v6

Do you have a studio in your house?

I don’t have a designated studio. Because of very bad back issues I have trouble sitting for long periods of time in a regular chair, but I’ve found a recliner takes the stress off of my lower back so you can usually find my there, either writing, sketching or working digitally. I do have an office with my supplies, a desk, computer, scanner, printer and bookshelves from floor to ceiling.

What is the one thing in your studio that you could not live without?

My laptop computer.

colleenHanging Around4

Do you try to spend a specific amount of time working on your craft?

I work every day for at least eight hours or more. I try to attend at least one SCBWI conference a year and as many other workshops that I can fit into my budget and schedule.

Do you take pictures or do any types of research before you start a project?

Yes, I take pictures and research reference images online.

colleenskunk girl_portfolio3

Do you think the Internet has opened doors for you?

Definitely. I used to have to find reference photos by paging through books and magazines for hours. The Internet also helps me network with other writers, illustrators, agents, and editors.

What do you feel was your biggest success?

I don’t know if I’ve experienced a “big” success yet. I just keep doing what I’m doing while constantly trying to improve.

colleenfox running picture 16Do you use Photoshop with your illustrations?

I actually use GIMP, which is a free version of Photoshop. I did finally bite the bullet and start subscribing to Photoshop (you can’t buy it outright anymore, you must pay a monthly fee.) I’m experimenting with it but feel more comfortable with GIMP.

Do you own or have you used a Graphic Drawing Tablet in your illustrating?

Yes, I use a Wacom pad when creating my artwork.

colleen02_2ps_mother_and_baby_all_the_layers4

Do you have any career dreams that you want to fulfill?

I dream of finding an agent who knows the craft and market, and being traditionally published. I guess if I want to dream big, I’d love to win a Newberry or Caldecott.

What are you working on now?

I’m working on a story called Lydia Light Takes Flight. The character I created for the 2014 NJSCBWI Conference Art Competition inspired the story. The text is finished and I’m currently working on the dummy. It’s a lyrical story with a fairytale’ish feel. I also have a couple PB biographies ready to go, and two other lyrical PB texts. Editors are reading my older MG novel and I’m hoping one of them will make an offer soon.

colleen06_2ps_fire_all_the_layers4

Any words of wisdom on how to become a successful writer or illustrator?

I don’t know if I can really speak to being successful, but I can say that you have to be a fighter. Don’t wallow in rejection and keep moving forward. Be open to critique and learn from it. Lastly, be involved in the kidlit scene. It’s a wonderful, supportive community.

colleencozette and the black umbrella7

 

Thank you Colleen for taking the time to share your process and journey with us. We look forward to hearing about your future successes.

To see more of Colleen’s illustrations you can visit her at: www.ColleenRowanKosinski.com Twitter: @writergirlrowan 
Facebook: Colleen Rowan Kosinski

Please take a minute to leave a comment for Colleen, I know she would love to heard from you and I always appreciate it. Thanks!

Talk tomorrow,

Kathy


Filed under: authors and illustrators, demystify, How to, illustrating, Illustrator's Saturday, Interview, Process Tagged: Colleen Kosinski, Illustrator Saturday, Moore College of Art, Rutgers University

9 Comments on Illustrator Saturday – Colleen Kosinski, last added: 7/26/2014
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24. Working Out the Details

erikaphoto-45Hello again! Jersey Farm Scribe here on…

PATIENCE: Working out the Details

Speaking from my own personal situation, I just did a major revision on my chapter book. It brought my story a bit more full circle, drawing some of the ending and pulling piece of it into the beginning.

Exciting stuff and I love the way it’s reading now.

But that was a pretty major revision for me, and I’m realizing that in some ways, it’s set me back a good bit. There are parts that don’t flow as well now, character reactions that don’t make sense and redundancies that are just plain annoying.

While I knew it would happen, to be honest, it’s quite frustrating.

Grumble, grumble… I JUST went over all this stuff…

There is a part of me that instinctively desires to push things back the way they were so I can make certain scenes read through properly again.

Plus, I have this crazy voice in the back of my head. It keeps thinking about the SCBWI conference I attended at the end of June, the people I talked to, the editors and agents who showed interest and who I have this amazing opportunity to submit to. And the voice says:

YOU MUST SUBMIT IT NOW!! 

Voice absolutely hates the idea of letting too much time go by. It thinks that the agents and editors will wonder… what took so darn long???

And while you may get different opinions from different people, the logical side of my brain knows that Voice is simply wrong. They knew I had revisions to do, and I’m talking an extra month or two, not years.

Agents and editors, of all people, KNOW how long revisions can take. All the ones I spoke to, not only understood, but respected writers for taking the time to do revisions correctly and present the absolute BEST manuscript possible.

Now, don’t get me wrong, deadlines are important, and being realistic is important. In this case, there is no “deadline”. But still, I don’t want the agents and editors who were open to seeing my work to wait an entire year to see it. Largely because the chances of them still remembering who I am drop pretty dramatically. And if at all possible, I definitely want that little light to go on.

But revisions often lead to more revisions, and I think it’s important to ride that train until it naturally evens out and becomes the story that it’s meant to be.

So whenever making a major revision, keep in mind that you may end up producing more necessary changes than you expect. And don’t be afraid to change things that may cause large re-writes or entire character redevelopment.

After every major revision, I remind myself that I need to take the time to do what I call domino revisions

How did my revision affect the arc and rhythm of the story? Is there too little or too much action at any particular point now? Does a chapter break or mini climax need to be altered?

How did it affect the characters? Experiences shape our interpretation of everything around us. If a character’s experience changed at in my revision, their reactions to things later on may need to change as well.

Did my revision involve the scene, timeline, family dynamics… anything where I need to check for congruence throughout the rest of the manuscript.

The list goes on.

Manuscripts develop like the people created on their pages. Growing up can take much longer than we’d like, and the stage before we become adults can be the most frustrating part.

Who hasn’t met a teenager who makes dramatic changes? It’s not easy. But whether they stick with those changes or not, they are often a big part of what shapes them as an adult.

Our manuscripts need a lot of patience, as they are becoming the living beings they are meant to be. But you know what…. they’re worth it!

Thank you Erika for another great article to help all of us improve our skills.

Talk tomorrow,

Kathy


Filed under: Advice, article, authors and illustrators, Process, revisions, Writing Tips Tagged: Erika Wassell, Jersey Farm Scribe, Revision Tips

5 Comments on Working Out the Details, last added: 7/29/2014
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25. Amazon Ranking vs. Daily Book Sales

Thought you might be interested in the information I presented at the “How to Sell More Books” Workshop I gave at the NJSCBWI Conference in June. You might want to use it as a general rule of thumb when checking out your book (on other books) on Amazon.
amazon rank

Talk tomorrow,

Kathy


Filed under: authors and illustrators, Book, demystify, How to, list, need to know, Publishing Industry, reference Tagged: 2014 NJSCBWI Conference, Amazon Ranking vs. Daily Book Sales, How to Sell More Books

4 Comments on Amazon Ranking vs. Daily Book Sales, last added: 8/2/2014
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