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Results 1 - 25 of 27
1. Audiobook reviews

I recently reviewed two audiobooks with a peculiar connection.  Masterminds is a thriller set in the seemingly perfect town of Serenity, New Mexico.  The Way to Stay in Destiny is a character-driven novel set in the woefully imperfect town of Destiny, Florida.  Neither town is quite what it seems.  Click the links to read the complete reviews.

Masterminds by Gordon Korman.  Read by a cast of five(2015) 

[http://www.audiofilemagazine.com/reviews/read/98783/]
A contemporary science thriller set in New Mexico - a real page-turner!  This is the first in a planned series.  I'm not sure how he can top this one!



 [http://www.audiofilemagazine.com/reviews/read/99246/]
Historical fiction set in 1970s Florida by the author of Glory Be. Another paean to the power of music.  (Try Echo by Pam Muñoz Ryan, too!)




I'm confident that either of these is great in print as well.

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2. Chicanonautica: Media and Messages in New Mexico



When I travel, I try to plug into the local media. It gives me clues as to what’s going on, and provides an alternative to my usual habits. And if the ol’ cerebro diabolico gets knocked into a new configuration, so much the better!

I even found a copy of Marshall McLuhan’s Understanding Media: The Extensions of Man in an Española thrift store. Hmm, wonder what a roadtrip through New Mexico would have done to McLuhan’s theorizing. 

Sure, I could have gotten online at the Wired? Cafe in Taos, where we parked next to a guy who looked like a latter-day Quijote/road warrior on the run: His car was dented and mud-spattered. Mud seemed to deliberately obscure the license plate. His door was open, a muddy boot touched the ground as he used a hand-held device.

Screw it, I decided, I’m on vacation. 

In these times of vanishing newspapers, I found local papers everywhere in New Mexico. There are even people hawking them at intersections. 

In Pojoaque, I picked up a gratis copy of El Semanario de Nuevo México, “El Périodico de Nuestra Gente.” It’s a modern newpaper with a website, Facebook page and YouTube channel. It also had ads that offered discounts on consulta espiritual, limpias-baño de yerbas, lectura de cartas, aguas espirituales, talismanes, jabones y mucho más. 

Unlike Arizona and California, in New Mexico, Latinos -- or maybe I should say Hispanics, are visible, almost a majority, as it should be since some families here have been around since before 1776. They blend with both the Anglo and large, diverse Native populations, but in a different way from the Hollywood ethnic-neutral androids. There are still stories about Hispanic criminals, but they are covered by brown news people. The us/them angle I’m used to seeing is lacking even when the subject of criminals, in the country illegally, comes up. 
And there are Hispanic conservatives. (Actually, we have them everywhere, but somehow they don’t get mentioned much.)

Susana Martinez,the Republican incumbent governor, is a Hispanic woman. When she criticizes Washington, it doesn’t sound like she’s running against Obama. In Arizona, you’d think Obama was running for just about every office in the state.

Rio Arriba County Sheriff  Tommy Rodella and his son were arrested by the FBI. “The pair were accused of civil rights violations, falsifying documents, and violating federal firearms laws.” Joe Arpaio would be proud.

There are more Spanish TV channels -- not just Univision and Telemundo, you can see Latin music videos, and catch a Chinese martial arts period pieces dubbed into español.

A PSA from the Santa Fe police kept popping up in which brown officers showed off shiny, new SWAT and riot gear, explaining how it's all to promote “diversity.”

Meanwhile, in Albuquerque, folks protested the upcoming NRA Police Shooting Competition because officers involved in recent fatal shootings were slated to participate (then backed out). “Many of those protesters have been affected by officer-involved shootings in the city. They say the competition is an insult to them and everyone else.”

Back in Santa Fe, the city council voted to decriminalize the “possession of less than one ounce (28 grams) of marijuana.” Which, of course, caused more controversy

Looks like the near-future in New Mexico is going to be interesting.

Ernest Hogan is an Irish-Chicano whose family came from New Mexico. The new Kindle edition of his novel Cortez on Jupiter is available for pre-order.

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3. review#405 – Hello There, We’ve Been Waiting for You! By Laurie B. Arnold

. Hello There, We’ve Been Waiting for You! By Laurie B. Arnold Prospecta Press 5 Stars . Back Cover When Madison McGee is orphaned and forced to live with her wacky grandmother in boring Truth or Consequences, New Mexico, she’s pretty sure nothing will ever be right again. Her grandmother is addicted to TV shopping …

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4. Guest Post - Delsheree Gladden

Today's guest shares a nice Q&A with us. Dlesheree Gladden is the author of Wicked Hunger and she wants to tell us a little about it.


Q: When did you first start writing?
A: I first started writing when I was a teen. It was mainly just a hobby at that time, and I wasn't very good. After I got married my husband encouraged me to focus on writing and get into publishing. His support has made all the difference.

Q: Do you read much? If yes, have you always loved reading?
A: I have always loved reading. When my mom would take us to the library when I was little I rarely left with less than twenty books, and I always had them all read by the time we went back for more books.

Q: Who's your favorite author? What's your favorite book?
A: This is always such a tough question because I have so many. Can I pick two? Jim Butcher and Brandon Sanderson are at the top of my list. I love the Dresden Files and the Mistborn Trilogy.

Q: What writers have influenced you the most?
A: Patricia C. Wrede and Jim Butcher. Wrede's books were the first books I really fell in love with. Her characters brought the whole story to life. Butcher's imaginative and unique take on magical creatures and elements inspires me to stretch my mind and be creative.

Q: Do you have a favorite fictional character? Either from a book or movie or a tv show?
A: I think I'd have to pick Mat Cauthon from the Wheel of Time books. Even though 15 rather long books, he always surprised me and kept things interesting.

Q: What are you working on right now? Can you tell us something about it?
A: Too many things at once! I'm working on the sequel to Wicked Hunger, called Wicked Power, which will continue the story of Van and Zander Roth as the explore the world of the Godlings and try to figure out who to trust. I'm also working on a sequel to Escaping Fate. Soul Stone follows Arra as she discovers new abilities. A new project, Invisible, a story about an invisible boy who discovers someone is trying to hunt him down, is the last project I'm focusing on. It will be featured on Wattpad starting in Sept. 2013.

Q: Is there anything in particular that you do to get in the mood to write, or to get in the 'zone'? Any particular pre-writing routines?
A: It just depends on my mood. Sometimes I want absolute quiet, an other times I need to have music in order to concentrate.

Q: Where do you do your writing?
A: I do most of my writing either on the couch or up in the extra room that is my office/sewing room. My computer shares the desk with two sewing machines and a dressmakers dummy, but it works!

Q: How do you approach your writing? i.e. - Do you do outlines? Character bios? Etc.?
A: I jump in and keep writing until I either get stuck or finish the book. I only outline when I absolutely have to and I've never once done a character bio.

Q: Do you have any advice for other writers?
A: Read a lot. There is so much you can learn from reading other writers' work. I get a lot of inspiration from favorite books. Authors I really admire encourage me to keep expanding my abilities and push myself.

Q: Are you a morning person or evening person? Day or night?
A: Night, definitely. I am not a morning person at all, although I taught a seven o'clock yoga class twice a week for over a year!

Q: Do you have any pets?
A: Nope. Between me and my husband, we're allergic to most pets. The ones we aren't allergic to are too smelly. Some day I'm sure my daughter will talk us into a dog regardless of allergies, but she hasn't been successful just yet.

Q: What's your favorite 'I need a break from writing' activity?
A: Reading a good book. I love losing myself in a story and I love sharing my favorites book with my kids now.

Q: How do you approach writing sex scenes? They can range from mild to wild. Where are you on the mild to wild meter?
A: Since I write YA, I don't really write sex scenes. I write steamy scenes when they are called for, but even in the adult books I'm working on, I have a closed door policy.

Q: Do you write in one genre? Or more than one?
A: All of my published books are YA urban fantasy, but I have three adult dramatic romances that I am working on right now.

Q: Are you self-published or with a publishing house?
A: Most of my books are self published right now. I worked with a publisher on The Destroyer Trilogy originally, but after many problems I decided to go back to self publishing. Wicked Hunger was signed with GMTA publishing early this year, and is now available from most major ebook retailers.

Q: What are your thoughts on getting a literary agent?
A: I've never worked with a literary agent, so I don't have a lot to go on to answer that question. I think it depends on their experience and contacts. If they can do more than an author can do on their own, I'm sure it would be a great partnership. The publishing industry is becoming more open to working directly with authors, though, so it will be interesting to see how their role changes in the future.

Q: What about marketing? How do you approach that area?
A: Most of my marketing is done online through social media, reviews, blog tours, workshopping, and participating in giveaways and author related events.

Q: What about beta readers? Do you use them? How many do you have? Where do you find them?
A: I have several great beta readers I work with. I have found beta readers through writing groups as well as recruited a few loyal readers and new readers through mutual friends and social media.

Q: What's your favorite food?
A: Green chile chicken enchiladas. Being from New Mexico, I love green chile!

Q: What's your favorite color?
A: Orange. I love fall colors, the dusty, muted reds and oranges of fall leaves.

Q: Is there a particular website or facebook page or blog that you, as a writer, find very helpful?
A: The Next Big Writer online writing community has helped me connect with so many wonderful authors. Goodreads is also a great place for authors. You can connect with readers and share updates about your writing.

Q: What's your favorite time of the year?
A: I love the fall. Living in a desert, it's always a relief when the heat starts to cool into nice autumn days.

Q: What's your most recent book about? And where can people buy it?
A: Wicked Hunger is the story of the Roth siblings. Vanessa and Zander Roth are good at lying. They have to be when they are hiding a deadly secret. Day after day, they struggle to rein in their uncontrollable hunger for pain and suffering in order to live normal lives. Things only get worse when Ivy Guerra appears with her pink-striped hair and secrets. The vicious hunger Ivy inspires is frightening, not to mention suspicious. Vanessa's instincts are rarely wrong, so when they tell her that Ivy's appearance is a sign of bad things to come, she listens. She becomes determined to expose Ivy's secrets. Vanessa tries to warn her brother, but Zander is too enamored with Ivy to pay attention to her conspiracy theories. One of them is right about Ivy . but if they lose control of their hunger, it won't matter who is right and who is wrong. One little slip, and they'll all be dead.

Q: As a writer, what do you feel is your strongest gift or talent or skill that you have, that helps you the most as a writer?
A: One thing readers have told me they enjoy are my characters. I always try make sure my characters are unique. I want them to have a life before the book starts. Their backstories drive the decisions they make in the book. I don't want readers to feel like the character was "born" on page one.

Q: Please share some of your links with us - facebook author page, website, where people can find your books?
A: Readers can find me online at:


About the book: Vanessa and Zander Roth are good at lying. They have to be when they are hiding a deadly secret. Day after day, they struggle to rein in their uncontrollable hunger for pain and suffering in order to live normal lives. Things only get worse when Ivy Guerra appears with her pink-striped hair and secrets. The vicious hunger Ivy inspires is frightening, not to mention suspicious. Vanessa’s instincts are rarely wrong, so when they tell her that Ivy’s appearance is a sign of bad things to come, she listens. She becomes determined to expose Ivy’s secrets. Vanessa tries to warn her brother, but Zander is too enamored with Ivy to pay attention to her conspiracy theories. One of them is right about Ivy … but if they lose control of their hunger, it won’t matter who is right and who is wrong. One little slip, and they’ll all be dead.

About the author: I live in New Mexico with my husband and two children. I love expressing my creativity through writing and painting and I get a lot of my inspiration from my family and from the culture and beauty of New Mexico. I write mainly Young Adult urban fantasy, but my writing interests are ever expanding. I am also currently in the Dental Hygiene Program at San Juan College, so 90% of my waking hours are devoted to thinking about teeth for the time being!

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5. Interlopers, Inductees, Ides of January On-line Floricanto.

Review: In the Country of Empty Crosses
Michael Sedano

Arturo Madrid (author), Miguel Gandert (photographs). In the Country of Empty Crosses. The Story of a Hispano Protestant Family in Catholic New Mexico. San Antonio: Trinity University Press, 2012. ISBN: 9781595341310


The handful of protestant kids in Arturo Madrid's rural New Mexico public school struggled to voice their own prayer. Their pastor had forbidden them to participate in Catholic practices. "Forgive us our debts" the protestant kids insisted, while the Catholics prayed to be forgiven "our trespasses."

When Europeans first trespassed into indigenous tierra that would become New Mexico, those Mexican Spaniards set into motion a pattern for dominating what was there before they came, that would repeat itself when Anglos trespassed onto hispano land. Arturo Madrid’s memoir, In the Country of Empty Crosses. The Story of a Hispano Protestant Family in Catholic New Mexico, recounts impacts of that dominance.

Just as indios found themselves marginalized by the gente from down south, hispanos and their Catholic religion found themselves, too, squeezed out by foreign language-speaking interlopers as prickly as the barbed wire they strung after seizing land. Former landholders got their only compensation in the sound of a judge’s gavel echoing the Terminator’s command to the helicopter pilot, “get out”.

Interloper. As the old order changed yielding place to new, Arturo Madrid’s protestante familia found themselves interlopers in their own tierra not once, but doubly.

In the hispano community, they were outliers owing to their election of the anglos’ religion.

In anglo churches, hispanos were targets for missionary work, separate and unequal; bilingual hispanos attending the mainline services found themselves only a little more tolerated but advantaged as intercultural negotiators for gente who'd become interlopers on their own tierra.

Madrid opens the memoir with a telling illustration of hispano exclusion. Taking a sentimental journey to his familia’s former tierra searching for vestiges, the cosmopolitan Madrid—he is a Professor of Literature comfortable in elite Unitedstatesian circles—meets a local vato Madrid terms “the Marlboro man.”

The visitor asks the local if he’s familiar with a location, the long-abandoned places his bisabuelos settled. Madrid especially wonders where the old familia camposanto lay. The Marlboro man corrects the outsider, “you mean the campo herejes.” To some Catholic hispanos, protestantes remain heretics, 400 years after the last inquisitor left New Spain.

Madrid recounts a telling encounter with the anglo minister’s wife in Chama. Performing a self-imposed Christian obligation, Madrid and his mother knock on the parlor door with an offering of fruit and vegetables waiting in the truck. The woman cracks the door and gestures her visitors to go around to the back door. At the back stoop, the pastor’s wife asks through the door what she can do for the two Mexicans? Madrid’s mother issues a sharp rebuke, “do something for yourself” by accepting the crates of fresh fruit and vegetables loaded in the pickup.

We cut across the lawn and make our way ccarefully through untended shrubbery still wet with dew. The warm air smells of pine needls and pinesap. As we enter the shade at the back of the manse, the fresh smell of pine is displaced by the acrid odor of moist coal cinders. The backyard is dark and bare. Tall firs cut out the light, making it cold and dank as well. I am glad to be wearing a light jacket. The manse has a screened back porch, and my mother pulls on the handle to the entry door, but it is latched. (155)

Details like these add to the rich texture Madrid’s elegant prose creates throughout In the Country of Empty Crosses, the Story of a Hispano Protestant Family in Catholic New Mexico. Madrid has not written with retribution in mind, however near to revenge some incidents sound. Indeed, the author sets forth incidents as facts, allowing readers to draw their own conclusions about the cultural fusions and transitions that would create contemporary mores of his tierra.

A few years later, Madrid encounters the Marlboro man’s brother, and receives a decent welcome and useful information. Back at the manse, as they drive away from the Chama parsonage, the rude woman seems to be abjectly ashamed. And she’ll have to schlep the heavy crates by herself.

Madrid’s literary occupation shines brilliantly in this readable text. The writer avoids easy sentimentality, packing detail and telling incident without imposing a political stance that might deflect from the memoir element. For example, recounting that his boyhood home in Tierra Amarilla was the site of a raid by chicano nationalists, Madrid doesn’t mention the murder of the anglo forest ranger nor name Reies Tijerina as the shooter. Since Madrid no longer lived in Tierra Amarilla when he learned of the tragedy, the event is not part of his cultural debt.

Throughout his 213 pages, the author doesn’t wallow in regret that the rural New Mexico of Madrid’s youth doesn’t exist anymore, despite his subtly pointed illustration of inexorable change. The retrograde attitudes of the various brands of Christianity on display in the author’s memory probably continue to divide communities today, but that may be a function of individual venality rather than culturally imposed norms. Madrid chooses to omit such considerations.

Chicanas Chicanos who, like me, grew up in rural Catholic settings outside New Mexico will recognize Madrid’s tierra and its denizens, and that’s another good reason people will enjoy reading the memoir.

Raza are more alike than different, though differences inevitably crop up. “The manse,” for example, is the pastor’s home. The term jumps out at me for its unfamiliarity. Madrid notes the Baptists were ascendant in the local protestant community; I wondered if the sect had subtly imposed a plantation mentality to go along with their manifest destiny?

I asked a preacher’s kid what his family termed their home. It was always “the parsonage.” Other friends told me they knew “the vicarage.” “Rectory” is the priest’s abode in Catholic parishes. Webster’s tells me “manse” is common usage among Presbyterians, and Madrid’s gente followed Presbyterian dogma, diluted by that Baptist influence.

Madrid’s writing flows elegantly, a tapestry of memory he weaves or unravels thread by thread, laying patterned motifs with a word or image on an earlier page that the writer expands into paragraphs and rich chapters later. Readers will note lilacs, railroads, sunflowers, smells and landscape motifs. The story so richly textured becomes deeply engaging to the point the book’s liberal display of excellently wrought photographs becomes invisible. Once noticed, however, the fotos enhance the pages, illustrating more the ambience of the chapter than necessarily a single sentence. Photographer Miguel Gandert’s captions appear in the afterpages.

The book itself is laid out like an art book, so much so that designer Kristina Kachele places the CIP page at the back instead of obverse the title page. She provides ample white space via wide margins, generous leading, a pleasing serif font, and a page size that sits the palm without burdensome bulk. The publisher elected a medium weight bright white coated stock that not quite ideally supports the photographs, but nonetheless holds much of the detail and care Gandert invests in his exposures.

Cultural baggage being what it proves to be, I did not “get” the title’s “empty crosses.” Catholics display the crucified Christ on a cross, protestantes don’t. Madrid sees the empty cross, too, as a symbol of redemption, though who’s redeemed remains ambiguous and subject matter for spirited discussions In the Country of Empty Crosses, the Story of a Hispano Protestant Family in Catholic New Mexico is sure to engender.


Interview With Author Arturo Madrid
The past couple years it's been my pleasure to chat with Arturo Madrid at the National Latino Writer's Conference in Alburquerque. When María Teresa Márquez advised me Arturo's memoir was available, I looked forward to reading it and chatting with him about sundry matters surrounding our mutual experiences as country boys who fled their rural roots for big city life. The following approximates our recent telephone conversation. Any errors or mischaracterizations are entirely of my doing.

Michael Sedano (mvs) - You tell about that resentful anglo boy who challenged your selection to lead a school ceremony. Did you see the memoir as a chance to get even with tipos like him?

Arturo Madrid (am) - Laughs. No, although friends have told me there may be elements of that. But I want to recount accurately as far as I remember. There is so much in our history that bears examination I have no time nor interest in getting back at people.

MVS - You write about the pressures of being a principal's kid (his father) and son of a local government official (mother), how you were constantly under observation by all eyes. Did your research lead you to read the book Preacher's Kid, about the same phenomenon?

AM - Several people told me about the book, so I might. I wanted to convey a different sense of history so my work didn't require much of that type reading. There are many contradictory tensions that come more clearly out of experience, observation, conversation.

MVS - The principal theme of the book is being an interloper. The anglos were interlopers on your tierra, yet you see yourself and before that, your parents as interlopers into protestant worlds. You don't spend a lot of energy investigating their motives nor addressing a justification for their determination to become cultural blenders.

AM - That was so far in the past and difficult if not impossible to know. They were biliterate and bilingual;  their parents were literate people. That is what their society needed.

MVS - The Tierra Amarilla raid  by La Alianza Federal de Mercedes was an awful event. You don't mention the murder or Tijerina.

AM - I heard about the incident while driving in my car, so it wasn't part of my experience. I met Tijerina years later and found him interesting and companionable. I didn't go into the raid because I was living in Texas and Tierra Amarlla wasn't my story.

MVS - You populate the book with lots of synaesthesia and visuals, there's a sense of longing in your narrative focus. What do you miss about your tierra?

AM - Living 20 years in San Antonio, in the city, I miss the open spaces and being able to see long distances, see mountains. I miss the smells of New Mexico, the piñon forest, the creosote bushes, the mix of smells after a rain.

MVS - Has time healed the divisions you recount? Have gente managed to subsume the hard feelings or do these divisions remain, perhaps as krypto cultural norms exacerbated by propinquity?

AM - In rural New Mexico people are occupied making a living and manage to put aside such divisions out of self-interest. It's different in the city where divisions remain and probably don't improve much because of propinquity and the nature of big towns.

MVS - What are you reading now?

AM - I'm reading Hilary Mantel's book on the French revolution, A Place of Greater Safety. She's a wonderful historian and writer who won a Booker Prize. I enjoyed Fludd. I'm also the judge for the Texas NACCS Book Award, and have five titles to read.

MVS - Miguel Gandert's photographs illustrate the book beautifully. But I got wrapped up in the story and tended to ignore the fotos the first time through.

AM - I've had that response from several friends. Miguel's photographs are so striking that originally the publisher wanted to limit illustrations to just a few but the images demanded to be included.

MVS - What do you want readers to know about Arturo Madrid as a result of reading In the Country of Empty Crosses?

AM - I want them to think this guy can tell a good story, that he has a good sense of language, and beyond that he knows how to use language to create a wonderful environment.


My 44th Anniversary


January 15, 1969 was a Wednesday. If I slept the night before, I don't remember. I had a 0700 appointment at the Santa Barbara bus terminal.

That final night my three best friends and I--Barbara, Mike, and Bryan--cruised the streets of Santa Barbara for one final look-see. At a stop sign--would I go south to Haley Street, or north and back to Isla Vista--a cowboy hat in the rearview mirror honked impatiently then he rammed his clunky pickup truck into us when I didn't pull away. Pulling around me, he honked and gave me the finger, screaming, "Fuck You, Four F." I exploded in laughter.

In the morning, with a Josh White tune running through my head, "there's a man going round taking names,"someone called my name. I hugged my wife and kissed her good-bye. I stepped onto the bus and in a few minutes, it pulled away. Barbara had kept up a brave mien all week as the clock ticked away. I glanced out the window to see she'd finally given in to her tears. Her hands covered her downturned face and she missed seeing me wave goodbye.

Forty-four years ago today, I reported as ordered by President Richard M. Nixon and accepted involuntary induction into the United States Army.


I was lucky that day. As a gruff Sergeant herded our skivvy-covered asses upstairs to the final set of examinations before taking the Oath, one Draftee sat red-faced under the sign that read "United States Marine Corps."


The Gluten-free Chicano
Las Dos Gildas Make Tortillas de Harina

Last week's Gluten-free Chicano segment exulted in finding the palo his mother used in rolling tortillas de harina. Because wheat is poison to the gluten-afflicted, the GF chicas patas shared the recipe for egg and tortillita as alternative to making flour tortillas.

This week, Las Dos Gildas, the renowned cooking site, provides a suitable recipe for those forbidden treasures. Gilda Valdez Carbonaro has amended the recipe to feature vegetable oils rather than the lard that produces the authentic flavor of homemade tortillas de harina.

The Gluten-free Chicano recommends using lard in the same volume of oils. Click here for Las Dos Gildas' recipe. Rolling a perfect tortilla with your mother's palo will have to be a matter of trial and error.

http://dosgildas.com/tortillas-de-harina/


On-Line Floricanto. Antepenultimate Tuesday of January 2013


Lacerated Dreams by Xuan Carlos Espinoza-Cuellar
Mother in Chains by Colleen Whitehorse Krinard
A veces ~ Sometimes by Lupe Rodriguez
The Stadium by Kenneth Salzmann
Dream Warriors by Dde TheSlammer


Lacerated Dreams
by Xuan Carlos Espinoza-Cuellar

it ain’t got to be so complicated
knowledge should be available
free and running like water streams and shit

love should not be incarcerated
neither should dreams be lacerated
amongst barbed wire fences and shit

no body parts should feed the desert
no last breaths should be taken at the edge of dreams

why is it gotta be so damn complicated?
Filling out papers and shit
Singing hymns and chants to the empire
Why should some hide their red
While others call it patriotism?
Yet, the sinister of their practice is glorified and praised and shit
Praised like Jesus.. en el nombre de Cristo Jesus

A pregnant woman left to starve
While pedestrians watched
And children recorded
Children,
Children beaten by life
Children who beat other children unconscious
Drug dealing children
Prostitute children
Illegal alien children
Poor children
Poor colored children

Why has shit got to be so complicated?
We as a society feed off their flesh
Their voice, their fall from grace
We feast off their broken spirits
Cash checks over their corpses
And we demand more

What type of society are we
That we demand doom
While claiming privilege and shit?



Mother in Chains
by Colleen Krinard

bleeding silently at the edge of the road
mother stands weeping, watching, waiting.

they have stripped her naked.
and with greedy joy have bound and raped,
pillaged and plundered
her wholeness into tiny grains
of dust and rubble turned
to profit
by the kings
and queens of
paper green
and silicon ink.

her tears of broken waters fall
on muddied treaties trampled long ago
by a destiny so manifest
that it has lost itself
in lives of
ruin and contempt.

her soul yet waits for eyes of passion
and hearts of fire
to listen
and to hear her song
of coming home.

with ears of yearning
and arms outstretched she knows
this dance is not yet done.

come to me now
oh my children and friends
who know the joy of the
sounds of sunrise and
the quiet of the dancing stars and moon.

take your places around the table
once set long ago by dreamers
much like you.

find each other,
and in celebrating your homecoming,
restore us all.



A veces ~ Sometimes
by Lupe Rodriguez

I hear the voices of elders
in dreams
so close to me
I can feel their breath....
their warmth....
their touch so soft...
afraid to awaken...
to lose...
their touch and presence...
I remain.....
eyes shut even when awoken...
my palms extended and awaiting....
a touch no longer....almost forgotten...
es un sueno...just a dream...
A veces....sometimes I wish.....
I'd never be awoken of that dream....
que bonito sueno fue.....
what a beautiful dream it was.....



The Stadium
by Kenneth Salzmann

This is no game, remember,
Because the elevated rumbles still
Through the kitchen smells of each
Wave of ever-dark-eyed strangers
Ever cooking up strange dishes
Strangely spiced, and all the while
Slipping strange words
Into the spiced atmosphere
Hovering over 161st Street
To rise above the
Train's insistent jazz,
To swell into an unequivocal
Roar that will be joined by ghosts
As surely as forgotten ancestors
Will never let us go.
America is dark-eyed, too,
Against all its wishes,
And speaks in tongues,
And can't subdue
Its hunger for a common language.

(previously published in New Verse News [Oct. 2, 2006])
Copyright 2006 by Kenneth Salzman


Dream Warriors
by Dde TheSlammer

We came to live the American dream
We just found some nightmares along the way
We want the dream for our families
The good job
Shoes for our kids
Food in the home
Walls that are built
Not just shacked together
But sometimes when you dream
The events of your days
Can shift your dreams into nightmares
Meantime we work honest jobs
Making it ironic that we have 2 jobs
Yet make half the pay
Working twice as hard
Dreaming of the America we were lied about
The America we would have died about
The America that is a daily bout
Of us vs your lack of acceptance
But lately nightmare ideologies
Are creeping into our daily lives
Making even our accents suspect
To these Freddy Krueger “protectors”
Carrying batons that resemble
Razor blades bound in leather gloves
Used to slice our innocence like we were children
Molesting our freedom
Uniforms that look like sweaters
Stained from the black oozing
From their standard issue hearts
And red stripes from the blood splatters
Of mandatory beating quotas
Faces burned with the fire
Of their hatred for us
But we are dream warriors
Using our wishes to give us the tools
To fight back against the deformed society
That says we disgust them
But I know why you really hate us
Its because we are living
The first American dream
The one we were introduced to
The daily celebration of Columbus Day
To arrive in an inhabited land
And say we live here now
and in response you tell us
Papers please
Star of David
Skin tone mentalities
Arizona acted initially
To be in the middle
Of Nazi regime
Papers?
Please by all means
Because instead of wrapping smallpox in blankets
We wrap weed in the papers we use
To keep you manageable
Your government has its papers for us
We have our papers we govern to you
No wonder you throw us in joints
That’s why we drive low-riders
To prove we aren’t always high
We're well grounded
As in not going anywhere
Hell isn’t a place you leave
Just to go back because
Our wings got tired
We are angels who didn’t fall from grace
We had our land ripped from under us
You opened the ground
And it swallowed us
It was just a matter of time
Before we ascended again
Without the use of rope
We aren’t the bane of your existence
We are the dark knights of your redemption
Robin you of your false sense of superiority
And you two-faced jokers
Who like to use and abuse us
You are out of our league
Our shadows shine brighter than you
We illuminate the American dream
So you can wake up and see
That finally
We have come back home


BIOS

Lacerated Dreams by Xuan Carlos Espinoza-Cuellar
Mother in Chains by Colleen Whitehorse Krinard
A veces ~ Sometimes by Lupe Rodriguez
The Stadium by Kenneth Salzmann
Dream Warriors by Dde TheSlammer


Xuan Carlos Espinoza-Cuellar. Xuanito identifies himself as a third world xueer/ista, mexican@, artivista, izquierdista, radical, proud person of size, estudiante y poeta. a person who believes in social justice and that poetry has the potential to revolutionize the world, cada palabra is a spark of consciousness, cada poema una transformacion profunda. A highly recognized poet and performer who dares to interrogate issues impacting our queer and immigrant communities. his performance ranges from cabaret to slam poetry. Xuanito has performed at several venues such as universities, gay clubs, book stores, pupuserias, glbt centers, straight bars and art galleries. his/her vision is one of reclaiming art from and to the margins, dignifying our forms of expression and use laughter to fight oppression and exploitation.

"Xuanito will slap you with knowledge and truth, and leave you wanting more."

Colleen Whitehorse Krinard, mother of six amazing and now grown life companions, has been writing songs and poetry since 1978. Singer, songwriter, poet, composer, writer, psychotherapist, social worker, energy intuitive, shaman, curandera, she has been called by one of her teacher-mentors, Dr. Arturo Ornelas of CEDEHC, Cuernavaca (Centro de Desarrollo Humano Hacia la Comunidad AC) ‘la bruja blanca que vuela con el viento’. Since being welcomed into this circle south of the border, her awareness of the history and current social-political issues pertaining to immigration and the relations between México and the Estados Unidos continues to grow and develop along with her process of moving towards fluency in Español.

Colleen holds degrees in Anthropology, Music, Social Work, and the School of Life. She has studied esoteric, metaphysical and healing traditions from around the world for over forty years, and utilizes and teaches her eclectic mezcla of this material in her Transformational Energetics sessions and classes. She has spent over twenty years working with people struggling with mental health, medical, and addictions issues in public clinics, offering specialized support in the treatment of trauma.

In the early years her work focused on personal themes; her poetry and songs were her way of coping with her experiences of becoming a single mother, a developing depression, and living with the after-effects of PTSD in her life. Pivotal changes occurred when she was exposed to a more global perspective of human history, economics and suffering through doctoral level coursework in Anthropology at the California Institute for Integral Studies in San Francisco, Ca where she learned about the creation of poverty and debt in the post-colonial Global South through the enforcement of fiscal structural adjustments and other colonizing economic policies.

Under the guidance of Dr. Wynne DuBray, Lakota Sioux, professor of Cultural Diversity and Mental Health in the MSW program at California State University, Sacramento, Colleen had the opportunity to identify and reconnect with her indigenous roots and values through a guided journaling project. Later, while working at Consolidated Tribal Health Project, a Pomo consortium in Mendocino County, California, between 2002 and 2005 she learned first-hand through the stories of her clients and their families of the traumatizing effects of racism, past and present affecting the People. At this time she also took classes in Native American studies at Sonoma State University, in Cotati, Ca, learning about both the legal-historical perspective of traumatization in a class on California Native American History taught by Raquelle Myers, Pomo, and David Lim, of the National Indian Justice Center in Santa Rosa, Ca, and also experiencing directly the resilience and creativity pouring out through Native American literature and poetry with Duane Big Eagle, Osage, Ok.

During this same timeframe Colleen was privileged to be in conversation with Edwin Lockhart, Sherwood Band Pomo, regarding local social justice issues as well as hearing about his personal shamanic process with fire circles, and how he was learning through dreams and visions, before his early passing.

Finally it was hearing John Trudell and his band, Mad Dog, in Boonville, California in live performance where the torch of passion lit the fire in her heart and planted the seeds for the application of her music and poetry to social justice issues.

Recently returned from five months living in Oaxaca, Mexico, she currently lives in Belen, NM, and works in a medical clinic in nearby Los Lunas, NM.

Colleen shares the following foundational concepts which guide her life and work:
we are not alone …
everything is energy …
everything is inter-connected …
life is a magnificent learning journey …
nature heals and sustains us and we owe a debt…
the full-meal-deal of life includes the light and the dark …
we learn by trying things out, mistakes are a good thing …
our obstacles are often the signposts highlighting our paths along the way …
we have an emergent need to learn ways to live increasingly in constructive and respectful relationship with nature in our modern lives …
why not smile, listen, share, learn, love and laugh as we go on our ways …




Kenneth Salzmann is a poet and writer who lives in Woodstock, New York. His poetry has appeared in such journals as Rattle, Sow’s Ear Poetry Review, Comstock Review, Home Planet News, and many more, and in such anthologies as Beloved on the Earth, Reeds and Rushes, Riverine: An Anthology of Hudson Valley Writers, and Child of My Child. He blogs at www.kensalzmann.com.


DDE The Slammer is an Indianpolis, IN native, but is born in Cancun, Mexico. He has been consistantly performing at opem mics and slams for the past six years. He has performed in several parts of the US as well as Germany. With poems ranging fom Mexican viewpoints (one of these poems had him practically banned from a restaurant in Indianapolis after he performed it) to video games to human trafficing to gas station danishes, his versatility can only be matched by the energy he brings. Self-titled leader of the "Bellyswag" movement, which is a movement that requires little movement, he has a large presence on stage in a figurative and literal stance. His CD entitled Common Sense Shoryuken holds a variety of poems and yes, the cover does have the button combo for a Dragon Punch

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6. October Skies


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7. About the Banner Photo

People often ask me about the location of the banner photo on this blog. This is a picture of one of my favorite towns: Ruidoso, NM.

Sadly, this lovely community has been devastated by a forest fire (The Little Bear fire) that is still not under control as of 6/12/12. Current assessments estimate 234 structures burned. This includes residential homes, commercial buildings, outbuildings, vacation homes, and cabins. The pastoral scene in this picture probably no longer exists. Many of the residents have been in shelters since Sunday and have no home to return to.

If you would like to donate to the victims of the Little Bear Fire, please contact the Red Cross. To learn more about Ruidoso, New Mexico, or to read updates about the fire and the latest conditions, please visit their community page on Facebook or follow the Twitter hashtag #littlebearfire.

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8. 1,662 Postcards: Marketing Mania!

In the last eight months, I've written, labeled, and mailed 1,662 May B. postcards. Yes, really.

Much of marketing a book is like throwing darts, but as I've learned, a personalized, audience-tweaked dart has more potential to hit the board than those thrown willy-nilly.

I can't take credit for what I've done  -- that goes to Saundra Mitchell and her bossy self-marketing plan. Using her suggested wording, I determined my audience and tweaked what I wrote for each.

My audience:
Kansas schools and libraries 
Why? May B. takes place in Kansas and is primarily a school and library market title. Also, Kansas Day is 1/29. Teachers are required to teach KS history on or around this day -- perfect for an early January release date!

Plains state/frontier/pioneer museums
Why? May B.'s focus on the frontier era will ide

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9. Madrid, New Mexico -- Artsy Retreat

 The day after May B. launched, my mom and I headed to Madrid, NM.
 That's MA-drid. Not Ma-DRID.
 Madrid is a mining town...
 ...turned ghost town...
 ...turned community of artists...



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10. Leaving Your Mark

Just a fifteen-minute drive from my house is the Petroglyph National Monument, a jumble of lava rocks with thousands of carvings left by the ancestors of the Pueblo, Navajo, and Apache people.
I love searching for certain pictures, trying to find ones I've seen before, hunting for new shapes, animals, faces.
Some are mysterious, like these fellows with the square hats (most likely depictions of Pueblo gods).
Some are everyday.
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11. The Answers: Writing Routine and Desert Living

I would love to know about your writing routine, because if someone asks me that I look at them funny and say, "What's that?" My four-year-old seems to think that whenever I sit down at the computer it's time for him to need food/attention/a playmate/you name it.


I have to admit I almost didn't include "writing routine" on my list of ideas to get you readers thinking, probably because my routine is never the same. My husband had a seminary professor that used to describe balance as "momentary synchronicity" -- a great way to also sum up my writing schedule. What works for me now didn't work for me while I was teaching and certainly didn't work when I was home with toddlers.

During my teaching years, my creative energy was spent by the end of the day. The school year was for revision; the summer for new drafts. As a stay-at-home mom, I aimed for three writing sessions a week. Some lasted ten minutes, others, when I had a sitter, were two-hour stretches. It took me a long time to move forward, but in those phases of my life, that's the way things worked.

Word counts stress me out, especially because I spend so much of my time working on verse or picture books. It can take me weeks, sometimes, to move past a handful of words. What I've found to work for me is general monthly goals. In the last few months, I've focused on working with my editor on revisions, line edits, and copy edits on one novel; returning revisions to my agent on another; and beginning (then beginning again) research on a third novel.

Have I met every goal? The ones with deadlines, yes. The others? No. My hope was to have finished the research by now. But when I look back over the last few months, I have done a huge amount of work. Writing, I've learned, isn't something I can quantify. Maybe this will change in the years to come, but for now, general monthly goals keep me motivated and free to let the words come.

What's it like to live in the desert?


The desert is my first love, so I've returned to New Mexico utterly biased. When I first moved here in 1980, I'd spent three years in the deserts of Saudi Arabia. This place was lush in comparison. When my husband moved to Albuquerque as a boy, he moved from Michigan, and this place took quite a bit of getting used to. I suppose what you love in part stems from what you've been exposed to. I've happily lived in and loved a variety of places across the country and around the world, but nothing compares to the New Mexico desert. With the low humidity and high elevation, everything is sharp and clear beneath a turquoise sky that reaches from the Sandia and Manzano Mountains in Albuquerque all the way to Mt. Taylor (150 miles to the west and visible from the city). The scrubby juniper bushes smell like my childhood. The chamisa and tumbleweeds add a natural beauty. The dirt smells glorious after the rain. It's heavenly and familiar and lovely. I've been happy everywhere I've lived, but I'm thrilled to be home.

Thanks, all, who participated in this question and answer session.

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12. Weekend Run



The poetry of the earth is never dead.  ~John Keats


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13. Hello, New Mexico

pictures from www.abqproperty.com
















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14. Hot Vacation Spots

As Tera pointed out earlier this week, Las Vegas is hot hot hot in the summer. I happened to be in New Mexico this summer when it hit some record highs. After my cousin's wedding in Carlsbad, this is how hot my car was. Yes, that reads 138 degrees fahrenheit, folks. Even after I started it up and drove on the highway at 70 mph, it only went down to 119. YIKES!

Now, I'm just going to post a few fun photos from New Mexico, which is only one of the nine states I have been in or will be before the summer is over. I hope you enjoy!
Being a cave dweller in Carlsbad Caverns, a Santa Fe sunset, and if you look closely at the Hobbs sign, you'll see tiny me! And here's big me holding a tiny wild turtle. The turtles thought my toenails were strawberries and kept nipping at them at the most unsuspecting moments! Last but not least I enjoyed hanging with the local folk in Roswell.







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15. Shopping New Mexico


I am shopping my way through northern New Mexico. I’m a great one for adapting to the local environment. As soon as I arrive in the southwest, my lust for all things silver and turquoise and cowboy resurfaces. I tell myself, Of course, I’d have lots of places to wear that squash blossom necklace or concha belt or chaps in Ohio.  It’s all about attitude.
Just like I know I could wear a sarong in Columbus, with the right accessories. And a heavy sweater.
The woman in the store always encourages this. She slings that sarong around your body in one minute flat. But something will happen to it on the way home, so that the first time you go to wear it, you will fuss with it for an hour and then wad it up and throw it on the floor of the closet behind the leather leggings.
There are two standard greetings in tourist shops. First, they find something you are already wearing to compliment you on. That’s a lovely bracelet, they say. Or that’s a stunning jacket you have on, did you buy that here? Or, those socks are striking—I wouldn’t have thought of putting those colors together. This convinces you that you have good taste. That way, if something looks good to you, you will have the confidence to buy it on impulse and overpay.
The second standard greeting is, Where are you from? Which lets you know that they have immediately marked you as a tourist in search of genuine Native American curios. And you say, Ohio, and they say, We see lots of people from Ohio, which makes you think there’s this mass exodus from Ohio to New Mexico, and you’re at the tail end of it. And maybe all the sarongs have already been bought.
Oh, wait. Not sarongs. We’re buying turquoise this trip. And fetishes, which always sound a little dodgy to me.
Every shop in every tourist destination is having a 60% off sale, that day only, and isn’t it lucky that you chose to visit on that very day!
If you have any hesitation about buying something, they whip out the ultimate weapon: the Certificate of Authenticity and Appraisal, done by their brother-in-law in the back room.
And the thing is, you have to buy it. Because if you don’t, that thing will look better and better in the rear view mirror.


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16. Review: La Ranfla & Other New Mexico Stories.

Martha Egan. La Ranfla & Other New Mexico Stories. Santa Fe, NM. Papalote Press, 2009.
ISBN-13: 9780975588147

Michael Sedano

Martha Egan and Papalote Press have put together a seven-story collection of enjoyable, readable short fiction. Two of the stories feature automobiles, hence the “ranfla” title, and all take place in the state of New Mexico, hence the “New Mexico stories” subtitle. But for the latter add a subtle flavor of insider-outsider seasoning that I find curious. This doesn't diminish the pleasure of reading the collection, it adds an unsettling dimension that, perhaps, is another New Mexico element.

The title story, “La ranfla,” begins in late 1960s Berkeley, when a law student, fed up with law school pettiness and male chauvinism, storms out of lecture and huffs off with a handful of joints to move in with her hippie lover living in New Mexico. Her wheels start to show signs of conking out as she arrives in the state. A gas station attendant admires her “ranfla”, to her mystification. Gradually, the blonde Mary Kowalski and boyfriend Oso, begin fitting in. A kindly neighbor warns her about Pito, the crooked reverend and mechanic. But Oso and Starshine—her New Mexico name—already know Pito from the night Oso catches Pito stealing Oso’s marijuana crop. The story ends in a “cada cochino le llega su Sabado” irony, when the hippies conspire with an itinterant Mexican to pull a sting on the crooked local.

“Green eyes” delves into convoluted family histories. A lovestruck teenager wants to hook up with Teddy Gonzalez. Grandma Guenther tells Stephanie a tale about great grandmother Seferina and her husband, hubby Wilhelm. Seferina rides into the night to a remote home where she widwifes a sickly neonate. Fearing for the infant’s survival, and the hardship on the already large family, Seferina puts the child in her apron and rides back home. Fast forward to to the kitchen. That baby is Stephanie’s grandfather. Teddy comes from the family that consigned the preemie grandpa to the widwife’s apron. Cousins can’t hook up, and Stephanie learns a life lesson.

Egan’s third story, “Carnales,” makes the insider-outsider theme more explicit. A group of locals in the village of Ojo Claro, held at gunpoint by another local, feel unsure when the first deputy to arrive is an outsider—Procopio “Porky” Lucero. Porky’s wife is a local, but he’s from Española so the locals aren’t sure where Porky’s loyalties lie. The dispute grows from a greedy land grabber, in one view, protecting his property rights, the other view. It’s a spare story that hints rather than explains the complications of ejido lands held in common versus the fence ‘em off values of the outside economy. The dispute ends with gusto for the locals when they get the upper hand.

Two dog stories, “Mutt” and “Guapo” are strong pieces. In “Mutt” a transplanted local artisan is two-timed by a traveling salesman. “Guapo” offers a charming love story of two locals, a veterinarian and a rancher widower whose love story revolves around a singing, suicidal, dog. The story’s tragic ending both tugs at the heartstrings and leads me to wonder why locals cannot have happiness in an Egan story?

At least one outsider gets his come-uppance, in “Time Circles.” A philandering psychiatry profe at UNM, toys with blonde Anna, a woman 25 years his junior. The story treks out to “the rez” for a Navajo curing ceremony. Anna develops a kinship while helping Bernarda, a high school principal with a doctorate, pick her corn. Bernarda presents Anna with choice blue cobs and the truth about her lover. Shades of Tony Hillerman, the blonde records clerk finds a precious arrow point that she presents to their host, Dan Tom. Anna thinks Dan planted it as a cultural test. He didn’t and, unknown to Anna, her gift become a family treasure. It’s a moment of cultural and romantic truth for the woman. She dumps the profe and starts her own business in an Alburque adobe. Comes the flood when some pendejo runs a car over a fire hydrant and Anna’s gift craft antique shop fills with mud. The accident attracts a local snooty blond teevee news woman. It’s a “cute meet” as the tall indio camera operator is smitten with the damsel in distress and the rest, as someone says, is love at first sight.

“Granny” closes this excellent collection. A surfer dude, an east coast footloose grad traveling to California to find the perfect wave, has a car break down outside a dusty trailer park town on the edge of nowhere. Penniless, and ripped off during the night for his stereo and cool hubcaps—dastardly locals, no doubt—the fellow hangs around to teach middle school. It’s his lucky day when two precocious students help their grandmother escape from a jail on the other side. The dude can’t believe the outlandish story, but when he goes to find the truth, the kids and their dad have taken it on the lam. Eventually, they return to their trailer. The dad is the mechanic who’s promised to fix that broken down ranfla. Granny comes to the door and she is one hot mamasota. End of story but obviously the beginning of an affair to remember as the outsider hooks up with the local.

I think the vestiges of cultural nationalism infect my own experience of these seven stories. On their own, divorced of cultural baggage, they tell about a cultural patchwork and the melding of cultures and genetics overlaid upon the New Mexico landscape where we meet some decent gente and a variety of crummy people: drunks, thugs, crooks, exploiters, philanderers. Other than the philandering psychiatrist, all the lowlifes and losers are locals. But then, the star-crossed lovers are locals. The trump card for me is Egan’s persona , an outsider looking in with that sense of curiosity and apartness that allows the writer to express a subtle contempt for the local losers. Don’t think like that and you’ll enjoy the heck out of the occasionally bumpy ride in Egan’s ranfla suave.

I'm a bit late today, but nonetheless, here, on the penultimate Tuesday of the 9th month of 2009, a Tuesday like any other Tuesday, except You Are Here. Thank you for visiting La Bloga.

te watcho.
mvs


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17. Review: The Husband Habit. For Every Farewell, a Welcome.

Alisa Valdes-Rodriguez. The Husband Habit. NY: St Martin's Press, 2009.
ISBN-10: 0312537042

Michael Sedano

Way back in 1999, the Los Angeles Times ran a review that skewered a comedian and his tired, insulting act. I remember sitting up and taking notice of the writer, thinking to myself, “Self, this writer, Alisa Valdes-Rodriguez, has a lot of power in her pen, I wonder what kind of fiction she’d write if she ever gets a chance to cut loose?”


In the course of a handful of novels, the writer demonstrated she has a lot going for her. She aligned her work with a popular strategy other writers had pursued to great success, following multiple characters. It worked. Valdes-Rodriguez enjoyed popular success in her Sister Sucias novels, The Dirty Girls Social Club and less so with Dirty Girls On Top, advancing with superb work in Make Him Look Good. In her latest novel, The Husband Habit, Alisa Valdes-Rodriguez sows fertile new ground. She’s freed herself of her inner Mary McCarthy and allows one character to take over the novel. And I’m glad she has. With a reservation.

Although readers can depend on a Valdes-Rodriguez novel to bring smiles that brighten even a dismal day, a mélange of characters doesn’t allow much opportunity for a woman to stand on her own feet and show the world of what she’s capable. Ditto the writer, in as much as the group tactic pressures the writer to leave deserving characters ill-developed while sending others into extreme behaviors to wrap up an errant plot.

Thus, shaking off The Group mentality frees the writer to focus upon a singular character, a continuous narrative, and to write the heck out of a novel to the benefit of both the reader and author. This is what The Husband Habit reaps, a better developed central character around whom all the characters and action pivots, and some interesting writing.

Vanessa Duran exercises culinary genius in a fancy Alburquerque restaurant. Clever with quick repartée, she has a solid sense of herself, but refuses to take her own side. The big-name chef she works for steals credit for Vanessa’s creativity. Big sister Larissa bosses Vanessa around as if the latter were not a fully grown adult woman. And Vanessa submits like a good little sister. The worst part of Vanessa’s problem is being gulled by married men, hence the title.

Valdes-Rodriguez opens the novel with a deliciously funny scene. Vanessa, the unknowing “other woman” has flown cross-country to tryst with an internet romance. The vato has money, charm, fancy clothes and an impressive bottle of wine. And a wife with son, who follow from the airport to the tony hotel. Sancha Vanessa and fulano learn they’ve been followed when the irate wife rams her own SUV into the lying philanderer’s fancy car. Again and again and again the betrayed wife slams her vehicle into the Mercedes until cops haul her away. The mortified Vanessa flees to the registration desk and a sympathetic clerk. Hilarity surrounded by the woman’s tragedy.

Vanessa lands back home and resumes a courtship with Bryan, a pastry chef. Another fiasco. This pendejo not only is married with a son, his wife has found out about the affair and is hospitalized after attempting suicide. In the space of the first 40 pages of the novel Vanessa takes a pair of you-didn’t-tell-me-you’re-married gut punches from men she was dating. Sadly, Vanessa’s feeling of betrayal is so profound she blames the wife, telling Vanessa’s good friend Hazel that Bryan is “a lying sack of crap with a depressive and unstable wife.”

Older sister Larissa enjoys a successful academic career. In fact, she’s about to depart for a research jaunt to Morocco. This leaves Vanessa in charge of their aging, bickering, alcoholic parents. Vanessa rightfully senses a new nightmare in the offering. Larissa senses danger in the hunky next door neighbor and extracts a promise from little sister to lay off men for a few months. No rebound dating, especially with the neighbor. Vanessa, overwhelmed at the prospect of spending quality time with her mother and father, meekly agrees.

Then she lays eyes on the neighbor. Vanessa cannot keep her eyes off the he-man’s body. He-man cannot keep his eyes off Vanessa’s legs. But Vanessa holds true to her promise, hence the plot thickens as she resists her feral urges and keeps the neighbor at arm’s distance. Slowly, however, he wears her down with Vanessa's help. He cooks. He knows literature. He finds ways to surprise her with music, knowledge, kindness.

Paul is an interesting man in numerous ways, with a major drawback. He’s military and neither Vanessa nor Larissa want anything to do with this type of person. But Paul is not a tipo. He is a pilot recently returned from Iraq, wounded--Post-Traumatic Stress wounded. He’s fallen hard for Vanessa’s beauty, skill, sincerity. Vanessa’s anti-military blindness deepens his wounds, as if his life choices were entirely of his doing. They’re not, if only Vanessa will provide him an opportunity to explain.

Paul, it develops, has turned against the war. He’s of Vanessa’s opinion, of the futility and mindlessness of an unprovoked invasion. For Vanessa, it’s a theory. For Paul, the knowledge of what he has done in prosecuting the war is one long, sustained gut punch. Bridging the gap between Vanessa’s attitude and Paul’s remorse sends the novel roiling into political territory that adds interest and enlarges the capacity of chica lit to give something beyond a mere beach read. Not that this novel is not a lot of fun. It is.

Valdes-Rodriguez’ antiwar attitudes are not a reason to endorse The Husband Habit, but that hasn’t stopped a cabal of conservative assholes from raking the book over the Amazon coals. The day I looked, Amazon's featured negative review slices and dices at the novel’s strengths with unmeasured sophistry and mean spiritedness. It’s interesting to note the 1- and 2-star (bad) reviews mostly come from anonymous critics who sign with “handles”, whereas 5- and 4-star (great) reviewers generally have the honest courtesy to sign a real-sounding name.

Sophisticated readers who aren’t grinding axes will find excellent writing gives The Husband Habit a stature several steps above typical chica lit titles. This is one of the rewards of Valdes-Rodriguez shedding the group novel in favor of developing a single relationship for a singular character. Certainly there’s ample clowning around and clownish moments in her characters. But the characters can be deadly serious and self-disclosing in disarming ways, as when Paul talks about his hatred for hunting the animals on his family’s ranch:

I liked animals, Vanessa. Alwavs have. I still do. I love 'em. I'll never forget it. I was a little kid, and he took me out here, and he downed a doe, and took me with him to get it. She wasn't dead yet, just there bleeding, you know? She looked right at me. And her baby, that fawn, was standing there, not knowing where to go or what to do. I was sickened by it. I hated it, but you know how it is. You have to suck it up, when you're a boy, right? You gotta play soldiers and cowboys and Indians, you gotta like to shoot stuff, and you gotta play sports, right, or you're not a real boy. And my dad wanted me to learn to hunt, to do this thing that his dad taught him, and that his dad's dad had taught his dad, and so that's what it was like. Like my legacy, and I hated every minute of it, but when you're a kid you don't have the guts or the power to stand up to your dad about something like that, and you think there's something wrong with you.

Lucky Vanessa. True to the template of chica lit, the would-be lover has money. Rich is so much nicer than poor. And, because Vanessa is the center of her novel, Valdes-Rodriguez gets opportunities to paint a complex woman, not the foolish girl who bounces from bed to bed. As in the excursion Vanessa’s thoughts take when driving the open road and her thoughts wander to roadkill:

Brutality and grace, locked in an endless dance. This is how it works, a vile vein woven through all this beauty, life and death tangled together and dependent as inhale to exhale, as sleep to waking, when you are brave enough to look closely and without blinking. Roadkill. Rabbits, coyotes, dogs. Do they never clean the sides of Interstate 25, the road crews? Or do things die here with such frequency that regular removal is not enough to hide the truth of the dance between the modern and the ancient? It wounds her, these dead things. Maybe it was the eyes of that one dog, still open, surprised at the blow, the head disembodied and the rest of the animal spread like paste across the roadway.

What an interesting grammatical paragraph, the appositions. The Husband Habit offers numerous instances where the writer has her way with language. Rich in metaphor, landscape, spiteful character asides, Alisa Valdes-Rodriguez has achieved a milestone in her career with this masterly crafted work. And true to her title, Vanessa's in for a huge surprise from Paul she did not see coming, and readers will chortle about. Be prepared to suspend disbelief in that final plot twist.

My one reservation is a quibble with the character’s seeming helplessness, though this more is wrought of the chica lit template, less from the writer’s skill. I’d like so much to observe a strong, powerful woman with guts and judgment. Vanessa’s pal, Hazel, for instance, takes no caca from domineering men. Paul’s mother, like sister Larissa, is an accomplished academic, I bet they kick ass in a man’s world no holds barred. I hope to read such a character in an upcoming novel. The author surely is moving in that direction. The cutesy stuff of comedy makes for fun reading, and that’s its own reward. I think back to the controlled anger and unbridled contempt 1999's Alisa Valdes-Rodriguez unleashed on that clueless sap. He got what he deserved. I think some future Alisa Valdes-Rodriguez character is out there, waiting to get what she deserves, her own novel and powerful self-reliant independent ethos. It's what we deserve.



That's the second Tuesday of the only August of 2009. What a Tuesday! A Tuesday unlike any other Tuesday, nonetheless, We Are Here. Thank you for visiting La Bloga. I'll wachar you next week.

ate.,
mvs

Hasta Luego Our Friend, Bloguera Ann Hagman Cardinal

It has been our honor and our pleasure at La Bloga to share Sunday space with the immensely talented, warm, funny, thoughtful Ann Hagman Cardinal. Ann has retired from her regular every-other-Sunday column. Family and several writing projects require her fullest energies, endeavors Las Blogueras Los Blogueros endorse. Our door and abrazos are always open to Ann when she can come back for a guest column or two or three. We're looking forward to her new work and when it hits the market, La Bloga will be overjoyed to share the news.

A Message from Ann Hagman Cardinal

I am so honored to have been a part of La Bloga and among such incredible writers. At this point, however, I am juggling parenthood, a full-time job and three novels in various stages of completion so before my agent gives up on me I figured I’d better put my focus on finishing them. Thank you so much my fellow blogueros and la bloga readers, I’m certain that my Sunday spot is in exceptional hands. I’ll be back to visit, you can count on it. ¡Gracias por todo!


Welcome to Our Three New Blogueras, Olga, tatiana, Liz

Over the past three Sundays, La Bloga has welcomed the work of three mujeres who have accepted our invitation to spend Sundays with us at La Bloga. Olga Garcia, tatiana de la tierra, and Liz Vega will be rotating Sunday La Bloga columns. We're privileged that three such distinguished people are joining us to share reviews, insights, original work.






La Bloga welcomes your comments on this and any other column. Haz klik the comments counter below to share your thoughts. La Bloga welcomes guest columnists. What great friendships we develop when we welcome a guest. If you've an extended comment, a review of a book, arts, or cultural event, click here to propose an idea, and learn more about being our guest.

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18. Professional Race Car Drivers and Dad

Lost my dad two years ago this month. I'll always miss his great advice, his hearty laughter and his cheerful smile. A mechanic for military trucks and planes while in the USAF, he was also an excellent car mechanic. If it belonged inside a vehicle, Dad knew what it was, and if it broke, he could fix it. He loved cars, especially race cars. Something I never knew about Dad was the extent of his experience actually driving race cars. During the Winter of his life he talked a lot about the things he'd always wanted to do during his life, the things he either didn't get around to doing, or the things he'd hoped and dreamed of doing, but didn't for whatever reason. As a youth, he did some racing for money. He knew when to accelerate, when to brake, when to coast, when to push it toward the red line, and when to let the car fly itself across a finish line. A few months before he died, he told me about racing with the Unser brothers, drivers who made their fame at the Indy 500. They wanted Dad to drive on their team. Dad said he was torn, and when he discussed it with my mother, she said no. He abandoned his dream of professional driving and resigned to being the mechanic who kept cars on the road for other people. He never lost his great admiration for truly fast automobiles. I was very young, but I well remember the day the Unser's showed up at our house in Corrales, New Mexico, and talked Dad into one more race. The three of them, and my brother, disappeared in the Unser's race car. That evening during dinner all my brother could talk about was how well Dad drove the Unser's car. My brother followed in Dad's footsteps. He raced on tracks in several states, and he was good. But he died young, and I don't know if he'd have ever made a name for himself as a professional team driver. I do believe Dad would have made a name for himself in car racing, and I believe he would have been remembered for both his skill as a driver, and his knowledge of his cars.
I think of my dad this Father's Day. I miss him enormously. I am proud of all the things he did do during his life, and I'm a bit sad for those dreams he never did complete.

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19. Vincent Price, Ravens and ice tea

I grew up in the village of Corrales, New Mexico. My friend Megan's mother owned the Molino Rouge, a popular restaurant across the street from our elementary school. I spent at least one weekend a month at Megan's house, and we often helped out at the Molino in the afternoon. That's where I met Vincent Price. He was having lunch with his son (who lived in New Mexico). Megan's mother, Jean, told us to ask Mr. Price if he would like tea or coffee. Megan had acquired a fit of giggles in the kitchen. I put on an apron and marched my ten year old self out to his table, and asked in my greatest attempt at maturity, "Would you like coffee, or tea?" He flashed the most alarming smile, and all I could think of was the Edgar Allan Poe piece about the raven. My mind kept repeating "never more, never more, sayeth the raven." By the time I got to the kitchen, Jean asked me what Mr. Price wanted, I had forgotten. I pretended he wanted a nice pitcher of ice water. I carried the ice water to him and he smiled again. He asked what grade I was in. I told him, still thinking about the raven. While pouring ice water into his glass, I spilled ice on his place setting. He laughed again. And then he reminded me that he would also enjoy some ice tea.
Tomorrow I am going to share some raven stories. I think they are remarkable intelligent birds. And by the way, Vincent Price was a remarkably nice person who was not perturbed by a child who poured ice water on him at a restaurant by the Rio Grande.

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20. Like son, like father?

We at La Bloga receive so many books to review each year that we 're never able to cover them all. A year ago one snagged my interest, and I went out on a limb to suggest that Cibolero by Kermit Lopez deserved to win the Premio Aztlán Literary Prize. Apparently, the gente de Premio Aztlán paid no attention to me, but nevertheless I stand by my original post.

Six months later, following in his son's footsteps, Kermit's dad also got his novel Sirena published by IUniverse. I don't know who wrote his story first--the son or the dad--but I imagine a family dinner at this house could be worth listening in on. Do they debate which is better, more historically accurate, or more Chicano? Are there family feuds where half line up with the old man and the other half with his hijo before la comida starts flying? Or do they do a typical Chicano-family thing and never talk about that subject?

In any event, below is info on E. G. Lopez's Sirena, taken from the book itself and the publisher's website. If anyone out there has had the opportunity to read both, we'd welcome your comparative lit piece on the two. It's a sign of the current flowering in Chicano lit when two in the same family can become authors. Who knows?--maybe there's a female member of the Lopez family composing something that'll top them both.

Overview from back cover: Epic account of a New Mexico Hispanic family swept up in a clash of empires, one waning and the other ascendant. A tragic tale of parallel nations, peoples, and lovers converging nowhere this side of infinity, marching in lockstep towards disaster.

The twins see it coming. Ron and Jake Valdez, prophets without honor, hamstrung by their own demons, powerless before the juggernaut. After Guantanamo, it was easy, first baby steps, later giant steps.

Homeland Security, Patriot Act, private armies, and concentration camps. In the name of freedom, they destroyed freedom, the bright shining star imploding, devouring itself.

About the author: E. G. Lopez was born in Santa Rosa, New Mexico. He is a Navy Veteran and graduate of the Milwaukee School of Engineering, BSEE, and the University of Pittsburgh, MBA, and a retired investigator for the National Labor Relations Board. In Sirena, he focuses his experience and a 300-year New Mexico oral heritage on an issue as old as humanity that threatens the integrity and the very viability of our great nation today.

N.B.: To my recollection, neither son nor dad tend to use the word Chicano in describing themselves or their work; the use of Chicano is purely my own perspective. - RudyChG

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21. Books at Bedtime: Día de los Muertos and Los Abuelos

Mexico is currently in the midst of its Día de los Muertos celebrations and there are some wonderful pictures appearing on various blogs, which highlight the color and exuberance of the festival – such as this at Zocalo de Mexican Folk Art; while Sue at Cottage in the Cedars recalls a past visit to Mexico and gives lots of background information. There are some great children’s books around – I blogged about some last year (including author René Colato Laínez’ as yet unpublished Magic Night, Noche Mágica). My Readable Feast has a new post about the Global Wonders dvd, with an extract to view about The Day of the Dead –it’s also worth scrolling down through the tag to her previous posts too, both for suggestions for children’s books and to see some very impressive home-made sugar skulls…

A new book, Abuelos, by Pat Mora and illustrated by Amelia Lau Carling (Groundwood, 2008), explores a less well-known tradition which carries traits of both Spanish and Pueblo cultures, and which is celebrated further north, in the mountains of New Mexico, around the time of the Winter solstice.

“Los abuelos” are not only grandfathers, in this context they are scary, sooty old men who come down from the mountains once a year to make sure the children have been good. At the time of the abuelos’ visit, villages have a big party, sharing music and food around a huge bonfire, and men dress up to tease the children.

In this delightful story, the preparations and the party are seen through the eyes of Amelia, our narrator, and her older brother Ray, who have only recently moved to the village. Amelia’s feelings are mixed – she loves the excitement but she’s not completely convinced that the abuelos are wholly mythical. Her father reassures her that it’s fun to be have a scary feeling sometimes – like at Halloween – because actually “No one is going to hurt you”. Ray teases and scares Amelia unmercifully but at the actual party, she’s the one who courageously leaps in to push an abuelo away from him…

The writing and the illustrations together perfectly capture both the magic of this tradition seen through Amelia’s young eyes and the warmth of the village community set against the cold, winter landscape. Monsters loom large, whether in caves up in the snowy mountains, or in the form of masked villagers – certainly all enough to convince Amelia to do anything her mother asks her straight away!

This is a great new addition to the bookshelf, whether for a cosy winter’s bedtime or for those in hotter climes wanting to escape the mid-December heat – as Pat herself says in her author’s note at the end:

Since I’m easily frightened, I chose to write a gentle version of how I imagine a spunky little girl responding to a visit by “los abuelos.” Enjoy!

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22. Hot Sauce in the Spicy Southwest: New Mexico and Colorado

As I write, it's Friday afternoon 7/20/2007 and we’re driving through the Rocky Mountains of Colorado, heading toward Utah. It’s difficult to write, though, not only because the views are stunning up here at 10,000 feet, but also because the narrow roads are snaking back and forth through the valleys and are making me queasy. More about Colorado in a bit. First, I’ll bring you up to date. Karen helps out—she’s in a different font.

GREEN CHILLI AND GATOS, GATOS, GATOS IN NEW MEXICO


MARK: New Mexico is truly one of my favorite places on earth. I spent a summer in Albuquerque in 1994 and fell in love with adobe houses, pow-wows, green chilli, and the Spanish language. I met Karen the following spring and I think my introduction to the Espanol of New Mexico played a role in my early spark with her – Karen’s family is from Argentina, and from the very beginning I was eager for her to teach me Spanish, which is why I can speak it today.

I think every state has its own unique personality, but in my humble opinion there are probably none so distinct as New Mexico’s. When you’re there, you know it. “The Land of Enchantment” (that’s the state nickname) just looks and feels different from anywhere else.




SANTA FE

KAREN: Santa Fe is beautiful. We spent most of a day walking around the town center. We visited the Georgia O’Keefe museum which was very interesting and gave us a good look into her life and why she loved New Mexico so much. Then went for lunch at a great Mexican restaurant called Tomasitas, where they were amazingly kind to us. Ignatios Patsalis, the owner/manager, showed us the royal treatment by giving us a tour of the restaurant. He took us into his the kitchen and showed us how they make Sopapillas. (MARK: A sopapilla is kind of a deep fried New Mexican donuty thing that, unfortunately, I can’t get enough of.) KAREN: Here is Ignatios showing us a barrel of red hot chili peppers. (MARK: Unfortunately, Lucy decided to stick her finger in and touch one, prompting Ignatios to have us wash her hand with soap immediately, before any of the spiciness got in her eye and burned her. Ahh, life with Lucy…) KAREN: Yes, even Evan ate the red and green chilies! It was the best Mexican food ever!! Thanks Ignatios and Tamasitas!




GARCIA STREET BOOKS

Santa Fe is the home of Garcia Street Books, a charming independent bookstore just a short walk from the center of historic old Santa Fe. They host quite a few authors. Here I am with bookseller Adam Gates, a recent transplant from the east coast. :-)



OUR FIRST STRING OF HOTELS

So far on our trip, we’ve been fortunate to be able to stay in the houses of generous friends and family on all but one night. In Santa Fe, though, we started a string of evenings where we actually had to spring for hotels. :-( But the good news is that we’ve been running into terrific people wherever we’ve been. Here we are with Vince, Heidi, Nick and Sam Battelo of Redland, CA. We met Vince, Nick, and Sam at the Holiday Inn swimming pool. Nick took this underwater picture of Evan as he jumped into the pool. Way cool! Great to meet you, Battelo Family! :-)



YOUTH HOSTELING, CATS, AND A CHURCH-GOING BIKER GANG IN TAOS, NM

Just outside of Taos (which we loved!) we stayed overnight at a youth hostel called “The Abominable Snow Mansion.” It was warm so we had the window open. All night long a parade of cats kept walking in and out through the window, and I kept getting up to shoo them out. I’m allergic to cats. Lucy loved it, though. She has since said those cats were one of her favorite parts of our trip so far.

Staying with us at the hostel was a fun gang of bikers from the Ft. Worth, Texas area. Here we are with Dwight Wilson, Scott Dishnow, Malcom “The Dukester” Duke, Craig Bearden, Jeff McDonald, and Noel Yandell. They told us they are all from the same Sunday school.


MOBY DICKENS

Taos is the home of the fantastic Moby Dickens bookshop. In addition to having an excellent selection of new books, they also order and research rare and out of print books. Another draw to the store is Ruby the Cat, who appeared at the store’s door in 1995 and has lived there ever since. Ruby apparently has a slew of fans who visit the store just to see her. Here I am with Mary Raskin, Carole Vollmer, Elizabeth Shuler, and Susan Hilliker. I didn’t catch the name of the gorilla. :-)


LIVING THE ARTIST'S LIFE IN COSTILLAS, NM

KAREN: On our way from Taos to Denver we stopped by to meet Linda Louden a friend of my cousins Bernie and Liz of NYC. Linda is an artist who dropped everything in her high-flying New York life to move to a one-bedroom white adobe house in Costillas, NM with her dog Daisy. Now in her backyard she has a re-vamped trailer that she converted into a studio. When you walk into her house you feel an immediate sense of tranquility, and she is surrounded by her art and the art of her friends. There is nothing in the town except for a few houses…it made me appreciate Georgia O’Keefe’s reasoning to go into the New Mexico Desert to create art. Here we are with Linda, who gave us osha, a new Mexican root that is rumored to heal just about anything, and some hot cheese & jalapeno bagels. Thanks Linda! You are an inspiration!




UPS AND DOWNS IN THE MOUNTAINS OF COLORADO



MARK: By two days ago, when we came to Colorado, we’d been traveling for 22 days. We passed the 5,000 mile mark in Denver—which is why I upgraded my total-mileage estimation from 9,000 to 13,000. I think that’s why yesterday we all seemed to crash a little. We were tired. We needed a down-day. We’ve recovered now, but our little dip in energy meant that we didn’t do full justice to Denver. I’m sure it’s a lovely city – and what little that we saw of it (see below) was very nice – but we definitely benefitted from lazing around the hotel room and staring at the boob-tube. All better now. :-)

OBSERVATIONS ON TRAVELING IN THE LEMONADE MOUTH VAN WITH THREE KIDS

A yellow van that says “Lemonade Mouth” in big, bold letters seems to sometimes confuse passers-by. Here’s a guy in Denver who came over to ask if we had any lemonade for sale.


Sorry, overheated Denver guy. No actual lemonade here.

BTW: We’ve christened the car Penelope.

Another thing, we’ve been seeing so many amazing sights for so many days now that I think the kids are starting to get a little jaded. Example from this morning: “Look, Lucy! Have you ever seen such an interesting-looking bridge? I know I never have!” Lucy momentarily glances up from her Barbie laptop and in a bored singsong monotone says, “Whoah. That certainly is an interesting bridge.” Then back to Barbie.

As I type, we’re still driving through the Colorado mountains toward Utah. I’ll ask the kids what was their favorite part of the trip so far and report it here. Here are their answers:

LUCY: When the kittens slept with me.
(MARK: That was at the youth hostel in Taos, NM).

ZOE (Note that she and I only speak to each other in Spanish): ?Te acuerdas el caballo mecanico?
(MARK: Translation – “Do you remember the mechanical horse?” She’s talking about a horse ride in the center of Taos, one of those rides for little kids where you put a quarter in the slot and the horse rocks back and forth for a minute or so. I wish I’d taken a picture. She really did love it.

EVAN: Burger Beach in Fort Worth. Remember? The big pool with all the diving boards and swings?

Okay, so not exactly the o-beautiful-for-spacious-skies answers Karen and I were hoping for. Still, I know that they really have enjoyed themselves so far. We all have. And they’ll always remember this long road-trip discovering America with their family. At least that’s what Karen and I keep telling ourselves. :-)

THE TATTERED COVER

No book-lover's trip to Denver would be complete without a pilgrimage to The Tattered Cover. It's the second largest independent bookstore in the country. And it is huge. Sidney Jackson and Judy Bulow and met us and showed us around. Their Colfax Street location is in an old building that used to be a theater, and it still has the curtain, the lobby, the orchestra pit, etc. It’s way cool. Here I am with Sidney. Thanks, Tattered Cover!



THE BOOKIES

The Bookies is a smaller but absolutely amazing bookstore away from the center of town. They specialize in books for kids and also teacher resources. Karen is a high school Spanish teacher, so she immediately got absorbed by the Spanish teaching resources and ended up buying a pile of loot. Here I am with Suzi Fischer, Vicki Hellman, and Mary Lou Steenrod. Such nice people!



HOTEL FROM HELL
Our hotel in Denver wasn’t that great. It was cramped, one of the beds actually broke when we sat down on it, and the TV didn’t work very well. Then as a final farewell just as we left, the toilet overflowed and ran out all over the floor. Lovely.

Goodbye, gushing toilet from the Hotel from Hell! :-)

THE BOULDER BOOKSTORE

This morning we went to The Boulder Bookstore, another big independent that makes you want to lose yourself in its many comfy, shelf-lined rooms. Arsen Kashkashian met us and was very kind. Tonight is the big release-party for Harry Potter 7, and the Boulder Bookstore is having live owls, an actual wizard, and a lot of other fun stuff including this gigantic papier mache sorting hat!



TAJIKISTANI TEA WITH LUCY

While Evan, Zoe, and I went to fetch the car from our distant parking spot, Karen and Lucy had tea at The Boulder Dushanbe Teahouse, which is a big ‘ol fancy Tajikistani tea room in the middle of Boulder. Apparently the barista, Rama Kho, did magic tricks with Lucy and gave her a complimentary hibiscus flower tea.



TROUBADOR BOOKS

Troubador Books is a lovely independent bookstore outside of the center of Boulder. It specializes in new books and books on performing arts. Deb Evans and Julie Leonard really went out of their way for us, including providing lemonade and helping us figure out our route to Utah. It’s amazing how friendly booksellers can be! Here I am with Deb and Julie. Thanks, guys! :-)


HERE AND NOW

As I type, it’s 6:42 PM and we just got out of a lengthy traffic jam on Route 70 heading toward Grand Junction, CO. I took this photo of the Starbucks in the mountains because it seems very Colorado: half coffee-place, half camping store.


Next stop, Utah!

--Mark
LEMONADE MOUTH (Delacorte Press, 2007)
I AM THE WALLPAPER (Delacorte Press, 2005)
www.markpeterhughes.com

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23. OUPBlog’s First Podcast: Gene Autry

Rebecca OUP-US

We have a really special treat for you today. Recently, Holly George-Warren author of Public Cowboy No. 1: The Life and Times of Gene Autry interviewed Jacqueline Autry. Ms. Autry, the second wife of Gene Autry, currently serves as Director and Chairman of the Board of the Autry National Center, the governing body for the Museum of the American West, Southwest Museum of the American Indian, and the Institute for the Study of the American West. The transcript is after the break. Click to play the Gene Autry podcast.

(more…)

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24. The Long Stretch Gene

medical-mondays.jpg

Earlier today we posted an excerpt from When A Gene Makes You Smell Like a Fish…and Other Tales about the Genes in Your Body, by Lisa Seachrist Chiu. Now we are going to delve deeper into the book with an excerpt that looks at a specific genetic disease, Marfan syndrome.

On January 24,1986, U.S. Olympic volleyball player Flo Hyman took a well-earned breather during a game her team was playing in Matsue, Japan. It was the third game of the evening, and Hyman rotated out on a routine substitution. She sat on the bench and within seconds slid to the floor. Just two years after her team made history winning a silver medal in Los Angeles, the woman touted as the best female volleyball player ever was dead. (more…)

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25. When A Gene Makes You Smell Like a Fish

medical-mondays.jpg

I’m going to be honest. I have been waiting for When A Gene Makes You Smell Like a Fish…and Other Tales about the Genes in Your Body to come out in paperback. It is one of those book where you are so immersed in the stories you only realize later, after you put it down, how much you have learned. Author Lisa Seachrist Chiu tells stories about rare and not so rare genetic quirks while explaining modern genetics. Below we have excerpted the beginning of chapter two, Just One Bad Apple, this afternoon we will look at the Long Stretch Gene.

Your third-grade teacher was right. Sometimes it takes only one bad apple to spoil the barrel. (more…)

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