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Viewing: Blog Posts Tagged with: cowboy, Most Recent at Top [Help]
Results 1 - 25 of 38
1. Traffic


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2. Taking a "mini" break.

I'm in between children's book projects and have a few days to work on miniature paintings. Here is the latest mini.

Prairie Dog with selected frame.


I think the title will be: Prairie Dog. It was painted with acrylic paint and is 3x4 inches. I started the painting last January as a demonstration piece at the Leepa-Rattner Museum of Art (on the campus of St. Petersburg College in Tarpon Springs, Florida).

Painting demo for Miniature Art Society of Florida (MASF).

Working from photo reference.
I  purchased the magnifying visor for painting miniatures but they just didn't work for me... returned them and went back to a hand-held magnifying glass.

I hope to finish a couple more miniatures in the next few months. I'll need a few more "mini" breaks.




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3. Lilly the Kid's School for Bandits (working title)

So last February I went to the Society of Children's Books Writers and Illustrators conference in New York City. Made the journey all by myself, leaving my toddler 871 miles away with daddy in Atlanta. The first night there I got food poisoning, forcing me to miss the entire morning session on Friday. Oh, did I mention I was 2 months pregnant as well? It was an experience for sure.

But none of that really matters. What matters is what I learned from the convention and what came out of it. I've wanted to attend for years and was not disappointed. Learned a lot, including how to approach my portfolio and branding for the next time I attend.

What's especially wonderful is how many art directors/editors are right at your fingertips. The conference allows for a lot of self promotion. During the open portfolio showcase, where you get to display your portfolio as well as leave out business cards and postcards, I had an editor ask me about one.


He especially liked the little girl and wanted to know if there was a story to go with her and if I would send it to him.

"Yup!" I replied. I did have a story, just didn't know what it was yet.

So after the excitement, nervousness, panic, and anxiety went away, I asked a few experienced illustrators and writers at the conference what I needed to do exactly. Elizabeth O Dulemba gave me some great advice. If an editor or art director asks you if you have a story, always say you have a story (check). Then take a couple months and write it. Editors expect it to take some time, and 2-3 months is not out of line. But make sure it is perfect! Illustrations to accompany are a bonus, but not necessary. He already liked my illustration style, he just wanted to know what it was all about.

So I followed their advice, kind of. Being pregnant and moving just a few months after the conference set me back a bit. Then a severe case of writers block set me back even more.

"You need to work on that story," my husband would often say.

"I know," was my only reply.

I have a lot of picture book ideas. I'm not saying every one is gold, but they are an idea, a place to start. But having an illustration and being told "come up with a story for this" put my mind in a fog I could not overcome. So I did the only thing I could do, took my time. Did research, had some creative procrastination and worked on the story little by little.

Till voila, I had an idea. Which developed into a story. Which has since become a world with characters and setting and concept. Here is a little peak.






Once the storyboard is finalized I will send it off to the publisher! Only 6 months late.



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4. Cowboy

cowboyontherange_RobertaBaird_2
There is a young cowboy, he lives on the range,
His horse and his cattle are his only companions.
He works in the saddle and sleeps in the canyons,
Waiting for summer, his pastures to change.
~ James Taylor

I’ve been experimenting with technique, texture and palette lately. This feller came out of my experimenting…. and who doesn’t love a cowboy! :)

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5. SkADaMo Day 11

Another last minute sketch. A redo from a couple of years ago.

……………

Remember, don’t forget to take a skip over  here and check out my fellow SkADaMoers. There’s some really good stuff! Thanks!


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6. Cow-Boy Kitten

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7. Color for Jack and the Giant Barbecue

Jack and the Giant Barbecue is Eric Kimmel’s retelling of Jack and the Beanstalk, set in west Texas. I wanted my images to tell the reader where he is, so the costumes and settings were carefully researched.

Color is a powerful tool for telling a story. To make every page look like the American West, I turned to 2 classic painters for guidance: Charles Russell and Frederic Remington. I made small color studies of their paintings before I began developing a palette for Jack and the Giant Barbecue. Notice how both artists accentuate the heat of a prairie scene with warm colors—yellows & oranges—and make the shadows more vivid with cool colors—blues & purples.

The color script came next. You can see Russell’s and Remington’s influence in the color, particularly in the outdoor scenes. I carried blues and purples inside the Giant’s barbecue shack to make it dark and unsettling.

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8. Design for Jack

Jack and the Giant Barbecue is officially in bookstores today! I had a great time designing these characters. Here’s how Jack came to be.

The first drawing I do of a character is always too rough. I draw it just to get that drawing out of the way. Neither of the figures in the first sketch is very interesting. That hat, though, with the stitching around the brim is the one I wore when I was 4 or 5.

The second sketch is more finished, but this character doesn’t inspire much interest, either. Also, he looks too much like every other kid I ever draw.

I thought I might try making Jack a little squirt, to contrast even more with the Giant. The third sketch shows a more compact Jack. I think he’s starting to develop a personality!

The next sketch shows the smaller Jack doing different things and showing some expressions. This is the character who would have enough gumption to climb Mount Pecos and take on the recipe-stealing Giant.

Here’s a sketch of Jack deciding to go after the Giant. Art Director Anahid Hamparian thought the picture told the exact same story the words do, so she nixed it. She was right. Often, getting rid of a picture makes the story move more efficiently.

jack.rough jack.design.1 jack.design.2 jack.design.3 jackbbq.sk.0800
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9. Debate: What is the origin of “buckaroo”? OED Editor responds

We (unintentionally) started a debate about the origin of the word “buckaroo” with our quiz Can you speak American? last week. Richard Bailey, author of Speaking American, argues that it comes from the West African language Efik. Here OED editor Dr. Katrin Thier argues that the origin isn’t quite so clear.

By Dr. Katrin Thier


The origin of the word buckaroo is difficult to establish and is still a matter of debate. In the sense ‘cowboy’ it first appears in the early 19th century, written bakhara in the earliest source currently known to us, but used alongside other words of clearly Spanish origin. Later variants include baccaro, buccahro, and buckhara. On the face of it, a derivation from Spanish vaquero ‘cowboy’ looks likely, especially as the initial sound of the Spanish word is essentially the same as b- in English. The stress of the English word was apparently originally on the second syllable, as in Spanish, and only shifted to the final syllable later.

However, there is evidence from the Caribbean for a number of very similar and much earlier forms, such as bacchararo (1684), bockorau (1737), and backaroes (1740, plural), used by people of African descent to denote white people. This word then spreads from the Caribbean islands to the south of the North American continent. From the end of the 18th century, it is often contracted and now usually appears as buckra or backra, but trisyllablic forms such as buckera still occur in the 19th century. This word was brought from Africa and derives from the trisyllabic Efik word mbakára ‘white man, European’. Efik is a (non-Bantu) Niger-Congo language spoken around Calabar, a former slave port in what is now southern Nigeria.

Given the multi-ethnic and multilingual make-up of the south of the United States, it seems conceivable that similar words of different origin could meet and interact, influencing each other to generate new forms and meanings. However, a number of difficulties remain in explaining the change of sense and also the varying stress pattern if the word of Efik origin is assumed to be the sole origin of buckaroo ‘cowboy’.

This is a word that we look forward very much to researching in detail for the new edition of the Oxford English Dictionary currently in progress. We would welcome any earlier examples of the word in the meaning ‘cowboy’, if any readers know of any.

Dr. Katrin Thier is Senior Etymology Editor at the Oxford English Dictionary.

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10. So what do we think? The Weed That Strings the Hangman’s Bag (Flavia de Luce)

The Weed That Strings the Hangman’s Bag

 Bradley, Alan. (2010) The Weed That Strings the Hangman’s Bag. (The Flavia de Luce Series) Bantam, division of Random House. ISBN 978-0385343459. Litland recommends ages 14-100!

 Publisher’s description:  Flavia de Luce, a dangerously smart eleven-year-old with a passion for chemistry and a genius for solving murders, thinks that her days of crime-solving in the bucolic English hamlet of Bishop’s Lacey are over—until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity. But who’d do such a thing, and why? Does the madwoman who lives in Gibbet Wood know more than she’s letting on? What about Porson’s charming but erratic assistant? All clues point toward a suspicious death years earlier and a case the local constables can’t solve—without Flavia’s help. But in getting so close to who’s secretly pulling the strings of this dance of death, has our precocious heroine finally gotten in way over her head? (Bantam Books)

 Our thoughts:

 Flavia De Luce is back and in full force! Still precocious. Still brilliant. Still holding an unfortunate fascination with poisons…

 As with the first book of the series, The Sweetness at the Bottom of the Pie, we begin with a seemingly urgent, if not sheer emergency, situation that once again turns out to be Flavia’s form of play.  We also see the depth of her sister’s cruelty as they emotionally badger their little sister, and Flavia’s immediate plan for the most cruel of poisoned deaths as revenge. Readers will find themselves chuckling throughout the book!

 And while the family does not present the best of role models (smile), our little heroine does demonstrate good character here and there as she progresses through this adventure. As explained in my first review on this series, the protagonist may be 11 but that doesn’t mean the book was written for 11-year olds :>) For readers who are parents, however (myself included), we shudder to wonder what might have happened if we had bought that chemistry kit for our own kids!

 Alas, the story has much more to it than mere chemistry. The author’s writing style is incredibly rich and entertaining, with too many amusing moments to even give example of here. From page 1 the reader is engaged and intrigued, and our imagination is easily transported into  the 1950’s Post WWII England village. In this edition of the series, we have more perspective of Flavia as filled in by what the neighbors know and think of her. Quite the manipulative character as she flits  around Bishop’s Lacy on her mother’s old bike, Flavia may think she goes unnoticed but begins to learn not all are fooled…

 The interesting treatment of perceptions around German prisoners of war from WWII add historical perspective, and Flavia’s critical view of villagers, such as the Vicar’s mean wife and their sad relationship, fill in character profiles with deep colors. Coupled with her attention to detail that helps her unveil the little white lies told by antagonists, not a word is wasted in this story.

 I admit to being enviou

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11. So what do we think? The Wild West: 365 days

 

 The Wild West: 365 days

 

 Wallis, Michael. (2011) The Wild West: 365 days. New York, NY: Abrams Press. ISBN 978-0810996892 All ages.

 Publisher’s description: The Wild West: 365 Days is a day-by-day adventure that tells the stories of pioneers and cowboys, gold rushes and saloon shoot-outs in America’s frontier. The lure of land rich in minerals, fertile for farming, and plentiful with buffalo bred an all-out obsession with heading westward. The Wild West: 365 Days takes the reader back to these booming frontier towns that became the stuff of American legend, breeding characters such as Butch Cassidy and Jesse James. Author Michael Wallis spins a colorful narrative, separating myth from fact, in 365 vignettes. The reader will learn the stories of Davy Crockett, Wild Bill Hickok, and Annie Oakley; travel to the O.K. Corral and Dodge City; ride with the Pony Express; and witness the invention of the Colt revolver. The images are drawn from Robert G. McCubbin’s extensive collection of Western memorabilia, encompassing rare books, photographs, ephemera, and artifacts, including Billy the Kid’s knife.

 Our thoughts:

 This is one of the neatest books I’ve seen in a long time. The entire family will love it. Keep it on the coffee table but don’t let it gather dust!

 Every page is a look back into history with a well-known cowboy, pioneer, outlaw, native American or other adventurer tale complete with numerous authentic art and photo reproductions. The book is worth owning just for the original pictures.  But there is more…an index of its contents for easy reference too! Not only is this fun for the family, it is excellent for the school or home classroom use too. A really fun way to study the 19th century too and also well received as a gift.  I highly recommend this captivating collection! See for yourself at the Litland.com Bookstore.

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12. swell


Elliot may have been no taller than a juice box, but he sure could perform some swell rope tricks.

……………………………………………………………………………………………………………..

The Illustration Friday theme for this week… for another 2.5 hours, is “swell”. So I thought it would be swell to post another snippet of the dummy I just completed just in time for the SCBWI L.A. Conference.


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13. obsession

Despite his diminutive size, Elliot’s obsession was to become a cowboy hero.

………………………………………………………………………………………………………………..

Frantically preparing for the L.A. SCWBI conference on Friday! It’s always down to the wire with me. Guess I love the drama!

Anywho, this little guy will be accompanying me to the conference in the form of a picture book dummy. He’s got a lot more confidence than I do, so hopefully he’ll keep me calm.


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14. Giddyup.











I am working on something extra fun.

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15. Illustration in STORIES FOR CHILDREN MAGAZINE


My illustration is out for Elijah Wants to be a Cowboy story by David Roper, in the Stories for Children Magazine in the April Issue.

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16. reverse

La Bruja refused to reverse the shrinking spell she had cast. Undaunted, Elliot Malloy, now a tiny cowboy, hopped upon his trusty steed, Peanut and rode off into the sunset.


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17. Billy the Red-Booted Bandit


Billy always wanted to be a leader but had no understanding of politics.
This is the finished drawing from the sketch I did last night.

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18. Sketchy

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19. Let it snow "Winter day's work"


This is a 5 x 7 Watercolor titled: "Winter day's work". I used this one for my Studio Holiday postcard.
~Debbie

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20. Class Halloween Party (a sponge painting) - sruble

I painted this one with cut up sponges (except the vampire). I painted the vampire with brushes to set him apart from the rest of the class. I thought the texture would be fun, and it is, except that the painting was too small (8.5 x 11) or the sponges were too big to make it look the way I wanted it to. Still, it's something I might play around with again in the future, or use brushes to try to re-create the texture. 

Eddie was out sick the day Ms. MacDonald's class decided to dress up as farm animals for the class party. Everyone forgot to tell Eddie when he came back.

Ms. MacDonald had a farm, E-I-E-I-O

Ms. MacDonald had a farm, E-I-E-I-O

 The chicken costume is my favorite. :)

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21. Kick the Cowboy by Joe Gribnau

Reviewed by Amy M. O’Quinn for the National Writing for Children Center

Kick the Cowboy

Title: Kick the Cowboy
Author: Joe Gribnau
Illustrator: Adrian Tans
Ages: 4-8
Publisher: Pelican Publishing Company (September 1, 2009)
ISBN-10: 1589806050
ISBN-13: 978-1589806054

Kick the Cowboy, a new Fall 2009 release by Pelican Publishing Company, is a delightful picture book written by Joe Gribnau and illustrated by Adrian Tans that is sure to lasso a lot of laughs from readers of all ages. In fact, the humorous twang and distinct Western flavor of the story will make this a first-rate read-aloud for the whole family!

Kick is a real cowboy’s cowboy. In fact, he’s the greatest cowboy ever! He can rope a dozen longhorns in one loop and drive a thousand cattle from Texas to Montana. At least that’s what the other cowboys say—that is, until Kick gets too big for his britches and too far above his raisin’! Then he turns into the meanest cowboy in the whole state of Texas, sporting a terrible stare, a cruel growl, and a scary snarl to boot. Yessirree, Kick is so
mean that no one dares to cross him or tell him that the horse he claims is the fastest and finest in the state is actually a stick horse.

As Kick’s meanness grows, his greatness diminishes in the eyes of the other cowboys and they all find excuses not to be around. But no matter, Kick just gets meaner and meaner, until the day he finally meets his match!

When a sweet little girl named Belle taps Kick on his back and asks for help finding her lost puppy, Poo, Kick acts just as mean and ornery as ever as he laughs and scoffs at her request with a nasty reply. But Belle does what no man alive has dared to do—she kicks him in the knee. Not once, but twice! And in the process she brings him down to her eye level. They stare at each other until a single tear rolls down Belle’s cheek. A little of the meanness melts from Kick’s heart, and soon they are both crying.

Kick realizes that he doesn’t want to be mean anymore. With Belle’s encouragement and advice, he mends his fences by apologizing to all the other cowboys. “Never met a greater cowboy”, they all agree once more as Kick and Belle ride away on their stick horses.

Joe Gribnau has done a splendid job with the story of Kick the Cowboy. The tale is funny and entertaining, yet meaningful because as his character Belle says to Kick, “…most folks are like barb wire…they have their good points.” What a great reminder that everyone deserves a second chance!

Adrian Tans’ illustrations are spectacular! The colors really pop, and he uses unusual perspectives and artistic angles to create one-of-a-kind pictures that really capture the essence of the story. The details are amazing, and the expressions on the characters’ faces are priceless. Young readers will definitely enjoy perusing the illustrations as they progress through the book. Gribnau and Tan make a great team!

You can find out more about Kick the Cowboy and other Pelican Publishing titles at www.pelicanpub.com.

About the Author: Joe Gribnau is a teacher and author. A native of Montana, he and his family now make their home in Walla Walla, Washington where they enjoy spending time outdoors. Joe is also the author of another Pelican Publishing title, Rocky Mountain Night Before Christmas.

About the Illustrator: Adrian Tans is an accomplished illustrator whose art has been exhibited in a variety of galleries. He also illustrated Pelican’s Pirate Treasure Hunt! and Witches Night Before Halloween. He and his family live in Vermont. You can visit his website at www.adriantansart.com.

***************

Visit Amy at www.amyoquinn.com or at
www.homeschoolblogger.com/picketfencemom.

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22. Dogs + Cowboys = Happy.



This is part of a big sketch I just finished for Highlights for Children. I'm waiting to get approvals before showing you the whole thing, of course, but I just wanted to share this dog with you. It makes me laugh. Nothing makes me happier than drawing cowboys and dogs.

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23. Spring!


Benny & Wild Horse Harry
enjoying Texas Bluebonnets!

For the upcoming May Arkansas SCBWI conference, I'm working on these characters, trying to create a picture book with them...I'll be "pitching" my idea to an art director! So, I thought I'd try an image for "Spring".

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24. New Work, Old work, and Promotions!

Howdy, all! Welcome to another post in which I regale you with tales from illustation's underbelly. Just kidding! Illustration's fun!

First, I would like to plug a few fellow artists doing their thing. I'll start with those crazy folks over at The Autumn Society. If you want to see some artwork by Philly's finest, I would suggest checking out their blog. New folks are joining, and its growing like mad! Also, a few Autumn Society members will be attanding the Baltimore Comic Con this weekend. It would be a mistake to miss that table of goodies!

Next up regarding Philadelphia, my good buddy Josh Robeson will be having a show of woodcut prints tonight at 712 S. 4th St. Please stop by and check it out. Sadly, Josh's website is under construction, but hopefully he'll have images on Flickr or Myspace.

And finally, Jinxed on 5th St, off South St, is hosting "Homegrown," a show of artwork by Philadelphia artists including the talented Alicia Neal, Danielle Rizzolo, and Leanne Biank. I think alot of Autumn Society memebers are in there, too!

Speaking of shows, the coffee shop show at Zuzu's is definitely happening. I sent Nate, the manager, some links to other illustrators, and he liked some so the show will take place this winter. Also, upon skipping out of the studio early a while back, I ran into Dan, owner of OpenSpace Gallery. We chatted a bit, a little shop talk. Then Dan mentioned a print show thay are having in December, and he asked me to be in it. Sweet!

Ok, now down to brass tacks. What has happened illustration-wise since my last post? Well, the Houston Press Best of 2008 issue has been published. So now I can show the "Best of Sports" spot illustrations I did at the start of September. I'll write show each blurb, the sketch, then its finish. I only did one sketch per illo as we discussed th econcepts by email beforehand. That was great; basically I said "I'm thinking this..." and she said to hop to it. Also, all of these spots were printed in black and white, but I have since colored them for my portfolio:

Best Basketball Court: The courts at the Downtown YMCA are a solid place to find a pickup game. Or, if you don't have the stamina to physically run the length of a basketball court, there's usually enough space to find an open hoop where you can just shoot around. There's a group of older guys that play Monday nights, but the 50-somethings can hoop. And you know the old guys play dirty. Learn the times for league games, though, because those usually dominate the courts later in the evening and can get intense, especially when the local Pro/Am league swings through. If you're interested in watching the oil industry's finest live out their hoop dreams, check out the Corporate A and B leagues. (my concept was to show businessmen playing basketball to show anyone can use these courts)

The sketch:
The final:

Best Dynamo: Pat Onstad is the best goalie in Major League Soccer. Period. That's why we're glad he plays for us. Nobody tops the keeper's ability at dashing a shooter's hopes of getting a goooooaaaaal! Sure, scoring helps in the winning department, but those points would mean jack if the other team were able to turn around and match them. Onstad also knows his defenders and is able to organize and work around them in order to create one killer first line of defense. If you have any doubts about his skill, just take a look at some recent 2008 season games where he's been MIA. He was actually playing for the Canadian National Team. Oh, Canada, is there anything you can't do? (my concept was Onstad blocking the goal)

The sketch:

The final:

Best Astro: Hunter Pence hit the big leagues like a man on fire last season. Any ball that came close to him, he hit. And any ball that came close to him in center field, he fielded. Not even an injury slowed him down. This season, Pence has become Mr. Indispensible to manager Cecil Cooper. He bats first, second, third, fifth, sixth or seventh, and he hits from any spot in the order. More importantly, Pence moved from center to right field this season without complaint, and already his glove and arm have saved several games. But Pence is also the Best Astro because of his attitude. He always hustles, always runs. He never complains. He just does his job the best he can. Every at bat, every game. (my concept was to show how hot Pence is, game-wise, not attraction-wise. tsk tsk. )

The sketch:

The final:
Best Place to See Fake Wrestling: We wouldn't be surprised if Doomsday sent one of its "wrestlers" to our door to fake beat us up for this award. We tested fate last year by naming the athletic-comedy-acting troupe as Best Comedy Show. But we'll take our chances once again in order to tip our hat to antics that would either piss off the wrestlers of WWF or make them laugh so hard they pee their pants. Forget the fights — the competitors alone will have you in stitches before the bell for round one. Doomsday's roster includes Bill "The Thrill" Korczynski, a geriatric has-been who's been defeated in the ring by more heart attacks than opponents. Kosher Killer, Russian Bear and The Stormin' Mormons make up the ever-increasing variety of beefed-up stereotypes and other fighters we're not so sure about, including Precious Jewels, a gender-bending oppressor who dons a head-to-toe, sparkly pink S&M suit and defeats his opponents by dry-humping them. These guys and more are matched up for bouts that result in both headlocks and hilarity. Ding! (the art director and I agreed this illustrated itself and a more documentary approach was appropriate)

The sketch:


The final:
So there you go. These were alot of fun, and I also enjoyed experimenting while coloring them. I think these sports images really add some diversity to the website. Now i just need some more recognizable celebrities.
On a side note, I changed up the website, removing the "linear style" all together. I have decided: 1)no one was interested in it 2)I need the space for new work and sowing additional graphic works make that portfolio stronger for 3) next month's promotion and my possibly seeking out a rep. In addition to this strategic move, I also set up a portfolio of graphic work on the ispot. Although no work has come of it yet, I am confident it will produce something as the folks there have highlighted my newest additions on both the ispot blog and the "Whats New" section. Iwas told by Dave, my ispot contact, that these areas are frequented by art directors on a regular basis. A fellow UARTS alum, Jeanine Henderson, just told me that after being featured in the "Whats New" section, she received two job offers within minutes of each other! Cool!

And next up, I'll guess I'll show my newest work, the piece featured on ispot's blog. It is a calendar commission from SF Weekly. It was a pretty straighforward job. I'm sure you can guess the event :)

The sketch:

The final:
I switched up the rider's position, and I think it made the piece much stronger. A bonus is th art director like the piece as well as my being generous and submitting two versions (one with a blue background). He said he will look for a cover for as I have helped him out in a pinch. Nice!

And thats about all I got right now. Really close to finishing a piece mentioned a while back ;) So I'll be posting again soon!


Enjoy the Day,
Chris

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25. With my banjo on my knee


My second experiment involving 'pixeling' in 3D.

More stuff at Sevensheaven.nl

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